The annual Pagan festival known as Burning Man began this morning in Nevada. More large scale debauchery and ritual. Although it's not claimed to be, it is largely a modern celebration of Vulcanalia. It's also related to the Wicker Man Druidic sacrifice and the Cremation of Care (Bohemian Club and Grove) sacrifice to the Owl (not Moloch so much as Inanna-Ishtar).
“The festival of Vulcan, the Vulcanalia, was celebrated on August 23rd each year, when the summer heat placed crops and granaries most at risk of burning. During the festival bonfires were created in honour of the god, into which live fish or small animals were thrown as a sacrifice, to be consumed in the place of humans. The Volcanalia were part of the cycle of the four festivities of the second half of August (Consualia on August 21, Volcanalia on 23, Opiconsivia on 25 and Volturnalia on 27)
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A flamen, one of the flamines minores, named flamen Volcanalis was in charge of the cult of the god. The flamen Volcanalis officiated at a sacrifice to the goddess Maia, held every year at the Kalendae of May.” (Wikipedia)
Vulcan = Satan
Maia = Mary-Isis-Venus-Aphrodite...
Finland's Voice of Vulcanalia competition (Univeristy of Oulu) does not seem to have helped, either. http://www.oyy.fi/en/voice-of-vulcanalia-2013/ - https://www.facebook.com/Vulcanalia
Vulcan, honored in Star Trek with Mr Spock, from the planet Vulcan. Honored in Birmingham Alabama with a Statue of Vulcan in Vulcan Park. (Wikipedia) “The Vulcan statue is the largest cast iron statue in the world, and is the city symbol of Birmingham, Alabama, reflecting its roots in the iron and steel industry. The 56-foot tall statue depicts the Roman god Vulcan, god of the fire and forge.” The exalting of the idol over the city is an expression of who rules that domain as the local Baal.
Here's a short series written about last year's event.
The clouds of heaven and whirlwinds, feathered headdresses, chariots and wagons; merkabah, galgal and agalah...
The Adversary has heavenly vehicles that are commonly considered as UFOs or flying saucers that are piloted by aliens from distant planets. The one true God, the God of Abraham, Isaac and Jacob, also has heavenly vehicles. In the days to come, as in days gone by, both kinds will be playing an important role.
Since I first published this page to the site, the reports of UFO appearances and alien abductions have multiplied. The number of movies and TV shows and commercials featuring aliens and vehicles like flying saucers continues to grow. Many, perhaps most, now take it for granted that the future of the world is somehow in the hands of technologically and/or biologically superior off-world beings, with god-like abilities. It matters what we think about the subject because there's a legitimate threat, and it might not be what you think.
The goddess is uniting the world in preparation for her son. The role of the Marian goddess was modeled to us with brilliant subtilty during a segment of the opening ceremony of the 2014 Paralympics in Sochi, Russia, on March 7, 2014. A woman named Maria sang a lullaby as she rode a gigantic icebreaker across the stadium. The ship's name was MIR - Peace. Performers dramatized the ice being broken with stage props that made them resemble ice cubes. The immense stage looked like the frozen sea, being lit with the “multidimensional painting” (their words) projected on to the stadium floor. In her wake, fiery fallen angels moved in overhead and the performers under the wave of their influence formed the word, TOGETHER. The world was acting in concert, one in purpose. What happened next illustrated what's very soon to come, in reality.
“The final chapter of the Ceremony under the title "Breaking the Ice" began with a performance based on the plays of Anton Chekhov. Under the Cossack song "You, Russia, Mother Russia" sung by 400 singers, five large tables were placed on the stage, behind which guests sat. Accordion virtuoso and visually impaired musician Alexei Levchuk, performed a song written for the film "A Cruel Romance" together with a group of gypsies. Every minute the level of emotions intensified as laughter, shouting and cheering filled the arena. Suddenly the ice chandelier under the ceiling split into many small pieces, and the guests, delighted by the whirlwind of celebration, smashed plates and glasses. Moments later the flash of fireworks and the deep, low sound of a ship's horn signified the appearance of the huge Mir icebreaker, which sailed on stage and singer Maria Gulegina sang "Cossack Lullaby," based on the poetry by Mikhail Lermontov. The icebreaker easily crushed the blocks of ice in its path, as if breaking the barriers of misunderstanding between people. The author of this unique set, which is 42 meters in length, was the Oscar-winning production designer Eugenio Caballero of Mexico. When the ship sailed out of the blocks of ice, the word "Vmeste" (Together) in Russian and English appeared. Then the words turned into the emblem of the Paralympic Games, the Agitos.”
The ship's name is MIR, which means, peace. What the commentator is carefully not telling us is that the name of the singer provides the other key identifier in this grand metaphor. Maria Gulegina is the sole performer on the bow of the mighty ship, MIR. She represents the Queen of Peace, Maria, Mary. MIR was the name of the space station that orbited above the Earth for 15 years, we are told. The symbol represents the celestial goddess, The Queen of Heaven, who might well be called Our Lady of the Olympics.
“Breaking the Ice” is an idiom that means, “to initiate social interchanges and conversation; to get something started.” The commentator in this video's broadcast version interprets it to us in this way. “The ship is both physically and metaphorically breaking barriers, opening new channels of communication, tracing new paths for mankind.” The function of an icebreaker is to open a channel for other ships to travel through, when and where they otherwise could not. This is Mary's role, who is genuinely breaking the ice. In her wake, ice cube people swirl, broken from the sheet of ice shattered at her bow. They are united by her work. TOGETHER. E Pluribus Unum, as her work is described in branding peculiar to the USA. Out of many, one. Let it speak to you how the ice-cube people unite under the influence of firebirds, fallen angels that were shown to proceed out from the sun, as the sun god. See them as coming through the channel opened by the Maria of Mir, the icebreaker.
Leading up to the appearance of Maria, goddess of MIR, the song, “You, Russia, Mother Russia,” was heard. Yes, “Mother Russia” is the exalted goddess, Mary. What I wrote about Our Lady of the Nations is evident in this ceremonial exhibition. That traditional folk song was sung by 400 singers of the Pan-Russian Choir, with 4 being the Isis number (Code 47). Yes, Pan. That's the god to whom Jack Parsons (JPL) dedicated his rocket launches.
The goddess exalted as Mother Russia is uniting all the world, drawing them to herself. The force of attraction is pictured as the man and little girl are drawn so closely to the ship, Maria, goddess of MIR. The title of the article I quoted above says that the opening ceremony `broke the ice` in people's hearts. That's Mary for you, with her “Immaculate Heart.”
While the song that the commentator called, Mother of Russia, was sung, 5 tables were set up on the floor, over which appeared 5 huge chandeliers (1:43:09 mark). That number is the number of rings in the Olympic logo, which has been claimed to be an international symbol that represents all the people of the world joined in Olympism. The meaning of the number as representing all the people of the world is actually biblical. (The Feeding of the Five Thousand). What is known as "The Table of Nations" is presented in Genesis chapter 10 and 11. The Table of Nations ~ 5 tables. The chandeliers are lighting fixtures that illuminate the Table of Nations. The number 5 identifies the planet and goddess Venus. It's the Illumination of Mary described by St. Louis de Montfort. The number 5 is also signaling Horus (Code 47), providing the symbolism of the Horus Eye illumination.
