Part 47 - Rango - A Cubic Name Key to a Multi-dimensional Access Code

Expanding upon the “ice cube as hypercube” signaling in Rango with more exhibits, I'll begin this set by picking up where I left off in the previous post and building upon the account from Genesis 11.

1 Now the whole earth used the same language and the same words. 2 It came about as they journeyed east, that they found a plain in the land of Shinar and settled there. 3 They said to one another, “Come, let us make bricks and burn them thoroughly.” And they used brick for stone, and they used tar for mortar. 4 They said, “Come, let us build for ourselves a city, and a tower whose top will reach into heaven, and let us make for ourselves a name, otherwise we will be scattered abroad over the face of the whole earth.” 5 The LORD came down to see the city and the tower which the sons of men had built. 6 The LORD said, “Behold, they are one people, and they all have the same language. And this is what they began to do, and now nothing which they purpose to do will be impossible for them. 7 Come, let Us go down and there confuse their language, so that they will not understand one another’s speech.” 8 So the LORD scattered them abroad from there over the face of the whole earth; and they stopped building the city. 9 Therefore its name was called Babel, because there the LORD confused the language of the whole earth; and from there the LORD scattered them abroad over the face of the whole earth.

Genesis 11:1-9

Consider the attention given a name, speech and language. These are clues about the nature of what's going on. Verse 4 from the Young's Literal Translation is rendered as follows.

And they say, `Give help, let us build for ourselves a city and tower, and its head in the heavens, and make for ourselves a name, lest we be scattered over the face of all the earth.'

Genesis 11:4 YLT

“Let us...make for ourselves a name.” That effort wasn't just a bid for fame, it was going to yield the ability to do whatever they wanted. No kidding. Serious non-fiction. Get hold of that reality. The counter to that effort was to confuse the language, not to collapse their tower. This denied the workers the ability to make for themselves a name, an element that was somehow related to building of the city and the stargate of masonry.

We usually associate Babylon and Babel with confusion, mixture, and with what happened when the languages were confused. I believe it's right to do so, but the root of the word highlights the purpose.

“The last sentence suggests that the name Babel means "confusion" in the original Hebrew. But it doesn't, except in this sentence. It is simply the Hebrew name for the city of Babylon. Perhaps that was enough; Babylon must have had a noisy variety of languages in biblical times. In any case, Babel came to Hebrew from Akkadian, the chief language of Babylon. The Akkadian Bab-ilu means "gate of God" and is probably a translation from an earlier Sumerian term, Ka-dingir.”

Babel - Houghton Mifflin's International Word Origins

I doubt that one objective of the project in the plain of Shinar made sense without the others, which is to say that the city, (Cain first built cities) tower and name were all required to achieve their goal. They sought to exploit what has become known as sacred geometry and, it appears, the ability demonstrated in Genesis 1, apparently by acquiring for themselves something of a secret password or passcode.

Then God said, “Let there be light”; and there was light.

Genesis 1:3

Because the Lord God spoke into being what was not, creative acts may be interpreted, from one valid perspective, as work accomplished by directed non-EM wave energy. The first created was light, electromagnetic radiation.

The name the builders of the Tower of Babel sought for themselves wasn't “Atlantis” but something very special, I believe of a multi-dimensional nature, something beyond Abracadabra and Alakazam. Consider the following verses as I continue setting up for another revealing "cube" movie.

10 let it be known to all of you and to all the people of Israel, that by the name of Jesus Christ the Nazarene, whom you crucified, whom God raised from the dead—by this name this man stands here before you in good health. 11 He is the STONE WHICH WAS REJECTED by you, THE BUILDERS, but WHICH BECAME THE CHIEF CORNER stone. 12 And there is salvation in no one else; for there is no other name under heaven that has been given among men by which we must be saved.”

Acts 4:10-12

That's the valuable name. That's the valuable stone masonry project. He is the way, the door (John 10:7-9) and true gate of God, because no man comes to the Father but by Him.

“I am the Alpha and the Omega,” says the Lord God, “who is and who was and who is to come, the Almighty.”

Revelation 1:8

He is the first and last letter of the alphabet, implying the entire alphabet, the basis of every word and language itself.

1 In the beginning was the Word, and the Word was with God, and the Word was God. 2 He was in the beginning with God. 3 All things came into being through Him, and apart from Him nothing came into being that has come into being.

John 1:1-3

He who has an ear, let him hear what the Spirit says to the churches. To him who overcomes, to him I will give some of the hidden manna, and I will give him a white stone, and a new name written on the stone which no one knows but he who receives it.’

Revelation 2:17

There's a secret name, an important name given as a reward to one who overcomes. Such a name won't be stolen. This verse suggests a contrasting black stone, which, again, factors in to this complex signaling in Rango's “Hail Mary” scene. (Think, Black Stone in Kaaba cube)

11 And I saw heaven opened, and behold, a white horse, and He who sat on it is called Faithful and True, and in righteousness He judges and wages war. 12 His eyes are a flame of fire, and on His head are many diadems; and He has a name written on Him which no one knows except Himself. 13 He is clothed with a robe dipped in blood, and His name is called The Word of God.

Revelation 19:11-12

He has a secret name, like those He rewards with a white stone. No one is going to steal it or clone it. Here's how to get a name.

8 Being found in appearance as a man, He humbled Himself by becoming obedient to the point of death, even death on a cross. 9 For this reason also, God highly exalted Him, and bestowed on Him the name which is above every name, 10 so that at the name of Jesus EVERY KNEE WILL BOW, of those who are in heaven and on earth and under the earth, 11 and that every tongue will confess that Jesus Christ is Lord, to the glory of God the Father.

Philippians 2:8-11

And they sang a new song before the throne and before the four living creatures and the elders; and no one could learn the song except the one hundred and forty-four thousand who had been purchased from the earth.

Revelation 14:3

They will have an entire song no one else can learn.

So, finally; some claim there's a name that is a cube, mathematically, expressed numerically as it may be in reality geometrically. The name of the sovereign God, called the Schemhamphoras, was said to be pronounced only by the high priest on the Day of Atonement. This special name is composed of 216 letters, which is six cubed (6³).

Now, with all that as background, here's a movie to consider. It's simply titled, Pi In it, writer and director Darren Aronofsky (director of Black Swan and The Fountain) has the entire plot revolving around the 216 digit name, the cubic number 6*6*6. Like the movies presented in the previous post, this MacGuffin is the cube, just not represented as a physical object.

RAV COHEN: ...In the center of the great temple was the holy of holies which was the heart of Jewish life. This was the earthly residence for our God. The one God. It contained the ark of the Tabernacle which stored the original Ten Commandments that God gave to Moses. Only one man could enter this space once a year on the holiest day of the year, Yom Kippur On the Day of Atonement, all of Israel would descend upon Jerusalem to witness the High Cohen's trip into the holy of holies. If the holy man was pure he would reemerge a few moments later and Israel was secured a prosperous year. It meant that we were one year closer to the messianic age. Closer to the return of the Garden of Eden. But if he was impure, he would die instantly and it meant that we were doomed. The High Cohen had a single ritual to perform in the holy of holies. He had to intone a single word.
MAX: So?
RAV COHEN: That word was the true name of God.
MAX: Yeah...
RAV COHEN: The true name, which only the Cohanim knew, was two hundred and sixteen letters long.
MAX: You're telling me that the number in my head is the name of God!?
RAV COHEN: Yes...it's The key into the messianic age. As the Romans burned the temple, the Talmud says, the High Cohen walked into the flames. He took his secret to the top of the burning building. The heavens opened up and took the key from the priest's outstretched hand. We've been searching for the key ever since. And you may have found it. Now let us find out.

If this special cubic name was what the High Priest knew and uttered while accessing the presence of the Creator in the Holy of Holies cube, is this what the builders of the city and tower of Babel (gate of God) were after when they said, “Let us...make for ourselves a name”? Are the Holy of Holies and the Garden of Eden hypercubes with access denial systems leveraging a multi-dimensional encryption with cubic name keys? Was the plain of Shinar gambit a multi-dimensional passcode hack that had an implicit embedding in a stepped ziggurat architecture? They sought a name for themselves, but not the one like the white stone in Revelation 2:17. They, in contrast, intended to cheat the system and acquire a black stone name. They would have succeeded, but the Lord is Sovereign. You just can't beat Him!

These folks like Darren Aronofsky know things. They have to blab it, and the Lord shines a light on what's concealed to reveal what, when and where it pleases Him, to accomplish His purposes.

Here's a closely related observation, another “cubic” version of a name of God. The cube has 12 lines, 8 points, and 6 sides. These numbers sum to 26, the gematria of Yahweh, the tetragrammaton YHWH or yod heh vav heh.

Another cubic number is 27, 3*3*3 or 3 cubed. Three is the resurrection number. The number 27 is being signaled in connection with the 2012 London Olympics, and most particularly, with the 27 tonne bell being cast for hanging in the Olympic Stadium. I've been writing about that recently, and even in the context of a quantum entanglement in time and space with the Olympic Park. 2012 - 1948. London and Jerusalem. The Zion Olympics. It's all very intriguing.

The cubic number 216 factors to the resurrection number 3 times 72 (the mirror of 27), as some account the numbering of the names of God. (See The Names of God and Esoteric Hebrew Names of God) The Schemhamphoras is thus a 72 part name.

There is in Jewish tradition the belief that the ten commandments (Luchot ha-Berit) were written on a sapphire (crystal) cube or cubes.

If I remember correctly, in the movie Contact (previous post) the blueprints or schematics for the stargate device are only understood when the printout is folded into a cube.

There is an art movement known as cubism. In the previous post I noted the use of hypercube geometry by Salvadore Dali to represent the crucifixion scene. That featured a hypercube, but it wasn't done in the style of cubism. Cubism is the graphic representation of an object as seen in a moment of time from multiple angles, as multidimensional. This radical "mind expanding" visualization spawned interpretations in other media.

