Aviv on the Lord's Calendar

Constrained to careful obedience, some watch with alert eyes opened to see what the Lord reveals. As the barley has been declared aviv and the moon was not sighted tonight, tomorrow will begin the first month.

Mother-Lode of Aviv Barley - March 11, 2013



The annual watch day is now known. The 13th day of the first month will span from sunset to sunset, beginning 3/25. As I've been repeating, even though the sign for the Bride is not appointed until 2015, there is in this season a need to watch very closely to see what patterns are observed.

The conclave at the Vatican has begun. As a Pagan sun cult, they tend to observe the Pagan calendar with its ritual days, and with the Vernal Equinox next up on the schedule, it seems likely they have planned the appointment of their new Pope for the 20th.

Obama is expected to arrive in Tel Aviv an hour before the moment of the Vernal Equinox.

The saber rattling with N. Korea and Iran adds tension to the drama, with unstable economies and governments and divers cultures around the globe showing signs of great unrest, there's plenty to watch.

The Lord promised high drama, and sure enough, we've got it! What an exciting time to be alive, and to see the faithfulness of our living God with His people!

Part 96 - The Sodomite Gateway - Singin' in the Rain: Umbrella Programming at the Hat Store

Once again, I'm picking up right where I left off in the previous post, and repeating the necessary caveat.

If you're a victim of ritual abuse who is still being delivered or you're easily offended by mature subjects and descriptive language, please move on. If you're new to this series, welcome! You may want to start at the beginning to get the foundation for what's here. Series Links: The Sodomite Gateway

If you use two monitors, you may find it helpful to open the video in one while you read this post in the other. "Singin' in the Rain" 1952 ~ Gene Kelly



In the days before what we know today as the music video became popular, Hollywood produced versions in the film genre known as the musical. In them, a dramatic story line is used to stitch songs or song and dance routines together. As you can see from the example of “Singin' in the Rain,” the music videos in dance clubs, on MTV and on YouTube (like the VEVO channel) follow a tradition.

It's good to retain perspective for what we're seeing develop in this subset of posts in the sodomite gateway series. The combining of visual and audible imagery to produce powerful Occult mind-control isn't limited to video or film technology. The range of theatrical productions from Broadway plays to variety shows, Vaudeville, Shakespearean plays, and those productions enjoyed by the Romans and Greeks of old have been weaving their spells, enchanting us with craft in a very literal sense. The entertainment industry is really a mind-control and demonizing industry. It always has been. Events that draw big crowds get special productions like half time shows at football games, award ceremonies and Olympic ceremonies. These are particularly high level rituals, heavily supported with Satanic ritual behind the scenes to accomplish particular objectives.

We left off in the previous post at about 2:35 into the clip. In closing, I had written: “The symbols of programming structures appear throughout this clip. In this drug store setting, what looks like windows each represent an alter identity. It's like the doll house metaphor, and a hall with doors to rooms. I've described this as programming structures symbolized by panes and panels, and those you see below the display window are distinct examples. Don is programming with ritual sodomy and drugs, specifically creating a Beta alter, as I mentioned earlier.”

The use of simple panes and panels to represent alters and programming structures is a relatively subtle technique. In contrast, the presentation of a collection of severed heads to represent dissociated identities is not at all subtle. The Vigilant Citizen has been blogging notable examples of this symbolism for years, with mannequins and masks of all sorts featured from the fashion and music video industries.

I'm going to jump ahead a little to illustrate this in the next big scene, which is staged in front of a hat shop. Just in case we failed to perceive the ritual “sodomy programming at the Pharmacy” scene, starring Don as the handler and the Mahout girl as the slave, we are given this scene as a follow up to clarify and emphasize how this is really about Beta and Delta alter programming, and umbrella programming.

When Don sets the end of the opened umbrella on the pavement and skips around it, as you see in this screenshot, he's demonstrating to us what's called umbrella programming. This rotation of the sectioned umbrella around the axis pictures the creation of a system of alters that are specifically designed to provide a strong defense for the kinds of programming that require the most protection. The mannequin heads appearing behind him represent the alters being programmed.

“U. Umbrella. This is associated with military programming. An umbrella protects something, such as the Delta assassination alters. An umbrella must be taken down from the inside and so must this protective shield of the Umbrella program. One Umbrella system had 7 gates to it.” (The Illuminati Formula to Create An Undetectable Total Mind Controlled Slave by Fritz Springmeier and Cisco Wheeler)

I believe some of the triangles formed by Don's choreographed moves signal Delta programming, like the one the Mahout girl forms with her left arm that adds the Delta to the obvious Beta symbolism present. These triangles can be more than just symbols of the anal triangle. In the presence of other programming symbols, another layering of meaning is added, that of the assassin.

“Delta--This is a Greek letter shaped like a triangle which symbolizes change in calculus. It has become a favorite word to use in naming things for the occult elite. Delta teams are 4 person assassination teams which usually are secret teams. Delta Forces is an elite unit that operates under the Joint chiefs of staff that is made up of highly trained total mind-controlled slaves. Delta models are slaves whose sole purpose is assassination. Delta alters are alters within an Illuminati alter system which are programmed to be assassins. These alters are often some of the deepest in a system and in a Genie bottle or with Umbrella programming.” (ibed.)

When Don dances around the umbrella, his left hand is extended. He's capturing the rain, and with his open hand is also dispensing it.. This can be taken as the semen metaphor, but more particularly we're seeing the distribution of demonic entities that have been invoked for their essential power. If you understand a car engine's electrical system, Don's use of the umbrella is like how a distributor works, transferring the high voltage energy from the coil to the plugs. Programming involves supernaturalism and it is methodical.

“The Illuminati Programmers see the layering in of programming as demonic. They feel the scripts, and movies are more “fronts” than the actual layering mechanism. They believe, as one ex-Programmer said, “This programming involves an organization system, established by horrendous trauma, for the alter personalities involving internal mental imagery, which is driven by demons, who provide the power.” (ibid.)

Other elements in the scene support what I described. The hats on all the heads conceal and reveal how this creation of a DID multiple is done through ritual sodomy, leveraging the graphic anatomical metaphor of the hat-anus covering the head of the phallus. Don's own hatted head appears with the others, while yet on this side of the window glass. We are being cleverly “not told” that he, the handler, is also a slave. His face is not masked and his head is not a mannequin, which presents what must be the correct model of doing the programming while operating in a front alter.

Reader, if at some point you feel like you're being mocked by the industry insiders and the elite who direct them, you're catching on.

This clever scene is staged at the LaValle Millinery Shop. A millinery is a store that sells hats, and “millinery” also refers to the designing and manufacture of hats. There's more technical detail being concealed and revealed. Just like how it is that many different hats can be worn on the same head to make the style fit many occasions or moods, the SRA programmer writes many custom programs to the alters like as if on a slave's highly partitioned hard drive. Each mannequin head is a blank upon which is imprinted a hat, a role. See it? Just like how the shop's display is divided into two windows, the mind of a multiple is split into mirrored pairs, twinned. If you've been following this series closely, this should be familiar. Programmers do the Delta programming themselves, while the handlers assigned to the slaves are typically delegated the less sensitive chores.

The name of the shop adds another layer of the same. It's the LaValle Millinery Shop. “LaValle” translates to “the valley.” That's not geographical but rather an anatomical reference. It not only sounds nicer than “Butt Crack Hat Store,” it doesn't draw attention to the esoteric theme - and that works for them.

In recognizing this scene as a ritual exhibition of umbrella programming we find an explanation for Don's first pass across the set. While making his approach (about 3:00 into the clip), he gives the umbrella a kick into the air, which seems to alert us to a reset of the symbolism of the umbrella. Presto. It's no longer the sodomizing phallus. Don opens the umbrella and spins it while crossing over in front of the entire store front. We were already shown how the slave was brought into the trance state with ritual sodomy, back at the Pharmacy. Now, “Let the programming begin!”

