Part 9 - Celestial Stargates - Insane Physics Across Time

In Part 8 I began to decode an elaborate dramatization of a transit through the celestial Silver Gate. I explained how both this realm and the underworld are being pictured by alternating scenes. I'm going to be looping through the two focal events involving the pillar that pictures the stargate.

Here's the Illuminati vehicle: A-Jax “Insane”



About 1 minute in, the cat on the pillar with the candlestick leaps to the floor. The guy sitting in the chair sees what's about to happen. Instantly, he appears by the column and tries to keep the candlestick from falling. That's the scene in the underworld. In this earthly realm, the patient in the asylum reaches to catch an hourglass but it falls to the floor and shatters. The outcome is different when the action repeats at about 2 minutes in, when the patient catches the hourglass, setting it on the shelf. What's being modeled in this is quite profound. The producers know how to expertly represent mind-control programming and they are no less skilled in this matter of the stargate.

The falling candlestick becomes the hourglass. This is a clever expression of the manipulation of our physical dimension. Light, gravity and time factor into Einstein's demonstrated equation of E=MC². Energy equals the mass of an object times the speed of light squared. If you can manipulate the value of one of the terms relative to the others you are able to exercise control over time-space.

• Falling signifies gravity: Mass is what gravity acts upon to produce what we call weight. To accomplish weightlessness you can either zero out gravity, or mass. M=E/C²
• The candlestick signifies light, and the moving candlestick, the speed of light: C = the square root of E over M.
• The hourglass signifies time: Time is a factor in the speed of light, which is generally assigned the value of 186,000 miles per second.

The key to the operation of the stargate involves the manipulation of time, and this is a very delicate matter. The video demonstrates this by the attention given to the fragile hourglass.

The expression about the “sands of time” derives from the hourglass, which is a timer. When the hourglass smashes on the floor, it's really time itself that is being broken, more properly, what we consider as the continuity of time, the linear flow perceived as sand passing through an hourglass. When an hourglass shatters, the sands of time escape. Think about that. It's picturing a time loss or truncation event. So, when the hourglass is later caught by the patient in the next dramatization about 2 minutes into the video, he sets it on the shelf with all the sand in the upper chamber, which illustrates the resetting of time.

A second witness to the disruption of time at the opening of the Silver Gate appears when the cat jumps off the pillar and we are shown a clock on the wall, lined up in the shot at the top of the pillar and base of the tipping candlestick. The clock is a cuckoo clock, which is to say that the clock is cuckoo, or time itself is acting crazy.

Most of us are familiar with the artificial construct called Daylight Savings Time. Where I live, we set our clocks ahead one hour in the Spring and back one hour in the Fall. That doesn't change time, of course, just our accounting of it. In the spring, we appear to lose an hour. One minute passes from 1:59 AM and suddenly it's 3:00 AM. Where did the 2 o'clock hour go? In Space Balls-speak, when time is reset with a truncation it may be asked when will then be now? Instead of the answer, “Soon,” the answer will be NOW! Suddenly, it's the future. No waiting. The operation of the Silver Gate involves the manipulation of time itself, where it's effectively “broken” then reset. There will be be a time jump, like the jumping of the cat off the pillar.

The time portal is pictured again as the cuckoo flies out of the clock in the underworld and is captured in the real world. The dimension breaching bird was in a pyramid shaped clock. The bird is Horus. It's caught in tightly clasped “Horus Hands” as a prize of great value.

The cuckoo clock seems to provide a redundancy to the symbolism of resetting time. At the 2:19 mark we're shown the Anubis dude with his face to the clock. It's 2 o'clock. Then he puts his face close and the little gates open. Little gates open. Yes, I repeated that. You're keeping the stargate context in mind, right? When the bird begins to appear, the clock is at 12 o'clock. The scene cuts to the asylum and then back to Anubis at the clock. Hey, it's 2 o'clock! Time is reset! That's insane! Crazy time!

When the cuckoo bird exits the clock's opened gate, it's not alone. It looks like a swarm. Beelzebub is the lord of them that fly. Many agents will be coming through the time portal. I believe there are multiple Silver Gate transit events in view..

About the cuckoo bird that was part of the clock mechanism, I believe there are what may be considered, clockwork angels. 911 - The Time Truncation Mission and RUSH - Clockwork Angels Tour

You have to consider the other crazy clocks and timers that feature in the video as adding weight to the importance of time in the transit scheme. On the digital clock, which appears prominently in the patient's room, random times of day appear. That object combines 2 of the 3 elements pictured by the falling candlestick that turns into an hourglass, time and light, having an LED display. Two other objects present time in combination with gravity, a mechanical metronome with an inverted pendulum and a pocket watch swung like a pendulum. The illuminati like these symbols. The pendulum is a notable feature of grandfather clocks, as seen in Skull and Bones class pictures. The pendulum is adjustable, so one can manipulate time. Think, As Above, So Below. This is related to frequency and wavelength, tones, harmonics, resonance...

