Part 26 - Celestial Stargates - The Black Magick Baptist

Series Links: Celestial Stargates

In Part 15, I called attention to the appearance of the character we recognize as Osama Bin Laden in a stargate sequence of the viral Occult video, “I, pet goat II.” I wrote that he plays a dual role, and in this post I'm going to decode that sequence to illustrate how he is modeling the Pope as the High Priest, anointing the messianic lawless one as Horus transits the Silver Gate. This prophetic dramatization echoes one from Beijing in 2008 but goes beyond it to picture the celestial sign that the Bible suggests will mark the event - on the right day of the right year and even at precisely the right time of day! On this symbolic layer, I, pet goat II even references the attending dynamic that very few understand, from the deeply hidden Romans 11. It will take some effort to provide a proper lead in, so I expect the detailing of the celestial sign and referencing of Romans 11 will probably follow in the next post.

This is December, a time of the year when celestial signs are brought to our attention because of the traditions of Christmas and the season's reflection upon the story of the Magi with the appearance of the so-called Star of Bethlehem. This post addresses a related scenario, and this presentation should help you put some things together. If you're not able to follow this presentation point for point it may be due to your lacking one or more of several kinds of foundations. I recommend reviewing Parts 2-4, 12, 13 and 15 of this series in conjunction with this study. Those posts were very much done in preparation for this one, as I attempted to convey in anticipation. I'm going to recommend some key collateral studies at the end of this post. It's cold in my room as I begin to compose this work, but the shivers I'm feeling must be attributed to something else altogether.

The video is still being presented on the Heliofant.com home page. What I'm going to focus on is the same segment from Part 12, spanning from about 1:50 to 3 minutes in.



Through a looping and layering of vignettes, the viral video deftly illustrates the subject of several passages of scripture that have been given frequent attention on this blog, what I generally describe in terms of the revealing of the lawless one. A perspective that has been pretty well developed in this series is how the way is being prepared through black magick ritual for Horus to make entrance into this realm through the ancient celestial Silver Gate. These things are artfully brought together for us in this segment of “I, pet goat II” as the singular agent appointed for the task performs the invocation ceremony on the appointed day.

Revelation 13 describes two beasts. The one that the Apostle John saw coming up out of the sea is the messianic pretender. When the dragon gives him his power and his throne and great authority, it will resemble a pattern established on Yom Kippur in 29 AD, when the Lamb of God came to where John was baptizing in the Jordan. A counterfeit must resemble a genuine in convincing ways. John was baptizing according to appointment as the genuine High Priest of Israel, bearing both Levitical/Aaronic credentialing and Melchizedek qualification. A counterpart to John must be ordained for the baptizing of the counterpart to the Lamb of God. Baptism's very purpose is to reveal identity, and the ceremonial death and resurrection in the Jordan served that purpose well, as the Bible redundantly testifies. The words “Christ” and “Messiah” mean, “anointed,” in the Greek and Hebrew, and it was then and there that the only begotten son of the Father was anointed, haMashiach. There was evidence of the holy spirit descending upon him visibly like a dove, and an audible voice from heaven giving affirming testimony. As well, celestial signs attended the event. This is all documented in the recommended studies.

What is coming in 2015 is based on that pattern, with some very notable differences, and this is what's modeled for us in stylized ritual fashion by the makers of “I, pet goat II.” The Osama Bin Laden character is the appointed High Priest. The Messiah is played by several characters in this sequence beginning with the costumed leaper and including the messiah in the boat with Anubis and the youth with his head broken open. Observe the time, Noon. Although the setting is very is dark, we know it is day time because the school scene was during the day and so was the destruction of the Twin Towers, so 12:00 is not Midnight. You'll soon see why that matters. Some might want to link this to the Midnight Cry, but that doesn't play on this symbolic level.

The costumed character who leaps off the pillar of ice wears a star on his chest to identify him with an angel. On his head we see what vaguely resembles a crown and a horn and a sword, perhaps buried in his head up to the hilt. It looks bloody, and so does the side of his head. He wears the Greek drama mask representing Tragedy. “I saw one of his heads as if it had been slain”

1 And the dragon stood on the sand of the seashore. Then I saw a beast coming up out of the sea, having ten horns and seven heads, and on his horns were ten diadems, and on his heads were blasphemous names. 2 And the beast which I saw was like a leopard, and his feet were like those of a bear, and his mouth like the mouth of a lion. And the dragon gave him his power and his throne and great authority. 3 I saw one of his heads as if it had been slain, and his fatal wound was healed. And the whole earth was amazed and followed after the beast; 4 they worshiped the dragon because he gave his authority to the beast; and they worshiped the beast, saying, “Who is like the beast, and who is able to wage war with him?” ~ Revelation 13:1-4

The leaper is costumed and his leap is choreographed. This activity is theatrical, scripted and staged so that when his fatal wound is healed, the whole world will be amazed and follow after the beast, and worship the dragon and the beast. The baptism is pictured as the leaper goes into the water, which represents death. The Silver Gate transit is pictured as he freefalls off the pillar that resembles the astrological glyph of Gemini. We see him next in another guise, as the messiah in a trance, standing in the Anubis boat as it glides through the mist as in the state of death in the underworld. He is now in the sea, so to speak, and he is the beast John sees coming up out of the sea. This requires the participation of the baptizer, who we are shown next in sequence.

11 Then I saw another beast coming up out of the earth; and he had two horns like a lamb and he spoke as a dragon. 12 He exercises all the authority of the first beast in his presence. And he makes the earth and those who dwell in it to worship the first beast, whose fatal wound was healed. 13 He performs great signs, so that he even makes fire come down out of heaven to the earth in the presence of men. ~ Revelation 13:11-13

When we first see the High Priest we're approaching from above. He stands near the point of a promontory, with guards arrayed behind him. He has come up out of the earth. A light shines down from above to spotlight him and what is very near to him. The beast must be raised out of the sea, which in baptism symbolism is the bringing forth of new life out of death, so we watch him performing the raising ceremony.

It is a black magick ritual for the opening of the stargate that will finally bring forth Horus into concrete manifestation, incarnating in a body of enhanced flesh. And so we see the black angel wings, because this magician is also a beast. The Silver Gate is identified by the appearance of the moon in the opening in the sky, and the way the crescent moon resembles the horns of Taurus with the disk between them like the disk of the horned crown of Isis. Two identical guards with pointy star-like heads appear below as the Twins of Gemini, who are identified with the opening in the sky by the little pointing clouds.

This beast has two horns like a lamb, a symbol of the authority of the Papal mitre. The guard that attends the Pope is the Vatican Swiss Guard, which has long been his security detail. Instead of wearing their conventional joker/clown-like uniform we see them looking like brown cones (delta shape) of poop, wearing power cone hats like witches and olive colored blindfolds. The eyes are thus hidden, and with the other clues (Sodomite Gateway) we see the Swiss Guard very correctly as Horus Eye illuminated psi powered and weaponized Delta force agents. Fritz Springmeier and others report how that many Illuminati slaves have been programmed specially to serve as guards in that pivotal day and hour.

Another Horus Eye symbol appears overhead in this scene. The moon has a pupil to suggest the all seeing eye looking down from heaven, overseeing the baptism. This represents the active presence of the ancient dragon, who stages and sponsors the activity. This and other elements match the scene to the historical genuine that is being counterfeited.

9 In those days Jesus came from Nazareth in Galilee and was baptized by John in the Jordan. 10 Immediately coming up out of the water, He saw the heavens opening, and the Spirit like a dove descending upon Him; 11 and a voice came out of the heavens: “You are My beloved Son, in You I am well-pleased.” ~ Mark 1:9-11

Instead of hearing the voice give a testimony we are shown the all seeing Eye of “Providence,” silently witnessing. We see the heavens opened but no one is yet seen emerging from the water. That will follow, detached from this scene for the sake of obfuscation. We do see a dove, cleverly obfuscated, of course. That's the large form we see in the air as we descend in our view of the scene and zoom on the Pope and his Vatican Guard. It is the unholy spirit, which is the substance of anointing.

That this is a dove finds support in our experience of what is known as a bird's eye view. Do you see two bird heads embedded in the promontory, at upper right? One of them appears as an eye of the head that is the promontory itself (which is rather canine in appearance, like Anubis), strengthening the imagery of the bird's eye view.

I believe the bird head imagery also suggests the hidden presence of Horus, in his falcon or bird of prey form, but principally, I believe the canine and bird forms support the identity of the Papal baptizer as that one who facilitates Horus, the agent I regularly identify as Hermes. This is an identity of the beast seen coming out of the earth, who facilitates the coming of the lawless one and his worship, thereafter. We see him standing with his guard wearing camouflage as the agent whose true nature and identity is concealed, facilitating the emergence of Horus from the Duat. The canine head promontory he stands upon is that Dog Star Anubis form, and the bird heads visually link to Thoth (ibis head) amd the winged helmeted or staffed Mercury or Hermanubis. The statue of Hermanubis pictured here is on display at a Vatican Museum. The idol wears a distinctive Silver Gate style crown, which is just what we see in the opened heavens above the Papal False prophet and Vatican Guard!