Cubism is a 20th century avant-garde art movement, pioneered by Pablo Picasso and Georges Braque, that revolutionized European painting and sculpture, and inspired related movements in music, literature and architecture. In cubist artworks, objects are broken up, analyzed, and re-assembled in an abstracted form—instead of depicting objects from one viewpoint, the artist depicts the subject from a multitude of viewpoints to represent the subject in a greater context. Often the surfaces intersect at seemingly random angles, removing a coherent sense of depth. The background and object planes interpenetrate one another to create the shallow ambiguous space, one of cubism's distinct characteristics.

Cubism - Wikipedia

Those familiar with esoteric geometries will want to give Metatron's Cube some consideration in this context.

All these things add up kind of like a noisy hologram. This cube thing - the devil's MacGuffin. All this explains why we see the cube in Rango's umbrella drink in that context.

Still more to follow on this theme, Lord willing.

Part 46 - Rango - Hyper-Kaaba, The Immortals and the Marvel Universe Cosmic Cube

Rango's umbrella drink's fascinating ice cube pictures a hypercube, a projection into our 3D plus time "plane" of existence of a higher dimensional space and activity. Shifting focus slightly from the crystal composition to the cube shape, what little attention is given it in Rango is more than compensated for when insight into what is meant by the cube is sought elsewhere. Thanks, Jonathan, for your efforts in this regard!

The Holy of holies is a cube, and the New Jerusalem is also a cube. There is a famous brick building in Mecca, Saudi Arabia known as the Kaaba (Qaaba), which means “cube.” It's considered the most sacred site in Islam. Within that granite cube set on a marble base is the Black Stone, the eastern cornerstone. According to Muslim tradition, the stone dates back to the time of Adam and Eve. It fell from heaven to earth, landing on a nearby hill. When Muslims pray, they face Mecca, and most specifically, the Black Stone inside the Qaaba.

“The Kaaba marked the location where the sacred world intersected with the profane, and the embedded Black Stone was a further symbol of this as an object that linked heaven and earth.”

Black Stone - History and tradition

Consider the language used more literally than figuratively. There's a trend where the cube represents a hypercube's intersection with our 3-space. By the way, I introduce the Black Stone here because it relates to Rango's floating terrarium gravel (coming up in the queue). Please note, this comparison of the Kaaba to the Holy of Holies is not to equate them in some way, but to call attention to it as an important example of how cubes imply higher dimensionality. The devil knows the way of hypercubes and leverages such in physical modeling, leveraging architecture and other media where the symbol may be exploited.

This animation of a Tesseract illustrates how a 4-space hypercube appears as constrained into reduced dimensions. This is also called an octahedral hypercube, which can be represented as Salvadore Dali chose to do in his famous Corpus Hypercubus, from 1954. Dali's symbolic interpretation of the crucifixion on the higher dimensional cross testifies of something happening in other unseen dimensions, in the heavenly realms, as intersecting with our 3-space plus time.

On the altar of Zeus, there is a frieze depicting scenes of battles between the ancient Titans and the gods of Mt. Olympus. Such a battle is reenacted in a movie being released on DVD called, Immortals. The Titans had been restrained inside the mountain of Tartarus inside a cube. The gods of Olympus were only permitted to engage on behalf of humans in the eventuality of the release of the Titans, which is to say that their release from the cube was a major plot element. They are released from the prison cube by a light arrow (phallic emblem) that was shot from a magical bow. A light arrow is directed EMR wave energy, used as something of a key to release ancient gods bound in the earth, contained within a cube. The binding of ancient gods in a cube illustrates the extradimensional nature of their containment.

The throne of Zeus that was formerly on the Acropolis in Pergamon is now in Berlin, restored. It's an ancient architectural artifact that is famously referenced as “Satan's throne” in Revelation 2:13. As I see it, a battle between Titans and gods of Olympus is a “good cop, bad cop” kind of dynamic. There are no "good guys" in the fight, even though the reasoning behind the release of the Titans was the destruction of the savior figure and those for whom he fought. That savior, Theseus, was a hybrid, son of Zeus.

A Tesseract cube is the “MacGuffin” or central plot device and “must have” object in Captain America: The First Avenger (2011 - Chris Evans, Hugo Weaving). The cube plays a larger role in the Marvel comic universe as the cosmic cube.

“The Cosmic Cubes are items that control matter and energy, answering to the will of the sentient beings that use them. They require practice to be used properly, but a skillful user can alter all reality to answer to its thought, granting anything they desire.
Most Cosmic Cubes are cube-shaped matrices. However, similar objects with different shapes are known as Cosmic Containment Units.
Sentient beings wanting to create a Cosmic Cube must generate a force field to open a rift to another dimension inhabited by the Beyonders, allowing the extra-dimensional energy to filter through the rift. When entering the Earth’s dimension, the energies can be held in a matrix, and the force itself would shape the matrix into a perfect cube. It would also provide the Cube with its almost-unlimited power.”

Cosmic Cube - Marvel - Wikia

Connect the dots. Comics, cartoons and animated features are very effective programming tools. Truth is wrapped in lies. When you know the Truth, the revealer of secrets, and he opens the plan to you, He filters the lies so you can discern more about the plan.

This image is of what's referred to as the all-important Cosmic Cube. This is the Marvel panel that closed out Comic-Con 2010. Notice that the cube is pictured like fire and ice, as Enoch described the sovereign God's throne room in chapter 14.

“Later on, I’ll give you my full impressions of the Marvel panel that closed out Comic-Con 2010, but for now I want to share something that had me geeking out:
Despite only being in production for a week Captain America: The First Avenger arrived with a complete scene, set in Norway in 1942. The Red Skull, before he becomes the Red Skull, smashes through the front of an ancient temple and sends his Nazi goons to a crypt looking for something he calls The Tesseract. They open up a sarcophagus and find a large, misty cube atop the corpse of a Crusader. But the Skull can’t be fooled, and he knows this is a fake, smashing it to the ground.
Instead, he finds a hidden compartment in a wall carving of Yggdrasil, the Norse Tree of Life. And within that is a box, the contents of which glow an unearthly blue.
I knew it was the Cosmic Cube, but after the panel I cornered Marvel Studios President Kevin Feige and got the confirmation. Yes, he told me, the Cosmic Cube is in Captain America: The First Avenger.
The Cosmic Cube is one of the strangest and most enduring aspects of Captain America’s mythology. A containment unit for vast extradimensional energies, the Cosmic Cube gives its wielder almost unlimited control over reality. The Red Skull has, time and again, tried to control the Cosmic Cube, and its limitless power has played into many, many classic Captain America stories – including The Winter Soldier arc, where it was revealed that Bucky, Cap’s long-thought-dead sidekick from WWII, was actually a brainwashed Soviet super assassin (yeah, it’s comics).
The introduction of the Cosmic Cube – and the fact that the film connects it to Asgard (in the Marvel Universe Cosmic Cubes have been created by many civilizations) – seem to set up unique and large scale possibilities for The Avengers and whatever comes after. The possibilities, when one has a Cosmic Cube, are endless. ”

The Cosmic Cube is in Captain America: First Avenger By Devin Faraci

“A containment unit for vast extradimensional energies, the Cosmic Cube gives its wielder almost unlimited control over reality,” we read. In the sixth verse of Genesis 11, the Lord God was assessing the situation when the Tower of Babel was under construction. He declared, “and now nothing which they purpose to do will be impossible for them.” The Red Skull-cosmic cube plot is a comic book version of the Nimrod-Tower of Babel scheme. I wrote about this in Part 43 with reference to the cube+water bow in the clouds formed while Rango fell to earth: “Is this evidence of something akin to what was later done to frustrate those in the plain of Shinar who would have acquired the ability to do whatever they purposed to do? They were going to accomplish that by leveraging a construct that had a bottom on the earth and a top in the heavens, like Bifröst bridging Midgard, the realm of man, and Asgard, the realm of the gods. This architectural stargate technology built by ancient masons is referred to as the tower of Babel, remember?” Did you note in Devin Faraci's blog that the Captain America film connects the tesseract cosmic cube to Asgard? Tesseract cosmic cube ~ Bifröst access. Are you connecting the dots? The Norse Tree of Life marked where the cube was found, in a box. The Osiris story, even referenced cryptically in Rango, has Osiris encased inside the tree in a box. Mythologies and such fiction as Rango and Captain America are rooted in reality. Truth is concealed and revealed thereby.

More to follow on the cube - Lord willing!

Part 45 - Rango - Hacking Crystal Hypercubes and Superman's Fortress of Solitude

Continuing from the previous post, symbols seen in the animated feature Rango while the chameleon falls to earth from the back of the family wagon are shared with Frequency, Contact and Phenomenon, which is, of itself, pretty substantial evidence of a conspiracy involving mass mind control programming.

Those who watch movies, TV, commercials and see ads and logos, art and architecture - right, all of us - are constantly subject to these things. “Sign and symbols rule the world, not words nor laws” Confucius said. Do you see how this works? Actually, words themselves are and may by exploited as symbols, and what we have come to label NLP exerts a powerful influence. Symbols project spells.

"To cast a spell is to project energy through a symbol." (Starhawk - from "The Spiral Dance" - a popular manual for witchcraft)

"A symbol can act in two ways. First, it can be used to focus and project your energy through it. Second, a symbol can function as a magnifier and transmitter of energy, even if you are not focusing attention on the symbol. Symbols do have a life force of their own. They are mini-transmitting stations for subtle energies that are infused in our reality. Each symbol interacts with your energy field, constantly generating a force field that strengthens you." (from the popular wiccan magic book "Sacred Space" - by Denise Linn)

You may have read these quotes before on these pages, but I repeat them again because it's important to stay mindful of the dynamic behind these things so cleverly woven into Rango and other media. The secrets of heaven are not only being concealed and revealed, they are being embedded in our minds according to design and constantly reinforced, directing thoughts and behaviors according to evil objectives. Movies, theatrical productions and music videos exploit powerful control mechanisms on high levels. Some of us need to be free of that control, becoming subject rather to the Lord Y'shua, in whom true freedom is.