“Those who have been programmed have a locked-in three-year-old mindset which is the core of the programming. Say they’re eighteen or twenty years old and somebody comes up and knows the signal or says the code word to call out the three-year-old core. The person then goes into the three-year-old state to be sodomized, then the sodomites program into their minds what they want to program in, and when that person wakes up they probably don’t even remember that anything happened. Basically, a person reverts back to the three year old to be a total victim to the sodomy.” (Marion Knox - Interviewing Deprogrammers: In the House of the Strong Man Sodomy is the Key)

When the scene is understood as an exhibit of Illuminati programming, we have an explanation for why Don crosses all the way over to the book store before returning back to the millinery shop to demonstrate the umbrella programming. Books are the key, those the programmers and handlers use. “Late Novels” and “First Editions.” Because what we're being shown is technical it's necessary to have some knowledge of these things to have a sense of what's really going on and be able to more firmly grasp the reality of it. We're given a little more insight into the meaning of the bookstore and its two types of books a little later in the production, when Don circles back around to perform another choreographed set in front of the bookstore. I'll get to that shortly.

Records are kept for each multiple that contain relevant information. That's one of the two kinds.

“The handlers of mind-controlled slaves carry around a black or grey 3 ring notebook or a lap top computer with the access codes and triggers. Some of the programmers and handlers have this all memorized. ...These notebooks have color-coded graphs showing the arrangement of alters, the structure of the system, the training of the alters, the history of the alters and other details. All the primary tortures carried out on a slave are coded using dates/no.s so that the memories can be pulled up by the programmers. There is a standard set of hand signals, gestures, and codes that allow a handler to work with someone else’s slave, but the accepted code among the handlers is to leave another man’s slave alone. As one leading psychiatrist put it, “Different ideologies use the same methodologies of mind control.” The Illuminati have secretly put in base programming that allows them ultimate control over many of the other groups’ slaves.” (Ibid)

Each multiple and chosen one has such a book, on paper, as a computer file or in a handler's or programmer's memory. The Illuminati apparently have a kind of master key to all the slaves. Such a master control switch is going to be thrown when the Black Awakening is triggered and those millions of agents of chaos are activated to carry out their assigned roles.

The following excerpt gives insight into the slave's log book as it informs us about an alter.

“HOW THE SELF OF A MAIN ALTER CONSISTS OF SHATTERED SHADOW ALTERS, A SCRIPT, MIRRORS, & ASSIGNED DEMONS
What really is an alter? An alter is a dissociated part of the mind, which is developed by the programmers to be a complete personality. We will now explain what an alter is. If you were to look on the programmers’ charts found in his grey 3 ring binder, or his lap top computer you would see graphs with alters with access codes. What are these alters? If the programmers didn’t invest a great deal of programming and structuring, each alter would not be a complete personality. On the chart, the programmer will have a square on a grid where he will record the cult name, the front name, the alter’s alphanumeric pull up code and its grid number. What seems neat and tidy is really not so neat and tidy. That alter is really an alter with many shadows of itself.” (Ibid)

There's another kind of book, too.

“In the Illuminati covens, each coven will secretly have a copy of The Book of Ages, which is vellum, and is basically a Who’s Who of the Illuminati, and a copy of The Book of Generations, which explains the 13 bloodlines and what belongs to what generation. A handwritten magickal Book of Shadows will also belong to the coven. Only the Keeper of the Books and the coven leader will know about these things. The coven will also have a Keeper of the Seals which pertains to vows and oaths.” (Ibid)

The Bookstore of the stage set features “Late Novels” and “First Editions.” A novel is defined as: “A fictional prose narrative of considerable length, typically having a plot that is unfolded by the actions, speech, and thoughts of the characters.” A first edition is defined as, “The first published copies of a literary work printed from the same type and distributed at the same time. b. A single copy from a group published first.” I believe these two categories describe the kinds of books kept by programmers and handlers. The highly customized scripts that each individual slave helps establish during their programming regimen must be seen as something of a late novel.

After Don dances away, he circles around and returns to be filmed once more in front of the bookstore. Gene Kelly is his own Occult choreographer and he was playing Charades with us. Like a circus performer, he dances on and off the curb when the Millinery Shop is his backdrop. Once he's in front of the bookstore he acts like he's walking on a tightrope, wobbly. Then, just when he comes to the next business, he stops, turns and becomes very confident. He acts like he's going to jump down off the curb with both feet, with the umbrella held firmly like he's about to parachute safely down off the highwire, but he simply steps down and right back up. That's quite a charade!

[Update] I understood most of what was meant when I first wrote this post but more was soon to be revealed, which is why I updated this last part.

This curb dancing sequence witnesses to the fact that the Delta programming and books represent plenty of risk for the programmers. That's what the wobbly tightrope walker routine suggests. Those who use keep the books risk exposure if someone else acquired them and chose to use the incriminating evidence found against them. Also, the slave represents a significant investment to them, and their valuable asset is subject to being lost or compromised if the books are lost. The Omega or suicide programming might be triggered accidentally, or even the Delta or Theta (Dreamscape, Dune) programming. Any black ops in play might have their cover blown. The umbrella programming is intended for protection, to mitigate risks and minimize damage. Walking the tightrope across the bookstore suggests to me that the risks of loss are there, accepted as a necessary part of the operation, and that the books that represent that risk are therefore kept very carefully.

The confident dancing on and off the curb while in front of the Millinery speaks to me of skill and control, suggesting to me that the umbrella programming is carried out in just that way. The confident turn at the end of the millinery and bookstore sequence with its easy umbrella descent speaks to me of the programmer's confidence in a safe return to ground level, when the programming of the slave has been completed. It's that clever little step off the curb that tips us off to another kind of programming!

The descent with an umbrella and also scenes of ascents and floating signal what's called “go over the rainbow” programming, which is the bringing of a slave into a trance state for the installation of a program, and bringing them back out. Gene Kelly did all that with his little step down, then up. You'll find this “go over the rainbow” programming pictured in Mary Poppins, Pinocchio and many other films, commercials, ads, music videos, etc. I believe Gene was giving a nod primarily to Pinocchio, where Jiminy Cricket does the tightrope routine dancing on fiddle strings. See these more recent posts for more insight.

• Yoplait Umbrella Commercial and the Flash Mob Black Awakening
• 2012 Paralympics Opening Ceremony Highlights Monarch 'Over the Rainbow' Programming with Vatican Connections
• Pinocchio and Jiminy Cricket, Disney's Monarch “Conscience” Programmer

Continued in the next post.

Part 95 - The Sodomite Gateway - Singin' in the Rain: Pharmakeia

I'm picking up right where I left off in the previous post, but I'll begin by repeating a necessary caveat.

If you're a victim of ritual abuse who is still being delivered or you're easily offended by mature subjects and descriptive language, please move on. If you're new to this series, welcome! You may want to start at the beginning to get the foundation for what's here. Series Links: The Sodomite Gateway

The clip of the featured scene: "Singin' in the Rain" 1952 ~ Gene Kelly. If you have two monitors on your system, you may find it helpful to open the video in one while you read this post in the other.



This title song is legendary, widely accepted as the most famous dance routine in American film. Apparently, this was Gene Kelly's 13th musical motion picture, a fact worth noting because of the signal number. As you realize the level of attention to detail that characterizes this scene, despite industry efforts to dismiss it as almost an afterthought to the film's production, it should become obvious that every gesture was carefully choreographed, and that every placement of the camera and element of set design was just as carefully planned to create a subtle Occult ritual. When you give further consideration to how the name Hollywood makes allusion to a magick wand, it should occur to you that the region's Theosophical Society, Masonic Lodges, with every other Occult center of activity, including that of the porn industry, are one in purpose. Pharmakeia. Nearby Los Angeles is the City of Angels. Names are not always devoid of meaning.

