Part 44 - 2012 London Paralympics - Rihanna as “Our Lady of Fátima”

Series Links: 2012 London Olympics

I was surprised during my recent investigation into the wildly popular phenomenon of the Marian apparition to discover how the presence of the goddess was so prominent during the 2012 Olympics and Paralympics. This insight substantially extends what I knew previously, adding another layer of understanding. It doesn't change the bottom line but it certainly answers more questions, filling in details about how things are and how key events will unfold in the future.

For the context and background necessary to really appreciate what's going on here, I recommend becoming familiar with the following studies.

• The Sign of the Queen of Heaven
• Our Lady of the Olympics
• Part 43 - 2012 London Paralympics - SRA Carousel Programming With Rihanna - We Found Love

A bold dramatization of Our Lady of Fátima and the Miracle of the Sun was performed during the closing ceremony of the London 2012 Paralympics. The star of the show was Rihanna. The name, Rihanna, means, “Great Queen.” She has the image of Isis tattooed over her solar plexus and another on her ankle so there is no ambiguity about her identification as Isis, the Great Queen of Heaven. The tattoo on her solar plexus was visible behind the veil of her paneled garments during much of the ceremony. Rihanna's name seems to be a portmanteau, combining the name of two other goddesses; Rhea (“Mother of gods” comparing to Cybele) and Inanna, the Sumerian Queen of Heaven. Inanna was known as Ishtar to the Akkadians, and she is known to billions today as the Blessed Virgin Mary.

Here's a video of her performance. It's a celebration of the Miracle of the Sun featuring Our Lady of Fátima and the crowd who had assembled in the Cova da Iria below!

Rihanna - “We Found Love” - LIVE at Paralympic Games 2012 London



To further establish her Marian identity during the ceremony, Rihanna was dressed in a manner that highlighted two familiar features of the Blessed Virgin Mary. Rihanna's appearance created a buzz because of a striking contrast with what was expected. As you can see from this Daily Mail article, those who were familiar with her typically immodest apparel were notably surprised by the degree of modesty she exhibited, even referencing it in the title: “Paralympics Closing Ceremony: Rihanna becomes a punk pirate princess as she covers up for Coldplay duet.” The display of unexpected modesty suggests the character of a chaste woman, like a virgin, a virgin goddess - the Blessed Virgin Mary.

Rihanna had made a dramatic entrance into the stadium, clothed as she was in vivid orange. From the top of her head down she was covered entirely with sun-orange cloth; “clothed with the sun.”

A great sign appeared in heaven: a woman clothed with the sun, and the moon under her feet, and on her head a crown of twelve stars; 2 and she was with child; and she cried out, being in labor and in pain to give birth. ~ Revelation 12:1-2

She entered the stadium on the deck of a steam-punk ship that was rolled across the floor. It had the appearance of a ghost ship, with a cloudy mist pumped out underneath that was probably intended to give it the mystical appearance of being seen in the clouds.

During her featured performance of “We Found Love,” she appeared as a sign in heaven because she was sitting on a bench seat that was raised up on cables. That bench swing was her sun chariot, with an ornate decorative sun image on the back.

The hanging goddess is Artemis and Ariadne aka Mary. One of the iconic symbols of Inanna is evident in the design of the iron work, where the scrolling flourishes mimic the twisted knot of reeds that flanked the way to her storehouses or into her presence.

When you watch the video, look for the scene where she is made to appear right above the flaming rose, the Cauldron of petals that are copper rose thorns. It took effort to set up that shot. Think about the blessed Virgin Mary candle, the Rosary, the petition that had been made to the gods earlier about the light shining in a roseate hue to form a vast temple to which all nations throng to adore the spirit of antiquity.

As for the moon beneath her feet, I suspect the untelevised preshow performance of the Dreamers and their raising of the Agitos logo elements was done as a ritual in connection with the Fátima ritual. According to the Hermetic principle, “as above, so below,” the Agitos-as-crescent moons hanging above appear to have been bound to the stadium floor, thus providing the moon beneath Rihanna's feet. What was called a Moon Stage was in the stadium, and it also appeared in the scene of this Revelation 12 ritual.

Notice how the final image of the video presents her in front of the flaming cauldron. That distance-closing telephoto shot took effort to line up. Why make the effort if it's not a big deal? They made a crown of stars on her head. It's a rose crown, literally a Rosary, right? It has to be seen as the Blessed Virgin Mary's crown. In 2 BC, the crown of 12 stars that fulfilled an important layer of the cryptic prophecy of Revelation 12 was a celestial object, the planet Jupiter, which was positioned as though it were sitting upon the head of the constellation Virgo. (See this study: When Jesus was Born - The Celestial Signs) The Roman god Jupiter, for whom the planet is named, is that same Zeus of the dedicated flame and light of the Olympic Cauldron.

I believe that, when you see Rihanna framed underneath the flaming Cauldron, you see in that snapshot of Revelation 12:1 what a small number of us will recognize as a shadowy memorial of the past. Yet, I believe it's a distinctive ritual modeling of what's coming the near future, magickally working toward that day when the sign of the Queen of Heaven will appear and garner the rapt attention of the whole world as the herald of the Antichrist.

Look for the strange gestures Rihanna makes at the very end. I see her gesturing to suggest that she is in labor and pushing as she births the man-child, to compete the ritual identification with Revelation 12.

Given the extent of this ritual performance's symbolic match to Revelation 12, it seems there is a companion element that models the other sign from heaven described in that passage.

3 Then another sign appeared in heaven: and behold, a great red dragon having seven heads and ten horns, and on his heads were seven diadems. 4 And his tail swept away a third of the stars of heaven and threw them to the earth. And the dragon stood before the woman who was about to give birth, so that when she gave birth he might devour her child. ~ Revelation 12:3-4

Where is the great red dragon in London's Olympic Stadium? What was identified as a firebird or phoenix rose in close association with the flaming Cauldron during the climax of the closing ceremony of the Summer Olympics that was held a month earlier, which you see in this picture.

How did Rihanna's performance of We Found Love celebrate Our Lady of Fátima at the Miracle of the Sun from October 13, 1917? Two elements really give it away, the bench swing and the activities of the supporting performers.

The swinging of the sun chariot to and fro made mimicked the pendulum-like swinging of the solar disk. Researcher L. A. Marzulli summed up the historical accounts of eye witnesses who were interviewed following the spectacle. “It spun around throwing off an array of colors and then, to the terror of everyone, began to fall in a pendulum like motion to earth. What followed was mass hysteria, as people thought the end of world was upon them. Some dropped to their knees, while others ran about screaming hysterically.”

The performers on the floor before her and beneath her made worshipful gestures, playing the role of the diverse crowd who had gathered to witness the promised sign in the muddy Cova da Iria. Wow! So, Rihanna was clothed with the sun, seated on her sun chariot and swinging in the heavens above the worshipful crowd, who came alive at Rihanna's arrival and prompting. When she leaned out over the front of the bench I suspect there were some terrified spectators wondering if she was going to fall. The array of colors spun off the disk were painted in light with special effects ringing the stadium.

Each time I watch the video of that performance it seems more obviously a reenactment of the Miracle of the Sun. Our Lady of Fátima was deemed worthy of such an exaltation.

