Part 8 - To Number Our Days Aright - The Coming "Flood"

For a thousand years in your sight are like a day that has just gone by, or like a watch in the night. ~ Psalms 90:4

In this post I offer the basis for my expectations for the big events mapped to 2014 and introduce one of the collateral data sets, a time code resource that complements the historical accounts.

In mapping events from one template to another, the most coarse outline suggests that the seventh day will be set apart from the other 6 in character. Two other stand out divisions are the flood of Noah's day and my Lord's resurrection. I suspect the mapping of many other transitional events will be well worth the exercise, but these two events seem to really stand out. I've already proposed when it is that the corresponding events might be expected. The flood of Noah's day occurred 1656-1657 FA, projecting into the midst of the second day of this Shemittah, May of 2014. My Lord's resurrection occurred very early in the fifth millennial day, projecting into 2016 during the Days of Awe, in September or October. What will those seasons bring, the Black Awakening and the mark of the beast? For our benefit, we have templates to review, and additional resources to complement them.

Before I launch into that, let's acknowledge how this is a very different approach from what so many are accustomed to. The conventional approach to mapping end time events involves the application of natural reasoning to fit the prophetic scriptures together like pieces of a jigsaw puzzle. Since the Lord took me to His feet as a student, I don't put much stock in that approach. The problem isn't that there aren't really smart people putting lots of effort into it. The problem is that the Lord hid it, and nobody has an intellectual crowbar big enough to pry one pearl out of the Lord's treasure box. He grants it to whom He wills when He wills.

About the jigsaw puzzle allegory, the conventional approach of assembling the puzzle seeks to discover the time. What I've discovered is that the Lord usually gives me a time element and fills in what it means from there. If you are experienced and methodical with jigsaw puzzles, the first thing you want to do is find all the straight edged pieces and connect them to form the border. That defines the boundary and structures the context, framing the whole. With the unfolding of prophecy, the metaphorical straight edged pieces used to construct the frame relate to time. Events have context, as any sane perspective of the past reveals. There is continuity between the events, and this context gives them meaning. What sense can be made of the past without the sense of a timeline and a firm grasp of locality and interactions between peoples and regions over time? None! What sense can be made of the future without the same? None! Without the Lord's help identifying and assembling the puzzle frame, we're lost. With it, we've got just what we need!

A good many students of prophecy have as something akin to a fuzzy picture on the cover of the jigsaw puzzle box this week of years described in Daniel 9. The logical thing to do when you work the puzzle and read verse 27 is to read, “middle,” then divide 7 by 2 and get 3.5.

27 And he will make a firm covenant with the many for one week, but in the middle of the week he will put a stop to sacrifice and grain offering; and on the wing of abominations will come one who makes desolate, even until a complete destruction, one that is decreed, is poured out on the one who makes desolate.” ~ Daniel 9:27

The reasoning student surveys the collection of puzzle pieces and grabs those 3.5 year-ish looking pieces, making them fit together as best one can. That works, until it doesn't, and it doesn't work when you pay heed to the pattern of history as the basis for comparison. The Hebrew word for “middle” in verse 27 does not demand interpretation as the midpoint. The pattern weeks of Psalm 90:4 provide no evidence of a midpoint divider marking off 3500 years from Adam. Other events that can still be considered in the midst of the week qualify, however.

About those spans relating to the reign of the beast and great tribulation, these begin in the middle of the third year when the lawless one is revealed and a genocidal purge of the saints becomes the order of the day. That's Spring of 2015 if you're following along with a sense of the schedule. The terminus of that season will arrive as the week transitions into the Shabbat, the Day of the Lord, of retribution and recompense. 2.5+3.5=6

The world of the day of the lawless one's revealing will differ from the world of today. Within the next two years those of us who survive that long will see it change dramatically. The pattern of rav sheva or the great sevens of Psalm 90:4 suggests it will be a projection of the flood of Noah's day, as 1656-1657 FA maps into May of 2014. What will that look like as it manifests in this compressed prophetic second watch of the night? Let's start by leveraging the biblical templates as we seek insight into what appears to be appointed for a mere 11 months out.

First, we're going to find what is common to the Creation week and millennial week templates then assess what it suggests about our Shemittah. Here's the account of the second "day that has just gone by."

6 Then God said, “Let there be an expanse in the midst of the waters, and let it separate the waters from the waters.” 7 God made the expanse, and separated the waters which were below the expanse from the waters which were above the expanse; and it was so. 8 God called the expanse heaven. And there was evening and there was morning, a second day. ~ Genesis 1:6-8

Here's the passage that describes the flood of Noah's day.

6 Now Noah was six hundred years old when the flood of water came upon the earth. 7 Then Noah and his sons and his wife and his sons’ wives with him entered the ark because of the water of the flood. 8 Of clean animals and animals that are not clean and birds and everything that creeps on the ground, 9 there went into the ark to Noah by twos, male and female, as God had commanded Noah. 10 It came about after the seven days, that the water of the flood came upon the earth. 11 In the six hundredth year of Noah’s life, in the second month, on the seventeenth day of the month, on the same day all the fountains of the great deep burst open, and the floodgates of the sky were opened. 12 The rain fell upon the earth for forty days and forty nights. ~ Genesis 7:6-11

Because “a thousand years in your sight are like a day that has just gone by,” we see a correlation, matching “all the fountains of the great deep” to “the waters which were below the expanse” and “the floodgates of the sky” to “the waters which were above the expanse.” Surprised? Stunned? When I began to test the rav sheva theory I found this match pretty remarkable, wondering how we could have missed this amazing premise for so long. It is a witness to the Lord's ability to hide His treasure in plain sight!

How will this be like a watch in the night? Well, we can rule out a great flood of water because the sign of the covenant made with man and the earth itself still abides, the bow set in the clouds. I've already identified this event to you as what's called the black awakening, so let's turn our attention to what that means and how it fits the model.

If you've been following this blog for a while, you should be coming to an acute awareness that mind-control programming is a fact, that there is an elite body of trans-national programmers who rule the masses through ritual magick performed in both private and public contexts. It should be sinking in that there is a secret army of radically equipped soldier-slaves that have been prepared and strategically placed throughout the world, in every sector of power and influence. The system's security isn't perfect and beans have been spilled, but the damage control mechanism has been very effective. In recent years, through the Lord's bountiful favor, I've discovered that the Adversary, whose forces these are, likes to boast of his achievements, past, present and future, and that evidence of his plan is brilliantly embedded in the media imagery that saturates our cultures. The theme of a raging anti-Bride company bringing chaos appears as a strong thread. They are the agents appointed to aid in the overturning of this order and usher in the next. (ordo ab chaos, motto of the 33rd degree of Scottish Rite Freemasonry)

This is no fabrication of an overactive imagination born of conspiratorial paranoia. Ask Russ Dizdar about what the SRA DID chosen ones have testified as they hurl out their battle cries under duress. Granted, this is all rather difficult to accept in the face of all we've been taught and it goes against the flow of popular paradigm. The Bible says in the last days delusion and deception would dominate, and so it does. The truth is hard to accept, but the Black awakening is coming, and it will not take the Lord Y'shua by surprise. It's actually been on His radar for quite a while, and now, in due time, He makes it known to watchful servants according to His faithful promises.

I must mention how the matter of Daniel 8's prophecy about America's reset button getting punched is still pending. When it will come, I do not know. I only know the sign of imminent fulfillment will be when the powers of the Medes and Persians have both been broken and America exalts herself exceedingly, so Iran must shortly go the way of Iraq. Perhaps it's related to the flood projection.

So, how does the second day flood of water foreshadow the Black Awakening? The figurative language of the Bible represents people as water, and a flood can represent an angry mob or army.

1 Then one of the seven angels who had the seven bowls came and spoke with me, saying, “Come here, I will show you the judgment of the great harlot who sits on many waters,
...
15 And he said to me, 'The waters which you saw where the harlot sits, are peoples and multitudes and nations and tongues. ~ Revelation 17:1, 15

13 But I cry to you for help, Lord; in the morning my prayer comes before you. 14 Why, Lord, do you reject me and hide your face from me? 15 From my youth I have suffered and been close to death; I have borne your terrors and am in despair. 16 Your wrath has swept over me; your terrors have destroyed me. 17 All day long they surround me like a flood; they have completely engulfed me. 18 You have taken from me friend and neighbor— darkness is my closest friend. ~ Psalm 88:13-18 NIV

16 Over me hath Thy wrath passed, Thy terrors have cut me off, 17 They have surrounded me as waters all the day, They have gone round against me together, ~ Psalm 88:16-17 YLT

Wrath is fierce and anger is a flood, But who can stand before jealousy? ~ Proverbs 27:4

19 And they fear from the west the name of Jehovah, And from the rising of the sun -- His honour, When come in as a flood doth an adversary, The Spirit of Jehovah hath raised an ensign against him. 20 And come to Zion hath a redeemer, Even to captives of transgression in Jacob, An affirmation of Jehovah. ~ Isaiah 59:19 YLT

Are you finding any of that compelling? I am!