Although none of the scriptural accounts describe a spotlight shining down upon the principal action of the scene, this is what we see in the Pet Goat scene. The reason I'm calling attention to this feature is because this focused illumination was painted by Aert De Gelder in “The Baptism Of Christ.” Some believe the radiating disk pictures a UFO, an alien presence, and that's just what was presented to us during another Occult performance in 2008, where the headlights of a bus illuminated the scene of the baptism.

During the closing ceremony of the Olympics in Beijing , the 8 minute long London Ceremony provided us with theatrical vignettes where the Pope played a supporting role. He was modeled by a crossing guard, a lollipop lady. (See Olympic Ceremony Symbolism - Part Three (The Dragon Seed Baptism)) She played an angel and the Pope, just as we see the Osama character in the role of the Papal High Priest and of an angel, with black wings. He is as a crossing guard, with his underling guards, in the Pet Goat version.

The Pet Goat version of the Papal High Priest pictures him wearing his turban, just like the High Priest of Israel wore. In Mark 1:6 we're told John the Baptist was clothed with camel's hair, which some claim was the garment of a prophet. Because the camel is sometimes a biblical metaphor for an angel, this garment suggests the righteous and holy nature of the greatest prophet among men, ordained for a historic transition. John's diet of locusts and honey can be linked to angelic beings, which supports his special preparation as a priest according to a Melchizedek qualification. I believe the Osama character's camo fatigues and black wings is their version, because Satan himself masquerades as an angel of light, according to 2 Corinthians 11:14. John had the badge of a genuine prophet, it may be said. The Pet Goat version wears the badge of the CIA, which decodes as Horus, concealed behind a shield bearing the Blazing Star of Sirius that must be identified ultimately as Lucifer.

To be continued, Lord willing.

Recommended collateral studies:

• Baptism - The Prophecy
• Part 6 - Pope Francis - Branded with a Celestial Sign Heralding Amaru's Return?
• Blood Red Moons and the One Who Left with a Bag of Money
• What Was it That is Called the Star of Bethlehem
• The Sign for the Bride - 1 of 2
• When Will the Lawless One be Revealed? - The Sign for the Bride - 2 of 2
• When Jesus was Baptized - The Celestial Signs
• The Twenty-First Chapter of John
• Series Links: To Number Our Days Aright

Part 52 - Rango - Rango as The Black Stone

There's more to Rango's floating gravel than what I wrote in the last post, which can perhaps be most simply summarized in this way: Black stones and rocks represent the Devil and his kind in contrast to the Rock of Israel, the God of Abraham, Isaac and Jacob, and His kind. Beyond appearing in Rango and Knowing (2009), black stones and rocks are used symbolically in many other movies and TV shows, and in various other ways that might surprise you. I'm going to explore some of these instances and feature some more scripture references to bring a little more of the depth and complexity of the symbol to light.

When I was writing about Rango's ice cube and cubes as hypercubes I covered the Kaaba, which translates to cube. When Muslims pray, they face the object called the Black Stone, located inside the Kaaba in the center of the Grand Mosque in Mecca, Saudi Arabia. Their rock is not My Rock. David Flynn, who recently “went on ahead” made a noteworthy observation about this stone in Temple at the Center of Time. On page 226, he wrote: “The distance between the Kab'ah stone in Mecca to the temple mount is 666 nautical miles, which is accurate to the foot. ”

16 And he causes all, the small and the great, and the rich and the poor, and the free men and the slaves, to be given a mark on their right hand or on their forehead, 17 and he provides that no one will be able to buy or to sell, except the one who has the mark, either the name of the beast or the number of his name. 18 Here is wisdom. Let him who has understanding calculate the number of the beast, for the number is that of a man; and his number is six hundred and sixty-six.

Revelation 13:16-18

The Black Stone (a cornerstone) is related to the temple mount with its foundation stone (that is not the one over which the Dome of the Rock is built) by 666. The "White" stone? The Black Stone in Mecca's Kaaba is linked by that numbering to the Beast and his mark, an object of worship which Islamic tradition purports to have fallen from Heaven to show Adam and Eve where to build an altar.

Hmmm. The Black Stone fell from heaven to earth? Doesn't this seem familiar? In Rango's scene where the chameleon falls to earth, we see floating gravel, which falls with him to the earth. Black stones, Rango and the gravel, both. As the Muslims worship the Black Stone in the Cube, didn't the chameleon who fell to earth with gravel come to be celebrated and even worshiped as a god, even the savior of the town, and didn't he live in a Kaaba, a terrarium? Rango is the Black Stone of Islam and also the Mahdi, the final Imam of Twelve, Muhammad al-Mahdi, by other names the Antichrist Beast, Horus, Apollo or Thor, as presented time and again in this series.

There's even more substance to this identification of the chameleon as the messianic Black Stone when you compare him to another messianic rock in a desert wilderness far removed from the fictional town of Dirt.

5 Then the LORD said to Moses, “Pass before the people and take with you some of the elders of Israel; and take in your hand your staff with which you struck the Nile, and go. 6 Behold, I will stand before you there on the rock at Horeb; and you shall strike the rock, and water will come out of it, that the people may drink.” And Moses did so in the sight of the elders of Israel.

Exodus 17:5-6

and all drank the same spiritual drink, for they were drinking from a spiritual rock which followed them; and the rock was Christ.

1 Corinthians 10:4

The people in the desert wilderness were thirsty. The residents of Rango's dusty little town of Dirt had the same critical issue in Nevada's Mojave Desert. Black Rock Rango solved the water problem!

I find it interesting that the Black Stone in the Kaaba, Mecca, and the rock of Horeb (Jebel al Lawz) are both in Saudi Arabia (See also Ron Wyatt and Jim and Penny Caldwell).

Now this Hagar is Mount Sinai in Arabia and corresponds to the present Jerusalem, for she is in slavery with her children.

Galatians 4:25

Back in the USA, many miles north of the Mohave Desert in the northwestern part of Nevada you'll find the Black Rock Desert, which is separated into two arms by the Black Rock Range. Each year, an event known as Burning Man takes place in the Black Rock Desert, during which time the temporary community of Black Rock City appears. This has roots in a pagan summer solstice bonfire ritual that seems to have begun in the mid 80s in San Francisco. In 1990 the event in Nevada began to generally be observed the week before Labor day. If you've ever seen The Wicker Man (1973) and understand that a bonfire is more literally a bone fire, you get that this entire business isn't really a good thing. The Druids of Gaul performed human sacrifices inside a wicker man. When I lived in Sacramento, which is not that far away and is on the major route there, on Labor day you'd see caravans of dust covered vehicles descending I-80 out of the Sierra Nevada range, usually overloaded with camping gear and sundry peculiar items of character. I used to work with people who attended every year. It's a pagan ritual gathering and a “clothing optional” celebration of all sorts of misbehavior and weirdness.

The Black Rock - not my Rock.

More to follow on this theme, Lord willing.

More Secrets of the Transition of the Ages - Hints of Romans 11 in I, Pet Goat II

Continuing from the previous post, let's return to give a wider consideration to the transition of the age. There is going to be continuity as the torch passes from the Bride to the 144k sons of Israel but yet there will come a very notable cessation. The falling torch (I, Pet Goat II) is then a correct model of a branch breaking off the olive tree, which can be interpreted in this way if the symbol's meaning is divorced from that of the wet star. A little history is useful here.

When the Lord Y'shua ministered in a body of earthly flesh it was strictly to the lost sheep of the house of Israel. He passed authority to 12 disciples on his departure, Benjamites, with Saul-Paul (another Benjamite) later being grafted in. Some years later there was a transition from Israel to those who were not Israel, which is implicit in the record of Romans 11. This transition began as recorded in Acts 10 and 11 with the house of Cornelius, a Roman centurion. The composition and character of the church was first of the natural branch but it wasn't long before a definite shift toward the wild was documented.

Therefore let it be known to you that this salvation of God has been sent to the Gentiles; they will also listen.” 29 [When he had spoken these words, the Jews departed, having a great dispute among themselves.] ~ Acts 28:28

There was nothing in this revelation that excluded Israel - I repeat - nothing that excluded Israel - but what changed was that there was no more exclusion of those who were not of Israel, concerning all of what that salvation entails. That was special, and while that provision has extended into the present, change is coming soon, as Romans 11 artfully conceals and reveals, because an arrogant branch is soon to be broken off.

Do not be conceited, but fear; 21 for if God did not spare the natural branches, He will not spare you, either. 22 Behold then the kindness and severity of God; to those who fell, severity, but to you, God’s kindness, if you continue in His kindness; otherwise you also will be cut off. ~ Romans 11:20b-22

Read the context. Were natural branches spared being broken off? No, they were not. Will he then spare the arrogant wild branch from also being broken off? It follows that he will not. There is a boastful branch that does not continue in His kindness.

It's that wild branch church of the body of Christ that is distinctly separate from His spotless Bride. I am confident in making the assertion that the wild branch body that will break off includes most of those who are today labeled Messianic. What the wild branch will have enjoyed as fellow-partakers “of the root and of the fatness of the olive tree” comes to an end. The branch is disqualified by their unworthiness and passed over at the Bridegroom's selection of His Bride, being cast out with the hypocrites where there is weeping and gnashing of teeth.