I'll start at about 1:50 into the clip, where the character, Don, sings the following verse. He's strutting over to a setting where ancient Egyptian sex magick is demonstrated in a way that leaves little to the imagination!

I walk down the lane
With a happy refrain
just singin'
singin' in the rain

There's much more ritual activity in the lead up to this scene, more subtle things that are better presented after the more obvious bits, so I'll return to it later.

This Egyptian sex magick routine is staged in front of a pharmacy. That generic signage appears on the awning. Brass plaques state: Drug Store. What's unfolding here is pharmakeia, the sorcery of Babylon the Great. That describes the supernaturalism on the corporate scale, but what's unfolding in this scene also implies SRA programming, where drugs are typically administered during ritual abuse and sodomy to encourage dissociation.

Don does a ritual dance with the closed umbrella that rather comically features it as his erect phallus, just in case we failed to identify it earlier. He's about to use it to interact with the window display. These next two images show Don using the umbrella to suggest sodomizing the girl. This illustrates what he means by dancin' in the rain.

A smidgen of plausible deniability is lent by the use of the handle end and by the gesture, a misdirection because Don pretends to play the umbrella as a ukulele or guitar. That works perfectly to cover the real intent, until it doesn't! (Momentary flirtations with the association of the umbrella and her bottom also occur at the 2:23 position)

The expressive posture of the girl speaks volumes. It's not smoking Mahout brand cigarettes that makes her that way! That large red bow on her head is a symbol of the bloody ritual that ties her together with her sodomizer (who also wears a tie, around his neck) like fecal mortar cements those ubiquitous bricks, and there's an assumed blood oath on her head not to tell. It looks like she has horns on her head because she's been fiery red devil demonized. The bow is also suggesting cat ears on this blonde's head, suggesting Beta or sex kitten programming. That's what Marilyn Monroe exemplified, who was at just the time of this movie becoming very popular. The red and white banded blouse signals the Adam-red and divine-white condition of being made like a god, supernaturally enhanced.

The gestures that bracket the sodomy ritual support that symbolism. As he approaches her, Don removes his hat, bowing and extending it out to the lady. While pretending to grant her the momentary honor of being the symbolic object of his romantic love for Kathy, he uses that symbol of the anus that covers the head of the sodomizing phallus to signal us that the girl is about to become the hat. His bare head is momentarily superimposed over the phallic obelisk because they are one in symbolic meaning. Then he illustrates just what he means with the umbrella gesture. Don follows that with a little dance where, right in front of her, he holds the umbrella in front of his crotch as it makes the form of a triangle. This suggests the pubic patch of a woman, which points downward. However, interpreted according to the primary theme, it's the anal triangle. This is brilliant choreography. Evil genius.

A similar hat shtick was played in the movie Groundhog Day, when Phil and Rita are sitting on a bed, pitching cards into a hat. Phil advises Rita to “be the hat.” They are in bed together, a customary setting for sexual intercourse. The hat where cards are being pitched represents the anus, the catcher of the sodomite couple. Playing cards represents a supernaturalism, with a deck of 52 representing the Pagan calendar. Four seasons of thirteen weeks each provide an important structure for the worship of the ancient gods in the witch's celebration of the circle of life. Evil genius. The Devil and his agents are wicked clever.

OK. While I'm on the theme of hat symbol sodomy sex magick, here's another example. If you watched the Bullwinkle and Rocky cartoons on TV you may recall the old routine they used to do to close out the show. Bullwinkle the moose played a magician, who would comically fail trying to perform the famous stage trick. “Watch me pull a rabbit out of my hat.” He proceeds to pull some animal out, but never a rabbit. Here's a clip: Bullwinkle's hat gag



Just like how Daffy Duck demonstrates the trunk-as-rabbit hole metaphor for us with the aid of his gun-as-phallus and his own DA, Bullwinkle and every other magician who has attempted to pull a rabbit out of a hat have presented us with the hat-as-rabbit hole metaphor. When Bullwinkle tears off his sleeve, he strips that member naked before thrusting it into the rabbit hole. Right. It's a magic trick that is a genuine magickal ritual, a sodomite sex magick ritual. Bullwinkle the moose is a Occultist. The moose is horned, and the horned god of magick is Cernunnos. Coincidence? Guess again.

Mr Moose on Captain Kangaroo (from the land “down under”) routinely played a gag where he rained white ping pong balls on CK's head (c=3 and k=11 ~ 33). More coincidence? Really? This gag always had CK whining in the rain. See Part 72.

Now, let's consider that richly symbolic setting of the drug store window display, the backdrop for ancient Egyptian sex magick.

Nothing says “sphincter” quite as loudly as setting her inside a ring of white rays flanked by two Sphinx. She's on her knees wearing very short black shorts. The part of the scene that appears most bright places the attention on her bottom, the subject of illumination. Her left arm is presenting us with a triangle as she touches her head, an anal triangle and Horus Eye illumination gesture.

You may recall this image of Rihanna doing the same during another umbrella sodomy love fest, her Umbrella (Orange version) music video. She, too, was famously singin' and dancin' in the rain.

So, clearly, the Mahout girl is ready for love. Her lover has his umbrella-phallus at the ready.

Hey, isn't that a pair of obelisks? Don pauses right in front of one of them. That's a phallus of Osiris, and such an object is typically mated quite literally to a dome representing the fertile womb of Isis. Where's the dome?

The goddess of magick kneels upon an altar of witchcraft, inside the circle that, once cast by this Pagan high priestess, is actually a magickal sphere that has an enclosing dome both above and below the intersection of this plane at the floor. The cigarette and holder are her ritual knife, the athame. The two sphinx represent two of the four Guardians that would be invoked for protection and aid during the ceremony, and the bow on her head suggests the horned god invoked, Cernunnos.

The object of the sex magick is to bring forth Horus, and the HO under the magick circle that is followed by the U alludes to the successful result of this ritual. The string AHO under the ring might be filled in as suggested - A _ _ H O _ _, the A-HO.

You might also take that as “HO” a whore. A Mahout, in the Indian subcontinent and Southeast Asia, is a person who works with and rides an elephant. The Mahout woman rides a beast, and this identifies her as the great “HO” seen sitting on the scarlet beast in Revelation 17, Babylon The Great, The Mother Of Harlots And Abominations Of The Earth.

This woman modeled to us by the Mahout high priestess is also referred to as the great city.

And the woman which thou sawest is that great city, which reigneth over the kings of the earth. ~ Revelation 17:18

And, so it is that we see Miss Mahout set against what must be seen as buildings with windows. She is giant, the great “HO” and city. Clouds appear in the background to complete the effect.

A sodomite version of the beast being ridden is presented here in the drug store display in duplicate. The fabric is draped over each obelisk in such a way as to suggest the form of the buttocks, penetrated by the phallus. The ornate egg-like globes hang near to the business ends, which might be there for lighting, illuminating.

The promotion at this drug store is an inducement to “Smoke Mahout.” My buddy Aaron links this to the hookah smoking caterpillar - butterfly in Alice in Wonderland, who confronts Alice so dramatically with the question, “Who are You,” as he blows smoke at her. In Disney's version (1951, of similar vintage to this film), the clouds of billowing smoke formed the intestines through which Alice was discharged on her way out of Wonderland.

This haze producing and eye-mazing is part of the pharmakeia leveraged by SRA handlers in the traumatizing and subsequent programming of their mind-controlled slaves. This programming of the multiple identities creates a confusion of identity that cannot be readily resolved, by intent, because they are legion, many, and designed to resist attempts to resolve them.