The asylum authorities represented in the doctor and nurses were wielding control over time, which was pictured by their handling of the swinging pocket watch. They display an understanding of the triangle as space and circle as time. The alchemist who wields the compass exercies control over the space-time domain.

The key that finally materialized and was used to facilitate the patient's release was the evident fruit of the “speeding up of time,” if you note the frenetic and accellerating swinging of the pendulums.

If these things are compelling, you may want to give further consideration to the physics of general relativity and the freefall connection. (Introduction to General Relativity)

There's a figurative expression that goes like this, “If you could turn back the hands of time...” Is this even possible? Sure!

12 Then Joshua spoke to the Lord in the day when the Lord delivered up the Amorites before the sons of Israel, and he said in the sight of Israel, “O sun, stand still at Gibeon, and O moon in the valley of Aijalon.” 13 So the sun stood still, and the moon stopped, until the nation avenged themselves of their enemies. Is it not written in the book of Jashar? And the sun stopped in the middle of the sky and did not hasten to go down for about a whole day. 14 There was no day like that before it or after it, when the Lord listened to the voice of a man; for the Lord fought for Israel. ~ Joshua 10:12-14

The Amorites worshipped the celestial lights and gods, so this kind of thing is a demonstration of whose God is in control. That's a really notable observation because of what's coming when that exhibition of control is played like a high trump card in a high stakes hand in a game of cards.

A similar historical demonstration was made in the days of King Hezekiah. (Note: the location of that passage presents sets of pillar numbers related to the Silver Gate)

9 Isaiah said, “This shall be the sign to you from the Lord, that the Lord will do the thing that He has spoken: shall the shadow go forward ten steps or go back ten steps?” 10 So Hezekiah answered, “It is easy for the shadow to decline ten steps; no, but let the shadow turn backward ten steps.” 11 Isaiah the prophet cried to the Lord, and He brought the shadow on the stairway back ten steps by which it had gone down on the stairway of Ahaz. ~ 2 Kings 20:9-11

Brother Jim Wilhelmsen (Echoes of Enoch) made a video series (You Tube) about time travel in the Bible. In one of the episodes he included an excellent segment about those time manipulation events and their historicity.

Is the exploitation of the Silver Gate about time travel? Technically, yes. Since I'm touching on the subject, I want to make the point that everyone who has ever lived and died became a time traveler. No longer being bound to a flesh body (which is what had mass and was bound by the law of sin and death), they are removed from this temporal domain as being plucked up off the time line. They generally will reappear on the time line at the moment appointed for the dead to be raised (1 Thessalonians 4) in the resurrection event for which they qualified, according to the sequence of the barley, wheat and grape harvests.

1 Remember also your Creator in the days of your youth, before the evil days come and the years draw near when you will say, “I have no delight in them”; 2 before the sun and the light, the moon and the stars are darkened, and clouds return after the rain; 3 in the day that the watchmen of the house tremble, and mighty men stoop, the grinding ones stand idle because they are few, and those who look through windows grow dim; 4 and the doors on the street are shut as the sound of the grinding mill is low, and one will arise at the sound of the bird, and all the daughters of song will sing softly. 5 Furthermore, men are afraid of a high place and of terrors on the road; the almond tree blossoms, the grasshopper drags himself along, and the caperberry is ineffective. For man goes to his eternal home while mourners go about in the street. 6 Remember Him before the silver cord is broken and the golden bowl is crushed, the pitcher by the well is shattered and the wheel at the cistern is crushed; 7 then the dust will return to the earth as it was, and the spirit will return to God who gave it. 8 “Vanity of vanities,” says the Preacher, “all is vanity!” ~ Ecclesiastes 12:1-8

The passage of time is marked off by the celestial lights. Understanding this is really critical. The basis for all this is described in the account of creation.

14 Then God said, “Let there be lights in the expanse of the heavens to separate the day from the night, and let them be for signs and for seasons and for days and years; 15 and let them be for lights in the expanse of the heavens to give light on the earth”; and it was so. 16 God made the two great lights, the greater light to govern the day, and the lesser light to govern the night; He made the stars also. 17 God placed them in the expanse of the heavens to give light on the earth, 18 and to govern the day and the night, and to separate the light from the darkness; and God saw that it was good. 19 There was evening and there was morning, a fourth day. ~ Genesis 1:14-19

The reference system for time involves the Earth, and really, as David Flynn aptly demonstrated, the Temple Mount in Jerusalem very specifically. The obsession the Illumined elite have with Zion relates to the expression of control over space-time and a habitation beyond those constraints. The Clock of the Age involves the apparent rotation of the celestial lights around the earth, one sphere within another. A time reset will manifest in an adjustment to this celestial/terrestrial clock. I believe there will be a relative shift in grid alignment that will function like cylindars in a time lock. Keys to the stargates lock and unlock a time based security system.