Despite the Lord's direction to stay awake and watch, the virgins in this season (Matthew 25:1-13) will miss the big ceremonial union with the Bridegroom, that most excellent of all prizes, sleeping until awakened by the midnight cry to be invited out to meet Him. Receiving the best opportunity left, they will enter in for the wedding feast. To qualify as the Bride herself, being a wise virgin is simply not enough, with the keeping of oil in reserve representing an insufficient strategy. (Turn up your wicks, you sleepy heads who have trimmed them down for the night. Stay awake in this night season and burn your lamp with the brightest light! Pray the Lord of the harvest will send forth laborers into His harvest field. Do you yet know the day and hour?)

The season known as Great Tribulation (megas thlipsis) begins at the departure of the Bride and breaking off the arrogant branch.

The body of Christ that fails to qualify for the Bride will have received a white robe at salvation but will have soiled it, neglecting to keep it washed in the blood of the Lamb. They refuse to accept the washing of water by the Word (Ephesians 5), with its occasionally severe scrubbing, it must be said. Their faith fails in time of testing. Attitude adjustment in a major way is due for the broken off branch because the way of martyrs that had been offered and rejected must then be fully embraced, and with a greatly reduced benefit! It will still be the best deal going, but the reward will hardly compare to what those who qualify as the Bride receive.

Many who are left behind learn the lesson and avail themselves of this second round opportunity to make their robes white in the blood of the Lamb. (Revelation 7:9) I take great comfort in that assurance, as I see the rebellious condition of the prideful church in this late hour, although I do not want to be accounted in that company. I understand and accept that most folk will not be helped by anything I personally do in this season. However, help will come. The Bride Theft will be a sign to them, and there will be a persisting benefit through this provision of the opening scroll. Most notably, the beautiful Bride is being consecrated and prepared as a sacrifice on their behalf. As a barley crop may be plowed under to condition the soil for the next crop in the field, so is the Barley Bride for the Wheat Body! What an honor and privilege, to walk in our Lord's shoes - and to find reward with Him in His glory!

The season for that Wheat company in their misery will be brief, for their harvest comes at the upcoming Shavuot, 2015.

Those who simply die trying to save their own lives at any point will suffer that loss of reward represented in some better resurrection, whether of Barley or Wheat.

For whoever wishes to save his life will lose it, but whoever loses his life for My sake will find it. ~ Matthew 16:25

That dangerous season that surrounds the revealing is what many today see coming as “the new world order” takes shape. What deadly threats are represented in the leading up to its arrival, most particularly during the Black Awakening, loom large in the minds of many, particularly those who find alternate news types of warnings so compelling. The saints who arm themselves to mount a defence against those who will hunt them down, and most of those who adopt “prepper” or survival strategies deny the truth of the verse above. Striving to save your life or the lives of your loved ones is not the noble pursuit some suppose it to be. Teach your family right about the value of their lives and seek the Lord's help to accept when, and in what manner, the Lord chooses to claim them. This is the way of faith and obedience. A friend lays down their life for another, according to the Lord's example - and by His leading.

12 “This is My commandment, that you love one another, just as I have loved you. 13 Greater love has no one than this, that one lay down his life for his friends. 14 You are My friends if you do what I command you. ~ John 15:12-14

How exactly did He love us? Did He lay down His own life for us? Think about that. Pray about that. Come to understand and accept it as the truth. Lord, help us to love!

Those who fail that love test may live long enough to be offered the mark of the beast, which I believe is appointed for the Fall of 2016. Receiving that mark will certainly represent great forfeiture.

Heliofant presents a haunting image of those who take the mark in a scene interpreted on the more superficial level as a sign of economic collapse. A stock market ticker tape-like message scrolls across the blankly staring eyes of the sad, dazed and broken character with an egg shell for a head. Like the nearby dragon monitor that represents the image of the beast, the reptilian egg shell character also functions as a video display. They are two of a kind. MARKETS PLUNGE, the headline reads, like you see in this pair of screenshots. As I wrote in Part 31 of the Celestial Stargates series: “...this is the shell of a person, one who has been avatar'ed by receiving the mark of the beast.” On a deeper level, “MARKETS PLUNGE” decodes as a doubled description of the mark of the beast.

That mark will have an economic aspect, where no one will buy or sell without it.

and he provides that no one will be able to buy or to sell, except the one who has the mark, either the name of the beast or the number of his name. ~ Revelation 13:17

There will also be a biological-spiritual aspect. “MARKETS PLUNGE” = Mark + ETs plunge. ETs or extraterrestrials are those entities that transmit through the stargates from the underworld dimension to merge with those who receive the mark.

Plunge:

• To leap or dive as into water
• To become suddenly lower; decrease dramatically
• To descend steeply; fall precipitously
• To cast suddenly, violently, or deeply into a given state or situation
• To thrust or throw forcefully into a substance or place

The ETs, cast suddenly down from a heavenly realm, will plunge into mankind, thrusting themselves forcefully in. By their own signs, there will be a resultant golden triple helix hybrid body.

The medical supplies in the scene complement this interpretation of “Mark + ETs plunge” because the mark will be implemented through the injection of a multi-functional capsule that will replicate the beast's DNA in the host's body like leavening dough. See the thorn-like syringe plungers on the ground? PLUNGErs, for initiating the MARK with ETS PLUNGE! (See Series Links: NCR.com and also the Rango series, among many other posts on this subject.)

This “Humpty Dumpty” figure is one that all the king's horses and all the king's men WILL NOT BE ABLE TO BE PUT BACK TOGETHER AGAIN, making obvious allusion to the familiar nursery rhyme. His condition has no remedy. Receiving the “MARKETS PLUNGE” will guarantee that the serpent-dragon avatar'ed egg shell will not have their name written in the book of life. If your strategy involves holding on to everything you've got in this life for all your worth, taking that mark will be the easy and popular choice.

Now, in that time of the beast baptism, attending the breaking off and grafting in of branches into the olive tree, two witness appear on the scene who are appointed to minister during that season of great tribulation. I've been presenting the very symbols associated with them in connection with the video's stylized Statue of Liberty, and I see a design cue that suggests the connection is intended. I think the illuminated Bartholdi had this imagery in mind when he designed the Statue of Liberty.

3 And I will grant authority to my two witnesses, and they will prophesy for twelve hundred and sixty days, clothed in sackcloth.” 4 These are the two olive trees and the two lampstands that stand before the Lord of the earth. ~ Revelation 11:3-4

The statue is a lampstand, with the torch and the rayed sun crown, and an olive tree, which I linked to Romans 11. Read the entire 11th chapter of Revelation for context, and also, the 4th chapter of Zechariah. In verses 11 and 12 the olive trees (zayith) are also branches (zayith shibbol). The choice of the word shibbol is very interesting, which introduces the meaning of a flowing stream. It's translated as “branches” only here, but yet consistently across many Bible versions.

11 Then I said to him, “What are these two olive trees on the right of the lampstand and on its left?” 12 And I answered the second time and said to him, “What are the two olive branches which are beside the two golden pipes, which empty the golden oil from themselves?” 13 So he answered me, saying, “Do you not know what these are?” And I said, “No, my lord.” 14 Then he said, “These are the two anointed ones who are standing by the Lord of the whole earth.” ~ Zechariah 4:11-14

The lampstand was described earlier in a way that seems to resemble the menorah that was the lampstand in the Temple. Note that there are seven sets of elements. (See Exodus 25:37)

He said to me, “What do you see?” And I said, “I see, and behold, a lampstand all of gold with its bowl on the top of it, and its seven lamps on it with seven spouts belonging to each of the lamps which are on the top of it; 3 also two olive trees by it, one on the right side of the bowl and the other on its left side.” ~ Zechariah 4:2-3

Take a look at the lampstand that is the Statue of Liberty. There are seven rays of the sun crown on this lampstand. To that observation, add the following.

For who has despised the day of small things? But these seven will be glad when they see the plumb line in the hand of Zerubbabel—these are the eyes of the Lord which range to and fro throughout the earth.” ~ Zechariah 4:10

The seven (which are identified as the golden lamps with spouts in verses 1 and 2) are the eyes of the Lord, which range to and fro throughout the earth.

33 “No one, after lighting a lamp, puts it away in a cellar nor under a basket, but on the lampstand, so that those who enter may see the light. 34 The eye is the lamp of your body; when your eye is clear, your whole body also is full of light; but when it is bad, your body also is full of darkness. 35 Then watch out that the light in you is not darkness. 36 If therefore your whole body is full of light, with no dark part in it, it will be wholly illumined, as when the lamp illumines you with its rays.” ~ Luke 11:33-36

Did Bartholdi design the ring of windows in the crown around the observation deck with the lamp-eye in mind, illustrating his Occult knowledge as he followed the direction from the designer-in-chief, his god of the dark light, Lucifer? He was borrowing from the similar spiked sun crown of the Colossus of Rhodes that was an idol of Helios, aka Apollo. The light crown as a lamp would be the giant lamp eye, the all seeing eye of Helios, Ra or Horus. Would Heliofant be leveraging that arcane symbolism in referencing the lampstand and olive trees and branches?