When the activation code sequence has been transmitted into the world by the programming elite, the demonically psi powered supersoldier alters will be triggered to carry out their appointed missions as agents of destruction. The opposition will be overwhelmed as by a flood. It's a brilliant plan and it will work. An extermination to extinction is beyond the limit set for this operation, but ordo ab chaos will manifest and out of the ashes of the phoenix will appear a vigorous feathered serpent of the form fit for this season of destiny fulfilled.

Prior to my awareness of these agents and their role in what was coming I had seen and written about a counter-flood in parts 6-8 of the Olympic Ceremony Symbolism series based on the 2008 games in Beijing. This counter-flood I perceived in the context of the enemy's plan to swap places with the Almighty God by conversion and elimination of his heritage people. The serpent's heritage was purged from the face of the earth during the flood of Noah's day and he intends a reversal of fortune. While the genetic conversion from man to beast through DNA replication will come largely through the transformative mark of the beast that's at the heart of that counter-flood plan, the Black Awakening flood has a critical role in the lead up to it, making way for the beast's entrance.

I've blogged about these matters some, in posts like Part 28 - Rango - Zombie Resurrection and Apocalypse - The Black Awakening and Beyond. What I've proposed here would have seemed rather unlikely to most folks not long ago, but given the state of the world today it's hardly a stretch of the imagination to picture our world order being overturned within the year.

Finally, I'd like to add a little more substance to what I've proposed for 2014 through a collateral data set, a key source of insight that complements the historical accounts.

What J. R. Church popularized about Hidden Prophecies in the Psalms has been very useful to me for purposes of confirmation. Put simply, it describes a sequential Bible time code where Psalm 1 is a cryptic description of the year 1901, Psalm 48 of 1948, 101 of 2001, 113 of 2013, etc. The many, many hours I invested during the mid 1990s in trying to discern the set representing Daniel's principle seven when I hadn't first had the explicit revelation that identified it to me led to nothing more than a close familiarity with the Psalms. As I attest in this documentation of the fruit of earlier efforts, The Year of His Coming: 1991 - Part II, the time code is useful for validation of what is already known.

Here's the passage that equated to 2014.

When Israel went forth from Egypt, the house of Jacob from a people of strange language, 2 Judah became His sanctuary, Israel, His dominion. 3 The sea looked and fled; the Jordan turned back. 4 The mountains skipped like rams, the hills, like lambs. 5 What ails you, O sea, that you flee? O Jordan, that you turn back? 6 O mountains, that you skip like rams? O hills, like lambs? 7 Tremble, O earth, before the Lord, before the God of Jacob, 8 Who turned the rock into a pool of water, the flint into a fountain of water. ~ Psalm 114

The sea, the Jordan river, a pool of water and a fountain of water; that's pretty wet for one short Psalm. A prophetic foreview? I would not recommend betting against it!

There is a reference here to the exodus, wilderness wandering and crossing into the promised land, which is all “middle of the third day” content, not second day, but it should be noted how the second is really for the preparation for what's coming in the third. Do mountains and little hills really skip, or is there some truth concealed and revealed through metaphorical language? There is a trembling of the earth before the Lord, the God of Jacob. Consider what deeds are attributed to Him as making reference to the miraculous provision for sustaining His people. In the Young's Literal Translation, verse 8 is rendered, “He is turning the rock to a pool of waters, The flint to a fountain of waters!” Present tense, right? Think about it. Such provision will be required, and I'm assured it will be provided right on time.

When I call out the flood of Noah's day as the singular transitional event of that season I surely neglect what must be seen as major related events of the season. Here's a mapping of some.

** Unit 2 - 2013-2014 **
~ 9/8/2013 - ? 9/27/14 (384 days)

1536 FA - God gives 120-year warning of Flood

4/1/14 * 9/18/12 + 560.6 [365*1.536] * from Yom Teruah 2012
3/22/14 * 9/8/13 + 195.6 [365*.536] * from Yom Teruah 2013 - solar
4/2/14 * 9/8/13 + 205.8 [384*.536] * from Yom Teruah 2013

1656-1657 FA - Noah's Flood (year long duration) * The Black Awakening?

5/15-16/14 * 9/18/2012 + 604.44 to 604.80 [365*1.656 and 7])
5/5-6/14 * 9/8/13 + 239.44 to 239.80 [365*.656 and 7]
5/18/14 * 9/8/13 + 252 to 252.3 [384*.656 and 7]

1757 FA - Peleg born * Earth divided in days of Peleg

6/21/14 * 9/18/2012 + 641.3 [365*1.757]
6/11/14 * 9/8/13 + 276.3 [365*.757]
6/26/14 * 9/8/13 + 290.7 [384*.757]

1908 FA Nimrod born to Cush

8/15/14 * 9/18/2012 + 696.4 [365*1.908]
8/5/14 * 9/8/13 + 331.4 [365*.908]
8/23/14 * 9/8/13 + 348.7 [384*.908]

1996 FA Peleg dies, Tower of Babel destroyed

9/17/14 * 9/18/2012 + 728.5 [365*1.996]
9/7/14 * 9/8/13 + 363.5 [365*.996]
9/26/14 * 9/8/13 + 382.5 [384*.996]

As I review the dramatic history of the second millennium it's a mind-bending exercise to consider the implications for 2014. How might the domination of the ancient serpent bloodline of the Nephilim and descendants of Cain manifest in the time compression leading up to the flood purge marker? How about their remarkable resurgence following the flood, as they were shortly led to conspire together to storm heaven through the Tower of Babel gambit? Will a coup via seizing control over a dimensional gateway be narrowly averted, or just how might such a pattern manifest as the calendar turns over the leaf into the third day of this long awaited Shemittah? Will the days of Peleg manifest in a division of the Earth that echoes the language of the second day of Creation? Does Jasher's record offer some vital clues?

Watch with me as answers to many questions never before even formulated find answers in the days ahead. We live in remarkable times!

1 Praise ye Jah! Praise, ye servants of Jehovah. Praise the name of Jehovah. 2 The name of Jehovah is blessed, From henceforth, and unto the age. 3 From the rising of the sun unto its going in, Praised [is] the name of Jehovah. 4 High above all nations [is] Jehovah, Above the heavens [is] his honour. 5 Who [is] as Jehovah our God, He is exalting [Himself] to sit? 6 He is humbling [Himself] to look On the heavens and on the earth. 7 He is raising up from the dust the poor, From a dunghill He exalteth the needy. 8 To cause to sit with princes, With the princes of His people. 9 Causing the barren one of the house to sit, A joyful mother of sons; praise ye Jah! ~ Psalm 113 YLT

Mind-Control Programing - Decoding DreamWorks, Travelers Insurance and Bedtime Stories

Caveat: If you're a victim of ritual abuse who is still being delivered this is not fit material for you. Potential triggers ahead.

When Monarch slaves are being programmed, they are brought into a trance state. One of the standard techniques is called “go over the rainbow,” making reference to the famous song from “The Wizard of Oz.” When you are familiar with the imagery from the song and with the associated script used for mind-control programming, you'll begin to recognize signs of Illuminati programming in movies, commercials, ads and logos. I'll present a few examples here, adding to a growing collection on this blog.

Somewhere Over the Rainbow - Lyrics

Somewhere over the rainbow
Way up high
There's a land that I heard of once in a lullaby

Somewhere over the rainbow
Skies are blue
And the dreams that you dare to dream really do come true

Someday I'll wish upon a star
and wake up where the clouds are far
behind me
Where troubles melt like lemon drops
Away above the chimney tops
That's where you'll find me

Somewhere over the rainbow
Blue birds fly
Birds fly over the rainbow
Why then oh why can't I?

If happy little blue birds fly beyond the rainbow
Why oh why can't I?

As Dorothy longed to escape the unpleasant realities of life to somewhere beyond the rainbow in a distant fantasy world, so it is that the traumatized slave is forced and trained to mentally travel to that fantasy land through the process of dissociation. Imagery from the song is used to hypnotically manage the slave, guiding them into a trance state for the installation of a program script and then back out when the job is done. The song and the famous film have long been used by mind-control programmers but many others are also used. The industries responsible for the imagery we're immersed in today have cleverly embedded a continuous stream of supporting imagery.