Let's continue the investigation of the transdimensional technologies being concealed and revealed in Rango's “Hail Mary” sequence. The ice cubes from the umbrella drink were crystals, cubes of crystalline structure. I'm going to be focusing attention in this post on the crystals, and it will be noted how there's plenty of overlap in the signaling rainbow, cube shape and floating terrarium gravel.

Much has been made of crystals recently, with 13 crystal skulls purported to have supernatural powers being exhibited ritualistically across the country. The latest installment of the Indiana Jones film franchise featured the crystal skulls (Indiana Jones and the Kingdom of the Crystal Skull). The first Superman film featured special crystals in Superman's Arctic lair. Crystals have many interesting properties and applications. Crystals were used in the Ham radio technology, which I featured in the previous post.

“In the mid and late 1920s, amateur radio operators were experimenting in great numbers with crystal control of radio transmitters. At the time, most amateurs used home built transmitters made from a combination of purchased and home made parts. The use of quartz crystals by amateurs predated the first U.S. commercial broadcast station to use crystal control. Amateur radio operators were the first sizable commercial market for crystals. Many of the crystal companies of the 1920s and 1930s were founded by amateur radio operators to supply other amateurs.”

The Influence of Amateur Radio on the Development of the Commercial Market for Quartz Piezoelectric Resonators in the United States

The crystal of Ham and marine radio and other related EMR technologies for the transmission of non-EM wave audio appears to be a key element, literally, in the revealing of the Beast, implementation of the mark of the beast, Nephilim containment systems; dimensional access control technologies. The crystal is about border control for the realm. I believe this is because the borders themselves are crystalline. Consider what the Bible says about the throne of God (Ezekiel 1:22, Revelation 4:6) and the New Jerusalem (Revelation 21:11).

Here's a description of the throne of the Lord from the book of Enoch.

8. And the vision was shown to me thus: Behold, in the vision clouds invited me and a mist summoned me, and the course of the stars and the lightnings sped and hastened me, and the winds in the vision caused me to fly and lifted me upward, and bore me into heaven. 9. And I went in till I drew nigh to a wall which is built of crystals and surrounded by tongues of fire: and it began to affright me. And I went into the tongues of fire and drew nigh to a large house which was built of crystals: and the walls of the house were like a tesselated floor (made) of crystals, and its groundwork was of crystal. 11. Its ceiling was like the path of the stars and the lightnings, and between them were fiery cherubim, and their heaven was (clear as) water. 12. A flaming fire surrounded the walls, and its portals blazed with fire. 13. And I entered into that house, and it was hot as fire and cold as ice: there were no delights of life therein: fear covered me, and trembling got hold upon me. 14. And as I quaked and trembled, I fell upon my face.

Enoch 14:8-14 (R.H. Charles)

The throne room had a model on Earth, the Holy of Holies. The tabernacle and Temple were built after the pattern of things in heaven.

4) Now if He [Y'shua] were on earth, He would not be a priest at all, since there are those who offer the gifts according to the Law; 5) who serve a copy and shadow of the heavenly things, just as Moses was warned by God when he was about to erect the tabernacle; for, “SEE,” He says, “THAT YOU MAKE all things ACCORDING TO THE PATTERN WHICH WAS SHOWN YOU ON THE MOUNTAIN.”

Hebrews 8:4-5

The holy of Holies, where the presence of God was established on earth, was a cube. If you relate the heavenly and earthly, the dwelling place of the Lord God resembles an ice cube. Using more precise language, the heavenly throne room with an earthly cube of contact is a hypercube, a crystalline hypercube. In four dimensions we call such a form a tesseract, but the reality of this holy construct is likely beyond four dimensions.

A crystal throne like unto the Most Holy Place is pictured in Rango, and in the Superman movie I mentioned earlier. These portrayals attest to genuine legitimate realities.

You realize the IOC (Olympics) servants of Zeus understand these things and constantly signal them, right? On the site, “Totally Looks Like,” users publish A-B comparisons of a thing in one context that looks like something in another context. Consider this comparison from Vancouver Olympic Torch Totally Looks Like Fortress of Solitude. What's pictured is the Olympic Cauldron from 2010 Winter Olympics in Vancouver. (See here for analysis of occult symbols: Series Links: Vancouver Olympics - Winter 2010) The fire and ice is what characterizes the throne room described in Enoch 14 above, right? The devils who inspire such as that certainly know about such things. Superman's Fortress of Solitude is a matching characterization.

“Eighteen years later, after the death of Jonathan, Clark hears a psychic "call", discovering a glowing green crystal in the ship. It compels him to travel to the Arctic, where the crystal builds the Fortress of Solitude, resembling the architecture of Krypton. Inside, a vision of Jor-El explains Clark's origins, educating him in powers and responsibilities.”

Superman (film)

I've written plenty on the blog about Superman as another antichrist beast identity, son of the serpent, Apollo, Horus and Thor. The name of Superman's father is Jor-El. El is one of the Hebrew names of God. The fictional Fortress of Solitude may be compared and contrasted with the Holy of Holies. Superman's is made by a magical crystal and is filled with magical crystals. This Fortress of Solitude page states that the fortress is a tesseract sphere. It's higher dimensional, modeling his ancestral home in the heavens, in the time before he fell to earth. The crystal place is where he goes to commune with his father. Its location in the Arctic alludes to the sides of the North, which we read about in Ezekiel 28. Note that many of the gemstones are crystals, and the gold is crystalline too (a face-centered cubic crystal).

11) Again the word of the LORD came to me saying, 12) “Son of man, take up a lamentation over the king of Tyre and say to him, ‘Thus says the Lord GOD, “You had the seal of perfection, full of wisdom and perfect in beauty. 13) “You were in Eden, the garden of God; Every precious stone was your covering: the ruby, the topaz and the diamond; the beryl, the onyx and the jasper; the lapis lazuli, the turquoise and the emerald; and the gold, the workmanship of your settings and sockets, was in you. On the day that you were created they were prepared. 14) “You were the anointed cherub who covers, and I placed you there. You were on the holy mountain of God; you walked in the midst of the stones of fire. 15) “You were blameless in your ways from the day you were created until unrighteousness was found in you. 16) “By the abundance of your trade you were internally filled with violence, and you sinned; Therefore I have cast you as profane from the mountain of God. And I have destroyed you, O covering cherub, from the midst of the stones of fire. 17) “Your heart was lifted up because of your beauty; You corrupted your wisdom by reason of your splendor. I cast you to the ground; I put you before kings, that they may see you. 18) “By the multitude of your iniquities, in the unrighteousness of your trade you profaned your sanctuaries. Therefore I have brought fire from the midst of you; It has consumed you, and I have turned you to ashes on the earth in the eyes of all who see you.

Ezekiel 28:11-18

12) “How you have fallen from heaven, O star of the morning, son of the dawn! You have been cut down to the earth, you who have weakened the nations! 13) “But you said in your heart, ‘I will ascend to heaven; I will raise my throne above the stars of God, And I will sit on the mount of assembly in the recesses of the north. 14) ‘I will ascend above the heights of the clouds; I will make myself like the Most High.’ 15) “Nevertheless you will be thrust down to Sheol, to the recesses of the pit.

Isaiah 14:12-15

This passage gives insight into Superman's Fortress of Solitude, on earth (in a tesseract in the Arctic - in the recesses of the north) yet quantum entangled with such an abode. That realm of the Garden of Eden resembles yet is not the sovereign Creator's Holy throne room, lesser dimensioned, I expect. What kind of effect do you suppose the IOC was going for when they had the fire and ice crystal cauldron built inside their stadium? With ritual magick, did they build a cursed sanctuary, quantum entangled as a manifesting hell on earth? I wouldn't bet against it.

Those passages also describe the Hail Mary scene in Rango, when the chameleon was cast down or fallen to the earth. He had been put before a king, because the dead bug was the father of the princess. Just before the umbrella turned to ashes, the chameleon had two skins turned to ashes, as consumed by fire. He had landed on the ground to slide on a piece of the terrarium across the pavement, a street covered with glass. Here's a description of the New Jerusalem.

18) The material of the wall was jasper; and the city was pure gold, like clear glass. 19) The foundation stones of the city wall were adorned with every kind of precious stone. The first foundation stone was jasper; the second, sapphire; the third, chalcedony; the fourth, emerald; 20) the fifth, sardonyx; the sixth, sardius; the seventh, chrysolite; the eighth, beryl; the ninth, topaz; the tenth, chrysoprase; the eleventh, jacinth; the twelfth, amethyst. 21) And the twelve gates were twelve pearls; each one of the gates was a single pearl. And the street of the city was pure gold, like transparent glass.

Revelation 21:18-21

Rango's terrarium had been a glass cubicle, his domicile and conveyance above the earth, within which he had his ice cubes, which made a bow in the clouds as he fell. The rainbow was a feature John observed and gave testimony about when he was taken to see the throne.

1) After these things I looked, and behold, a door standing open in heaven, and the first voice which I had heard, like the sound of a trumpet speaking with me, said, “Come up here, and I will show you what must take place after these things.” 2) Immediately I was in the Spirit; and behold, a throne was standing in heaven, and One sitting on the throne. 3) And He who was sitting was like a jasper stone and a sardius in appearance; and there was a rainbow around the throne, like an emerald in appearance.

Revelation 4:1-3

The glass, the crystal, the bow in the clouds, the falling to earth, multidimensional quantum entanglements and hypercube; these elements of such as Rango and Superman appear not merely to entertain us and direct funds from our accounts to somebody elses. These things engage us more fully, our emotions, hearts, minds and souls, captivating even with a supernaturalism that has been at work from ancient times. Very real links have been and are being established between then and now, there and here, through the very means I've been describing. There is magick at work. Call it antichrist delusion, strong delusion. Look around you and see it as you interact with your world today. Ask the Lord Y'shua what He would have you to do in response to this revelation insight, which comes with great favor - and an attendant degree of accountability.