These tables and chandeliers remained during the icebreaker scene as props to add their complementary symbolism. The floor becomes the frozen sea, populated with ice cube people who join with those who had been celebrating at the tables. Like the 5 chandeliers illuminating the Table of Nations, the Mir's floodlights shine down upon the performers that represent the population of the whole earth.
Maria, goddess of MIR is also the Great Harlot, Mystery Babylon. She sits upon many waters. Revelation 17:1. The meaning of the waters is explained in verse 15.
“And he said to me, “The waters which you saw where the harlot sits, are peoples and multitudes and nations and tongues. ~ Revelation 17:15
What was performed at the tables just prior to the introduction of the icebreaker supports that identification. At the 1:43:52 mark, we hear the commentator say, “The scene is set for a great celebration, a wedding celebration.” We see the bride and groom, with stylish seats that strongly suggest Venus, the star of the sea, Stella Maris. The song performed was written for the film, “A Cruel Romance.” Indeed, the romance with the goddess will be cruel. In her is found all the blood of the saints (“And in her was found the blood of prophets and of saints and of all who have been slain on the earth.” ~ Rev. 18:24) She will be burned with fire (Rev. 18:8) and thrown down with violence. (Rev. 18:21)
and the light of a lamp will not shine in you any longer; and the voice of the bridegroom and bride will not be heard in you any longer; for your merchants were the great men of the earth, because all the nations were deceived by your sorcery.”~ Revelation 18:23
While the ship is exiting the scene, we see a Bride and groom waving goodbye.
The Goddess unites all the people of the world as the queen of peace. She is also the goddess of war. An icebreaker doesn't smash sheets of ice without violent force. The lyrics to what Maria was singing as the Mir broke the ice present us with a more full picture of what's going on in the world today, where the conflict in the process of uniting the world is ever more apparent. As Maria sings a lullabye, which is for putting children to sleep, so the Marian goddess lulls the world with her enchantments. They are oblivious to the destruction that awaits in their doomed rebelion against the authority of the Most High God.
Sleep, my fine young baby
Lullabye, a-bye.
Quietly the clear moon looks down
Into your cradle
I will tell you stories,
I will sing you a song,
Sleep on, close your eyes,
Lullabye, a-bye.
The Terek runs over its rocky bed
And splashes its dark wave;
A sly brigand crawls along the bank
Sharpening his dagger;
But your father is an old warrior
Hardened in battle;
So sleep, my darling, undisturbed,
Lullaby a-bye.
The time will come, you will learn for yourself
The soldier's way of life,
Boldly you'll place your foot in the stirrup
And grasp your rifle.
Your fighting saddle I myself
Will embroider with silk
Sleep, my darling, my own one,
Lullaby a-bye.
Such a fine warrior you'll be to look at,
And a cossack in your soul.
I will watch you go, see you on your way,
And you'll wave your hand.
How many bitter tears silently
I will weep on that night when you go.
Sleep my angel, sweetly, softly,
Lullaby a-bye.
If you watch the sequence that follows the icebreaker's departure, you'll see the ice-cube masses form the Paralympic symbol, the Agitos, under the influence of the firebird demons that came in Mary's wake. It is an obfuscated 666, associated with the beast and his mark. (Part 42 - 2012 London Paralympics - Occult Closing Ceremony and the Agitos Symbol)
So much more could be written about how the producers of Sochi's Paralympics opener spill the beans on what's coming. It's the same plot I've been describing over and again. Are you catching on to how this isn't just a distracting sideshow?
In closing this post, I recommend reading chapters 17 and 18 of Revelation. Watch the scenes of the ceremony I described and reflect on those chapters. Note well verses 23 and 24 of chapter 18.
The goddess is preparing the world to come together as one, to receive her son. You do not want to be under her spell when that day breaks upon us. There will be great forfeit in that day, but great reward for a precious few.
The scene of the superhero's assault on the squirrel's sky castle presents stargate transit imagery that compares with other music videos I've decoded on this blog. I've already addressed some of the video's celestial stargate imagery but there's value in seeing more of what's there, and the role of the attending goddess.
The symbolic content of the video has to be suitable for the functional operation of the magick involved in the supernatural working, and that in that suitability we find a benefit. We can decode the symbolism to expose the Adversary's working plan.
Behold, I send you out as sheep in the midst of wolves; so be shrewd as serpents and innocent as doves.~ Matthew 10:16
so that no advantage would be taken of us by Satan, for we are not ignorant of his schemes.~ 2 Corinthians 2:11
When the antiCHRISt superhero is tiptoeing through the sky castle to rescue the captive he has an accident. He bumps into a pedestal, and the large pitcher that stood on top falls to the floor and shatters. If you've been following the blog for a while, this action should seem very familiar - especially when you notice the grandfather clock is in very close proximity.
I gave this celestial stargate transit imagery some coverage relative to the music video, Insane, by A-Jax, which featured similar pedestal-clock transit sequences. That mesmerizing K-pop mind-control extravaganza compares closely to Strawberry Swing in many respects, even given the contrasting pacing and style. The MGM film classic, the Wizard of Oz, presents a similar pedestal-clock stargate scenario. Another element that is common to the Wizard of Oz and Strawberry Swing is that the transit occurs in the room of a castle where a captive girl is about to be rescued. All three of the productions are vehicles for Illuminati SRA mind control.
See the cuckoo clock on the wall that is aligned in the shot with the base of the candle stick? Pedestal + clock. When the candlestick is knocked over to fall off the pedestal (the speed of light & gravity) for the first time, it manifests in the other dimension as an hourglass that falls and breaks on the floor. In the second incident, the hourglass is caught and reset, resetting time.
The pitcher knocked off the pedestal by the masked superhero falls to the floor and shatters at the base of the pillar the grandfather clock leans against.
In part, the pitcher speaks to me of a vessel containing time, which spills out as if a valuable quantity is lost. It's like the sands of time that spill out of the broken hourglass, or like water spilled out from the river of time (Wizard of Oz).
After the squirrel wakes up he screams out powerful sonic waves that send the superhero flying out the door, along with other furnishings. Watch for the last things to fly through the doorway. The last object is an entry door, which is preceded by the clock, which is preceded by the other door. Time doors, time gates - broken, gone. (Horatio Gates - Part 25 - Rochester, NY - From out of Gates, Greece Came Forth) The control over time and stargates was no longer in the squirrel's control. Then, the superhero could defeat the squirrel with the acorn-bomb and rescue the queen. Well, so the twisted up version goes.
The pedestal is a symbol of the celestial stargate, which spans heaven and earth. The construct is called mecilah, in the Hebrew Bible, which I sometimes refer to as the Kingdom viaduct. The operation of the stargate involves the exercise of control over time-space, which touches on the physics of gravity. (The objective of CERN, where attention is given to discovering the secret of mass.) In The Penitent Man (2010) (a major bean spilling film), according to the time traveler Mr. Darnell (meaning: “hiding place, hidden alcove or niche”), you have to simply speed up one end of a wormhole while slowing down the other, which is to manipulate the construct's change of distance over time. Distance - the pedestal. Time - the clock.
The imagery of the pedestal stargate transit can be found in the remnants of ancient Egypt, although every secret of heaven ultimately derives from the work of the Creator, the true and sovereign Yahweh.
In Strawberry Swing, a layer of dimensional transit imagery is added by the song lyrics. The following verse is sung during the ascension sequence that follows the superhero's exit from the lionfish through the drain pipe. The verse begins the moment he begins his vertical ascent (2:06) and ends when he reaches the sky castle (2:35).