Web search images for Disney bluebirds and you'll see some images in fantasy worlds that are probably triggering for many, who identify with these travelers over the rainbow that troubled Dorothy so longed to emulate.

Here's a video that illustrates the pervasive pyramid and sun imagery in the Wizard of Oz. This easily demonstrates how the film makers know and leverage mind-control techniques through magick symbols.

The Wizard of Oz-Movie Magick-illuminati Hollywood




Every time a DreamWorks animation is produced, a variant of their animated logo appears in the opening sequence. (I covered one in a post in 2010: Secrets of the Occult DreamWorks Animated Logo, and How to Train Your Dragon) Here's one I saw recently featured in Over the Hedge (2006), an animated feature that delivers SRA programming with sodomy and coprophagy symbolism throughout.

Dreamworks Animation SKG Logo



The crescent moon is a very popular occult symbol as the celestial light that rules the night. The boy in the moon is raised through the clouds and comes to rest, a symbol of being brought into the trance state. His being seated on the moon is a redundant butt signaling that is symbolic of the ritual sodomy typically practiced in this context. The balloons that elevate him become rainbow-like, so they're a kind of a rainbow bridge (Bifröst) transport mechanism for travel into another dimension. The other dimension is a realm of the spirit where demons operate and control, being ritually invoked and magickally bound for that purpose.

What follows was already presented in this post, Yoplait Umbrella Commercial and the Flash Mob Black Awakening, but it's worth repeating here.

One of the most important concepts of the programmers is having slaves "go over the rainbow." Although in recent years other methods have been substituted for this, there are many hundreds of thousands of slaves for whom "going over the rainbow" is part of their programming. What is the script for programming this?

The PROGRAMMING SCRIPT FOR GOING OVER THE RAINBOW (Three dots in this script do not indicate missing parts, but rather pauses. In other words, pauses are indicated by three dots.)

INDUCTION TRAINING SCRIPT

"BREATHE DEEP --- YOU ARE FLOATING DOWN ... DOWN ... ON A BEAUTIFUL RED CLOUD, AND YOUR WHOLE BODY IS RED -- AS YOU GO DRIFTING AND FLOATING .... ROCKING GENTLY ... DEEPER ... AND DEEPER ... DOWN ... [this repeated, one time, for each color of cloud-orange, yellow, green, blue, and violet clouds.] "LAND VERY GENTLY ... VERY SOFTLY ... IN THE CENTER OF A ROUND, BLACK PEARL. SEE IT GLOWING, SOFTLY, GENTLY ... NOW TURN AND FACE THE EAST ... AND THEN THE SOUTH ... AND THEN THE WEST ... AND THEN THE NORTH - OPEN ALL OF YOUR INNER SENSES."

[The rainbow gives the much abused victim of mind-control and trauma, a safe mental place to travel to; and this serves as a "home base" for the mind to return to when things get difficult. If the programming begins to be destroyed and a deeper alter experiences real life--its coping mechanism to face the harsher realities of life will be a knee-jerk reaction to go to safety over the rainbow.]

BRINGING THE SLAVE OUT OF TRANCE (Switching to the FRONT PERSONALITIES after programming)

After the slave has been switched to deeper personalities who are in trance in order to have the slave a. be programmed b. be programmed & carry out a mission, c. go to a ritual, then it is important that the programmer takes time to get the slave to emerge slowly and gently from their altered state. The induction process is reversed. The repetition of trances will reinforce the depth of the trance state, and keep the undetectable slavery operating smoothly:

"IN THE PEARL, PREPARE TO AWAKEN. WHEN YOU AWAKE, YOU WILL FEEL REFRESHED, ALERT, RENEWED, AND FILLED WITH ENERGY. YOU WILL REMEMBER ALL THAT YOU HAVE EXPERIENCED. NOW TURN AND FACE THE EAST ... THEN THE SOUTH ... THEN THE WEST ... THEN THE NORTH. [this helps the slave orient themselves internally] TAKE A DEEP BREATH ... INHALE ... EXHALE ... "YOU ARE FLOATING UP ... UP ... ON A BEAUTIFUL VIOLET CLOUD, AND YOUR WHOLE BODY IS VIOLET AS YOU DRIFT GENTLY UPWARD ... "ON A BEAUTIFUL BLUE CLOUD ... UP ... UP ... AND YOUR WHOLE BODY IS BLUE AND YOU ARE BEGINNING TO AWAKEN GENTLY AND YOU DRIFT GENTLY UP ... ON A BEAUTIFUL GREEN CLOUD ... AND YOUR WHOLE BODY IS GREEN ... AS YOU DRIFT GENTLY ... UP ... UP ... "ON A BEAUTIFUL YELLOW CLOUD ... GETTING MORE AND MORE AWAKE ... AND YOUR WHOLE BODY IS YELLOW ... AS YOU DRIFT GENTLY ... UP ... UP ... "ON A BEAUTIFUL ORANGE CLOUD ... FILLED WITH ENERGY AND VITALITY ... YOUR WHOLE BODY IS ORANGE ... AS YOU FLOAT UP GENTLY ... "ON A BEAUTIFUL RED CLOUD ... ALMOST FULLY AWAKE NOW ... AND YOUR WHOLE BODY IS RED AS YOU FLOAT GENTLY ... "STAY ON THE RAINBOW ... [at this point the script for the slave’s programming or mission or ritual will be placed into the mind].

After the programming session, the mission, or the ritual the handler/or programmer finishes...

"LEAVING THE MEMORY IN THE BLACK PEARL AND CLOSING AND SEALING THE BLACK PEARL. YOU WILL REMEMBER ONLY THOSE DETAILS THAT I TELL YOU TO REMEMBER. AND IN A MOMENT YOU WILL COUNT TO TEN AND GO BACK INTO YOUR SPACE, AND RED 2001-A [whatever the code is for the alter] WILL RETURN."

(Monarch programming script for going "over the rainbow" - Deeper Insights into the Illuminati Formula by Fritz Springmeier & Cisco Wheeler)

Here's a video with a collection of DreamWorks animated logos, some of which include imagery that further supports the mind-control programming theme.

DreamWorks Animation SKG Variants

The trauma abuse is seen in the one where the boy falls on the moon, first landing on his butt then on his head. Trauma, sodomy and illumination. In another, the boy is beaten and disappeared by black and white (duality - merged opposites) penguins. Animals are often used during ritual trauma abuse. An Asian version features the gong sound, with the bell being a common device used for demonic invocation because it's a dimensional portal control mechanism. There's an alien abduction version, which certainly fits the theme. There's a version linked to How to Train Your Dragon. (Secrets of the Occult DreamWorks Animated Logo, and How to Train Your Dragon) Think about the meaning of the title in the context of SRA ritual programming. The handlers train their dragon by programming the slave which requires binding and controlling dragons, or demons. There's a version with an eclipse, presenting the black sun symbol momentarily. Eclipse events are Pagan ritual days celebrated with ritual sacrifice and programming events. Why is the boy fishing? Is he a fisher of men, like in the biblical metaphor, a kind of counterfeit Christian? Is he going to catch you on his hook with the bait offered during the animated feature?

The name DreamWorks was well chosen because it describes their activity. A works is a facility where a specific type of business or industry is carried on. They make dreams, of course. Recall Dorothy's song. “Somewhere over the rainbow skies are blue, and the dreams that you dare to dream really do come true.” The slave's dreams effectively come true when they dissociate, because where they go in their mind becomes their reality. Every programming ritual is a dream-works. The SRA industry is a dream-works. Are animated features designed to produce trance states and embed programming scripts? Look around with your eyes open and see what you see.

Most of DreamWorks' films are marketed and distributed by The Walt Disney Studios. Disney. Master programmer. Here's the graphic promoting a Disney film titled Bedtime Stories (2008). The blurb on Netflix reads: “Skeeter is a down-on-his-luck guy who's always telling bedtime stories to his niece and nephew. But his life is turned upside down when the fantastical stories he makes up inexplicably turn into reality and he must find a way to manage them.” That sounds like DreamWorks to me! The poster art confirms it. The umbrella is a signal anus (ritual sodomy) and a symbol of the umbrella programming used when Delta assassin alters are created and their programming is accessed for missions. I haven't seen that movie and have no idea if the umbrella is ever used for flight, but raining colored gumballs falling on his black umbrella is a pretty clear signal. (Bedtime Stories (2008) Trailer)

Here's an example from the witchcraft perspective, where witches descend from the heavens like Mary Poppins. The umbrella has magick. It's a magickal transportation device. It's suggests a bubble that surrounds them like the magick circle, which is spherical.

