2012 Paralympics Opening Ceremony Highlights Monarch 'Over the Rainbow' Programming with Vatican Connections

The mind control technique associated with military programming was pretty obvious in Yoplait's Umbrella commercial. (See Yoplait Umbrella Commercial and the Flash Mob Black Awakening) The flash mob style is the perfect complement to the umbrella Delta assassin and “over the rainbow” programming subject. It's a cryptic but explicit announcement of the coming black awakening. Really, how else can you interpret all that? The flash mob's performance in Seattle of the Emmy winning Glee show's Umbrella+Singin' in the Rain mashup makes it obvious that this whole deal is well embedded in our culture. The black awakening is coming, and chosen ones have been boasting about it for years. This should be sobering and a wake up call to some of you reading here, who still need some cold water in the face.

Even if you've learned and been able to accept what I've presented on this blog for the last couple years and are now familiar with what I presented in that Yoplait flash mob post, you might still be shocked at how the very same Illuminati programming was done during the 2012 Paralympics Opening Ceremony in London. I already wrote some about that ceremony in Part 41 - 2012 London Paralympics - Occult Opening Ceremony. If you're not familiar with that, I recommend getting caught up on it as a supplement. I'm going to revisit that global scale Occult ritual again from mostly other perspectives. There's Vatican connections in this, to Vatican City and also Pope Francis.

As a necessary caveat, if you're a victim of ritual abuse who is still being delivered or you're easily offended by mature subjects and descriptive language, please don't continue here. If you've got a green light on this, here's a video of part of the mass programming ritual.

London 2012 Paralympic Opening Ceremony



There's several levels to be addressed, first up, the in-your-face Monarch “go over the rainbow” programming. If the Yoplait Umbrella post is fresh in mind there's not much commentary needed to interpret this big budget ritual and demonstration. Reread the programmer's script if you require. When umbrellas descend from the sky or ascend or hover it pictures how a Monarch slave is being taken into a deep trance state and that delta programming is going to occur. When the many colored umbrellas float in the sky it represents the rainbow the slave is told to stay on, having been brought to that state where a programmer will install the program. There's plenty of that going on in the Olympic stadium, as you can see from these photos. Those capped pyramid lighting structures ringing the stadium are so very appropriate!

One of the features of this programming is a black pearl. That big black “umbrella” in the middle of the stadium represents the Monarch black pearl! Here's the role it has as the programmer hypnotically guides the slave into the deep trance, descending down on clouds that are the colors of the rainbow. “Land very gently ... very softly ... in the center of a round, black pearl. See it glowing, softly, gently.” When the slave is about to be brought out of trance, it's referenced again. “In the pearl, prepare to awaken.” As the programming session finishes and the slave is going to be sent back into a front alter, the memory of the program will remain "in the black pearl" while the slave is isolated from it for security. “Leaving the memory in the black pearl and closing and sealing the black pearl. You will remember only those details that I tell you to remember.” When the labeled wheels-in-wheels sphere is dropped into the black sphere during the ceremony under the pretext of the presumed Big Bang of creation, what's really pictured is the installation of the black awakening program most or all of the slaves have received. That's the big bang they really mean.

Or, you can just accept whatever they tell you it means and go on your merry way, oblivious to the grand conspiracy.

There's more. See the peculiar structure with the elevated Lunar orb? It's the inside of an umbrella, inverted for obfuscation and partly buried with no fabric cover. It's got a Moon handle. See the brilliant liar Stephen Hawking as the programmer inside, accessing the slave's Delta alter.

“U. Umbrella. This is associated with military programming. An umbrella protects something, such as the Delta assassination alters. An umbrella must be taken down from the inside and so must this protective shield of the Umbrella program.” (The Illuminati Formula to Create An Undetectable Total Mind Controlled Slave by Fritz Springmeier and Cisco Wheeler)

There it is. Hidden in plain sight. The Illuminati programmers do their dirty work and put the evidence of it right out in the most public arena. Many of the Paralympics performers and audience have been traumatized physically and emotionally due to life changing injuries. In this venue and context the Illuminati creeps prey upon the vulnerable, because that's their way. They seize upon every perceived opportunity to wield more control.

The programming session in view is mass ritual that influences all of us directly or indirectly. I believe the ceremony supports the programming of those who have black awakening programs installed in a special way, and also the entire network of programmers and handlers. There's a supernaturalism involving the worship of their god. In his Zeus alias, receiving worship is what the entire event is about, with the honoring of all the ancient gods of Olympia and those who serve them.

From one news report, “Professor Stephen Hawking, who enjoyed a starring role in tonight's Opening Ceremony, said the Paralympic Games is about transforming our perception of the world. "We are all different. There is no such thing as a standard or run-of-the-mill human being but we share the same human spirit," he said.” Truth and lies. We don't share the same human spirit. There are tares sown into the Lord's harvest field. Some undergo a transformation that accompanies salvation that makes them a new creation in Christ, some don't. I don't doubt that Hawking is right about the purpose of the games. Our perception of the world changes as we are reprogrammed, which was clearly happening during the ceremony, or better still, our perception of the world changes as we're set free from that Luciferian programming, to see the world as the sovereign Creator sees it.

In this mass ritual, a storm begins with lightning and thunder, the discharged weaponry of Zeus that may also be taken in a reproductive sense. Notice how the special stadium seating has lighting effects that simulate rain falling. By design, and this may be the main reason for the lighting, where the audience sits, that's where the rain is falling. Do you see purple rain? Remember these posts?

• Serpent Rain and the 666 of Purple Rain
• The Secret of the Rain Man (god is in the rain)

The last line of Prince's song Purple Rain was this: “I only want to see you, only want to see you in the purple rain.” Remember how 666 was embedded in the song? There's a signature, Lucifer's autograph. This immersion of the spectators in purple rain while playing a remix of Rihanna's Umbrella should really speak to you about the layering of symbols and building of energy in this ritual magick.

Here's another scene from the Paralympics. Rainbow, clouds, black pearl. Check, check, check. All sorts of squares and circles going on there. I see sun wheels, anja chakras, Neptune... Programming alchemy.

As I've described in many posts, an SRA programmer would typically sodomize the slave to access the programming. Clever signaling of this essential activity and gateway to supernaturalism is not lacking in the scene. That's what Rihanna's Umbrella is all about, and the rain.

What the Illumined Luciferians call the Key of David aka Rothschild sodomy causes illumination that is perceived as flashes of light by the slave, and that's what the “big bang” pyrotechnics pictured. When the symbolic sphere dropped into the top of the giant black umbrella butt it was as a seed was planted, the sperm of a god. The big bang is the ultimate creative act in their minds, and this is what the Key of David is to them every time there is such a ritual enactment. This is why the Nazi religion of the elite SS considered the north tower with the black sun in the floor at Wewelsburg Castle as the center of the world.

The eye and the black sun anus are equivalent symbols, and we see this dramatized for us in the stadium when the light rayed black umbrella is framed as the pupil of an eye, the all seeing eye of Horus.

Over against the black sun is a moon, which is a typical Occult feature like you see in esoteric art and Masonic lodges and tracing boards. It's a counterfeited version of the Bridegroom and the Bride. If you know what mooning is, you'll understand the meaning of the moon with a giant phallic tower stuck in its bottom.

Four men with orange hats performed a roller skating routine under that moon with sodomite phallic symbols, white umbrellas held in their collapsed state.

In the screenshot you see here, they line up behind each other to model for us the Vitruvian Man, a sodomite classic.

As for the signaling of the illumination that is their goal, we see it on levels that include the most obvious. According to an ITV report, “Empowerment and challenging perceptions are some of the themes of the show, called Enlightenment, which also stars Sir Ian McKellen and references Shakespeare's The Tempest.” (London Paralympics Opening Ceremony) During the ceremony, McKellen played the sorcerer Prospero, who is perhaps most well known for his role as Gandalf the wizard. Celebrating witchcraft and enlightenment openly, well, there's that. But on the occult subliminal level, where the powerful supernaturalism of the symbols operates, the more subtle imagery should be identified, like how the moon is illuminated as the symbol of the head and at the same time of that butt being sodomized.

We should note how the black umbrella was celebrated with lots of associated lighting. Those who carried the illuminated umbrellas wore illuminated headgear that gave them a halo and third eye effect. These represent the kingdom of the Beast, worshipers of the sodomite god whom they serve and who services them. This is a display of what love looks like in their dark sodomite kingdom.