Aaron and I had puzzled over a set of elements in the picturing of Liberty island that we knew had a reason for being there, and I see them now as a design cue that suggests Heliofant added redundancy to Bartholdi's Statue's image of the golden lampstand of Zechariah 4 and Revelation 11. I believe the arc of “floating ice” with a tiny bit lit up at the tip appears in the spotlight because it's important. Does the curved piece represent one of the seven spouts with a flame at the lamp? I believe so, with the other six implied in the star points. Exodus 25:37 describes the Temple menorah as having lamps designed to shed light on the space in front of the lamp, and this is the configuration of Heliofant's spout with flame that appears in front of the lampstand-Statue.

(In support of an observation made previously, you can see in the above picture the image of a swan sculpted into the island at the top. Delos / Asterios, where Leto gave birth to Apollo, was said to have been surrounded by swans. Add that to the one I pointed out in Part 27, where a swan head was sculpted into the promontory where the Pope and his Swiss Guard stood.)


There's a few more observations to be made, but first, let's review this set of posts. The islands of the notable scene present a dog and star “of David” to illustrate the Gentile and “Jew” together, which evokes the olive tree of Romans 11 and demonstrates the profound knowledge of the dynamic of the time. A false perspective is presented in showing us how the Israel-star appears but does not rise up out of water in a picture of the birth of a stillborn child. Interpreting the next action of the vignette accordingly, the torch bearing the spiritual light of the sovereign Lord God falls and goes out, failing to pass successfully back from the Gentile branch to Israel. If the symbolism of the falling torch is divorced from that of the wet star, the action correctly models when the wild branch that boasts against the natural is broken off the olive tree.

I pinged the Lord about whether I could hold off on presenting these other insights for inclusion in a post dedicated to the Statue of Liberty. No dice. So, here's more! Thank you Lord for the wonderful insight! We do so need it!

I linked Heliofant's stylized Statue of Liberty to Virgo in posts to the celestial stargates series. Virgo is usually pictured as you see her here, with a branch in her right hand.

“The star e (eta), in the arm bearing the branch, is called Al Mureddin, which means who shall come down (as in Psa 72:8), or who shall have dominion. It is also known as Vindemiatrix, a Chaldee word which means the son, or branch, who cometh.”” Bullinger - The Witness of the Stars This branch is seen as messianic, and I believe there is a genuine and a counterfeit involved. Lady Liberty's torch compares to Virgo's branch. Consider this statue of Prometheus (Heinrich Fueger - 1817), who, according to legend, stole the fire from the gods and gave it to man. It's an allegory about bringing the spiritual light of the sun (ultimately Lucifer) to man through the agency of Horus.

In Part 29 of the celestial stargate series I wrote about Virgo as the sign in which the moon would be eclipsed in 2015 on the 13th day of the 1st month. I mentioned Revelation 12, a passage that described the configuration that appeared in the night sky when the Lord Jesus was born. (Yom Teruah, or the 1st day of the 7th (and 1st) month, 2 BC. See When Jesus was Born - The Celestial Signs) Given the context of the passage, another celestial sign is suggested that I expect will appear in the heavens soon. I don't see anything I recognize when I make linear projections with planetarium programs, neither in 2 BC nor in 2015, which suggests to me that the view described will only appear when time has just been manipulated.

If the sign pictured by Heliofant relates, their version represents the Silver Gate region, with the Pleiades in view as the seven sisters, where six are really visible (six points of the star plus the 1 spout with flame), and the statue is Orion, and the dog is Canis Major.

A great sign appeared in heaven: a woman clothed with the sun, and the moon under her feet, and on her head a crown of twelve stars; 2 and she was with child; and she cried out, being in labor and in pain to give birth. 3 Then another sign appeared in heaven: and behold, a great red dragon having seven heads and ten horns, and on his heads were seven diadems. 4 And his tail swept away a third of the stars of heaven and threw them to the earth. And the dragon stood before the woman who was about to give birth, so that when she gave birth he might devour her child. 5 And she gave birth to a son, a male child, who is to rule all the nations with a rod of iron; and her child was caught up to God and to His throne. 6 Then the woman fled into the wilderness where she had a place prepared by God, so that there she would be nourished for one thousand two hundred and sixty days. ~ Revelation 12:1-6

Take another look at the two islands and consider the scene of the dragon and the woman, who is about to give birth. The mouth has a little glint of spotlighting, like a reflection off a tooth.

One can point back historically to Herod as fulfilling that prophetic role, yet, that's not yet the end of the story. That was a mission critical play, and the dragon lost in that encounter. Another play is coming. The dragon is going to lose that one too. Israel is going to come to acceptance and be grafted back in to the olive tree, with the branches in their appointed sequence. The Lord had Joseph, Mary and Jesus flee to Egypt for refuge from Herod, and Egypt is often a biblical type of heaven or a heavenly realm. In an “Escape from the Devouring Dragon, Part II” event, the “woman” is going to flee into the wilderness in the Lord's provision for the same term as the Great Tribulation.

Here's the account of the provision the Lord made for the family of the Woman, and for the star sign interpreting believers known as the Magi.

12 And having been warned by God in a dream not to return to Herod, the magi left for their own country by another way. 13 Now when they had gone, behold, an angel of the Lord *appeared to Joseph in a dream and said, “Get up! Take the Child and His mother and flee to Egypt, and remain there until I tell you; for Herod is going to search for the Child to destroy Him.” 14 So Joseph got up and took the Child and His mother while it was still night, and left for Egypt. 15 He remained there until the death of Herod. This was to fulfill what had been spoken by the Lord through the prophet: “Out of Egypt I called My Son.” ~ Matthew 2:12-15

The Lord knows how to take care of His people. If you're appointed for such a provision, don't worry about it. If you're not, don't worry about it. Trust the Lord with your life and the lives of your loved ones. He's good for it!

Those who are responsible for the Occult signaling in “I, Pet Goat II” display knowledge of the secrets of the transition of the ages. Beans are spilled about a wide range of the most important events of the season. What things are coming have been recorded for our benefit in the Bible, which is the source of our most necessary provision as we seek the Lord.

Part 33 - Rango - The Chalice

I'm wrapping up this series. No, really. It's just that, well, it's a relative thing. I intend to see this project through to its end as the Lord directs, so this probably isn't the last post in the series.

Right from the start of the animated feature Rango, the theme of death and resurrection is presented. Layers of symbolic images and language are cleverly combined with more obvious elements that make it oh so obvious to those who can interpret this messaging system that Rango is a stealth weapon in the ancient serpent's arsenal. It is also an operations manual, of sorts, broadcast into the public domain. Some of the messages signaled are contained in passing snapshots and some in sequences like vignettes. Others are woven in like a thread through a tapestry. This post covers the full range, highlighting several elements in the opening sequence.

You can watch this clip posted online: [video] First 14 minutes of Rango. The quality is not very good, but it's helpful to see what I describe unfold as presented. The clip of interest spans from about 2 minutes in to just past the 6 1/2 minute mark. You might find it helpful to open the video in another window to keep it available for ready review alongside this post's commentary.



The coming resurrection-transformation realities of the Beast and mark of the Beast are signaled as the chameleon sheds his skin like a snake twice. After the chameleon has been ejected from the car and his terrarium shattered on the road, he watches the wind-up fish “die” as the puddle of water he landed in dries up on the hot pavement. As he turns and looks up at the desert sun he himself also dies, symbolically. His skin crinkles and goes crisp. The dead flesh flakes away and new flesh appears. This shedding immediately happens again, which makes the final skin that appears the third version of chameleon flesh. Meaning: Third day and triple-helix resurrection. He had reached the end of his former bodily existance and was transformed by the heat or power of the light of the Sun, which is to say by the agency of Apollo and the light of Zeus, aka Satan. His serpent nature is revealed as his skin shed alluding to how a snake sheds his skin.

The umbrella bursts into flame just as the second layer of skin falls to the ground and the third has fully appeared. With the attending umbrella sign, what's conjointly signaled is that the end of the line for his genetic line had been reached. I'll explain.

Notice in this image sequence how the umbrella, burnt, resembles the empty dry seed cone of Liriodendron tulipifera, a magnolia called the tuliptree. The picture I found shows a snowy cone frozen into the winter ice of a pond, an interesting match to Rango's fire version.

Rango's symbols are very specific and I've learned there are good reasons why. A particular magnolia seed is pictured. There is an umbrella magnolia, but the seed cone Rango presents is that of the tuliptree. The tuliptree only grows in Appalachian and Chinese forests, and Rango's drink umbrella comes from the Orient. “The tuliptree is a magnolia specialized for wind dispersal of seeds.” (SourPersimmon Blog) While it fell from the sky, the parachuting Oriental umbrella was a wind borne seed. All this is to establish that the umbrella represents a seed pod.

Then God said, “Let the earth sprout vegetation, plants yielding seed, and fruit trees on the earth bearing fruit after their kind with seed in them”; and it was so.

Genesis 1:11

Man is likened to a tree in the Bible. Much of the dynamic of history (and present and future) can be understood as a conflict between two trees and their heritage, their offspring, seed.

