Part 4 - Pope Francis - The Keys to Death and Hades

In this series of posts exploring the meaning of the latest Pope's branding we turn our attention to his unique contribution to the Papal Coat of Arms, the shield and motto. The short version of the official explanation of the motto is that, “miserando atque eligendo” means: "by having mercy, by choosing him," which some reduce down a little more to, “lowly but chosen.” It's considered an expression of humility. The brief on the shield is that the symbols honor Jesus Mary and Joseph. While that satisfies the curiosity of most, it barely hints at what's really represented.

I've already addressed how the shield redundantly signals ritual sodomy, and that should really be kept in mind to keep all this in perspective. Sex magick and the signaling of the same is standard fare for tares. Celestial imagery is obviously present in the sun and star, and this is also standard fare for tares, who have leveraged the ancient knowledge of astronomy, astrology and alchemy in building projects and arts of every kind for millennia. The expression of the Hermetic Maxim is implicit in Bergoglio's personalized charges, where the elements invoke the power behind the symbols - “As Above, So Below.” While these elements may look pretty generic as presented, we can be assured that they are not. A comparison of the Pope's heraldry and a Masonic tracing board suggests that what is signified by the star and grapes may be the Pleiades, the cluster associated with the constellation Taurus. Other kinds of clues allow the symbolism to be developed further. I'm aware that the official explanation is that the cluster of grapes isn't what it looks like. While I believe there's a hint of truth in their claim that it's nard, or spikenard, its mostly a misdirection because there's far more to it than just that.

Tom Horn and Cris Putnam have been publicizing the Vatican's interests in astronomy as they promote their new book, Exo-Vaticana. With the newly installed Pope's personal brand bearing celestial symbolism, we have to ask whether this is just coincidental or whether there might be some connection.

The Vatican owns and operates an observatory on Mount Graham in Arizona. This expresses more than a casual interest. Their primary instrument is the Vatican Advanced Technology Telescope or VATT, but there is a large binocular telescope named the L.U.C.I.F.E.R. Project nearby their facility. By name, Lucifer is the name of the god acknowledged by many of the elite as the “true god” they serve. Oops. What's the Vatican's interest? Apparently, it relates to their coming savior. They appear to be monitoring the heavens for signs of his approach.


As you read the following excerpts make note of how Tom identifies the priests involved as Jesuit, yes, like Pope Francis.

“Such technical language aside, the “Observers” who are approved to operate VATT and what they are using it for these days is what would take us through the looking glass. This was confirmed minutes later by the Jesuit Father on duty that day (whom we got on film) who told us that among the most important research occurring with the site’s Vatican astronomers is the quest to pinpoint certain extrasolar planets and advanced alien intelligence.”

“Captivating comments from Jesuit priests like Guy Consolmagno—a leading astronomer who often turns up in media as a spokesman for the Vatican who has worked at NASA and taught at Harvard and MIT and who currently splits his time between the Vatican Observatory and laboratory (Specola Vaticana) headquartered at the summer residence of the Pope in Castel Gandolfo, Italy, and Mt. Graham in Arizona. Over the last few years, he has focused so much of his time and effort in an attempt to reconcile science and religion in public forums specifically as it relates to the subject of extraterrestrial life and its potential impact on the future of faith that we decided to contact him. He agreed to be interviewed from Rome, and over the numerous exchanges that followed he told us some things that seemed beyond the scope. He even sent us a copy of a private pdf, a literal goldmine of what he and the Vatican are considering regarding the ramifications of astrobiology and specifically the discovery of advanced extraterrestrials... in which he admits how contemporary societies will soon “look to The Aliens to be the Saviours of humankind.””
(Exo-Vaticana - Pt 1)

Their watch post is an observatory and, based upon what Tom and Cris have already described online, that their savior is expected to come from space is no longer in doubt. Something long anticipated is approaching. I find it intriguing that Bergoglio was just “inaugurated” as Pope, and that “auguring” is the divining by observing birds. “The augur was particularly watchful of birds of prey, such as the eagle and interpreted the turning movements of a flock of birds as an omen.” (The role of the augur in Ancient Rome) I have demonstrated how an eagle is hidden in the Pope's heraldry and showed how it represents his god, the feathered serpent. Worshipers of this god across the globe and spanning the ages claim the promise he made to return from the heavens will soon be fulfilled. Quite literally, the Jesuits on Mount Graham are as the augurs of ancient Rome.

Just such a Papal engagement with an ET messiah has been modeled by others in significant ways. For one example, when I was led to study the London Ceremony of the Beijing Olympics (2008) I recognized the bus as a heavenly transport and the crossing guard as the Pope in scenes of welcoming a savior and facilitating a reproductive scheme intended to avenge the purge effected in the great flood of Noah's day. As I watch according to the Lord's command in Mark 13:37, I see detail filling in what is declared in prophetic sketches in the scriptures. Have you considered how the true Messiah departed and how it is He will be seen returning?

9 And after He had said these things, He was lifted up while they were looking on, and a cloud received Him out of their sight. 10 And as they were gazing intently into the sky while He was going, behold, two men in white clothing stood beside them. 11 They also said, “Men of Galilee, why do you stand looking into the sky? This Jesus, who has been taken up from you into heaven, will come in just the same way as you have watched Him go into heaven.” ~ Acts 1:9-11

Those who scripted and sponsored the Olympic Ceremony in that stadium in Beijing know what's coming, like the Jesuits and the Vatican elite. Olympism is a religion, research it for yourself. They openly worship Zeus and lead the world in doing the same. They look to welcome Apollo, his son. Others who are complicit in the scheme claim to honor Lucifer, and others worship Amaru, the feathered serpent under the false pretense of honoring my God.

If you don't think we worship that god in America, maybe you need to get out more. In my neighborhood, one of the busier stores around features his idol, an image of the plumed serpent, disguised as produce. I believe the reference being made by “Whole Foods” is to us. We are the “whole foods,” our flesh and the life in our blood are what literally feeds the gods. Their store brand label (365) accurately pictures the four pagan seasons and elements of the witch's magick circle. This is the real world.

If you don't have any of those nearby, perhaps you're beginning to feel the impact of ObamaCare. Here's the official imagery that was used by the Feds to promote that agenda. Give that some thought. The wand of Hermes that is also known as the caduceus has been widely implemented as a medical symbol, popularly replacing the rod of Asclepius. Watch for it. The medical community is well stocked with “whole foods” style eaters, feeding off blood and suffering. Hermes received that magickal implement from Apollo. Yes, Apollo, that very Amaru, the plumed serpent, the Amarucan eagle. The caduceus is made in his image! Note the three stars overhead in the bubble over America.

For some time now I've been considering the two gods known as Horus and Hermes and their relationship, and how they factor in to Bible prophecy. These appear to be identified with the two beasts of Revelation 13. I see Hermes-Mercury bearing the caduceus as a picture of the beast with two horns, like a lamb, and the image of the first beast, the feathered serpent Horus-Apollo.

11 And I saw another beast coming up out of the land, and it had two horns, like a lamb, and it was speaking as a dragon, 12 and all the authority of the first beast doth it do before it, and it maketh the land and those dwelling in it that they shall bow before the first beast, whose deadly stroke was healed, 13 and it doth great signs, that fire also it may make to come down from the heaven to the earth before men, 14 and it leadeth astray those dwelling on the land, because of the signs that were given it to do before the beast, saying to those dwelling upon the land to make an image to the beast that hath the stroke of the sword and did live, 15 and there was given to it to give a spirit to the image of the beast, that also the image of the beast may speak, and [that] it may cause as many as shall not bow before the image of the beast, that they may be killed. ~ Revelation 13:11-15 (YLT)

(Peculiar reference is made to the land and those dwelling in it. Where else would they dwell? Hmmm.)

This Pope Francis or some other will fulfill the role that seems likely to be associated with the ancient demon god still worshiped as Hermes. Who is the shepherd of flocks of sheep? Hermes is the god whose wand has now associated with healing deadly wounds. He is the psychopomp who controls access to the netherworld, and the Pope with his priesthood are called upon to administer last rites to those near death, the final so-called sacrament of which is the “administration of the Eucharist, known as "Viaticum," which is Latin for "provision for the journey."” (Wikipedia) The wand of Hermes mazes the eyes, casting a spell of delusion and control, and the great city Babylon, which is Mystery Babylon, deceives the world through pharmakeia, sorcery. Hermes is the god of fertility and of commerce. Have you read Revelation 18 lately?

It is appropriate to note at this point that Hermes or Mercury is a celestial body, a planet. Horus or Apollo is closely identified with our sun, but these are not the only links between these celestial entities and the lights in the heavens.

So, the Pleiades, along with Orion and Sirius, are often named in connection with that plumed serpent and others of the Devil's alias identities. I believe these celestial lights and the angels associated with them are represented by the charges on the Jesuit Pope's shield. I've already linked the star and the bunch of grapes to the Pleiades through the pair as a "star cluster" as the Coat of Arms matches to the Masonic tracing board, but more connections are about to be explored.