They are as a rainbow encamped around their god. They are a sea of people in the purple rain that exist as a kind of moat around a medieval castle, a security perimeter, the guard. They are the Delta and umbrella programmed soldiers who are active now but also await the triggering of the black awakening. Beyond the figure, of course, this may well describe the reality. There are plenty of chosen ones in the UK, and who knows what the real selection criteria was for the volunteer force.

At this point, I'd like to point out the Vatican connections I perceive in the scene, which does itself have a renowned but secretive illuminated supersoldier global security guard, the Jesuit and orders of the Knights.

I see a modeling of the Vatican City in the Paralympic stadium. Compare the obelisk to the moon-topped tower, each with a circular base and set in a keyhole. Compare the basilica to the dome of the umbrella.

When this common pattern become apparent that begs a question, and I believe the best answer speaks to how it is the same demonic agencies behind them both driving similar objectives. I believe they are celestially aligned as fit for those objectives in those locations. I believe this explains similar constructions in such diverse settings as Washington DC, in the Epcot Center at Walt Disney World in Florida and in Victor, NY at East View Mall.

I believe there is a transformative magick involved in binding the celestial and terrestrial. This matter is what's signified in Papal heraldry, and most particularly in that of the latest Pope, the Jesuit Francis (Xavier). I believe this relates to the keyhole I mentioned and to what may be identified as the Vatican City star key itself, which appears on the map when you consider the St. Peter's end as the key handle and the pentagram star shaped end (Parco Adriano and Castel Sant Angelo) as what is inserted into the lock.

I think the celestial-terrestrial binding and loosing magick of the Paralympic Ceremony is not particularly well hidden when the scripts of those who spoke during the ceremony are considered. Star seed and the return of the ancient celestial parents is a familiar underlying theme. The Vatican's Occult magick is not at all dissimilar. Their focus on astronomy and interest in diligently watching for the coming ET gods is one expression of their hope. What the Vatican is all about can really be considered alchemy, science magick. The Jesuits operating the VATT in Arizona and spokesmen for the Vatican have made official disclosure of alien contact seem imminent. The language of their announcements falls short of announcing a coming savior, but that's not far off. Y'shua's replacement is on the way.

Here's pictures of the facilities on Mount Graham. The Jesuits have access to these, and the Vatican owns and operates the VATT. The LUCIFER instrument has gotten press recently, which is associated with the nearby LBT. There's also a radio telescope, like the kind SETI uses to search for the ETs.

Take another look at the structure under the moon. Isn't that a radio telescope, like on Mount Graham, hoping for contact? “The Vatican Advanced Technology Telescope and the Heinrich Hertz Submillimeter Telescope began operations in 1993. The Large Binocular Telescope, one of the world's largest and most powerful telescopes, began operations using lenses independently in 2004, with joint operations between the two lenses beginning in 2008.” (Wikipedia)

It is the contact that is the arrival of the false messiah that the Vatican and the Zeus worshiping Olympic sponsors await. To tie this all together, the black awakening that is programmed in with Monarch umbrella Delta Assassin programming is an essential part of that plan. These agents of chaos are the slave army of Apollo, or Horus, the beast. It is the Pope who will anoint him. Doubt it? Watch the Paralympics opening ceremony. That's what you're seeing! If you can't see it yet, you're still under the cover spell of delusion. That's not a good thing.

Stitchers on ABC - MK-ULTRA, and Edgar Cayce

In this season my attention has been nearly entirely and still very intensely focused on the “mission critical” subjects. I have been rather minimally responsive to email and contact through the blog and YouTube, and I apologize for any offense at this neglect. This season is very unlike those that came before, in certain respects. How long it will last, I cannot say I know. Yet. Some would insist that a quest for that answer is pointless, but seeking the Lord for an understanding of our times and seasons remains paramount. That is in parallel with the development of our relationships of love, faith and hope. He remains wonderfully attentive to us.

Aaron and I have been to see TomorrowLand twice, and the allegories Aaron and I perceived in that seem worthy of a lengthy series of posts. However, it's not likely to get more than a very brief treatment. Like with the film, “Live, Die, Repeat - Edge of Tomorrow,” what insight we gleaned about the important subjects has been processed and passed on through the benefit provided to us in validation, more confidence and clarity and refinement to our understanding. There's always been a benefit in the exercise of working through the details of the symbol language, and a wonderful benefit in sharing it, but there's just not enough bandwidth to work through the presentations and still give adequate attention to what's most important. As important as that work was in previous seasons, it largely represents a distraction. Unless, like with this post, the Lord does so prompt. We remain active with publishing on the MOB blog, but it's a strictly limited effort.

There's a new show on ABC called, Stitchers. Yesterday, while I was starting to wake up, after watching episode one the night before last, the Lord was opening to me a layer of allegory where it's all about Illuminati mind control programming, MK ULTRA/Monarch style programmers, handlers and slaves. It covers ground that's mostly been covered before, but this repackaging appears to be specially fit for this season, which becomes very apparent when you understand the relevance of the featured water-as-time metaphor.

Here's the official plot summary.

“Stitchers” follows Kirsten (Emma Ishta), a young woman recruited into a covert government agency to be ‘stitched’ into the minds of the recently deceased, using their memories to investigate murders and decipher mysteries that otherwise would have gone to the grave. Working alongside Kirsten is Cameron (Kyle Harris), a brilliant neuroscientist whose passion for the program is evident in his work. The secret program is headed by Maggie (Salli Richardson-Whitfield), a skilled veteran of covert operations, and includes Linus (Ritesh Rajan), a socially immature bioelectrical engineer and communications technician. Kirsten’s roommate, Camille (Allison Scagliotti), a gifted computer science grad student, is also recruited to use her skills to assist Kirsten in her new role as a ‘stitcher.’

My commentary will make more sense if you can watch the series premiere after reading this all the way through, then return to read this a second time. It will help if you're familiar with what I've already written about trauma-based mind control programming, and with Fritz Springmeier and Cisco Wheeler's writings about Illuminati slaves and the testimonies of such as Arizona Wilder, Svali, Bryce Taylor and Cathy O'Brien.

It's very common to find media presentations where the mind control programming theme is woven tightly together with the beast/antichrist theme. What I see in this production is mind control programming and the time-space dimensional merging aspect of the antichrist plot. Let's start with the focus on time.

The pilot or premiere episode is titled, A Stitch in Time. There's the subject, right up front. All the promotional imagery features water, which is a metaphor for time. The stitching process involves water, which Kirsten is mostly submerged in. Kirsten was recruited for her special condition, which they call Temporal Dysplasia.

The condition is fictional. It's claimed to mean that Kirsten can't judge the passing of time like normal people, and this is claimed to make her suitable for stitching. In the real world there is a condition called cortical dysplasia, which is a brain function disorder, and there is a part of the brain called the temporal lobe, but Kirsten's condition is fabricated to support the allegorical layering.

Dysplasia, means, the enlargement of an organ or tissue by the proliferation of cells of an abnormal type, as a developmental disorder or an early stage in the development of cancer.

The word, temporal, means: 1. relating to worldly as opposed to spiritual affairs; secular. 2. Of or relating to time.

The tagline of the show is, Memories never die. Memory is a three part process involving encoding or registration, storage and retrieval, and this of course has everything to do with time. The premise of the show is that the brains of the recently deceased retain the stored memories and that stitching allows them to be retrieved. This speaks to me on a few levels. When time is reset into the past, memory of this season will not exist because it will be as though it never happened. Except that things are happening, and it will be such that special provision will be made for some to remember. Certainly, the Lord of Lords is keeping accounts. The premise that memories never die speaks to when the ancient memory stored in our DNA will be activated, as some would see it, and a great hoax is perpetrated. The world will “remember” who and what they are shown in ways that, on a very local scale, are illustrated and modeled by Stitchers.

Temporal dysplasia sounds like temporal displeasure, which speaks to the characteristic attitude of the enemies of the sovereign God about time not being under their control, and, too, that this state and the attending displeasure is seen as only temporary.

Temporal dysplasia also sounds like temporal displacement, and this identification plays on multiple levels. Time displacement. This is Kirsten's condition. She's the special agent who can access the memories, traveling through the stitched brain back in time, through immersion in the water tank, to roam around in the person's past. She is therefore a time traveler, and stitching is all about temporal displacement.

The name of the pilot episode isn't explained, but the old adage referenced provides an apt description of the show's plot. A Stitch in Time - saves nine. The meaning has to do with mending fabric with a needle and thread. If fabric is torn and you delay mending it the fabric will tear more and more stitches will be required to mend it. Stitch it sooner to avoid more stitches later. One stitch now prevents nine in the future. Kirsten is sent on missions to experience the past and bring reports of her findings, with the objective of using that knowledge plus impressions and feelings to change the future. All the episodes so far have to do with using the dead person to save more people from being killed. A Stitch in Time - saves nine.