And I will put enmity between you and the woman, and between your seed and her seed;

Genesis 3:15a

The burnt umbrella signals that the chameleon is no longer His Creator's fruit tree on the earth bearing fruit after their kind with seed in it. He's been converted, his posterity cut off. This is the mark of the Beast plot. It's not so much towards the goal of simply building an army to enable the Dragon's war against God as it is towards the goal of hijacking everything that is the Sovereign Creator's, even His heritage in a grand scale substitution ploy. Then, this tactical maneuver will maximize the Dragon's resources as the converted assets are no longer Yahweh's but deployable as his own troops. It's a brilliant scheme, but still doomed.

The water glass represents the fruit of the tree, expressing Rango's procreative viability. The umbrella drink with water (life) and umbrella (seed) in the glass signals that he is virile and connected to his Creator. When the umbrella-seed was pictured floating down from the sky, it landed and perched on the edge of Rango's glass. If the seed fell back into the glass, his ability to bring forth offspring “after their kind” would remain. When the umbrella-seed fell outside the glass, the seed was no longer going to remain viable. It shortly burnt, when the chameleon's third skin appeared. The chameleon's glass was empty, signaling that the seed life of his Creator was gone, and with it His heritage. The season had passed where he had the ability to bring forth offspring after his Creator's kind.

This is why you see Rango holding the tipped glass in front of his loins. The glass so tipped would, according to the picture, be pouring out right between his legs, and also in line of his tail that signals the spiral of life. That cycle of life ended as the water of life was drained, as he dehydrated, his glass emptied. The reproductive theme, you should note, is still being signaled by the chameleon's floral shirt, with the flower being the plant's reproductive structure, where, as associated with fruit, its “seed in itself” is openly displayed.

Let not the foreigner who has joined himself to the LORD say, "The LORD will surely separate me from His people " Nor let the eunuch say, "Behold, I am a dry tree."

Isaiah 56:3

The chameleon has become a dry seed pod and a dry tree, even separated from the Lord's people as no longer able to be accounted among them.

But I was like a gentle lamb led to the slaughter; And I did not know that they had devised plots against me, saying, "Let us destroy the tree with its fruit, And let us cut him off from the land of the living, That his name be remembered no more."

Jeremiah 11:19

9) and do not suppose that you can say to yourselves, 'We have Abraham for our father'; for I say to you that from these stones God is able to raise up children to Abraham.
10) The axe is already laid at the root of the trees; therefore every tree that does not bear good fruit is cut down and thrown into the fire.

Matthew 3:9-10

The chameleon had the axe laid to his root, declared as bad fruit. And the seed pod burns as the whole tree thrown into the fire. The Creator's tree.

If what you see in Rango doesn't offend you, you haven't really grasped what you're being shown!

In this image sequence you see the glass illustrating procreative viability.

At top, the chameleon's head is craned forward to momentarily appear over the torso of the doll at the instant the umbrella drink appears superimposed over her loins. Not to overlook the obvious, let's note that the bare breasts are mammary glands, for nursing offspring. Like the shirt whose flowers have both male and female elements, this picture of a hermaphrodite Rango with male and female parts is the Baphomet. The umbrella shape is as an inverted bowl, the womb symbol. It appears in this screenshot like an x-ray view. It is the fertility goddess and god combined - Hermes and Aphrodite.

In the middle, the glass is pictured over his loins with the umbrella perched on the rim like an erect phallus, wilting. Some of you may recall how a very similar umbrella symbol was featured during the London Presentation segment of the closing ceremonies of the 2008 Olympics in Beijing.

By the way, when the phallic umbrella falls off the glass of the green skinned chameleon, allusion is made to the Osiris story, whose privy member was severed by Set and, of all his parts, never recovered. It was eaten by a fish, and a fish just happens to appear next in the scene. Yes, this is even one more subtle but “over the top” evil genius reference to the bringing forth of Horus.

In the bottom image, the umbrella-seed lies on the ground while the chameleon throws off vestiges of the former image of his Creator, shedding his skin. Again, the drink glass is superimposed over his loins, tipped and emptied.

To emphasize this, at the top of this sequence of screenshots we see the chameleon lying in the embrace of his naked lover. We don't see her in the middle image. Why not? The context and thus its meaning would be just too obvious. When the chameleon begins to get up, we see her still lying next to him. The umbrella is definitely not in the glass. Between the chameleon's legs appears a flaccid member. He is post-coital and impotent. When the umbrella-seed burns, we know this is permanent.

I should note at this point that the utility pole in the background is a cross, a tau cross. It's used for power lines and telephone lines. It signals the intersection of the vertical and horizontal that is the union of the sons of god with the daughters of men. It looks like a sacrificial altar scene.

The focal symbols rest upon a piece of the terrarium that is reflective glass with a cloudy sky pictured on it. Above, we see a cloudy sky. As above, so below; the classic occult signaled Hermetic Maxim. This is the same dynamic the reflecting pool has that's located between the Washington monument and Capitol building, the magically mediating device set between the phallic obelisk and womb dome. Soon Horus will be brought forth from the interlude!

After Rango gets up he watches the ICHTHYS dry up and die, the resurrecting fish. Then he looks up and everything happens I described with the skin shedding and umbrella-seed burning. Then he holds up the glass to drink any water that might remain, and the tiniest drop comes out. The glass is dry as a bone. He is as a eunuch.

Then the chameleon hears the armadillos' voice in the distance. He puts the glass to his eye like a makeshift telescope, creating the signal eye of Horus, Harmerty. Given that this glass is the device signaling procreative viability, this can be considered equivalent to a phallic eye of Horus signal. Isn't that rich? The chameleon has experienced the eye of Horus activation and transformation. This puts an exclamation point on all that had just been signaled. The chameleon hears the armadillo's voice again and drops the empty glass. It shatters on the pavement. Everything it represented is most definitely past.

I'll close this post with a couple observations about how the symbolism of the glass began to be developed even as the terrarium theater scene began and how that particular layer of interpretation is strengthened in a later vignette.

The narrating chameleon: The stage is set, the night moist with apprehension. Alone in her chamber, the princess prepares to take her own life.
Princess (dubbed by the chameleon): It is far better to nourish worms than to live without love.
The narrating chameleon: She reaches for the poison chalice...

Obviously, wanting to drink from a poison chalice is to invite death, and we understand that the princess intends to kill herself because she is distraught about being denied what love she values more than life. The language used suggests something beyond that. The glass represents fertility and procreative viability, right? The glass filled with water and with the umbrella in it signals a fertile vitality, with the water of life and viable fruit with seed in itself. When the princess prepares to take her own life, she reaches for the umbrella drink. Instead of a euphemism for suicide, consider it more literally as preparing to take her own life, as preparing to take the umbrella drink into her hand that represents her own life, her reproductive life. There's heavy NLP going on here, signaling that this is really all about her love life, romance, procreative sex and offspring, establishing a link with the signal umbrella drink that will later be exploited to illustrate its end.

The night is moist? Hey, nights are not moist. Damp maybe. What's moist is the maiden, preparing for procreative activity. She's alone in her chamber. We see her with bare breasts. She uses another euphemism for dying that suggests the purpose of the mammary glands displayed, which nourish offspring with milk. Hey, worms are like little snakes, aren't they? She says, "to live" which adds to the narrator's earlier use of the word "life" to make two mentions. She uses the word “love” in connection with “live,” and so “love life” just bubbles up below the threshold of consciousness in the midst of this passionate and classically romantic scene. Her romance, her love life, her intense desire for love - these set the stage (“The stage is set”) for the unfolding of the ancient romance between the sons of god and the daughters of men. This is the subtle attraction of the mark of the Beast. It's sexy to some. Dangerous and sexy. Do not be seduced by the old lies. The serpent is not a worthy lover. What he offers is really the poison chalice that brings death, even the second death.

The lower image pictures a seductive flirtation between the lovers. On one side of the lovers we see the guitar. On the other, the symbol of fertility and procreative viability. The umbrella drink combines with the lovers and guitar in the timeless pharmakeia seduction trinity: Wine, women and song. Sex, drugs and rock & roll.

In this scene, against the backdrop of the palm tree signaling victory over death in resurrection, we hear the chameleon as a Latin lover Don Juan testing his lines on the lady.

The chameleon:: I couldn't help but notice you noticing me noticing you.

He traces his finger around the top of her neck, which you may recognize as the ubiquitous dot-in-circle male-in-female Eye of Horus Sun god symbol. In the midst of delivering his comical reflexive pick-up line, he reaches into the cavity in her neck and plucks something out, flicking it away. What's that? That's nearly where in the body the pineal gland is found, the gland associated with enhanced perception as a dimensional gateway, gnosis and the illumination sought by the armadillo on his quest. The chameleon's enhanced perception - the pineal gland - the activated third eye and Eye of Horus illumination - mark of the Beast - ye shall be as gods, knowing good from evil. Got it.

Then we hear:

The chameleon:: You know the womens find me uncomfortably good looking, but you seem remarkably a tease.

This line just shows the Rango folk being clever and subtle. Depp, voicing the chameleon, actually says what I wrote if you listen carefully, but what we are led to hear is, “remarkably at ease.”

