Part 37 - Celestial Stargates - "We Can't Stop" Horus Transiting the Silver Gate

Series Links: Celestial Stargates

The Silver Gate transit of Horus is sometimes pictured in some creative and pretty bizarre ways. So are the symbols concealing and revealing the secrets of the timing of the end of the age. The music video for “We Can't Stop” by Miley Cyrus provides such content, and more! Accompanying this music video's Silver Gate imagery is a reference to the pivotal celestial sign of 1991. That's the anchor point for the Shemitah count (3 things then a 4th) that identifies this very time as the appointed season for the fulfillment of prophecy about the end of the age. I can't cover this all in a single post, so there will be more to follow, Lord willing!

Miley Cyrus is the current edition of the “former Disney girl-gone-bad” collection. She has made headlines in recent months for her obscene stage performances. While this post was being written, she performed at Clive Davis' annual pre-Grammy gala at the Beverly Hilton Hotel. Despite her embarrassing public behavior, she continues to be involved in media ritual.

Here's the official music video this post is focused upon, although I recommend not watching it. There's no nudity but be forewarned that it is indecent and very offensive. If the production seems cheaply done, don't be fooled into thinking it's amateurish. Like with “Crazy Kids” by Ke$ha, the apparent lack of sophistication and budget belies the evil genius behind the effort.

Miley Cyrus - We Can't Stop

The general content has become standard fare for the industry. The celestial stargate transit imagery I'm going to point out shortly is attended by Monarch programming symbolism, including plenty of Beta sex kitten programming. The drug theme is prominent, and the imagery of bondage, abuse, homosexuality, sodomy, incest and pedophelia is pervasive. The lyrical theme might seem like it's just a bunch of spoiled bratty kids but it's really more than that. You might take it as a sign of the routine Illuminati programming of children at 3 years old having frozen them in that stage of development, and yet, there's still more to it.

It's our party we can do what we want
It's our party we can say what we want
It's our party we can love who we want
We can kiss who we want
We can live how we want

This defiant youth, rebel, anarchist, lawless shtick is what some call a “care free attitude.” That's a bit mild. They actually care very deeply about unrestrained evil. It's an exhibition of Aliester Crowley's Thelema motto, “Do what thou wilt shall be the whole of the law,” which he claimed was not really about the unrestrained expression of the individual's own will. It's about the full and unrestrained expression of the will of their god. By one name, that god is Horus. “Thou,” in “Do what Thou wilt,” is not the individual but Horus. This has been a major theme on this blog and this is the most basic meaning of the video.

Miley's wild house party is celebrating the coming incarnation of Horus. This is the familiar pep rally for the agents of the chaos that has been called the Black Awakening, the action that will usher in the social order being prepared for the returning ancient king's welcome.

So la da di da di, we like to party
Dancing with Molly [party drug MDMA - “Mandy” - “ecstasy”]
Doing whatever we want
This is our house
This is our rules
And we can’t stop
And we won’t stop
Can’t you see it’s we who own the night
Can’t you see it we who bout’ that life
And we can’t stop
And we won’t stop
We run things
Things don’t run we
We don't take nothing from nobody

Again, the song and video are programming the expendable agents whose role it is to forge this age into the one in which the incarnating Horus will be received.

At 1:38 into the video, the modeling of a Silver Gate transit begins to unfold. This sequence begins with a collection of ratty stuffed does arrayed in a circle. They appear to be cloned like as if in a kaleidoscope that multiplies a radial section by reflecting it in adjacent mirrors. You have to point a kaleidoscope at the light. The little doe clones all face in and wear sun glasses, with their shadows radiating outward. This scene represents the Zodiac, which rings around the Earth. A deer with sunglasses has features of both people and animals, and the Zodiac is populated with the forms of people and animals.

You can draw a circle through the sunglasses, which represents the path of the sun through the heavens, the ecliptic. Generally, sunglasses signal the worship of the sun god. As filtering the light into the eyes, the sunglasses represent the blinds of Occult obfuscation. There's a concealing and a revealing at hand. As sunglasses are known as shades, there is in this scene a witness to those spirits so called. A bhuta or a kama-rupa is a ghostly astral copy of a man that was. Shades are considered to be decaying astral corpses. Biblically, think Rephaim and the spirits of the dead that are appointed for another incarnation for the purposes of judgment. The decrepit stuffed critters in the celestial setting of the Zodiac are such shades, and we will see their vision of the dead Osiris coming out from among them as resurrecting into Horus.

Count the deer. There are 11, and yes there are actually 12 signs in the Zodiac. Where's the missing sign?

I'll describe another layer of symbolism later, but first consider the 12th sign pictured as this other doe clone. It appears next in sequence after the Zodiac set, flashed briefly just before we see the stuffed bobcat-like critter being pulled across the floor. We get a better view of the sign when we see Miley wearing a fur coat and carrying little “Bambi.” The deer is wearing Miley's sunglasses. This is the 12th doe, the circle's missing constellation that is actually the first in the sequence: Virgo. Miley and the doe are Virgo. The doe has a fur coat, and so does Miley. The doe is wearing Miley's sun glasses. Miley gives us an unblinking stare that might well be her best impression of a “deer in the headlights.”

In the circle of the Zodiac, Virgo is at the head and Leo is at the end. This is implied by the design of the Sphinx. This is familiar, right? This mystery of the Sphinx is demonstrated by Miley as she pulls the bobcat behind her. The bobcat is a big cat representing Leo, the lion. She is Virgo, and the golden chain in her hand that is Leo's assumed leash implies the other constellations. We don't see the entire chain at once, which must be, in part, to make allowance for the unseen links in the Zodiacal chain connecting Virgo with Leo.

Woven into this symbolism is the transit of Horus through the celestial Silver Gate. The strange looking bobcat being slid across the floor is a fierce beast. It's Horus, of course! He's poised to pounce, a predator and lion king sun god who is springing forth into our dimension. He is stuffed, mummified, that long dead Osiris who is about to spring into life in the resurrected Horus. The count of deer in the stylized Zodiac presents the 11 that is a simple Twin graphic to signal Gemini, the Twins. The doe clones are all twins; again, Gemini. The white color that dominates the set is equivalent to silver in heraldry, and these are also represented by the same Egyptian hieroglyph. Yes, it's another cryptic vignette of Horus transiting the Silver Gate.

A waveform appears at the bottom of the curtain that speaks to me of the repeating cycle of the sun crossing over the equator, a testimony of the sun god's manifestation in the earth. It also suggests to me the hieroglyph for the watery abyss, which is being traversed.

Isis and Anubis are also present and active. Virgo is Isis, and so we see Miley with the little doe towing the beast by his golden leash. It's through the magick of Isis that Osiris resurrects into Horus. The psychopomp Anubis leads the way in this passage out of the underworld Duat in the guise of the little stuffed doe. Anubis is the god of embalming, of mummification, the taxidermist's trade.

The stuffed animals all bear witness to his identity and presence in the scene. Miley's fur coat is another witness, which has been processed by the tanner to accomplish the same purpose of the preservation of select portions of the body of the dead.

Notice how there's no slack in the chain that pulls the beast. It doesn't droop, it's perfectly straight. Together with the horizontal and vertical edges of the video frame, a right triangle is suggested. That chain is the hypotenuse. This evokes the formula of the 47th Problem of Euclid. The hypotenuse represents Horus, as produced through the union of Osiris and Isis. That golden chain is the golden Apollo, Horus. This is a fitting picture with Isis as Miley standing upright and vertical, and with Osiris as the beast on the perpendicular horizontal base.

Early in this series and while addressing Ke$ha's “Crazy Kids” video, the chains seen around the necks of people and animals were identified with the Theurgists concept of the Great Chain of Being. This is in play here. Some of these chains are the utility kind that has toroidal links. The twinned torus speaks of The Twins and Taurus, the celestial Silver Gate.