The Adversary's plot isn't about saving people, despite all the delusional transhumanist chatter being heard today. It's about displacing the Creator, and people are a means to that end, who only have value with respect to their usefulness. I perceive a stitch in time as pertaining to the fabric of space-time, which is already tearing. There are clues that suggest to me that the numbering of the implied “saves nine” is relevant, with regard to the 9th gate, the celestial Silver Gate. That's the time-space portal that is being targeted for opening by those who operate the super-colliders and perform the Occult rituals. The symbolism evident in Stitchers makes it very obvious that the show is Theurgic ritual that works toward that objective. You have seen the CERN opera-dance SYMMETRY film trailers, right?

Episode 2 is titled, Friends in Low Places. Think - underworld.

Let's consider how Stitchers plays around with Spiritualism and presents Kirsten as a medium. There's a definite paranormal angle to the show. The word, temporal, means: 1. relating to worldly as opposed to spiritual affairs; secular. Flip that. Episode 3 is titled, Connections. We see Kirsten “channeling” the dead person, basically adopting their identity. She establishes a kind of bond in the stitching, a soul connection, and there's a transference. The way it works in reality is with masquerading demons and possession. Stitching as demonic possession, making a medium.

The character's name is telling.

Kirsten Clark.
K. C.
Pronounce Cayce
Edgar Cayce

“Every year, tens of thousands of people from all over the world become interested in the life work of one ordinary man. He was an average individual in most respects: a loving husband, a father of two children, a skilled photographer, a devoted Sunday School teacher, and an eager gardener. Yet, throughout his life, he also displayed one of the most remarkable psychic talents of all time. His name was Edgar Cayce.”

“For forty-three years of his adult life, Edgar Cayce demonstrated the uncanny ability to put himself into some kind of self-induced sleep state by lying down on a couch, closing his eyes, and folding his hands over his stomach. This state of relaxation and meditation enabled him to place his mind in contact with all time and space. From this state he could respond to questions as diverse as, "What are the secrets of the universe?" to "How can I remove a wart?" His responses to these questions came to be called "readings" and contain insights so valuable that even to this day individuals have found practical help for everything from maintaining a well-balanced diet and improving human relationships to overcoming life-threatening illnesses and experiencing a closer walk with God.”

The Sleeping Prophet - Who was Edgar Cayce and what are Edgar Cayce Readings?

This is biased, of course, with the above sourced from Cayce's own Association for Research and Enlightenment. If you read that page and watch Stitchers the intended connection should be obvious. The stitching requires that Kirsten is reclining and then the modeling is that she is ritually put into a trance state and then brought back out. K.C. goes forth with questions and reports back with the answers, just like Cayce. At some point, the Akashic Record has to be named in all this.

The Bible is pretty clear about avoiding such activity, and that's for our benefit because there are blessings for obedience and curses for disobedience. Spiritualism is all about demonic deception. Those who promote it are deceived and deceiving.

The secret medium K. C. has a meaningful name even beyond her signal initials. Kirsten. Say, cursed in. Think about it. The name, Kirsten, means, Christian. The name, Clark, means cleric, scribe. Kristen Clark. She's kind of a priestess. Edgar Cayce was a “devoted Sunday School teacher” and his function as a medium was in a priestly kind of ministry as a prophet-priest. Not in service to my God though, to be sure.

Kirsten Clark. KC is Code 33 - a notable observation. K=11 and C=3. KC~11*3=33. One of the associations of that number has to do with the death and resurrection of Christ, at age 33. A person becomes a Christian being identified with Christ through His death and resurrection. Kirsten - Christian - KC 33. In the Stitching, she is stitched to a dead person, identified with someone who died but is not “really” dead.

Who is the authorized agent in the position of responsible for the Stitchers operation? Maggie Baptiste. Think John the Baptist. See the baptism of Christ every time Kirsten gets immersed in the water and is subsequently stitched to the dead person, making a distinct identification, who then emerges alive from the water with the dead person's memories and mind and heart. Okay. Now, flip it. Think antichrist. That's what is being dramatized in not really very subtle allegorical fashion. Think about Revelation 13:1 and the beast seen rising from the sea. Think about the watery abyss and the fallen star who is given the key to the abyss.

Now, let's consider how the beans are spilled on MK-Ultra and similar programs. This is what the Lord was opening to me.

The hacking into the dead brain is a mind-control metaphor. Kristen is a multiple, a chosen one, an Illuminati slave. The programmers are, well, programmers, and her handlers. The Stitchers top secret agency's government umbrella - CIA? When they go through the stitching routine, it's the slave being put into the trance state for programming. Dissociation. Over the rainbow - through the looking glass and down the rabbit hole. Lewis Carroll's rabbit with the pocket watch was obsessed with time. He was in and out of the rabbit hole, as the psychopomp Hermes, and Anubis. Temporal Dysplasia / displacement.

People are put into the trance for programming or missions. When you watch Kirsten stitching and exploring the life lived by the person she's stitched to, think about remote viewing and astral projection. She searches the Akashic Records, traveling the astral plane in an etheric body, to use some common terminology. Temporal dysplasia suggests temporal displacement or time travel as unbound to this realm. These kinds of abilities are the reason for why the slaves go on these kinds of missions, and the handlers and programmers benefit. Surveillance in the present as well as gaining whatever insight may be gleaned about the past and future is coveted information.

Slaves are sometimes put into the trance state for the use of their brains as biological hard drives, memory storage units. They are sometimes used as secure couriers, and the data or memories can only be accessed with the right codes. Stitchers dramatizes this very obviously. To come “out of trance” Kirsten has to code in her name and pin on the virtual keypad.

Her pin is “I Heart Linus,” Linus being the name of the programmer who assigned her that pin. Word associations - Linus Torvalds, famous programmer known for the Linux operating system. Linus: “Lion us” - messianic identification. “Lyin' us” - deceivers. The pin code is a ritual sodomy signal. Heart shape = buttocks. Heart is taken to mean, love, and the ritual sodomy and ritual abuse is equated with love in the perverse relationship with the abusive traumatizing handler / programmer. Stitching is going into trance, dissociating, which is also known as going down the rabbit hole. The rabbit hole is a metaphor for the rectum, and traversing it with ritual sodomy, which has been the standard means of Illuminati programming for thousands of years. This didn't start with the CIA and MK-ULTRA or Monarch, or with the Nazi SS. Ritual sodomy is used like a mason uses mortar with bricks to effectually bind the slave to the handler and to the handler's organization. Stitching, like how a stich sews two together.

Kirsten is made to wear a special black body suit when she stitches. They call it a Catwoman suit, minus the cat ears and spike heels. Beta alters are identified with sex kitten programming. Cat woman. High heels, raised in the rear shoes that raise the wearer's rear, are a ritual sodomy symbol.

When Kirsten describes her condition she tells us how she lacks any natural ability to measure the passing of time. We would say that she has no internal clock. She lists her alternate methods for calculating intervals, substitutes, and this gives us a view into the standard Illuminati alter system that has many timers and internal clocks built in that regulate the complex workings.

Some of the promotional imagery pictures water coming off her face in a way that resembles a mask. Masks represent front alters behind which an internal alter is isolated. Kirsten tells us that she didn't have normal emotional connections and had to learn to model facial responses. The person's core identity is detached and isolated inside behind the front alters who interface with the outside world.

One of the things done to slaves to traumatize them and induce the dissociative state involves ritually drowning and revival. There's the water tank baptismal. There's also sensory deprivation and electro-shock trauma - which is also demonstrated.

The one who presides over the ritual baptism activity is named Maggie Baptiste, and Maggie or Margaret means, pearl. During Illuminati over the rainbow trance programming, there's a black pearl involved, which deals with memory storage. Again, Memories never die, goes the tagline. Here's what I wrote about a dramatization that took place during the London 2012 Paralympics.

“One of the features of this programming is a black pearl. That big black “umbrella” in the middle of the stadium represents the Monarch black pearl! Here's the role it has as the programmer hypnotically guides the slave into the deep trance, descending down on clouds that are the colors of the rainbow. “Land very gently ... very softly ... in the center of a round, black pearl. See it glowing, softly, gently.” When the slave is about to be brought out of trance, it's referenced again. “In the pearl, prepare to awaken.” As the programming session finishes and the slave is going to be sent back into a front alter, the memory of the program will remain "in the black pearl" while the slave is isolated from it for security. 'Leaving the memory in the black pearl and closing and sealing the black pearl. You will remember only those details that I tell you to remember.'”