People moving all the time
Inside a perfectly straight line
Don't you wanna curve away?
When it's such…
It's such a perfect day
It's such a perfect day
On the Illuminati programming layer it's a suggestion to leave the linear time line, to dissociate, to go into a trance state for programming. It's a perfect day when flies, “over the rainbow,” or falls down into Wonderland. That certainly involves the opening of a stargate, and the verse describes just that in more technical language. To curve away from the perfectly straight line is to change the vector that changes velocity. I hear in this the suggestion of a stargate transit matching the description in Joel 2.
They do not crowd each other, they march everyone in his path; When they burst through the defenses, they do not break ranks.~ Joel 2:8
“In his path” is, mecillah It's a traffic lane where vehicles-entities travel like the cars in a train down the track. The following study is one that explores this further: Part 15 - Celestial Stargates - Operative Black Magick.
(Miley Cyrus - We Can't Stop ) And everyone in line in the bathroom
trying to get a line in the bathroom
we all so turned up here
getting turned up yeah, yeah
You “turned up” somewhere after traveling there. Have you ever made a bee line for the bathroom? Recall the bee dancing superhero's bee wings cape and the flight of the dancing Queen Bee.
“The National Football League doesn't usually pay the act that performs at halftime during the Super Bowl. But in a twist this year, the league has asked artists under consideration for the high-profile gig to pay to play, according to people familiar with the matter. The NFL has narrowed down the list of potential performers for the 2015 Super Bowl to three candidates: Rihanna, Katy Perry, and Coldplay, these people said. While notifying the artists' camps of their candidacy, league representatives also asked at least some of the acts if they would be willing to contribute a portion of their post-Super Bowl tour income to the league, or if they would make some other type of financial contribution, in exchange for the halftime gig. The pay-to-play suggestion got a chilly reception from the candidates' representatives, these people said.
...
The Super Bowl halftime show, which this year featured the Red Hot Chili Peppers and Bruno Mars, drew a record 115.3 million viewers in February, according to the NFL, more than the game itself. The entire event averaged 112.2 million viewers, according to Nielsen. That was more than double the size of the audience for the Academy Awards this year, more than triple the audience for this year's Grammy Awards and more than 11 times the size of MTV's most recent Video Music Awards.
...
Rihanna grossed $141.9 million on 90 shows around the world in 2013; Coldplay grossed $171.3 million on 67 global dates on their last tour in 2012, according to Pollstar.”
Even in the midst of the apparent catastrophic failure of the present world order, the world just can't seem to get enough of the Olympics. Saturday night, I watched the opening ceremony for the The 2nd Summer Youth Olympic Games, in Nanjing, China. It was impressive on every level. The 2008 Summer Games in Beijing had set the bar unapproachably high for scale, but every other aspect of the presentation seemed to meet or exceed everything that has come before it. The projection technique that paints the stadium with imagery seems to be at least as good as in Sochi, even in the rain. A new technology projected animated 3D imagery into the air that was incredibly vivid. It was impressive for the broadcast audience and for those inside the stadium.
My interest in the show goes way beyond the superficial entertainment value. The ceremonial entertainment along with every other aspect of the Nanjing Olympic Games represents yet another Theurgistic mass ritual and “energy harvest” that is making the world ready to receive their (false) savior Apollo, son of Zeus, a subject that has been well documented on this blog and on TheOpenScroll.com. I'll just be touching on a few of the more notable elements in this post.
If you've been following this blog you should be very aware of the pending great hoax appointed for 2015. The opening ceremony was called “Light up the Future,” and it really bore witness to the hoax that will set the stage for the introduction and welcoming of the Antichrist beast. It will be a lighting of our very near future with Luciferian illumination, the illumination of Mary, which they demonstrate to us during the ceremony in a limited fashion. As described previously, a combination real and unreal imagery will be projected as a live global stream filtered from out of the past, present and future. The pan-media broadcast will be attended by a supernaturalism that will cause all but the elect to be deceived. (2 Thessalonians 2) If people do not even now perceive what is considered to be entertainments as the ritual modeling it really is, how can they possibly resist what's coming? If you don't know how to avoid being deceived in that hour, you just haven't been paying attention.
Before I address the ceremonial symbolism, let's consider the branding imagery for the games. It looks simple but it's layered with Occult meaning. I've already written at length about the meaning of the Olympic rings, presenting the truncated pyramid that invites Zeus and Apollo, and the fertility goddess, raising Osiris into Horus (Code 47). The dialog box framing the YOG (Youth Olympic Games) DNA script also signals Code 47, accenting the signal right triangle. The numbers produced by the two frames create an instance of Code 13 in a way that distinctly sets it within the context of the goddess. The first frame has 5 sides. The second has 8. Together, there are 13. It's the rebel lord beast signal, as produced by the goddess. Venus traces out a 5 point rosette in exactly 8 earth years, which requires 13 of its own orbits around the sun. The series of 5-8-13 are a Fibonacci set, which is why the spiral is used as a symbol of the goddess who raises Osiris into Horus. The frames speak to me of SD cards, memory chips, which I believe is intended because the Occult imagery attending the Games is literally transferring collective memories.
The 2 letters “n” in the stylized title “nanjing” are arches that represent the Gates of China. The Gate of Nanjing was built in the 14th century (13 hundreds) and is one of the city's thirteen in total. Historically, it's a big deal, and there's that number 13 again. It's known as the Gate of China, of the whole nation. By coloring the letters and the framing gates of the letters n they are suggesting stargates, and this is established very early in the opening ceremony in a video that features the rainbow mascot traveling the rainbow bridge, passing between two pillars, followed by a crowd. (Not unlike London 2012.) It's a familiar scene. The stargates open and the Horus-lawless one travels down through the Gemini Silver Gate, followed by a horde.
The dragon framed armillary sphere plays a very important role in the ceremony, and this early scene creates the fundamental association with stargate transit events.
Let's give the branding of the Games some more consideration. The city of On is highlighted in the way YOG DNA is arranged. It's where the Olympian Apollo was worshiped as the sun god by other names like Helios, Amun Ra and Horus. Aaron noted that YOG DNA is a simple anagram for “ANY GOD,” and I believe that's the primary signification. Worship any god but the one true God - that's a fundamental message that's easily gleaned from the Olympics. Idolatry. Worship any and every god. Another signification is GOY DNA, which is a reference to the gene pool exclusive of Israel. (A non-Yahweh tree without their inheritance) The word, ZION, that is typically encoded in Olympic logos refers to a hijacked version of what the God of Abraham, Isaac and Jacob has promised His chosen people. I believe another intended anagram is, GAY NOD, because homosexuality is a key part of the agenda that advances the world toward the welcoming of their false savior.
The climax of the opening ceremony is always the lighting of the Cauldron. The preparation for this involved high ritual throughout! See Our Lady of the Olympics to learn how this honoring of the flame is an ancient magickal ritual that involves the goddess of many names - Hestia, Hecate, Artemis - aka Mary.
The “sacred” flame was lit and dedicated ceremonially on Mt. Olympus in the customary way, on April 30, 2014. Check the Zeus (Satanic) calendar and you'll discover that it's the greatest Witches' Sabbat! It's Beltane Eve connected with Walpurgisnacht, Roodmas Day and the Grand Climax. Don't think that's unintended.