The symbols of programming structures appear throughout this clip. In this drug store setting, what looks like windows each represent an alter identity. It's like the doll house metaphor, and a hall with doors to rooms. I've described this as programming structures symbolized by panes and panels, and those you see below the display window are distinct examples. Don is programming with ritual sodomy and drugs, specifically creating a Beta alter, as I mentioned earlier.

There's plenty more here, and I'll continue in the next post, Lord willing.

Part 94 - The Sodomite Gateway - Singin' in the Rain: Classic Umbrella and Hat Magick

The usual caveats apply, so if you're a victim of ritual abuse who is still being delivered or you're easily offended by mature subjects and descriptive language, please move on. If you're new to this series, welcome! You may want to start at the beginning to get the foundation for what's here. Series Links: The Sodomite Gateway

When I was writing about The Clockwork Orange in Part 70 of this series I made note of how the lead character sang a song from an old musical from 1952, the title song from the movie, “Singin' in the Rain.” He sang it while violently beating a man during a home invasion, just before raping his wife. The song didn't mean anything to me at the time. Some time later, I was watching an episode of the Sci-Fi show Fringe (The Boy Must Live) and observed how “Singin' in the Rain” was referenced again. I had begun to put it together by then. I had learned that rain and the umbrella were ritual sodomy symbols with rain as semen and the umbrella as both the anus (opened) and the phallus (closed). (See parts 75 and 76) I suspected that the famous scene where Gene Kelly danced and sung the title song might be leveraging these symbols too, and that's just what I found! This classic is a masterpiece of sodomite sex magick!

Here's a clip of the featured scene. "Singin' in the Rain" 1952 ~ Gene Kelly



You see, this evil isn't new. Our parents grew up with it, and so did their parents. While the amount of exposure folks have to the symbolic imagery has increased exponentially, it was still embedded in the culture, in architecture, product labels and the illustration of newspapers, periodicals, school textbooks and other books, and theatrical productions.

I'm going to describe what I see in the clip and describe the coded language in the lyrics. There's Occult symbolism throughout. I'm going cover a lot of detail but skip over some of it because it's just so densely packed! It will take me more than one post to get through it. This will segue into some more posts about umbrella symbolism, including at least a couple focused on episodes of Fringe, Lord willing.

As the famous scene from Singin' in the Rain opens we see a classic romantic setting where the man, Don Lockwood (played by Gene Kelly), and woman, Kathy Selden (played by Debbie Reynolds), kiss goodnight in the doorway. They're standing under his black umbrella, a familiar object that, with its scalloped edge, resembles the anus.

The scene is modeling the Royal Arch in a Masonic Lodge. The bricks are the signature masonry element, with the bricks as lodge brothers, cemented together with the fecal mortar of the binding oaths and supernaturalism of ritual sodomy. The couple stands under the Royal Arch, a sodomite gateway, the umbrella overhead suggesting the arch. Two lamps flank this altar, as the typical pillars and the sun and moon. Another pair of pillars appear in the hand rail posts. There's love in action, but what appears on the surface may be considered merely misdirection, the mask.

We're all familiar with religious art where a halo of light is placed behind the head of a subject to indicate holiness. Consider the circle on the window as Kathy's halo, but instead of being holy, of course, she's illuminated. She wears a purple cap to model the sodomite phallus. Yes, that's what he's kissing. Listen to the words spoken. Don is dissociated, unable to perceive the reality of the rain, gone to a sunny place “somewhere over the rainbow.” When they separate, she goes off through the doorway into the light, where we see a phallic head shaped lamp shade.

When Don starts to get musical, he seems to be singing some nonsensical words. When you catch on to the esoteric nature of the scene you realize he's singing a ditty about doody, a childish word for poop. I've heard that kind of signaling before. Sometimes, I hear the word “duty” used in the midst of other symbols of the sodomite gateway or trauma-based mind-control programming. The woman had just made a poetic reference to the rain as “California dew.” Given the rain-as-semen metaphor, her embellishment applies to his ditty, which is about the combination of “dew” and “doody.”

Yeah, I know. Try not to laugh so hard - you'll hurt yourself. This is really quite a serious matter.

Don waves off the waiting vehicle. He doesn't need a driver anymore. He's got the hook-up. He's illuminated and now he's the driver, the SRA handler.

He pauses and collapses the umbrella while standing under the water that pours off an awning, which splashes off his hat. He's layering the symbols and giving us the key, identifying to us that the hat is just like the umbrella. While he pauses, we see the oval panel on the door presenting the halo of illumination behind his head, just after he swings the butt signaling umbrella over to the backside of a woman's bust in a store front display window. That oval is framed by two panels like parenthesis, or like mirrored letters C, presenting a subtle sodomite and Masonic 33 signal.

I'm singin' in the rain
Just singin' in the rain
What a glorious feelin'
I'm happy again.

Glory is a supernaturalism, a manifesting expression of God that relates to power and light - or, in contrast, gods and a dark power and light. The movie poster I opened with has this phrase superimposed over the three umbrellas, “What a Glorious Feeling.” That's a reference to the initiation into illumination the slave experiences and the power transfer the handler experiences during ritual sodomy.

“The Illuminati believe that they can suck the life spirit out of a person through intercourse with what they call the Eye of Horus (the anus). This is why the leaders of this World Order (such as George Bush, Bill Clinton, and tens of thousands of others) are into sodomy, they are trying to vampirize all the years of life out of the victim to gain a longer life. Some of the sad child victims, who have been kept exclusively for this purpose do look like the life force has been sucked out of them. Sodomy has its own secret chamber on the cabalistic tree of life.” (Deeper Insights into the Illuminati Formula by Fritz Springmeier & Cisco Wheeler)

Don leaps up and hangs off the lamp post, extending out the umbrella in its phallic form.

I'm laughing at clouds.
So dark up above

By this, is he referencing the clouds of the book of Jude and the darkness of those agents of evil? He's being drenched with the rain and loving it, singin' in the rain.

In this pose, Don is superimposed over another Royal Arch, a doorway, a sodomite gateway. There's just no mistaking this once you become familiar with the routine. On one side we have the phallus, and on the other, the illuminating light of the sun god; an illustration of the left hand path. He's lifted one leg to cross it with the other, forming a cross or sodomite plus sign, and a triangle as the space under his crotch, the anal triangle.

Don jumps down and embraces the giant phallic pole, pressing his umbrella up against it as he does an effeminate thing with his voice.

The character's name is “Don Lockwood.” Is there some kind of wood-as-phallus thing going on here? Is the lock and key sodomy metaphor being used? I believe there's an allusion being made from this character to another Don, not so much Don Juan, womanizer, as “Don Quixote,” the protagonist of another classic which Fringe makes reference to in a very symbolic scene featuring a black umbrella (Black Blotter episode). But that's for another post, Lord willing.

The sun's in my heart
And I'm ready for love.

The sun is in his heart, and you may take that in context as the heart-as-bottom. The sun is the sun god Horus, the *s O n* son of the Devil, who is engaging Don in ritual sodomy by proxy. Marion Knox, an experienced deliverance minister explains. “Basically, Satan cannot sodomize someone on his own, but he can influence somebody to sodomize someone else and then it’s like having Satan sodomize them and put the sodomy power within them.” Oh yeah. Don is ready for love.

He's doing this bit in front of the Palm View (or Vista, perhaps) Apts, which is noted on a little sign on a shade on the doors. The palm is a symbol I've written plenty about on these pages. It is the tree under which Leto gave birth to the son of Zeus, Apollo. Here's a logo that presents a palm view many sodomites in Hollywood would be familiar with, the sodomite gateway.

He dances off and strikes another pose, opposing the umbrella with the hat in an apparent modeling of the forward catcher of the two Vitruvian men.