The title of the song she sung is, We Found Love, which can be taken in the context as an expression of the adoration of Mary, her veneration, and the ecstatic relationship she engenders with her supernatural enchantment - a sample of the pharmakeia of Mystery Babylon. When she sings the chorus, “We found love in a hopeless place,” that speaks to me of impoverished Fátima in 1917, when the people were impacted by Portugal's involvement in WW1 (which officially spanned from 3/9/1916 to 11/11/1918). They were desperate for love, as so many are today, and Mary draws them like a beacon to herald her son's return.

While “Great Queen” performed she was attended by eight aerial performers on carousel animals. At least one of the eight carousel animals featured was antlered like a stag, which is a familiar representation of Cernunnos, the horned god invoked by name in many magick rituals. His presence was symbolic and yet I do not doubt that his presence had been evoked so that his presence was genuine in the spiritual realm. His name is another alias for Satan, or Zeus. I believe these carousel animals and riders represented fallen angel gods and, by that number of “stars” in the heavens, the planet Venus is signified, and the 8-rayed star of Venus-Inanna-Ishtar. Poles and columns are a popular symbol of the goddess.

The magickal carousel animal riding scene alludes to a famous sequence in the musical film, Mary Poppins, set in London. Here's a screenshot featuring the witch as she entertains her initiates in that fantasy sequence. The Olympics connection? Some 32 Mary Poppins clones were featured in a battle of storybook sorcerers during the Opening Ceremony of the London 2012 Olympics, in a segment titled, “Second to the right, and straight on till morning.” An army of Marys popped in - the goddess of magick and witchcraft.

The Mary Poppins film won the Academy Award for visual effects in 1964, and the carousel scene was famous for the special effects combining animation with live action. I see this as yet another hint of how it's going to be during the great deception surrounding the revealing of the lawless one, with multimedia / multidimensional supernaturalism for special effects, and again, implying Mary's involvement.

I believe those aerial carousel animals and riders had other very key symbolic representations. The carousel was originally designed and used for combat training, which I described when carousel imagery was used in the closing ceremony in Beijing. The aerial carousel animals and riders testify of the warring angels in the heavenlies and of their earthly vessels, who are the anti-Bride army of Illuminati programmed chosen ones. The carousel is linked to mind control programming (SRA Carousel Programming With Rihanna - We Found Love) which is how the agents of the Black Awakening Bride army are created. They are the special forces preparing for the coming of the Antichrist and who will be his special guard. In the context of Rihanna's apparition as Our Lady of Fátima, the mind control programming theme certainly is appropriate in the context of 1917 and 2012.

The carousel horse riders should also be identified alternately as UFO aliens, just like the steam punk-ghost ship-sun chariot and bench swing-sun chariot. Olympic ceremonies sometimes feature UFO and aliens openly, like at the close of the 1984 Games in Los Angeles (the full name of the city being: La Ciudad de la Reina de los Angeles, which means, “The City of the Queen of the Angels.”), but mostly, the alien presence in their ritual ceremonial productions is covert, being presented through symbolic means like in the UFO bus in Beijing's closing London Ceremony. The IOC and the Vatican are sponsored by “aliens,” by the sun god and his agents of deception. The Marian apparition that receives worship through their activities is an alien entity, a demonic spirit that is alien or foreign to this natural realm.

There's a good reason why the Olympics exalts the Marian apparition. We have not seen the last of her.

The Sign of the Queen of Heaven - now published to The Open Scroll

The fruit of my labors of the past few months are starting to be published. New additions to The Open Scroll website site include a study titled, The Sign of the Queen of Heaven. There is a worldwide phenomena where the Mary venerated by the Vatican is drawing everyone to herself - and this extends way beyond Catholicism. The mechanisms of promotion extend beyond the Romish church to include even Cris Putnam, who ministers alongside Tom Horn. (See the section titled, Trending Paranormal as Spiritualism - “The Supernatural Worldview”)

The related study, Our Lady of the Olympics, was published to the website a few days ago, which documents the hidden agency of Mary in the wildly popular Olympics.

As Mystery Babylon the Great comes to maturity, her ecumenical work prepares the world for when she will direct us to her son, whom the Papal False Prophet beast will baptize in an Antichrist anointing. Note, to be armed with knowledge such as this is not enough. There will be no substitute for what attends being rightly informed of the times and seasons.

Another new addition to the website is a study titled, The Dark Secret of the Eucharist and the Rite of Communion, which was formerly part of a larger work, When Will the Lawless One be Revealed? (The Sign for the Bride - Part 2). The updating of that lengthy work has been completed. Another new study split off that same work is The Sign of the Crossed Comets Hale-Bopp and Hyakutake.

Our Lady of the Olympics - Just Published

A new study was just published to The Open Scroll website.

Our Lady of the Olympics

“Our Lady of the Olympics” represents a portion of what I've been learning about the significant role the demon goddess who manifests as a Marian apparition has in bringing the whole world together to receive the Antichrist. Lord willing, this will be added to a series of writings on the significance of the Marian apparition phenomenon. You may notice that a version of the part where the goddess is represented in the symbolism of the Olympic Rings logo was recently posted to the blog.

If you have read Jim Tetlow's “Queen of All” or are familiar with Dave Hunt's earlier work (1994), A Woman Rides the Beast: The Roman Catholic Church and the Last Days, you should be aware of just how significant this supernatural activity being sponsored by the Vatican is in transforming the world. When you see ISIS (Islamic State of Iraq and Syria) being named in the headlines every day as a world changing entity, that's no coincidence. It's a sign!

Part 16 - What Does the Olympic Rings Logo Really Mean?

Series Links: What Does the Olympic Rings Logo Really Mean?

While preparing a study on the growing phenomenon of the Marian apparition I was led to give attention to her role in the Olympics. I was surprised to learn what I'm going to share in this post, which represents a worthy addition to the series that I last updated over 4 years ago. This represents only a small portion of what I expect to publish in that study that pertains to Mary's role in the Olympics.

The Olympic logo design of interlocking rings is an elegant geometrical exhibit of the esoteric 47th Problem of Euclid. I began to learn about this esoteric code exactly one year ago, presenting it in series titled Signs of Horus Worship. As you can tell, it's about worshiping Horus, or, as he is primarily known to those who practice Olympism, Apollo. By making obscure references to the 47th Problem of Euclid, the Illumined practicers of the Occult are operating an ancient form of sex magick that illustrates the union of Osiris and Isis to produce Horus. The supernaturalism works to actually produce Horus, who will manifest in a human body as the Antichrist. The rings logo was personally designed by the Jesuit trained Pierre de Coubertin in 1912. Jesuits worship Horus and they specialize in matters of esoteric symbolism and spiritual inspiration.

There are a number of ways references may be made to the 47th problem. The number 47 may appear in a signaling context, overtly or covertly as the gematria of a word or a count of things. The 4G data transmission technology that cellular networks continue to boast about is a popular example of this. With G as the 7th letter, 4G is a lightly obfuscated 47. The 47th problem is frequently referenced by the presentation of the set of numbers 3, 4 and 5, and this is how it's done in the rings logo.