For these games, 90 million people virtually and ritualistically carried the torch because of the provision made for engagement. “The torch relay was divided into two parts. The first part was a digital relay where people who downloaded an app were able to participate in the relay through an interactive option called "Give Me Fire." When using this feature users were able to pass the Youth Olympic flame to their friends by touching their devices together. The relay visited 258 different online locations from the 204 participating NOCs over a 98 day period.” (Wikipedia)
The torch is known as the "Gate of Happiness." A structure resembling a city gate is found on the top part of the torch. There's the stargate, a kind of Tower of Babel. The torch is a phallic symbol, of Osiris. (Gate of) Happiness = haPENIS = reproductive sex magick with the torch goddess produces Horus ~ opens the eye of Horus, illuminating the world.
The Cauldron was lit in a way that had never been done before, which compares somewhat to the way the flame was sourced directly from the gods in heaven. The fire was started in Greece using a parabolic mirror to focus the sun's rays. When the Cauldron located above and adjacent to the Olympic Stadium was lit last night, it was when the last torch bearer touched that flame to a point on a special structure, which carried the flame around and to its top. The pyrotechnics were designed to launch fireworks, and like flaming arrows, they carried the Sacred Flame from that structure inside the stadium up to the Cauldron, lighting it with the flame that had been ritually sourced from the gods in the heavens on Walpurgisnacht. When you understand the structure as a representation of the gods in heaven and the fireworks as the fallen angel gods, you see how the ritual granted the gods another direct agency in lighting the Olympic Park, which must enhance the potency of the sacred flame's illuminating effect.
These images show the burning Cauldron as it's just been lit, then shortly after as the structure has gone fully neon - light activated.
The structure features an armillary sphere. That object has a central role throughout most of the ceremony. The central character, the “protagonist” who pursues the ancient dream carries one around. Early on, we're told this object was used to locate celestial bodies. The models we see during the ceremony are supposed to be referencing the one from the Yuan Dynasty (probably made in the 13 hundreds) found in Nanjing's Purple Mountain Observatory, along with the telescope replicated on the opposite side of the Olympic stadium.
More is meant by the device than to indicate a merely astronomical function. The key is in understanding its use in astrology and divination, and identifying the ancient gods as the celestial bodies. It is a universal idol that honors the host of heaven. Olympism is a religion, as the Baron Pierre de Coubertin insisted.
I write plenty about the 2nd Commandment and the consequences we reap unto ourselves for disobedience. It's bundled together with the command against the idolatry of worshiping the celestial bodies, which are more than simply lights in the sky. They represent the host of heaven, spiritual entities, angels.
15 “So watch yourselves carefully, since you did not see any form on the day the Lord spoke to you at Horeb from the midst of the fire, 16 so that you do not act corruptly and make a graven image for yourselves in the form of any figure, the likeness of male or female, 17 the likeness of any animal that is on the earth, the likeness of any winged bird that flies in the sky, 18 the likeness of anything that creeps on the ground, the likeness of any fish that is in the water below the earth. 19 And beware not to lift up your eyes to heaven and see the sun and the moon and the stars, all the host of heaven, and be drawn away and worship them and serve them, those which the Lord your God has allotted to all the peoples under the whole heaven.~ Deuteronomy 4:15-19
Those ringing the top of the columned armillary sphere represent the gods in the heavens, the celestial bodies. That's why there's an army of Nike goddess priestesses worshiping at the object, which is a temple. They are bathed in a waves of light of a roseate hue, as would have been heard in the singing of the Olympic Hymn. They are wreathing the gods who sponsor the Games.
Compare it with the famed scene from antiquity that was found on the ceiling of the portico at Dendera, in Egypt.
The producers of these Occult entertainments practice Theurgy. They exalt the celestial bodies to exploit the Seirai that unite the Orders of Being according to the direction they receive from that other realm of the spirit.
“Additionally the theurgist sought to ascend into the presence of the gods by using symbols, signs, words, sounds, godly materials called seirai (chords, chains, "processions") which united Orders of beings with Celestial bodies, "A Great Chain of Being." The practice of theurgy would only convey influence from the gods if the symbols and rituals used were taught by the gods. This is why Plato said 'great power of geometric equality exists amongst both gods and men.'”
(The David Flynn Collection - Kindle Edition)
Another student of the arcane noted the following.
“By the Principle of Continuity we can see that there must be a connection between the "highest" and "lowest" realms, between the One and Matter, and connecting all things in between. These are the divine Seirai (Chords, Chains, "Processions"), which unite the Orders of Being. Thus we have connections with the Celestial Bodies and are influenced by Them, who in turn convey influences from the Gods; this is the basis of astrology. We are all connected in the 'Great Chain of Being.'”
(A Summary of Pythagorean Theology by John Opsopaus)
The influences from the gods are being conveyed. Can you accept it? That declaration is entirely consistent with biblical revelation. This is why we see the same messages in symbol language repeating over and over again, in a seemingly endless variety of ways. The streams of narrative flow together like tributaries into a mighty river. The diverse masses are borne along in the collective flow, being readied to be poured out into their appointed destination. The Great Harlot Mystery Babylon sits on many waters.
As Aaron and I reviewed what we had been seeing during the ceremony, he noted how the armillary sphere temple resembled the machine built in the film, Contact (1997). As I explored the association it became apparent that the producers of the film and those responsible for the Olympic Ceremony were basically working off the same notes. Contact was based on Carl Sagan's best selling novel of the same name (published in 1985). From Carl's Wikipedia bio: “His contributions were central to the discovery of the high surface temperatures of Venus. However, he is best known for his contributions to the scientific research of extraterrestrial life...” Carl Sagan was involved with the film production but died before it was completed. He “knew stuff.”
The film stars Jodie Foster as Ellie Arroway. She was dropped (gravity) from a crane-like platform (pedestal) into a machine that looked like the Olympic armillary sphere. That was a stargate, built from the blueprints furnished by aliens) that transported her through a wormhole. She visited a distant place where she had interaction with a being she recognized as a dead ancestor (her father). There's a time manipulation because no time passed on earth during the event, while 18 hours (6+6+6) passed in her experience as the traveler. The fiery ARROWay was shot from the machine through a wormhole to reach her heavenly target. Likewise, flaming arrows were shot from the armillary sphere temple toward their target in the heavens. And, with everything else I'm noting, that can't be just a coincidence.
In the scene of the film where extraterrestrial contact is being discovered, the first content recognized in the coded digital message received from space is a video clip from a historical television broadcast. Claimed to be the very first television broadcast, it showed Adolf Hitler's brief address at the 1936 Summer Olympics in Berlin. So, it was the opening ceremony of the Olympics. The opening ceremony of the Olympics. There's a connection. You got that, right? There will be another link made, with Hitler, so keep that in mind.
It is a fact that Hitler officially opened those Games with these words, “I proclaim the Games of Berlin, celebrating the eleventh Olympiad of the modern era, to be open.” This is the translation from German, of course. In the film version, the character played by William Fichtner interpreted his message as, "I declare the Games in Berlin, at the celebration of the first Olympics of the new era, as open." I wonder if the Games in Nanjing where an allusion to this film was made through this armillary sphere temple might be considered as the first of a new era. With Sochi's Olympics and Paralympics past, I thought that particular body of ritual work was done. I was surprised to discover the YOG ceremony, stumbling upon it while I was programming the DVR to record some shows. Providence. Thank you Lord!