Practical Magic - ending scene

Does it recall Dorothy's song about going over the rainbow? “Where troubles melt like lemon drops away above the chimney tops that's where you'll find me” Did you notice any chimney tops in that scene? Had they been somewhere over the rainbow on that Samhain, Halloween, a ritual night, with their black robes and power cone headdresses? Did you happen to hear any messages being implanted as programming script during the sequence?

Why do you suppose this kind of thing is done over and over again? Because it doesn't work? Gullible, still? It supports the army of programmed slaves. It keeps the masses numbed and enchanted. Those responsible for these dream-works do it to flaunt their powerful exercise of control. It's bragging between the insiders, the programmers. When you finally wake up to it, as out of a dream, it's like seeing the puppeteer working backstage, the wizard behind the curtain. It's a shocking and sobering witness to the reality of Illuminati programming and the power that is wielded over the masses. It is a witness to our world being just as described in the Bible.


The branding for Travelers Insurance features a red umbrella. This symbol of mind-control programming and bloody ritual sodomy appears under the pretext of representing the kind of insurance protection offered for vehicles. The prominently displayed J of the handle supports the symbolism of the sun god like the sun wheel form of the covered framework. J=10 = X = sun god.

The symbolism identifies Travelers as those who go over the rainbow, dissociating, switching alters, who travel up and down by ascending and descending through the colored clouds bracketed by the color red, to be held on the rainbow in a trance state while being programmed. The Travelers are those with psi powers traversing dimensional barriers by astral traveling, projecting, remote viewing, remotely influencing people and relationships. The umbrella programming is done by the programmers, not being entrusted to the regular handlers. The umbrella programming system is for Delta alters, programmed for critical missions like assassinations.

This brand is about serious business, fiscal responsibility, insurance. Really, it's the "fear of loss" management business. These money people are in the entertainment media business when they sponsor commercials. Like this.

Travelers Insurance Umbrella Man



It's a magickal umbrella, a transportation device.

If the Travelers Insurance allusion to the Wizard of Oz and “go over the rainbow” programming is too subtle, they provide some validation in the theme of their other commercials. Compare the dog to Toto. When Dorothy sings Somewhere Over the Rainbow, Toto appears with her. He's linked to the song as one of the images, like the bluebird, the lemon drops, the rainbow, etc.

Travelers Insurance dog commercial



Toto is a terrier. In the various books and films about Oz, Toto is pictured as a variety of terriers. In the MGM classic, he's a Cairn Terrier but others include the Yorkshire Terrier, Boston Terrier and Border Terrier. The dog featured in the Travelers Insurance commercials is a mutt Terrier, a blend that perhaps most closely resembles Highland Terrier.

The song is titled, “Trouble,” and the lyrics are repeating “trouble” and “worry” over and over. Ritual trauma. Travelers. Do the math.

In this picture, the Terrier is perhaps supposed to be looking at the magickal umbrella. He has the look of being in a trance.

Dogs in Occult symbolism signal god, which is dog spelled backwards, and the dog star Sirius that is linked to Lucifer and Isis and Osiris. Dogs signal male prostitutes and anal sex. When Dr. Green aka Josef Mengele programmed children he favored using the German Shepherd to aid in the process. The imagery of certain dogs is triggering for many.

Are you seeing what you're looking at? Do you sense a hidden puppeteer working off stage? Have you come to know the One who sets men free? He is the one in whom refuge is, and a storm is coming. The umbrella scheme is not going to help. Psalm 91. Have you read it lately?

2013 Billboard Music Awards - Celebrating the Illuminati Slave-Handler

While Sweden was hosting the Eurovision Song Contest, another Illuminati sponsored mind-control celebration was happening on this side of the pond, at the MGM Grand in Las Vegas, Nevada. The 2013 Billboard Music Awards. According to the MailOnline, “It's a toast to the top artists on the charts with a wild show of song and dance.” If you review the article and the many pictures from the event it should be obvious to those who follow this blog why I titled this post like I did.

In the MailOnline article's lengthy title we're let in on one of the highlights, “Justin Bieber emerges from an alien orb.” This alien orb was modeled on a chariot of the Egyptian sun god, associated with Horus Behdeti. (Search this blog for Horus Behdeti and also for winged disk) Bieber's arrival from out of the winged orb modeled the return of the sun god, the arrival of the Beast.

The special effects fog inside the orb has him literally arriving in a cloud to picture the messianic event counterfeiting what was prophesied in Acts.

9 And after He had said these things, He was lifted up while they were looking on, and a cloud received Him out of their sight. 10 And as they were gazing intently into the sky while He was going, behold, two men in white clothing stood beside them. 11 They also said, “Men of Galilee, why do you stand looking into the sky? This Jesus, who has been taken up from you into heaven, will come in just the same way as you have watched Him go into heaven.” ~ Acts 1:9-11

What do they mean by the faceted glass door? It's the shape of the coffin pictured on Freemason tracing boards, a feature that identifies the emerging Bieber-sun-god as the resurrecting Osiris!

The pictures you see here are those of the Third Degree, and in Royal Arch Degree tracing boards the coffin is often pictured resting under the checkerboard floor. The raising of Osiris is eagerly anticipated by Illuminists and represents far more than just a casual theme for entertainments.

“During research for the book (which hit #1 the day of its release), Dr. Horn traveled to Washington DC, where he met with Masons at the House of the Temple, the headquarters of the Supreme Council of the Scottish Rite. Horn says these men were very cordial and mostly responsive to his questions, even confirming his understanding of the influence of Freemasonry in American history. Only when he pressed one of them about a ritual called the Raising Ceremony (the raising of Osiris from the dead—a.k.a. Hiram Abiff), which is conducted in the Temple Room on the third floor of the building, did these Masons become evasive and visibly uncomfortable.”

“The reason for this, according to Horn, is that in addition to the Raising Ceremony being conducted when members reach the 33rd Degree of Scottish Rite Freemasonry, this strange ceremonial is performed without public knowledge in the Temple Room at the inauguration of every U.S. president. Why? Because deep esoteric meaning behind Egyptian and Rosicrucian magic that was incorporated in the rites and rituals of Freemasonry holds that the spirit of Osiris can be raised from the underworld and "installed" (for want of a better term) in the reigning king or president. According to Horn, this is why the U.S. Capitol Dome is laid out so as to face the Obelisk known as the Washington Monument, as well as other puzzling architecture in Government Center.”
READ IT BEFORE IT'S BANNED BY THE US GOVERNMENT - PART 32 Domes, Obelisks, and Magic Squares, O My! How the Most Powerful Nation on Earth Beckons the Evil One

Justin's girlfriend, Selena Gomez was featured in the role of Isis, the sister and wife of Osiris whose magick raises him to bring forth Horus. Her set featured the golden light body and third eye bindi, magickal binding collars and cuffs and attending priestesses with magical enchanting hand motions.

Plenty of other activity made it a big dance party to celebrate the arrival of Horus. Prince, kind of channeling Jimi Hendrix, wore a big ring that was an eye of Horus.

Taylor Swift, who took home 8 more awards to add to this 23 year old's extensive collection, performed a set wearing a unicorn with a rainbow tail on her blouse. A message appeared in what might be the unicorn's thought bubble, a rainbow cloud, “Haters Gonna Hate.” Her special dancers wore the colors of the rainbow, which, along with the unicorn and its message must surely speak to her fans who appreciate her well known LGBT anti-discrimination efforts. It's all a stab at “homophobes” who discriminate against LGBT, of course. And, the Creator, and those who love Him.

Beyond the superficial LGBT activism bit and more importantly, the rainbow and magickal unicorn support the Osiris, Isis and Horus theme, working to facilitate that. If you've been following this blog closely you may recognize the wet raincoat with hat costumes as symbols of ritual sodomy as they dance in the implied fertilizing rain of Horus. The masks and gloves announce to us how these are Illuminati slaves with alter identities. One dancer in a crowd of "regular people" on stage with her wore an orange dress with feline print jacket, signaling the orange sodomy and sex kitten or Beta programming.

