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Showing posts sorted by relevance for query Ke$ha. Sort by date Show all posts
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Thursday, November 07, 2013

Part 6 - Celestial Stargates - I Don't Think We're in Kansas Anymore

I left off in the previous post with an exhibit of how the celestial stargates were represented in the symbolism of NASA's Gemini and Apollo projects.

About Gemini, one of the goals involved NASA's first space walks. Remember Ke$ha's Crazy Kids music video? Well, here's where another link is made to the Silver Gate, because Will.i.am's space suit resembles those of the Gemini era, which you can see from the evolution of NASA astronaut space suits pictured here. The Gemini suit matches the symbolism of the utility chain around his neck that is a twinned torus.

What are we to make of these symbols of the Silver Gate being gold in color? As a “Great Chain of Being,” the gold in that symbol suggests the being linked to has a gold body, as the gods of Egypt were conisidered to have flesh of gold. That's just what we see in the suit, the gold body of the sun god. I suspect there is more to the gold-silver compositing than that. With the chain of twinned torus construction, the Silver Gate between the Gemini Twins and the twin horns of Taurus is very much in view, but I can see how both Gates together may be inferred. If the insight I shared about the energy dynamic of the stargates is valid, there are two toroidal fields aligned around their connecting axis, one counter-rotational to the other. This construct involving both Gates can also be considered as a twinned torus.

A good question to ask at some point is whether it even matters which Gate, or by what means entrance is given, so long as the god of their false religion or his agents come through? For most, it doesn't matter how or even when, but to others it matters plenty. I'm personally convinced of this because the Devil wouldn't be giving it such a major role if it weren't a big deal, and my Lord Y'shua wouldn't have Aaron and I giving it our attention now in this late hour if it didn't matter, a lot. As I understand things, a ritual only works if it's legitimate, which is to say, genuinely sponsored by the demon gods, and this is one context where such things do matter. Direction must be followed if the performance of a ritual is to bear the intended fruit. If Horus is coming through into our dimension as through a stargate, the symbols used in ritual will be an accurate representation; as above, so below. While varying degrees of obfuscation and misdirection factor into these expressions in the public domain, there are, in the shadows cast, the form of the requisite elements. What we're looking at in these ritual displays conceals and reveals what is planned, and with the Lord's eyes and ears, mind and heart, some among us have roles to play, and so we receive our provision in due time.

I introduced the pillars aspect of the stargates in Part 5, and I'm going to explore this for a while as we discover some remarkable models, and get more insight from the Bible.

Researcher David Flynn had made some interesting observations that deserve mention here.

“The twins of Gemini, whose Astrological glyph is two pillars II, were the inspiration for not only the foundation myths of Rome and Thebes, but also for Atlantis. Atlantis was ruled by seven sets of twins, the most famous king being the son of Poseidon, Atlas. The Atlas Mountains in Algeria lay directly under Sirius and Gemini. Atlas, it was said, held up the pillars where heaven and earth connected. According to Herodotus, the Libyans living around the Atlas Mountains professed to know the measurements of the earth:

“These mountains are very high and were believed to touch heaven, but were altogether inaccessible because of the density of trees and [they] call this mountain “the Pillar of Heaven”; and they themselves take their name from it, being called Atlantes.” [Herodotus]

In myth and accounts of the mystery schools, there has been preserved a tradition of “twin” pillars. Intriguingly, the passage above is the clue to the identity of the two pillars of legend. Two pillars were “built” by the pre-Flood civilizations so that the knowledge of heaven coming down to earth would survive. Josephus said that the remaining pillar in Siriac would attest to the fact that there was another pillar. The one pillar that survived the Flood, according to legend, was the Great Pyramid of Giza. The Great Pyramid was the counterpart on the earth of Isis' consort Osiris, a Pillar that extended from Giza towards the constellation Orion in the heavens. The other “Pillar of Heaven” was located on the Prime Meridian, as it extended to heaven anchored at its counterpart, Sirius.”

He connects Gemini not directly with the celestial Silver Gate but through two pillars on the earth. He identifies the Great Pyramid at Giza as one of the pillars, linking it to Orion in the heavens. The other pillar he links to the Prime Meridian, linking it with the Dog Star Sirius. The pillars he believed to be of Gemini are the region of the Silver Gate. The alignment of the celestial with the terrestrial is at least worth noting because there seems to be something to that. I'll explore some Prime Meridian - London - Greenwich connections soon, Lord willing. As for the pyramid - Orion - Gemini Silver Gate connection, here's more insight from Ke$ha's music video imagery.

In the Crazy Kids video, Ke$ha's wacky hand jewelry included two ringie thingies that had “Crazy” and “Kids” on them. Each of these were bracketed by little pyramids. Embedded inside “CRAZY” is “RA,” a feature that is made relevant by the pyramids. The flanking pyramids are Twins, and they are forms of pillars, which is Gemini or Silver Gate signaling. Ke$ha entered the house between the two pillars that flank the house's front porch. You can see one of them in some scenes where the Silver Gate wreath appears on the window.