When Fritz Springmeier and Cisco Wheeler describe the techniques and dynamics of Illuminati mind-control programming, they describe complex 3D and actually 4D security mechanisms in terms like clockworks. These mechanisms are understood to be demonically inspired and controlled. These are dimensional gateways, stargates. This is how these things work on both the programming and antichrist levels.

The physicists at CERN are bent on discovering what gives things mass because, if they can control that, they have a key to a time-space stargate. There's a reason why they seek hard after the exploitation of what they call the god particle. See what I wrote here for a sign that time itself is what they intend to exploit: More Observations While On Watch in 2010. It has been reported by witnesses how the operation of the LHC particle collider temporarily opened a dimensional portal.

Time is a servant construct. It's appointed for this age. There is a purpose for this temporal realm, but when that's fulfilled, this age is over. Then, time will be no more. Something else will be, another kind of servant construct for another purpose.

5 And the messenger whom I saw standing upon the sea, and upon the land, did lift up his hand to the heaven, 6 and did swear in Him who doth live to the ages of the ages, who did create the heaven and the things in it, and the land and the things in it, and the sea and the things in it -- that time shall not be yet, 7 but in the days of the voice of the seventh messenger, when he may be about to sound, and the secret of God may be finished, as He did declare to His own servants, to the prophets. ~ Revelation 10:5-7 (YLT)

Just over 13 years ago, I was blessed to experience what I can only describe as a trip to the timeless place, near to the Throne of the Most High where His glory was overwhelmingly manifest and worship flowed freely. What I'm telling you I see in this video is legitimate. Time will be broken and reset, operating a mechanism that facilitates the entrance of demonic agencies and their operation in this realm. That's really bad news, to put it mildly, because what is coming is going to cause men's hearts to fail for the terror of it. The good news is, this is not going to catch the sovereign God off guard. It's actually His plan that is unfolding, and He is GOOD! Do you trust Him? Does He trust you?

Part 39 - Celestial Stargates - Light Rods, Tinsel and Pleats

Series Links: Celestial Stargates

This series was interrupted when I turned my attention to the Winter Olympics. While there's probably more blogging about those symbolic ceremonies to be done (which are rich with celestial stargate imagery), I'm returning back to this series to give special attention to the stargate imagery featured in the Fisht Olympic Stadium throughout the closing ceremony of the regular Olympics. A collection of large cylindrical rods hung from the ceiling that were painted with light. These dynamically lit rods were used to signify and ritually model the opened stargate as opened lines of transmission between the realms of the seen and unseen. The vertical lines of the light rods is a visual cue common to many settings where stargate transits are featured. They also illustrate the kind of radiation beaming from the stars that influences men on the earth.

Ancient Egyptians used the pictograph you see here to represent the energy beaming from the stars and the operative stargate. Parallel lines are drawn to connect the objects involved in the transmission, suggesting coherent rays of energy.

These images are gleaned from Magickal Egypt, a documentary by John Anthony West.

This is not the stuff of imagination, superstition or illusion. Energy from the stars, since the stars are associated with angels, represents the supernaturalism of Ephesians 6:12, as it is written, “our struggle is not against flesh and blood, but against the rulers, against the powers, against the world forces of this darkness, against the spiritual forces of wickedness in the heavenly places.”

19 And beware not to lift up your eyes to heaven and see the sun and the moon and the stars, all the host of heaven, and be drawn away and worship them and serve them, those which the LORD your God has allotted to all the peoples under the whole heaven. 20 But the LORD has taken you and brought you out of the iron furnace, from Egypt, to be a people for His own possession, as today. ~ Deuteronomy 4:19-20

What powerful influence would draw them away to serve all the host of heaven but that supernaturalism of the false gods represented in those celestial lights as they actively sought to be worshiped? In the version of the text above (NASB), the language used for the motivation is a little soft. The Hebrew word used is more forcible and doubled, nadach nadach: to thrust, to impel.

Prior to the Exodus, a contest ensued when Moses was sent to the Pharaoh to encourage the release of the enslaved Israelites.

10 So Moses and Aaron came to Pharaoh, and thus they did just as the Lord had commanded; and Aaron threw his staff down before Pharaoh and his servants, and it became a serpent. 11 Then Pharaoh also called for the wise men and the sorcerers, and they also, the magicians of Egypt, did the same with their secret arts. 12 For each one threw down his staff and they turned into serpents. But Aaron’s staff swallowed up their staffs. ~ Exodus 7:10-12

6 So Aaron stretched out his hand over the waters of Egypt, and the frogs came up and covered the land of Egypt. 7 The magicians did the same with their secret arts, making frogs come up on the land of Egypt. ~ Exodus 8:6-7

The magicians of Egypt were not putting on a show with cheap tricks. Today, the public is told by the generally recognized and respected authorities that magic is just pretend and that the Devil is not real, and by their enchantments most folks simply accept those lies. For the first 22 years of my life, I was oblivious. Now, not so much.