As I document in the series mentioned above, the solution to the 47th Problem of Euclid involves the geometric proof that uses the areas of a right triangle and the Pythagorean theorem. A right triangle is most simply described as having sides that are the whole number 3, 4 and 5 units long, and this is the derivation for the number set. The esoteric solution is discovered in the assignment of the Egyptian gods, which creates a symbol code. The way two of the sides combine in a projection onto the hypotenuse geometrically illustrates the union of Osiris and Isis to produce Horus. The number 3 represents Osiris, Isis is 4 and Horus is 5. On this basis, the heavenly union producing Horus in this earthly realm may be advanced magickally using symbolic geometrical or numerical references to the solution.

Here's how the Olympic Rings logo references the basic 3.4.5 Pythagorean triple. Count the rings - five. Horus! Count the vesica piscis formed at the joining of two rings - four. Count the places where three rings join - three. Those are the counts of unique elements created by the elegant design. It says in an obscure but precise language that this symbol is silently working to produce Horus through the supernatural union of Osiris and Isis. Olympism is the popular religion of Apollo worship, aka Horus.

Notice how there is a fundamentally feminine aspect to the design because the shape of the logo is that of the female pubic patch, which is generally represented in symbol as a downward pointing triangle. The femininity is further enhanced because the rings are circles. When simple geometric shapes are used in symbol language to represent the genders, the square is male and the circle is female. The intersections of the rings suggest the vesica piscis symbol, which represents the yonic or female genitalia. The logo is quite feminine in gender and symbolic of the divine feminine or goddess. There are 4 of the yonic vesica piscis, which is the Isis number, who is the female of the set. Isis, that's the Marian entity who is exalted by the Jesuits. “Our Lady of Olympism”

The Olympic Rings logo has the form of a pyramid that is inverted and truncated. This representation appears on the Great Seal of the USA with the glowing capstone eye hovering above it, and that object is assumed as the sixth ring required to complete the implied form. In the Jesuit trained Pierre de Coubertin's magical symbol, we see Mary laboring in to bring the Antichrist to birth. If we imagine the implied sixth “capstone” ring that completes the pyramid, with the logo-as-pubic-patch imagery, we see him crowning as his divine mother births him into the world!

Here's an important connection to note. As with the rings logo, a pyramid has the implicit 3, 4 and 5 numbers of the base Pythagorean triple, a fact you should be aware of if you're familiar with the series of Horus worship posts. It sits upon a base of 4 sides and 4 corners and has 4 faces that rise to a common apex. Each rising face has 3 sides and 3 corners. There are 5 faces and 5 corners in total. Every pyramid testifies in the code language of Euclid's 47th Problem to the union of Osiris and Isis producing Horus.

The way the Olympic rings fit into the model of Euclid's proof tells me that it was probably the template de Coubertin used when designing his magickal symbol. The angle of the symmetrical logo fits angle 4-5 of the proof exactly.

Another popular way to symbolize the 3.4.5 of the Euclidean proof code geometrically is to present a right triangle in an Occult signaling context. This is frequently done in a subtle way by including only two of the right triangle's three sides, like Verizon does with their brand's check mark - that is not really not a check mark. Another very popular way to signal the code is through hand signaling, because the hand has the five of Horus implicit in the number of fingers. Calling out the 3rd and 4th by holding them together presents the signal triple. One way to do this is through what's called the Baphomet. Another is the religious “blessing” with the index and middle finger together. Another is favored by Disney and other Illumined folk.

Another way is to hold the fingers 3 4 and 5 together, separate from the other two. Mr. Spock popularized a priestly variant of the 3 union 4 on the popular Star Trek series. “Live long and prosper.” Star ~ angel. Vulcan was a god, a demon god. That kind of life you do not want. It's not going to go well for those who prosper in that way.

Recent News - trending "rain"

Here's an interesting survey of recent news broadcasts. Mass SATANIC Ritual Event- June 2014 (Illuminati Sacrifices) (Thanks Timbo)

Shabbat Shalom

Greetings and Shabbat Shalom!

While I continue preparing a lengthy study on the subject of Marian apparitions, I would like to ask you to continue praying for Aaron and myself, and for each other. This is a season unlike any other in history.

Today is a Solstice and because it's celebrated with Satanic ritual sacrifice and this season's is a big deal, I want to remind those of you who are just learning about spiritual warfare to seek the Lord about how and when to engage with His provision of defensive and offensive weaponry.

I believe there is special favor for some as judgment pours out broadly on the land, and those who are wise are receiving an abundance.

The waves of immigrants flooding across America's southern border is a sign of the times, one facet of the flood that compares to Noah's day.

I invite you to continue exploring the abundance of rich reading material on theopenscroll.com and on this blog for comfort and encouragement in this critical season.

Blessings in Y'shua!

Bob

15 For this reason I too, having heard of the faith in the Lord Jesus which exists among you and your love for all the saints, 16 do not cease giving thanks for you, while making mention of you in my prayers; 17 that the God of our Lord Jesus Christ, the Father of glory, may give to you a spirit of wisdom and of revelation in the knowledge of Him. 18 I pray that the eyes of your heart may be enlightened, so that you will know what is the hope of His calling, what are the riches of the glory of His inheritance in the saints, 19 and what is the surpassing greatness of His power toward us who believe. These are in accordance with the working of the strength of His might 20 which He brought about in Christ, when He raised Him from the dead and seated Him at His right hand in the heavenly places, 21 far above all rule and authority and power and dominion, and every name that is named, not only in this age but also in the one to come. 22 And He put all things in subjection under His feet, and gave Him as head over all things to the church, 23 which is His body, the fullness of Him who fills all in all. ~ Ephesians 1:15-23

More Rain Falling

http://www.8newsnow.com/story/25723142/breaking-news-2-metro-officers-shot-near-nellis-and-stewart

“According to police, a man and woman walked into a Cici Pizza restaurant at 309 North Nellis around 11:22 a.m. and appeared to target two Metro officers who were eating at the restaurant. One person shot one officer in the head. The second person shot the second officer. Police say witnesses told them the suspects took the police officers' guns and ammunition and, as they were walking out of the restaurant after the shooting, they said, "tell the police the revolution has begun." The two suspects then left the restaurant and went into the Wal-Mart store across the street where they shot a citizen. The female suspect then shot the male suspect and then shot herself, police said. Both suspects are dead.”

http://www.independent.co.uk/life-style/gadgets-and-tech/computer-becomes-first-to-pass-turing-test-in-artificial-intelligence-milestone-but-academics-warn-of-dangerous-future-9508370.html
http://www.wnd.com/2014/06/now-thought-crime-is-terror-in-u-s/
http://www.dnainfo.com/new-york/20140607/washington-heights/scissors-wielding-teen-girls-arrested-for-muggings-uptown-park?
http://www.csmonitor.com/USA/DC-Decoder/2014/0608/Illegal-immigration-how-humanitarian-crisis-on-border-could-hurt-Obama

D-Day - June 6 - Portent of a Coming Invasion

I'm taking a short break from my study of the role of Marian apparitions to note the significance of this day, June 6, 2014, as a day of very special ritual numbering and with a very special historical connection, to D-Day of WW II. There are many who practice Occult ritual according to such propitious times, and this is a special season. Pray as led.