The Rango ploy is seductive indeed. The Eye of Horus and mark of the Beast just seems sexy and almost irresistable. Indeed, it is irresistable to many. It's too late for them - and many won't be spared.

As an obedient saint who watches according to the Lord's command, learn how to interpret the pervasive symbols that surround you. Look at and see what you are being shown. As the Lord directs, learn to read the signs and learn to hear the Lord's voice clearly as the good shepherd, discerning it from the droning din of the hireling's continual lies. Time is short. Seek the Lord diligently for all He is and everything He has for you. The value of having a hearing ear cannot be overestimated.

Part 4 - See, it's the "i" of Horus! Eye C the light in CERN, Creative Centrale and Christine!

In this post continuing the survey of Eye of Horus imagery, a wide variety of forms is presented that feature the graphical shape of the letter "C" as an eye and the "C" as an allusion to its homonym, "see."

Alongside Lady Gaga, who models both the Horus "who rules with two eyes" and the hidden eye of Horus is another queen of Pop, Christina Aguilera. Her latest album is titled, Bionic, and the visual imagery plays off the theme to present her as akin to having been "assimilated into the Borg collective," the serpent tree. She is part human but is an enhanced biological organism, robotic in manner, mechanical, mind-controlled and designed with a focus upon sexual allure and reproduction. She has received the mark and is posthuman.

Like Lady Gaga in the Horus "who rules with two eyes" pose, the lips form a delta. Christina's left eye is the eye of Horus and hidden eye, uncovered here as though the skin were transparent to reveal how it's involved with the technological enhancement. Her state of illumination is pictured by the brightly washed out coloration of face and hair.

In the lower image Christina presents the hidden third eye of illumination by forming a letter "C" that frames her eye. This is signaling that we are to "SEE," connecting the homonyms "C" = "see" like the "i" = "eye"! In this image, the illumination is pictured as related to a technology associated with her right hand that helps her "C." Now, what do you suppose that might be? Revelation 13:16-18?

"Bionic" is the sixth studio album by Christina Aguilera. It's an 18-song album: 18=6+6+6 1+8=9 It was first released on June 4, 2010, through RCA Records. 6+4+2+0+1+0=13 These are all Beast and mark of the Beast transformation numbers.

The blogger Vigilant Citizen covered a song off the "Bionic" album here, Christina Aguilera’s “Not Myself Tonight”: More Illuminati Music, making some good points including making a pharmakeia connection "'Bi-On-Ic' also apparently means “bisexual on ice”, ice being the slang word for methamphetamine. So, when she is under the influence of this powerful drug, she becomes bisexual. Knowing that methamphetamine is extensively used on mind control victims, especially in sexual programming, the album title is rather disturbing." The Vigilant Citizen appears to be a natural man (1 Corinthians 2:14) and therefore doesn't recognize what's presented on a deeper spiritual level, so keep that in mind as you consider the focus of his studies. Note: If one is not one's self tonight because of the mark of the Beast, one will never be one's self again.

You'll notice I don't write much about a body of men called the Illuminati. Many others have researched the history and background of such a secretive body. I have little to add other than to say that those who carry forward the effort to illuminate with Luciferian light are many. The Luciferian illumination effort points beyond men and their organized efforts even as Mystery Babylon extends beyond the Pope, even the Black Pope and the Jesuits. The work is of a supernatural agency, even the powers behind the Eye of Horus.

The letter "C" is often used to signal "See" as with the hidden eye. It's the third letter of the alphabet, which, given how three strand DNA is such a key element in the mark of the Beast transformation, the numbering strengthens it's influence as an occult symbol. Yet one more degree of magnitude is gained in this usage due to the illumination being as by the third eye, the third letter "C" seeing eye. Other similar number signaling is done through the letter "F" as six (man), "i" as nine (M-O-B transformation), "M" as thirteen (lord/beast) and "W" as twenty-three (chromosomes).

In this collection of corporate logos we find the letter "C" used as a graphical element in the formation of an eye. "C" or see with the illumined eye of Horus, we are being told. The third eye is hidden, yet plainly implied when you learn how to recognize and interpret the symbol.


Creative Centrale, CERN and the Eye of Horus

The popular technology company Creative uses a version of the C-ing eye of Horus to brand their Centrale software. The word "centrale" means "relating to the center." Third eye activation is often attempted through meditative technique by focusing attention on the center, the pineal gland near the center of the brain.

About the company name, Creative, think, procreative. This is about new life, the illuminated life. The gradient in the Centrale C-eye seems oddly exaggerated. The "C" is filled in with a red dot for a pupil. Recognizing the red dot as a Bindi confirms the company's intent to signal the third eye activation. This feature also strengthens the subliminal and supernatural influence of the symbol.

The Bindi is a popular symbol all across India. It's the red dot or drop appearing between a Hindu woman's eyes.

"'Bindi' is derived from the Sanskrit word 'bindu' or a drop, and suggests the mystic third eye of a person." "The vermilion, traditionally used exclusively for bindis, is called 'sindura' or 'sindoor'. It means 'red'..." (Bindi: The Great Indian Forehead Art)

"The area between the eyebrows (where the bindi is placed) is said to be the sixth chakra, ajna, the seat of "concealed wisdom". According to followers of Hinduism, this chakra is the exit point for kundalini energy." (Bindi (decoration) - Wikipedia)

The Centrale logo is very similar to the eye of Horus as the male bindu dot inside a female circle that is widely recognized as the eye of Horus. Target's corporate logo version really "targets" the inner central red Bindi third eye.

A notable difference between an eye formed with an enclosed circle and one formed with the letter "c" relates to the procreative modeling. The female womb is pictured as open with the "C." Such is often leveraging sexual intercourse and/or birth. The "C" sometimes also pictures the egg penetrated by sperm at conception.

Connections to "Lord Shiva" should be made while we're considering Eastern symbolism, who is perhaps another alias for Horus and Apollo. This god wears the Bindi, has a trident for a weapon and is often pictured with pine cone style hair (pineal gland) and kundalini serpent.

"...the original meaning of Shiva's name Trilochana (Sanskrit: tri = three; lochana = eye(s) or eyed), or Tryambaka (Sanskrit: one with three eyes of fire),..." "The snake is a symbol of (tantric) knowledge and the fire is the symbol of enlightenment." (Lord Shiva - MahaShivaratri)

You may be familiar with Shiva as presented doing the dance of the Nataraja with his third eye opened at the Large Hadron Collider facility. I bring this hugely significant facility and activity up while connecting dots because of the CERN logo. Many perceive it as an obfuscated 666. It's also the C-ing eye, with the letter "C" graphically forming part of the eye (like in the "c1000" logo included in the collection above). The legs and extended horizontal of the Eye of Horus are also apparent! It's cleverly obfuscated, but once you see it, you can't unsee it!

Back to the company, Creative, I note that they had an opportunity to leverage the "C" as the seeing eye in their corporate logo but didn't. Neither did they take advantage of calling out the "i" of Horus. Yet, they still featured the Eye! The letter "A" is nearly centered in the word and signals loudly the form of a pyramid. This construct is so commonly featured with the illuminated eye above it that's it's almost implicit, even though their version omits even a hint of it. Well, almost. Instead of giving the pyramid a flat top with something hovering above they put something flat hovering below. Hint. The cues that reveal their intent are found in the letters "E" and the stylized "R"! Along with the "R" and "A," the "E" makes these stylized characters look like some kind of ancient text.

The stylized "R" of itself doesn't call out the eye of Horus in a very obvious way, yet, in context, that signification seems plain enough. The stylized form of the letter "E" really gives their game away.

The upper case "E" is popular in occult signaling because its a graphical trident and a reversed number 3. These, of course, reference the 3 strand DNA of the mark of the Beast transformation, and the weapons of the gods as pointing to that transformation, being the three legged lightning bolt of Zeus and tridents of Shiva, Poseidon and Neptune. The Creative version of the "E" is an eye in three parts. The central element is detached, the pupil in the eye. The two letters "E" are for "EYE"! The peculiar elements of the stylized "A" can be used to construct the "Y" in "EYE"!

In like manner to how the Verizon/Google "r" of Droid has the two eyes that present Horus when the elements are taken in context ("Learn More" = "get illuminated"?), so it is with the Creative logo!

When the redundant testimony of the symbols that saturate our environment is perceived, one thing that becomes rather obvious is how products are effectively marketed by hooking to the base human soulish desire to be illuminated, to become a god by joining with the gods. The approach sidesteps the issues of sin, of obedience, righteousness, holiness and worthiness. There is a genuine to be attained that should be sought after, that is to have the eye of our understanding being enlightened, but it is not the counterfeit of the eye of Horus activation. Those who "cheat" and pursue that counterfeit will find a curse.

In Daniel 2, we learn that, "The secret which the king hath demanded cannot the wise men, the astrologers, the magicians, the soothsayers, shew unto the king;" Even when and if they attain the gnosis and third eye activation, their light is only but the darkness of deception.