The column or pillar is a popular representative form of the bridging mechanism. A simple cylinder is the simple geometric form of a squared circle, which is relevant as a symbol of illumination through ritual sodomy. The light rods employed in Sochi are, of course, cylinders.

During the closing ceremony of the regular Winter Olympics, South Korea, host country of the next planned Winter Games, presented their own ritual performance on the grand stage underneath the light rods. Their official logo was projected on the floor, for PyeongChang 2018. I see their logo as a glyph for Gemini, a Silver Gate symbol, and a star of the exact form used in ancient Egypt. Familiar, yes?

In this picture you see a technical illustration used by NASA, where a wormhole is pictured with colored rods of light surrounding it. When you watch films or TV shows that picture a star ship going into warp drive or traveling near or above the speed of light or other kinds of wormhole transits through space-time you will usually see special effects extending points of light into light rods. This is the addition of an extra dimension to a point to create a line. It's akin to the motion blur. Its a visual dynamic that suggests time-space is being spanned. This is the effect created by the light dynamic of the rods in Fisht Olympic Stadium.

The cylinders hanging from the ceiling of the Fisht Olympic Stadium were painted with light and used as animated decor throughout the ceremonies.

In some of the segments, these were supporting the theme of stargate transit. In others, they were illustrating the effects of star energy beaming into the stadium. I believe those stage props are magickal instruments that were employed in ritual for energetic transmissions beaming in and out of the Stadium. The objects in that collection was reported to number 204, which cannot be simply random.

• 204 balls may be stacked in a pyramid whose base is an 8 by 8 square, and which has 8 courses or levels. The pyramid and all its forms is believed to be very potent, energetically, and is associated with ancient Egypt and the worship of the sun god. It is associated with the Illuminati. The three 8s produced suggests 888, a number linked to the name Jesus in biblical gematria.
• 204 is a truncated triangular pyramid number. The truncated pyramid has special signification in connection with the Great Pyramid at Giza and as the representative form of the body or kingdom of the beast of Revelation 13:1, the head or capstone of that base.
• 204 is the number of squares of all sizes on a chessboard, an object often used to signify the presence of the knowledge of good and evil.

Those rods hanging from the ceiling were apparently also called a forest, so they must individually be trees, as trees in the Garden of Eden which are not of the natural kind that populate the forests on earth. The collection was also what seemed to be referred to at one point as the soul of Russia, which links to the Milky Way as a celestial river of souls.

In Sochi, when the flame was about to be extinguished at the climax of the Games, a scene transition combined two shots in the fade to overlay some key symbols.

The light rods representing the opened stargate were superimposed over the mirrors that represented dimensional portals. It was momentary - and brilliant. They were raised to reveal the mascots, illustrating the revealing of the lawless one who will come as Horus incarnates through the celestial Silver Gate. Evil genius.

What is represented by these rods on this grand scale is more simply and commonly modeled by draperies with vertical pleats or by vertical blinds at windows or by pillars with vertical lines ringing the shaft.
In Ke$ha's official Crazy Kids music video, cheap tinsel icicles hanging in doorways and wreaths were stargate props, with silver tinsel representing the Silver Gate and the gold, the Golden Gate.

This scene where Ke$ha sits between two bull dogs is brilliant. The Gold and Silver Gates are positioned in the Zodiac opposite each other, marking where the ring of the galactic plane intersects the ring of the Milky Way. There is an alignment of the two, and this is what we see with the Silver Gate pictured directly in front of the Golden Gate. The Golden Gate is represented in the golden tinsel hanging down, and the golden sunrise arc at the top of the golden backed couch. The Silver Gate is pictured as Ke$ha wears the vertical banded blue and white blouse. Her legs are crossed because she is crossing over the dimensional barrier. She's flanked by two bull dogs. Bulls signify Taurus and the two of them picture Gemini, The Twins. The celestial Silver Gate is flanked by Gemini and Taurus. The utility chains worn by the dogs are constructed of twinned torus links. Anubis, the escort to and from the underworld is the dog headed god, and in the celestial heavens he is represented by the Dog Star Sirius.

The producers of the official music video for We Can't Stop, by Miley Cyrus, modeled the stargate transit at the revealing of the lawless one by her dragging a stuffed bobcat across the floor. The backdrop is a simple white drapery, which is the color equivalent to silver in heraldry, and represented by the same Egyptian hieroglyph. The vertical pleats present the coherent beaming starlight structure of the stargate transited.