Today is the 70th anniversary of what's known as D-Day, when the Allied forces landed on the beaches of Normandy, France, during WW II's most famous assault. In recent years I've come to see the cycle of 70 years as being very significant in such a way that there seems to be a special link established through time itself. To someone without a lot of background in such things as I'm going to discuss, this has to sound ridiculous. I know, because I would have scoffed at such a suggestion not that long ago.

If you're dubious, I challenge you to get your mind wrapped around the facts presented here, David Flynn - Gone on Ahead (UTAH Beach - Direct Hit!).

One premise of David Flynn's “Temple at the Center of Time” principle is, simply stated, that the number of nautical miles from the Temple Mount to a particular location is often related to when an important event happened there, with the relation being the distance of one nautical mile for each year AD. I tested David's well documented premise with a consideration of D-Day, June 6, 1944, a date that we easily associate with a very specific location. That date equates to a distance of 1944.43 nautical miles. How far is it from the anchor point on the Temple Mount in Jerusalem to Utah beach in Normandy, which the map of Operation Overlord shows was a focus of the assault? It's 1944.43 nautical miles, exactly.

You can choose to dismiss that or accept it, but those are the facts. There are probably many other dates and locations I could have focused my attention on when testing David's premise, but D-Day-Utah Beach was it, and I believe the Lord directed me there, probably so that I could see what I'm sharing in this post.

The Illuminati elite have been exposed over many years time as working behind the scenes and continually manipulating the nations to engage in war. Jesuits are perhaps most renowned for their role as agents in that work. It's not all about the economics of the military-industrial complex Eisenhower warned about after the war. Their immediate intent is to shift the natural balance of power in the world but it must be seen their blood lust is literal, because through the practice of ritual magick they reap demonic energy from the pain, suffering and death, which elevates them in matters of supernatural authority. They observe times and seasons in this kind of work, and while the date of June 6 means nothing to most people the numbers involved are not insignificant. Looking back in hindsight with a bigger picture in view, it seems to me that the carnage of D-Day was scheduled as part of a greater plan that involves today, June 6, 2014, and that there is a bonus involved for the planners. I believe today's link to the invasion of D-Day 70 years ago is being exploited through magic ritual to advance toward the invasion of our natural realm by the allied forces of the underworld.

People visit World War II landing crafts on the Arromanches beach, Normandy, on June 6, 2014, during the ceremonies marking the 70th anniversary of Operation Overlord.

World War II Skeletons Washed From Graves by Rising Seas: “Skeletons of World War II soldiers are being washed from their graves by the rising Pacific Ocean as global warming leads to inundation of islands that saw some of the fiercest fighting of the conflict.”
“On the day Europe commemorates the 70th anniversary of the storming of Normandy beaches in the D-Day landings, a minister from the Marshall Islands, a remote archipelago between Hawaii and the Philippines, told how the remains of 26, probably Japanese soldiers, had been recovered so far on the isle of Santo.”

Today's news reads a bit like a resurrection scene from the book of Revelation, reported by a “minister” about an island where the name translates to “saint.”

1 And the dragon stood on the sand of the seashore. Then I saw a beast coming up out of the sea...3 I saw one of his heads as if it had been slain, and his fatal wound was healed. ~ Revelation 13:1a, 3a

Today is June 6, 2014, a date that produces a strong 666. Times that produce this number are important to those of practice Occult ritual. Many rituals are practiced between Midnight and 3 AM so that the energy raised can be released when the spell is cast at the most potent time. The hour of 3 AM is potent because it represents the 3 hours of the ritual and of the day, each representing 60 minutes. Three hours ~ 60+60+60 ~ 666. Today is Friday, the 6th of June. It's the 6th day of the 6th month, and it falls this year on the 6th day of the week - 666. Rituals done and spells cast this morning would have had that extra potency of the layering or stacking of the ritual numbers.

14 And he deceives those who dwell on the earth because of the signs which it was given him to perform in the presence of the beast, telling those who dwell on the earth to make an image to the beast who *had the wound of the sword and has come to life. 15 And it was given to him to give breath to the image of the beast, so that the image of the beast would even speak and cause as many as do not worship the image of the beast to be killed. 16 And he causes all, the small and the great, and the rich and the poor, and the free men and the slaves, to be given a mark on their right hand or on their forehead, 17 and he provides that no one will be able to buy or to sell, except the one who has the mark, either the name of the beast or the number of his name. 18 Here is wisdom. Let him who has understanding calculate the number of the beast, for the number is that of a man; and his number is six hundred and sixty-six. ~ Revelation 13:14-18

Because it's 70 years after what happened on Tuesday, June 6, 1944 at Normandy, which could not have been randomly chosen, I don't doubt that there was plenty more equity in the vault to purchase what is of value toward the end game of those who orchestrate such things for repeated exploitation. Their goal is so close they can probably smell it. Death seems to be in the air.

But all things seem to be on schedule, and the Sovereign God's plan is unfolding as it should, for great blessing in the earth as judgment rolls out in mounting drama at the close of this age.

It looks like the rain is falling like in the days of Noah

Is the rain falling like in the days of Noah?

CDC ALERT: ZOMBIE-LIKE ACTIVITY REPORTED ACROSS AMERICA 2014 (MASS OUTBREAK)




UNITED passenger warned, 'I kill white people like you' when asked to turn off phone...

Anarchists prepare to 'raise hell' at World Cup...

Charges detail Waukesha pre-teens' attempt to kill classmate - to honor fictional Slenderman

A study in the works is nearing completion

Greetings once again and blessings in Y'shua!

There have been no posts to the blog recently because I've been immersed in the researching and writing about the reasons why Marian apparitions have become so frequent and popular, even with those who are not Roman Catholics. I had been steadily working my way through the revision and expansion of the study titled, When Will the Lawless One be Revealed? (The Sign for the Bride - Part 2) and nearly reached the end of it when I came to the subject of Marian apparitions. A pattern of many of the Marian apparitions complements other indicators of the revealing of the lawless one on the 13th day of the 1st month. As I assessed what I had formerly written on the subject it quickly became apparent to me that this needed to become a separate work. My studies of the sign of the Queen of Heaven in the last days have led me to believe that she (or it) will have a key role at the apocalypse of the Antichrist. I feel like I'm close to publishing the study.

I recommend some collateral reading in preparation. First, Queen of All by Jim Tetlow. The Kindle version appears to have been made unavailable but you can read it online here: PDF - Queen of All. The expanded title and attribution is: “Queen of Rome, Queen of Islam, Queen of All  - The Marian apparitions’ plan to unite all religions under the Roman Catholic Church” by Jim Tetlow, Roger Oakland, Brad Myers

Another recommended resource is titled, Exo-Vaticana, by Putnam and Horn. See the chapter titled, “Fátima: Harbinger of the Great Deception?” in “Section Three: When Chariots of the Gods Appear.” Although my conclusions sometimes vary, and please note that this does not represent a blanket endorsement, the work contains some valuable observations, including in a contribution by L. A. Marzulli. [Kindle Version] Exo-Vaticana: Petrus Romanus, Project LUCIFER, and the Vatican's Astonishing Exo-Theological Plan for the Arrival of an Alien Savior by Cris Putnam and Thomas Horn.