When she dissociates as traveling over the rainbow to another dimension, Kirsten experiences trauma. In one instance, she's standing on top of a high pillar or pedestal, and freezing cold. The point is made about her feet being for grounding, and this emphasizes the dimensional and time transit.

A column is used to symbolize the goddess of magick with the ankh key to resurrection. The actress who plays Kirsten is Emma Ishta. Think, Ishtar. Goddess. “Imma Goddess.” There are other goddess symbols seen in the show.

Multiples have identity issues, with multiple identities or dissociated alters. Her primary handler, Cameron Goodkin calls her by a wide array of odd names, handles, it must be said, for multiple alters. He's Good Kin because the handler is often a trusted member of the family. Kirsten is special and a lot is being made of her father's identity and role. It suggests that she's a chosen one, which is a multiple who is of Illuminati family bloodline. Her GoodKin handler is named Cameron because it's an anagram, for, romance. There's a reference to the perverse sodomite and abusive handler-slave love connection, and the show superficially plays around with the Cameron and Kirsten relationship dynamic.

The casting of the show is obviously important. They are leveraging the history of networked shows in the SyFy channel network.

Stitchers blurb: “Kirsten’s roommate, Camille Engelson, a gifted computer science grad student, is also recruited to use her skills to assist Kirsten in her new role as a ‘stitcher.’ ”

Played by Allison Scagliotti (skal-yotti), of Warehouse 13 (2009-2014), where she was also gifted with computer skills.

“Warehouse 13 is part of Syfy's developing shared fictional universe, with several characters crossing over between series:”

“Global Dynamics researcher Douglas Fargo (played by Neil Grayston) from Eureka traveled to South Dakota to update Warehouse 13's computer system in the Warehouse 13 episode "13.1". Warehouse 13 computer wizard Claudia Donovan (played by Allison Scagliotti) subsequently traveled to the town of Eureka, Oregon to check out the technological marvels at Global Dynamics in the Eureka episode "Crossing Over". Fargo again appeared in the Warehouse 13 episode "Don't Hate the Player" when Claudia, Lattimer, and Bering traveled to Palo Alto, California to find Douglas beta testing a virtual reality simulator with the aid of a dangerous artifact.”

Stitchers blurb: “The secret program is headed by Maggie Baptiste, a skilled veteran of covert operations.”

She's played by Salli Richardson-Whitfield, who played Dr. Allison Blake in the series, Eureka. (2006-2012)

Talk about crossing over from one universe to another. Hmmm. Warehouse 13 and Eureka are defunct. Nothing but memories. Yet, there they are, in Stitchers. Temporal displacement indeed. Temporal Dysplasia. Temporal Displays, yeah?

It's good to see what we're looking at, and what others are being programmed with. It still matters.

Yoplait Umbrella Commercial and the Flash Mob Black Awakening

Being aware of the constant manipulation of mind control programming helps us get more free of the influence. We've been undersold on the evil genius of the Devil and his plots and devices. Underestimating our enemy makes us easy prey. If you're eyes are open to see these things, pass it on, helping others to see and get free. Time is short, but while we can, let's labor in the Lord's harvest field until the harvest comes.

Yoplait has a happy “feel good” umbrella commercial promoting their yogurt. Actually, GAY is a more fitting word for it. I dedicated a post to their branding a little while back, and this commercial continues their sodomite promotion with insidious and infectious music that will easily get stuck in your head. I'll apologize for that in advance, but you may want to mute the sound, as the Lord directs. Still, it's worth watching to see how fun and innocent and fresh and exciting enslavement to the sodomite cannibal god is made to appear.

As a necessary caveat, if you're a victim of ritual abuse who is still being delivered or you're easily offended by mature subjects and descriptive language, please don't continue here.

Yoplait - Umbrella Commercial - I'm Thinking...

This collection of images with descriptions captures a few symbolic moments. I'll present a technical breakdown of some of the symbolism but I really just want to use this example as a launching point.

The commercial opens in a purple setting, at the Café Louise. The set is modeled on the location of the Café Louise in Paris on the Boulevard Saint Germain. This is the famed City of Lights, so already we have an allusion to purple sodomy illumination. This is mind control programming at work, drilling into our heads the subtle imagery, over and again, which influences us and supports the programming of those millions of multiples and chosen ones who have been SRA programmed. When the starring model-actress-dancer shows off the product, the branding of the label is another sodomy signal, as you may recall, picturing the flower as the sun-anus and flower stem as a phallus. the stylized t is a phallic Herma-figure, and “t” is for triangle, anal triangle.

There's a hidden meaning in the name Café Louise that makes a poignant statement. Louise = Louis = Ludwig = “famous warrior.” There's a war on, my friend. This pictures the grooming of supersoldiers, and the video actually grooms them! Umbrella programming is usually for Delta alters and their missions, and they are warriors.

“U. Umbrella. This is associated with military programming. An umbrella protects something, such as the Delta assassination alters. An umbrella must be taken down from the inside and so must this protective shield of the Umbrella program.” (The Illuminati Formula to Create An Undetectable Total Mind Controlled Slave by Fritz Springmeier and Cisco Wheeler)

You'll see a Royal Arch squared circle entry-exit with a prominent keystone in many of the commercial's scenes. It's flanked by a pair of lamps. With masonry. Right. The awnings featured are red and white striped to signal the familiar divine illuminated Adam-kind. See at 0:40 where the orange (sodomy) umbrella (anus) floats up in front of the Occult Coat of Arms and between the flanking sphinx. Sphincters.

Think, “Singin' in the Rain” Pharmacy and the Mahout girl in On.

At 0:51 you can see in the lower right that this appears at the base of a statue, probably of some god. At 0:43 See the floating umbrellas reflected in the two mirroring balcony door panels, with the orange one central. This pictures umbrella programming, with mirror alters. Potted plants and a fence are seen on the balcony, not unlike the setting of the Richard Carlane Music Studio in Singin' in the Rain. At 0:44, the red and white striped guy matches the awning symbol while wearing the hat-on-head sodomy sign to demonstrate how he got that way.

When the umbrellas are released to float up into the clouds we're seeing some essential programming imagery derived from the Wizard of Oz. All the colors of the rainbow floating up into the sky at the end is an enactment of the classic Monarch programming script for “over the rainbow.” That the signal elements used in the Yoplait commercial are umbrellas witnesses to the ritual sodomy aspect.

I'm going to share a lengthy but important description of the programming script dramatized in the commercial but since the authors Fritz and Cisco neglect to mention the sodomy, as usual, I'm going to preface it with a quote from Marion Knox, who has not been programmed and can freely address the subject.

“Those who have been programmed have a locked-in three-year-old mindset which is the core of the programming. Say they’re eighteen or twenty years old and somebody comes up and knows the signal or says the code word to call out the three-year-old core. The person then goes into the three-year-old state to be sodomized, then the sodomites program into their minds what they want to program in, and when that person wakes up they probably don’t even remember that anything happened. Basically, a person reverts back to the three year old to be a total victim to the sodomy.” (Marion Knox - Interviewing Deprogrammers: In the House of the Strong Man Sodomy is the Key)

It may be seen that elements of the following script are followed in the commercial

One of the most important concepts of the programmers is having slaves "go over the rainbow." Although in recent years other methods have been substituted for this, there are many hundreds of thousands of slaves for whom "going over the rainbow" is part of their programming. What is the script for programming this?

The PROGRAMMING SCRIPT FOR GOING OVER THE RAINBOW (Three dots in this script do not indicate missing parts, but rather pauses. In other words, pauses are indicated by three dots.)

INDUCTION TRAINING SCRIPT

"BREATHE DEEP --- YOU ARE FLOATING DOWN ... DOWN ... ON A BEAUTIFUL RED CLOUD, AND YOUR WHOLE BODY IS RED -- AS YOU GO DRIFTING AND FLOATING .... ROCKING GENTLY ... DEEPER ... AND DEEPER ... DOWN ... [this repeated, one time, for each color of cloud-orange, yellow, green, blue, and violet clouds.] "LAND VERY GENTLY ... VERY SOFTLY ... IN THE CENTER OF A ROUND, BLACK PEARL. SEE IT GLOWING, SOFTLY, GENTLY ... NOW TURN AND FACE THE EAST ... AND THEN THE SOUTH ... AND THEN THE WEST ... AND THEN THE NORTH - OPEN ALL OF YOUR INNER SENSES."