The same visual was employed in the official music video for Insane, by the South Korean “K-Pop” band A-Jax. The structure of the spinning chair's 5 ray wheeled base presents us with the stargate vortex image. As a backdrop we see the same subtle prop used in Miley's set.

The transdimensional construct was used to great effect in the industry changing film, The Matrix. Streaming columns of characters were used to represent the construct of the matrix, a virtual world created by the machines that held humanity captive in an artificial world of digitally generated illusion. It's really quite an impressive allegory. In their representation of another dimension interfacing with real world biology and physics, the filmmakers employed the dynamic light rod kind of effect in a variety of notable ways.

That film's illustration of the columns of streaming light as the interface between the realms was augmented with another kind using sound. The bell, which I've written plenty about (Bells - Supernatural Enchantment and a Biblical Perspective - also search this blog for tuning fork), is an ancient means of initiating travel between the dimensions. When Neo and the others who have been freed from the Matrix reinsert themselves into that realm, their only way back is by way of finding a phone.

To get an exit they have to wait for the phone to ring. When the hard-wired land line phone rings, which is an old school AT&T “Ma Bell” type bell phone, we're not told this but you should note that it triggers the ringing of a bell, which opens the stargate and facilitates the transit.

Stargate transit imagery is important to those who craft mass rituals. This is how they access the ancient entities represented in the celestial heavens, transmitting, broadcasting and receiving from the heavenlies. When their champion is incarnated in his host body after transiting the Silver Gate, most folks will be oblivious to what's going on. I'm hoping you will seize the opportunity while it remains to seek the Most High God and Father of His only begotten son, the Lord Y'shua while He may be found - with all your heart!

Part 5 - Decoding Coldplay's Strawberry Swing - Space-Time and the Timed Fall from a Pedestal

The scene of the superhero's assault on the squirrel's sky castle presents stargate transit imagery that compares with other music videos I've decoded on this blog. I've already addressed some of the video's celestial stargate imagery but there's value in seeing more of what's there, and the role of the attending goddess.

The symbolic content of the video has to be suitable for the functional operation of the magick involved in the supernatural working, and that in that suitability we find a benefit. We can decode the symbolism to expose the Adversary's working plan.

Behold, I send you out as sheep in the midst of wolves; so be shrewd as serpents and innocent as doves. ~ Matthew 10:16

so that no advantage would be taken of us by Satan, for we are not ignorant of his schemes. ~ 2 Corinthians 2:11

Again, here's the official video, Coldplay - Strawberry Swing.



When the antiCHRISt superhero is tiptoeing through the sky castle to rescue the captive he has an accident. He bumps into a pedestal, and the large pitcher that stood on top falls to the floor and shatters. If you've been following the blog for a while, this action should seem very familiar - especially when you notice the grandfather clock is in very close proximity.

I gave this celestial stargate transit imagery some coverage relative to the music video, Insane, by A-Jax, which featured similar pedestal-clock transit sequences. That mesmerizing K-pop mind-control extravaganza compares closely to Strawberry Swing in many respects, even given the contrasting pacing and style. The MGM film classic, the Wizard of Oz, presents a similar pedestal-clock stargate scenario. Another element that is common to the Wizard of Oz and Strawberry Swing is that the transit occurs in the room of a castle where a captive girl is about to be rescued. All three of the productions are vehicles for Illuminati SRA mind control.

• Part 8 - Celestial Stargates - Insane Freefall from the Duat
• Part 9 - Celestial Stargates - Insane Physics Across Time
• Part 13 - Celestial Stargates - Run Toto, Run!

See the cuckoo clock on the wall that is aligned in the shot with the base of the candle stick? Pedestal + clock. When the candlestick is knocked over to fall off the pedestal (the speed of light & gravity) for the first time, it manifests in the other dimension as an hourglass that falls and breaks on the floor. In the second incident, the hourglass is caught and reset, resetting time.

The pitcher knocked off the pedestal by the masked superhero falls to the floor and shatters at the base of the pillar the grandfather clock leans against.

In part, the pitcher speaks to me of a vessel containing time, which spills out as if a valuable quantity is lost. It's like the sands of time that spill out of the broken hourglass, or like water spilled out from the river of time (Wizard of Oz).

After the squirrel wakes up he screams out powerful sonic waves that send the superhero flying out the door, along with other furnishings. Watch for the last things to fly through the doorway. The last object is an entry door, which is preceded by the clock, which is preceded by the other door. Time doors, time gates - broken, gone. (Horatio Gates - Part 25 - Rochester, NY - From out of Gates, Greece Came Forth) The control over time and stargates was no longer in the squirrel's control. Then, the superhero could defeat the squirrel with the acorn-bomb and rescue the queen. Well, so the twisted up version goes.