The Mystery of Code A113

While watching movies you may have noticed the frequent appearance of 'A113,' appearing like in this collection of images.

There's a plausible explanation for this that seems altogether innocent. Watch Explaining Code A113. The following article on Daily Mail also explains the A113 code and solves the mystery to the satisfaction of most.

Revealed: The inside joke behind mysterious 'A113' code that appears in nearly every Pixar film from Toy Story to Up

They note the following.

• The code is an 'Easter egg' - an inside joke - referring to classroom number at California Institute of the Arts
• A113 has appeared in at least 45 animated films, TV shows and video games
• Out of Pixar's 14 films, A113 popped up in 13 of them
• Number also appeared in live-action movies like Hunger Games: Catching Fire and Mission: Impossible - Ghost Protocol
• Oscar-winning Pixar director Brad Bird has used A113 in every one of his films, including The Incredibles and Ratatouille

If you spot A113 in a show or an animated feature, it means that someone from CalArts has played a part in making it. Sure, but is that all it means? If there's more to this code, and there probably is, it looks to me like another way to signal when the lawless one will be revealed. A113 ~ Antichrist, 1st month and 13th day. Would folks in the industry do something sneaky like leveraging a simple code to promote their agenda? Well, yeah. All the time. I've already offered evidence that the Adversary knows what's coming and when, and the arrival of their champion really warrants their leveraging every opportunity to promote it. (See When Will the Lawless One be Revealed? (The Sign for the Bride - Part 2))

The first hint that there might be more to it is to note the acronym CalArts shares with another familiar entity. The California Institute of the Arts is the CIA, like the Central Intelligence Agency. Does that suggest a link? Is that too obvious of a connection? I know. Call me crazy. Why would those sponsors of mind control programming have any interest in Hollywood production, right?

The kinds of places where this code appears in films also seems pretty innocent, showing up right where you would expect to find such alpha-numeric strings. Yet, when the context of these Easter Eggs is taken into account my “conspiracy theory” seems to have more substance.

In Monsters University, the code identifies the lecture hall where monsters Mike and Sulley have their first class. They are there to learn how to be the best monsters they can be. They talk and act like people. Beasts get prepared there to go into the world and do what beasts do. In this image the code appears on the door, and we see Sulley, a beast with horns, standing in the doorway under the arch with bright light inside. It's a dimensional transit - A113 - the Antichrist beast. (With purple fur, back lighting, the circles (doorknobs) and squares (framed panels inset) and illuminated royal arch (even including subtle M forms) all present, the sodomite gateway symbolism generally associated with Freemasonry abounds.)

In Brave, A113 appears in Roman numerals above the door of the witch’s hut: ACXIII. Again, it marks the doorway. I see the AC as being even more suggestive of AntiChrist - AC XIII as AC 13. The popular character of Agent Coulson of Marvel's SHIELD is called AC by Agent Skye. She, like AC, was made undead by means of an infusion of bodily fluid from a blue alien.Agent Coulson was frequently heard referring to where he was made undead as “a magickal place.” The witch does magic in the hut on Brave.

Aaron Hermann notes how it is seen so frequently on trains and vehicles. Trains are vehicles that make particular reference to the kind of dimensional transport of angels falling to earth. See this blog's commentary on Joel 2:8 and stargate transits. When the Antichrist is revealed on 13th day of the 1st month it will be like train A113 is arriving at the station right on schedule.

In WALL-E, the A113 code was the directive given to the Axiom's autopilot to never return to Earth. Hmmmmm. Flip that - a code to return to earth? Wall-E backwards is El Law. El is a name for God. Wall-E flips to signal the LAWless one who shows himself off to be God (2 Thessalonians 2). WALL-E anagram LAWLE + SS? The robot meets EVE - like an Adam.

As it appears on licence plates, the number is the ID, the officially registered identification code. It's like the mark of the beast. In Ratatouille, Git, the lab rat, has a tag on his left ear that reads A113. In the Simpsons, A113 appears as a mug shot ID and a prisoner ID. Oh oh.

In Finding Nemo, A113 appears on a SCUBA diver's camera, which makes images - like the image of the beast John saw coming up out of the sea in Revelation 13?

The A113 appears on a licence plate in The Iron Giant, which I've decoded in a series of posts in exposing it as a high level signaling antichrist vehicle. A113 appears in non-animated films like Terminator: Salvation and Mission: Impossible - Ghost Protocol.

The A113 code might be just for fun as an inside joke, but the kind of fun that probably represents is not going to last.

19 And I saw the beast and the kings of the earth and their armies assembled to make war against Him who sat on the horse and against His army. 20 And the beast was seized, and with him the false prophet who performed the signs in his presence, by which he deceived those who had received the mark of the beast and those who worshiped his image; these two were thrown alive into the lake of fire which burns with brimstone.

~ Revelation 19:19-20

I see in the A113 code another example of the secret time pattern of 3 things and then a 4th. Three characters appear in sequence that each have the value of 1. The 4th in series is different, and that character is a 3, the resurrection number.

The Esoteric Link Between Led Zeppelin's Stairway to Heaven and Spirit's Taurus

There's a new controversy involving what is often ranked as the greatest song of all time, Led Zeppelin's Stairway to Heaven. This matter could probably be settled in short order if esoteric meanings were taken into account.

“A lawsuit was just commenced by the band Spirit against Led Zeppelin claiming the iconic guitar arpeggio opening of “Stairway to Heaven” infringes Spirit’s 1968 instrumental track “Taurus.”” (Spirit v. Led Zeppelin: Analysis Of The "Stairway To Heaven" Infringement Lawsuit )

There are several factors involved that make it seem very likely that Led Zeppelin drew heavily from Spirit's song titled Taurus when they wrote their epic Rock anthem. Spirit's Taurus is an instrumental, so there are no lyrics, but the song title alone is enough to establish a definitive link.

This link has to do with understanding the ancient celestial stargates, which are also known as stairways to heaven. The celestial stargates appear where the apparent path of the sun intersects the Milky Way, where one is situated opposite the other in the great circle of the Zodiac. See the Celestial Stargates series for more detail.

The ancients referred to two celestial stargates, a Golden Gate and a Silver Gate, the latter of which is also known as the Ninth Gate. The constellation Taurus is the 9th in the order of the Zodiac, according to an ancient reckoning to which the Sphinx bears witness. Taurus, the 9th sign, is referred to by Luciferian Occultists as the Ninth Gate. This means that Taurus is understood to be a literal stairway to heaven. There's a very obvious link between the songs with those titles that exists even beyond the musical composition!

Could Led Zeppelin have known that Taurus was a stairway to heaven when they incorporated the music of Spirit's instrumental into their own song of comparable naming? The lead guitarist, Jimmy Page, was obsessed with the occult. In 1976 he opened up an occult bookstore, “The Equinox Booksellers and Publishers" on Kensington High Street, London. It was open for about ten years, and during that time Page printed several of infamous warlock Aliester Crowley’s books. Page was well known to have been practicing Crowley's magick during the 60s. Search The Open Scroll for Led Zeppelin or Stairway to Heaven for much more info.