“By the Principle of Continuity we can see that there must be a connection between the "highest" and "lowest" realms, between the One and Matter, and connecting all things in between. These are the divine Seirai (Chords, Chains, "Processions"), which unite the Orders of Being. Thus we have connections with the Celestial Bodies and are influenced by Them, who in turn convey influences from the Gods; this is the basis of astrology. We are all connected in the 'Great Chain of Being.'” (source)

The scenes that immediately follow that bizarre Silver Gate sequence repeat the message in a different way to give us the validating redundancy.

According to legend, Apollo, son of Zeus, was born on the floating island of Delos. Leto gave birth to him under a palm tree. This is dramatized for us by Miley as she floats in the water wearing a suit with palm trees on her breasts.

“And as soon as Eileithyia the goddess of sore travail set foot on Delos, the pains of birth seized Leto, and she longed to bring forth; so she cast her arms about a palm tree and kneeled on the soft meadow while the earth [of Delos] laughed for joy beneath. Then the child [Apollo] leaped forth to the light, and all the goddesses raised a cry. Straightway, great Phoibos, the goddesses washed you purely and cleanly with sweet water, and swathed you in a white garment of fine texture, new-woven, and fastened a golden band about you.” (Homeric Hymn 3 to Delian Apollon 2 - 148 (trans. Evelyn-White) (Greek epic C7th to 4th B.C.))

The video producers present the bobcat beast leaping forth into the light with a golden band or chain around him as the newly born son of Leto, adorned by the Phoibos.

There is a celestial aspect to this. According to Greek legend, Asteria (root meaning of “star”) was a Titan goddess of astrology. After fleeing the advances of Zeus she leapt into the sea and became the island of Asteria, also called Delos. The censored sign over her mouth with golden chains connecting it to the sunglasses bears further witness to the bringing forth of the sun god, Apollo. Leto was restricted in where she might give birth. She gave birth on the floating Asteria because Hera, Zeus' wife who was known for her morality, banned her from giving birth on a mainland or a normal island. Leto was censored. So it is that we see the sign on Miley attached to her sunglasses reading, “CENSORED.” Miley represents Leto, famously censored by Hera.

When you see Miley in the pool with a doll dressed exactly like her, it speaks of the birth of Artemis to Leto, Apollo's twin.

“It is remarkable that Leto brought forth Artemis, the elder twin, without travail, as Callimachus wrote, as if she were merely revealing another manifestation of herself.” (Wikipedia)

The doll is Artemis, “another manifestation of herself”; Miley-Leto.

The doll obviously speaks of Gemini, the Twins, to add even more Silver Gate imagery.

Miley and the doll also symbolize the twinning of Illuminati trauma-based mind-control programming. Much, much more could be written about all that layering, because the video is just smothered in it.

It should be noted that the palm tree is the phoenix palm, the familiar Occult symbol of victory over death. The birth of Apollo to Leto is equivalent in symbol to the resurrection of Osiris into Horus as wrought by Isis, the long sought manifestation of victory over death.


Before we get into the very special time element embedded in this video, let's return to the vignette where Miley-Isis-Anubis was towing the beast to get more of what's there for us.

I had previously identified Miley and the doe clone she was carrying as the 12th sign of the Zodiac, Virgo, noting how there was another layer of symbolism evident. On this level, the sign missing from the 11 remaining in the Zodiac is Leo, the big cat, who is being dragged away. See the celestial realm as containing star-angel beings and not just physical lights. This beast poised to pounce is going to spring through the Silver Gate into our earthly dimension. It has to leave there to get here. The 11 stuffed and scruffy shade critters are left behind after the Horus entity has left that habitat, which is the Duat, underworld abyss, the place of the dead. At present, in reality, the antichrist entity referenced as Horus is among others of like kind, but it soon will depart from among them to become separate. This is literally what the following passage declares, with a literal rendering of “taken out of the way” being, “gone from among.”

7 For the mystery of lawlessness is already at work; only he who now restrains will do so until he is taken out of the way. 8 Then that lawless one will be revealed whom the Lord will slay with the breath of His mouth and bring to an end by the appearance of His coming; 9 that is, the one whose coming is in accord with the activity of Satan, with all power and signs and false wonders, 10 and with all the deception of wickedness for those who perish, because they did not receive the love of the truth so as to be saved. ~ 2 Thessalonians 2:7-10

This is the “apostasia” of verse 3, the “standing away from,” pictured in a very elegant but bizarre way in this brief video sequence. It is not meaning “apostasy” as we know the word! (See The Sign for the Bride - Part 1)

Let no one in any way deceive you, for it will not come unless the * apostasy * comes first, and the man of lawlessness is revealed, the son of destruction ~ 2 Thessalonians 2:3

This departure and the separation created thereby is a key aspect of the transit of Horus through the celestial Silver Gate into our earthly realm.

This pillar or bridge or viaduct being traveled is named in the second chapter of Joel, where we find an explanation for more of the video's imagery. This is synchronized with the song lyrics on the audio track.

The dimensional bridge is identified as the mecillah in the Hebrew Bible. I already shared these versions of the verse in Part 15 - Celestial Stargates - Operative Black Magick but I'm going to repeat them here.

They do not crowd each other, they march everyone in his path [mecillah]; When they burst through the defenses, they do not break ranks. ~ Joel 2:8 (NASB)

“In his path” is the Hebrew word “mecillah.” It's the viaduct or way of ascending and descending between the realms, a stargate.

And each his brother they press not, Each in his way they go on, If by the missile they fall, they are not cut off. ~ Joel 2:8 (Youngs Literal Translation)

They do not push each other; each man proceeds on his own path. They dodge the arrows, never stopping. ~ Joel 2:8 (Holman Christian Standard Bible)

No one shall press upon his brother: they shall walk every one in his path: yea, and they shall fall through the windows, and shall take no harm. ~ Joel 2:8 (Douay-Rheims Bible)

This traversal is very often (and I mean VERY often) pictured in symbol by a train on railroad tracks with the individual cars all linked together and traveling in a line. No recognizable train is in sight in this video, but the long narrow silver vents on the floor between the beast and the drapery speak to me of the train tracks. The sled the beast slides along on is as a car in the train. It's Leo, the caboose on the golden Zodiac chain led by Virgo, right? It's the orderly procession where everyone marches along in line.

This sliding of the beast along the mecillah is synchronized with the lyric, “And everyone in line,” and now you know why!

Here's what's being sung while this prophetic drama unfolds on screen. This verse is about finding a private place while you're out clubbing to do illicit drugs and get high, but only superficially. This segment begins with a twerking scene then cuts right into the celestial stargate transit sequence.

To my home girl here with the big butt
Shaking it like we at a strip club
Remember only God could judge us
forget the haters cause somebody loves ya
And everyone in line in the bathroom
trying to get a line in the bathroom
we all so turned up here
getting turned up yeah, yeah

Have you ever “turned up” somewhere? You went there and upon your arrival you were found present in that location. It's the encoding of the Silver Gate transit described in Joel 2:8 (above). Read the whole chapter. It's about God's judgment, which is why that's in the verse of the song, evoking the theme to set the context for us! In the execution of God's judgment, these appointed agents will transit the mecillah in single file, like the cars of a train along their track. They will be “all so turned up here.” The producers of “We Can't Stop” know it. We are going to get “freight trained” and it won't be stopped. Judgment is even now arriving, and those agents will be “getting turned up” right on schedule.

This message of “We Can't Stop” compares to what you will find in the music video by A-Jax, “Insane.” (See Parts 8 and 9 among others.) In both of the Silver Gate transit sequences where the cat jumps off the pillar and the candlestick-hourglass falls, it ends with the Anubis guy wearing keys around his neck and the words, “I can't hold it in, you can't stop me.” When Horus' is triggered, the transit will not be stopped.