The pedestal is a symbol of the celestial stargate, which spans heaven and earth. The construct is called mecilah, in the Hebrew Bible, which I sometimes refer to as the Kingdom viaduct. The operation of the stargate involves the exercise of control over time-space, which touches on the physics of gravity. (The objective of CERN, where attention is given to discovering the secret of mass.) In The Penitent Man (2010) (a major bean spilling film), according to the time traveler Mr. Darnell (meaning: “hiding place, hidden alcove or niche”), you have to simply speed up one end of a wormhole while slowing down the other, which is to manipulate the construct's change of distance over time. Distance - the pedestal. Time - the clock.

The imagery of the pedestal stargate transit can be found in the remnants of ancient Egypt, although every secret of heaven ultimately derives from the work of the Creator, the true and sovereign Yahweh.

In Strawberry Swing, a layer of dimensional transit imagery is added by the song lyrics. The following verse is sung during the ascension sequence that follows the superhero's exit from the lionfish through the drain pipe. The verse begins the moment he begins his vertical ascent (2:06) and ends when he reaches the sky castle (2:35).

People moving all the time
Inside a perfectly straight line
Don't you wanna curve away?
When it's such…
It's such a perfect day
It's such a perfect day

On the Illuminati programming layer it's a suggestion to leave the linear time line, to dissociate, to go into a trance state for programming. It's a perfect day when flies, “over the rainbow,” or falls down into Wonderland. That certainly involves the opening of a stargate, and the verse describes just that in more technical language. To curve away from the perfectly straight line is to change the vector that changes velocity. I hear in this the suggestion of a stargate transit matching the description in Joel 2.

They do not crowd each other, they march everyone in his path; When they burst through the defenses, they do not break ranks. ~ Joel 2:8

“In his path” is, mecillah It's a traffic lane where vehicles-entities travel like the cars in a train down the track. The following study is one that explores this further: Part 15 - Celestial Stargates - Operative Black Magick.

Another is this study: Part 37 - Celestial Stargates - "We Can't Stop" Horus Transiting the Silver Gate.

(Miley Cyrus - We Can't Stop )
And everyone in line in the bathroom
trying to get a line in the bathroom
we all so turned up here
getting turned up yeah, yeah

You “turned up” somewhere after traveling there. Have you ever made a bee line for the bathroom? Recall the bee dancing superhero's bee wings cape and the flight of the dancing Queen Bee.

Part 13 - Celestial Stargates - Run Toto, Run!

Series Links: Celestial Stargates

I must admit that several scenes of the classic Wizard of Oz film traumatized me when I was young, as so many others have reported over the 74+ years since it was unleashed upon the world. One scene that was indelibly imprinted into my life pictured Anubis, transiting the Silver and Golden Gates. Until very recently, I only perceived it as it appears on the surface, as Dorothy's little dog Toto escaping from the castle of the Wicked Witch of the West. The surrounding context of that scene matches the pillar leaping dramatizations from “I, Pet Goat II” and A-Jax's music video for “Insane” I've been featuring in this series of posts. These are exhibits of the Adversary's exploitation of the stargates. They are redundant prophecies, which the Lord Y'shua is shedding light on to provide a validating witness to the parallel biblical prophecies, which are now beginning to be fulfilled.

The setting is pictured in the screenshot below. The low pillar at left has a large iron ring. On it sits a large hourglass. Time is the key to the stargate's operation. The creepy flying monkey has set the basket containing Toto next to the hourglass.

Here's some dialog with a little commentary about the action of the scene. The words where time is a factor are upper-case to call attention to the crafty NLP.

Dorothy has been captured and is being held by the witch in the ritual room of her castle.

WWW: “What a nice little dog.” (She snarls and stuffs Toto in the basket.) “And you my dear, what an UNEXPECTED pleasure. It's so kind of you to visit me in my LONELINESS.”
Dorothy: “What are you going to do with my dog? Give him back to me.”
WWW: “All in good TIME, my little pretty. All in good TIME.”
Dorothy: “Oh please give me back my dog.”
WWW: “Certainly, Certainly. WHEN you give me those slippers.”
Dorothy: “But the Good Witch of the North told me not to.”
WWW: “Very well.” (to the Flying Monkey) “Throw that basket in the river and drown him!”
Dorothy: “No - no - no! Here. You can have your OLD slippers, but give me back Toto.”
WWW: “That's a good little girl. I KNEW you'd see reason.”

The witch reaches for the ruby slippers but some kind of magical energetic discharge thwarts her effort.

Dorothy: “I'm sorry. I didn't do it. Can I still have my dog?”
WWW: “No! Fool that I am. I should have REMEMBERED. Those slippers will NEVER come off, as LONG as you're alive. But that's not what's worrying me. It's how to do it. These things must be done delicately or you hurt the spell.”