[The rainbow gives the much abused victim of mind-control and trauma, a safe mental place to travel to; and this serves as a "home base" for the mind to return to when things get difficult. If the programming begins to be destroyed and a deeper alter experiences real life--its coping mechanism to face the harsher realities of life will be a knee-jerk reaction to go to safety over the rainbow.]

BRINGING THE SLAVE OUT OF TRANCE (Switching to the FRONT PERSONALITIES after programming)

After the slave has been switched to deeper personalities who are in trance in order to have the slave a. be programmed b. be programmed & carry out a mission, c. go to a ritual, then it is important that the programmer takes time to get the slave to emerge slowly and gently from their altered state. The induction process is reversed. The repetition of trances will reinforce the depth of the trance state, and keep the undetectable slavery operating smoothly:

"IN THE PEARL, PREPARE TO AWAKEN. WHEN YOU AWAKE, YOU WILL FEEL REFRESHED, ALERT, RENEWED, AND FILLED WITH ENERGY. YOU WILL REMEMBER ALL THAT YOU HAVE EXPERIENCED. NOW TURN AND FACE THE EAST ... THEN THE SOUTH ... THEN THE WEST ... THEN THE NORTH. [this helps the slave orient themselves internally] TAKE A DEEP BREATH ... INHALE ... EXHALE ... "YOU ARE FLOATING UP ... UP ... ON A BEAUTIFUL VIOLET CLOUD, AND YOUR WHOLE BODY IS VIOLET AS YOU DRIFT GENTLY UPWARD ... "ON A BEAUTIFUL BLUE CLOUD ... UP ... UP ... AND YOUR WHOLE BODY IS BLUE AND YOU ARE BEGINNING TO AWAKEN GENTLY AND YOU DRIFT GENTLY UP ... ON A BEAUTIFUL GREEN CLOUD ... AND YOUR WHOLE BODY IS GREEN ... AS YOU DRIFT GENTLY ... UP ... UP ... "ON A BEAUTIFUL YELLOW CLOUD ... GETTING MORE AND MORE AWAKE ... AND YOUR WHOLE BODY IS YELLOW ... AS YOU DRIFT GENTLY ... UP ... UP ... "ON A BEAUTIFUL ORANGE CLOUD ... FILLED WITH ENERGY AND VITALITY ... YOUR WHOLE BODY IS ORANGE ... AS YOU FLOAT UP GENTLY ... "ON A BEAUTIFUL RED CLOUD ... ALMOST FULLY AWAKE NOW ... AND YOUR WHOLE BODY IS RED AS YOU FLOAT GENTLY ... "STAY ON THE RAINBOW ... [at this point the script for the slave’s programming or mission or ritual will be placed into the mind].

After the programming session, the mission, or the ritual the handler/or programmer finishes...

"LEAVING THE MEMORY IN THE BLACK PEARL AND CLOSING AND SEALING THE BLACK PEARL. YOU WILL REMEMBER ONLY THOSE DETAILS THAT I TELL YOU TO REMEMBER. AND IN A MOMENT YOU WILL COUNT TO TEN AND GO BACK INTO YOUR SPACE, AND RED 2001-A [whatever the code is for the alter] WILL RETURN."

(Monarch programming script for going "over the rainbow" - Deeper Insights into the Illuminati Formula by Fritz Springmeier & Cisco Wheeler)

We don't see the umbrellas as clouds descending, but I suppose the way the “flash mob” rushes the red umbrella girl while opening their umbrellas is a way of decending upon her. We definitely see them float up at the end. We can identify the rainbow of colored umbrellas with the clouds they ascend into. Usually, you see this programming imagery pictured as a rainbow of balloons floating off into the sky. How many times have you seen that in movies? Yoplait is clever, using umbrellas.

By the way, have you seen Mary Poppins lately? The witch descends on an umbrella and becomes a nanny teaching witchcraft. When the wind changes, she uses the umbrella and floats away into the sky. Did you watch the opening ceremony of the London Olympics, when about 30 of them descended with their umbrellas to battle with Lord Voldemort, a traumatizing 100 foot tall wizard (from Harry Potter)?

We see the umbrellas in the Yoplait commercial rising against the clouds and in the context of many windows in buildings as grids, some of them with crosses in the panes. These represent the multiple's ordered structure of compartmentalized alters. The direction to face east, south, west then north is the standard way a magick circle is ritually cast in the northern hemisphere, which invokes and then dismisses the guardian elements. Yoplait's commercial demonstrates and actually is a magick ritual. Much of the action illustrates the state of being in the black pearl. The “wet pavement” is the black pearl.

In Monarch programming, it's at the point where a multiple is brought out of the deep trance state and is red and on that red cloud floating gently that they are told to stay on the rainbow. Fritz and Cisco comment that “at this point the script for the slave’s programming or mission or ritual will be placed into the mind.” Compare to the commercial. The start and end is red as our starring girl has the red umbrella. She's the one we focus on as she releases it last. It's a match. Where's the programming script?

Did you happen to listen to the commercial? We've been hearing a song where the repeated lyrics are, “I'm thinking...” This is thought control, mind control. “I'm thinking sweet. And I'm thinking new. I'm thinking happy, and I think that you should too.” There's a suggestion. The singing programmer is guiding us. Think about that! Once the umbrellas begin to be released and float up, we then hear only, “I'm thinking...” with whistling following instead of words. This happens twice. Fill in the blanks with the slave’s programming or mission or ritual, and since this appears to picture umbrella programming a Delta alter it's probably a hit, or flash mob style chaos in the black awakening.

The actual programming script supplied in the commercial promotes sales of the product. “Forty delicious flavors that feel as good as they taste Yoplait - It is so good.” Is that the program being installed? Maybe. There may be code, a partial trigger perhaps, I don't know. One thing I do know is that when we hear “delicious flavors that feel as good as they taste” we really have to relate this to sodomite mard savoring, to use the terminology of the Marquis deSade. Hey, he was French. Dot. Dot. Connect.

The music and scene is so happy and cheerful, how could anyone think evil of it? Because it is evil. Satan masquerades as an angel of light. If you're not convinced yet, I encourage you to spend more time with that commercial and the Monarch programming of over the rainbow.

This Yoplait Umbrella commercial has the look of a fun flash mob event, but it conceals the mind control programming that will ultimately manifest in the nightmarish black awakening, when the millions of multiples are triggered. You may not grasp the reality of it, but if the patterns I've noted play out as I anticipate, you're going to see this in mid-late May of 2014. No joke. That flash mob has been planned for a very long time and it will bring devastation on a global scale.

You may have a more real sense of the impact the umbrella programming has by watching this video of a real flash mob event.

See You in the Crosswalk - Official Umbrella Flash Mob

Their routine is based on the Glee show's mashup of Gene Kelly's Singin' in the Rain and Rihanna's Umbrella. (See Part 100 - The Sodomite Gateway - Hollywood is Still Singin' in the Rain) Again, it just looks like people having fun. Yeah, it's all fun and games until someone loses an eye (third) - and their whole self is thrown into the lake of fire.

Mind-Control Programing - Decoding DreamWorks, Travelers Insurance and Bedtime Stories

Caveat: If you're a victim of ritual abuse who is still being delivered this is not fit material for you. Potential triggers ahead.

When Monarch slaves are being programmed, they are brought into a trance state. One of the standard techniques is called “go over the rainbow,” making reference to the famous song from “The Wizard of Oz.” When you are familiar with the imagery from the song and with the associated script used for mind-control programming, you'll begin to recognize signs of Illuminati programming in movies, commercials, ads and logos. I'll present a few examples here, adding to a growing collection on this blog.

Somewhere Over the Rainbow - Lyrics

Somewhere over the rainbow
Way up high
There's a land that I heard of once in a lullaby

Somewhere over the rainbow
Skies are blue
And the dreams that you dare to dream really do come true

Someday I'll wish upon a star
and wake up where the clouds are far
behind me
Where troubles melt like lemon drops
Away above the chimney tops
That's where you'll find me

Somewhere over the rainbow
Blue birds fly
Birds fly over the rainbow
Why then oh why can't I?

If happy little blue birds fly beyond the rainbow
Why oh why can't I?