One of the features of Silver Gate modeling involves time. The activation of the celestial stargate is presented in the context of a manipulation of the continuity of time through a truncation or reset action. Time keeping pieces like clocks and timers are some of the more obvious symbols used but sometimes a reset is suggested by the way scenes are sequenced. The stargate sequence in “We Can't Stop” begins with the 11 doe Zodiac. It's followed by the doe carried by Miley, then the bobcat beast, then Miley and the doe. I see a reset in the cutting of scenes from the doe to the cat and back to the doe. Virgo appears then Leo and then it's back to Virgo. In the context of the Zodiac you can see this as a time loop that implies a reset.

You can also interpret that as a positional looping, like the trace of a planet undergoing retrograde motion in that region of the sky. What leads me to that observation is a later scene that references a very special celestial sign, the sign of Yom Teruah, 1991, which involved just such a motion!

The referencing of this sign is a big deal because it is the sign of the Lord's coming in judgment and the basis for the count of Shemitah that identifies to us that it is truly this present Shemitah that is the one appointed for the conclusion of this age! If you're not familiar enough with the sign to have confidence in what it means, well, you've really got some catching up to do on some very important matters, critical matters, it must be said.

Part 5 - Decoding Coldplay's Strawberry Swing - Space-Time and the Timed Fall from a Pedestal

The scene of the superhero's assault on the squirrel's sky castle presents stargate transit imagery that compares with other music videos I've decoded on this blog. I've already addressed some of the video's celestial stargate imagery but there's value in seeing more of what's there, and the role of the attending goddess.

The symbolic content of the video has to be suitable for the functional operation of the magick involved in the supernatural working, and that in that suitability we find a benefit. We can decode the symbolism to expose the Adversary's working plan.

Behold, I send you out as sheep in the midst of wolves; so be shrewd as serpents and innocent as doves. ~ Matthew 10:16

so that no advantage would be taken of us by Satan, for we are not ignorant of his schemes. ~ 2 Corinthians 2:11

Again, here's the official video, Coldplay - Strawberry Swing.



When the antiCHRISt superhero is tiptoeing through the sky castle to rescue the captive he has an accident. He bumps into a pedestal, and the large pitcher that stood on top falls to the floor and shatters. If you've been following the blog for a while, this action should seem very familiar - especially when you notice the grandfather clock is in very close proximity.

I gave this celestial stargate transit imagery some coverage relative to the music video, Insane, by A-Jax, which featured similar pedestal-clock transit sequences. That mesmerizing K-pop mind-control extravaganza compares closely to Strawberry Swing in many respects, even given the contrasting pacing and style. The MGM film classic, the Wizard of Oz, presents a similar pedestal-clock stargate scenario. Another element that is common to the Wizard of Oz and Strawberry Swing is that the transit occurs in the room of a castle where a captive girl is about to be rescued. All three of the productions are vehicles for Illuminati SRA mind control.

• Part 8 - Celestial Stargates - Insane Freefall from the Duat
• Part 9 - Celestial Stargates - Insane Physics Across Time
• Part 13 - Celestial Stargates - Run Toto, Run!

See the cuckoo clock on the wall that is aligned in the shot with the base of the candle stick? Pedestal + clock. When the candlestick is knocked over to fall off the pedestal (the speed of light & gravity) for the first time, it manifests in the other dimension as an hourglass that falls and breaks on the floor. In the second incident, the hourglass is caught and reset, resetting time.

The pitcher knocked off the pedestal by the masked superhero falls to the floor and shatters at the base of the pillar the grandfather clock leans against.

In part, the pitcher speaks to me of a vessel containing time, which spills out as if a valuable quantity is lost. It's like the sands of time that spill out of the broken hourglass, or like water spilled out from the river of time (Wizard of Oz).

After the squirrel wakes up he screams out powerful sonic waves that send the superhero flying out the door, along with other furnishings. Watch for the last things to fly through the doorway. The last object is an entry door, which is preceded by the clock, which is preceded by the other door. Time doors, time gates - broken, gone. (Horatio Gates - Part 25 - Rochester, NY - From out of Gates, Greece Came Forth) The control over time and stargates was no longer in the squirrel's control. Then, the superhero could defeat the squirrel with the acorn-bomb and rescue the queen. Well, so the twisted up version goes.

The pedestal is a symbol of the celestial stargate, which spans heaven and earth. The construct is called mecilah, in the Hebrew Bible, which I sometimes refer to as the Kingdom viaduct. The operation of the stargate involves the exercise of control over time-space, which touches on the physics of gravity. (The objective of CERN, where attention is given to discovering the secret of mass.) In The Penitent Man (2010) (a major bean spilling film), according to the time traveler Mr. Darnell (meaning: “hiding place, hidden alcove or niche”), you have to simply speed up one end of a wormhole while slowing down the other, which is to manipulate the construct's change of distance over time. Distance - the pedestal. Time - the clock.

The imagery of the pedestal stargate transit can be found in the remnants of ancient Egypt, although every secret of heaven ultimately derives from the work of the Creator, the true and sovereign Yahweh.

In Strawberry Swing, a layer of dimensional transit imagery is added by the song lyrics. The following verse is sung during the ascension sequence that follows the superhero's exit from the lionfish through the drain pipe. The verse begins the moment he begins his vertical ascent (2:06) and ends when he reaches the sky castle (2:35).

People moving all the time
Inside a perfectly straight line
Don't you wanna curve away?
When it's such…
It's such a perfect day
It's such a perfect day

On the Illuminati programming layer it's a suggestion to leave the linear time line, to dissociate, to go into a trance state for programming. It's a perfect day when flies, “over the rainbow,” or falls down into Wonderland. That certainly involves the opening of a stargate, and the verse describes just that in more technical language. To curve away from the perfectly straight line is to change the vector that changes velocity. I hear in this the suggestion of a stargate transit matching the description in Joel 2.

They do not crowd each other, they march everyone in his path; When they burst through the defenses, they do not break ranks. ~ Joel 2:8

“In his path” is, mecillah It's a traffic lane where vehicles-entities travel like the cars in a train down the track. The following study is one that explores this further: Part 15 - Celestial Stargates - Operative Black Magick.

Another is this study: Part 37 - Celestial Stargates - "We Can't Stop" Horus Transiting the Silver Gate.

(Miley Cyrus - We Can't Stop )
And everyone in line in the bathroom
trying to get a line in the bathroom
we all so turned up here
getting turned up yeah, yeah

You “turned up” somewhere after traveling there. Have you ever made a bee line for the bathroom? Recall the bee dancing superhero's bee wings cape and the flight of the dancing Queen Bee.

Gotthard Base Tunnel Opening Ceremony June 1, 2016 - Pagan Ritual

World’s longest tunnel to open in Gotthard massif (RT - Ruptly TV)

The link above begins near the end of the ceremonial rite, 6 hours and 26 minutes into the lengthy video that captures the festivities surrounding the opening of the Gotthard Base Tunnel in Switzerland. The ritual actually begins as the train departs, about 5 hours and 57 minutes in.

Obviously this is a pagan celebration. If you can interpret the symbolism of what is being dramatized, and if you are familiar with what the worshipers of the ancient gods want, this actually makes sense. This ceremony is not unlike the film called Symmetry, made for CERN at the LHC facility that is also in Switzerland. We interpreted that in this video. Urgent - Insight into CERN's Time Machine

If you watch the video you'll see that, at the end, the train on screen that has emerged from the tunnel rises into the sky. It ascends into the heavens to reveal that the train represents a heavenly transport. The train-as-transdimensional transport is reflected in Joel 2:7-8. The tunnel represents the underworld, the abyss, the Duat. When the first official train trip ends and it is seen emerging from the tunnel, the subdued worshiping troupe erupts into a celebration with wild abandon. The train represents the god known as Apollo and Horus, and the horde of his companions who are released from the pit as per Revelation 9:1-6. The Alpen Horns then are as the sounding of the 5th Trumpet.