In Contact, William Fichtner's character was named Kent Clark. He was blind, but he had exceptional inSIGHT. You really have to “see” what's going on here and identify him with Clark Kent, the DC Comics character who wore fake glasses as a disguise to conceal his alter identity as Superman. He pretended to have poor eyesight but he really had X-ray vision. Make the connections here - Übermensch. Lebensborn = “Wellspring or Fount of Life” --- Hitler assigned his SS agent Heinrich Himmler to carry out this breeding program. Hitler made a profession to the effect that this effort was really about the hybridized line of the fallen angels, Nephilim. In the context of the Olympics, it's the agenda of populating the world with the gods of Olympus and their offspring.
Contact also contained video clips of President Bill Clinton (2 terms spanning 1993-2001) that were sourced from televised broadcasts. These caused some controversy. His digitally composited image, with his messages, were edited and set within quite another context to adapt the meaning for their purposes. Think about how that supports what I've presented about the coming hoax as a segue to the revealing of the lawless one! Reinterpreting the past in a broadcast of edited historical content. Bill Clinton. Alien contact. He was heard to say, “We will continue to listen closely to what it has to say as we continue the search for answers and for knowledge that is as old as humanity itself but essential to our people's future.” Hmmmm. ...“as old as humanity itself but essential to our people's future.” He was also heard to say, “We are monitoring what has actually happened.” Think about it. Beans are being spilled here.
The following extract provides some useful insight.
“Jörg Lanz von Liebenfels (July 19, 1874 - April 22, 1954) was a Austrian occultist, former Cistercian monk, and founder of the Ariosophy movement. He was a friend of student of Guido von List. Lanz von Liebenfels helped found the "Guido-von-List-Gesellschaft" (Guido von List society) in 1905 and in 1907 he founded the "Ordo Novi Templi" (Order of the New Templars). He published the magazine 'Ostara', regularly read by Adolf Hitler. The magazine was founded in 1905 by Lanz, (name of the German goddess of Easter spring) took a huge spread in the German countries, reaching runs over 100,000 copies. It appeared in two series, from 1905 to 1917, eighty-nine numbers and published from 1922 to 1927, with twelve more numbers In 1904, he published his book 'Theozoologie' in which he glorified the "Aryan race" as "Gottmenschen" ("god-men"). Liebenfels proposed the existence of the Gotter-Elektron (the Electron of the Gods), which was a cosmic life force - also known as the 'vril' - which would only be found in the pure blooded Aryans, and which would be capable of transforming them into the Übermensch. Liebenfels states that "the Aryans are the masterpiece of the gods, and are endowed with supernatural and paranormal, powers derived from the Grail (Gotter-Elektron) emanating from 'centres of power' that confer absolute supremacy over any other creature. The emblem that Liebenfels chose to use was the swastika. ”
So, Hitler read von Liebenfels' magazine, “Ostara” (and took that same symbol for his Nazi party, the swastika). Ostara, that's Isis-Mary, Our Lady of the Olympics.
During the YOG DNA Games, the name Mary was heard many times in NLP rich dialogue throughout the entertainments (NBC Olympics production). It was always cloaked in the pretext of naming the commentator, Mary Carillo. I noted how the goddess of war and “their rebellion” was signaled when the color guard marched out to raise the national flag of China. It's a red flag. See Our Lady of the Nations. Red China is communist. The Queen of All unites all into one. The flag features 5 point stars, 5 of them. Horus, and Venus. The blood red Venus rose. The goddess was evoked throughout as the symbol rich flags of the nations were given plenty of broadcast coverage. When the Olympic rings symbol was dramatically created it was done through expanding concentric rings to pass first through a momentary formation of the triquetra, the triple goddess symbol and signal of the triple helix DNA that will characterize beast and mark of the beast genetics.
I'm going to repeat an excerpt from ThirdReichOccultHistory.com. “Liebenfels proposed the existence of the Gotter-Elektron (the Electron of the Gods), which was a cosmic life force - also known as the 'vril' - which would only be found in the pure blooded Aryans, and which would be capable of transforming them into the Übermensch.” Gotter-Elektron, the Electron of the Gods. Think, god particle, the Higgs Boson and CERN's LHC collider. During the opening ceremony, I believe the LHC was illustrated to us as the key to opening up the Silver Gate.
Recall the award medals from London, 2012.
See the armillary sphere as a standard model of the atom with orbiting electrons. Light beams were fired from the telescope like a laser cannon, representing the high energy particle beams fired from the accelerator. When the Cauldron was about to be lit, the light emitting telescope was aimed at the armillary sphere, and there was an impending particle collision! Consider the Gotter-Elektron - Vril - the Übermensch. When you see this image of the dragon legged armillary sphere behind the rainbow bridge I captured from the opening video segment, let it speak to you of the role of the LHC's particle collider in opening the stargate. That's the message implied. The YOG DNA rainbow clothed transdimensional antichrist mascot is a motion blur as he makes his from beyond, with a horde following after. Other entities will stream through. Ultimately the beast that will result in that antichrist spirit's incursion will be reproduced through DNA replication, his mark, and many duped humans will become hosts, avatars.
The runner with the torch bearing the sacred flame climbed up on a platform with other runners. Four runners in red attended her on the open upper deck, and others were visible inside the platform. Human ritual energy was represented, I believe, and the spirits of the underworld. The 5 on the deck represent Horus, and the goddess, and everyone in the world. The light of the torch is the Sacred Flame of Apollo carried by the Olympian goddess.
The platform moved across the stadium toward the atomic sphere. See the torch as the particle emitted from CERN's LHC. The flame is the inherent Vril Gotter-Elektron, the God Particle. When the flame reached the atomic particle construct, the torch was touched to a special place to trigger the pyrotechnics. There was an explosion, the particle collision. The result was spectacular as the collision reaction resulted in the intended illumination of the Olympic park, creating the Temple of Zeus under the roseate hue. The stargate opened and Horus came through. The people of the world were illuminated with opened eyes of Horus. The lawless one was received and celebrated, applauded by the masses. And so it will be in reality, as modeled by the IOC specialists in Theurgy.
When we see this image painted into the atmosphere we should consider the energy harvested from the human power cone as being channeled into the heavens from Purple Mountain's telescope and armillary sphere. The sky donut is a torus, the Silver Gate. In a flash, it was replaced by a momentary image of a starry seed-like object. A seed has been planted. The Tower of Babel gambit failed once, but the Memory Tower of Beijing's Olympic closing ceremony (seen in this image) and this impressive human cone sequence in Nanjing aren't for naught.
By Aaron Hermann Some of you may have noticed this, but for those of you who missed it this article that hit the AP web site on August 15th was another major signal of the impending pandemic. With the majority of the world's attention focused on the Ebola scare, some folks are forgetting about the work of Fouchier and Kawaoka and what they have done concerning the Bird Flu. Forgetting all that they have done and all of the signaling that has pointed to their work would be a mistake.
“NEW YORK (AP) -- A government scientist kept silent about a potentially dangerous lab blunder and revealed it only after workers in another lab noticed something fishy, according to an internal investigation.
The accident happened in January at the headquarters of the Centers for Disease Control and Prevention in Atlanta. A lab scientist accidently mixed a deadly strain of bird flu with a tamer strain, and sent the mix to another CDC lab and to an outside lab in Athens, Georgia.