As Dorothy longed to escape the unpleasant realities of life to somewhere beyond the rainbow in a distant fantasy world, so it is that the traumatized slave is forced and trained to mentally travel to that fantasy land through the process of dissociation. Imagery from the song is used to hypnotically manage the slave, guiding them into a trance state for the installation of a program script and then back out when the job is done. The song and the famous film have long been used by mind-control programmers but many others are also used. The industries responsible for the imagery we're immersed in today have cleverly embedded a continuous stream of supporting imagery.

Web search images for Disney bluebirds and you'll see some images in fantasy worlds that are probably triggering for many, who identify with these travelers over the rainbow that troubled Dorothy so longed to emulate.

Here's a video that illustrates the pervasive pyramid and sun imagery in the Wizard of Oz. This easily demonstrates how the film makers know and leverage mind-control techniques through magick symbols.

The Wizard of Oz-Movie Magick-illuminati Hollywood




Every time a DreamWorks animation is produced, a variant of their animated logo appears in the opening sequence. (I covered one in a post in 2010: Secrets of the Occult DreamWorks Animated Logo, and How to Train Your Dragon) Here's one I saw recently featured in Over the Hedge (2006), an animated feature that delivers SRA programming with sodomy and coprophagy symbolism throughout.

Dreamworks Animation SKG Logo



The crescent moon is a very popular occult symbol as the celestial light that rules the night. The boy in the moon is raised through the clouds and comes to rest, a symbol of being brought into the trance state. His being seated on the moon is a redundant butt signaling that is symbolic of the ritual sodomy typically practiced in this context. The balloons that elevate him become rainbow-like, so they're a kind of a rainbow bridge (Bifröst) transport mechanism for travel into another dimension. The other dimension is a realm of the spirit where demons operate and control, being ritually invoked and magickally bound for that purpose.

What follows was already presented in this post, Yoplait Umbrella Commercial and the Flash Mob Black Awakening, but it's worth repeating here.

One of the most important concepts of the programmers is having slaves "go over the rainbow." Although in recent years other methods have been substituted for this, there are many hundreds of thousands of slaves for whom "going over the rainbow" is part of their programming. What is the script for programming this?

The PROGRAMMING SCRIPT FOR GOING OVER THE RAINBOW (Three dots in this script do not indicate missing parts, but rather pauses. In other words, pauses are indicated by three dots.)

INDUCTION TRAINING SCRIPT

"BREATHE DEEP --- YOU ARE FLOATING DOWN ... DOWN ... ON A BEAUTIFUL RED CLOUD, AND YOUR WHOLE BODY IS RED -- AS YOU GO DRIFTING AND FLOATING .... ROCKING GENTLY ... DEEPER ... AND DEEPER ... DOWN ... [this repeated, one time, for each color of cloud-orange, yellow, green, blue, and violet clouds.] "LAND VERY GENTLY ... VERY SOFTLY ... IN THE CENTER OF A ROUND, BLACK PEARL. SEE IT GLOWING, SOFTLY, GENTLY ... NOW TURN AND FACE THE EAST ... AND THEN THE SOUTH ... AND THEN THE WEST ... AND THEN THE NORTH - OPEN ALL OF YOUR INNER SENSES."

[The rainbow gives the much abused victim of mind-control and trauma, a safe mental place to travel to; and this serves as a "home base" for the mind to return to when things get difficult. If the programming begins to be destroyed and a deeper alter experiences real life--its coping mechanism to face the harsher realities of life will be a knee-jerk reaction to go to safety over the rainbow.]

BRINGING THE SLAVE OUT OF TRANCE (Switching to the FRONT PERSONALITIES after programming)

After the slave has been switched to deeper personalities who are in trance in order to have the slave a. be programmed b. be programmed & carry out a mission, c. go to a ritual, then it is important that the programmer takes time to get the slave to emerge slowly and gently from their altered state. The induction process is reversed. The repetition of trances will reinforce the depth of the trance state, and keep the undetectable slavery operating smoothly:

"IN THE PEARL, PREPARE TO AWAKEN. WHEN YOU AWAKE, YOU WILL FEEL REFRESHED, ALERT, RENEWED, AND FILLED WITH ENERGY. YOU WILL REMEMBER ALL THAT YOU HAVE EXPERIENCED. NOW TURN AND FACE THE EAST ... THEN THE SOUTH ... THEN THE WEST ... THEN THE NORTH. [this helps the slave orient themselves internally] TAKE A DEEP BREATH ... INHALE ... EXHALE ... "YOU ARE FLOATING UP ... UP ... ON A BEAUTIFUL VIOLET CLOUD, AND YOUR WHOLE BODY IS VIOLET AS YOU DRIFT GENTLY UPWARD ... "ON A BEAUTIFUL BLUE CLOUD ... UP ... UP ... AND YOUR WHOLE BODY IS BLUE AND YOU ARE BEGINNING TO AWAKEN GENTLY AND YOU DRIFT GENTLY UP ... ON A BEAUTIFUL GREEN CLOUD ... AND YOUR WHOLE BODY IS GREEN ... AS YOU DRIFT GENTLY ... UP ... UP ... "ON A BEAUTIFUL YELLOW CLOUD ... GETTING MORE AND MORE AWAKE ... AND YOUR WHOLE BODY IS YELLOW ... AS YOU DRIFT GENTLY ... UP ... UP ... "ON A BEAUTIFUL ORANGE CLOUD ... FILLED WITH ENERGY AND VITALITY ... YOUR WHOLE BODY IS ORANGE ... AS YOU FLOAT UP GENTLY ... "ON A BEAUTIFUL RED CLOUD ... ALMOST FULLY AWAKE NOW ... AND YOUR WHOLE BODY IS RED AS YOU FLOAT GENTLY ... "STAY ON THE RAINBOW ... [at this point the script for the slave’s programming or mission or ritual will be placed into the mind].

After the programming session, the mission, or the ritual the handler/or programmer finishes...

"LEAVING THE MEMORY IN THE BLACK PEARL AND CLOSING AND SEALING THE BLACK PEARL. YOU WILL REMEMBER ONLY THOSE DETAILS THAT I TELL YOU TO REMEMBER. AND IN A MOMENT YOU WILL COUNT TO TEN AND GO BACK INTO YOUR SPACE, AND RED 2001-A [whatever the code is for the alter] WILL RETURN."

(Monarch programming script for going "over the rainbow" - Deeper Insights into the Illuminati Formula by Fritz Springmeier & Cisco Wheeler)

Here's a video with a collection of DreamWorks animated logos, some of which include imagery that further supports the mind-control programming theme.

DreamWorks Animation SKG Variants

The trauma abuse is seen in the one where the boy falls on the moon, first landing on his butt then on his head. Trauma, sodomy and illumination. In another, the boy is beaten and disappeared by black and white (duality - merged opposites) penguins. Animals are often used during ritual trauma abuse. An Asian version features the gong sound, with the bell being a common device used for demonic invocation because it's a dimensional portal control mechanism. There's an alien abduction version, which certainly fits the theme. There's a version linked to How to Train Your Dragon. (Secrets of the Occult DreamWorks Animated Logo, and How to Train Your Dragon) Think about the meaning of the title in the context of SRA ritual programming. The handlers train their dragon by programming the slave which requires binding and controlling dragons, or demons. There's a version with an eclipse, presenting the black sun symbol momentarily. Eclipse events are Pagan ritual days celebrated with ritual sacrifice and programming events. Why is the boy fishing? Is he a fisher of men, like in the biblical metaphor, a kind of counterfeit Christian? Is he going to catch you on his hook with the bait offered during the animated feature?

The name DreamWorks was well chosen because it describes their activity. A works is a facility where a specific type of business or industry is carried on. They make dreams, of course. Recall Dorothy's song. “Somewhere over the rainbow skies are blue, and the dreams that you dare to dream really do come true.” The slave's dreams effectively come true when they dissociate, because where they go in their mind becomes their reality. Every programming ritual is a dream-works. The SRA industry is a dream-works. Are animated features designed to produce trance states and embed programming scripts? Look around with your eyes open and see what you see.

Most of DreamWorks' films are marketed and distributed by The Walt Disney Studios. Disney. Master programmer. Here's the graphic promoting a Disney film titled Bedtime Stories (2008). The blurb on Netflix reads: “Skeeter is a down-on-his-luck guy who's always telling bedtime stories to his niece and nephew. But his life is turned upside down when the fantastical stories he makes up inexplicably turn into reality and he must find a way to manage them.” That sounds like DreamWorks to me! The poster art confirms it. The umbrella is a signal anus (ritual sodomy) and a symbol of the umbrella programming used when Delta assassin alters are created and their programming is accessed for missions. I haven't seen that movie and have no idea if the umbrella is ever used for flight, but raining colored gumballs falling on his black umbrella is a pretty clear signal. (Bedtime Stories (2008) Trailer)

Here's an example from the witchcraft perspective, where witches descend from the heavens like Mary Poppins. The umbrella has magick. It's a magickal transportation device. It's suggests a bubble that surrounds them like the magick circle, which is spherical.