The wonky clock is worshiped not because they have sacrificed the funding and labor of 17 years to save time while traveling but because the gods of time themselves are being worshiped. The horned dancer's butt is given attention as it's in our faces and the faces of the celebrated attendees. Butts and wonky time and dimensional transits. There's a relevant collection, yes? The Pagan celebrants hold their hats (butt symbols identifying the Luciferian illumination via ritual sodomy) aloft and lay them down before the clock in a perversion of how the 24 elders lay down their crowns before the Holy and Eternal Most High God in Revelation 4:10.

Death. Reanimation. A stargate time tunnel opens up about 6 hours 6 and a half minutes in. Chaos. Spirits enter our realm. The scarab beetles or dung beetles represent Osiris. The beetle pushed dung as a model of the sun being moved across the sky by their sky god aka Ra and Horus, etc. Sky god and god of the day, the night, and of time itself. They are identifying the chief entity in connection with their goat headed god. The ritual is evoking, inviting, worshiping. The blinking eyes on screen. The all seeing eye of Horus. Eyes all around, like the throne vehicle described in Ezekiel 1:18. The Alpen horns cause a transformation, with the voice of the shrieking goat archangel... sound, acoustic energy, people are "ascended" (avatar-ed by the demonic entities, the spirits of the dead Nephilim who transmitted through the portal from the abyss) and they become like the hairy beast they worship. Sex magic is the basis, as it ever was.

At 6 hours 24 minutes in, the May Queen symbolically gives birth and they spank the “baby's” bottom. This is celebrating a birthing into the world through the goddess.

The red and white striping signals the red Adam-kind being made white-divine, through the merging with that beast that they believe will ascend them. It's the ancient hope we now associate with transhumanism. It's called in the Bible, the mark of the beast. The gods named Cernunnos, Nodens, Pan, Baphomet, Hermes and Mercury (and Satan and Lucifer), as well as the goddess, are honored for their role in facilitating the dimensional transit.

Dates are important for pagan rituals. I note that June 1, 2016, depending on how you write it, is either palindromic (or reflexive) (6/1/16), or is a repetition of a signal number (1/6/16).

16 = 8+8 or 88 so 1/6/16 repeats it for emphasis, 88 and 88

That's the signal number for Mercury, as the number of days it takes to orbit the sun. That god, who is being celebrated, is the speedy messenger of the gods and the psychopomp who escorts others into the underworld realm.

This same kind of thing is what the Olympic ceremonies are always about, and you can be assured that sacrificial rites are being performed already for that undertaking, just as they have been for what was just witnessed in Switzerland. BTW, Geneva is claimed by some to be the #1 most Occult city in the world.

These pagan rituals, both public and private, have an impact. Not just on those who participate and are witnesses, but on all of us because it changes the world.

Pray as led.

Part 5 - Decoding The Penitent Man (2010) - Jupiter's Temple and the Clothing Rack Stargate

Series Links: Decoding “The Penitent Man”

Sometimes, a rack of clothes is just a rack of clothes. But, then again, sometimes it's not. There's still more stargate transit imagery to be decoded at the set of the Pretty Parlor. I'm informing you about the art and craft of the messaging, but more than that, I want to impress upon you just how profound this casual appearing low budget film really is, so that, as I also interpret some of the dialog, you assign to it the same level of significance that is evident in the expertly layered media vehicle.

I decoded the vintage clothes on the rack and in the baskets set out in front of the Pretty Parlor as picturing different kinds of bodies. The clothes on the rack picture the angels in garment-bodies of angelic flesh as they transit the celestial Silver Gate. The rack is chrome, silver. In this screenshot, the end of the rack lines up to touch the word, open. That's the jump off place for the celestial garment-bodies as they transit the stargate into this realm.

All the garments are suspended in the air in a mechanism that rests upon the earth. The garments appear one after the other in a line, sequenced in an orderly array. The stargate construct is sometimes presented as a train because of the way the individual cars travel in such a fashion along a track. A description of what the clothing rack represents is given in the 2nd chapter of Joel.

They do not crowd each other, they march everyone in his path; When they burst through the defenses, they do not break ranks. ~ Joel 2:8

The phrase, “in his path,” is the Hebrew word, mecillah, the bridging viaduct or way of ascent and descent between the realms. See, The Kingdom Viaduct, for more explanation.

No one shall press upon his brother: they shall walk every one in his path: yea, and they shall fall through the windows, and shall take no harm. ~ Joel 2:8 (Douay-Rheims Bible)

The clothes rack is a very clever symbol. It appears in this scene right in front of a window. There's nothing really very unusual or unexpected about any of these props in the scene, but that certainly doesn't mean they aren't significant.

What appears above the rack of clothes is supplemental. Just as Jason reaches the store, he raises his eyes and looks up. Recall the rainbow tutu and starry pink wings that are the special attire of the goddess of magick who attends the transit. Wings always indicate the ability to traverse the dimensional barrier. The rainbow coloring suggests a bridging of heaven and earth and heavenly vehicle (Ezekiel 1:28).

See Jason Pyatt, passing by the garments on the rack as if his body is among them, traversing the stargate, and at the same time, passsing by the fluffy rainbow tutu - with his head superimposed over that rainbow cloud!

I saw another strong angel coming down out of heaven, clothed with a cloud; and the rainbow was upon his head, and his face was like the sun, and his feet like pillars of fire;
~ Revelation 10:1

In that same screenshot, as a reminder, we're seeing the magic wand of the goddess stuck in the basket of vintage garments, right under the neon command, open.

9 He bowed the heavens also, and came down With thick darkness under His feet. 10 He rode upon a cherub and flew; And He sped upon the wings of the wind. 11 He made darkness His hiding place, His canopy around Him, Darkness of waters, thick clouds of the skies. 12 From the brightness before Him passed His thick clouds, Hailstones and coals of fire. ~ Psalm 18:9-12

“His canopy [sukkah] around Him”... Appearing above all these symbolic garments at the Pretty Parlor is an awning. An awning is such a canopy.

A Hebrew word that may be translated, awning, is, mekasseh. It is used in this very relevant passage from Isaiah, translated, “are your covering” in verse 11.

9 “Sheol from beneath is excited over you to meet you when you come;
It arouses for you the spirits of the dead, all the leaders of the earth;
It raises all the kings of the nations from their thrones.
10 “They will all respond and say to you,
‘Even you have been made weak as we,
You have become like us.
11 ‘Your pomp and the music of your harps
Have been brought down to Sheol;
Maggots are spread out as your bed beneath you
And worms are your covering.’
12 “How you have fallen from heaven,
O star of the morning, son of the dawn!
You have been cut down to the earth,
You who have weakened the nations!
13 “But you said in your heart,
‘I will ascend to heaven;
I will raise my throne above the stars of God,
And I will sit on the mount of assembly
In the recesses of the north.
14 ‘I will ascend above the heights of the clouds;
I will make myself like the Most High.’
15 “Nevertheless you will be thrust down to Sheol,
To the recesses of the pit. ~ Isaiah 14:9-14

The context is about the descending and ascending through dimensions. Read verse 11 again. Think, wormhole. Did you pay close attention to verse 9? This passage is a subtext of the featured scene at the Pretty Parlor. In the NASB, Strongs #4374 - mekasseh: a covering is translated as attire (1), awning (1), covering (2). Attire, that's what's on the rack, in the baskets, under the awning, and what appears on both ends of the awning reads, “Vintage Garments.” It's all covering, like a canopy-sukkah. Take another look at the picture of the awning. See the vertical stripes? I've decoded other scenes where vertical stripes and pleated draperies and scalloped columns and such picture the stargates. The celestial stargate transit imagery abounds!

For some bonus insight, see how mekasseh appears in Isaiah 23:18 and Ezekiel 27:7, in very relevant contexts! (Could Ezekiel's account be another reason why Gyeney wears the “vogue” fashion #27, as he descends and emerges from the elevator?)