Finally, why are the two dishes in the chameleon's umbrella drink glass pointing at the crystal cube? Is this picturing a hacker style attack on the crystal faces of hypercube habitats? Is there now or will there come the targeted projection of phased wave energies tuned to the resonant frequency and harmonics of such crystalline structures, the rainbow hack I proposed earlier? Is this one of the agendas behind projects like CERN's LHC, where honor is given to the god of destruction and recreation, Shiva? Is the achievement of such a scheme what the genetic reverse-engineering of the ancient giants towards the creation of a higher-dimensionally operational strike force intends to exploit when war on God ensues in the campaign of Armageddon? I think, probably. Rango has a lot to say and it's not just empty yakkin'.

Blessings and Shabbat Shalom!

Part 44 - Rango - A Transdimensional Technology Primer

What I wrote in Part 43 was based on my observation of more than just what I see in Rango's Ave Maria sequence, but this exhibit of Rango is an excellent vehicle for bringing these things into the light. The technological bridging construct through which the ancient gods are reintroduced into our domain seems to have two primary facets. One is the means of reentry for those bound in the earth at the time of the flood of Noah's day, who received a sentence for a set season, seventy generations, and whose containment involves an implicit time lock. I believe there's another element of this bridging facet that intends to breech the barrier established by the angelic sentries barring access to the Tree of Life in the Garden of Eden, a flaming sword hack, if you will.

So He drove the man out; and at the east of the garden of Eden He stationed the cherubim and the flaming sword which turned every direction to guard the way to the tree of life.

Genesis 3:24

“Every direction” requires activity in more than 3 spatial dimensions plus time.

I believe the other primary facet of the dimensional bridging involves DNA, the means of ascending man to a divine nature. This transhuman genetic merger with the gods will be the extension of the disembodied ancients into reformatted host bodies, earth suit “avatars.” This is the Cain gambit and the persisting objective of the mating of the sons of god with the daughters of men. It is what's soon to manifest in the coming Beast and then the mark of the Beast, the operational objective of a complete substitution of the Serpent's for Yahweh's heritage Tree.

The most significant engagement towards the conclusion of that substitution ploy, where the serpent aims to sit as numero uno at the top of the heap, is suggested in Rango as the hero chameleon is being propelled into conflict, picturing the beast of Revelation 19.

And I saw the beast, and the kings of the earth, and their armies, gathered together to make war against him that sat on the horse, and against his army.

Revelation 19:19

I expect to present the symbolic role of the chameleon's terrarium gravel rising as serpent DNA shortly, but as a preliminary, I want to expand on the dimensional bridge theme with brief references to some other movies.

Quoting from the previous post, “What I think we're carefully "not being told" is that there is a device like a crystal radio that will be used to bridge the heaven and earth.” The plot of the movie Frequency (2000 - Dennis Quaid, Jim Caviezel) featured an old ham radio as the device used to bridge time. Ham or “amateur radio” is still associated in most people's minds with early radio technology. A special feature appears on the Frequency DVD explaining the science behind the plot device. If it was entirely fanciful, why did they bother doing that? At the very least, this signals that the matter is important to them. What transcended time in the movie was the vocal or audio communication between a father and son. Father-son - there's the DNA link. Like what was suggested by Rango's two dishes, Frequency's plot device involved a combination of non-EM and EMR, the transmission of non-EM audio waves via EMR means. The father and son were 30 years apart in time, but in the same place, using the same radio, so it was specifically the time dimension that was spanned. Another EMR phenomenon provided the unique setting for this transdimensional "miracle," some highly unusual solar activity and the related rainbow-like aurora borealis, northern lights. The powerful electromagnetic radiation is noted for having dramatic impact on short-wave radio transmission and other kinds of electronic circuitry behaviors.

Between Rango and Frequency and the annual Yom Kippur experience, there's plenty of dots to connect to draw a picture. That picture looks like the opening and closing of dimensional portals via the physics of wave energy exploited by technological devices.

The movie Contact (1997 - Jodie Foster, Matthew McConaughey) has many similar dots to connect. As the title suggests, contact with extraterrestrial intelligence is what the movie is about. The movie was closely involved with the novel by Carl Sagan, astronomer, astrophysicist, cosmologist and famous promoter of science, so you have to know the science of the film was very important. Ham radio use is featured but, unlike Frequency, it's not the device that facilitates dimensional transport. Perhaps the most key dialog takes place between the woman and her father, actually an alien impersonation of her father. There's something of a familial DNA link, like with Frequency, right? This one really smacks of the avatar gambit! Radio technology was the means by which contact was established, pictured in this promotional poster with an array of radio dish antennas, like the dishes pointing to the crystal cube in Rango's umbrella drink glass. Jodie Foster's character is pictured wearing headphones, listening to the non-EM audio waves produced by the EMR wave tech.

The film's dimensional portal was opened by a device reminiscent of Ezekiel 1's description of the wheel within a wheel throne conveyance. It seemed to leverage a combination of electrogravitic and other technologies to traverse a wormhole. During the transdimensional journey, an apparent 18 hour gap was created, the differential of how much time passed for the traveler relative to the observer's perspective on earth. Eighteen is a number that signals the mark of the beast.
1+8=9
18=6+6+6
This beast allusion connects as the throne vehicle with its occupant fell to earth. That's how it worked, the thing had to be dropped so that it fell to earth. On its way, the 18 hour transdimensional journey to the alien manifesting in her father's body took place. Remember, the context here is Rango-Thor's falling to earth while displaying the crystal cube bow in the clouds!

I made an interesting observation about the adopted name for amateur radio, Ham. My dad was a Ham operator, and my grandfather too, who even had one in his cars. I can still hear my Dad calling, this is WA2SCT3... I probably asked him how come they call it “ham.” I'm still looking for an answer. Researching the origins of this term suggests that it's a pejorative.

“One reason for the slow adoption was related to the word's origin, as one of many insults employed by landline telegraph operators at the time in referring to a poor operator. ("Ham" was also already in more general use as a slang word meaning "incompetent", most commonly in the phrase "ham actor".)”

Etymology of ham radio - Wikipedia

I cannot find any record of why badly overacting performers might have been called hams, but could this be a reference to Ham, son of Noah? He certainly acted badly, siring Canaan with his mother. Canaan was cursed by Noah and that resulted in defiled races of men reappearing on the earth. Consider Ham radio in light of Ham having been the agent of introducing the Canaanites into the world, the thorn and thistle seed of the father of Cain. Yeah. Stranger than fiction.

According to this “amateur radio in the movies” thread, “The 2 most ACCURATE and honest portrayals of Ham Radio in movies are CONTACT with Jodie Foster; and PHENOMENON with John Travolta (Forrest Whitaker was the Ham). They had real rigs not highly modified like in FREQUENCY, and used proper operating techniques.”

Phenomenon (1996 - John Travolta) featured a man who was transformed. The IMDB blurb reads, “ An ordinary man sees a bright light descend from the sky, and discovers he now has super-intelligence and telekinesis.” The radio tech wasn't the mechanism triggering a dimensional breech, yet there are dots to connect. Angels descending to earth have been described as lights, stars. John's character was endowed with supernatural abilities, which is suggested as coming from another dimension.

We might add others with similar plots that use marine band radios, and I must give mention to one: Threshold, the TV series from 2005. I wrote a series on this blog about it. The marine radio was used on the ship where the alien signal was introduced, and a video camera. The DNA transforming signal was produced by a radiating multidimensional star hovering near the ship. The signal contained video and audio components (again, both non-EM and EMR), and the transformative influence was captured on video and able to be retransmitted by playing back the recording, even the audio alone, the non-EM component that was transmitted through EMR tech.

Rango is one of many signaling movies that conceal and reveal something of the technology behind angelic transport, time-gravity manipulation, stargates, DNA transformation, etc. You may recall an earlier post in this series, Part 21 - Rango - Time Travel, a Transdimensional Vehicle and DNA Portal. There's a reason why this is being flagged for our attention. Some of us need to know.

E.T. Phone Home.

Who is Cain's Father? The Kindle version is now available

Is Adam really Cain's Father? You may understand the Bible to say Adam and Eve had sex and Cain was born of that union. That's an assumption this book will challenge. The days of the coming of the Son of man are compared to the days of Noah in Matthew 24. Without the foundation of knowing what really happened in the Garden, what happened in Noah's day with the Watchers has no precedent. When you see the continuity of what began in the Garden with the Cain gambit repeating in the Nephilim (and GM plant and animal) scourge, then repeating again through the line of Ham, what we see today makes all kinds of sense.

Parents have famously explained sexual reproduction to young children as "the birds and the bees." Another classic is the "brought by a stork" explanation for where babies come from. The Bible story about Adam and Eve being tricked by a snake into eating an apple from a tree compares to those classics. For the mature, these versions are inadequate. It's time for the grown-up version, the truth.

You can get it here: Who is Cain's Father? [Kindle Edition]

If you don't have a Kindle you can read it in your browser or on your smartphone. Just download a free Kindle reader app.

Part 43 - Rango - Crystal Cubes and Rainbows

“What our story needs is an ironic unexpected event that will propel the hero into conflict,” the hero had said, setting up for his dramatic transition. I just showed how the literal propulsion of the hero occurred by providential means. The hero had called upon the ancient gods for help and they showed up in short order. The illustrated means or mechanism of this propulsion suggests our hero playing the role of Thor. That's the identity connected with the transport mechanism as we look beyond the car bumping over the armadillo to see the bow formed in the clouds, the rainbow. The water from Rango's umbrella drink arches out of the glass to form a distinct bow in the clouds, complete with ice crystals, presented even from both angles to ensure we don't miss the bridging feature.