The rainbow cloud on Taylor's blouse and the colored rainsuited dancers pictured for us the “go over the rainbow” programming, setting up for some Monarch mind-control script. (See Yoplait Umbrella Commercial and the Flash Mob Black Awakening or search the blog for “go over the rainbow.”) “She also had a colorful performance of her hit "22" — starting backstage and working her way to the main stage on the back of a bike with help from a dozen background dancers and a flurry of red balloons.” (Taylor Swift shines at Billboard Music Awards, Justin Bieber booed) So, red balloons. Rainbow cloud. Uh, this is not exactly well hidden. So where's the black pearl where the memory is placed? Could this be it, on the Billboard sign? The ritual sodomy of the programming event is certainly present, with the stage featuring bright orange and the black circle being squared for the ubiquitous alchemical signal squaring of the circle. It's a sign, right, a Billboard?

2013 Billboard Music Awards - Celebrating the Illuminati Slave-Handler. Of course. The returning Beast is being celebrated by those who facilitate his arrival. That time is near. Public ritual like this example in a constant succession of awards ceremonies is mass programming that builds momentum towards that end.

Pinocchio and Jiminy Cricket, Disney's Monarch “Conscience” Programmer

Hey, News Flash - signs of mind control programming appear in Disney productions! OK. For most of us that's not exactly news. However, seeing in an animated feature from 1940 the same Monarch “go over the rainbow” programming that was on exhibit during the recent Paralympics and in the Yoplait Umbrella commercial helps us keep a better perspective on the scope and scale of the matter.

Just like how Steven Hawking played the programmer at the Paralympics, Jiminy Cricket plays the programmer in Disney's animated feature Pinocchio. He is often pictured with his red umbrella, a symbol of ritual sodomy programming that sometimes appears in the closed phallic state and sometimes in the open anal state. He uses it as a parachute, floating in the air on his umbrella to signal the “go over the rainbow script.”

I remember seeing this film when I was very young, and there were a few sequences that I have to say left me traumatized. Disney specializes in making scary villains with intense scenes. The reasons for that go beyond any desire to create memorable entertainment. Walt and Roy Disney had trauma-based mind-control programming objectives.

Breaking down the esoteric allegory, the slave being programmed on screen is pictured by Pinocchio, a wooden marionette who is magically animated by a blue fairy, a fallen star and butterfly-like (Monarch) creature. That pictures the demonic installation that gives an alter identity its powers. Multiples have many alter identities and they are not in control of the switching. They are literally slaves, “remote” controlled by programming in such a way that they are puppets or marionettes. Alters are also pictured by masks (a front alter) or as dolls, dummies or mannequins.

The role assumed by the cricket is as Pinocchio's conscience, and in the end he is even awarded an official certificate in acknowledgement of his efforts. A simple definition of “conscience” is that it is the sense of right and wrong that governs a person's thoughts and actions. “Be a good boy, and always let your conscience be your guide,” the blue fairy instructed, after officially assigning Jiminy Cricket the role. What this reveals is how the programs installed by handler-programmer Jiminy Cricket are to magickally govern or control the marionette's thoughts and behavior.

The blue fairy brings Pinocchio to life with her magick star wand but his body is still pine.

As a necessary caveat, if you're a victim of ritual abuse who is still being delivered or you're easily offended by mature subjects and descriptive language, please don't continue here.

It will help to watch this clip. I couldn't find a better one. This fandub is mirrored and otherwise altered, but it's the best version I could find with this scene.

Disney's Pinocchio - Blue Fairy fandub



The fairy tells Pinocchio that if he wants to become a real boy of flesh and blood he must prove himself to be brave, truthful and unselfish and able to tell right from wrong by listening to his conscience. Pinocchio asks “What are conscience?” This is Jiminy's cue, who leaps off the shelf to float down with his purple umbrella. This is our signal that the programmer has brought the slave into a trance state and is going to install a program. What he says as he floats down is instructive, describing the program, and informing those of us who perceive how Disney is using the film to spill the beans about the Illuminati programmer's plans, ways and means.

When the Cricket says, “What are conscience? I'll tell you. A conscience is that still small voice that people don't listen to,” this is not really programming to obey that still small voice, is it? It's simply a declaration that people don't listen to that still small voice. I'm going to show you how this is a substitution, swapping out one “thought and behavior guide” for another.

The “still, small voice” references a passage from the Bible.

11 And he said, Go forth, and stand upon the mount before the Lord. And, behold, the Lord passed by, and a great and strong wind rent the mountains, and brake in pieces the rocks before the Lord; but the Lord was not in the wind: and after the wind an earthquake; but the Lord was not in the earthquake: 12 And after the earthquake a fire; but the Lord was not in the fire: and after the fire A STILL SMALL VOICE. 13 And it was so, when Elijah heard it, that he wrapped his face in his mantle, and went out, and stood in the entering in of the cave. And, behold, there came a voice unto him, and said, What doest thou here, Elijah? ~ 1 Kings 19:11-13

(Note: This is another example of the time pattern of three things and then a 4th. 1. Wind 2. Earthquake 3. Fire 4. A still small voice, which was the Lord.)

My Lord and Elijah's was in the still, small voice. After Jiminy Cricket's declaration that, “a conscience is that still small voice that people don't listen to,” he himself becomes Pinocchio's official conscience. This pictures Jiminy Cricket becoming a substitute for the Lord, who was in the still, small voice people don't listen to. Doubt it? Before Disney gave this name to his character, Jiminy Cricket, it was an expression being used as cuss words. Jiminy Cricket and Jiminy Christmas were more acceptable ways to take the name of Jesus Christ in vain, examples of what's called a minced oath. It's like saying “gosh darn it” or “dadgumit.”

“The character's name is a play on the minced oath exclamation "Jiminy Cricket!" – which itself was uttered in Pinocchio's immediate Disney predecessor, 1937's Snow White and the Seven Dwarfs. Another example occurs in the 1939 film The Wizard of Oz, wherein Dorothy (Judy Garland) cries, "Oh! Oh! Jiminy Crickets!" when she is startled by the Wizard's pyrotechnics. ” (Wikipedia)

There's your substitution, Jiminy Cricket for Jesus Christ, literally an antichrist. He's JC!

Let's identify this substitute more precisely. Just who is the designated moral compass and behavioral guide for the Monarch slave marionette? Have you ever heard of the expression, “By Jiminy”? That's an oath, more technically, a minced oath. What's being obfuscated is, “By Jove,” swearing by the name of Jove, who is Jupiter. This Jupiter is also known as Zeus, who is identified in the Bible as Satan, the Devil, the Serpent, Dragon and Lucifer. The master programmer supplying the program scripts to be executed by the marionette is Jiminy, aka Satan.

The song Jiminy Cricket sings at the opening of the film is, “When You Wish Upon a Star.” It was written specifically for this film. This Academy Award winning song has become instantly recognizable around the world as the signature Disney song. This is an incitement to sin by idolatry and witchcraft.

“When you wish upon a star,
Makes no difference who you are,
Anything your heart desires will come to you.
If your heart is in your dream,
No request is too extreme,
When you wish upon a star, as dreamers do.

Fate is kind, she bring to those who love
The sweet fulfillment of our secret longing!
Like a bolt out of the blue,
Fate steps in to see you through!
Your dreams come true. ”

A star is an angel, in metaphor. Shortly after this song, we find Geppetto rising from bed to wish upon a star.

“Star light, star bright,
The first star I see tonight;
I wish I may, I wish I might,
Have the wish I wish tonight.”

Then, he makes his wish that Pinocchio could be a real boy. He goes back to bed and the blue fairy arrives like a falling star, materializing in the room as from another dimension. His wish was being granted, which is a clever way of saying his prayer to the demon gods that are fallen angels was granted. This activity is, of course , strictly forbidden in the Bible for our protection. We can identify the blue fairy with Fate. Fate is not the True God, obviously. “Like a bolt out of the blue, Fate steps in to see you through!” A bolt out of the blue is the weapon of Zeus or Jupiter. Geppetto performed a ritual summoning or invocation of the animating blue fairy-fallen angel with this prayer to the celestial lights. Nothing good comes of this rebellion and witchcraft. How many children have been led down the left hand path with this simple enchantment?

In this next clip that goes further past the clip offered above, you'll hear Jiminy Cricket call Pinocchio, “son,” identifying the marionette to us as Apollo, the son of Jiminy-Jove-Jupiter-Satan and antichrist beast.

Pinocchio and Jiminy Cricket - Always Let Your Conscience Be Your Guide!



Notice how Jiminy has a “heart to heart” talk with Pinocchio. That interprets to butt to butt interaction, here, incestuous reciprocal sodomy, which is typical handler-slave relationship and behavior. (Taylor Swift's illustration of what is meant by "heart to heart." - note: Wonderland Magazine, as in "Alice in Wonderland.") JC tells the marionette to sit down, so he plops down on his butt. Then he sits himself down, on his own butt, and while he talks he keeps pointing his phallic umbrella. See how the fiddle string breaks and whips Jiminy in the backside. Old standard Bimbo's Initiation style action.