Where are we again, in the setting of this scene? On Seattle's Capitol Hill. Capitol - look it up.

[Middle English Capitol, Jupiter's temple in Rome, from Old French capitole, from Latin Capitolium, after Capitolinus, Capitoline, the hill on which Jupiter's temple stood; perhaps akin to caput, capit-, head.] (The American Heritage® Dictionary of the English Language)

We're on Capitol Hill - Jupiter's temple - on Summit Ave! How high is that summit? Again...

13 “But you said in your heart,
‘I will ascend to heaven;
I will raise my throne above the stars of God,
And I will sit on the mount of assembly
In the recesses of the north.
14 ‘I will ascend above the heights of the clouds;
I will make myself like the Most High.’ ~ Isaiah 14:9-14

Are you getting this?

As a reminder, the shop is at the corner of Loretta, a name that means, Victory, the Roman goddess who is equivalent to the Greek Nike. In Italian, again, the name is linked to Loreta, where the holy house of the Virgin Mary is found. Minerva is worshiped on the Capitoline in Rome. And on the model on the summit of Capitol Hill in Washington DC as Freedom.

For some interesting features, I've noted, the address of the Pretty Parlor is 119 Summit Ave E. 119 ~ 911. Emergency Alert - raised to the heights. Vintage Clothing ~ VC. V=22 and C=3, so VC transforms to CV and 322 - Skull and Bones. In addition to the Masonic apron worn by the Florist and the filming done in the landmark Masonic home, there's brownstone buildings and masonry seen everywhere. Sure, sometimes masonry is just masonry - but not always.

Taking another look at this now familiar screenshot, I want you to see the mailbox and reflect upon how it is being used as a time-space bridging construct, just like in The Lake House (2006). See it now as it's lined up with the patio table and the baskets. Follow the line to see how it's also lined up with a white pedestal, then the clothing rack. Continuing on the other side of the rack (out of view in this shot but you can see it in the screenshot above), there's another white pedestal. Just like with the star-rose line seen in this view, all these elements align for the ritual stargate theurgy, which is enhanced by the aural tension created by the tock-ticking soundtrack. It's not “like magic” - it is magick!

As described above, the rack of clothes is the Silver Gate transit. It's flanked by 2 white pedestals lending redundancy - white-argent-silver - Gemini, the Twins, the Silver Gate. The patio chairs model the trace of the planet Venus and suggest the twisted reed gate posts that flank the way of the goddess Inanna. The baskets and table and the dimension bridging mailbox are in line, and in our direct sightline. The 2 baskets on the table are another Gemini and Silver Gate set, for even more redundancy!

To be continued, Lord willing.

Fallen Angels in the Days of Jared and the Days of Justin Bieber

By Aaron Hermann

---

A couple of weeks ago the Lord inspired me to begin going through Genesis 6 and 7. It became evident rather early on that He was beginning to grant some insight pertaining to the timing of the flood of Noah and how that matches up to the coming counter-flood event of the Black Awakening. However, it was not until a couple of days ago that He began to reveal some very interesting time elements pertaining to the incursion of the Fallen Angels that occurred in the days of Jared.

Earlier in the week Bob and I were discussing the meaning of the name Jared (A descender; their descent) and how it corresponded to the incursion of the Fallen Angels. We were curious as to where it mapped out on the millenial time line so we began to go through the process of mapping it out using the calculation methods Bob has been using for the millenial week projections.

“Jared was born 460 years From Adam and died 1422 FA (Genesis 5:15, 20). My calculations produce the dates 3/1/13 - 2/17/14. Note: Since I'm lacking confidence in how exactly the year-day that we're compressing the 1000:1 millennial-day into is defined I'm working with a range.

Here's my work.

9/18/12 Yom Teruah Observed = start point for the year.
9/8/13 Yom Teruah Observed = start point for the year.
9/25/14 Yom Teruah estimated = start point for the year within a day.

Jared born - 460 FA:
[365 day solar year] .460 * 365 = 167.9 days so 9/18/12 + 168 days produces the date: 3/5/13
[356 days inclusive between 9/18/12 and 9/8/13] .460 * 356 = 163.8 days so 9/18/12 + 164 days produces the date: 3/1/13

Jared died - 1422 FA:
[365 day solar year] .422 * 365 = 154.03 days so 9/8/13 + 154 days produces the date: 2/9/14
[383 day year of 13 month span btw. 9/8/13 and 9/25/14 inclusive (Karaite estimated 1st day of 1st month: 3/31/14) ] .422 * 383 = 161.6 days so 9/8/13 + 162 days produces the date: 2/17/14

The full span of the life of Jared projects to 3/1/13 - 2/17/14. This corresponds to when the angels that were responsible for the judgment of the great flood are reported to have fallen, when their offspring proliferated and their great sin corrupted the earth. As I write on this last day of February I reflect upon the general nature of that season, and, well, about all I can say is, that explains it. All of what we're witnessing, what we're perceiving in the flesh and in the spirit - that explains it. Now, we're in the season corresponding to when the angels have fallen and their impact is manifest. My projection for the great flood date falls in the range of May 5-18. Whether it manifests in one way or another or in many ways, if there's anything to this, the world is in crisis and reaching a tipping point.”

Part 10 - To Number Our Days Aright - As it Was in the Days of Noah

I encourage you to check our calculations and to also reference this most excellent time line presented by Stephen Jones of Gods Kingdom Ministries.

After establishing the range of dates I began going through the Drudge Report Archives to see if there was anything that matched up to the Fallen Angels descending into this realm and onto the Earth and what I found was more than stunning!

On March 4, 2013 Justin Bieber performed a concert at the O₂ arena in London. The dates of the event on March 4 and the reporting of it on March 5 fall within the range presented above located in Part 10 - To Number Our Days Aright - As it Was in the Days of Noah.

At this point you may be wondering what in the world could a Justin Bieber concert possibly have to do with the incursion of the Fallen Angels in the Days of Jared. I asked that very same question. However, before addressing that pertinent question by discussing what occurred at the concert, some attention must be paid to the location selected for this very timely event. The concert, which was part of Bieber's "Believe" tour was set to take place at the O₂ arena, and this choice of venue was no accident as the O₂ arena is located on the Greenwich Peninsula and is part of the Royal Borough of Greenwich.

“The O2, visually typeset in branding as The O2, is a large entertainment district on the Greenwich peninsula in South East London, England, including an indoor arena, a music club, a Cineworld cinema, an exhibition space, piazzas, bars and restaurants. It was built largely within the former Millennium Dome, a large dome-shaped building built to house an exhibition celebrating the turn of the third millennium; as such, The Dome remains a name in common usage for the venue...

Greenwich Peninsula is an area of South East London, England, located in the Royal Borough of Greenwich. The peninsula is bounded on three sides by a loop of the Thames, between the Isle of Dogs to the west and Silvertown to the east. To the south is the rest of Greenwich, to the south-east is Charlton. The peninsula lies within the Royal Borough of Greenwich...

The Royal Borough of Greenwich ( is an Inner London borough in south-east London, England. Taking its name from the historic town of Greenwich, the London Borough of Greenwich was formed in 1965 by the amalgamation of the former area of the Metropolitan Borough of Greenwich with part of the Metropolitan Borough of Woolwich to the east. The local council is Greenwich Borough Council.

Greenwich is world famous as the traditional location of the Prime Meridian, on which all Coordinated Universal Time is based. The Prime Meridian running through Greenwich and the Greenwich Observatory is where the designation Greenwich Mean Time, or GMT began, and on which all world times are based. In 2012, Greenwich was listed as a top ten global destination by Frommer's – the only UK destination to be listed.

Greenwich was one of six host boroughs for the 2012 London Olympics and events were held at the Royal Artillery Barracks (Shooting), Greenwich Park (Equestrianism) and The O2-former Millennium Dome (Gymnastics; Basketball).