13) I set My bow in the cloud, and it shall be for a sign of a covenant between Me and the earth.
14) It shall come about, when I bring a cloud over the earth, that the bow will be seen in the cloud,

Genesis 9:13-14

The chameleon is pictured with a bow in the clouds as he falls to Earth. Hello Bifröst! I'll return to Genesis shortly, but let's focus our attention first on the rainbow as a transport mechanism. There's a legitimate “science” here.

If you follow this blog you know the rainbow is a popular theme. It's frequently signaling a dimensional portal, the mecillah or kingdom viaduct that bridges heaven and earth. By other names it's a stargate, wormhole and even a gate of hell, a door to the underworld, the rainbow bridge or Bifröst. Bifröst, in Norse "mythology," spans Midgard, the realm of man, and Asgard, the realm of the gods. It's the only bridge between here and there.

Thor Odinson (or son of Odin) is another alias for the ancient god and coming Beast akin to Apollo and Horus, the character played by the Johnny Depp voiced chameleon in so many others of Rango's symbolic scenes.

The comic book image is from “The Mighty Thor” Marvel Comic, drawn by Jack Kirby.

After falling to earth, a Rango mythology is created about the chameleon-god in the Gascan Saloon, where this stranger spins a yarn about coming from the far west, eating men and killing all seven Jenkins brothers with one bullet. He's a god. How did he get here? The bow in the clouds, the Bifröst or mecillah dimensional bridge. Why has he come? He was propelled into conflict, which manifests in part as the waging of war - the campaign of Armageddon after he assembles his army. The conflict is also the necessary friction generating the fire of the furnace for the refinement of God's people.

When the scene of the hero being propelled begins the slo-mo effect, the first thing we're shown is the chameleon's umbrella drink glass. Rising out of the glass is an ice cube, a crystal cube! The contents becomes the watery bow with ice crystals in the clouds. As you see it in this still, the crystal cube has a splash of water forming a dish shape like an antenna around the crystal. The umbrella in the class also resembles an antenna dish. Given that crystals are used for tuning in radios and crystals act as prisms for the manipulation of light spectral frequencies, both dishes aimed at the crystal suggests there's a wave energy technology and a transmitter device that facilitates the transport. Beam me down, Scotty!

During the NLP-rich segue to the scene we hear, “The hero can not exist in a vacuum.” Early crystal radio technology featured vacuum tubes. Vacuum is also an allusion to the physics of electromagnetic wave propagation. In the medium of a vacuum, a special case exists where the phase velocity equals the speed of light exactly. What I think we're carefully "not being told" is that there is a device like a crystal radio that will be used to bridge the heaven and earth. This might sound fringe, like even beyond the boundary of sanity for me to think that, but there's more substance here than you might think. There is a biblical basis plus other movies signaling this same message.

Wave energy of the electromagnetic radiation kind is referenced and also that of the non-electromagnetic kind, sound. Sound requires air pressure and cannot travel in a vacuum. “The hero can not exist in a vacuum.” Meaning? Both EM and non-EM is apparently required in this stargate technology, light and sound. Consider the light and sound interplay in the following biblical text, describing special access to a cube where man interacts with God.

31) “You shall make the robe of the ephod all of blue. 32) There shall be an opening at its top in the middle of it; around its opening there shall be a binding of woven work, like the opening of a coat of mail, so that it will not be torn. 33) You shall make on its hem pomegranates of blue and purple and scarlet material, all around on its hem, and bells of gold between them all around: 34) a golden bell and a pomegranate, a golden bell and a pomegranate, all around on the hem of the robe. 35) It shall be on Aaron when he ministers; and its tinkling shall be heard when he enters and leaves the holy place before the LORD, so that he will not die.

Exodus 28:31-35

The bells alternate with pomegranates. The root word for pomegranates in the Hebrew is ramam, which means “1) to be exalted, be lifted up a) (Qal) to be exalted b) (Niphal) to lift oneself” There is an ascension and elevation from one realm to another. The pomegranates that were positioned between the golden bells have specified colors. Colors describe bands of visual EM radiation. The bells are a tuned non-EM wave energy device. The High Priest's Ephod had a grid of gems - crystals. The robe of the ephod was all blue. Think about this in terms of the physics of wave energy transmission and spectral analysis. What Rango's cryptic “falling to earth” scene is telling us is how fallen angel tech is exploiting the secrets of heaven.

The bells tinkled, but the sound must have been more than just noise because they were made as directed by the Lord God for this purpose and probably tuned.

“The bell is more complex acoustically than any other vibrating body intended for musical purposes, and its manufacture presents a formidable challenge. ” (Chapter 5: The Acoustics of Bells)

“The main partials (frequencies of specific pitches) of a well-tuned bell consist of a fundamental (prime), a minor third (tierce), a fifth (quint), an octave (nominal), and a hum tone an octave below the fundamental.” (Chapter 4: The Musical Bell)

The Holy of Holies was a cube, and it was the place where the Lord God had made an annual appointment to meet with a man. Rango's crystal cube had two dishes aimed at it. One EM and one non-EM? The only furnishing inside the Holy of Holies was the ark of the Covenant. It's been described by some as a technological device that may function as a battery and as a transmitter and receiver. I'm not explaining anything spiritual away as just some high tech collection of gizmos, but you have to know the laws of physics are not imaginary. This is the framework of our existance. I believe managed EM and non-EM wave energy harmonics can cause resonant structures to change their vibrations and thereby cross dimensional boundaries. I suspect some of what's being done with cloud seeding and chemtrails and HAARP is towards this end, essentially a detuning off the favorable Yahweh Tree mapping onto one favorable to the Serpent Tree mapping. Which brings us back to Genesis.

The bow in the clouds mentioned in the 9th chapter of Genesis was a new thing. There was no rainbow before that. The physics of the planet changed. Why, just so we could have a sign, or was there more to it? Looking at the context to find some answers for what's really going on, you have to consider the flood of Noah's day, the reason why the sign of the bow was given. The flood was brought upon the earth due to the activity of the angels who fell to earth. There's a key connection, as the bow in the clouds accompanied the chameleon's fall to earth.

So what are we onto here? Is the rainbow a manifestation of the physics of a locked down condition, a jamming signal barring angels from doing what the 200 watchers had done? Is this evidence of something akin to what was later done to frustrate those in the plain of Shinar who would have aquired the ability to do whatever they purposed to do? They were going to accomplish that by leveraging a construct that had a bottom on the earth and a top in the heavens, like Bifröst bridging Midgard, the realm of man, and Asgard, the realm of the gods. This architectural stargate technology built by ancient masons is referred to as the tower of Babel, remember? Is the devil once again hacking the code behind the rainbow physics to neutralize the spectral jammer, engineering the key to the changed lock to exploit the existing dimensional gateway technology? I suggest, yes. I think there's more to it that just that, but that's a partial answer.

There is definite crossover here with the London 2012 Olympic series with this rainbow and bell gateway tech topic. I'll bet you noticed!

More coming, Lord willing, because there's plenty more here!

What's on my Heart Today

It was brought to my attention yesterday that The Watchman's Cry forum has been retired. I commend Nathan Leal for making that move. The issue on my heart today is related to his reasoning for closing the forum, pertaining to the comments that are fielded on this blog and emails I receive. If you read The Open Scroll it has probably come to your mind at some point that I really don't much care who I offend except for the Lord. This is not just me with a cavalier attitude. I've been humbled over and over again, enough times to realize the Lord who humbles me is the only one whose opinion of me really matters. His judgment is righteous and it stands and will stand. Kindness and gentleness and mercy are wonderful but sometimes a wider range of interaction is required in ministering. Some of you won't like what I will write, and so be it - it's not written to please men. I do a lot of teaching here, but this is a time for preaching hard words of correction.

My soul yearns for you in the night; in the morning my spirit longs for you. When your judgments come upon the earth, the people of the world learn righteousness.

Isaiah 26:9

That verse sums up what's going on. The hour is late. Now is when it really matters to get things right, to get our act together, personally. What everybody around us does or doesn't do must not be what drives us. A small number are going to be found worthy of the Lord and included in a precious company known as His Bride. It's that small number I'm here for, and through them, those she is here for. It's through the Bride that a great work gets done, but the focus is now on the Bride.

Most will continue to dismiss whatever I say about matters of propriety in the church and the exercise of proper behavior amongst the saints. This is as it must be. Yet, the Lord will have a people, and I am continually encouraged that this work the Lord has engaged me in, along with a few others, is one that will ultimately bear much fruit. So, for those who will hear it, here's another plea, another call to wake up and to come out from Mystery Babylon, to repent of rebellious ways and separate from those who will not repent.

Some hard tests have been administered over the past year and a half, mostly dealing with gender roles, friend and family relationships. Some of you can attest to this, having passed. Those of you who have failed will not likely have a clue about it, unless the Lord grants you extraordinary favor. The few of you whom the Lord is qualifying and preparing still will hear what I'm going to tell you. Some who read may want to respond by being cheerleaders on the comments in response to this post. If you're so tempted, don't do it. It won't be published. What will prompt you to want to cheer lead should be looked at real hard. If you are truly motivated, pray and settle in on what the Lord has for you.

What I wrote last year in the Jezebel vs. Sarah series of posts was important. Many who read and failed to respond appropriately have missed out. This means, forfeit. No joke. Because The Lord gave me to write this now, I know some have an opportunity before them still. Seize it, my friend. Whether or not you've read what I've written over the years, the spirit of the Lord has been bearing witness to His people about repenting of lawless attitude and behavior. Rebellion in our hearts will not qualify us for promotion in Him. Here's how it works. We humble ourselves, and He exalts us. What he dictates is what we must abide. It's pretty simple.

46) Why do you call Me, ‘Lord, Lord,’ and do not do what I say?
47) Everyone who comes to Me and hears My words and acts on them, I will show you whom he is like:
48) he is like a man building a house, who dug deep and laid a foundation on the rock; and when a flood occurred, the torrent burst against that house and could not shake it, because it had been well built.
49) But the one who has heard and has not acted accordingly, is like a man who built a house on the ground without any foundation; and the torrent burst against it and immediately it collapsed, and the ruin of that house was great.