Before I launch into some of the really remarkable exhibits of the pillars, it seems appropriate to offer a lengthy excerpt from David Flynn's Collection that Aaron came across. It contains a few valuable nuggets I intend to be referencing later. In the first paragraph, you'll discover the reason why, in the Wizard of Oz, the spiral start of the yellow brick road is wound up with a red one. It's alchemy. I'll set up for that with some more insight into the Golden Gate, as pictured by the yellow brick road. Yes, I already gave this some attention, but there's much more here that's worthy of our attention! Without understanding about the stargates that are so important in the religion of Illuminated sun worship, you miss so much of what's been embedded in their ritual vehicles.

In this screenshot's scene, we had just heard Dorothy and Toto being identified as witches. Dorothy denied it, offering that she's Dorothy Gale, from Kansas. The Witch of the North was just singing, “Meet the young lady who fell from a star. She fell from the sky. She fell very far. And Kansas, she says, is the name of the star.” Are you thinking STARGATE yet? Do they need to hit us over the heads, here?

The name “Kansas” is a Sioux word that means, “People of the South Wind.” Dorothy Gale, from Kansas. A “gale” is a strong wind, a storm at sea. She had just arrived in a whirlwind as one of the People of the South Wind. Her arrival caused the death of the Wicked Witch of the East. Another line from the song: “When she fell out of Kansas a miracle occurred.” The name, “Dorothy,” means “God's gift.” To the oppressed Munchkins, Dorothy's taking out the witch was like a gift from God. The names and locations are symbols that supplement the ritual, you see.

The scene overtly features three witches that are identified with the cardinal directions. Where's the missing 4th that's implied, the beautiful good Witch of the South? Why, she's not missing at all? Dorothy is a Gale, of the South Wind. Her familiar is her dog Toto. (As I read it, that's an acronym for The OTO, the Ordo Templi Orientis.) This is why the ruby slippers magically transferred from the dead witch's feet to hers. Her gingham dress is a subtle checkerboard print that pictures the knowledge of good and evil. Ceremonial casting of the magic circle involves the invocation of the four Guardians or Watchtowers of the cardinal directions. Proper ritual doesn't just leave one out.

This scene is revealed as one that is a key to the film by reason of how the names were chosen to augment it. Oz is the place that is “over the rainbow,” according to Dorothy's declaration. As a reference to Australia, “the land down under,” the setting is the underworld. With Oz as an obfuscation of On, the Egyptian underworld is being featured, which is known as the Duat. At the center of the Duat is the Silver Gate. At the opposite end of the axis extending through the celestial sphere is the Golden Gate. Dorothy Gale arrived on a vortex of the South Wind, falling from a star out of the sky, modeling to us the Silver Gate. She landed near the center of the spiral of the yellow brick road that represents the Golden Gate. The underworld is the place of the dead, and so it is that death marks the event.

This is all about the production of Horus, and with the name of Dorothy Gale, her initials signal just that in referencing the esoteric 47th Problem of Euclid. D is the 4th letter and G is the 7th. DG ~ 47!

In that screenshot above we see the two witches of the North and South ascending the steps. Above we see a large flower that represents the sun in the sky. They are ascending to the sun. The flower is also superimposed over the center of the spiral. Check out the set. Golden Gate: Scorpio-Water / Sagittarius-Fire.

There's one more item in the scene that really needs to be called out. While the creepy Munchkins repeat Glinda's line, “Kansas, she says, is the name of the star,” we see a male Munchkin emerge from a manhole in the middle of the yellow brick road. Are you familiar with the Sodomite Gateway series? Man hole. Think proctology, colonoscopy and prostate exams. He wears a red scarf around his neck as the bloody tie that binds. He's got a pipe in his mouth. Think, about that pipe, in his mouth. The man hole is a Horus Eye stargate. Again, this is in the middle of the yellow brick road. Bricks and mortar, Masons and fecal mud. Recall the storming of heaven to get the “gold pooper” in Puss in Boots. Recall Wreck-It-Ralph and the bricks in the dump Ralph slept in. If you need a refresher or you're new here, I recommend checking out those links.

Think about the line they sing as the Munchkin man climbs out of the man hole. “Kansas, she says, is the name of the star.” Kansas: People of the South Wind. Have you ever had “the wind”? What is the south wind but flatulence? These folks who script and execute the symbols are obsessed with the nether-world and nether-region. This is their power base. This is how rituals are done!

Dorothy is received into a carriage with sun wheels pulled by two horses. This models a heavenly vehicle. Behold, the chariots and horsemen of Oz! She is conveyed along the red-cinnabar spiral winding into the Golden Gate, as they sing, “Ding Dong, the Witch is Dead.” Ding, dong; that's the sound bells make. Bells are for dimensional transport! Off they go, through the Duat.

“Wake up, the Wicked Witch is dead. She's gone where the goblins go, Below - below - below. Yo-ho, let's open up and sing and ring the bells out.” They are celebrating the opening up of the stargate to the underworld, and death!

Here's David Flynn's excerpt.