Spirit - Taurus



Is Led Zeppelin guilty of ripping off Spirit's song? Oh, don't be silly. Satanists don't steal and they certainly wouldn't lie about it. Okay, well, yeah, that's what they do, according to the ways of the Father of lies, who comes to steal kill and destroy.

Have you heard Stairway to Heaven played in reverse? Those lyrics produce some epic speech reversals.

The timing on this controversy is very interesting, when Spirit is nearly coming through the Taurus, descending down the stairway from heaven like a Led Zeppelin.

When Will the Lawless One be Revealed? Fifteenth Installment

This installment is part of the work of updating Part 2 of The Sign for the Bride, one of the core studies on theopenscroll.com. You can find the study being updated here: When Will the Lawless One be Revealed? (The Sign for the Bride - Part 2).
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The crossing trails of comets Hale-Bopp and Hyakutake

The paths traced in the sky in 1996 and 1997 by the “naked eye” comets Hyakutake and Hale-Bopp intersect. My friend Bob Wadsworth (the Biblical Astronomy guy) made an important observation in 1997, that the two comets reached the point of intersection exactly one solar year apart. When the timing of their crossed paths is given a thorough examination the extraordinary dating of the 13th day of the 1st month emerges as the midpoint of their arrivals at that intersection. From ancient times, the appearance of a comet has been accepted as a bad omen. That certainly finds support in this case when the ancient meaning of the place of intersection is factored in. Long held traditions identify the nearby luminary as the most malevolent star of the heavens!

Comet Hyakutake was dubbed “The Great Comet of 1996.” Comet Hale-Bopp was dubbed, “The Great Comet of 1997,” and it was perhaps the most widely observed comet of the 20th century. Visible to the naked eye for 18 months, the rare and spectacular celestial object doubled the previous record held by the Great Comet of 1811. Just after Hale-Bopp passed perihelion (closest approach to our sun during its orbit) it arrived where Hyakutake had been exactly one year earlier. What is so notable is that this crossing of paths occurred on the very same day of the year. That's what Bob Wadsworth brought to my attention.

On the Lord's calendar, that day, April 11, represents two different dates on the Lord's calendar. When Hale-Bopp crossed the path of Hyakutake it was the 4th day of the 1st month, by my best calculations, checked and rechecked. (Since I have not found reliable documentation of the Lord's calendar going back that far, I utilized my archival collection of confirmed data to make a projection. All this fussing is based on the range of dates that the 1st month can begin, and the range of when the new moon can be sighted, which factors in the % illumination and the lagtime between sunset and moonset. It further helps to know the full moon is always on either the 13th or 14th day.) One year earlier, Hyakutake had been there, on the 22nd day of the 1st month. The 13th day emerges as the midpoint. (22-9=13 and 4+9=13) Hyakutake arrived at the point of intersection in 1996 9 days after the 13th, and Hale-Bopp arrived a year later, 9 nine days before the 13th. The fact that the paths intersected on the same exact day on the popular calendar insured this matter would garner our attention. It sticks out like a sore thumb.

These two notable “bad omen” comets crossed paths at a time and in a place that signifies the enemy of the Messiah. The general region is the constellation Perseus, which is pictured in the sky charts as you see in this image, as a man with a sword held high and the severed head of the gorgon Medusa held in his other hand. Some scholars assert that Perseus represents the Lord Jesus Christ, victorious over his enemy.

If you superimpose the charted paths of the two comets, you see that an X is formed because the paths are nearly perpendicular. The picture has the severed head of what the Greeks called Medusa appear as in the cross-hairs of a rifle scope. Bang. Right between the eyes. The Hebrew name for the head is Rosh Satan, meaning, “the head of the adversary.” Other names for it are Al Ghoul, “the evil spirit,” and Al Oneh, “the subdued.” The Beta star in Perseus is located very near to the comet's intersection in Rosh Satan. Its name is Algol, which means, “rolling round.” The Starlore Handbook says that, according to tradition, Algol is the most malevolent star of the heavens. This star is notably a variable star, cycling every 69 hours between a brightness of the fourth magnitude and the second. This is one of several variable stars with names signifying the enemies of God. The meaning of the place of the intersection of the paths of these “bad omens” is not ambiguous.

The perpendicular intersection of the two comet's paths near Algol also appears like a cross, formed between the eyes or in the forehead of Rosh Satan! That's rather familiar symbolism, isn't it? The appearance of the cross speaks of the church, with which the Beast will be identified. (1 John 2:19) The appearance of the cross on the forehead also speaks of the mark of the beast in the forehead of his followers (Revelation 13:16).

It is no stretch of the imagination to interpret the crossing of the comets' paths as a portent of the coming of the lawless one. It is a fact that the comets crossed paths in the area of the sky known in Hebrew as "Rosh Satan"- the head of Satan, where the nearest bright star has long been identified as the most malevolent star in the heavens. It is a fact that their shared times of arrival at that inauspicious place of crossing is what called it to our attention. From out of a careful consideration of the Lord's calendar what emerges is how the 13th day of the 1st month is the mean or midpoint of their arrival times. What we've learned in this study from the biblical modeling of the 13th day of the 1st month is that this one day of the year is connected with the revealing of the Antichrist, which may be linked with Algol and the head of Rosh Satan. We've been instructed about signs in the heavens, that the celestial lights are given to mark seasons and days and years. Seasons, in Genesis 1:14, is “moadim” in the Hebrew, meaning appointed times, like the Feasts are appointed times. I've already given attention to the 4/4/15 lunar eclipse, the 2nd event in the rare blood moon tetrad. I believe this comet trail crossing sign was another celestial sign and harbinger of that day. Consider the number of the span of years between when the sign of the intersection was made and the event it portends: 2015-1997=18. Note the same number of days were spanned between the comets' arrivals, because April 11, 1996 and April 11, 1997 were the 22nd and 4th days of the 1st months. 22-4=18. The number 18 is widely leveraged as a signal transformation to 666 (MOB) as 6+6+6 and to 9 (single digit MOB transformation #) as 1+8.

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More to follow, Lord willing.

Decoding the Resurrection of Michael Jackson at the Billboard Music Awards

Sunday night, the world witnessed the resurrection of Michael Jackson, King of Pop. This staged performance was a centerpiece of the BMA (Billboard Music Awards) ceremony. The resurrected Michael Jackson was only a virtual version but his appearance was convincing, bringing members of the audience to tears as his 3D holographic projection performed on the Las Vegas stage. The show was honored with a standing ovation! The demonstration combined virtual and real live action and was very impressive, far less cheesy than I would have thought. It was provided for our entertainment but beyond that it may be seen as an Occult ritual that very specifically prefigures a coming deadly hoax.

Here's a video: Slave to the Rhythm - Michael Jackson resurrected in Vegas at the 2014 BMA



Because of the content produced and the technology involved in producing that content, it is evident to me that the event previews a deadly hoax, when another resurrection will be featured with an even far more convincing array of projection technologies. Lying signs and wonders will convince most saints that their hope is in vain because the resurrection our reward depends upon will have already happened. The evidence offered will destroy what faith they think they have in Jesus Christ as their savior. It will appear like their only option for the salvation that will be sought with desperation in that day will be to accept the one who will then appear as the real Jesus, with the throne of heaven. This is the message of 2 Thessalonians 2 that I've begun to teach in recent months as I've received more insight into that crucial text.