Practical Magic - ending scene

Does it recall Dorothy's song about going over the rainbow? “Where troubles melt like lemon drops away above the chimney tops that's where you'll find me” Did you notice any chimney tops in that scene? Had they been somewhere over the rainbow on that Samhain, Halloween, a ritual night, with their black robes and power cone headdresses? Did you happen to hear any messages being implanted as programming script during the sequence?

Why do you suppose this kind of thing is done over and over again? Because it doesn't work? Gullible, still? It supports the army of programmed slaves. It keeps the masses numbed and enchanted. Those responsible for these dream-works do it to flaunt their powerful exercise of control. It's bragging between the insiders, the programmers. When you finally wake up to it, as out of a dream, it's like seeing the puppeteer working backstage, the wizard behind the curtain. It's a shocking and sobering witness to the reality of Illuminati programming and the power that is wielded over the masses. It is a witness to our world being just as described in the Bible.


The branding for Travelers Insurance features a red umbrella. This symbol of mind-control programming and bloody ritual sodomy appears under the pretext of representing the kind of insurance protection offered for vehicles. The prominently displayed J of the handle supports the symbolism of the sun god like the sun wheel form of the covered framework. J=10 = X = sun god.

The symbolism identifies Travelers as those who go over the rainbow, dissociating, switching alters, who travel up and down by ascending and descending through the colored clouds bracketed by the color red, to be held on the rainbow in a trance state while being programmed. The Travelers are those with psi powers traversing dimensional barriers by astral traveling, projecting, remote viewing, remotely influencing people and relationships. The umbrella programming is done by the programmers, not being entrusted to the regular handlers. The umbrella programming system is for Delta alters, programmed for critical missions like assassinations.

This brand is about serious business, fiscal responsibility, insurance. Really, it's the "fear of loss" management business. These money people are in the entertainment media business when they sponsor commercials. Like this.

Travelers Insurance Umbrella Man



It's a magickal umbrella, a transportation device.

If the Travelers Insurance allusion to the Wizard of Oz and “go over the rainbow” programming is too subtle, they provide some validation in the theme of their other commercials. Compare the dog to Toto. When Dorothy sings Somewhere Over the Rainbow, Toto appears with her. He's linked to the song as one of the images, like the bluebird, the lemon drops, the rainbow, etc.

Travelers Insurance dog commercial



Toto is a terrier. In the various books and films about Oz, Toto is pictured as a variety of terriers. In the MGM classic, he's a Cairn Terrier but others include the Yorkshire Terrier, Boston Terrier and Border Terrier. The dog featured in the Travelers Insurance commercials is a mutt Terrier, a blend that perhaps most closely resembles Highland Terrier.

The song is titled, “Trouble,” and the lyrics are repeating “trouble” and “worry” over and over. Ritual trauma. Travelers. Do the math.

In this picture, the Terrier is perhaps supposed to be looking at the magickal umbrella. He has the look of being in a trance.

Dogs in Occult symbolism signal god, which is dog spelled backwards, and the dog star Sirius that is linked to Lucifer and Isis and Osiris. Dogs signal male prostitutes and anal sex. When Dr. Green aka Josef Mengele programmed children he favored using the German Shepherd to aid in the process. The imagery of certain dogs is triggering for many.

Are you seeing what you're looking at? Do you sense a hidden puppeteer working off stage? Have you come to know the One who sets men free? He is the one in whom refuge is, and a storm is coming. The umbrella scheme is not going to help. Psalm 91. Have you read it lately?

Part 24 - Signs of Horus Worship - Pi-RA-tes and Bucs!

Series Links: Signs of Horus Worship

When it comes to naval tradition, it's the pirates who have the reputation for being the terrors of the high seas. These colorful scoundrels that are so celebrated in pop culture today are not usually identified with a religion, beyond being a very superstitious lot, but they should be. Dead men tell no tales, but the history of piracy and symbols like the Jolly Roger reveal the matter.

The infamous Jolly Roger and those who flew it is linked to the Knights Templar. Web search pirates knights templar and search it out for yourself. The following picture of a class of Skull and Bones at Yale is one of that kind that is worth the proverbial thousand words. Their claim to the symbol is apparently legit.

I've decoded the skull and bones symbol to identify it as an image the beast of Revelation 13:1, the one John saw rising out of the sea - out of Davy Jones' locker, some might say. The crossed bones or swords present the sign of the sun god. You'll find some very interesting documentation in the following posts.

• Osiris - the occult man, skull, and man of bones
• The Skull and Crossbones - Avast! Be ye not a scurvy scallywag!
• Decoding the Olive Exposes the Illuminati UN, the US Great Seal, Etc.

In these title graphics for two of the films in the Pirates of the Caribbean franchise, the extended leg of the R in “PIRATES” is crossed to signal the Rx or Eye of Horus. Crossing that R with the leg of the A calls out the pair as Ra, the sun god, aka Horus. The same layered signal repeats in the word “STRANGER.” The word “ON” directly names that Egyptian city that was renowned for worshiping the sun god. The title presents Code 33 in the PC acronym (p=11 and c=3 so pc = 11*3=33). Even the little words add layers to the symbolism, which are presented differently from the other title script. (the: 20+8+5=33) (of: 12+21 [RAS])

When the sun god beast is presented in Occult symbolism it's often in tandem with mind-control programming. That's the case with “The Curse of the Black Pearl” film. Search this blog for “black pearl” and you'll discover how this object is central to what's called “go over the rainbow” programming. That's Monarch and Illuminati programming language. Their god Lucifer is behind the sun god, and their SRA DID slave army creation scheme is a major way Horus worship is expressed in practical terms.

The following collection of pirate branding features more examples of the same Rx Horus Eye and Ra signaling. Found on PirateJokes.net: Where do pirates work in the off season? Pharrrrmacies! Seems fitting, somehow. ;)

Yes, it's a trend, and it's more than just a random crossed sword thing. Celebrities that hide one eye to signal the Horus Eye are mimicking the popular image of the pirate, with a patch over one eye. Think about Popeye the sailor man. Pop-Eye. Horus worship is a naval tradition and those who promote Horus worship know this.


Evidence of the naval tradition of Horus worshipers is sometimes found in unexpected places. The clothing and accessories retailer, Old Navy, seems innocent enough in their simple branding. That is, until you grasp the meaning of their acronym and make the connection to the old naval tradition. ON. Think about it. Heliopolis. Squared circle.

The sun god on the high seas business predates the Knights Templar. Web search theopenscroll noah navy to find more about how words like “navy” and “navigation” are linked to the name “Noah.” There's also a link to the giant blue Na'vi of planet Pandora featured in James Cameron's film, Avatar. See here for more about that, which is VERY pertinent: The Avatar Stratagem.

The terrible plundering and abusive sun god worshipers ruling the high seas is an anti-Noah kind of expression. Web search theopenscroll counter-flood and visit the pages from The Open Scroll site and blog to see how what's planned for the near future is intended to avenge the literal purging of the sun god progeny from the face of the earth. A very real kind of role reversal is coming! Their flagship counter-ark will be flying the Jolly Roger, in a figure. Large bones like those crossed on that flag conceal marrow inside, and marrow makes blood, right? This grand conflict can be seen as a blood feud between two family trees. The skull and crossbones is a regeneration sign, signaling sun god regeneration! Osiris or Horus will be regenerated to have his season of vengeance.

But as the days of Noah were, so shall also the coming of the Son of man be. ~ Matthew 24:37

Last April, the Mail Online posted this headline: Her Majesty's saltiest sea dog: Royal Navy sailor completes 33 years of service with an incredible THIRTEEN years at sea. If you're wary about media ritual and you find the symbols I've been blogging about very familiar you might wonder if this could have been put up for an April Fools Day joke, but no, it's legit. Ritual.


More evidence of the naval tradition of Horus worshipers may be found lurking rather innocently in the candy aisle. I believe the name of the colorful Jolly Rancher brand makes allusion to the Jolly Roger. Opposite the RA in “RANCHER” is ER, a mirrored companion in the bracketing, RE, a variant spelling of RA. Jolly RA-ncher, honoring the sun god.