19) Then was the secret revealed unto Daniel in a night vision. Then Daniel blessed the God of heaven.
20) Daniel answered and said, Blessed be the name of God for ever and ever: for wisdom and might are his:
21) And he changeth the times and the seasons: he removeth kings, and setteth up kings: he giveth wisdom unto the wise, and knowledge to them that know understanding:
22) He revealeth the deep and secret things: he knoweth what is in the darkness, and the light dwelleth with him.
Daniel 2:19-22

27) Daniel answered in the presence of the king, and said, The secret which the king hath demanded cannot the wise men, the astrologers, the magicians, the soothsayers, shew unto the king;
28) But there is a God in heaven that revealeth secrets, and maketh known to the king Nebuchadnezzar what shall be in the latter days. Thy dream, and the visions of thy head upon thy bed, are these;
29) As for thee, O king, thy thoughts came into thy mind upon thy bed, what should come to pass hereafter: and he that revealeth secrets maketh known to thee what shall come to pass.
30) But as for me, this secret is not revealed to me for any wisdom that I have more than any living, but for their sakes that shall make known the interpretation to the king, and that thou mightest know the thoughts of thy heart.
Daniel 2:27-30

46) Then the king Nebuchadnezzar fell upon his face, and worshipped Daniel, and commanded that they should offer an oblation and sweet odours unto him.
47) The king answered unto Daniel, and said, Of a truth it is, that your God is a God of gods, and a Lord of kings, and a revealer of secrets, seeing thou couldest reveal this secret.
48) Then the king made Daniel a great man, and gave him many great gifts, and made him ruler over the whole province of Babylon, and chief of the governors over all the wise men of Babylon.
Daniel 2:46-48

Let me encourage you to seek passionately according to the way of humble subjection to the one true God after the example of His son Y'shua and men like Daniel, and Joseph, who in like manner saw the wise men of Egypt humbled.

The Fertile Body of Gaia - Affording Profound Insights into our Times

The image of Gaia discovered in the landscape of the UK (see previous post) appears in a region with some very notable features. As I already pointed out, the distribution of crop signs is generally recognized as being centered on East Field in Wiltshire. East Field is within the Gaia Triangle, so the extraordinary supernaturalism of the region is already established. Many who visit crop circles consider them temporary temples and are professed worshipers of Gaia. Another intriguing feature of the Gaia Triangle region is the dynamic time-distance binding to Zion's temple.

In this image mapping the Gaia triangle you see some parallel lines labeled with white numbers on black. These represent significant dates. (Note: Those you see in this version aren't very precise but they are close enough for general purposes. They were drawn as measured using the ruler tool in Google Earth before I discovered just how elastic (i.e. unreliable) it is.)

Dates appear as lines drawn on the map when applying a principle that equates a date with a distance from Zion's temple in Israel. One premise of David Flynn's “Temple at the Center of Time” (TCOT) principle is, simply stated, that the number of nautical miles from the Temple Mount to a particular location relates to when an important event happens there. When a stone is tossed into a pond it causes ripples. The TCOT principle describes something like a stone being dropped at the temple mount. The ripples spread outward in concentric rings, with the wave motion through the medium of space-time manifesting at the frequency of 1 nautical mile (wavelength) per 1 Gregorian year (period). The calibration setting David discovered for this phenomenon is 1 year AD on the Gregorian calendar equals 1 Nautical mile from a point on the temple mount.

I've written about it on this blog a few times, providing a proof relating to D-Day, June 6, 1944 (David Flynn - Gone on Ahead (UTAH Beach - Direct Hit!)) and referencing it to document a link between the London Olympic Park and the span of time the State of Israel was being established. Part 5 - 2012 London Olympics - State of Israel maps to Zion Olympic Park

The ripples or arcs of time-distance have swept through the Gaia triangle in recent years. The first date line in this image (sweeping right to left) represents when the celestial sign of the Lord's coming in judgment appeared, 9/11/91. Since then, the arcs of time-distance have swept through the Gaia Triangle. The other arcs represent the boundaries of the Shemittah known popularly as the seventieth week of Daniel 9, and between them, the marking of the pivotal series of events in 2015 that includes the revealing of the lawless one and the Bride Theft. The time-distance relationship with the region's crop phenomenon and the Gaia Triangle are not insignificant!

Note that the Gregorian calendar is based roughly on the birth of Jesus of Nazareth. (Technically, He was born in 2 BC, but this phenomenon is calibrated on the Gregorian calendar.) It may be seen that time itself and the temple around which Y'shua's life was centered are bound together. Consider the following declaration.

19 Jesus answered them, “ Destroy this temple, and in three days I will raise it up.” 20 The Jews then said, “It took forty-six years to build this temple, and will You raise it up in three days?” 21 But He was speaking of the temple of His body. 22 So when He was raised from the dead, His disciples remembered that He said this; and they believed the Scripture and the word which Jesus had spoken.

John 2:19-22

Y'shua gave up his life at the age of 33. If you've been following this blog's sodomite gateway series, you have recently learned this is a signal number, and we're going to see how that factors in pretty shortly. David Flynn gives this number a fair amount of ink in his book, mostly marking out lines on the earth in degrees while making some fascinating observations. One such observation follows.

“From the temple mount in Jerusalem, to the location of the world's greatest concentration of authentic crop circles in Wiltshire, England, there are exactly 33 to 33.33 degrees of the circle of the Earth. This is in a wide swath 1,980 to 2,013 nautical miles from the temple in Jerusalem. The crop circle phenomenon began in 1980, some of which are equivalent in distance from the temple in nautical miles to their date / year of appearance. ” Temple at the Center of Time (p. 260) by David Flynn

David observed how some crop circles are equivalent in distance to their time of appearance. Some of these are spot on. Just like how D-day was a direct hit on UTAH Beach, so the enormous and enormously significant crop sign that appeared on 8/8/08 may be considered a direct hit where it appeared below Milk Hill!

David's insightful connection of the crop sign phenomenon with the temple mount really got my attention. You can see that my subsequent mapping of the dates that are so significant on the Lord's calendar frames the Gaia Triangle. The observation of how the TCOT maps to “England's green and pleasant land” yields further significant insight.

In chapter 18, The Threshing Floor of Heaven David made note that the temple mount had once been a threshing floor. That's literally a circle of crops, as illustrated in this excellent picture. Now THERES a link between the temple mount and what's happening in England that could hardly be more evident! In allegory, the Lord's crops are His people and those of us who love Him long to be harvested from the earth, but yet not early. I'm going to excerpt a section from that chapter but I recommend reading the entire chapter, if you can. To really do this justice I'd have to reproduce the entirety of it here.

“In the Zohar, Lag b'Omer is considered by mystic Jews to be a festival of the revealing (gal) of the future messiah; the number 33 is connected to this person as it was to Jesus. The word lag is not a word, but the two letters in Hebrew that equal thirty-three, lamed and gimel. During the week of Lag b'Omer, observant Jews read Psalm 119, the thirty-third portion of the Torah. The first verse of Psalm 119 has 33 letters. The word lag spelled backwards (gimel, lamed) is gal which means, “to reveal,” as found [in the verse] Psalm 119:18. Open (reveal to - “gal”) my eyes that I may see the wonders of your Torah. Although Lag b'Omer means the thirty-third day after harvest, it is an anagram for gal b'omer, “circles of pressed and twisted sheaves.” One of the earliest names for Jerusalem was the city of the Jebusites, also known as Jebusi; Jebus means 'threshing place.'” Temple at the Center of Time (p. 260) by David Flynn

Worship of the sovereign creator Yahweh was established on Zion with a temple constructed at the site of a “crop circle” threshing floor. Worship of Gaia and the ancient “alien” gods happens today in the temporary temple crop circles in England's green and pleasant land. With the TCOT binding between them, is there some manner of temple transference at work, some working to effect a transmission of life from Y'shua's death, the destruction of the temple of His earthly body (John 2:21) at age 33 to England, harnessing some vital supernaturalism from the TCOT band of 33 degrees to 33.33 degrees as it sweeps dynamically through the temporary temples on the body of the earth? Could this same supernaturalism also be feeding some Olympic Park-as-Zion mechanism? While such questions as these may seem outrageous, the rather bizarre facts of the matter suggest they are rather more reasonable. That Park has an abundance of magickal ritual focused on it in the present, and it is distinctly TCOT-linked to the season of the establishment of the State of Israel! Something is afoot, and I believe there is, in the answers to questions like these, some explanation for the behavior of the population of the UK in this hour.

The Bible has long testified of such as we see today, of exactly what we see today. That testimony hasn't been well understood by most of us, but some are beginning to catch on, just as the Author promised would happen at the end of the age.

Let's consider what the Jewish mystics had in mind with their esoteric focus on the 33rd day of the counting of the Omer. They knew things, like the Devil knows things. Their Zohar and the pursuit of Kabbalah is of the “left hand” path, a darkened way, the illumined way of the dark light.

If you're familiar with what I presented in Part 25 - The Sodomite Gateway - Rosetta Stones Yielding the Secret of the Masonic 33 you should know a great secret of the followers of the left hand path. The deeply hidden key to their power is ritual sodomy, the sodomite sex magick that opens a dimensional gateway. This is signified by the number 33. Quoting again from Flynn, “In the Zohar, Lag b'Omer is considered by mystic Jews to be a festival of the revealing (gal) of the future messiah; the number 33 is connected to this person as it was to Jesus.” Their future messiah is Antichrist. The number 33 connected to their messiah is the sodomite sex magick. The esoteric left-hand path interpretation of Psalm 119:18 exalts the opening of the third eye through ritual sodomy.