1 Now we request you, brethren, with regard to the coming of our Lord Jesus Christ and our gathering together to Him, 2 that you not be quickly shaken from your composure or be disturbed either by a spirit or a message or a letter as if from us, to the effect that the day of the Lord has come. 3 Let no one in any way deceive you, for it will not come unless the apostasy comes first, and the man of lawlessness is revealed, the son of destruction, 4 who opposes and exalts himself above every so-called god or object of worship, so that he takes his seat in the temple of God, displaying himself as being God. 5 Do you not remember that while I was still with you, I was telling you these things? 6 And you know what restrains him now, so that in his time he will be revealed. 7 For the mystery of lawlessness is already at work; only he who now restrains will do so until he is taken out of the way. 8 Then that lawless one will be revealed whom the Lord will slay with the breath of His mouth and bring to an end by the appearance of His coming; 9 that is, the one whose coming is in accord with the activity of Satan, with all power and signs and false wonders, 10 and with all the deception of wickedness for those who perish, because they did not receive the love of the truth so as to be saved. 11 For this reason God will send upon them a deluding influence so that they will believe what is false, 12 in order that they all may be judged who did not believe the truth, but took pleasure in wickedness. ~ 2 Thessalonians 2:1-12

As the day appointed for the hoax draws near, the Lord has granted us to see how these high tech ceremonial events inform us about that day. If you're not already familiar with what I've written in The Sign for the Bride - Part 1, and on the blog, Part 3 - Sochi Winter Olympics 2014 - The Ultimate Hoax, you may want to read them for more explanation of this very important matter. The 3D holographic technology used to resurrect MJ is an impressive way to present more lifelike visual imagery. Yet, no matter how realistic that might be to an audience watching a staged performance or a broadcast to a screen, what's coming soon will be far more convincing. People, even most saints, are already very receptive to the Antichrist lies, as I've demonstrated in a literal thousand posts to this blog and theopenscroll.com, yet the level of receptivity is going to be far more enhanced next year when the lawless one makes his scheduled appearance.

The audience for the impressive projection technology used in the stadium during the recent Olympics in Sochi was vast. The images projected into the stadium combined with the live action performance to create a rich visual tapestry. Without a focused effort, the audience couldn't tell the difference between what was real and what was not. The line between the real and virtual was blurred making reality indistinguishable from false reality. There was recorded video of past events that was merged into the presentation and a featuring of historical events in the live action, effectively folding the past into the present in our experience of that blurred reality. That's powerful. When we have a firm grasp of how we are the audience and this is a show, it's fun, sure, but given that this is all in the hands of the illuminated agents of the prankster god, you've got to know there is a sinister purpose.

Holographic projections of people have been beamed onto stages for special events before. The illumined Steve Jobs digitally appeared on stage for the launch of the iPhone 5 on 9/12/12. This man, who might well be considered the king of Silicon Valley, had been dead for over a year. Rapper Tupac Shakur was murdered in Las Vegas in 1996 and was holographically resurrected in April 2012 to perform on stage during the Coachella Valley Music and Arts Festival. He is known as the King of Rap. His namesake, Tupak Amaru, was the last King of the Incan empire. Before the holographic projection technology was advanced to that state, the undisputed King of Rock and Roll, Elvis Presley, who had died in 1977, was resurrected in 2007 with rotoscoping technology to appear on “American Idol,” joining Celine Dion in singing a duet. This combined the real with virtual and merged the past into the present. The technology has advanced significantly since then, but on that same model, Duet Impossible is a weekly show in the UK where stars of today sing live with resurrected stars. (Celebrities ~ stars ~ angels) Do you perceive some trends? Resurrecting Kings and Stars? Natalie Cole was famously joined by her departed superstar father for the performance of a virtual duet, singing, Unforgettable. Her father? Nat King Cole. Again, so you don't miss it, that's Nat KING Cole. Isn't this all just a tad conspicuous? Now, the King of Pop has been raised from the dead in a very impressive display.

When the two living Popes were canonizing two recently dead Popes last month (April 27) in a literal flesh and blood ritual communion at the Vatican, the ceremonial rites were broadcast around the globe in the most advanced high def 3D available. Where do think that's going?

The stage on which the resurrected Michael Jackson appeared resembled an altar at the Vatican or the Jesuit home church Gesu in Rome. Seven rayed golden suns were emblazoned upon the face of the stage to frame it with the most gaudy of religious bling. At the center, instead of the expected T-IHS reversed code inside the golden sun god anus idol what appears is the MJ sigil, which I'll decode shortly. The setting is easily identified as a temple of the sun god. Since a Pope is going to baptize and anoint the lawless one at his revealing, this king's resurrection is perfectly set.

Five suns appear across the top, and the third one is central and exalted. Seven suns appear around the frame and the 4th is central and exalted. This arrangement emphasizing the 3rd and 4th in series signifies the production of Horus through the esoteric 47th Problem of Euclid and the fundamental assignment of meaning to the 3.4.5 Pythagorean triple. The numbering of 5 in line at the top signifies Horus. The 7 total as the sum of 3 and 4 redundantly signifies Horus. Some of them had the occasional look of black suns, or annular solar eclipses.

The song “Michael Jackson” performed was his new hit, Slave to the Rhythm. His posthumous album, Xscape, debuted last week at No. 1 in 50 countries. Yeah, it's that big of a deal. The album cover art is very revealing. It shows the King being reborn as an alter identity, of King Horus crowned by his birthing celestial mother Isis. It's the picture of Isis raising Osiris into Horus, birthing him magickally into the world.

He is pictured emerging as from a celestial stargate. The worshiped king whose mark is the X is seen Xscaping that underworld realm in which he has long been restrained. The X transformation is occurring as his star nature is merged with flesh. On stage at the MGM Grand, which is dedicated to the sun god Lion (Part 34 - Code 33 - MGM, Lion Kings), this Occult Luciferian dream of the arrival of their messianic Antichrist king was advanced with potent symbolic ritual pre-enactment, and spilling the beans in the process about what's in store for us next year!

The BMA performance began as black storm troopers rushed onto the front of the stage wearing bright lights on their heads, making jerky choreographed gestures like mechanical marionettes to a dark and ominous soundtrack. On their chests appear the MJ sigil and they mimic some of his moves. These dark warriors are the king's personal guard. Do I still need to explain the army of chosen ones that are purposed as the guard of Antichrist like the Swiss guard at the Vatican? (Have you heard Russ Dizdar's presentation from May 6th? Luciferic Illuminati Eschatology 5 Points - some timely info.)

The curtain raises to reveal the scene of a throne room, where the resurrected King of Pop appears, seated casually on an ornate golden throne. Observe how that it's not just the King who has appeared as from out of the past but his throne and throne room with him. This pictures what I described recently (When Will the Lawless One be Revealed? Third Installment) as the materialization of a heavenly Zion with the messianic pretender's throne, upon which he sits.