No one was sickened by bird flu. But unsuspecting scientists worked with the viral mix for months before it was discovered.
CDC officials have called the incident the most worrisome in a series of lab safety problems at the government agency, long regarded as one of the most respected public health agencies in the world. Earlier this summer, a lab mishandled anthrax samples and both the bird flu and anthrax labs were shut down.
"We all feel horrible this happened," said Dr. Anne Schuchat, who oversees the CDC's Influenza Division - which includes the lab where the bird flu accident took place.
Because of employee privacy rules, she said she could not name the lab scientist or the leader of the scientist's team, who were both faulted in the investigation report released Friday. She said disciplinary actions are taking place, but she did not provide any details.
CDC's release of the report is one of many signs the agency is trying to make things right, said Dr. William Schaffner, an infectious disease expert at Vanderbilt University. But he added that the CDC should at least disclose any disciplinary measures, to reassure the public that the agency is taking the matter seriously.
According to the report, the lab scientist was doing work with both bird flu strains - the deadly form and a tamer version. Lab rules call for them to be handled separately, and the tasks should take at least 90 minutes.
The CDC investigation found the work was completed in 51 minutes. That's a clear indication the scientist took short-cuts, Schuchat said.
The lab scientist told investigators that the work was done in the proper sequence, but noted being rushed to finish the job and attend a meeting. CDC officials say it's possible the scientist worked on both strains at the same time.
In February, some of the mixed virus sample was sent to another CDC lab in Atlanta. In March, a shipment of it went to a U.S. Department of Agriculture laboratory in Athens. For a study, the bird flu virus was given to chickens. The chickens died, prompting USDA staff to take a hard look at the sample and detect the deadly strain.
The USDA lab notified the CDC lab in May, and the CDC lab confirmed the finding.
But the CDC team leader didn't report what happened to supervisors or anyone else, reasoning that the viral mix was at all times contained in specialized laboratories and was never a threat to the public, the investigation report said.
CDC officials were only notified in June after the second CDC lab reported a problem with its sample. Two weeks later, CDC Director Dr. Tom Frieden was notified.
Frieden ordered the flu and anthrax labs closed, an internal review and other steps. The anthrax lab director resigned last month.”
The enemies of the Creator spill the beans on their planned star wars, where celestial stargates are leveraged to wage war in the heavens. While some success is granted, the version presented in Strawberry Swing falsely represents the final outcome.
The 19th chapter of Revelation presents a fairly graphic picture. The beast and the Marian Papal false prophet have the primary responsibility for the rebel alliance that will engage in the campaign of Armageddon, in a non-fiction version of star-angel wars. The kings of the earth and their armies will be brought to a confrontation with my Lord, the King of Kings and Lord of Lords, in the final offensive of this age. They won't be thinking to use clubs, knives, arrows, guns, missiles, lasers or other directed energy weapons of a physical nature so much as the supernaturally charged weapons of their “beyond high tech” arsenal.
19 And I saw the beast and the kings of the earth and their armies assembled to make war against Him who sat on the horse and against His army. 20 And the beast was seized, and with him the false prophet who performed the signs in his presence, by which he deceived those who had received the mark of the beast and those who worshiped his image; these two were thrown alive into the lake of fire which burns with brimstone. 21 And the rest were killed with the sword which came from the mouth of Him who sat on the horse, and all the birds were filled with their flesh.~ Revelation 19:19-21
The revolution that leads up to that day is being sponsored by the goddess Mary (“their rebellion”). Coldplay's goddess actively promotes the revolution through the magickal exploitation of ritual symbolism. That same rose goddess Liberty-Marianne of Delacroix's painting is recruiting and training and uniting her warriors. She is appointed to prepare the world for the ultimate coup d'etat where the intent is to overthrow divine order on the highest level, displacing even the Creator Himself. Their enemy is sovereign and that assault will result in an epic failure. Yet, here's how it goes down, from the music video's perspective.
The sovereign Yahweh is pictured as the mean giant squirrel that holds the Queen captive in his sky castle. I'll present some of the details that support this allegorical interpretation shortly. The antichrist superhero overcomes the castle guard and gains access. His attempt to rescue the queen by stealth fails, so the clever hero devises another plan. He uses magical powers of synthesis to craft an acorn-bomb and uses it to distract the witless rodent-god while he rescues the queen. As he escapes with the queen, he lights the fuse, and as they fly away to safety the acorn-bomb blows up the evil squirrel-god and his off-world home. (Superhero with acorn: Thor, the antichrist seed of the “oak” tree)
The superhero and the rescued queen see a sunrise as they approach their destination. In the midst of the butterfly remnants of the old heavens, the antichrist superhero celebrates Victory, Liberty and Freedom with his rescued queen as in the new heavens.
That's the Adversary's plan, as sold. I don't doubt that this version compares very closely to one of the sequences that will be broadcast during the hoax that will be projected as pictured during the video's scene of the transit of Venus. By the way, that hoax is coming within 8 months time.
Here's some biblical descriptions of what's been twisted up in the video.
1 Then I saw a new heaven and a new earth; for the first heaven and the first earth passed away, and there is no longer any sea. 2 And I saw the holy city, new Jerusalem, coming down out of heaven from God, made ready as a bride adorned for her husband.~ Revelation 21:1-2
7 But by His word the present heavens and earth are being reserved for fire, kept for the day of judgment and destruction of ungodly men. 8 But do not let this one fact escape your notice, beloved, that with the Lord one day is like a thousand years, and a thousand years like one day. 9 The Lord is not slow about His promise, as some count slowness, but is patient toward you, not wishing for any to perish but for all to come to repentance. 10 But the day of the Lord will come like a thief, in which the heavens will pass away with a roar and the elements will be destroyed with intense heat, and the earth and its works will be burned up. 11 Since all these things are to be destroyed in this way, what sort of people ought you to be in holy conduct and godliness, 12 looking for and hastening the coming of the day of God, because of which the heavens will be destroyed by burning, and the elements will melt with intense heat! 13 But according to His promise we are looking for new heavens and a new earth, in which righteousness dwells.~ 2 Peter 3:7-13
The ungodly will not have the victory.
The superhero Antichrist leaves his Anti-bride on the moon, as her inheritance. The rescued queen represents the collection of people who are promised a merging with Horus, and Zion, and also the goddess who sponsors that delusion by inspiring their false faith, hope and love.
The first battle takes place when the superhero encounters the giant squirrel high above the city. The arrows fired by the squirrel appear to be an effort to keep him from rescuing the captive queen. As taking place over the city, the aerial battle is really being waged in the heavens. When the squirrel clips the cape-wings, the masked superhero falls to the earth, splashing down in the sea. It's a snapshot of the baptism,the first one in a series that concludes when Chris(t) emerges to set upon the top hat.
7 And there was war in heaven, Michael and his angels waging war with the dragon. The dragon and his angels waged war, 8 and they were not strong enough, and there was no longer a place found for them in heaven. 9 And the great dragon was thrown down, the serpent of old who is called the devil and Satan, who deceives the whole world; he was thrown down to the earth, and his angels were thrown down with him.~ Revelation 12:7-9
The time this pictures is April of 2015, the season of the revealing of the lawless one, and sealing of the 144k sons of Israel that is concurrent with the Bride Theft. There is some validity in this modeling from Strawberry Swing. During this battle we hear the words sung, “Everybody was for fighting.”