Here's where this is taking us. I'm stating it plainly right up front. The shield symbols, as part of the whole, appear to involve a binding magick, engaging seven spirits that wield legitimate authority over man. This may sound like an absurd supposition, but what these agents of darkness are doing is working! Magick works through symbols, and this is how I read this very important symbol that represents a legitimate magickal working. It should be obvious from Revelation 13 that there is genuine supernatural authority being exercised. Is there no sign of it, no physical evidence at hand? The working of the demonic authorities in the earth has ever been expressed through physical substance, concrete objects and the expression of forms. Let's see what lies opening before us.

There are several levels of interpretation of the celestial symbols and I'm going explore a few. I'd like to present this is a more linear fashion, but the material does not lend itself thus. I'm going to proceed with what amounts to an intersection of themes I've covered before relative to the Hoover Dam, which I developed in the context of Rango, the animated feature film.

What we find at the Dam links the Amarucan eagle to the Pleiades while including the element of binding or controlling supernatural authorities. This is a strong intersection, and I highly recommend taking the time to read the following post. Part 49 - Rango - Hoover Dam, Alcyoneus and the Hypercube Tuning Fork Angels

At the Dam, a special visitors area has a large Amarucan eagle represented near to a star map of the Pleiades. Again, these are two features represented in the official heraldry of Pope Francis. The place is sacred to Lord Pakal Ahau, Mayan priest. I've been told pagans perform sacred rituals at the Dam, at 3 AM. The hydroelectric facility is modeled on the Altar of Zeus referenced as “where Satan dwells” in Revelation 2:13.

The 142 foot flagpole at the Dam is flanked by 30 foot high bronze “Winged Figures of the Republic,” which may be intended as a signal receiver, perhaps specially tuned for “listening.” Could this be related somehow to what's being watched for from Mount Graham in Arizona, less than 500 miles to the southeast?

Here's what I wrote in the post I referenced.

“You see in this image of a star map at the Dam, the prominent name, Alcyone. Alcyone is the name of a star in the Pleiades, referenced above in Job 38 in the context of binding. The star is a metaphor for an angel, and there is a legendary giant named Alcyoneus, a star child, hybrid angel human, Nephilim. Legend has it he was created to destroy the gods. Is Alcyone, the named star of the star map at the Dam, indicating that Alcyoneus is the subject of magickal binding at the facility?”

In the Rango post I explore the matter of binding. Read it carefully with a view to see just how important the symbolism of binding heaven and earth was to the designer.

31 “Can you bind the chains of the Pleiades, Or loose the cords of Orion? 32 “Can you lead forth a constellation in its season, And guide the Bear with her satellites? 33 “Do you know the ordinances of the heavens, Or fix their rule over the earth? ~ Job 38:31-33

31 Dost thou bind sweet influences of Kimah? Or the attractions of Kesil dost thou open? 32 Dost thou bring out Mazzaroth in its season? And Aysh for her sons dost thou comfort? 33 Hast thou known the statutes of heaven? Or dost thou appoint Its dominion in the earth? ~ Job 38:31-33 (YLT)

If you're the kind of Bible reader who glosses over details as being unimportant you're in the wrong place. When celestial imagery is identified in the context of binding and loosing there's some profound truth being expressed. The Devil is not stupid. When the 200 Watchers fell, they taught men the secrets of heaven. When builders who follow mystery traditions align their projects with the dog star Sirius and Orion and the Pleiades, it's not done for no reason or to no effect. They are led by their god as I am led by mine. As Jorge Bergoglio developed his heraldry, his hand was guided by an unseen force. When the VATT and LUCIFER were built upon Mount Graham, which is said to be sacred to all the native Amarucans, that same spirit was being honored with obedience.

“The Cherokee Indian calendar ends in the year 2012 and their flying rattlesnake god returns. The “Cherokee Rattlesnake Prophecies,” also known as the “Chickamaugan Prophecy” or the “Cherokee Star Constellation Prophecies,” are part of a series of apocalyptic prophecies made by members of the Cherokee tribe during 1811–1812. Like the Maya, the Cherokee calendar ends mysteriously in the year 2012 when astronomical phenomena related to Jupiter, Venus, Orion, and Pleiades cause the “powers” of the star systems to “awaken.”” (Pt 13: Petrus Romanus)

The bunch of grapes on the Papal shield is a symbol used to represent the star cluster Pleiades. “Not nearly as many peoples associate the Pleiades with a cluster of grapes, but there are some... ”(The Bible and the Pleiades by Gerardus D. Bouw, Ph.D.) For another example: “The appearance of Pleiades resembled a bunch of grapes, and was appropriately given that title, not only because its stars were clustered together, but also because, in myth, those stars were the nymphs who nursed baby Dionysus after his mother passed away.” (Dionysus and the Origin of Wine) The symbolism of the grape cluster set alongside the five pointed star and under the stylized sun references the Pleiades in a particular celestial context.

There is a supernaturalism in this, and if there were not, the second commandment would not have been given, which explicitly connects the crafting of a symbol to the worship of idols. I'm not just some ignorant nut going on about mere superstition or hollow tradition. When the Pope's brand was updated, his star and grapes were changed from white to yellow, the color of star light or angel illumination and power. I believe this reflects what the flying rattlesnake god worshiping Cherokee prophesied about, the “astronomical phenomena related to Jupiter, Venus, Orion, and Pleiades,” and that the “powers” of the star systems were indeed “awakened” in some fashion. An active demonic supernaturalism is manifest in our world, the dark power of antichrist delusion. Whether this Pope or some other will fulfill the role of the biblical false prophet, that appointed season where he anoints the beast is now exactly 2 years hence, as I write.

Here is what I believe to be an essential set of scriptures describing this Pope's heraldry.

13 and in the middle of the lampstands I saw one like a son of man, clothed in a robe reaching to the feet, and girded across His chest with a golden sash. ...16 In His right hand He held seven stars, and out of His mouth came a sharp two-edged sword; and His face was like the sun shining in its strength. 17 When I saw Him, I fell at His feet like a dead man. And He placed His right hand on me, saying, “Do not be afraid; I am the first and the last, 18 and the living One; and I was dead, and behold, I am alive forevermore, and I have the keys of death and of Hades. 19 Therefore write the things which you have seen, and the things which are, and the things which will take place after these things. 20 As for the mystery of the seven stars which you saw in My right hand, and the seven golden lampstands: the seven stars are the angels of the seven churches, and the seven lampstands are the seven churches. ~ Revelation 1:13, 16-22

The Pleiades are referenced historically as seven stars, and these are often linked to the seven stars seen in his right hand, which are the angels of the seven churches. Pay particular attention to verses 17 and 18 and the context of what he says and what he does with his right hand, in which are held seven stars. Death and resurrection are in view, and the claim of possessing “the keys of death and of Hades.” There are those who perceive in this the agency of the psychopomp Hermes, the magick of Isis and of the phoenix, Amaru. Here we have the Pleiades and the power of binding wielded by the god identified with the sun. Those who present themselves as angels of light acquire the form of it for their darkened and darkening purposes.

When the Vatican tells us that the two keys on the Papal heraldry represent the keys to the kingdom that were presented to Peter, there's a truth in that where a binding and loosing authority is expressed, but what should be evident from this latest iteration is how the two keys are those of death and of Hades referenced in Revelation 1:18! Recall from Revelation 13:11-15 how this kind of authority is seen in the context as what the beast with two horns like a lamb will do is described.

Here's a very relevant excerpt from an email exchange between Tom Horn and Chris Pinto. Chris writes:

“It is further worth considering the writings of Manly P. Hall on these things, since the Roerichs knew Hall personally, and Helena wanted her sons discipled by him. On the symbolism of the number seven, he wrote: “By the Pythagoreans the heptad-seven—was called ‘worthy of veneration.’ It was held to be the number of religion, because man is controlled by seven celestial spirits.… It was called the number of life.… Keywords of the heptad are fortune…control, government, judgment…that which leads all things to their end” (Hall, Secret Teachings of All Ages, p. 72).

In his writings, Hall claimed that the apocalypse of St. John the Divine (book of Revelation) was a symbol for the entire pantheon of the pagan mysteries. He described the Christ figure thus: “In the opening chapter of the Apocalypse, St. John describes the Alpha and Omega…this Sublime One thus epitomizes…the entire sweep of humanity’s evolutionary growth—past, present, and future.” He continued, “The seven stars carried by this immense Being in his right hand are the Governors of the world” (Hall, The Secret Teachings of All Ages, pp 185–186).” (Apollyon Rising 2012 Redux: Part Eight -- Secrets of the Great Seal )

In that same article, Tom wrote about the subject, that: “As we will show later, there is a fascinating third possibility—that the “seven stars under the sign of the three stars” is a reference to the star systems Pleiades and Orion.”

Get firmly in mind what Hall declared about that heptad, which is distinctly associated with the Pleiades, and that these stars are considered to be the Governors of the world. Obviously, anyone who controls the world, like an antichrist beast and false prophet, for example, must have the seven stars in their right hand.