To mark the Diamond Jubilee of Elizabeth II, Greenwich became a Royal Borough on 3 February 2012, due in part to its historic links with the Royal Family, and to its UNESCO World Heritage Site status as home of the Prime Meridian.”

Wikipedia - The O₂
Wikipedia - Greenwich Peninsula
Wikipedia - Royal Borough of Greenwich

Millenial Dome built to celebrate the turn of the third millenium? Bound on three sides by the Thames, Isle of Dogs and Silvertown? Greenwich being the location of the Prime Meridian on which all Coordinated Universal Time is based?!? Is it me or is there a time-related silver gate dimensional transport theme taking place here?

Right!

It should be obvious by now that they selected this venue because they were attempting to add a very intense focus on time. However, just in case the location of the event proved too subtle for some they added another element to the presentation that ensured the issue of time would be a major deal in relation to the concert.

Justin Bieber was more than two hours late starting his show, which caused a rather intense backlash due to the fact that not only was he two hours late for the event, but Bieber provided no valid reason or apology. This was staged to create more high-drama, and to really add the fuel to the fire it was reported that hundreds of young kids were left stranded in Greenwich after they missed the last train of the night because the show was so late in starting.

The Lord's people are not the only ones aware of the times and seasons and those responsible for carrying out the enemy's role in all of this could not have orchestrated this event any more perfectly.

Even with the overwhelming time connection, I would not have thought much about a Justin Bieber concert connecting to the descent of the Fallen Angels in 460 FA until I saw the pictures from the concert. Bieber was performing his "Believe" tour and he made his entrance of each show wearing a bright white suit with golden gloves and gold on his shoes with a set of huge, iron wings covered in organ keys, speakers, guitars and cymbals! Bieber represents the commander of all the Fallen Angels, Lucifer! Doing his best Lucifer impression, Bieber descends onto the stage just like an angel falling to earth!

13 Thou hast been in Eden the garden of God; every precious stone was thy covering, the sardius, topaz, and the diamond, the beryl, the onyx, and the jasper, the sapphire, the emerald, and the carbuncle, and gold: the workmanship of thy tabrets and of thy pipes was prepared in thee in the day that thou wast created. ~ Ezekiel 28:13

I found the images below from the Drudge Report Archive link for March 5, 2013

The following write-up from a critic contains more over-the-top descriptive language of Bieber's fallen angel entrance, and I view the contempt that Bieber displayed for his worshipping audience to be the same type of contempt that the fallen angels have for the throngs of humans that have been duped into worshipping them.

“When he emerged, dressed as a white-suited, white-winged angel, hovering over the audience (there may be messianic tendencies ahead), waving his creepy, gold fingerless gloves, there would be no explanation of whatever diva tantrum had caused him to treat his audience with such contempt, nor would there be an apology.”

Justin Bieber, O₂ Arena - music review

I was able to find this HD Justin Bieber LIVE beginning/ entrance to the Believe Tour London O2 Arena 8 March 2013 that has the entire fallen angel routine recorded in HD. Quite telling is the intro video that is played just before Bieber performs his live action bit. For those of you who have been following Bob's latest writing this will remind you of the multi-media presentation in conjuntion with the live action sequence of the opening and closing ceremonies of the 2014 Sochi Olympic games that are a signal for the coming 2nd Thessalonians 2 deception!



The countdown is played and then we see a silver subway line with the train tracks and underground subway system being a reference to the Silver Gate transit and that of Joel 2 and the incursion of invading angelic and demonic forces. We are then confronted with a large face that says the following:

“Ladies and Gentlemen, welcome. Now you are entering another world, a world where there is no limits, no rules, only endless possibilities. Can you hear it? The vibration of the beat, the rhythm of your heart and the electricity running through your veins. Allow your imagination to skyrocket, your dreams to be remixed. Let go of everything but what exists. Be strong, be brave, but most importantly BELIEVE.”

Swag On Justin Bieber Tumblr Site

This entire spectacle not only speaks, but screams of the silver gate dimensional transit of the Fallen Angels! The Bible and extra-biblical works of Enoch, Jasher, and others are very clear on this fact.

Now it came about, when men began to multiply on the face of the land, and daughters were born to them 2 that the sons of God saw that the daughters of men were beautiful; and they took wives for themselves, whomever they chose. 3 Then the Lord said, “My Spirit shall not strive with man forever, because he also is flesh; nevertheless his days shall be one hundred and twenty years.” 4 The Nephilim were on the earth in those days, and also afterward, when the sons of God came in to the daughters of men, and they bore children to them. Those were the mighty men who were of old, men of renown.5 Then the Lord saw that the wickedness of man was great on the earth, and that every intent of the thoughts of his heart was only evil continually. 6 The Lord was sorry that He had made man on the earth, and He was grieved in His heart. 7 The Lord said, “I will blot out man whom I have created from the face of the land, from man to animals to creeping things and to birds of the sky; for I am sorry that I have made them.” 8 But Noah found favor in the eyes of the Lord. ~ Genesis 6:1-8

The span of Jared's life from his birth in 460 FA and death in 1422 FA aligns with the time period of March 1, 2013 through February 17, 2014. According to the fractal model, the projection of the fallen angel incursion has passed. Where we are now, being March 1, matches to when their corrupting influence increases - until May's projection of the great flood.

“1 And it came to pass when the children of men had multiplied that in those days were born to them beautiful and fair daughters. 2 And the angels, the sons of heaven, saw and lusted after them, and said to one another: 'Come, let us choose us wives from among the children of men 3 And have children with them.' And Semjaza, who was their leader, said to them: 'I fear you will not agree to do this deed, 4 And I alone shall have to pay the penalty of this great sin.' 5 And they all answered him and said: 'Let us all swear an oath, and all bind ourselves by mutual curses so we will not abandon this plan but to do this thing.' Then they all swore together and bound themselves by mutual curses. 6 And they were in all two hundred who descended in the days of Jared in the summit of Mount Hermon, and they called it Mount Hermon, because they had sworn and bound themselves by mutual curses on the act. 7 And these are the names of their leaders: Samlazaz, their leader, Araklba, Rameel, Kokablel, Tamlel, Ramlel, Danel, Ezeqeel, Baraqijal, (Author’s note: Samlazaz could be another spelling of Semjaza, and possibly be the same entity.) 8 Asael, Armaros, Batarel, Ananel, Zaqiel, Samsapeel, Satarel, Turel, Jomjael, Sariel. These are their chiefs of tens.

1 And all of them together went and took wives for themselves, each choosing one for himself, and they began to go in to them and to defile themselves with sex with them, 2 And the angels taught them charms and spells, and the cutting of roots, and made them acquainted with plants. 3 And the women became pregnant, and they bare large giants, whose height was three thousand cubits “4 The giants consumed all the work and toil of men. And when men could no longer sustain them, the giants turned against them and devoured mankind. 5 And they began to sin against birds, and beasts, and reptiles, and fish, and to devour one another's flesh, and drank the blood. 6 Then the earth laid accusation against the lawless ones.

1 And Azazel taught men to make swords, and knives, and shields, and breastplates, and taught them about metals of the earth and the art of working them, and bracelets, and ornaments, and the use of antimony, and the beautifying of the eyelids, and all kinds of precious stones, and all coloring and dyes. 2 And there was great impiety, they turned away from God, and committed fornication, and they were led astray, and became corrupt in all their ways. 3 Semjaza taught the casting of spells, and root-cuttings, Armaros taught counter-spells (release from spells), Baraqijal taught astrology, Kokabel taught the constellations (portents), Ezeqeel the knowledge of the clouds, Araqiel the signs of the earth, Shamsiel the signs of the sun, and Sariel the course of the moon. And as men perished, they cried, and their cry went up to heaven.”