Chris is the bee-wings-clipped star seen falling from heaven, and when he ascends up on a cloud of pipe smoke, because he just came out of a pipe, he seems to model a locust coming out of the smoke of the pit.
1 Then the fifth angel sounded, and I saw a star from heaven which had fallen to the earth; and the key of the bottomless pit was given to him. 2 He opened the bottomless pit, and smoke went up out of the pit, like the smoke of a great furnace; and the sun and the air were darkened by the smoke of the pit. 3 Then out of the smoke came locusts upon the earth, and power was given them, as the scorpions of the earth have power. 4 They were told not to hurt the grass of the earth, nor any green thing, nor any tree, but only the men who do not have the seal of God on their foreheads. ~ Revelation 9:1-4
1 After this I saw four angels standing at the four corners of the earth, holding back the four winds of the earth, so that no wind would blow on the earth or on the sea or on any tree. 2 And I saw another angel ascending from the rising of the sun, having the seal of the living God; and he cried out with a loud voice to the four angels to whom it was granted to harm the earth and the sea, 3 saying, “Do not harm the earth or the sea or the trees until we have sealed the bond-servants of our God on their foreheads.”~ Revelation 7:1-3
There are other relevant passages of scripture that speak to me about the scope of this battle. The squirrel's arrows represent what I believe are angels and also the saints as the sovereign God's seed, his offspring deployed in spiritual warfare. In these passages we see varying degrees of our engagement.
1 Unless the Lord builds the house, They labor in vain who build it; Unless the Lord guards the city, The watchman keeps awake in vain. 2 It is vain for you to rise up early, To retire late, To eat the bread of painful labors; For He gives to His beloved even in his sleep. 3 Behold, children are a gift of the Lord, The fruit of the womb is a reward. 4 Like arrows in the hand of a warrior, So are the children of one’s youth. 5 How blessed is the man whose quiver is full of them; They will not be ashamed When they speak with their enemies in the gate.~ Psalm 127
Like I wrote in the previous post in series, the arrows fired by the squirrel won't be the only arrows fired in the battle. St. Louis de Montfort uses this language to describe the Marian agents in, True Devotion to Mary. “They shall be "like sharp arrows in the hand of the powerful" Mary, to pierce Her enemies.”
10 My shield is with God, Who saves the upright in heart. 11 God is a righteous judge, And a God who has indignation every day. 12 If a man does not repent, He will sharpen His sword; He has bent His bow and made it ready. 13 He has also prepared for Himself deadly weapons; He makes His arrows fiery shafts.~ Psalm 7:10-13
15 Now when the attendant of the man of God had risen early and gone out, behold, an army with horses and chariots was circling the city. And his servant said to him, “Alas, my master! What shall we do?” 16 So he answered, “Do not fear, for those who are with us are more than those who are with them.” 17 Then Elisha prayed and said, “O Lord, I pray, open his eyes that he may see.” And the Lord opened the servant’s eyes and he saw; and behold, the mountain was full of horses and chariots of fire all around Elisha.~ 1 Kings 6:15-17
10 Finally, be strong in the Lord and in the strength of His might. 11 Put on the full armor of God, so that you will be able to stand firm against the schemes of the devil. 12 For our struggle is not against flesh and blood, but against the rulers, against the powers, against the world forces of this darkness, against the spiritual forces of wickedness in the heavenly places. 13 Therefore, take up the full armor of God, so that you will be able to resist in the evil day, and having done everything, to stand firm. 14 Stand firm therefore, having girded your loins with truth, and having put on the breastplate of righteousness, 15 and having shod your feet with the preparation of the gospel of peace; 16 in addition to all, taking up the shield of faith with which you will be able to extinguish all the flaming arrows of the evil one. 17 And take the helmet of salvation, and the sword of the Spirit, which is the word of God.~ Ephesian 6:10-17
A relevant picture of the warfare on the stargates (Hebrew: mecilah - their courses) appears in Judges 5.
20 “The stars fought from heaven, From their courses they fought against Sisera. 21 “The torrent of Kishon swept them away, The ancient torrent, the torrent Kishon. O my soul, march on with strength.~ Judges 5:20-21
After the warfare that precedes the baptism and anointing stargate transit, another battle sequence takes place as the superhero lays siege to the heavenly fortress. The way he defeats the guard is revealing. The props drawn into the setting of the squirrel's sky lair are also very revealing.
As the superhero ascends on the cloud of smoke he acquires a red paddle, which he uses to paddle his way up to the sky castle. Consider how the superhero grabs the paddle with his left hand and paddles only to his left to advance to his left on the way up. He's on the left-hand path. He then uses it in some sword play with the castle guard. Red is the color of blood, which is spilled in sword fighting. Using the red paddle to ascend speaks to me of blood ritual that raises energy, granting the agents responsible increased authority. Massive amounts of blood have been spilled already for this reason, on ritual days (touching on the SRA Illuminati trauma-based layer of symbolism) and in wars, and much more is about to be spilled (Black Awakening...). The sum of it is required to ascend the warriors to a place of readiness to engage in the battles of Armageddon, setting the scene for the concluding face-off.
The superhero takes off the head of a guard (face off) and uses the skull to bowl the pins (British, slang for legs) down. When thunder is heard, it is the gods in heaven, bowling, as I was told so many years ago. The thunderbolt or lightning bolt is the weapon of Zeus. Zeus, aka Satan, is bringing the conflict as in the days of old, with the tower of Babel gambit.
Chris ascended into the heavens and the battle took place outside the gates of the castle-fortress-temple-abode. I compare the leg-guards to the Egyptian hieroglyph for walking, where the columns or pillars represent the stargates.
Inside the castle we find some symbolism employed that you might find very familiar. When I mentioned in Part 3 how the grandfather clock's pendulum was still, I presented it in the context of identifying Alice in Wonderland through the cessation of time that resulted in the Mad Hatter's continual tea party. The abode of the Creator exists outside the realm of space-time so there is no time in that part of His domain. In a very real sense it's always now, and then, or like time has stopped. The scene is very personal to me because, about 15 years ago, I found myself in what I call the timeless place, near to the throne of the Most High God. (Release of the Apostolic Anointing in 1988, Henry Gruver, Translation and “Because of the Elect”) The still pendulum supports the identification of the squirrel as the Most High God and the sky castle as His abode.
When the producers of the music video present the one true God as a furry rodent it's an assault on His character. He is vicious and not very sporting when he cranks out arrows at the poor superhero, who has only an umbrella for defense. When the rodent-god reaches around with his giant scissors, he's a sneaky cheater. He holds the queen captive and tortures her by flooding her chamber. Bad squirrel god, who gets his jollies by making others suffer. (The sovereign God is keeping the spirits in chains, agents bound since the flood, and the Devil's got revenge in his heart.) The squirrel-god's castle is guarded by sodomite angel pirates (high heels, starlight yellow stockings) Thieving pirates live for rum, bum and the lash, so he's obviously a hypocrite because he condemns that very behavior. The accusations leveled against the squirrel-god continue as the superhero sneaks past the furnishings toward the big meany. All the items are old fashioned, from the antique phonograph to the Grandfather clock. It suggests that he's out of touch with the times. The Mona Lisa belongs in The Louvre, suggesting he's a thief. The large rocking horse suggests that he's juvenile in behavior. The leaning clock suggests that he's lazy and careless about maintaining things because it only needs to be stood upright to restore it to order. Do any of these accusations seem familiar? Such as that is heard outside the professing church, and also inside. The Lord will vindicate Himself, in due time.