31 “Can you bind the chains of the Pleiades, Or loose the cords of Orion? 32 “Can you lead forth a constellation in its season, And guide the Bear with her satellites? 33 “Do you know the ordinances of the heavens, Or fix their rule over the earth? ~ Job 38:31-33

The Hebrew word for rule is found only here, “mishtar:” “rule or authority.” The word for earth is “erets,” the land. Recall from Revelation 13:11-15, the focus on the expression of authority and the expressions of control over those who dwell in the land.

11 And I saw another beast coming up out of the land, and it had two horns, like a lamb, and it was speaking as a dragon, 12 and all the authority of the first beast doth it do before it, and it maketh the land and those dwelling in it that they shall bow before the first beast, whose deadly stroke was healed, 13 and it doth great signs, that fire also it may make to come down from the heaven to the earth before men, 14 and it leadeth astray those dwelling on the land, because of the signs that were given it to do before the beast, saying to those dwelling upon the land to make an image to the beast that hath the stroke of the sword and did live, 15 and there was given to it to give a spirit to the image of the beast, that also the image of the beast may speak, and [that] it may cause as many as shall not bow before the image of the beast, that they may be killed. ~ Revelation 13:11-15 (YLT)

I believe the “As Above So Below” Hermetic Maxim will manifest accordingly, and that this Coat of Arms of Pope Francis presents us with an exhibit of the Papal authority as it will soon manifest. The three nails in the Jesuit icon represent the hardware used to bind heaven to earth as the man from heaven was nailed to the earthly tree. The Papal imagery of the star cluster adds to the regal mitre and keys, giving redundant expressions of the reality of this supernaturalism.

The first definition Strong's Concordance offers for the word “hades” used in Revelation 1:18 is, “name Hades or Pluto, the god of the lower regions.” Witchcraft operates through the binding of demons. Having the keys to death and Pluto (also, a celestial body) or Hades is a big deal.

It should be known that what the Bible declares is, simply is. Authority will be granted to a pair of men who will substitute for Jesus and John the Baptist, who was the High Priest ordained to baptize and anoint the lamb of God. The world will have what it demands. Right on time. Nearly all will be deceived in this action, and the delusion grows yet more and more strong to deceive all but a small number. What must be known to be included in that small number is more than what you see now among those who hold up this Pope and his church as false, of that I am absolutely convinced. Today, the evident supernatural delusion is impressive, but when the time comes that matters most, what will be brought forth will make what we now see pale in comparison.

More to follow, Lord willing!

Part 3 - Pope Francis - Jesuits and the Pope named Francis (Xavier)

"I learned much from the Order of the Jesuits", said Hitler... "Until now, there has never been anything more grandiose, on the earth, than the hierarchical organization of the Catholic Church. I transferred much of this organization into my own party... I am going to let you in on a secret... I am founding an Order... In my "Burgs" of the Order, we will raise up a youth which will make the world tremble... Hitler then stopped, saying that he couldn't say any more.." - Hermann Rauschning, former national-socialist chief of the government of Dantzig: "Hitler m'a dit", (Ed. Co-operation, Paris 1939, pp.266, 267, 273 ss). (See Jesuit - Nazi Inquisition

The painter understands. These folks know hand signals.

We have all been lied to about the Vatican and about Jesuits. The Jesuit oath binds one to deceive and commit sedition and murder, and the testimony of history bears witness that this is indeed what they do. I've always been baffled by how most folks see what they want to see, all evidence to the contrary. It boggles the mind. Most folks are singing the song about the new Jesuit Pope being a good humble man and how he chose the name Francis to honor the good Francis of Assisi. You can tell that's a lie because this is the official story. Remember the part about, “They lie”?

You may have noticed that I'm not pulling any punches here in my handling of the nature of the people and subjects of interest. I'm not trying to offend anyone, and most particularly not my Lord, and for that reason, I'm not interested in a show of diplomacy, in courting tares or their sympathizers. If I pad or soft-peddle anything in these matters, the truth suffers being compromised. If you can't bear it, just move on, or press in and get deliverance from the oppression of lies and liars as the Lord may provide.

6 Let no one deceive you with empty words, for because of these things the wrath of God comes upon the sons of disobedience. 7 Therefore do not be partakers with them; 8 for you were formerly darkness, but now you are Light in the Lord; walk as children of Light 9 (for the fruit of the Light consists in all goodness and righteousness and truth), 10 trying to learn what is pleasing to the Lord. 11 Do not participate in the unfruitful deeds of darkness, but instead even expose them; 12 for it is disgraceful even to speak of the things which are done by them in secret. 13 But all things become visible when they are exposed by the light, for everything that becomes visible is light. 14 For this reason it says, “Awake, sleeper, and arise from the dead, and Christ will shine on you.” ~ Ephesians 5:6-14

About taking the name Francis to honor Francis of Assisi, even we accept that at face value, that's a dishonorable thing.

“Pope Francis is "a Jesuit's Jesuit" who understands the importance of St. Francis of Assisi in the life of St. Ignatius of Loyola, founder of the Society of Jesus, said the Jesuits' secretary for the promotion of the faith. “Father Blaszczak said Pope Francis' training and priesthood as a Jesuit "tell you that he's been steeped in Ignatian spirituality," has had "a top-notch secular education" and that "his formation has always put him in touch with real people in real-life situations," which he then has reflected upon in an effort to identify the ways God was present. "That he chose the name Francis signals to us where he's from, what he's about and what he believes the reform of the church is going to require: It's not going to require moral muscle, it's not going to require just philosophical analysis; it's going to require an engagement with the person of Christ," particularly through the Scriptures, he said. "But it's going to be the Christ poor and humble." While some people thought maybe Pope Francis took his name thinking also of the great Jesuit St. Francis Xavier, Father Blaszczak said Jesuits know just how important the life, example and spirituality of St. Francis of Assisi was in the conversion of their founder, St. Ignatius, and in the development of what has come to be known as Ignatian spirituality.” (Catholic News Service: Sts. Ignatius and Francis of Assisi, a bond highlighted by Pope Francis)”

Do some homework. Research what is meant by “Ignatian spirituality.” That's an example of a kind of exercise the Bible actually says not to do. When we're directed to dismiss “the great Jesuit St. Francis Xavier” as being the man honored by Bergoglio, let's take a clue from the shill - there's our man! He is a “Jesuit's Jesuit,” we were told, so let's accept what he said out of that side of his mouth.

Francis Xavier was a co-founder of the Company of Jesus, now known as the Society of Jesus, aka the Jesuit order. He's exalted, even by those who have suffered greatly in the wake of his legacy. Yes, it's ironic, but that's how it works. He had a major role in the Portuguese Inquisition.

“The newly founded Company of Jesus, in their Counter-reformation zeal after the Council of Trent, annointed themselves with the title of Apostles. King João III pleaded with the General Ignatius de Loyola in Rome, that he should send missionaries for the Orient. Promptly Francis Xavier was sent to Portugal in 1541. Already in 1545 Francis Xavier wrote to Rome from Goa , asking for the Inquisition to be installed immediately.” (The Portuguese Inquisition in Goa (1560-1812))

See Hindu Genocide in Goa Inquisition for more info.

Also Recommended:

• Tares Among the Wheat - Chris Pinto
• Who are the Jesuits
• Evil Organizations: The Jesuits
• Jesuit Pope Agenda – Meet The Templars, Knights of Malta And Blackwater/Xe Exterminators
• See also Blackwater: Knights of Malta in Iraq

Remember what I wrote when breaking down this school logo? Check out this popular painting of Francis Xavier. This was done by an artist who clearly “gets” him.

If you've been following the sodomite gateway series you may find this easily interpreted. The Jesuit IHS with the cross through it is the four letter word for feces. He's holding a heart, which is a butt symbol. The clouds with people looking down is probably supposed to reference the cloud of witnesses in Hebrews but it's just a dimensional portal, and those are not dead saints or patriarchs but demons. Those clouds are the clouds without rain of Jude. There's a crown on the cross and a body, but that's not my Lord. This is an idol of a false death cult sun god, King Horus. The crucifix pierces the H, Horus. Do you see that it pierces the heart held by Francis? This is the phallus of Horus extending through that dimensional portal to stick Francis right in the bloody butt. There's a halo on his head because he's illuminated through ritual sodomy. His hands are crossed. He has a secret. His hands are making a bird sign, like the feathered serpent with two heads, what I've labeled the Vitruvian eagle because of how sodomy is obfuscated in the same way as daVinci's classic drawing.

Propaganda is nearly all that's heard today. Hegel observed, “The only thing we learn from history is that we learn nothing from history.” I don't like to honor Hegel at all but he pretty much got that right. Let's not be that way.There's an expression, “Fool me once, shame on you. Fool me twice, shame on me.” Let's not be fooled. The reputation managers have done quite an impressive job. The sovereign Lord has ordained that it should be thus for yet a short season. Then the gig is up!