Lumpkin, Joseph (2011-02-21). The Books of Enoch: The Angels, The Watchers and The Nephilim (With Extensive Commentary on the Three Books of Enoch, the Fallen Angels, the Calendar of Enoch, and Daniel’s Prophecy) (pp. 23-30). Fifth Estate. Kindle Edition.

The stories of people having wanted and unwanted engagements with Incubui and Succubi, suffering from sleep paralysis, having supernatural experiences, and reporting "alien abductions" are at all-time high. Celebrities such as Ke$ha openly discuss their sexual interaction with spirits, involvement in the occult, and fascination with magick. Ke$ha talks ghost sex - MSN(warning graphic language).

The days in which we now find ourselves match up to the days in which the Fallen Angels had already arrived and were wreaking havoc with all of the earth. They are here again and up to their old tricks!

That which has been is that which will be,
And that which has been done is that which will be done.
So there is nothing new under the sun. ~ Ecclesiastes 1:9

That unsettling disquiet you feel is the reaction to the agents of hell working their literal magick on the face of the earth readying this plane for the arrival of their antichrist messiah. What we are seeing in the world around us is like what was going on in the days of Noah.

---

By Aaron Hermann

Please feel free to contact me through my Gmail account. (theultimateplan@)

The Mystery of Code A113

While watching movies you may have noticed the frequent appearance of 'A113,' appearing like in this collection of images.

There's a plausible explanation for this that seems altogether innocent. Watch Explaining Code A113. The following article on Daily Mail also explains the A113 code and solves the mystery to the satisfaction of most.

Revealed: The inside joke behind mysterious 'A113' code that appears in nearly every Pixar film from Toy Story to Up

They note the following.

• The code is an 'Easter egg' - an inside joke - referring to classroom number at California Institute of the Arts
• A113 has appeared in at least 45 animated films, TV shows and video games
• Out of Pixar's 14 films, A113 popped up in 13 of them
• Number also appeared in live-action movies like Hunger Games: Catching Fire and Mission: Impossible - Ghost Protocol
• Oscar-winning Pixar director Brad Bird has used A113 in every one of his films, including The Incredibles and Ratatouille

If you spot A113 in a show or an animated feature, it means that someone from CalArts has played a part in making it. Sure, but is that all it means? If there's more to this code, and there probably is, it looks to me like another way to signal when the lawless one will be revealed. A113 ~ Antichrist, 1st month and 13th day. Would folks in the industry do something sneaky like leveraging a simple code to promote their agenda? Well, yeah. All the time. I've already offered evidence that the Adversary knows what's coming and when, and the arrival of their champion really warrants their leveraging every opportunity to promote it. (See When Will the Lawless One be Revealed? (The Sign for the Bride - Part 2))

The first hint that there might be more to it is to note the acronym CalArts shares with another familiar entity. The California Institute of the Arts is the CIA, like the Central Intelligence Agency. Does that suggest a link? Is that too obvious of a connection? I know. Call me crazy. Why would those sponsors of mind control programming have any interest in Hollywood production, right?

The kinds of places where this code appears in films also seems pretty innocent, showing up right where you would expect to find such alpha-numeric strings. Yet, when the context of these Easter Eggs is taken into account my “conspiracy theory” seems to have more substance.

In Monsters University, the code identifies the lecture hall where monsters Mike and Sulley have their first class. They are there to learn how to be the best monsters they can be. They talk and act like people. Beasts get prepared there to go into the world and do what beasts do. In this image the code appears on the door, and we see Sulley, a beast with horns, standing in the doorway under the arch with bright light inside. It's a dimensional transit - A113 - the Antichrist beast. (With purple fur, back lighting, the circles (doorknobs) and squares (framed panels inset) and illuminated royal arch (even including subtle M forms) all present, the sodomite gateway symbolism generally associated with Freemasonry abounds.)

In Brave, A113 appears in Roman numerals above the door of the witch’s hut: ACXIII. Again, it marks the doorway. I see the AC as being even more suggestive of AntiChrist - AC XIII as AC 13. The popular character of Agent Coulson of Marvel's SHIELD is called AC by Agent Skye. She, like AC, was made undead by means of an infusion of bodily fluid from a blue alien.Agent Coulson was frequently heard referring to where he was made undead as “a magickal place.” The witch does magic in the hut on Brave.

Aaron Hermann notes how it is seen so frequently on trains and vehicles. Trains are vehicles that make particular reference to the kind of dimensional transport of angels falling to earth. See this blog's commentary on Joel 2:8 and stargate transits. When the Antichrist is revealed on 13th day of the 1st month it will be like train A113 is arriving at the station right on schedule.

In WALL-E, the A113 code was the directive given to the Axiom's autopilot to never return to Earth. Hmmmmm. Flip that - a code to return to earth? Wall-E backwards is El Law. El is a name for God. Wall-E flips to signal the LAWless one who shows himself off to be God (2 Thessalonians 2). WALL-E anagram LAWLE + SS? The robot meets EVE - like an Adam.

As it appears on licence plates, the number is the ID, the officially registered identification code. It's like the mark of the beast. In Ratatouille, Git, the lab rat, has a tag on his left ear that reads A113. In the Simpsons, A113 appears as a mug shot ID and a prisoner ID. Oh oh.

In Finding Nemo, A113 appears on a SCUBA diver's camera, which makes images - like the image of the beast John saw coming up out of the sea in Revelation 13?

The A113 appears on a licence plate in The Iron Giant, which I've decoded in a series of posts in exposing it as a high level signaling antichrist vehicle. A113 appears in non-animated films like Terminator: Salvation and Mission: Impossible - Ghost Protocol.

The A113 code might be just for fun as an inside joke, but the kind of fun that probably represents is not going to last.

19 And I saw the beast and the kings of the earth and their armies assembled to make war against Him who sat on the horse and against His army. 20 And the beast was seized, and with him the false prophet who performed the signs in his presence, by which he deceived those who had received the mark of the beast and those who worshiped his image; these two were thrown alive into the lake of fire which burns with brimstone.

~ Revelation 19:19-20

I see in the A113 code another example of the secret time pattern of 3 things and then a 4th. Three characters appear in sequence that each have the value of 1. The 4th in series is different, and that character is a 3, the resurrection number.

Warehouse 13 and Snowpiercer (#14) Transit of Venus Ritual Enactments

This post is supplemental to a video. To get the most out of this presentation, we recommend keeping this blog post in view on one device or screen while watching the video on another.

From 2 episodes of Warehouse 13 and 1 from Snowpiercer, here's three more examples of the leveraging of the Transit of Venus for Occult ritual! Two of these include the transit of Mercury!

Warehouse 13 and Snowpiercer (#14)... (full HD version for streaming or download)
Warehouse 13 and Snowpiercer (#14)...
Warehouse 13 and Snowpiercer (#14)...

Find our series playlist here on TheOpenScroll.com.

---

Highlights from the featured dialog

Warehouse 13 (3.05) "3...2...1"

The segue is Artie saying, "Find-21 him-21.

Time-binding! This is happening in the 12th minute of the time remaining (ends at 32:18 ET.)

Professor Wilmore: "This was Daniel's office. No one's had-13-13 TIME to clean it up-222.

Pete: "Ooh. Looks like-222 somebody won first prize ten-12 YEARS in-13 a row.

---

Warehouse 13 (4.11) "The-12 Living and the-12 Dead-22"

Sutton: "Yeah-21, you've-88 got-12-252 15 SECONDS BEFORE the-12 alarm goes off-54*666.

Pete. "I-54 got-12-252 this. I-54 saw Artie do it ONCE-222.

Sutton: "I-54 wish-22 I-54 would-21 have-18-18-216 met you two-13 YEARS AGO"

Myka-22: "So you tried to break-222 in-13 here-18-216 BEFORE.

Sutton: "Tick Tock, Sweating Sickness - SS-88 shall we proceed? Find-21 the-12 legend, save the-12 world, et cetera, et cetera.