Let the stormy clouds chase.
Everyone from the place
Come on with the rain
I've a smile on my face

With the rain pouring onto his upturned face, he sings that verse, and we note the homonym that validates the rain-as-seminal fluid metaphor through redundancy. Off he strolls, swinging the umbrella with his hand in a pocket to give us a subtle variant of the classic hidden hand signal that has been used by Illuminists over the centuries. That means his actions are cloaked, secret, with an assurance that he's isolated from accountability.

Don passes under an illuminated Horus sunrise arch as he gets in position for the next set, where ancient Egyptian sex magick is demonstrated right before our eyes.

I'll pick this up in the next post, Lord willing.

The Great Leavening

I've just posted a new study to my regular website, The Open Scroll. I had made some comments on the blog about the drum beating of the exalted great commission, stating how the continual trumpeting of the noble cause of the evangelism of the heathen is an effective tool marginalizing the activity of those who don't march in their parade. That observation really deserved more of an explanation, and this new study provides it as some key passages are examined in a consideration of just how it is that the Lord Himself views the Great Commission, as carried out by the church.

Read it here: The Great Commission -Leavening -Invocation

Part 93 - The Sodomite Gateway - Valomilk, Veggie-Tails and the Purple People Eater

First, some relevant news: Firefighter charged in 12-year sex slavery case commits suicide

I've addressed the topics of this post previously, but the examples presented here expand somewhat on the forms of expression. It helps to be reminded of these elements of the sodomite gateway so when we encounter this familiar imagery we can recognize it readily, and receive all the benefit the Lord intends for us in this season of mounting delusion. The seducing testimony of the plots contrived and weapons forged against us is being thrust before us, but we're blind to it except as the Lord's provision comes with much favor.

The usual caveats apply, so if you're a victim of ritual abuse who is still being delivered or you're easily offended by mature subjects and descriptive language, please move on. If you're new to this series, welcome! You may want to start at the beginning to get the foundation for what's here. Series Links: The Sodomite Gateway

Coprophagia or coprophagy is the consumption of feces, poop eating. There are some, like the Marquis de Sade, for example, who willingly consume for pleasure, but others are forced to eat poop, and drink urine and semen. This depraved behavior is standard practice in the world of SRA handlers, who traumatize their victims to encourage dissociation and create the condition of DID. This often occurs in the context of ritual sodomy, and ritual torture, blood sacrifice and cannibalism. There is an evident witness to this as the imagery is embedded in our culture's advertising and entertainment media. This imagery works according to the ways of the practice itself, magickally, supporting the demonic programming of the individual slaves and the operation of mass programming our culture, yes, you and I.

If you're not familiar with these two posts, they make a good intro.

Part 22 - The Sodomite Gateway - Quik Bunny's Secret
Part 70 - The Sodomite Gateway - A Clockwork Orange

As with cupcakes and peanut butter cups, Valomilk candy has the kind of ridges at the edge that are exploited to present a modeling of the puckered anal orifice. These are intended to be eaten, of course, which implies coprophagia and, as children tend to play with their food, analingus, a form of oral sex. Valomilk leverages both the chocolate as feces and milk as semen metaphors. Their advertising adds other layers that signal ritual sodomy, so it's evident that the oral practices are part of the larger context of Satanic Ritual Abuse. Consideration should be given to how this matter of food that is made and marketed to invoke this imagery engages the consumers in sex magick, which is exploited by the producers.

In this set of images, the squaring of the circle is called out in the bottom ad. The “O” in Valomilk's wordmark resembles a rounded triangle, the anal triangle rounded to signal the squaring of the circle. In the middle image I call attention to how the ornamental frills conceal a popular style of embedding the 33, with a pair of mirrored versions appearing at top and bottom. That ornamental circle combines with the scalloped circumference of the confection to suggest the sphincter. Four flowers extend the total number of sodomite portals in view to 5. Given the metaphor of the chocolate and milk ingredients, the red of the brand name presents the mix of the three as blush, including blood in the mixture emitted after rough sodomy.

The brand also leverages the signal orange color, and the packaging features what looks like buttocks ringing all around the outside. Valomilk, as from the VALentine heart as a butt, apparently.

Candy is often marketed to children, and certainly VeggieTales is just for children, targeting Christian families with moral themes and biblical references. I'm not trying to advertise for them with this image but to help you identify Larry the Cucumber as a phallus. Helmet head. Larry the cuCUMber. Real subtle, right? No. Not really!

Veggies are edible, right? Isn't this suggesting what is the apparent subject of this stained glass window? Veggies are edible. I believe oral sex is indicated, and coprophagia and cannibalism. And pedophilia.

These veggies in the ad are pictured as shepherds with a flock of sheep. Hermes is the god of flocks with a shepherd's staff, and a fertility god, and a phallic god. He was claimed to introduce masturbation to the shepherds, either directly or through his son Pan. In some regions shepherds are widely known to practice bestiality. Hermes was/is also a sodomizer.

Larry's head gear creates a pyramid that is green, like the one on the dollar bill. The headband visually isolates the capstone that can be assumed to be glowing with an eye appearing inside the triangle. Inside the big triangle, what we see is mostly eyes, right? It's the eye of Horus, third eye illumination. You are considering just where that capstone is positioned, aren't you, on the forehead as the third eye? Given that the triangle eye is a symbol of the sodomite gateway, the anal triangle, you should be seeing Larry the cuCUMber in the context of ritual sodomy Horus Eye enlightenment, and ritual abuse. Veggie “Tails”!

See the orange-on-orange swirl sun anus? “Grow with the Bible, Veggie-Style” Given the imagery of Larry the phallic CuCUMber and his sodomite third eye illumination, the phrase superimposed over the signal anus must be interpreted as referring to an erection. Apparently these veggie shepherds are tending the flock in ancient Sodom.

This production is under the ownership umbrella of DreamWorks. It appears that their Work here is Dreams, of the dissociated state kind experienced by multiples. They produce the DreamWorks.


Long before become a popular reference to the Minnesota Viking's defensive line, the Purple People Eaters referred to a song. Consider the lyrics, interpreting the sodomite metaphors.

Purple = sodomite.
People Eater = cannibal
The one long horn with one big eye is the phallus of the adult handler. It's seen coming out of the sky by the small victim, who is dissociating in a dream state.
“Came down to earth” -- Flyin' = fallen angel
“Lit in a tree” = the Illuminating Tree of Knowledge of Good and Evil
“Rock and Roll” = slang for sexual intercourse
“(We wear short shorts)” = This is about sex, and more specifically, butt sex. And, the subject singing is the catcher.
“I like short shorts” = Now, the initiated slave becomes a handler.
“Playin' rock and roll music through the horn in his head” = The illuminated handler carries on the sodomite cannibal tradition.
“Tequila” = pharmakeia - the drug assist to the trauma dissociating demonization

Sheb Wooley - Purple People Eater (1958)
Lyrics:
Well I saw the thing comin' out of the sky
It had the one long horn, one big eye
I commenced to shakin' and I said "ooh-eee"
It looks like a purple eater to me
It was a one-eyed, one-horned, flyin' purple people eater
(One-eyed, one-horned, flyin' purple people eater)
A one-eyed, one-horned, flyin' purple people eater
Sure looks strange to me (One eye?)
Well he came down to earth and he lit in a tree
I said Mr. Purple People Eater, don't eat me
I heard him say in a voice so gruff
I wouldn't eat you cuz you're so tough
It was a one-eyed, one-horned, flyin' purple people eater
One-eyed, one-horned flyin' purple people eater
One-eyed, one-horned, flyin' purple people eater
Sure looks strange to me (One horn?)
I said Mr. Purple People Eater, what's your line
He said it's eatin' purple people and it sure is fine
But that's not the reason that I came to land
I wanna get a job in a rock and roll band
Well bless my soul, rock and roll, flyin' purple people eater
Pigeon-toed, undergrowed, flyin' purple people eater
(We wear short shorts)
Flyin' purple people eater
Sure looks strange to me
And then he swung from the tree and he lit on the ground
He started to rock, really rockin' around
It was a crazy ditty with a swingin' tune
Sing a boop boop aboopa lopa lum bam boom
Well bless my soul, rock and roll, flyin' purple people eater
Pigeon-toed, undergrowed, flyin' purple people eater
I like short shorts
Flyin' little people eater
Sure looks strange to me (Purple People?)
And then he went on his way, and then what do ya know
I saw him last night on a TV show
He was blowing it out, a'really knockin' em dead
Playin' rock and roll music through the horn in his head
[Clarinet solo]
Tequila

SRA has been going on a long time. It goes all the way back to 1958. Well, actually, it goes all the way back to the Garden of Eden.