Annual Watch begins March 25 - The Sign for the Bride

As a reminder, Pesah or Hag haMatzot approaches. Most importantly, what I refer to as the annual watch day is almost upon us. The 13th day of the 1st month will begin at sunset on 3/25. As I've been repeating, even though the sign for the Bride is not appointed until 2015, there is a need to watch very closely to see what patterns are observed. In previous years, shadows of the sign were observed in 2001 and 2008, involving Bill Clinton in each case. In 2001, a Buddhist priesthood was involved, and in 2008, Pope Benedict XVI. For more explanation, use this blog's search feature, finding the string sign for the bride.

Part 2 - Pope Francis - Decoding the Coat of Arms: Feathered Serpent and Amarucan Eagle

Continuing from the previous post, the Papal Coat of Arms resembles the eagle (or phoenix) of America's Great Seal, with many matching features. It also resembles the Baphomet, as rendered by the celebrated occultist Eliphas Lévi. Pope Francis' heraldry is similar in many respects to those of the Popes who immediately preceded him, Benedict XVI and John Paul II, but his is easily the best match to both the Great Seal and Baphomet. When the Latin phrases that appear on the featured three emblems are considered in the light of this matching, the similar meanings seem unlikely to be coincidental. The conclusion that there is one power and plan in view finds further support.

I'll get to the comparison of the Papal heraldry with Baphomet eventually, but first I want to explore the comparison to the bird on the Great Seal.

Between the two, the shields are presented front and center. The mitre that is worn on the head is the obvious head of the eagle above the shield. The matching wings, and clutching talons are obvious, as are the star cluster (star-cluster of grapes) and radiant (anal) portal. Each has a Latin expression. (While Bergoglio's previous heraldry had the phrase set on a banner, the banner does not appear in his Papal version.)

I include the NSA seal in this comparison to illustrate a key-talon connection and to highlight the link between the key and protection, security.

I've identified and labeled that iconic bird on the seal as the Amarucan Eagle. See Amarucan Eagle as Feathered Serpent, Hoover Dam and the Mayan Lord Pakal Ahau. This takes history into account and reveals our national bird to be none other than the plumed serpent, phoenix and great dragon. When the identification of the Pope through his heraldry as a shielded bird of prey is pursued, one can hardly deny that he is identifying his god and himself as his kind, the head of the ancient cult that worships that feathered serpent.

It's easily discovered that there are Papal links to this bird. The eagle has long been identified with the Vatican and Rome. There is in the Vatican Garden what is called the Fountain of the Eagle. Any eagle exalted at the Vatican is the same as the Roman military standard, called an aquila. There's a direct link here to Aquilla, the constellation associated with the eagle of legend that held the thunderbolts of Jupiter, aka Zeus. The role of the eagle is to bear this god's weaponry, and this is how we see the Amarucan eagle on the Great Seal, clutching 13 arrows in a talon. (Thirteen bloodlines of the Illuminati - arrow as offspring - Psalm 127:5) The Archer is traditionally understood as the sun god Apollo (aka Horus), the son of Jupiter-Zeus.

Because a Coat of Arms is in fact a military insignia, there is not even the slightest departure in the presentation of a form of the Roman military standard in the Papal heraldry. This observation bears witness to the Roman Catholic church's earthly ambitions, which are, in no small part, military. Remember the Crusades?

The mitre pictured on the Pope's Coat of Arms is another witness because it resembles a knight's helmet as a companion to the shield.

The Vatican is recognized the world over as a distinct national entity, and their agents have enjoyed diplomatic immunity. The Pontifical Swiss Guard is the security detail at the Vatican. The Jesuits, the orders of the Knights of Malta and Columbus, the Knights Templar, these are quite literally military orders. This Pope is a Jesuit, obviously, one of “God's Marines.”

Because such things are guarded, I can't attest to the validity of the following version of the Jesuit Oath, but it seems likely to me given what other oaths of the secret societies have surfaced, and given the long history of the Jesuits, the Society of Jesus. This is what Bergoglio would have upheld, who has now become that visible head to whom allegiance was sworn.

“I furthermore promise and declare that I will, when opportunity present, make and wage relentless war, secretly or openly, against all heretics, Protestants and Liberals, as I am directed to do, to extirpate and exterminate them from the face of the whole earth; and that I will spare neither age, sex or condition; and that I will hang, waste, boil, flay, strangle and bury alive these infamous heretics, rip up the stomachs and wombs of their women and crush their infants' heads against the walls, in order to annihilate forever their execrable race. That when the same cannot be done openly, I will secretly use the poisoned cup, the strangulating cord, the steel of the poniard or the leaden bullet, regardless of the honor, rank, dignity, or authority of the person or persons, whatever may be their condition in life, either public or private, as I at any time may be directed so to do by any agent of the Pope or Superior of the Brotherhood of the Holy Faith, of the Society of Jesus.”

“In confirmation of which, I hereby dedicate my life, my soul and all my corporal powers, and with this dagger which I now receive, I will subscribe my name written in my own blood, in testimony thereof; and should I prove false or weaken in my determination, may my brethren and fellow soldiers of the Militia of the Pope cut off my hands and my feet, and my throat from ear to ear, my belly opened and sulphur burned therein, with all the punishment that can be inflicted upon me on earth and my soul be tortured by demons in an eternal hell forever!”

“All of which, I, _____, do swear by the Blessed Trinity and blessed Sacraments, which I am now to receive, to perform and on my part to keep inviolable; and do call all the heavenly and glorious host of heaven to witness the blessed Sacrament of the Eucharist, and witness the same further with my name written and with the point of this dagger dipped in my own blood and sealed in the face of this holy covenant.” (He receives the wafer from the Superior and writes his name with the point of his dagger dipped in his own blood taken from over his heart.) (The Extreme Oath of the Jesuits)

The waging of war is what a military is all about. This is not a matter of harmless little boys in a club house pretending to be something they are not. The Bible is clear about the state of things today. Mystery Babylon is held accountable for spilling blood. History bears witness to the bloody history of the Jesuits. More will be written about this, Lord willing.

I'm going to continue confirming the identity of the hidden Papal bird. Look at the Jesuit icon once more. Jesuits and, indeed, all Roman Catholics must be considered the children of the sun. They observe the solar calendar and worship on SunDay, attend sunrise services and worship a sun symbol host. The majority of Roman Catholics live in what's considered Latin America, with Latin being the traditional language of the Romish church. Now, consider what the Freemason Manly P. Hall wrote as he referenced the native peoples of Latin America.

“These Children of the Sun adore the Plumèd Serpent, who is the messenger of the Sun. He was the God Quetzalcoatl in Mexico, Gucumatz in Quiché; and in Peru he was called Amaru. From the latter name comes our word America. Amaruca is, literally translated, ‘Land of the Plumèd Serpent.’ The priests of this God of Peace [that Plumèd Serpent or flying dragon], from their chief centre in the Cordilleras, once ruled both Americas. All the Red men who have remained true to the ancient religion are still under their sway. One of their strong centres was in Guatemala, and of their Order was the author of the book called Popol Vuh. In the Quiché tongue Gucumatz is the exact equivalent of Quetzalcoatl in the Nahuatl language; quetzal, the bird of Paradise; coatl, serpent--'the Serpent veiled in plumes of the paradise-bird'!" ” (Manly P Hall, The Secret Teachings of All Ages, p 602.)

Pope Francis is not only the first Jesuit Pope but also the first from Latin America.

If you're still working on making sense of what you see unfolding, perhaps this image will speak to you. It's a photograph of the base of the obelisk that stands at the Vatican as the centerpiece of St. Peter's Square. That's the prized artifact removed from the Egyptian city of On, the former center of sun worship that is also known as Heliopolis, the City of the Sun. Can you identify the bird with the royal crown as the Plumèd Serpent? If the Vatican eagle wasn't connected to sun worship, why would it be affixed to that obelisk? If you connect the lions to the sphinx that guard the pyramids you have another point of association.

Did you know that an obelisk is considered a frozen serpent? According to former Satanic witch and author Cisco Wheeler, “An obelisk is taught to Masons as a symbol of the phallus, but the deepest level meaning is that it is really a 'frozen snake'.” The eagles are affixed to the “frozen snake” at the Vatican to represent and honor the ancient feathered serpent, the biblical dragon and his incarnation. It's the very phoenix of the UN security council mural! The capstone at the top of an obelisk is a Benben associated with the phoenix. Is it merely coincidental that Pope Francis's heraldry resembles the “Amarucan Eagle”? Of course not!

Cisco Wheeler also wrote, “When the Fifth Dimension world is here, the Serpent of Wisdom will once again populate the world as in the days of Noah and as they did in the early days of the motherlands. They will once again function within their immortal Dragon bodies and immutable physical shields, becoming the Nephalim of ancient days.”

I believe these very “immutable physical shields” are represented in the Papal heraldry.