Toto jumps out of the basket, off the pillar and escapes through the open door.”

Dorothy: Run, Toto, Run!
WWW to the flying monkey: “Catch him you fool!”

Toto descends the stairs and runs to the edge of the raising drawbridge. He leaps down, across the moat, escaping down the path while the guards throw their spears behind.”

Dorothy: “He got away. He got away!”
WWW: “Oh, which is more than you will. Drat you and your dog. You've been more trouble to me than you're worth, one way or another. But it'll SOON be over NOW.”

She picks up the hourglass and turns it over to reset it.

WWW:“Do you see that? That's how much LONGER you've got to be alive. And it isn't LONG, my pretty. It isn't LONG. I can't WAIT FOREVER to get those shoes.”

Time itself and the timing of things are critical elements that must be given due attention in ritual magick that pertains to stargate transit. This is the witness of this film's performance, as with the comparable vehicles of “Insane” and “I, Pet Goat II.”

This film's performance of the stargate ritual compares to the twister and picket fence gate sequence and the spiraling yellow brick road sequence addressed earlier. First we see the Silver Gate transit modeled, then immediately following it, the transiting of the Golden Gate. We see Toto as the Dog Star, Anubis, transiting the Silver Gate as he leaps off the concrete pillar. As he descends the stairs we see Toto and his shadow on the wall in an expression of the synchronized activity in two parallel realms, one that appears as a shadow of the other. When Toto arrives at the edge of the drawbridge, he pauses and we see the set as the Golden Gate, with a bonus featuring of the iron gate. Leaping off the raised bridge down over the moat to the other side, “Anubis” transits the Golden Gate.

The Silver Gate is pictured as the light colored concrete pillar with the hourglass. It's high up in the castle tower, where we earlier were shown the flying monkey army being dispatched to fetch Dorothy. Silver Gate: Taurus-Earth / Gemini-Air. The Golden Gate is pictured at the drawbridge. Scorpio-Water / Sagittarius-Fire - the moat and the flaming torches flanking the bridge. Sagittarius is the archer, and although I see none of those, I think the spear throwing guards provide adequate support to the symbol.

There's no lack of complementary celestial imagery here.

The WWW's ritual room has many signs that astrology is being practiced there. The armillary sphere is used by diviners and astrologers for representing the positions of the stars and planets.

“An armillary sphere (variations are known as spherical astrolabe, armilla, or armil) is a model of objects in the sky (in the celestial sphere), consisting of a spherical framework of rings, centered on Earth, that represent lines of celestial longitude and latitude and other astronomically important features such as the ecliptic. As such, it differs from a celestial globe, which is a smooth sphere whose principal purpose is to map the constellations.” (Wikipedia)

The wavy golden band on the chest below it represents the tracing of the locations where the sun may be seen directly overhead at Noon, a position that oscillates back and forth across the equator like a giant pendulum that has a period of one solar year.

Did you happen to notice the designs on the floor encircling the circular stepped platform? It's the circle of the Zodiac!

The crystal ball appears on the raised platform at the center of the Zodiac, in the place of the observer, Earth itself. The base of the ball contains images of demonic beasts, populating the “under” world. (It's the Duat) The Sun, Moon and planets would appear to revolve in the space between the crystal ball and the outer ring.

The hourglass might be used for recording transits of planets across the sun or moon, timing eclipses, or when creating potions for spells. A mortar and pestle, which appears on the pillar next to the hourglass, is used for grinding such things a witch might use for such potions and alchemical workings.

This is the context in which we find the pillar, positioned between the door and the Zodiacal representation. The pillar is the gateway to the celestial heavens.

Do you see the panel on the zodiacal ring with concentric rectangles? That seems to represent stacked dimensions.

Here's a screenshot from “Insane,” a very brief sequence at the 27 second mark. Mirrors used for spells and scrying are associated with the moon, which would be the Silver Gate. By the way, the familiar story book style wishing well could be used for scrying, which reflects celestial lights like the moon in the still surface of the water.

Here's a sequence of concentric rectangles from I, Pet Goat II, where Anubis and Osiris-Horus appear as out of the Milky Way Duat.

Whoah! Full Stop.

What's going on in this last image?

The messiah figure is being constrained to the actual bounding frame of the video! It's an acknowledgment of our dimensional plane of reference as the viewers. Remember what I wrote about Bullwinkle's employment of a theatrical device called breaking the fourth wall?