Luke 6:46-49

What He says about gender roles, whether we understand anything about why or why not, we must accept. I have compassion for men and women, being painfully aware of how few of us have had the truth taught about propriety or having it rightly modeled to us. This compassion, you have to know; it cannot be my fleshy version that seeks to compromise what's right because I have an evil heart. It has to be the Lord's compassion, imparted to me by grace. Then, when instruction is given, the wise give heed. To the rest of you, yes, reading here right now, it's like the proverbial beating of a dead horse when I bring forth another word of instruction in righteousness.

I teach on this platform the Lord has provided about signs and symbols as our provision for the opening of the ears and eyes, which is really about character and humility. I teach and sometimes prophesy on the theme of signs and seasons, which is also about character and humility. I teach and preach about propriety because this is an honest expression of how humility is manifested, the obedience that testifies of genuine love. Genuine love is what He's looking for. It's due Him, and He's worthy.

My buddy Aaron Hermann and I have been engaging very closely together in trials and tests for well over a year now. Unless we were continuing to faithfully abide in the Lord's direction about gender propriety, we would not be where we are today, doing what we do. The hearing ear depends upon being willing to get with the Lord's program, doing according to what's heard. The gender role propriety, the willingness to “hate” father, mother, sister, brother... summing it up - NO IDOLS. There's no game on here. This is not about money or popularity. If I've earned your respect here you should know I'm telling you straight.

So, propriety in the church: Let me get down to brass tacks.

First, ladies: The majority of you shouldn't even be here. Let me explain why, and I really want you (and the men reading, too, for what this implies) to give this some hard thought. Most are here now because you are not content with the Lord's provision. You've been tricked into acting on your own behalf instead of accepting the Lord's provision. The Lord's direction here isn't given to frustrate or quench your desire to learn. He just has something way better in mind than to leave you to take care of yourself.

34) The women are to keep silent in the churches; for they are not permitted to speak, but are to subject themselves, just as the Law also says.
35) If they desire to learn anything, let them ask their own husbands at home; for it is improper for a woman to speak in church.

1 Corinthians 14:34-35

It is written: “If they desire to learn anything, let them ask their own husbands at home” More accurately, “husbands” should be translated “man.” It may be a father, brother, uncle or another who accepts the responsibility. If you don't like it, fine. I don't either. My stinking flesh rebels at everything good. Your's does too. But this is the Lord's provision! There's nothing written that contradicts that. I've written about this before. I'm not going to get into the long version about why. Submit to the Lord and accept His provision and He'll probably teach you Himself and maybe even through your man at home. If you think you'll really get the reason out of Him when you haven't submitted, well, good luck with that; your pride makes you easy prey for the father of lies.

If you, as a woman, want to kick The Open Scroll to the curb and scurry over to site A, B and C-Z... and book ... and church meeting... and get your fill, you might feel justified in doing so, but you'll forfeit whatever is offered to you right now, where the price tag involves actual humility. The pay-off, if you don't forfeit, will be beyond imagination, and I'm well assured of that. Recognize a promise when the Lord makes one, and take Him up on it. If He has narrowed the path down to reliance and dependence on your man, there's an implicit promise in that. Sarah, Abraham's wife, understood.

Ladies, yes, this does mean I will not be answering your questions about the Bible. You can thank me, share some testimony (without teaching), ask about other things, but don't expect any in-depth spiritual counseling or Bible answers. I do not want to put myself between the Lord and His provision for you through your man. If I'm not your man at home, don't ask me for explanations. I want no more part of subverting the Lord's plan where, in my arrogance, I ignorantly deprive others of His intended blessing. That temptation to "do evil so good may come" is something I've pretty much outgrown. The Lord's provision is better then mine. My ways are not above His.

Some women contact me without questions or teaching, instruction, manipulative agendas, etc. I encourage that. I have a few dear sisters in the Lord. Many women possess insight and wisdom and knowledge beyond many men, and I rejoice in that, as with men. Yet, it must be declared that men and women both who think to cheat their way into the Bride company without paying the “gender propriety dues,” submitting even that idol, I'm here to tell you, don't bet on it. If submission is required of me, isn't it required of you? Lawlessness is sin and there will be a forfeit of reward for what amounts to cheating, basically. On a test, should you pass if you cheat, even if you get all the answers right? It's not the Lord's way to promote cheaters.

Men, I'm addressing you second only because you're certainly welcome to be here. Yet, many of you reading here are responsible for the rebellious behavior of the women through your own rebellious behavior. The man is the head of the woman, the gender with authority and attendant accountability. With few exceptions among all who come to read here, you're sponsoring the impropriety, passively or actively. Do you give or permit women a platform, a voice to speak in “church,” in mixed gender assembly (where saints assemble to do what saints are inspired to do when they assemble), through the posting of comments or the posting to a forum? Do you participate with others who do? How about locally, in gatherings at home, restaurant, church... Hey, what excuse are you going to offer when the Lord calls you on it?

11) A woman must quietly receive instruction with entire submissiveness.
12) But I do not allow a woman to teach or exercise authority over a man, but to remain quiet.

1 Peter 2:11-12

Woman who are not disobediently engaging in lawless behavior do not speak in church and they do not teach or exercise authority over a man in any context. It's not my word. I'm not that smart or wise or good. Other passages present what the women should be doing, and I've addressed that already. It's implied in the revelation of what women should not do what it is that men should not permit. We are to follow Paul's example. It's the Lord's business to command and ours to obey.

This is no rant. No less consideration has been given this post compared to others. Whether I write about the Olympics, Madonna and MDNA, Rango, signs of judgment on the church or the impending war with Iran with severe consequences for America, it's all the same to me. I'm at my assigned post, dealing with whatever the Boss puts in my inbox. I have no personal stake in this, no affiliations or associations. I have no reputation to protect. I'm not going to defend Steve Quayle for promoting Ann Graham Lotz, or Rob Skiba for Sharon Gilbert, or Tom Horn for Sue Bradley, or Joseph Herrin for Glynda Lomax, or Zen Garcia for Joye Pugh....

But I do not allow a woman to teach or exercise authority over a man, but to remain quiet.

1 Peter 2:12

If they desire to learn anything, let them ask their own husbands at home; for it is improper for a woman to speak in church.

1 Corinthians 14:35

You might think I won't have a friend in the world if I keep this up. I will agree that I won't have a worldly friend - and I shouldn't. Honestly, any friend of the world is not my Lord's friend, and shouldn't be mine if I'm His friend. It's not an inclusive deal. Such diversity as that, as it's referred to now, is not in my Lord's plan. If I'm only popular with the Lord I serve, it's enough. He is love. Friendship with Him is not easy. It costs you everything, but what a bargain!

I do expect to die at the hands of the religious, and expect to be hated by all the worldly. As expressed in Rango, the Bride is considered "the source of the societal discontentment." I would be honored to be accounted worthy of sharing in what was assigned to the martyrs, apostles and to the Lord Himself. How about you? You can live too long. I'm in no hurry to go but neither do I intend to delay whatever my appointed end might be. If I make it to the Bride Theft alive, fine. If not, fine. It's not my call.

Well, I think that covers it for now. Thank you Lord for this grace!

Olympism as “Frankenstein's monster” beast religion + Invasion of the Body Snatchers

Olympism as global "one world" religious beast of the “Frankenstein's monster” kind, one body formed of many divers parts.
Faith leaders tour London 2012 Olympic Park

I watched Invasion of the Body Snatchers (1956) last night and heard beans spilled on the mark of the Beast plot.

“A moment's sleep, and the girl I loved was an inhuman enemy bent on my destruction. That moment's sleep was death to Becky's soul just as it had been for Jack and Teddy and Dan Kauffman and all the rest. And their bodies were now hosts harboring an alien form of life, a cosmic form which, to survive, must take over every human man.”

Hmmmmm. Well put. The lead character makes an impassioned plea that seems pretty appropriate to me.

“Look! You fools! You're in danger! Can't you see? They're after you! They're after all of us! Our wives, our children, everyone! They're here already! ”

Watch and see if it isn't so. The Lord warned us and the prophets continue to warn. The watchmen see it coming and are sounding the alarm.

Part 42 - Rango - Hail Mary!

In this post, I finally get to set up for some major stuff I've been looking forward to addressing for a long time! When Rango and his terrarium world are catapulted out into the desert it is, of course, the major transition in the movie plot. In that slow motion scene, some major signaling is going on! In posts 33-35 I focused on several elements of the opening scene where Rango was on his terrarium stage. I left that scene behind for several posts to track some really exciting Bride Theft related elements from later in the movie but I'm returning now to feature some technical symbols. Like I've mentioned before, Rango is something of an operations manual, concealing and revealing some whats, whens, and hows of our adversary's activity. The technical whats and hows are featured in the transitional scene where the chameleon is transported from one time and world on a journey into what seems like quite another altogether.

You can watch what I'm going to feature in this video clip, focusing on the slow motion part beginning just before 5 minutes in. [video] First 14 Minutes Of Rango

Just before the chameleon is ejected from his familiar world, he provides the following narrative.

“People, I've had an epiphany. The hero can not exist in a vacuum. What our story needs is an ironic unexpected event that will propel the hero into conflict. ”

And, just such an event happens immediately. We learn that he's been riding in the back of a station wagon with its back window open and the vehicle he's in is threatened with a potential accident. They run over something in the road with a big bump, and the hero is propelled out of the car and the safety of his terrarium life as a pampered family pet. He's suddenly wholly reliant upon and subject to providential care, a point made by a subtle reference to Hail Mary.