And I will make Jerusalem heaps, and a den of dragons; and I will make the cities of Judah desolate, without an inhabitant. ~ Jeremiah 9:11

Behold, the noise of the bruit is come, and a great commotion out of the north country, to make the cities of Judah desolate, and a den of dragons. ~ Jeremiah 10:22

Featured in the Vatican Museum is an old vase that pictures what I believe is an ancient scene of SRA, Satanic Ritual Abuse, where an eagle is torturing and performing ritual torture and blood sacrifice on Prometheus. The act of pecking out the heart is akin to what the worshipers of the feathered serpent have famously done. Nearby, Atlas is being abused by a serpent. They appear to be on apedestall altar, as being ritually sacrificed to the serpent + eagle or feathered serpent. What is claimed in the description on Theoi.com to be blood dripping from chest wounds seems more likely to be veiling the discharge from another source. Look at the residue on the ground. The serpent form suggests kundalini enlightenment. The sum suggests SRA and illumination through rough ritual sodomy. Combine the pairs to see the brothers as a single sacrificial victim and the serpent and eagle together as the feathered serpent. Obfuscation has been going on a very, very long time. The double headed eagle resolves two into one, like daVinci's Vitruvian Man. Two into one. One into two. It's an old trick that works well.

How many images of Horus as Horus Behdeti and Isis as Isis-Thermoutis or Isis-Renenutet composite the serpent, feathered wings and sun disk symbols together? Below appears a picture of a feathered serpent on a temple honoring the crocodile-headed god Sobek, on the Nile at Ombos. It's known as Horus Behdety.

Many claim the I and H of the Roman Catholic / Jesuit so-called “holy name” IHS represent Isis and Horus. Idols of I and H are often renamed “Jesus” and “Mary.”

The titular bishop of Ombi from 1958 until 1963 was none other than Karol Wojtyla, who would later become known as Pope John Paul II. His heraldry was the first to more closely resemble this eagle and feathered serpent!

I believe there's another important connection here. This is a painting from a temple in Kom Ombo, perhaps the Temple of Sobek. The bird concealed in the heraldry of the last three Popes, John Paul II (former titular bishop of Ombi), Benedict XVI and Francis 1, appears to be specifically a vulture.

In particular, the three Popes named above made the lappets prominent in their heraldry, spreading them out with their fringe like wings. These are seen as red, adorned with the sodomite plus sign cross and with gold fringe at each end.

“Each papal tiara since early mediæval times contained two lappets. Their origins remain a mystery, though they are obviously in imitation of the lappets on the bishop's mitre. The lappets are probably avestigee of the ancient Greek headband called a mitra from which the mitre itself descends. The mitra was a band of cloth tied around the head, the ends of the remaining fabric of which would fall down the back of the neck. The Latin name for the lappets is infulae, which were originally headbands worn by dignitaries, priests, and others among the ancient Romans. ” Lappet - Wikipedia

The reason for featuring this ornamental feature of pagan priests in their bird of prey heraldry may be to identify their eagle as the vulture. The constellation Aquilla, the eagle, was also known to the Romans as Vultur volans (the flying vulture). (In Matthew 24:28 and Luke 17:37, the words eagle or vulture may be used, depending upon translation.)

It would not surprise me if there were some manifest form of these tares as serpent and vulture like, like a lappet-faced vulture, after the manner of their god. Their nature is to eat the flesh of men.

The Vatican, Rome, America, Germany, Russia (two headed) and other entities and members of the Illuminated elite identify themselves with the eagle. So does Freemasonry. Given that the Papal Coat of Arms is the Masonic tracing board I illustrated in the previous post, the Coat of Arms as the eagle is yet one more linking element.

Another ancient artifact in the Vatican collection is a statue of Ganymede with eagle, associated to Zeus, aka Satan.

Uh, yeah, so the Eagle is with Ganymede but Zeus made him so the eagle can't be Zeus. And, yeah, the eagle is the bearer of the thunderbolts for Zeus, not Zeus himself. OK. And, uh, the feathered serpent is the Devil, and that's Satan and Zeus, so the feathered serpent can't be the eagle because that's not Zeus. But, well, Apollo is the son of Zeus, so why does the bird carry Apollo's arrows but Zeus' thunderbolts if, ah, wait, what was that about the phoenix again?

Hey, simplify. You can't resolve those conflicts. That's the point. It serves the Devil to cloak the truth of his identity and deeds by spinning off multiplied conflicting versions of everything. If there is a Vatican pretext explaining the symbolic bird on their obelisk, it probably involves biblical references, and that would be an example of the typical imprinting of lies over the truth. When you see a bird of prey used for branding, whether it's an eagle, owl, hawk or falcon, it's a god, ultimately the prince of the power of air, Beelzebub - Lord of them that fly, the being with the ability to traverse dimensions that is Lucifer, in a guise of the sun god of the sodomites. Every one of the "myths" and legends of the ancient gods is a little truth wrapped in lies. Those who chase down the left hand path obsess on the hierarchical structures and magickal names and formulas. At the end of the day, they still have the most essential fundamental wrong. Their Christ is antichrist.

The propagation of confusion is stock in trade for Mystery Babylon, the biblical entity primarily represented now by Pope Francis. The word “Babylon” is related to “Babel” and these have the meaning of confusion and mixture, as well as the gate of the gods. As a magickal symbol, which is a demonic portal, the Pope's Coat of Arms is as the Pope himself, and as the work of this Mystery Babylon, a gate of the gods.

“The Greek Aquila is probably based on the Babylonian constellation of the Eagle (MUL.A.MUSHEN), which is located in the same area as the Greek constellation.” (Wikipedia)

For further study I recommend reading what Steve Quayle posted on his site last month, which I've copied here with some commentary. This brief on “The Return of the Serpents of Wisdom” provides an excellent overview of the bird. The author, Mark Amaru Pinkham, is the North American Grand Prior and Co-Director of a division of the Scottish Knight Templars.

Having connected the Pope's heraldry to the Great Seal of the USA and identified the bird as the feathered serpent and sun god he represents, there's another important comparison I want to make before I explore the meaning of the celestial imagery.

As I've shown by many examples in this blog, it's the way of the tares to imprint another version directly upon the truth. Truth with a twist, given a spin. The truth is used as a vehicle for the lie.

A good example of this may be seen from the familiar work of devout Roman Catholic and Renaissance painter, Vicente Juan Masip (also Vicente Macip; 1475– 1545). “He never painted a profane subject, and emulated Luis de Vargas and Fra Angelico, in never painting unless he had undergone holy communion. Painting for him was a solemn exercise, an oratory process, full of prayers and fasts. He never lacked church patronage... He also painted for the churches of the Jesuits, Dominicans, Minims, Augustinians, Franciscans...” (Wikipedia) A comparison made between Masip's “Christ with Eucharist” and the ceremonial magician Eliphas Lévi's (1810 - 1875) “Baphomet” leaves little doubt that they have much in common. Any argument to the effect that Lévi was merely counterfeiting a truly good genuine fails when held up to the light of scripture, where the second commandment clearly prohibits what Masip and other religious artists have done.

It must be said that Masip and Levi shared common inspiration, and those who make heraldry like the Papal Coats of Arms are inspired of the same source, to the same end. Idolatry, and sorcery, the craft of binding spells.

To be continued, Lord willing!

Part 1 - Pope Francis - Decoding the Coat of Arms (i.e. Masonic Tracing Board)

The official Papal Coat of Arms of Jorge Mario Bergoglio, aka Pope Francis I, was announced a few days ago. Because ritual sodomy is the key to the power of that cult of Mystery Babylon and a fundamental in their worship of the sun god, the Pope's all have imagery that signals the sodomite gateway. Bergoglio's personalized additions extend that and add some other imagery that is very intriguing! If you've been following what Tom Horn and Cris Putnam have been writing about the Vatican's peculiar interest in astronomy, you're going to find a related witness here. Read the celestial imagery where the sun appears, and the star next to the bunch of grapes represents a star cluster. You're going to see how the Papal heraldry is a cryptic Masonic tracing board, which makes a rather dramatic statement beyond the obvious suggestion that this Jesuit Pope is secretly a Freemason. I don't pretend to know all the layers of any of the symbols, but I've become pretty familiar with some of them. There's more to this than I can reasonably cover in one post.

Yesterday was the Vernal Equinox, a big day on the Pagan calendar. I was wondering if the Pope was going to have a major event marking the day, but nothing seems to have been made public about such. His election came on the 13th, with some folks observing the Occult numberings of the timing of events on that day. On the Lord's calendar, the election came on the first day of the first month. He was inaugurated on the 19th, the last full day of the first quarter of the solar year. “Inaugurate” means “to take omens.” See here for some background on the word, “inauguration.” Because of what's known as the Prophecy of the Popes, some suspect Pope Francis 1 will soon fill the role of the false prophet, as Petrus Romanus. While the time is near for the false prophet to arise and fulfill his prophetic appointment, it's not so near that I will make any claim about his identity, having no revelation insight into the matter.