Open (reveal to - “gal”) my eyes that I may see the wonders of your Torah.

I believe there is a level on which the “circles of pressed and twisted sheaves” of the anagram gal b'omer directs us back to the garden of Eden and the first instances of sodomite illumination (“And the eyes of them both were opened...” - Gen. 3:7), where also Cain was conceived with strands of serpentine DNA. In ritual sodomy, the worshippers join with their god and have a born again experience with unholy spirit. The illumination and gnosis acquired is attended by the power to command devils and wield powerful influence over a worldly domain. It is counter to the way of the worshipers of Y'shua, but yet there is legitimate power in the counterfeit. I would not argue against claims that their messiah (Mal. 3:1) will be revealed through the Lag b'Omer and gal b'omer scheme. I think he is already revealed, on a personal basis to individual worshipers, and will soon be in a hybrid flesh body as the Beast whose mark will soon be implemented. It will be seen that “Do what thou wilt” does not ultimately compete with “Do what the sovereign God wills.”

Through the biblical idiom of breaking bread, further and rather profound insight is provided into the similitude of gal b'omer, “circles of pressed and twisted sheaves.”

30 When He had reclined at the table with them, He took the bread and blessed it, and breaking it, He began giving it to them. 31 Then their eyes were opened and they recognized Him; and He vanished from their sight. 32 They said to one another, “Were not our hearts burning within us while He was speaking to us on the road, while He was explaining the Scriptures to us?” 33 And they got up that very hour and returned to Jerusalem, and found gathered together the eleven and those who were with them, 34 saying, “ The Lord has really risen and has appeared to Simon.” 35 They began to relate their experiences on the road and how He was recognized by them in the breaking of the bread.

Luke 24:30-35

Breaking bread signifies the Lord's opening the eyes to reveal Himself. The “circles of pressed and twisted sheaves” describe the forcible manipulation of stalks of grain that are the basis for bread. The breaking of pre-bread, if you will, opens the eyes to reveal the false lord. Bread is cooked, as tried by fire, purified. Think of the bread and stalks of grain as metaphors for people. From verse 32 above: “Were not our hearts burning within us while He was speaking to us on the road, while He was explaining the Scriptures to us?” (Jer. 23:29, 5:14, 20:9) There's a firing, a baking as bread. A crop still in the field is not tried by fire and purified, nor yet even harvested. The opening of the eyes that comes that way for the immature crop that has not experienced the Lord's purification is not good. It should be seen that the vandalized crop in the farmer's field really represents a loss of that crop.

The gal b'omer crop signs and their association with ritual sodomy and the Lag b'Omer tap into the legitimate owner of the harvest field's barley-to-wheat Matzot-Shavuot omer count. The Lord's calendar describes and evidences a legitimate supernatural reality, and the Devil hacks into it, exploiting the secrets of heaven for evil. This tap speaks to me of the Beast and mark of the Beast gambits. The messianic Beast will indeed be brought forth by this supernaturalism as the manifestation of one who claims the kingdoms of this present age. He will be the prototype and bringer of a corrupt variant of triple-helix DNA with eternal life to a crop-people while they are still standing in the harvest field of the world, through the mark of the Beast. That his revealing is celebrated with Lag b-Omer suggests several things. The sodomite gateway tap into the Lord's supernatural and functionally dynamic calendar link established between the sequential harvests of the Lord's barley people and His wheat people is no trifling matter.

I'd like to make a few more observations before closing out this subject.

The megalithic henges and crop circles that dot the landscape are related, elements in a system that testifies of some intelligent design and a hidden purpose. Many people have advanced theories about these things in recent years and some among them have been pretty convincing. I believe the hard evidence demands a conclusion that acknowledges how the ancients have placed the megalithic structures to get our attention and bear witness to the brilliance of the design behind the system. What Carl Munck testifies about how the ancient monuments, even those off-world, testify through their features about why they are where they are, he's right. His recent interview on Red Ice Radio included the revelation of how his remarkable discoveries came through what we now call alien abduction events, and in this there are some dots to be connected. The ancient gods who convince some they are simply advanced alien beings are responsible for the ancient structures, and the related crop signs. The knowledge they exhibit bears witness to the veracity of that claim. Yet, their claims extend beyond the truth, which is lying because, after all, they are agents of the father of lies, the Devil. When Steve Quayle refers to such ancient structures and declares that it's not what's above ground but what's underneath that really matters, I believe he's right, and that many of the ancient monuments function as visible markers for buried, well, artifacts, shall we say, to keep this more general and accurate within the context. What we see above ground speaks in the language of dimensions, alignments and distances, with crop signs adding more layers of information about times and celestial events and sciences beyond geometry than most of the ancient sites have to offer because of the abuses suffered over the ages that have degraded their ability to communicate. Wisdom dictates that we don't merely dismiss these things because “they are bad.” We're not in a position to just make it all go away. The sovereign Lord Y'shua has given some of us insight into these things because His plan includes them, as His plans are working out towards His ultimate goal.

Inside the Gaia Triangle, near to her navel, in this region of evident supernaturalism we find the Porton Down facility, which is known to have a network of underground tunnels associated with it. I first learned of this secretive government facility from Nick Cook's book, The Hunt for Zero Point - Inside the Classified World of Antigravity Technology. Apparently this is the UK's rough equivalent of Area 51, S4, Wright Patterson AFB and ... Given the supernaturalism of that location, I have to think there is a work underway that involves a collaborative effort between those who are strictly human and those who are, well, not; an underground and underworld collaboration that is not in your best interest.

During the course of my research for this post I encountered another evidence of alien interaction that seemed relevant and worthy of note. Much has been made over the years of this crop sign that appeared near Barbury Castle, Wiltshire, on June 16, 1991. Glenn Broughton and Cameron of Journeys With Soul were compelled to document their adventure exploring the sign. They were inspired to overlay an image of the sign over the landscape, highlighting some areas of interest.

“To be honest we didn't really know why we felt we should do this, we didn't know what we would be achieving except that because of our intent we would be doing no harm. Our strong intuitive response to the pattern and the idea of doing this work felt like clear spiritual guidance which we needed to follow in trust without having a logical explanation for our actions. Some would call this gullible folly, others a dedicated and committed response to directly received spiritual guidance.

When we overlaid the formation on a map (Fig 3) we placed the centre of the bottom left circle over Glastonbury and the centre of the top circular pattern over the Rollright Stones (near Chipping Norton in the Cotswolds) as our two known points (a distance of approximately seventy five miles). We found that this led to the bottom right corner of the triangle being directly over Winchester and the ratchet spiral design overlying the Meon valley. The centre of the whole pattern, which is a circle of approximately fifteen miles diameter appeared to be the Avebury landscape temple and including Barbury Castle itself. Many other well known ancient and sacred sites fall not only within the borders of this pattern but actually are marked out by the lines and intersection points. Some of these are:- Meon Hill, Uffington White Horse, Wayland's Smithy, Old Sarum, Stonehenge, Woodhenge, and Cadbury Castle, not to mention old towns like Bath, Salisbury, Devizes and Warminster.”

Earth Healing Work - and the Discovery of the Avebury Landscape Pentagram

I think their leading was the same as Carl Munck's, attributable to the age old service of worshipers to their ancient gods.

Here's an overlay of the crop sign image Glenn and Cameron modified, overlaid upon my map.

A key area is targeted, with a bulls eye that is near to East Field, “crop sign central”, further calling out the centrality of an even otherwise notable region of the Gaia Triangle.

Giving attention to other elements highlighted by the overlay, the Rollright Stones may well be the inspiration for the Rolling Stones, an English “Rock and Roll” band that has really had a major role in forming this present world, influencing it in ways that are certainly not good. The ripples of time-space (TCOT) just passed through there in mid-May of this year.

Glastonbury Tor has to be seen as a place of interest at present, given how it's featured in the Olympic Stadium opposite the Bell of Caliban for use in the Opening ceremony. This place is connected to the Merlin/Arthurian legend, which links with Dr John Dee and his system of Enochian magick that may well be at the very heart of Olympic ritual.

The “ratchet spiral design overlying the Meon valley” referenced by Glenn and Cameron has been identified as having a pyramid structure by David Wilcock. I believe this construction hearkens back to the Tower of Babel, a ziggurat, or, stepped pyramid. This version presents the arcs of six concentric circles, wrapped around a pyramid, connecting to the greater triangular structure at Winchester. The axis alignment of this temple is towards Zion's temple, about as precisely as I imagine it could be!

These things I present to you as the window of opportunity for such activity draws hurriedly to a dramatic close. I pray you are engaging passionately as the lord Y'shua gives invitation in this season.

Some other links of interest:

Gaia spacecraft to be flung 1.5 million km from Earth
[video] Crop Circles Decoded
Spatial distribution of England's crop circles: (in 2002) Using GIS to investigate a geo-spatial mystery - Jeremy Northcote
Decoding of mother of all crop circles/Jerusalem UFO (a page by an antichrist, basically self proclaimed.)
Some Crop Sign Facts