Sign Watching in March - The Vatican Conclave, Obama's Trip to Israel, Notre Dame Cathedral Bells

As I watch according to the Lord's command in Mark 13:37, some of the activity expected in the next few weeks begs our attention. I'll summarize some of the activities being watched, but the main subject of this post has to do with Satanic ritual and the Roman Catholic church, and a link to the Inquisition through Palm Sunday, “Our Lady” and bells, the instruments sometimes deployed by priests and witches as magickal weapons.

First, Obama's trip to Israel for the apparent forging of an “Unbreakable Alliance” is symbolized by a special Occult logo. Obama is scheduled to land in Israel at the Ben Gurion International Airport around noon on Wednesday, March 20. That's a very special time and place!

I don't know yet what the Lord's calendar looks like because we're depending upon reports of the ripening barley and sighting of the new moon. I do, however, know about the solar and Pagan calendar. March 20 is the Vernal Equinox, and in Jerusalem, the moment of that event will occur at a minute past thirteen hundred hours. If all goes according to schedule, Obama will have just arrived!

What's called the Vernal Equinox is a big day for Pagans. Many celebrate it with fertility ritual, with witchcraft and orgies that make little distinction between the kinds of relations between the genders, ages or even whether the participants engaged are human. For those who celebrate in such ways, which includes the Illumined elite, the 13 I noted in the time has not escaped their notice! That's the number of the rebel lord beast, and that's what their world revolves around!

With the conclave of a sun cult priesthood anticipated at the Vatican any day now, I wonder if that very same day is being secretly planned for the election of the man many believe will become the biblical false prophet, or perhaps to mark some other important step in his official installation. I noted with great interest how Cardinal Joseph Ratzinger was elected Pope on such a notable day in 2005, on April 19, the day very appropriately associated with the Blood Sacrifice to the Beast. The 13 day feast begins on the 19th with a fire sacrifice, and the Papal election ballet fueled a smoky fire that symbolized the figurative end of Ratzinger's life, as he would utterly sacrifice it in becoming Pope Benedict XVI. (See Who is Pope Benedict XVI? for more detail.)

While some base their expectations entirely on the Prophecy of the Popes, I anticipate a Pope will anoint the lawless one in 2015 in the key event that will reveal the one baptized as the lawless one, so, whoever the Pope is at that time will be the False Prophet, whenever it is that he comes to office.

Today, those who worship the Popes hope a new one will be ordained in time to officiate at the services on Palm Sunday, coming up on the 24th of this month. This is deemed to be of paramount importance because the following Sunday is Easter, of course, and because the integrity of the entire Lenten season is essential in their Pagan ritual. SeeAsh Wednesday - A "Fourth Day" Ritual Prefiguring the Mark of the Beast for more about that.

These names of the days are, of course, the Pagan sun cult names for those days, because that's what that church calls them, and celebrations on such a calendar are entirely Pagan despite the naming of and pretense of honoring the One I worship in Truth.

The Romish sun cult is planning a special event for Palm Sunday that has several ominous layers to it. Nine gigantic bells were commissioned, cast, worshiped and “blessed” (cursed) in honor of the Notre Dame Cathedral’s 850th birthday. They are being hung in the Cathedral's towers, and these are expected to be rung for the first time for services on Palm Sunday. Because of the location and particular history called to our attention by the anniversary celebrated, the numbering of 9 bells, the purpose for bells and the meaning of Palm Sunday, these things combine to make the event worth noting and watching! I see in all this a distinct tie to the Inquisition, that infamous season of torture and murder perpetrated by the agents of the Vatican that makes the current public relations scandal of the pedophile priesthood pale in comparison. It must be said that extortion, torture and murder is still going on, but the public relations whitewashing has been greatly improved over former times.

This bell and the other eight were ceremonially “blessed” in the cathedral’s nave by the Archbishop of Paris, Andre Vingt-Trois, on the 2nd of February. As to what other curses have been put upon Bourdon Marie and the other bells in private, I cannot say, but there's nothing good to come from any of this idolatrous activity.

Bells are named and decorated and tuned with intent. I've written at length about the bell in an article I received two signs about (Bells - Supernatural Enchantment and a Biblical Perspective), which tells me this is a big deal. Bells used for religious purposes are ritually cursed, associated with demonic authorities. Giant bells are rung to honor and involve the god of the domain they are associated with in name and location. This is the situation in Paris at the Notre Dame Cathedral.

This picture shows one of the gargoyle guardians of the Cathedral, a cursed idol who watches over his appointed domain.

The name “Notre Dame” means “Our Lady,” which of course refers to Mary or Marie, an alias of the goddess also worshiped as Diana and Isis. The largest bell of the 9 is named “Bourdon Marie Bell,” which must be supernaturally identified with the demonic pretender. Bourdon = bumblebee = great bell. This queen bee is 6,000 kilograms of bronze, marked thereby with the number of man associated with the Beast in Revelation 13.

I noted some 13s already in this post, and the anniversary celebrating 850 years provides yet one more. (8+5+0=13) Because of the connection made here, going back to the year 1163 when the cornerstone was laid, and because of what I've learned about other bells and bell events in the past year (Find some links to explore at the end of this post.), I have to think this is more than just appearing now as a matter of convenience for the Occultists. The Devil is rather bright, you know, and he's been orchestrating the plan that's unfolding in our midst for a very long time. The matter of this activity coming in the midst of the Obama visit to Israel and Vatican conclave - while we're in the first of the target Shemittah week - OK - this is worth watching closely!

The number of bells is 9, the single digit number for the transforming mark of the Beast. This action of transformation is one of the uses for bells, by alchemists and Romish priests, who are alchemists.

During Catholic Mass, the Romish priest rings a bell as "a reminder of the faithful of the great event of the transubstantiation." The bell is a ritual tool used by witches to cast spells. It was the perception of the legitimacy of their supernatural authority and reality of their alchemy that was perhaps central to the Inquisition. The Devil and his agents feed off the suffering, blood and sex ritual and human sacrifice, and the degree of brutality and scale of the trauma facilitated the church's control and assured their dominion for a lengthy season. The Inquisition basically asked the question about the Eucharist, about the supposed miracle of transubstantiation, of whether the priest's sorcery was considered valid. Was the alchemist's magick real? Was the wine and host consecrated by the priest literally changed into the blood and body of Christ, in actual substance? If that was denied, the "heretic" was an enemy of the church and deserved to suffer extreme torture resulting in death, which was duly administered by the agents of the Vatican.

23 And the light of a candle shall shine no more at all in thee [that great city Babylon]; and the voice of the bridegroom and of the bride shall be heard no more at all in thee: for thy merchants were the great men of the earth; for by thy sorceries were all nations deceived. 24 And in her was found the blood of prophets, and of saints, and of all that were slain upon the earth. ~ Revelation 18:23-24

At Notre Dame, “The cathedral treasury is notable for its reliquary, which houses the purported crown of thorns, a fragment of the True Cross and one of the Holy Nails – all instruments of the Passion,” according to Wikipedia. The Passion, that's the torture and crucifixion of my Lord. With that observation, here's a theme. Also featured at the Cathedral, in one of the Hesburgh Libraries, is an Inquisition Collection. Are you grasping the theme here at the Notre Dame Cathedral?