Pope Francis I brings to his new heraldry his former motto, the blue escutcheon or shield bearing the standard Jesuit emblem with the star and cluster of grapes, which have been changed from white to yellow. Bergoglio replaced the traditional tiara with a mitre, like Pope Benedict XVI (Joseph Ratzinger, 2005–2013) before him. His versions of the crossed Keys of Peter are modeled on those of Pope John Paul II (Karol Wojtyla, 1978-2005). Francis retains the fringed lappets of the headpiece in the same style of those two preceding Popes. (See Wikipedia's collection of the Papal Coats of Arms)

As to what these things mean, there's official versions, and you can accept those if you like, but all the official versions and the reports of them are going to be filled with misinformation. miserando atque eligendo = “Lowly But Chosen”? Well, not really. Liars lie. Esoteric symbols have several layers of meaning. They are carefully designed to conceal and reveal the truth. They require decoding. You can get a foundation for interpreting the Papal symbolism from my decoding of Pope Benedict XVI's Coat of Arms here, Part 13 - The Sodomite Gateway - The Sodomite High Priest of the Romish Sun Cult, and about similar heraldry here, Part 17 - The Sodomite Gateway - Royal Pains - Order of the Garter.

The sun on the shield with IHS and a cross inside is the Jesuit Christogram. I explained it's symbolism in Part 79 - The Sodomite Gateway - Holy tIHS!, and Part 80 - The Sodomite Gateway - Jesuit Values. The sun symbol is the sun god's anus, filled with tIHS (mirror that), as one might expect. The three nails that are claimed to represent the hardware used to affix my Lord to a cross speak on a very important level of a triple helix DNA resurrection. That is intended to be a figurative crucifixion of that entire body, of which Y'shua is now the head, through the agency of the Beasts and the mark of the beast.

The simple form of the shield itself is that of the Royal Arch, the squared circle and sodomite portal. Placing it upside down and calling it a shield does nothing to change the meaning of the symbol but only obfuscates it slightly. Placing the Jesuit sun-anus on the Royal Arse makes for a powerful sign that declares very emphatically who Pope Francis I is and what he does, and from whence his authority derives.

Considering the whole, the Coat of Arms of Francis I begs comparison with a familiar scene, the Royal Arch of the Freemason's lodge. In this comparison, I've simply turned it upside down.

The grapes compare to the cornucopia. Also known as the horn of plenty, it pictures the GI tract, and the bunch of grapes pictures what emits from it as a reference to the illuminating act of ritual sodomy, but I'll explain the individual symbols soon enough.

What I find most compelling about this comparison is how the star cluster is identified as the Pleiades and the mitre as the funerary urn of Osiris. Given reports of the finding of the tomb of Gilgamesh (aka Osiris) and the military's haste in acquiring the artifacts, and the signaling of intent by some to raise him by combinations of bioengineering, particle physics and alchemical workings of magick, and given the role the false prophet will have in relation to that Beast and his image, and given the Vatican's interest in astronomy and the intersecting historical accounts of the Pleiades, its primary star, Alcyone, and star related through Orion's belt, Sirius, well, let's just say this is all quite intriguing and worth watching very closely!

Tom Horn writes the following in a promotion of his latest book. Exo-Vaticana Special “THE CHURCH OVERSHADOWED (IN FRENCH & ENGLISH)! Cris Putnam has done it again and found another rare book in which Father Malachi Martin testifies that Popes John XXIII and Paul VI were secret freemasons and that detailed documents and photographs proving this were in the possession of one of the top candidates for Petrus Romanus--Cardinal Angelo Sodano!”

What Tom Horn and Cris Putnam presented recently (Part 20 - Exo-Vaticana) about what the recent Popes believe introduces some very timely insight. The use of the language of the controversial Jesuit priest Pierre Teilhard de Chardin by recent Popes affirms what this comparison of the images suggests, that the complex Luciferian plot I've been writing about on this blog is manifesting, and this, in the agency of Pope Francis, where a merging of primary Illuminist structures has now occurred. Power is centralized.

As we consider what the Papal branding means, on a most fundamental level, what is accomplished by hiding everything behind the shield is protection. This observation informs us that protection is paramount. The truth is being shielded from us, and the agent represented by the heraldry is shielded. The key in Occult symbolism represents how their secret treasure is locked away and that they have the keys, controlling access.

But woe to you, scribes and Pharisees, hypocrites, because you shut off the kingdom of heaven from people; for you do not enter in yourselves, nor do you allow those who are entering to go in. ~ Matthew 23:13

The religious heads, most particularly at the Vatican, are the scribes and Pharisees of today. While the worldly media minions that are themselves or are following the tares fawn over the “humble man of the people” who just took office, it should be kept in mind that he represents that entity about which is written:

“for thy merchants were the great men of the earth; for by thy sorceries were all nations deceived. 24 And in her was found the blood of prophets, and of saints, and of all that were slain upon the earth.” ~ Revelation 18:23b-24

The truth of the two keys crossed is concealed in the official explanation, but what is being omitted is essential to interpret it more properly.

“The two keys have been given the interpretation of representing the power to bind and to loose on earth (silver) and in heaven (gold), in reference to Matthew 16:18-19: "You are Peter, and upon this rock I will build my church, and the gates of hell shall not prevail against it. I will give you the keys of the kingdom of heaven, and whatever you bind on earth shall be bound in heaven, and whatever you loose on earth shall be loosed in heaven." The gold key signifies that the power reaches to heaven and the silver key that it extends to all the faithful on earth, the interlacing indicating the linking between the two aspects of the power, and the arrangement with the handles of the keys at the base symbolizes that the power is in the hands of the pope.” (Wikipedia)

The Popes lay claim to having the authority given Peter. The false church does have a grant of authority in this age, and, ultimately, yes, it is what has been ordained of the Sovereign God, but it is more directly the authority that has been granted the agents of the Enemy, the tares, to fulfill what has been appointed for Mystery Babylon the Great. That's what they're not going to tell you, ever. Their's is not the authority given Peter. The Vatican is as a den of vipers in a whitewashed sepulchre. Their claim to possessing the keys to the kingdom has substance but only when you correctly identify which kingdom it is. Their operation of the keys is on the basis of the Hermetic Maxim, which is expressed most simply in the statement, “As Above, So Below.” Their operation is according to the magickal practices of such as alchemical, Kabbalistic or Hermetic mysticism. The Keys of Solomon, the Greater and Lesser, are prized works to magicians. Because of the celestial imagery present in the Pope's heraldry, the Keys of Solomon are an important level of the symbolism because it is by means of that kind of magick that the archon and other demonic authorities are bound, constrained to do the sorcerer's bidding in this physical realm. This is what is meant by their reference to Matthew 16, as one of the primary meanings! Unknown to the sorcerer, however, is that what he thinks is his own will is the result of delusion. He is a slave of sin; his master is Satan. His lusts are for the power perceived in communing with the gods through secret rites of ritual sacrifice, cannibalism, blood drinking and the sodomy to which the Pope's heraldry attests in convincing fashion.

Indeed, it's through the act of sodomy that the binding together of heaven and earth is accomplished by the tares, and through which their authority is acquired. The crossed keys attest to this perversity by representing the union of two men, at the most basic level, joined together as one. Think, Vitruvian Man. Ritual sodomy is known by Illuminists as the Key of David. As an allegory, one acquires the secret treasure of gnosis and enlightenment through the mechanism of the sodomizer's phallic key in his anal lock. Of the two keys in the Papal heraldry, the golden key is the heavenly partner, and the silver, the earthly. In the Coat of Arms, the red cord that links them together represents the blood, merged literally through the rough act of ritual sodomy. The red cord enters and exits the holes in the keys to symbolize the blood and the butts of the sodomite partners. This testifies of the supernaturalism of the bonding of the two involved and represents the blood oath not to tell about the sodomy or anything else their oaths require of them. It's a matter of protecting their treasure, as keys protect the treasure locked away.

Those responsible for the branding of the Jesuit school, St. Xavier, probably understand about the Pope's crossed keys. Their logo's featured X suggests the “gold” key as the superior member intersecting the lesser “silver” one. The negative space conceals two phallic arrows, as between another's legs and in the anal triangle. Their slogan, “Men for Others” lends itself to be interpreted as meaning, men for other men, to have and to be had by, sexually. See the central A, for Apollo Anus. The X is as two opposing triangle forms that repeat in the following letters A and closely fit V. Sons of god union daughters of men. The X is a cross, signaling cross breeding sex magick, of the sodomite kind.

The form of the butt end of the keys chosen by or for Pope Francis is that of a square. To square the anus is to square a circle, a symbol of ritual sodomy. Every other Papal key features a mandala or circle so they all feature a signal anus, but this particular squared form hints of others I've noted recently, as you see in this comparison of images. This Pope is a Jesuit, the first in history, and signaling the Knights Templar seems intentional. These are agencies renowned for sedition and assassination.

Another sodomy symbol appears in the plus signs on the fringed lappets. Together with the Jesuit sun-anus, the Royal Arse form of the escutcheon and the crossed keys with joining red cord, the heraldry sends an unambiguous message. In this context, the bunch of grapes is a pile of excrement, or tIHS, if you prefer the official term.

A metaphor very similar to the bunch of grapes was leveraged in the animated feature Puss in Boots (Part 61), where a pile of gold eggs appeared in the bed of the male lovers, a deposit made by the one called the “gold pooper.”