---

SnowPiercer (3.5)

Train as dimension transiting vehicle

They do not crowd each other, they march everyone in his path; When they burst through the defenses, they do not break ranks. ~ Joel 2:8

"Love and Hate" - sung by Miss Audrey-88

"I'll-21 beat the-12 drum here-18-216 in-13 the-12 cold -- * a drum keeps TIME
My blood-21 runs slow-21 here-18-216 in-13 the-12 winter -- * winter - a season of time
You left me naked and exposed-88
I-54 am-13 that-13 heart you Sold-22 to Sorrow-54 (Sold Sorrow) SS88"

---

Curious about the pending reset of time? Learn more here: The Pending Reset of Time

Find our video and audio here:
Video & Audio Catalog
Video "Playlist" Catalog

Our Channels

→ Bitchute: The Open Scroll
→ Brighteon: The Open Scroll
→ Rumble: The Open Scroll Mirror
→ YouTube: When Cometh That Thief in the Night
→ YouTube: The Open-ish Scroll
→ YouTube: These Patterns are Amazing
→ YouTube: Stormy's Reverse Speech
→ YouTube: Our legacy YouTube channel (nearly entirely decontented but still usefull for comments and notifications.)

Part 5 - Sochi Winter Olympics 2014 - Opening Access to the Underworld Duat

Series Links: Sochi Winter Olympics 2014

The underworld was recreated in the stadium during the opening ceremonies in Sochi, just like in London 2012. Take a look at the shape of the clouds in the dream sequence where seven islands floated through the air. They have flat tops.

Real clouds are flat on the bottom, not on the top. The inverted clouds reveal this upside-down scene as a world of a reflected image.

The scene presents a vivid expression of the Hermetic Maxim, As Above, So Below. This is what's demonstrated by the clouds and why a flipped image of what's on top appears on the bottom of the islands. The translucent wrapping represents a binding supernaturalism. The stadium was transformed into the underworld, and the upside down versions under the islands represent what we consider our real world, the material world. (The upside-down underworld setting was on exhibit in I, Pet Goat II. See here.)

While most of the world sees the Olympic ceremonies and all those like it as innocent entertainments, they are far from that. The proper worship of Zeus and Apollo, which is what the Olympics are about, involves engaging ritual enactments. The underworld is featured as a dramatic setting because a kind of magick is being worked that leverages the connection between what is seen and what is unseen. Patterns are established in the material world that bind, supernaturally, and we're talking about demons and Luciferian agencies. This is what we see happening in the Olympic stadium, arranged by the masters of the craft. If you can interpret the symbolic elements in their Occult language you can understand what is being modeled in their clever ritual enactments.

We know that we are of God, and that the whole world lies in the power of the evil one. ~ 1 John 5:19

Fallen angels influence men and women to assist in their quest to reenter our realm, to remain in various forms, and to dominate the affairs of this world. They have dominated and do so today, to be sure, and an hour is coming where some of their most coveted objectives will be achieved. The underworld is a reality, though unseen, and the work of the underworld agents in this realm is performed through opened portals of various kinds. One kind involves symbolism, which is a representation or modeling in this dimension of the unseen constructs.

This is not the Devil's own invention.

4) Now if He [Y'shua] were on earth, He would not be a priest at all, since there are those who offer the gifts according to the Law; 5) who serve a copy and shadow of the heavenly things, just as Moses was warned by God when he was about to erect the tabernacle; for, “SEE,” He says, “THAT YOU MAKE all things ACCORDING TO THE PATTERN WHICH WAS SHOWN YOU ON THE MOUNTAIN.” ~ Hebrews 8:4-5

This matter of opening portals though symbol magick was given lots of attention very early in the opening ceremony, ritually opening access to the underworld realm and agencies for what would follow. One of the primary constructs bridging the underworld and this world is the celestial Silver Gate. I'm going to present some of the images involved in their elaborate Silver Gate modeling. I already gave attention to a major Silver Gate transit scene in Part 2 (giant white horses and a toroidal sun) and if you're familiar with the Celestial Stargates series, much of this should be familiar. Before we launch into all that let's give the clouds themselves the attention these ubiquitous symbols deserve, which were also featured during the opening ceremonies in London.

As I wrote here (Part 22 - Code 33 - KC Portals and Royal Illumination), “The clouds represent a transdimensional vehicle. As clouds in the sky appear and disappear, so also do the transportation portals. Such clouds are actually associated with living beings.”

3 He lays the beams of His upper chambers in the waters; He makes the clouds His chariot; He walks upon the wings of the wind; 4 He makes the winds His messengers, Flaming fire His ministers. ~ Psalm 104:3-4

“Behold, he goes up like clouds, And his chariots like the whirlwind; His horses are swifter than eagles. Woe to us, for we are ruined!” ~ Jeremiah 4:13

And the vision was shown to me thus: Behold, in the vision clouds invited me and a mist summoned me, and the course of the stars and the lightnings sped and hastened me, and the winds in the vision caused me to fly and lifted me upward, and bore me into heaven. ~ Enoch 14:8 (R.H. Charles)

Stars and clouds are both symbols of angelic beings. Stars and clouds both also represent transdimensional access points. See the context of Jude 1:12 and Acts 1:9-11 for more notable passages about the cloud. When the clouds are featured during the ceremonies they mark points of dimensional access, stargates, and signal the vehicles of and presence of the celestial beings. Given that the representation of such things is strictly forbidden, according to the second commandment, those acts of rebellion are not going to produce the good fruit of blessing.

I intend to decode more of that live action scene's Occult symbolism, but let's go back to the video part featured in Part 3 to develop the celestial stargate imagery featured there as a segue.

Several images of stargate transits appeared during the opening sequence in the video of the dreaming girl. She iterated through the Cyrillic alphabet to give honor to Russia's iconic national heroes, or so goes the pretext. In this one, a letter that resembles the Gemini glyph appears as in the heavens, set upon the tiles of the periodic table of elements. The girl is running on the 9th column of the 18 column table through the letter as a gateway between the pillars.

The Cyrillic letter resembles the astrological glyph for Gemini, the Twins. The pillars span the 9th column of the table, and the 9th gate is Taurus. This very obviously pictures a transit of the celestial Silver Gate. The pillars that span and bridge heaven and earth are set in this ritual enactment upon the periodic table that represents the elements of this material earthly realm.

The psychopomp who facilitates travel between this world and the underworld was represented in the very first scene, at the window of the sleeping girl's bedroom. The hare is the very familiar symbol of Hermes, who is also known as Mercury, Anubis or Hermanubis. One stuffed rabbit appeared on the window seat, and others could be seen populating her bedroom.

Another Cyrillic letter looks like an inverted version of the one that had been leveraged as a glyph for Gemini. The presenters took the opportunity to present it with a bridging imagery akin to the Bifröst of legend.

Another Gemini Silver Gate image featured a pair of pillars with arches in a grand train station. The Royal Arch is a sodomite gateway image, and the lighting framed signals the Luciferian illumination that is the result of ritual sodomy. It should be noted that there's an abundance of imagery supporting that Horus Eye dimensional portal hijacking scheme in the context, making an exhibit of Illuminati / Monarch / MK-ULTRA programming, but for now I'm going to stay focused on the celestial stargate theme.

At the station is a train, a vehicle that moves in an orderly line along a track. These are very often used for Occult signaling and ritual modeling.

A kind of stargate is referred to in the Hebrew Bible as a mecillah. (The Kingdom Viaduct) A transit is pictured like a train.

They do not crowd each other, they march everyone in his path [mecillah]; When they burst through the defenses, they do not break ranks. ~ Joel 2:8

The dreamer is seen framed in the arch between the pillars and between the pillars in the opened door of the train car. She appears to be seated. The alignment of the camera and subject aligns her under the light. It's all about the opened dimensional gateways.

To be continued, Lord willing.