There's much more to be written about the symbolism of the furnishings. It's the stargate transit imagery in this video set that I find so very compelling as a sign!
Vulcan = Satan
Vulcan, honored in Star Trek with Mr Spock, from the planet Vulcan. Honored in Birmingham Alabama with a Statue of Vulcan in Vulcan Park. (Wikipedia) “The Vulcan statue is the largest cast iron statue in the world, and is the city symbol of Birmingham, Alabama, reflecting its roots in the iron and steel industry. The 56-foot tall statue depicts the Roman god Vulcan, god of the fire and forge.” The exalting of the idol over the city is an expression of who rules that domain as the local Baal. 
Here's a short series written about last year's event.
The goddess is uniting the world in preparation for her son. The role of the Marian goddess was modeled to us with brilliant subtilty during a segment of the opening ceremony of the 2014 Paralympics in Sochi, Russia, on March 7, 2014. A woman named Maria sang a lullaby as she rode a gigantic icebreaker across the stadium. The ship's name was MIR - Peace. Performers dramatized the ice being broken with stage props that made them resemble ice cubes. The immense stage looked like the frozen sea, being lit with the “multidimensional painting” (their words) projected on to the stadium floor. In her wake, fiery fallen angels moved in overhead and the performers under the wave of their influence formed the word, TOGETHER. The world was acting in concert, one in purpose. What happened next illustrated what's very soon to come, in reality.
“Breaking the Ice” is an idiom that means, “to initiate social interchanges and conversation; to get something started.” The commentator in this video's broadcast version interprets it to us in this way. “The ship is both physically and metaphorically breaking barriers, opening new channels of communication, tracing new paths for mankind.” The function of an icebreaker is to open a channel for other ships to travel through, when and where they otherwise could not. This is Mary's role, who is genuinely breaking the ice. In her wake, ice cube people swirl, broken from the sheet of ice shattered at her bow. They are united by her work. TOGETHER. E Pluribus Unum, as her work is described in branding peculiar to the USA. Out of many, one. Let it speak to you how the ice-cube people unite under the influence of firebirds, fallen angels that were shown to proceed out from the sun, as the sun god. See them as coming through the channel opened by the Maria of Mir, the icebreaker. 
Coldplay - Strawberry Swing
When the antiCHRISt superhero is tiptoeing through the sky castle to rescue the captive he has an accident. He bumps into a pedestal, and the large pitcher that stood on top falls to the floor and shatters. If you've been following the blog for a while, this action should seem very familiar - especially when you notice the grandfather clock is in very close proximity. 
I gave this celestial stargate transit imagery some coverage relative to the music video, Insane, by A-Jax, which featured similar pedestal-clock transit sequences. That mesmerizing K-pop mind-control extravaganza compares closely to Strawberry Swing in many respects, even given the contrasting pacing and style. The MGM film classic, the Wizard of Oz, presents a similar pedestal-clock stargate scenario. Another element that is common to the Wizard of Oz and Strawberry Swing is that the transit occurs in the room of a castle where a captive girl is about to be rescued. All three of the productions are vehicles for Illuminati SRA mind control. 
After the squirrel wakes up he screams out powerful sonic waves that send the superhero flying out the door, along with other furnishings. Watch for the last things to fly through the doorway. The last object is an entry door, which is preceded by the clock, which is preceded by the other door. Time doors, time gates - broken, gone. (Horatio Gates - 
Even in the midst of the apparent catastrophic failure of the present world order, the world just can't seem to get enough of the Olympics. Saturday night, I watched the opening ceremony for the 
Let's give the branding of the Games some more consideration. The city of On is highlighted in the way YOG DNA is arranged. It's where the Olympian Apollo was worshiped as the sun god by other names like Helios, Amun Ra and Horus. Aaron noted that YOG DNA is a simple anagram for “ANY GOD,” and I believe that's the primary signification. Worship any god but the one true God - that's a fundamental message that's easily gleaned from the Olympics. Idolatry. Worship any and every god. Another signification is GOY DNA, which is a reference to the gene pool exclusive of Israel. (A non-Yahweh tree without their inheritance) The word, ZION, that is typically encoded in Olympic logos refers to a hijacked version of what the God of Abraham, Isaac and Jacob has promised His chosen people. I believe another intended anagram is, GAY NOD, because homosexuality is a key part of the agenda that advances the world toward the welcoming of their false savior. 
The fire was started in Greece using a parabolic mirror to focus the sun's rays. When the Cauldron located above and adjacent to the Olympic Stadium was lit last night, it was when the last torch bearer touched that flame to a point on a special structure, which carried the flame around and to its top. The pyrotechnics were designed to launch fireworks, and like flaming arrows, they carried the Sacred Flame from that structure inside the stadium up to the Cauldron, lighting it with the flame that had been ritually sourced from the gods in the heavens on Walpurgisnacht. When you understand the structure as a representation of the gods in heaven and the fireworks as the fallen angel gods, you see how the ritual granted the gods another direct agency in lighting the Olympic Park, which must enhance the potency of the sacred flame's illuminating effect. 
The models we see during the ceremony are supposed to be referencing the one from the Yuan Dynasty (probably made in the 13 hundreds) found in Nanjing's Purple Mountain Observatory, along with the telescope replicated on the opposite side of the Olympic stadium. 
As Aaron and I reviewed what we had been seeing during the ceremony, he noted how the armillary sphere temple resembled the machine built in the film, Contact (1997). As I explored the association it became apparent that the producers of the film and those responsible for the Olympic Ceremony were basically working off the same notes. Contact was based on Carl Sagan's best selling novel of the same name (published in 1985). From Carl's Wikipedia bio: “His contributions were central to the discovery of the high surface temperatures of Venus. However, he is best known for his contributions to the scientific research of extraterrestrial life...” Carl Sagan was involved with the film production but died before it was completed. He “knew stuff.”
It was always cloaked in the pretext of naming the commentator, Mary Carillo. I noted how the goddess of war and “their rebellion” was signaled when the color guard marched out to raise the national flag of China. It's a red flag. See 
I'm going to repeat an excerpt from ThirdReichOccultHistory.com. “Liebenfels proposed the existence of the Gotter-Elektron (the Electron of the Gods), which was a cosmic life force - also known as the 'vril' - which would only be found in the pure blooded Aryans, and which would be capable of transforming them into the Übermensch.” Gotter-Elektron, the Electron of the Gods. Think, god particle, the Higgs Boson and CERN's LHC collider. During the opening ceremony, I believe the LHC was illustrated to us as the key to opening up the Silver Gate. 
Human ritual energy was represented, I believe, and the spirits of the underworld. The 5 on the deck represent Horus, and the goddess, and everyone in the world. The light of the torch is the Sacred Flame of Apollo carried by the Olympian goddess. 
When we see this image painted into the atmosphere we should consider the energy harvested from the human power cone as being channeled into the heavens from Purple Mountain's telescope and armillary sphere. The sky donut is a torus, the Silver Gate. In a flash, it was replaced by a momentary image of a starry seed-like object. A seed has been planted. The Tower of Babel gambit failed once, but the Memory Tower of Beijing's Olympic closing ceremony (seen in this image) and this impressive human cone sequence in Nanjing aren't for naught. 