Taking anatomy into account, the mitre in the Papal heraldry appears as a phallus, and the form of the two sides of the lappets may be seen as testicular or as the buttocks of one being sodomized by the phallic mitre. I believe there is more meaning to that form when considering the whole of it, beyond even the image of the Masonic tracing board illustrated earlier. I perceive in it the imagery of a bird of prey, which invites comparison to some familiar images in ways that might shock you. Or not, if you've been paying attention.

To be continued, Lord willing!

Part 101 - The Sodomite Gateway - Come On With the Rain

In one final post dedicated to the featured scene of the 1952 musical, “Singin' in the Rain,” some amazing connections are highlighted that should remove any doubt that Gene really was pointing towards the window to honor Horus and symbolize the dawn of what Aliester Crowley called the Aeon of Horus.

When Gene is singing “Dancin in the rain, dah de dah.... I'm happy again”, he strikes a pose at 2:17, one we've seen before, at 1:45. He does this only twice, and it will be seen that this is, from one perspective, the choreographer's way of telling us to compare those scenes. The pose Gene strikes to link the two scenes is a “hat off and umbrella out” gesture that makes a statement about ritual sodomy and witchcraft.

If you use two monitors, you may find it helpful to open the video in one while you read this post in the other: "Singin' in the Rain" 1952 ~ Gene Kelly



If you're new to this series, welcome! You may want to start at the beginning to get the foundation for what's here. Series Links: The Sodomite Gateway The first post about this film was Part 94. If you want a little more help understanding symbolism, I recommend starting here as a starting point and working your way through the blog, which develops pretty effectively as a course of instruction.

As a necessary caveat, if you're a victim of ritual abuse who is still being delivered or you're easily offended by mature subjects and descriptive language, please move on.

The second time he strikes the pose in front of a very obvious Egyptian set. It's not the familiar pyramids of Giza but one that features obelisks. The earlier pose was struck in front of the Palm View Apts, where he cryptically names the featured location and reveals the symbol of the rain and its role in the Egyptian sodomite sex magick!

While striking the pose in front of the Apts he sings the line, “Come on with the rain.” Now, that's really kind of a peculiar expression, if you think about it. Oh, it sounds poetic when he sings it, sure, but if you understand about ancient Egypt and sex magick, the expression obfuscates the subtle naming of the city of ON (aka Heliopolis - The City of the Sun). This was where the sun was worshiped and where many significant obelisks and temples dedicated to the sun god were found. So, the drug store window set represents that ancient Pagan city. This is not the first occasion where the Lord has called an allusion to On to my attention.

The obelisk that stands at the Vatican in St Peter's Square is a prized artifact that formerly stood in On. I'm convinced that it's quite at home there, at the present day center of sun god worship. The demon gods of the idol probably inspired and directed the relocation effort.

I've learned a few things about Illuminati ceremonial connections over the years, and it would not surprise me if there was a binding supernaturalism behind the two obelisks in that Pharmacy display. There are two famous sets of obelisks and domes, at the Vatican and in Washington D. C. The obelisk from On was just featured during the global broadcasting of the receiving of the new Pope, who may become the biblical false prophet. The one in this nation's capitol is the world's largest and most famous example.

When Gene sings, “Come ON, with the rain,” he's performing a ritual invocation. Yes, really! This should become more apparent by the end of this post.

I mentioned a few posts back how this line contained a homonym reference to seminal fluid. Come = cum. Connect the dots. Cum ON, with the rain. The rain is the sun god's semen. Don's upturned face is happily welcoming this ritual baptism of sorts.

If there's any doubt remaining about the subject it should be dissolved with the following consideration. The “Come On” scene is set at the Palm View Apts. The technical name for the date palm is Phoenix dactylifera. Phoenix. The bird of legend that burns and rises from its ashes.

(From Investigation on the Origins of the Benben Stone: Was It An Iron Meteorite? © Robert G. Bauval 2002 - Published in Discussions in Egyptology, Volume 14, 1989)

“It is also often argued that the phoenix, a mythical bird which was said to appear at dawn perched on a pole extending from a Benben, was representative of the sun-god’s self-creating power (Breasted, p.72). But the phoenix’s cosmic identification was by no means exclusive to the sun. In the Middle Kingdom, for example, the phoenix was also said to be the soul of Osiris, as well as the moon and sometimes the ‘morning star’ i.e. Venus (Rundle Clark, p.246-9). The phoenix thus was symbolic of the rebirth at dawn not only of the sun-god but of cosmic beings in general. In The Book Of The Dead, Chapter 83 entitled ‘Spell For Becoming The Phoenix (Bennu) Bird’, the phoenix claims: “I am the seed corn of every god…” (Rundle Clark, p.249). His power of self-creation clearly symbolised the emerging (rebirth) of celestial bodies (gods) at dawn from the underworld, the tenebrous land of the dead below the horizon.”

“It is known that a sacred pillar was worshipped at Heliopolis before the Benben (Edwards, p.24). The phallic symbolism of a pillar is of course obvious, and its association to the phallus of Atum seems almost a certainty, for in the Pyramid Texts we read: “Atum is he who once came into being, who masturbated in On (Heliopolis). He took his phallus in his grasp that he might create orgasm by means of it…” (pyr. 1248); “O Atum-khoprer (as the Beetle or rising sun), you became high on the heights (pillar/mound?), you rose as the Benben stone in the Mansion Of The Phoenix in On…” (pyr. 1652). H. Frankfort suggested that the combination of the Benben with a pillar -later stylised perhaps into an obelisk with a Benbenet- may thus represent the semen or seed being ejaculated from a cosmic phallus associated to Atum (Frankfort, p.153,380 & note 26). Later, this fetish was probably considered sacred to Ra or Atum-Ra. In the Pyramid Texts, it is said: “O Ra, make the womb of Nut pregnant with the seed of the spirit which is in her”. (pyr. 990). “Pressure is in your womb, O Nut, through the seed of the god which is in you; it is I [the king] who am the seed of the god which is in you…” (pyr. 1416-7). “…the king is an imperishable star, son of the sky-goddess…” (pyr. 1469). “The king was fashioned by his father Atum…” (pyr.1466). “O Ra-Atum, this king comes to you, an imperishable spirit (star?)…your son comes to you, this king comes to you” (pyr.152). Judging from these passages, it is evident that Nut was imagined to be the mother of the king in his star form, the latter sired by Ra/Atum. A pillar surging skywards atop of which is placed a fetish representing a star-seed and offered to the sky-goddess for gestation in her womb, very much appears to be the intended symbolic function of the Pillar/Benben combined fetish at Heliopolis. In consideration of the above, it is indeed significant to note that the word ‘Benben’ means ‘to copulate’ (to seed a womb?) when followed by the determinative of an erect phallus ejaculating semen (Wallis Budge, p.217). Several words containing the root ‘Ben’ also have sexual meanings (Baines, Orientalia 39, 1970, p.389-395).”

Bauval's observations about the reproductive aspects suggest why the scenes at the Palm View Apts and Pharmacy are connected for us by Gene in the striking of the same pose before them both. When we consider the lines Gene sings during the poses and link the Egyptian set with On, the matter is plain. Honor is being given where honor is due. When Gene points up towards the window with the symbol of the Horus sun-anus signifying the dawn of the Aeon of Horus, he's identifying and serving his gods. When he's singing, “Come On with the rain,” he's invoking the gods of On, calling on their help. The phenomenon of Singin' in the Rain doesn't happen without help, from above or below. The show is more than superficial stage magic. The symbols are ritualistic and there is a substance of supernaturalism.

Now, when Gene dances during the umbrella programming scene at the Pharmacy, the rainwater pouring out of the drain spout is rather comically brought to our attention. At 3:11, after dancing across the Pharmacy to the Bookstore, he turns back, making a show of avoiding the stream. After performing the umbrella programming ritual, he returns back to the stream and takes obvious pleasure in standing under it (3:28). There is meaning in this, of course, and we've been educated in the symbols well enough by now to recognize this as Gene, being sodomized by the gods, possibly by proxy.

The stream of seminal fluid pours over both objects that have been signaling his anus, the open umbrella and the hat. This pictures his receiving a reward for his services rendered as the handler-programmer, acknowledged as a token of their love, and it strengthens his own programming and the binding ties with his gods and their agents. Read the testimony of the windows flanking him, the signal grid of alters with plus signs featured, which are for the acts of sodomy with both Horus and Hermes, the two featured by Dr John Dee in his Monas Hieroglyphica. Consider how the steps flanking him form a pyramid (at 3:14), and that the downspout overhead is the source of the milky illuminating water, in keeping with what Bauval presents about the Benben capstone.

For further validation, this is the point where Gene spins off in a very symbolic loop. Watch the sequence and pay attention to how the big band's musical climax attends the ritual climax. We're being told this is a big deal. This routine is telling us some key things, beyond even what I already described when I showed how this binds together the bookstore and pharmacy programming scenes. Gene extends the open umbrella and twirls around as the rain continues to fall on his hat, expressing ecstasy as he dances over to frame two objects in the set. As I illustrate in this pair of screenshots, he first frames the fire hydrant and then the lamp pole.