The cornerstone was laid 850 years ago, in 1163. The vast cathedral was labeled complete in 1250. Construction took place during the very season of the medieval inquisitions.

“The situation began to change towards the end of the twelfth century after the Holy Roman Emperor Frederick Barbarossa and Pope Alexander III reached an accord reconciling their respective powers in the Peace of Venice. In 1184, Pope Lucius III issued the decretal Ad abolendam, which some have called the "founding charter of the inquisition" since it commanded bishops to take an active role in identifying and prosecuting heresy in their jurisdictions. The explicit identification of heresy with treason and its prosecution according to the norms of Roman law was formalized in 1199 by Pope Innocent III. The foundation of mendicant religious orders, especially the Dominicans, in the early decades of the thirteenth century provided a ready supply of papal inquisitors who could be sent to regions most influenced by heretics. Actions by Pope Gregory IX in the 1230s and the canons issued by the Council of Tarragona in 1242 had the effect of centralizing these functions, and even clarified that heresy was an offense punishable by death;” (A Brief History of the Inquisition)

“1231: Pope Gregory IX authorizes Dominicans to examine Cathar and other Christian heretics in southern France and Italy, the so-called 'medieval inquisitions.'” (A Timeline of the Inquisitions)

Now, St Malachy, who is believed to have authored the controversial Prophecy of the Popes, died just prior to that infamous season in the year 1148. If you've given this some thought, you may be connecting some threads here with his Prophecy, which mentions persecution in connection with the final Popes.

“111. Glory of the olive.”
“In the final persecution of the Holy Roman Church, there will sit”
“112. Peter the Roman, who will pasture his sheep in many tribulations, and when these things are finished, the city of seven hills [i.e. Rome] will be destroyed, and the dreadful judge will judge his people. The End.”

While those of the Romish cult interpret it as though the Catholics will be subjected to persecution, I read it otherwise, where the church does the persecuting. That's consistent with the history of that church and with Revelation 18. That's is where the threads of the Passion and Inquisition intersect. Whether or not that prophecy is valid, and whether or not it has no gaps in the Papal line of succession, it makes little to no difference from most perspectives.

What I find most compelling about the situation with the new bells at Notre Dame is the potential for some manifestation of a closed loop, a completed circuit. Does this presage the renewal of the Passion-Inquisition theme?

Bells are a kind of dimensional portal control mechanism, as cryptically but vividly dramatized for us on the Fringe sci-fi show and in the animated feature Rango.

In the Summer of 2012, the largest ringing bell in Europe was cast and featured in celebrating the opening day of the 2012 London Olympics. The bell was given an ominous identity as it was cast to Freemasonry's favorite Shakespearean production, The Tempest. It bears the quote, “Be not afeared, the Isle is full of noises.” I believe that is cause for great concern, especially given how the Olympics are all about the worship of Zeus (aka Satan acc. Revelation 2:12-13), and that the quote is from a speech given by the character Caliban, a monster who was the offspring of the Devil and an evil witch.

When the Lord directed my attention to the 2012 London Olympics, a time link between 2012 back into 1948 appeared. The Olympic Park was discovered to be mapped very precisely to the season of the establishment of the State of Israel, using a principle David Flynn developed based upon the work of Sir Isaac Newton. The ringing of the Bell of Caliban in that Stadium and the Work 1197 titled All the Bells that began Opening Day of that ritual event added to this evident supernaturalism, which offered more notable historical links to 1948 and also to 1936, when the Nazi Olympics were celebrated with another giant bell. I knew the Lord was opening those connections to me and directing my attention to the bells, and I felt what I was seeing was somehow very significant.

Just prior to the Olympics, some large bells were cast to honor the matriarch of the Illumined Royalty, Queen Elizabeth. They were introduced during the massive flotilla for her Diamond Jubilee celebration. Eight bells were cast and named after members of the Royal Family, the largest of which is named Elizabeth (half a ton). These were hung in a floating belfry that was given a place of honor at the head of the 7.5 mile long flotilla. The bells now hang in the tower of St James Garlickhythe in central London, in a location claimed to have been a sacred place since, get this, 1100 AD. There's a film about them here.

I feel like the bells of the Notre Dame anniversary celebration are important. I feel like there's something to the intersecting threads of the Passion relics and Inquisition collection and the persecution of (by and from) the “Holy Roman Church” in the controversial document attributed to St Malachy O'Morgair. The true saints of such as the Bride company are ripe for persecution. It is anticipated from the hands of the religious. The agents responsible for the torture and crucifixion of my Lord were the religious heads in conjunction with the Roman authorities. Those responsible for the Inquisition were representatives of the “Holy Roman Church.” Are we really done with that? With a Pope as the false prophet, you can bet not.

The famed Notre Dame Cathedral was a masterful work, built by those highly skilled esoteric craftsmen in the guild of Masons. The Dominicans worked the Inquisition, and such Illumined agents as that now work their craft in black ops - Jesuits, Knights of Malta, etc.

I want to close with a few observations about Palm Sunday, when Paris will resound with the ringing of the bells from Notre Dame Cathedral.

In the symbolic Occult Lenten calendar, Palm Sunday comes one week before Easter. The Date Palm is a symbol of resurrection, which has been pretty well documented on this blog. The ashes used on Ash Wednesday to mark foreheads are those left over from the previous Palm Sunday, which are saved, burned and prepared for that purpose. The Date Palms are sacrificed and there is a recycling in connection with the worshipers. The technical name for the plant is Phoenix dactylifera. Phoenix. The bird of legend that burns and rises from its ashes. That's the bird featured on this glass you see here from the Vatican library. That's the bird featured on the creepy esoteric mural in the UN Security Council Chamber.

So, Palm Sunday holds the idea of the cycling of the sacrificed palms as they are put on worshipers as an identifying mark. They are identified with the phoenix by the sun cult priesthood, a sign of Horus, really, so put that together with what I wrote earlier. “What I find most compelling about the situation with the new bells at Notre Dame is the potential for some manifestation of a closed loop, a completed circuit. It's not time yet for the mark of the Beast, and not yet for the Beast John saw coming out of the sea (Revelation 13:1). Does this presage the renewal of the Passion-Inquisition theme?” There's some looping going on here. Cycles are ending and beginning anew. Let's watch and see what we see!

Some links of note.

Assorted Items of Interest
Bells - Supernatural Enchantment and a Biblical Perspective
Part 3 - 2012 London Olympics - Olympics, Giants and Bells - OH MY!
Part 4 - 2012 London Olympics - The Olympic “ZION” Park, the Subject of Ritual Magick from 1948
Part 5 - 2012 London Olympics - State of Israel maps to Zion Olympic Park
Part 8 - 2012 London Olympics - The Bell of Caliban: Be Afeard!
Part 9 - 2012 London Olympics - Quantum Entangled Zion and Fringe Science
Part 12 - 2012 London Olympics - Death Rituals: A "Bell, Book and Candle" Mega-Ritual on the BBC

Part 92 - The Sodomite Gateway - Yoplait ~ YoPLAY

First, a news item. 9-year-old rapper's adult-themed videos prompt state probe

The rappers name would have been the first clue that there's probably ritual abuse involved. Here's a video. Lil Poopy "Big Things" What kind of things would be big, you shouldn't have to guess about.

The authorities might want to turn their attention to the local market for more signs of ritual abuse, perhaps assigning stakeout teams to the dairy section to see who might be lurking around the yogurt. Seriously, the Yoplait brand is a regular orgy and sodomite love fest.

For yogurt, a dairy product whose appeal lies largely in the benefits offered to the GI tract, it makes good marketing sense to link the product with the GI tract in subtle ways. However, selling probiotic products that promote healthy intestinal flora with imagery of female and male genitalia, the anus, homosexual symbols, sexual intercourse and magick circles strays way beyond that!