3b ...and the man of lawlessness is revealed, the son of destruction, 4 who opposes and exalts himself above every so-called god or object of worship, so that he takes his seat in the temple of God, displaying himself as being God.
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9 that is, the one whose coming is in accord with the activity of Satan, with all power and signs and false wonders, ~ 2 Thessalonians 3b-4, 9

Observe how MJ, whose fatal wound has evidently been healed, has a throne that features the skin of a leopard. The beast John saw in Revelation 13 was like a leopard. The dragon gave him his throne.

1 And the dragon stood on the sand of the seashore. Then I saw a beast coming up out of the sea, having ten horns and seven heads, and on his horns were ten diadems, and on his heads were blasphemous names. 2 And the beast which I saw was like a leopard, and his feet were like those of a bear, and his mouth like the mouth of a lion And the dragon gave him his power and his throne and great authority. 3 I saw one of his heads as if it had been slain, and his fatal wound was healed And the whole earth was amazed and followed after the beast; ~ Revelation 13:1

And the whole earth was amazed and followed after the beast as tears were shed in his glorified presence, a standing ovation was given and the masses were moved to buy more copies of Xscape and official merchandise in support of the woman who attended him, the Great Harlot or “Slave to the Rhythm.”

The imagery above the throne features his MJ brand image. The M is the 13th letter, which has the signification of the rebel-lord-beast. The J has a crown on top. The letter J is the 10th letter. It's like having 10 horns and on his horns, ten diadems.

The form behind the J makes it look like a dragon. The wings make the J appear like the winged rod of Hermes or Mercury, the caduceus, with a rather serpentine head. The equivalent psychopomp in the Egyptian identification is Anubis. That image appears in the arch of heaven where we see the representation of the celestial heavens. It's the portal to the Duat and aligned Silver and Golden Gates through which Anubis escorts Horus, the golden sun king.

In the image of the King of Pop's exaltation, note that the lightning bolts behind his outstretched arms are the ancient weapons of Zeus, aka Satan, and that there are 3 on each side of the throne. Code 33. Satan's throne was in Pergamum, but it was removed from that famous acropolis to be put on display in Berlin, Germany as the Altar of Zeus.

12 “And to the angel of the church in Pergamum write: The One who has the sharp two-edged sword says this: 13 ‘I know where you dwell, where Satan’s throne is; and you hold fast My name, and did not deny My faith even in the days of Antipas, My witness, My faithful one, who was killed among you, where Satan dwells. ~ Revelation 2:12-13

The throne of King MJ is the throne of Satan and he is the beast who ascends to that throne.

About that featured letter M, Helena Blavatsky wrote the following.

“The most sacred of all is the letter M. It is both feminine and masculine, or androgyne, and is made to symbolize water, the great deep, in its origin. It is mystic in all the languages, Eastern and Western, and stands as a glyph for the waves, thus: ”
( H. P. Blavatsky - The Secret Doctrine (Vol. 1, Page 384))

The king of pop, who was obsessed with Diana Ross and was renowned for having had extensive plastic surgery, had a very soft and effeminate speaking voice. That seems fitting for the M symbol of the beast of the watery abyss. We see his throne set under an arch that seems to rest upon a pair of matching chess pieces, twins, as the pillars. It is a symbol of Gemini and the celestial Silver Gate. The chess pieces flanking the king's throne are queens, which speaks to the expression of the king's feminine sexuality.

One version of the throne room features checkerboard patterns, which certainly match to the “Alice in Wonderland” scale Queens. The alternating dark and light pattern represents the knowledge of good and evil, a most fitting symbol in this context.

One of the symbols that appears on the wallpaper is one featured on the stylized title of the TV show, Salem. It has been reported that this controversial show has had professing witches complaining that the producers are too openly revealing some of their secret practices. The figure framing the letter L in the title appears next to the throne of Horus. That letter L should be recognized as two legs of a right triangle of the 3.4.5 proportion. The hidden hypotenuse is Horus. The Salem sigil and the one adorning MJ's throne room are the Horus Eye. The MJ “wallpaper” hides pyramids, the geometric figures with inherent 3.4.5 features that are connected with the Illuminati and the sun god beast kingdom. The equilateral triangle has internal angles of 60 + 60 + 60 degrees and this is used as a secretive transformation of 666, and as a representative form of triple helix DNA, beast DNA.

The letters MJ as 13 and 10 sum to 23, the chromosome number that often signals the additional genetic material that deifies man in the transformation into a god-man beast. This MJ thus represents the beast and his promise of sharing the “immortal” golden body, held out as the means of securing a necessary salvation.

It may also be seen that the letters MJ speak of what may be called the Marian Apparition Day, which is typically October 13, 10/13. The exalted Mary bears the title, Queen of Heaven, which is Isis by another name. A pair of queens are under the royal arch of heaven, over the throne, with the magickal runic MJ symbol right there in the celestial portal.

This MJ or JM as a date code can be seen to transform by reduction to the 13th day of the 1st month. That's the day appointed for the beast's appearance. Note that.

Just prior to the BMA's ritual resurrection of the king of pop, another network aired a special Coldplay concert that featured a combination of live action and special projection technology. (Highlights From Coldplay’s Ghost Stories NBC Concert Special) The show didn't resurrect a king but, well, yeah, they kinda did. His most humble highness Chris Martin himself was featured as one who arose magickally as from out of the depths of the sea. He then poured out his heart, singing A Sky Full of Stars. Coldplay's love song to the stars was thinly veiled. It was a heartfelt tribute to their beloved Horus. Search this blog for Coldplay and you'll see why I state that with confidence.



The special stage, when looking down from above, resembled a magic circle of light, within which the High Priest raised energy for his ritual. It resembled an ancient ring of standing stones, like Stonehenge. Having the tree on the set with stars hanging on the bare branches (“...with seed in itself, bearing fruit after its kind”) is a pretty obvious sign. Shooting stars appeared in the projection - falling angels. Chris floated and did somersaults in the air among the stars. I doubt many people will put together why Ghost Stories is the title of their new album (hint - Rephaim), or why the special was set inside an old aircraft hanger, which housed huge airships. Aaron thought it was interesting when Chris yelled out, “spin the room” and the projection effects spun around - reminiscent of some of the action in the Hunger Games film, Catching Fire (but that's another blog post that probably won't get written).

Was a point being made Sunday night? Yes, I believe so, and I don't think a day goes by in this remarkable season without similar signs in the media.

Is there really an alien base in Romania inside the Bucegi mountains that contains a holographic projection technology that streams all of mankind's history? I don't know, but it would not surprise me if there were because this is just the very kind of technology the Lord has been impressing upon me in association with 2 Thessalonians 2.

Here is the text below the diagram: “The Library of the Universe - The Projection Room contained detailed information from fields like: physics, cosmology, astronomy, architecture, technology, biology, genetics, and even religion. Because it contained so much information, the room was compared to a library. In the middle of the room, there was a podium-like area which contained an interesting device. The scientists speculated that it might have been a device to enhance various cerebral functions.”

Is that or something like it intended to be co-opted to project historical distortions from the lying Akashik or Hall of Records to convince a dazed mankind of their savior's arrival, disarming the pliable saints in advance with an fraudulent exhibit of resurrection? Well, as strange as it sounds, it does not seem implausible. Let's stay awake and watch. Y'shua, the genuine savior is worth the wait!