From one perspective, the fire hydrant is a phallic symbol, an object from which water literally pours forth like a gusher. The lamp is an object that literally illuminates him in the scene. By Gene's framing of these symbols with his open umbrella, he connects these symbols of ritual sodomy, his anus, a phallus and the illuminating light. From another perspective, the fire hydrant is a Herma, the phallic idol that had been set at the intersections of roads and borders to honor Hermes. The lamp is the sun and the sun god Horus. With this routine, Gene is giving honor to the sodomizing gods Hermes and Horus, who are responsible for his ecstasy. This is worship!

Gene did his own choreography for this and other films. Some claim he was a high level programmer, which would explain his expert knowledge of the matter and his ability to execute the scene so exactly. I find it interesting that his name can be interpreted as a concise expression of the Devil's great hijacking scheme. Gene Kelly. Gene ~ genetic material. The meaning of the name “Kelly” is 'War; strife; bright-headed'. How fitting!

He knew things, as has been illustrated at length. Here's one final demonstration, where he forms a triangle with his arm and rotates it around, superimposing it over the Mahout girl's bottom.

That's the anal triangle, presented while he wields the phallic umbrella in yet another layer of ritual sodomy. Note, he's touching his SOLAR plexus. Right.

He's rotating counter-clockwise, which corresponds like engaged gears to the clockwise casting of the magick circle inside the display case, within which the high priestess kneels. He is perhaps ritually making a Triangle of Solomon (Part 1 - "I, Pet Goat II" - Golden Magick Circle) for an invocation to enhance their spells.

I believe the impact of the magickal work that is the Occult musical on the culture of the Western world has been substantial. Consider the sum total of what Hollywood has produced and the current state of the world. Consider the arts and music industries itself, and the impact. There is a large sense in which this defines the culture. Soon, the programmed agents of chaos are going to be triggered, an antiBride to counter the Bride as antichrist counters Christ. A substitution work is in play and strong delusion blinds the mind to such a thing. If we're still acting out the programming, retaining the scripted values and behaviors, we're in real trouble. I so appreciate how the Lord Y'shua has granted us the favor to see what has been done, and to choose to honor Him.

Part 100 - The Sodomite Gateway - Hollywood is Still Singin' in the Rain

This post marks the triple digits in the series, and the seventh in the set featuring the classic musical. The Lord has had me camping on this musical scene for a while on this strange journey across the range of sodomite gateway symbols as something of a segue into some Fringe episodes, and as part of an exploration of the umbrella symbol. This fascinating and very fruitful endeavor has opened the way for me into the meaning of a few related symbols and, as during the seasons of persistent investigation into the meaning of such as Rango, The Iron Giant and Threshold, the Lord has steadfastly brought the plans, ways and means of the Adversary out of the shadows and into the light.

The practice of layering symbols is useful for the student of esoteric matters, which every one who seeks to understand the Bible must become because it is by nature an esoteric book. Because the symbolism layered into Occult imagery is so redundant, a comparison of individual elements and patterns of combination enables the collection to be complied into something of a book for breaking the code. That's a fair description of what much of the activity on this blog is about.

11 “Behold, days are coming,” declares the Lord God, “When I will send a famine on the land, Not a famine for bread or a thirst for water, But rather for hearing the words of the Lord. 12 “People will stagger from sea to sea And from the north even to the east; They will go to and fro to seek the word of the Lord, But they will not find it. 13 “In that day the beautiful virgins And the young men will faint from thirst. ~ Amos 8:11-13

The adventure continues as the Lord instructs us in preparation for the challenges of the coming season! Thank you Y'shua! A hearing ear will provide access to the Lord's provision, attained through the diligent practice of obedience.

If you use two monitors, you may find it helpful to open the video in one while you read this post in the other: "Singin' in the Rain" 1952 ~ Gene Kelly



If you're new to this series, welcome! You may want to start at the beginning to get the foundation for what's here. Series Links: The Sodomite Gateway The first post about this film was Part 94. If you want a little more help understanding symbolism, I recommend starting here as a starting point and working your way through the blog, which develops pretty effectively as a course of instruction.

As a necessary caveat, if you're a victim of ritual abuse who is still being delivered or you're easily offended by mature subjects and descriptive language, please move on.

The Illuminati programmers are getting plenty of mileage out of this title scene from the film. Sixty years on, a new generation is being imprinted with the same mind-control magick. We've got a steady flood of new material, but when the old stuff still works, they just keep working it. The Devil is not stupid. The industry has not let this mind-control classic be forgotten.

In 1994, in the film, “Léon: The Professional,” Natalie Portman entertained Jean Reno with an impersonation of Gene Kelly's routine from Singin' in the Rain. There is plenty of Lolita style appeal for pedophiles and programmers (Pseudoccultmedia Blog) as she also does impersonations of Madonna (Like a Virgin) and Marilyn Monroe singing “Happy Birthday Mr President.”

Last week, I watched this classic musical for probably the first time and recognized how Rango (a 55 part series) gave a nod to the film too. During “Make 'Em Laugh,” Cosmo pretends to flirt with a headless dummy, a routine picked up in Rango when the chameleon plays the lover on his terrarium stage and flirts with the headless doll. (headless dummy lover = dissociated slave being sexually abused)

In 2010, an episode of a popular TV show featured a performance of this scene merged with the one in the Rihanna ft. Jay-Z video, Umbrella (Orange Version). (Part 75) The cast of Glee with a special guest made a mashup of the original and Rihanna's tribute - to make another tribute, which served to direct this new generation of Glee fans back to the classic from 1952. “Singin' in the Rain” was presented as the drama teacher's favorite “feel better” movie, and who doesn't want to feel better, right?

Did this get anyone's attention? Yes, it did! One of the ways the industry promotes and demotes their productions is through the effective managing of perceived recognition. That's what the awards ceremonies are about. I believe it's all theater, staged. The elite own it, top to bottom. People who are interested in fashion and pop culture and theater media love this stuff. “In July 2011, Glee received twelve Emmy nominations and won two: Gwyneth Paltrow was named Outstanding Guest Actress in a Comedy Series for her portrayal of Holly Holliday...” (Wikipedia) The Emmy Awards are judged and awarded by industry insiders. (These are given out to TV series, movies and mini-series while Oscars are given out to feature films that play in theaters.) The episode that won the award for Gwyneth was Glee - The Substitute (Netflix Streaming). The industry promoted the episode of Glee (Season 2 11/2010 Episode 7) that featured the mashup production. Gwyneth herself performed in the mashup. Like I wrote before, the Illuminati programmers are getting plenty of mileage out of this title scene from the film.

The same Glee episode included another production as a tribute to “Singin' in the Rain,” featuring, “Make 'Em Laugh.” In the Fringe episode, “The Boy Must Live” which I'm planning to cover before very long, Lord willing, tribute is paid to those same two musical scenes from the classic, giving the references their customary cryptic twists. In doing so, they spill lots of beans!

I couldn't help but notice how the Glee branding embeds the 666, which I illustrate here. If you watch the episode “The Substitute,” you'll notice how they feature strong sodomy references throughout, most of them verbal and some implicit in the homosexual relationships. Notice the flair they add to the umbrella signaling in the mashup by opening and closing the black umbrella to present the phallus-anus-phallus-anus dynamic. The meaning of the classic and Rihanna's version wasn't lost on them.

While comparing Rihanna's number to Gene Kelly's, one particular pairing has a lot to say about the sodomite programming symbols. In these images, Gene has assumed the position, freezing momentarily to present his backside, with heels raised. Rihanna matches it with her butt raised, wearing her high heels. Below the horizontal sill mouldings are panels representing the alters in a multiple's programming system.

Rihanna connects her open umbrella with the lighting to signal her kundalini enlightenment in a slave pose. Her outfit provides a match to the short shorts worn by the Mahout girl in the Pharmacy display, black, with white trim. Gene is himself an illuminated slave, who is about to get busy as a handler. His phallic closed umbrella is extended out to be associated with the Mahout girls bottom, a link he'll exploit more precisely a few seconds later. His right hand is extended to connect to the Drug store sign, because this is the sex magick pharmakeia. He's also pointing up towards the window that has the squared circle form, a half umbrella, the Horus sun-anus and the dawn of the Aeon of Horus.

Another tribute of sorts was made to this scene by featuring one of the signal elements during the closing ceremony of the London Olympics. The set had news print covering London, the people, buildings, vehicles, everything. Here's what I wrote about the meaning of it in Part 40 - 2012 London Olympics - The Closing Ceremony and the Rise of the Phoenix: “London is programmed. Everything there and everything done there is according to script. Mind control, exercised through print media. The sad truth is, the programmers are absolutely correct in their depiction.”

That's the message sent about the man and woman on the street in California, in a little more subtle (and inexpensive) fashion. Newspaper covering their heads means they are mind-controlled by the mass media. The scene is about mind-control, in various forms. The Zeus-Lucifer worshiping Illuminists behind the Olympics were beating us over the heads with this stuff.

Uh, hey, isn't that a dress above the severed head with a bow like a butterfly? With an open umbrella against her backside, could that be something other than a signal of Monarch programming?

Are we catching on?