This sequence has a solid programming layer, but first I want to establish a family relationship by introducing the Egyptian allegory. Jiminy is pictured more like a grasshopper because he's flesh colored or sometimes green. Osiris green. Consider how the ancient Egyptian trinity is evoked an allegory where the Blue Fairy is Isis, the goddess of reproductive magick, who uses the phallus of Osiris (the magick star wand) to magickally give life (birth) to Horus-Pinocchio.

When Jiminy tells Pinocchio, “And anytime you need me, you know, just whistle,” he proceeds to teach him how and lead him in what must be seen as a ritual invocation of the devil. In many such rituals, the name Cernunnos is used. The whistling or blowing is a common ritual imagery where the breath is spirit. When you interpret the symbols, it's all pretty plain.

This scene informs us on a programming level that Jiminy Cricket is a program that represents the programmer, a demonic (literally) master control program that has the job of controlling alter switching. Watch the clip a few times and this should become apparent. See him dancing and sliding down on the fiddle string with his red “parachute” umbrella, once again signaling the slave's trance state and “go over the rainbow” programming, with the programmer accessing the security system of the Umbrella programming. The function of the open match box Jiminy Cricket stands and sits upon appears to be that of the black pearl. The contents placed inside the black pearl are sealed in, secured because discovery or loss of the valuable secret program would be the worst that could happen. Like matches, this knowledge could be used to light destructive fires.

If Jiminy's tightrope act on the fiddle seems familiar, it's probably because Gene Kelly reenacted it for us in “Singin in the Rain”! His playful tightrope walking routine and coy little “jump off” step off the curb bit was done in front of the bookstore that represented the programming scripts. (Part 96 - The Sodomite Gateway - Singin' in the Rain: Umbrella Programming at the Hat Store) That routine was a nod to this scene in Disney's film, which had come out of Hollywood 12 years earlier. Add “go over the rainbow” programming to the list of Gene's symbolic routines.

If you haven't connected the dots, it's time to identify links to the fiddle playing master programmer Joseph Mengele aka Dr Green. Green, like Osiris and grasshopper. Here's a collection of excerpts from The Illuminati Formula to Create An Undetectable Total Mind Controlled Slave by Fritz Springmeier and Cisco Wheeler. I put my comments inside square brackets.

“One of the names connected with Monarch programming is Marionette Programming. The child literally becomes a Marionette. This concept appears to have been cooked up by the Germans under Hitler. An alter System as a child is physically shown that they are a marionette puppet. Their muscles are electro-shocked in such a way as to take advantage of the natural reflexes. When electro-shocked that way, the victim’s body parts jerk out of our control at the whim of the programmer to prove to the victim that they are a puppet. At this time, the rules are given and rule number 8 is that the alters are their puppet. Illuminati programmer Dr. Mengele, used puppets in a dollhouse as he programmed. He did skits with his puppets. “Dance Marionette dance,” he’d say in his thick german accent. Pinocchio’s story was used to name the spirit guide Jiminy Cricket.”
--- [the spirit guide, Jiminy-Satan antichrist]

“‘This,’ said the Nome King, ‘is but a small part of my army. No ruler upon Earth has ever dared to fight me, and no ruler ever will, for I am too powerful to oppose.’ This was to help build acceptance within the child of the layering of armies of demons. pg. 180, Book 3 Ozma of Oz, “For upon the edge of the table rested a pretty grasshopper, that seemed to have been formed from a single emerald.” The next page has a picture of a grasshopper wearing a hat and many shoes. This was used to help the victim take the hypnotic suggestion that their programmer was a grasshopper, a cricket. Mengele used a clicker which helped with this hypnotic suggestion too.”
--- [demonic army - locusts - black awakening]

“The top of the page has a large cricket like creature that was said to the child to be the programmer (Dr. Mengele). All of the stories in The Tall Book of Make Believe were used one way or the other in programming. We will just touch on some notable points. On page 38 is a poem about a Mr. Nobody. The programmers like to have alters identify themselves as “nobody”. On page 39 is a poem/story about “someone” who comes tapping...but it is “only the cricket whistling”. This was used to help program in that the 3 taps were the cricket (the cover image for the programmer.) ”
--- [A programmer is identified in the phrase, “only the cricket whistling.” The whistling cricket is featured in Pinocchio, which you saw if you watched this clip earlier that illustrated the Devil's invocation. Pinocchio and Jiminy Cricket - Always Let Your Conscience Be Your Guide!.]

“INTERNAL DECEPTIONS - When building an internal world, the programmers use every trick in the book to hide things. First the abuse has to be hidden in silence, and then the MPD has to be hidden. Next, the real core needs to be hidden. Then, the purpose of a Monarch slave needs to be hidden. All the time that this is going on, the programmers must constantly work at keeping the programmers’ identities hidden, and their programming sites hidden. Programmers usually have cover names when programming, and then hypnotically have the victim see them as something else. For instance, Dr. Green had victims see him as a cricket. He even used a cricket noise maker while programming, that clicked.”
--- [Dr Green bug grasshopper-cricket. By the way, Nuns in Catholic schools use a clicker to summon and program.]

Some claim this programming was invented by Mengele but he was merely one contributor. Pinocchio's story was used by Dr Green, along with many others that weren't just accidentally found to be useful by random happenstance.

“Dr. Joseph Mengele of Auschwitz notoriety was the principle developer of the trauma-based Monarch Project and the CIA’s MK Ultra mind control programs. Mengele and approximately 5, 000 other high ranking Nazis were secretly moved into the United States and South America in the aftermath of World War II in an Operation designated Paperclip.” (Ken Adachi, Mind Control the Ultimate Terror - Origins and Techniques of Monarch Mind Control)

Really, trauma based programming predates the CIA and the OSS, and even the invention of the umbrella by a long, long time. The Wizard of Oz film, with hit song “Somewhere Over the Rainbow” hit theaters a year before Pinocchio, in 1939. Fantasia hit the theaters the same year as Pinocchio, which Springmeier and Wheeler claim was the fruit of years of development of color programming. (Deeper Insights into the Illuminati Formula) Had Dr Green seen these and derived inspiration for his programming scripts? I believe the basis for these would have been circulating globally in that era's Illuminati programming scripts.

“Pinocchio” is Italian and the name translates to, “pine eyes.” This is an Occult reference to the pine cone third eye or pineal gland enlightenment! This is what the story is really about, which applies on several levels of allegory in the film.

Earlier, I identified Jiminy as Satan. Jiminy was assigned to guide Pinocchio. The blue fairy tells Pinocchio that if he wants to become a real boy of flesh and blood he must prove himself to be brave, truthful and unselfish and able to tell right from wrong by listening to his conscience. The ability to tell right from wrong alludes to what Jiminy-Serpent-Satan told Eve in the Garden of Eden.

For God knows that in the day you eat from it your eyes will be opened, and you will be like God, knowing good and evil. ~ Genesis 3:5

Your eyes will be opened - "pine eyes" and you will be like God, knowing good from evil as coached by Jiminy-Serpent.

This aptly named esoteric story derives from an older work. “'The Adventures of Pinocchio' is a novel for children by Italian author Carlo Collodi, written in Florence. The first half was originally a serial between 1881 and 1883, and then later completed as a book for children in February 1883.” (Wikipedia) Disney understood that esoteric work, who could identify with Pinocchio as his own third eye was opened.

Disney covered Collodi's classic 11 years before covering a Lewis Carroll classic, producing “Alice in Wonderland” in 1951. Collodi was a contemporary of Carroll. He was already an author by 1865, when Carroll published “Alice's Adventures in Wonderland,” but it wasn't until 1875 that he began to write literature for children. It's well known that his literature was highly allegorical. Comparing Collodi and Carroll (similar pen names) and their contributions to classic programming literature (with similar descriptive titles, “Adventures”...) may suggest some deeper connection, but what is evident is that they had the same inspiration and objectives as Walt Disney.

Collodi was a Freemason, which explains a lot. The VC documents that here, in The Esoteric Interpretation of Pinocchio. Perhaps Walt Disney was too, and speculation abounds about that. The exclusive 33 Club isn't called that for nothing. Jiminy Cricket and Mickey Mouse don't wear trademark Masonic white gloves for nothing. His esoteric works betray that he is an adept, and official membership in one group or another isn't going to change the way I see that.

There are some other elements of Pinocchio that I noted that should be mentioned. Really, I think an entire blog could probably be devoted to this animated feature but I'll probably limit commentary mostly to this one post.