As the scene goes into slow motion, the music we hear accompanying the drama is a Franz Shubert piece that today is most familiar as set to the words of Ave Maria. The Latin “Ave Maria” translates to, “Hail Mary.” What this audio track imports is a match to the video track, which serves to complement the collection of symbolic images we see during the sequence and validate the interpretations I've been assigning. If you've followed this series you should recall a Romish liturgical theme, of Lent, Ash Wednesday and Easter. Rango primes us for this with some religious lingo NLP: epiphany. Epiphany is a feast on the Romish liturgical calendar (January 6) celebrating a revelation of divine nature.

Setting the scene to Ave Maria alludes to modern sports culture. A Hail Mary in sports refers to a last second long shot attempt at scoring, a desperate effort made in the remote hope of scoring the game winning shot. It's the kind of shot that might need a prayer answered to actually succeed. That prayer assist is the Hail Mary prayer, perhaps the most famous so-called "christian" prayer by name to many. This is fitting for the Rango scene as the hero was literally propelled into conflict almost like a football with what appeared as a low-odds chance of success, of surviving the ordeal. It's funny, but there's more to it than comedy.

Here's the words of Ave Maria, the Hail Mary prayer, in Latin and English.

“Áve María, grátia pléna, Dóminus técum. Benedícta tu in muliéribus, et benedíctus frúctus véntris túi, Iésus.
Sáncta María, Máter Déi, óra pro nóbis peccatóribus, nunc et in hóra mórtis nóstrae. Ámen.”

“Hail Mary, full of grace, the Lord is with thee; blessed art thou amongst women, and blessed is the fruit of thy womb, Jesus.
Holy Mary, Mother of God, pray for us sinners, now and at the hour of our death. Amen”

What we can infer from the soundtrack is that Rango is praying to Mary as at "the hour of our death." When you experience something in slow motion, it's in the midst of a life threatening situation. Some say they see their life pass before their eyes. I've had slow motion experiences before. I can testify that, in them, I was entirely subject to the care of my God; my life literally depended on divine intervention. In Rango's situation, his Hail Mary prayer appears to have been answered, with divine intervention evidenced in the chameleon's survival and subsequent meeting with an agent of his providential ejection, the "Roadkill" armadillo, the armored “knight” on a quest for enlightenment. During the slo-mo scene we see the intervening divine agents and agencies illustrated in symbol.

To identify those symbols, it should be acknowledged that, although the Romish sun cult pretends this Mary who prays to her son Jesus for us sinners is the same one who bore the Lord I serve, that's a lie. This Mystery Religion impostor is the oft rebranded mother goddess Isis. During the slo-mo sequence, while Ave Maria plays softly in the background, both Mary (bare breasted Madonna) and Jesus pass before our eyes, the agents of the chameleon's salvation as named in the Ave Maria prayer. Between we see the bright glow of the sun, because it is the cult of the sun god, and it is the power of that false light that exalts them.

This is a segue into the meaning of the some of the other elements we see during the slo-mo. Lord willing!

Part 19 - The Sodomite Gateway - Royals ALL*STAR Kundalini and Queen Elton on the Horus Highway

For another illustration of the link between royals and sodomy, here's a packaging of the royals, the sodomite gateway and kundalini-pineal activation together.

Most obviously, this logo is a fallen angel promotion because the star-as-angel metaphor is in play; the event is an All*Star Game. The stars on top (see mini-series from Oct-Nov 2010) of the crown suggests the magick of a royal court magician. The letter A in GAME is a truncated pyramid with a 5 point star floated above it as the capstone. The letter R in Royals is the popular stylized Horus Eye. The letter A in ALL balances opposite the R in STAR. That A is for Apollo and the opposing R is a Horus Eye. R*oyal A*rch? Royal *AR*ch? The crown conceals three royal arches, upside down.

The S in STAR is central, assigned a prominent position, and it touches the y in Royals to declare it as the serpent Satan's y chromosome. That's what's pictured as being crowned, the S+y, revealing that the serpent's male offspring is The Royal. Three banners signal the triple helix DNA of the Beast and mark of the Beast. The crown is brown (What can BROWN do for you?), and the ellipse formed at its bottom with the white inside is an illuminated eye of Horus. The hole in the brown crown presents the sodomite gateway for the serpent's seed. That y of Royals has the serpent tail from the s of Royals passing through the loop, the male hole down under, as a sodomy signal. The squaring of the circle is a sodomy signal leveraged by the G of GAME and by the alternating round-flat design of the crown. It's also leveraged in the rounded square or squared circle framing of the baseball batter and ball. Here's where they solve the riddle of the Sphinx, or the sphincter.

Here's what's really clever. In the negative space, the brown part is the horn of plenty of the Masonic Royal Arch tracing board. That's the G EYE tract, remember? The blue negative space is where the kundalini-pineal activation is concealed. The brim of the helmet is the eye socket indentation of a face in profile. The batter's shoulder is the wide open mouth. The white baseball is the pineal gland. The extension of the blue over the batters head is the head of the serpent, extending out from the forehead.

ALL*STAR GAME 2012. Big players, they are.

Regency Theaters. Regency, like Regent University, signifies regal authority. The phallic obelisk tower has beams of light shooting off the top in a suggestive way. Rothschild sodomy, illuminating, opening the third eye.

Elton John, the famous sodomite, was elevated to royal status (a Queen) when he received a knighthood from HM Queen Elizabeth II for "services to music and charitable services" in 1998. He became Sir Elton Hercules John, CBE. His most popular work was titled “Goodbye Yellow Brick Road.” Like Soundgarden's Black Hole Sun, the title song of that album is a sodomite anthem, and that observation is going to provide us with some insight into more sodomite symbolism. Read the comments made about the song's lyrics by Planetdrum, Sant Cruz, CA and Randy, Lexington, KY and William, Syracuse, NY. here at this link. Goodbye Yellow Brick Road was released in October 1973. What many consider to be the pinnacle of his work was released in May of 1975, titled Captain Fantastic and the Brown Dirt Cowboy. It's considered biographical, descriptive of the relationship between Elton "Captain Fantastic" and his lyricist, Bernie Taupin, "The brown dirt cowboy."

The lyrics of this verse from Captain Fantastic and the Brown Dirt Cowboy refer back to the lyrics of Goodbye Yellow Brick Road, validating the comments I recommended from songfacts.com.

While little Dirt Cowboys turned brown in their saddles
Sweet chocolate biscuits and red rosy apples in summer
For it's hay make and "Hey mom, do the papers say anything good.
Are there chances in life for little Dirt Cowboys
Should I make my way out of my home in the woods

Disgusting. What we learn that is of value from this is how sodomite Elton John leverages imagery from the Wizard of Oz, which is famously used for MK-ULTRA sodomite mind-control programming. Sodomizing SRA victims causes multiple personalities to split. They are encouraged, forced, really, to dissociate during the severe abuse they are subjected to. They go "over the rainbow" to where they no longer emotionally connect to the helpless state of the abused. They go down the yellow brick road to Oz. The dissociation caused during sodomy is used for opening of the third eye, transport to Oz. You get there by magickal assistance. The Professor Marvel helped Dorothy, who practiced divination by scrying in the crystal ball. Dorothy was directed by an illuminated witch when she arrived in the world of color, to see a wizard who knew things (gnosis, illumination). That practicer of witchcraft directed her to follow the yellow brick road to Oz. Oz is a reference to Australia, the land down under. This is an anatomical metaphor.

The album cover of Goodbye Yellow Brick Road shows Queen Elton stepping into a poster on a wall, going through a magickal portal from a bad place to some fantasy place. You're catching on to the sex magick of the royal sodomite gateway, right? While the sign says "goodbye" it really means, hello, doesn't it? See the Masonry of the brick wall, partly covered by a failing veneer? Freemasons. It is a yellow brick road, right? Elton Hercules John is taking the Apollo or Horus Highway, a golden path to the rising sun in the east. It looks like a left hand path to me.

Make note of the piano and musical notes attending his dimensional portal access.

Part 18 - The Sodomite Gateway - Royals Solve the Riddle of the Sphinx

In Part 17, the imagery associated with the Order of the Garter was seen concealing and revealing the sodomite gateway. In describing their peculiar hat, I wrote: “See the bright white ostrich plume as an attestation of illumination through sodomy. I'll explain the black heron feathers that represent the sodomizer in another post, Lord willing.” Here's that post. The plumage of the headdress establishes a connection between the royals of England and the Pharaohs of ancient Egypt. When we interpret the common imagery it speaks to us of their shared serpent heritage and how ritual sodomy is the secret basis of their access to power, gnosis and illumination. It also leads us to the riddle of the Sphinx.

I found this image that speaks to me of the biological mechanism of the sodomite gateway. The opened third eye is pictured by the wedjat symbol, also known as the Eye of Horus. The crowned bird that resembles a vulture is the sodomizer, perched behind. The crowned serpent is the familiar serpent seen extending out from the forehead of Pharaoh's, gods and goddesses. The bird and serpent "kundalini" opening of the third eye is what the plumage of the Order of the Garter hat is all about.

“The act of sodomy is also performed to open up the victim's "third eye" which is suppose to enhance psychic ability.”

“Now these survivors have told me that the, "Key of David" is the Rothschild sodomy. The penetration occurs at an upward angle, so it strikes the nerves at the end of the spine and produces white flashes of light in the brain.”

The Master Plan of the Illuminated Rothschilds: Ron Patton interviews Marion Knox

Ritual sodomy specifically stimulates what's called the kundalini gland, which acts to stimulate the pineal gland. Some use drugs like peyote, mescaline or DMT for a similar experience, but ritual sodomy is the preferred means that appears to have no real substitute. There is a powerful ritual sex magick that was practiced by the ancients and is practiced today, which still manifests a powerful transformative supernaturalism.

I've presented the following in an earlier post but it certainly bears repeating in this context.