They advertise the slogan Untamed Fruit Flavor, and those lawless sea dogs who flew the Jolly Roger were as untamed as can be.

Like I explain in the image, the acronym of the slogan transforms to 666 because U is the 6th letter from the end of the alphabet and F is the 6th from the front. UFF ~ 666. To strengthen that symbol the design adds some flourish to tag each of those code letters with a numeral 6. This is an exalting and advancing of the agenda of the beast with his mark! The brand's purple oval with sun colored outline of the name is a Horus Eye symbol.

Here's a video of a popular commercial playing on cable TV. Jolly Rancher Untamed Fruit Flavor The flying colored objects are a mind control programming device that I believe is related to Illuminati “go over the rainbow” programming.


Caveat: If you're a victim of ritual abuse who is still being delivered or you're easily offended by mature subjects and descriptive language, you may want to consider moving on.

Here in Pittsburgh we've got Pirates, the Major League baseball franchise. Their branding begins to take us down the trail of a naval tradition that is an inherent element of Horus worship, perverse sex magick.

This picture of an iPhone case features the pirate skull and the iconic P logo as the other featured part of his anatomy. The P is for Pittsburgh and Pirates and Phallic and Package. Phallus worship. The book of Ezekiel (23:20) and the book of Enoch (86:4) describe such a scale as to be dragging in the dirt, as pictured here. I've seen versions of the iconic P logo during a recent game on TV where the glans penis is highlighted by coloring it differently. Even with that, folks still don't see what they're looking at because it's cloaked with a spell. See how RA (and RAT) is suggested to us as the sun god whose mark is made by the crossed bats. The hidden eye and the knot in the bandana are two signs of ritual sodomy. Here, the iPhone case presents a couple forms of the squared circle sodomite classic. It should be noted how the inner cut-out part of the stylized P logo is a squared circle and reclined Royal Arch.

We've got rappers who love the Pirates and do some fan promotions with music and clothing lines based on the related word, “buccaneer”: Buctown. PA is densely populated with Freemasons and Buctown's branding bears witness to that. As I document this I'm going to establish the connection between some of the pirate images and Freemasonry.

The eye patch on the skull hides an eye to signal the Eye of Horus, a symbol sometimes called the all seeing eye that is perhaps the most widely recognized Illuminati and Masonic image. The skull and crossbones is featured on the tracing boards of more than one Masonic degree, usually marking a coffin. That coffin of Hiram Abiff is a symbol of the resurrection of Osiris into Horus, which is in other words, the coming of the sun god beast.

This is what's being celebrated by Buctown's Masonic branding, which becomes rather obvious in the decoding of the elements. The pretext for the diamond shape is the ball diamond, baseball's infield as bounded by the baselines. See that as the “infield” of the Masonic square and compass. There's usually a letter G inside that diamond, the 7th letter, and there are 7 letters inside Buctown's diamond. Dot. Dot. Connect.

We might also connect their diamond to the coffin itself. Let's take a lesson from this pair of tracing boards of the Third Degree, the highest of the foundational blue degrees. By way of these instructional diagrams they connect the square and compass with the coffin and Osiris resurrection. A coffin can be a simple rectangular box but these are stylized as the diamond, truncated. Observe how the square and compass are separated. In the version on the left the compass is on the top of the coffin. Observe how the angled form of the top of the coffin is that of the compass. In that same version, the square is on the bottom, and we compare it to the angled form of the lower part of the coffin. The coffin and the area bound by the square and compass are one in symbol. In the version on the right side you'll notice how the square is on top and the compass is on the bottom, which says to us that's not what's important.

So, it looks like Buctown's ball diamond is the Masonic square and compass with the “7 letter” inside and the object marked with the skull and crossbones. The banner declaring the area code is a familiar style that conceals a mirrored pair of 3s at the extremities. This obfuscated 33 is a common Masonic identifier. The area code is presented in such a way as to present more cryptic signs of Horus worship with links to Illuminated Freemasonry!

It's obvious this area code is important because the site responsible for Buctown has the domain of 412music.com. The brand's imagery seen there features checkerboards on the bottom, and the imagery of the Masonic temple floor comes readily to mind. If you rotate this to read it you'll see the steps of Freemasonry and a truncated pyramid. The top in default alignment presents a squared circle abstraction of the Royal Arch, and one might see this as the usual anatomical symbol.

Whether the dividing of the area code appears as 4 and 12 or four and twelve, it's consistent, and it's code alright! There is in this brand the coded reference to the esoteric 47th Problem of Euclid and 3.4.5 Pythagorean triple. Yes, this is about Horus worship!

The 4 sided diamond has 7 letters superimposed on it as a primary feature to call out the number 47. Boiled down, this translates to the production of Horus through the union of Osiris and Isis, which should be very familiar by this point in the series.

Reading across the bottom at the banner we have the mirrored 3 implied at the left end. Inside it we read, “FOUR.” This banner segment has 5 sides and 5 angles. It's 3-Osiris union 4-Isis producing 5-Horus. On the other side we read TWELVE, which is the sum of 3+4+5.

That number 412 is the area code of Pittsburgh, PA, sure, and it's used here as a different kind of “area code.” The 47th problem of Euclid features the AREA of geometrical figures in proving the Pythagorean theorem. Think about it. Area code. It's really very clever.

Buctown's Occult brand is even more rich than that. The letter T is the middle letter of “Buctown” but it's obviously set off to the left. Do you see how they have separated the word into BUCT and OWN? This is far from the first time I've seen the word own being emphasized in Occult symbols. The way owning happens is through ritual sodomy because the sodomizer owns the victim, enslaving and stealing their power. If that doesn't make sense, check out the Sodomite Gateway Series on this blog. The buccaneer is a sodomizing pirate. When you are buc'ed or BUCT you are sodomized and OWNed. A “buck” is a male deer, antelope or rabbit, or a fop, a dandy (with feminine qualities) and slang for a stud, and this really applies in the very same way. BUCT-OWN!

If you've never considered the sodomite tradition of the seafaring salty dogs, this book title alone should be informative.Sodomy and the Pirate Tradition: English Sea Rovers in the Seventeenth-Century Caribbean - By B. R. Burg


Like baseball's franchise in Pittsburgh, the NFL has football teams like the Tampa Bay Buccaneers and Oakland Raiders that brand with the pirate identity. The Oakland RA-iders honor the sun god according to the same tradition with their Horus Eye patch and “skull” with crossed swords forming the X mark. The version on the right is telling, which is a comedic interpretation offered by those who see what they're looking at in the home of the English Sea Rovers, These 'British' Versions Of NFL Logos Are Genius. The Buggery Bandits. Buggery = Sodomy.

The following excerpt from thisdayinquotes.com suggests to those of us outside that culture why it's probably more common knowledge to the public.

“In his great book about Churchill quotations and misquotes, Churchill by Himself: The Definitive Collection of Quotations, Langworth says that Montague-Browne personally told him that he had asked Churchill about the quote. According to Montague-Browne, Churchill responded: “I never said it. I wish I had.” Langworth notes that “rum, sodomy and the lash” is similar to “rum, bum and bacca” — a catchphrase from an old saying about the, er, pastimes of British sailors, dating back to the 1800s: “Ashore it’s wine, women and song; aboard it’s rum, bum and concertina.” (Bum = a man’s rear end; bacca = tobacco.)” -- (The origins of “Rum, sodomy and the lash” – Churchill’s alleged quip about British naval tradition…)

And, that brings us to this post's final example of the naval tradition of Horus worship, found in the realm of motorsports. Rum Bum Racing. Unless you're mindful of the old saying about the pastimes of British sailors the reference made by the team name is lost. “Ashore it’s wine, women and song; aboard it’s rum, bum and concertina.” From this picture in the middle you can see that the team has a bevy of girls supporting the team's, eh, morale. They are ashore, after all, and these events are for racing their landlubber vehicles.

The “bum” is British slang for the butt, and in the old saying it's a metaphor for sodomy. Over here in America, we tend to think “Rum Bum” is just making reference to the sort of folk who tend to be overly fond of alcoholic drink and casually lying about, the more fun version of a drunken vagrant. I might be content to think that too, but for the attending imagery.

The number 13, that's not always a sign, but it often is, and here, I have to think it is. It's signaling the rebel lord beast, the sun god whose rays are so prominent in the Rum Bum racing imagery. Setting the 13 inside the sun-anus is not an arbitrary thing but rather a powerful identifying symbol. That three (or 4? faced) creepy and ominous figure who appears to be scanning the worlds with super sun vision; that's the one who sponsors the rum & bum thing, of course.