Like in the animated feature Rango but presented in a more subtle fashion, there's a knights quest involved that is a seeking for the holy grail. This is evident in how the blue fairy tells Pinocchio that if he wants to become a real boy of flesh and blood he must prove himself to be brave, truthful and unselfish and able to tell right from wrong by listening to his conscience. It's the left hand path story. The promise made is that by attaining virtue he will be rewarded with a bodily transformation. He was given the anointing with the blue fairy “queen's” magick wand doubling as a scepter of authority. Like Don Quixote, this “pine eyes” knight of the quest has a squire in Jiminy Cricket. The queen granted authority to squire Jiminy Cricket with her magick wand scepter and with magickal new attire gave him provisions fit for the quest.

Here's how it went when Pinocchio let Satan be his guide. He finds himself held captive in a bird cage, as SRA slaves being programmed usually do. He finds himself on an island where there is a terrible curse which turns little boys into donkeys. Here's some classic pedophile programmer stuff, an island filled with little boy asses. He finds himself lying, and the nose that grows into a tree branch when he lies shows he is a son of the father of lies (John 8:44), a branch of that family tree that is not of the true tsemach, or Branch of Isaiah 4:2 or Jeremiah 33:15, Zechariah 3:8 and 6:12.

The big deception of the hypnotic program script inspired by the blue fairy and programmed by Jiminy Cricket is this, that you should always let your conscience be your guide. This is actually contrary to the Bible's direction. The fallen ones teach rebellion and sin of every kind. What the unsaved carnal man has for a moral compass is often called the heart, which the parallel script is always declaring that we should follow our hearts.

“The heart is more deceitful than all else and is desperately sick; Who can understand it? ~ Jeremiah 17:9

1 But the Spirit explicitly says that in later times some will fall away from the faith, paying attention to deceitful spirits and doctrines of demons, 2 by means of the hypocrisy of liars seared in their own conscience as with a branding iron, ~ 1 Timothy 4:1-2

That's the Jiminy-Satan conscience that is found at the conclusion of the grail quest. Long nose-branch Pinocchio or the transformed marionette as a hybrid donkey are two images that illustrate that end.

With the programming and esoteric “pine eyes” themes you know there's got to be an abundance of ritual sodomy symbolism in Pinocchio. I already discussed some, but here's more.

In this pair of similar images, Jiminy Cricket has the phallic state umbrella and the anal hat, which models ritual sodomy and also a male train. The one with the stars illustrates the fallen angel illumination pretty effectively.

Do you suppose the cricket's posturing inspired the Brown Derby Luv Pub?

Gene Kelly demonstrates below what's going on with Jiminy Cricket's umbrella.

You can see in the first video clip that Jiminy Cricket is terrified when the blue fairy appears. He grabs his umbrella and shoes and leaps into one of Geppetto's pipes to hide. This little sequence is rich! Here's a pair of screenshots that captures much of the symbolic imagery. Before the cricket can do any programming he's got to be initiated, and this is where it happens.

This mind-control programming is trauma-based. When the blue fairy, a fallen angel, materializes, he's traumatized. He runs by a pie-eyed pincushion doll with checkerboard clothing, pierced with tacks. Yikes! The ritual torture and sacrifice of a companion! The ritual sodomy that is symbolized here is going to force him to dissociate, which is pictured by a pair of pipes that are carved to look like heads. With no bodies, they are dismembered heads that represent his dissociated identities, alters.

After Jiminy grabbed his shoes, they were no longer drawn to look like shoes. From that point, they looked like a naked brown butt, and a scrotum.

Several more sodomy images appear, perhaps the most obvious of which, after the purple umbrella, involves the figure on the pipe Jiminy dives into. You could say that the pipe man caught Jiminy but in the language of what's pictured, the pipe man is really the sodomite “pitcher,” not the catcher. This is the same flip presented in Puss in Boots, when Humpty Dumpty was dropped down for Puss to catch. When we hear Jiminy exclaim, “As I live and breathe! A fairy!” - he's calling attention to the pipe man as the fairy, which is slang for a homosexual man. He stands up stiffly and exclaims. Ummm-MMMM! Gay! When you learn how that many alters are programmed to picture themselves as inanimate and that much is made of living and breathing during programming, the other part of the exclamation is one more clue to tip us off to the ritual initiation.

There is a twisted purple cord wrapped around a pipe stem, picturing the sphincter around the “dirt pipe.” It has a pair of twisted strands wrapped around the gold band that signals the promised triple helix gold DNA body, (like Humpty Dumpty, the “gold pooper”). Extending this imagery we see the spiraling design of the big pipe bowl, the signal sodomy vortex, which is strengthened by the positioning of the open purple umbrella on top of it. When Jiminy lifts the umbrella and peers out, it's the symbolic opening of the third eye.



In this screenshot, Geppetto is in bed with the little black and white cat, covered by a quilt with a Masonic checkerboard pattern. Felines and their features signal Beta or sex kitten programming, which are often programmed to give support to the Delta assassin missions. Pedobear. GepPedobear. Disney named Geppetto's cat, Figaro. This a name that has been used in theatrical productions for many years, and it has come to mean, “an adroit and unscrupulous intriguer.” This name certainly is an apt description of the Beta-Delta operative. The cat in Puss in Boots named Kitty Softpaws was another animation character fitting the exact description. Note, cats are commonly kept by witches as familiars.

Finally, here's Jiminy Cricket's image on a military patch that signals in so many ways that they are programmed supersoldiers.

2012 Paralympics Opening Ceremony Highlights Monarch 'Over the Rainbow' Programming with Vatican Connections

The mind control technique associated with military programming was pretty obvious in Yoplait's Umbrella commercial. (See Yoplait Umbrella Commercial and the Flash Mob Black Awakening) The flash mob style is the perfect complement to the umbrella Delta assassin and “over the rainbow” programming subject. It's a cryptic but explicit announcement of the coming black awakening. Really, how else can you interpret all that? The flash mob's performance in Seattle of the Emmy winning Glee show's Umbrella+Singin' in the Rain mashup makes it obvious that this whole deal is well embedded in our culture. The black awakening is coming, and chosen ones have been boasting about it for years. This should be sobering and a wake up call to some of you reading here, who still need some cold water in the face.

Even if you've learned and been able to accept what I've presented on this blog for the last couple years and are now familiar with what I presented in that Yoplait flash mob post, you might still be shocked at how the very same Illuminati programming was done during the 2012 Paralympics Opening Ceremony in London. I already wrote some about that ceremony in Part 41 - 2012 London Paralympics - Occult Opening Ceremony. If you're not familiar with that, I recommend getting caught up on it as a supplement. I'm going to revisit that global scale Occult ritual again from mostly other perspectives. There's Vatican connections in this, to Vatican City and also Pope Francis.

As a necessary caveat, if you're a victim of ritual abuse who is still being delivered or you're easily offended by mature subjects and descriptive language, please don't continue here. If you've got a green light on this, here's a video of part of the mass programming ritual.

London 2012 Paralympic Opening Ceremony



There's several levels to be addressed, first up, the in-your-face Monarch “go over the rainbow” programming. If the Yoplait Umbrella post is fresh in mind there's not much commentary needed to interpret this big budget ritual and demonstration. Reread the programmer's script if you require. When umbrellas descend from the sky or ascend or hover it pictures how a Monarch slave is being taken into a deep trance state and that delta programming is going to occur. When the many colored umbrellas float in the sky it represents the rainbow the slave is told to stay on, having been brought to that state where a programmer will install the program. There's plenty of that going on in the Olympic stadium, as you can see from these photos. Those capped pyramid lighting structures ringing the stadium are so very appropriate!

One of the features of this programming is a black pearl. That big black “umbrella” in the middle of the stadium represents the Monarch black pearl! Here's the role it has as the programmer hypnotically guides the slave into the deep trance, descending down on clouds that are the colors of the rainbow. “Land very gently ... very softly ... in the center of a round, black pearl. See it glowing, softly, gently.” When the slave is about to be brought out of trance, it's referenced again. “In the pearl, prepare to awaken.” As the programming session finishes and the slave is going to be sent back into a front alter, the memory of the program will remain "in the black pearl" while the slave is isolated from it for security. “Leaving the memory in the black pearl and closing and sealing the black pearl. You will remember only those details that I tell you to remember.” When the labeled wheels-in-wheels sphere is dropped into the black sphere during the ceremony under the pretext of the presumed Big Bang of creation, what's really pictured is the installation of the black awakening program most or all of the slaves have received. That's the big bang they really mean.