The usual caveats apply, so if you're a victim of ritual abuse who is still being delivered or you're easily offended by mature subjects and descriptive language, please move on. If you're new to this series, welcome! You may want to start at the beginning to get the foundation for what's here. Series Links: The Sodomite Gateway

In this first set of images, the extremely feminine “lids to save lives” promotion is a good launching point to highlight the brand's anatomical imagery. The stylized pink ribbon is cut short on one side because if it weren't, the female genitalia would be way too obvious. In this set you see I've tilted the Yoplait logo into a more easily recognized alignment and faded the nonessentials to illustrate that, too, as the female genitalia.

Because of how the two versions of female genitalia are placed together in the promotional imagery, the homosexual engagement of “scissor sisters” is illustrated. When these images are placed on the lid, which has to be removed to get at the product, those behind the branding and packaging involve you, the consumer, in the enactment of sex magick, and you can bet secret rituals have been performed by sponsoring parties to both cover their scheme and harvest this supernaturalism!

The pink ribbon is an international symbol of breast cancer awareness, which is generally recognized as being derived from the red ribbon for AIDS awareness. Yoplait's lids promotion benefits the extremely popular foundation Susan G. Komen for the Cure. Note the date associated with the promotion. “General Mills will donate 10 cents to Susan G. Komen for each lid received and also for each code entered by 6/30/2013.” I believe a 9, 18 and 666 are being signaled.

The numbering of six appears in the Yoplait logo as the number of petals in their flower, the number of man often used in allusion to Revelation 13:16-18. Six petals conceal the hexagram used for literally putting the hex on the sorcerer's prey. Those following this series should readily identify this flower as a sodomite sun god anus, with three of the petals being orange. The pink petals associate this portal primarily with the female.

Did you happen to notice how the stylized pink ribbon is a small segment of a heart? The charitable work of the elite is ever the Love In Action, the coded sodomite phrase of the Lucis Trust that is equated to World Goodwill.

They apparently get it at Pitt.

So, supporting all that we see the sodomite theme repeating in the imagery for another promo called the Million Cup Giveaway. The female backside is featured in both of these ads, covered with the familiar Yoplait packaging. In the upper ad, the Yoplait logo is stamped right across her butt.

Note the rounded square orange element with the divine white anal star flower inside. This is the graphic element assigned the role of presenting the desired action. Responding to their prompt to “LIKE US” is then what I have learned to recognize as a form of sex magick.

Note the appearance of another 6 in the lower ad, in the 60% figure highlighted. The other number highlighted is the 2X. If we interpret that as doubling the six, it cleverly combines with the six petals of the Yoplait logo flower placed near to those suggestive elements to conceal a 666.

That lower ad has an additional layer of clever 666 Beast symbolism. The unique design of the yogurt container presents us with the form of the truncated pyramid. The pyramid symbol represents the kingdom of the Beast, like you see it on the back of the one dollar bill. The genuine Christ is the head of his body, and on that model the counterfeit is the head of his body. We see the Beast's body as the woman's truncated pyramid body, capped with the head. By showing us her backside with her arms suggesting a mirrored C or 33, it's implied that she is third eye (Eye of Horus) illuminated.

More supernatural sun god illumination signaling is evidenced in that the Yoplait logo is also an Eye of Horus, with the oval shape called thus to our attention by the addition of the registered trademark symbol on the right. That's done, as I've shown in a huge number of examples, to present an instance of the classic Harmerty, Horus “who rules with two eyes.” If you see that oval then as the right eye, the flower is easily identified as the third eye, the illuminated bindu and anja chakra!

With Yoplait, it's not all about the female. The stylized Y is a symbol of the male gender's signal chromosome letter. Some of their product's brands highlight the male gender through phallic symbolism.

Just like how the London Sperm Bank's wordmark famously pictures the male package in the “do,” the imagery of the Yoplus wordmark inverts it to “op.” This version is a little more subtle because it doesn't make the package flesh colored but rather obfuscates it with two non-flesh colors. Too obvious doesn't work for their scheme. Subtle does!

So, Yoplus is male in gender but it's distinctly homosexual because the purple color and the “plus” send an unambiguous message to those who can interpret the elements. The packaging displays it on a circle with elements around the circumference that suggest the sphincter to strengthen the brand's sodomite gateway identity.

Overlaying the two together like I've done in this set, what appears is a kind of straight version of the Yoplus and Yoplait lids promotional imagery. Really, though, both the female and male gendered branding is distinctly homosexual, even sodomite.

Yo! PLAY! Isn't sexual “play” what the brand is all about?

Anal sex is the message of their Greek yogurt branding. “Greek: Anal sex. Used mostly as a euphemism in prostitution circles.” (Urban Dictionary #1) “Greek - Get Down With It.”

The branding of their Greek yogurt emphasizes a variety of forms that are typically referred to as “mandala.” “Mandala” means “circle” in Sanskrit. These have spiritual and ritual significance in both Hinduism and Buddhism. They are magickal emblems used for meditation and trance induction, idols representing the principal deities - and stylized sodomite portals!

In this next collection of images some more of the Yoplait brand's sodomite gateway imagery is featured. Their Calin + product is labeled like a pharmaceutical with the red cross. The name “Calin” is similar to “colon,” a fact that is probably perceived by most folks who may be interested in the product. What most won't perceive, however, is that by +, they mean the addition of a phallus. The attention given the dot in the “i” calls it out as an “i” of Horus, a symbol that is enhanced by being set inside an oval. On the label, the red band butts up against the woman's backside. Observe the positioning of the words, “strong bones.” Bone = phallus. The red plus sign is near her head. She is illuminated through ritual sodomy. She stands upon a reclined Royal arch and squared circle. She is a “hands up” person. She is Osiris green. The white lily symbolizes “resurrection.”

The Yoplus packaging seen just above is labeled differently from what I presented earlier, replacing one sodomite version with another. Here, the squared circle of the witch's magick circle appears. The sodomite plus sign is featured, which serves to connect the word and the symbol for us.

Perhaps the Yoplus is intended to be enjoyed with some TAZO tea?

In this set of images, the GoGurt branding leverages the phallic arrow on the “o” to mimic the familiar astrological Mars and male gender symbol. Set between two letters G (G-EYE tract and Gnosis), this is a pedophile (little “o”) version of the sodomite male train, an example akin to the Toys for Tots logo. That young blonde gripping the purple hand grip on the bike has quite a grip on that other purple thing, the GoGurt. If you see that as a big phallus, you can glean from this how more sex magick is being performed as children engage with and consume this product, which is squeezed and sucked out of the dispensing container! Pedobear that! You can bet the demonic energy from this is being harvested in Satanic ritual. Purple rays and the yellow-in-red (orange) supports the homosexual symbolism in the lower image. The GOG of the biblical pairing with Magog seems to be suggested. I see a subtle 666 presented in the upper image's wordmark where a 6 is found in each G with one more in the stylized letter U.

I believe the YO in Yoplait connects the Y=male and O=female in a merging of the genders. Baphomet, which you see here represented in the popular version rendered by Eliphas Levi, is a kind of mirrored version of the Adam, as “male and female created He them.” There are no counterfeit 3 dollar bills, you should know. Adam was male dominant, but this perverted counterpart is a female dominant androgyny. This Baphomet is one of the symbolic meanings of the squared (male) circle (female).

There's even more to be known about this Yoplait brand, as a partnership with a Hermaphrodite white rabbit is exploited to what must be a great effect. I'll address in another post, Lord willing.

And so, with all that, I'll close with one last image, which is well earned by the brand. Yoplait Hieroglyphica. John Dee would surely approve; of the branding, and not, of course, of the blown cover exposing his perverse god's evil scheme.