“The fourth wall is the imaginary "wall" at the front of the stage in a traditional three-walled box set in a proscenium theatre, through which the audience sees the action in the world of the play. The idea of the fourth wall was made explicit by philosopher and critic Denis Diderot and spread in 19th-century theatre with the advent of theatrical realism, which extended the idea to the imaginary boundary between any fictional work and its audience. Speaking directly to or otherwise acknowledging the audience through the camera in a film or television program, or through this imaginary wall in a play, is referred to as "breaking the fourth wall" and is considered a technique of metafiction, as it penetrates the boundaries normally set up by works of fiction.” (Wikipedia)

So, Anubis bears the messianic figure along in the Milky Way Duat directly towards us, until he comes to the fourth wall, the barrier separating us. And, then, he breaks through!

He's larger, which means closer, and no longer constrained by the barrier. He's broken through, transiting the stargate! He opens his mouth and flames are emitted. This may suggest the Golden Gate, as Sagittarius is associated with fire. Or, it may just be picturing the truth of the symbolic level I only hinted at in the previous post in series. Dragons breathe fire. Revelation 13:11 - But I don't want to get too far ahead of myself.

For me, having become familiar with a stargate being represented as a viaduct, the first clue in the larger context of the scene that the castle might have something to do with stargates began with this image. Remember my writing about the mecillah? The viaduct or raised arched highway that provides access to the castle suggests that it actually exists in another dimension.

More to follow, Lord willing.

Part 4 - Sochi Winter Olympics 2014 - Zion and the Silver Gate

Series Links: Sochi Winter Olympics 2014

In a few more days the Winter Olympics are scheduled to come to an end, marked with closing ceremonies. (Sochi time: Sunday, 23 February, 20:00) Tradition leads me to expect a ceremony within a ceremony, when the country who won the bid to host for the next Winter Games, South Korea, will showcase their talents for an 8 minute segment. Regarding the ceremonies in Beijing, 2008, I devoted hundreds of hours to decoding the Chinese ceremonies but more time by far decoding the 8 minute long London ceremony (and some related signs). It was that big of a deal. If I'm able, I will likely blog about the ceremonies marking the end of Sochi's Games and the ceremonial hand-off to Pyeongchang when the time comes. I will start this post looking ahead a little at the notable event logo chosen for the XXIII Winter Games in 2018, which will probably be on display during the upcoming ceremony.

Whatever the official explanation is for the Pyeongchang 2008 logo, the astrological glyph for Gemini and the Egyptian hieroglyph for a star are easily discerned. This pictures a transit of the celestial Silver Gate. You're familiar with the Celestial Stargates series, right? Could the Silver Gate transit symbol be more plain?

This image found in Luxor, Egypt (or perhaps in the Karnak complex) was featured in Part 33 - Celestial Stargates - The Flowering Lotus that Terrifies Obama in “I, Pet Goat II”.

South Korea is quite capable of producing Illuminati programming extravaganzas, as evidenced by their music video industry. If you recall the coverage I gave the band A-Jax and their video for “Insane” you know those promoting South Korean media entertainments are quite adept at producing Silver Gate, black magick and trauma-based mind-control programming imagery.

The Sochi 2014 logo unscrambles to form the word, Zion, just like others in recent years, Beijing 2008, Vancouver 2010 and London 2012. The next Olympics on the schedule is Rio 2016, and theirs also renders Zion, as you see illustrated below, and in this video. Decoding the Rio 2016 Olympics Logo - ZION



The simple design of the logo for the Winter Games in Pyeongchang follows this trend. Why Zion? Why the Silver Gate? I believe they are related.

Their Pyeongchang 2016 logo suggests to me that they see the Silver Gate as locked in the open state and therefore being transited freely, manifesting Zion, the heavenly city (their counterfeit) “come down to Earth.” Here's how I explained it in a recent post.

“The hope of those who work such rituals is for immortality and to live as gods, and this includes a kind of Mount Olympus, a city wherein they may dwell; Zion. You've seen The Matrix series, right? It's more than a refuge that they're looking for. They want to hijack what is the real Zion by ascending the ancient dragon to the throne. I believe this is what the seizure of control over time and the stargates is intended to facilitate. ” (Part 18 - Celestial Stargates - Zion, Corrupted and Coming Down From Heaven)

Apollo is required, because he's at the center of this scheme. He's the kingpin, and his transit is the key to their Zion. Have you seen Dr Who - The End of Time - Pt 1 and 2? The plot shuffles this plot a bit before dealing it out it but the key elements are there.

The logo for Rio 2016 speaks to me of a leveraging of Rio as the word for “river,” alluding to the river of time. I see a ritual working of 3 people as in a remote viewing kind of arrangement, operating psi powers. It also speaks to me of triple helix beast DNA creating a rainbow bridge.

Sochi's Zion logo is simple but it works. The Occult potency complements that of the Olympic rings logo, an inverted rainbow pyramid that begs for its unseen 6th ring capstone, Apollo, to complete their Zion. The Silver Gate rituals of the opening ceremony support this scheme.