Or, you can just accept whatever they tell you it means and go on your merry way, oblivious to the grand conspiracy.

There's more. See the peculiar structure with the elevated Lunar orb? It's the inside of an umbrella, inverted for obfuscation and partly buried with no fabric cover. It's got a Moon handle. See the brilliant liar Stephen Hawking as the programmer inside, accessing the slave's Delta alter.

“U. Umbrella. This is associated with military programming. An umbrella protects something, such as the Delta assassination alters. An umbrella must be taken down from the inside and so must this protective shield of the Umbrella program.” (The Illuminati Formula to Create An Undetectable Total Mind Controlled Slave by Fritz Springmeier and Cisco Wheeler)

There it is. Hidden in plain sight. The Illuminati programmers do their dirty work and put the evidence of it right out in the most public arena. Many of the Paralympics performers and audience have been traumatized physically and emotionally due to life changing injuries. In this venue and context the Illuminati creeps prey upon the vulnerable, because that's their way. They seize upon every perceived opportunity to wield more control.

The programming session in view is mass ritual that influences all of us directly or indirectly. I believe the ceremony supports the programming of those who have black awakening programs installed in a special way, and also the entire network of programmers and handlers. There's a supernaturalism involving the worship of their god. In his Zeus alias, receiving worship is what the entire event is about, with the honoring of all the ancient gods of Olympia and those who serve them.

From one news report, “Professor Stephen Hawking, who enjoyed a starring role in tonight's Opening Ceremony, said the Paralympic Games is about transforming our perception of the world. "We are all different. There is no such thing as a standard or run-of-the-mill human being but we share the same human spirit," he said.” Truth and lies. We don't share the same human spirit. There are tares sown into the Lord's harvest field. Some undergo a transformation that accompanies salvation that makes them a new creation in Christ, some don't. I don't doubt that Hawking is right about the purpose of the games. Our perception of the world changes as we are reprogrammed, which was clearly happening during the ceremony, or better still, our perception of the world changes as we're set free from that Luciferian programming, to see the world as the sovereign Creator sees it.

In this mass ritual, a storm begins with lightning and thunder, the discharged weaponry of Zeus that may also be taken in a reproductive sense. Notice how the special stadium seating has lighting effects that simulate rain falling. By design, and this may be the main reason for the lighting, where the audience sits, that's where the rain is falling. Do you see purple rain? Remember these posts?

• Serpent Rain and the 666 of Purple Rain
• The Secret of the Rain Man (god is in the rain)

The last line of Prince's song Purple Rain was this: “I only want to see you, only want to see you in the purple rain.” Remember how 666 was embedded in the song? There's a signature, Lucifer's autograph. This immersion of the spectators in purple rain while playing a remix of Rihanna's Umbrella should really speak to you about the layering of symbols and building of energy in this ritual magick.

Here's another scene from the Paralympics. Rainbow, clouds, black pearl. Check, check, check. All sorts of squares and circles going on there. I see sun wheels, anja chakras, Neptune... Programming alchemy.

As I've described in many posts, an SRA programmer would typically sodomize the slave to access the programming. Clever signaling of this essential activity and gateway to supernaturalism is not lacking in the scene. That's what Rihanna's Umbrella is all about, and the rain.

What the Illumined Luciferians call the Key of David aka Rothschild sodomy causes illumination that is perceived as flashes of light by the slave, and that's what the “big bang” pyrotechnics pictured. When the symbolic sphere dropped into the top of the giant black umbrella butt it was as a seed was planted, the sperm of a god. The big bang is the ultimate creative act in their minds, and this is what the Key of David is to them every time there is such a ritual enactment. This is why the Nazi religion of the elite SS considered the north tower with the black sun in the floor at Wewelsburg Castle as the center of the world.

The eye and the black sun anus are equivalent symbols, and we see this dramatized for us in the stadium when the light rayed black umbrella is framed as the pupil of an eye, the all seeing eye of Horus.

Over against the black sun is a moon, which is a typical Occult feature like you see in esoteric art and Masonic lodges and tracing boards. It's a counterfeited version of the Bridegroom and the Bride. If you know what mooning is, you'll understand the meaning of the moon with a giant phallic tower stuck in its bottom.

Four men with orange hats performed a roller skating routine under that moon with sodomite phallic symbols, white umbrellas held in their collapsed state.

In the screenshot you see here, they line up behind each other to model for us the Vitruvian Man, a sodomite classic.

As for the signaling of the illumination that is their goal, we see it on levels that include the most obvious. According to an ITV report, “Empowerment and challenging perceptions are some of the themes of the show, called Enlightenment, which also stars Sir Ian McKellen and references Shakespeare's The Tempest.” (London Paralympics Opening Ceremony) During the ceremony, McKellen played the sorcerer Prospero, who is perhaps most well known for his role as Gandalf the wizard. Celebrating witchcraft and enlightenment openly, well, there's that. But on the occult subliminal level, where the powerful supernaturalism of the symbols operates, the more subtle imagery should be identified, like how the moon is illuminated as the symbol of the head and at the same time of that butt being sodomized.

We should note how the black umbrella was celebrated with lots of associated lighting. Those who carried the illuminated umbrellas wore illuminated headgear that gave them a halo and third eye effect. These represent the kingdom of the Beast, worshipers of the sodomite god whom they serve and who services them. This is a display of what love looks like in their dark sodomite kingdom.

They are as a rainbow encamped around their god. They are a sea of people in the purple rain that exist as a kind of moat around a medieval castle, a security perimeter, the guard. They are the Delta and umbrella programmed soldiers who are active now but also await the triggering of the black awakening. Beyond the figure, of course, this may well describe the reality. There are plenty of chosen ones in the UK, and who knows what the real selection criteria was for the volunteer force.

At this point, I'd like to point out the Vatican connections I perceive in the scene, which does itself have a renowned but secretive illuminated supersoldier global security guard, the Jesuit and orders of the Knights.

I see a modeling of the Vatican City in the Paralympic stadium. Compare the obelisk to the moon-topped tower, each with a circular base and set in a keyhole. Compare the basilica to the dome of the umbrella.

When this common pattern become apparent that begs a question, and I believe the best answer speaks to how it is the same demonic agencies behind them both driving similar objectives. I believe they are celestially aligned as fit for those objectives in those locations. I believe this explains similar constructions in such diverse settings as Washington DC, in the Epcot Center at Walt Disney World in Florida and in Victor, NY at East View Mall.

I believe there is a transformative magick involved in binding the celestial and terrestrial. This matter is what's signified in Papal heraldry, and most particularly in that of the latest Pope, the Jesuit Francis (Xavier). I believe this relates to the keyhole I mentioned and to what may be identified as the Vatican City star key itself, which appears on the map when you consider the St. Peter's end as the key handle and the pentagram star shaped end (Parco Adriano and Castel Sant Angelo) as what is inserted into the lock.

I think the celestial-terrestrial binding and loosing magick of the Paralympic Ceremony is not particularly well hidden when the scripts of those who spoke during the ceremony are considered. Star seed and the return of the ancient celestial parents is a familiar underlying theme. The Vatican's Occult magick is not at all dissimilar. Their focus on astronomy and interest in diligently watching for the coming ET gods is one expression of their hope. What the Vatican is all about can really be considered alchemy, science magick. The Jesuits operating the VATT in Arizona and spokesmen for the Vatican have made official disclosure of alien contact seem imminent. The language of their announcements falls short of announcing a coming savior, but that's not far off. Y'shua's replacement is on the way.

Here's pictures of the facilities on Mount Graham. The Jesuits have access to these, and the Vatican owns and operates the VATT. The LUCIFER instrument has gotten press recently, which is associated with the nearby LBT. There's also a radio telescope, like the kind SETI uses to search for the ETs.

Take another look at the structure under the moon. Isn't that a radio telescope, like on Mount Graham, hoping for contact? “The Vatican Advanced Technology Telescope and the Heinrich Hertz Submillimeter Telescope began operations in 1993. The Large Binocular Telescope, one of the world's largest and most powerful telescopes, began operations using lenses independently in 2004, with joint operations between the two lenses beginning in 2008.” (Wikipedia)

It is the contact that is the arrival of the false messiah that the Vatican and the Zeus worshiping Olympic sponsors await. To tie this all together, the black awakening that is programmed in with Monarch umbrella Delta Assassin programming is an essential part of that plan. These agents of chaos are the slave army of Apollo, or Horus, the beast. It is the Pope who will anoint him. Doubt it? Watch the Paralympics opening ceremony. That's what you're seeing! If you can't see it yet, you're still under the cover spell of delusion. That's not a good thing.