“The secret tradition of magical Tantra teaches that the anus is an ultrasensitive erogenic and psychic zone directly linked the Muladhara, the basal Chakra. Hidden within Muladhara, Boiled and compressed like a spring, lies the primal power of the nervous system manifest as the Snake Goddess, Kundalini. The terminus for the "pipe of flesh" is the anus, composed of an internal anal external sphincter, rings of muscle surrounding a body orifice. The word "sphincter" means a "knot" or a "band" and is derived from the same Greek base as "Sphinx," the mythological beast epitomizing occult mysteries. The master of Tantric sex magic opens the anal sphincters of his Shakti, thus solving the riddle of the Sphinx. Anal intercourse is a specific Kundalini arousal method. Reference to Gray's Anatomy reveals the existance of an irregular, oval-shaped gland between the rectal wall and the tip of the tailbone, or coccyx, called the "coccygeal body.'' Although the function of this gland is unknown to Western physiologists, it is established in Tantra as the "Kundalini gland."”

Sodomic mind control quotes - (Ecstasy through Tantra) by Dr. Jonn Mumford p. 61

I believe the image of the bird-wedjat-serpent illustrates a primary solution to the riddle of the Sphinx. Notice how the bird and snake are crowned, signaling royalty. This is the secret of royalty, of the power of the ruling families of the world. This collection of images presents Prince William wearing his Order of the Garter apparel. His version of the Pharaonic headdress has a symbolic white ostrich plume. The Pharaoh's illumination is pictured by the serpent head (kundalini + pineal activation), plus the radiant alternating rays of gold and blue, plus the Horus Eye makeup. The Pharaoh conceals and reveals the sodomizer who exercises the power to illuminate with the bird head next to the serpent. That's the bird behind the open third eye, the Eye of Horus. The Order of the Garter version of the headdress worn here by Prince William represents the sodomizing bird with the black heron feather plumage.

In the Bible, serpents and birds of the air, most particularly unclean birds that eat carrion, are symbols of the devil and demons. You can compare the bird of the bird-wedjat-serpent to this vulture, linked here. It's a match. However, I think the more important identification is as a Benu bird, with an ancient Egyptian connection to Osiris. The black heron feathers of the Order of the Garter hat link to the Benu bird because the Benu is represented as a grey heron, which has black head plume feathers.

“In the Book of the Dead from the New Kingdom, however, the Benu is represented as a grey heron (Ardea cinera), with two long head plumes and a straight beak. Though primarily associated with Atum and Re, the resurrection aspect led to an association with Osiris and the heron was sometimes depicted wearing the 'atef' crown.” (The Benu Bird of Iunu (Heliopolis) - The Prototype Phoenix)

The bird perched behind the Wedjat wears the atef crown.

Being able to connect the royals of today with the Egyptian Pharaohs and identify their common sodomite imagery goes far beyond merely scandalous sexual activity. The graphic evidence illustrates the continuity of the serpent's antichrist plot that began in the Garden of Eden. It touches on the Illuminati, every shadow government through history, Nimrod and the Tower of Babel, the Beasts of Revelation 13, Mystery Babylon the Great, MK-ULTRA, the black awakening, Hitler's Third Reich, the mark of the beast, the dominion of the British Empire... While it may sound like a huge stretch to assign such importance to the royal secret of the sodomite gateway but this is how mind control and demonization of the ruling class has been done for a very long time.

Here is another excerpt from the page about the Benu bird.

“The Benu was one of the manifestations of the creator god at Heliopolis. Like him, the Benu was imagined as being self-created, in mythological papyrii from Dyn 21 he is described as 'He who came into being by himself'. He emerged out of the original darkness before creation to be: '...that breath of life which emerged from the throat of the Benu bird, the son of Re in whom Atum appeared in the primeval nought, infinity, darkness and nowhere.'

By the cry of the Benu bird, existence was announced as coming into being. The silence of the primeval night is broken and light and life is brought to creation.

This is no minor deity but, to quote Rundle Clark: "the herald of all things to come" and an aspect of the creator god himself. From the 'Isle of Fire', the mythical place where the gods were born, beyond the limits of the created world, the Benu comes flying. And the place where it lands becomes the symbolic center of the earth - Heliopolis. On the sarcophagus of the God´s Wife of Amun, Ankhesneferibre, (British Museum) the Benu is perched on a sacred willow tree in the temple.

There are depictions of the heron perching on a cliff or a little piece of land which is rising above the flooded waters. In this way it became an adequate image of life emerging out of the primeval waters at the first time of creation, just like the sun was said to do, and thus symbolising rebirth. This piece of land was called the 'ben-ben' stone, and as the place where the heron landed at the time of creation, it became the sacred stone of Heliopolis. It is seen in the hieroglyph with the sitting heron (G32).”

The Benu Bird of Iunu (Heliopolis) - The Prototype Phoenix

The Benu bird brings light and life. This is why the black heron feathers appear on the hats of the Order of the Garter. The Benu feathered hat tells us the British royals are today's Pharaohs. It conceals and reveals that those of the Order of the Garter share the secrets of heaven with the ancients, worshiping the same gods in the same ways.

Here is the famous pyramid shaped Benben stone on which the Benu landed, with featured winged sun disk (Egyptian Museum, Cairo). The Benben was believed to be the very seed of Atum-Ra, creator. The word "benben" means, "to copulate." The pyramid cap on an obelisk is called a Benbenet. You know that's all about sex magick, right? The magical work was performed through the agency of Isis, and the work was to bring forth Horus. Ultimately, that's the plan, with Horus being also known as Apollo or Apollyon, the Beast John sees coming out of the sea in Revelation 13:1.

Here's some images of the Benu bird. The bird symbolizes sex magick, bringing illumination and power to an individual through which the archon demonic regents work to eventually incarnate the serpent's counterfeit messianic bridegroom, the Horus Beast. The Benu and Benben are symbols of the Osiris / Isis / Horus generation and ascension.

One image is from Vigeland Park, in Oslo, Norway. The artist had an obsession with presenting what he envisioned, and I believe he was enlightened in the sodomite way. His figure represented here appears tightly embracing a pregnant woman from behind, with his serpent tail appearing from underneath the front of her gown and coiling under her belly. He is a feathered and winged serpent.

The bird is also the sodomizer, "owning" the mind and body of the sodomized with full control; a shadow government, essentially.

The bird is Isis, fanning her wings to bring the regenerative power of Osiris, and produce Horus. This is the sex magick of Isis and Osiris and the kundalini and pineal activation that the sodomite gateway opens. That's how it was done before, and that's still how it's done.

Kundalini, the feathered and winged serpent god Quetzalcoatl, Kukulcan, Gukumatz, Viracocha, the nachash (biblical serpent - related to the flying angelic seraph and cherub), the vision serpent, the winged dragons of the Orient, St. George's slain dragon; these are all related to the Benu. It is the phoenix at the center of the tapestry in the U.N. Security Council Chamber. The Benu bird (phoenix) and Benben stone are essentially linked to the sex magick of the sodomite gateway as the secret to the royal power, control, gnosis and illumination, and it is an essential element in the sex magick that serves to ready the day of the dawning of the antichrist Beast.

Of related interest:
Awakening of Kundalini - Vopus
The Pineal Gland : A Stargate To Time Travel

Status Update

Just a brief status update:

I've been working on updating, expanding slightly and formatting the study on Cain's paternity for publication as a Kindle book, which has become a popular format. Lord willing, it should be available next week.

Also, there are several more posts in the queue being readied for the Rango series, Sodomite Gateway series and 2012 Olympic series.

Your prayers are most welcome! Please, keep them coming! This is a crucial season.

Blessings in Y'shua!

Bob

Part 10 - 2012 London Olympics - “the sensational Pit of Tartarus” and Bifröst

I hope to continue the bell theme shortly, but until then, the leadup to the London Olympics continues to build occult momentum and there is plenty of activity to watch.

Here's a BBC news write-up about a BBC led “flagship” project. Karl Jenkins Songs of Earth premieres Olympiad concert

“The Music Nation Celebration Concert includes the world premiere of composer Karl Jenkins' new work, Songs of the Earth, inspired by the myths of Ancient Greece”

“The live music programme, devised and led by the BBC, aims to be a countdown event for the London 2012 Festival.”

“The Music Nation's programme is one of the flagship projects for the London 2012 Festival and the Cultural Olympiad.”

“Chorus director Adrian Partington added his words of praise for the new work by Jenkins. He said: "There is the violence of Khaos, for example, where the singers are asked to do very athletic vocalisations; there is the playfulness of the dance of the Titans, where the beat changes all the time - making it very exciting rhythmically. "Then there is the sensational Pit of Tartarus, where the terrors of hell are described vividly with shrieks from the choir and the ominous rhythms from the orchestra."”

The “the sensational Pit of Tartarus.” Won't they be surprised.

The Guardian posted this one: Giant rainbow lights up the night-time sky - and sea - at Whitley Bay - Artist's beams shoot out from St Mary's lighthouse every evening until Sunday night; then they're off across the Pennines to give Preston a go

“Global Rainbow is part of something called the Cultural Olympiad, a series of arts events happening throughout the country in the run-up to the Olympic Games, funded by the Arts Council of England, Legacy Trust UK and the Olympic Lottery Distributor.

According to the Cultural Olympiad press release: "With the installation, the artist intends to encompass geographical and social diversity in its reach and to symbolise hope."”

Social diversity? Hope? Fools. It's a witness to their hope of opening the dimensional portal and joining with the ancient gods and how they intend to do it. Here is a relevant excerpt from a recent post about the 2014 Sochi Olympics.

“The Bifröst. That's the transdimensional “rainbow bridge” that spans heaven and earth associated with the legends of Thor and Odin (aka Apollo and Zeus). Such as this portal construct appears in the Bible as the Hebrew mecillah, the kingdom viaduct, as I've referred to it on occasion. This viaduct or bridge was expertly modeled during the Beijing Olympics by the Londoners when Tayyiba, arriving in the heavenly chariot, received the dragon seed on the crossroad of Earth then traveled upon a dramatic modeling of the mecillah in her ascent into the heavenly throne vehicle. The agendas promoted in 2008 remain, and promotion will continue until their objectives are accomplished.”

Thanks, Jeff, for staying on watch. Acceleration Blog