“Belief in the transformation of blood-like cinnabar into gold dates from 133 BC when Li Shao-Chun appealed to the Emperor Wu Ti to support his investigations: Summon spirits and you will be able to change cinnabar powder into yellow gold. With this yellow gold you may make vessels to eat and drink out of. You will increase your span of life, you will be able to see the hsien of the P’eng-lai [home of the Immortals that is in the midst of the sea]. Then you may perform the sacrifices fang and shang and escape death.

Through the years, the Philosopher’s Stone of myth has taken on a wide range of powers; not only has it been called the “secret of life and health,” but it also possesses spiritual significance. The alchemists of the thirteenth century sought the Philosopher’s Stone while undergoing strict devotional ritual and purification. After completing spiritual rituals, the alchemist was thought worthy to perform his activities. Eventually the Philosopher’s Stone was thought to signify the force behind the evolution of life and the universal “binding power” which unites minds and souls.[921] Famous mystery school initiate Eliphas Levi, considered one of the master occultists of all time, wrote authoritative works on freemasonry and ceremonial magic. Levi’s most important work was The Dogma and Ritual of High Magic.

This book was followed by A History of Magic, Transcendental Magic, and The Key of Great Mysteries. Levi believed in the existence of a universal “secret doctrine” of magic throughout history. The most widely read Masonic initiate, Albert Pike, clearly derived inspiration from the works of Eliphas Levi.[922] Pike’s Morals and Dogma has been called the “Masonic Bible.” This honored American Freemason was the Sovereign Grand Commander of the Scottish Rite when he took the Cabbalistic occult doctrine of Eliphas Levi and put it in his own book. The Hermetic Order of the Golden Dawn, founded in London in 1888, adopted much of Levi’s magic. Mystery school adept Aleister Crowley, a former member, was born the year that Levi died and claimed to be the reincarnation of Levi.[923] Eliphas Levi claimed to have summoned the magician Apollonius of Tyana from the dead.

Apollonius (c.4 B.C.), and his legendary life imitated and counterfeited that of Jesus in the Bible. The parallels of Apollonius’s life were so convincing that many were persuaded to see him as “a christ” himself. Noted mystery school initiate Manly P. Hall wrote in The Phoenix that the wizard Apollonius was such a good counterfeit of Christ that he was the first candidate worthy of the name anti-christ. Levi stated that he was influenced by an earlier writer and occultist Francis Barrett. In turn he influenced another writer and occultist Sir Edward Bulwer-Lytton, with whom he visited in London in 1861. Bulwer-Lytton wrote The Last Days of Pompeii and other occult books helping to make magic fashionable to the last of the 19th century. Francis Barrett, a practically unknown author of The Magus published in 1801. This was a concise handbook on the occult, dealing with the magic of herbs and stones, magnetism, talismanic magic, alchemy and other means of creating the philosopher’s stone The Philosopher’s Stone was first mentioned by Zosimos the Theban (c. 250–300) in the third century.

In speaking of the Philosopher’s Stone, receive this stone which is not a stone, a precious thing that has no value, a thing of many shapes that has no shape, this unknown which is known by all.

Mars is the Philosopher’s Stone. Mystery schools through the ages have sought this “unknown which is known by all.” Modern initiates of the alchemical mysteries have created the NASA “space program,” JPL etc. in the hopes of attaining the power that Mars is said to possess. The red planet is the goal and inspiration behind the names of the first space probes to circle the earth. The final acquisition of the great work before the coming of the “Golden Age” will be the comprehension of the planet Mars.

The union of man with the lost knowledge from the red planet will be the end result of the transformative Great Work of the mystery schools through the ages. Though the modern organizations of space exploration seem, outwardly, purely scientific, a closer look at their origin and the people who helped create them reveals a different story. The traditions of the mystery schools of the ancient Pelasgians have continued to be preserved in such organizations as the Freemasons.

The first manned space program, project Mercury-Redstone officially began October 7, 1958 carrying astronaut Alan Shepherd. The sole objective of this spacecraft was to complete “orbits,” gyrus or circles around the earth in space. Mercury-Redstone was launched on the 5th day of the 5th month in 1961 at 9:33:00 A.M. or 13:33 Greenwich mean time.[924] It is not hard to see the illuminated numbers. Even the year 1961 fits the dualistic theme of conveying a higher message within symbolism. A 16 is a 19 turned upside down, and the Mercury-Redstone capsule itself was painted a tesselating black and white.[925] Alan Shepard later became the 5th man to walk on the moon. The name “Alan” is a French masculine version of “Helen” meaning “light”; the name of the primary participant in the space mission named for the Philosopher’s Stone was literally the Shepherd of light . The NASA manager of the Apollo Program Command and Service Modules and Gemini program was 33° Scottish Rite Freemason Kenneth S. Kleinknecht, eldest son of Christian Frederick Klienknecht who himself has held the highest Scottish Rite office, the Sovereign Grand Commander of the Southern Jurisdiction, since 1985. The Masonic mystery schools have always been in the forefront of the scientific community, from the founding of the British Royal Society to today’s NASA program in the United States.[926] Other NASA projects were connected to the mysteries through their names, dates and astronaut affiliations. Edwin E. “Buzz” Aldrin was a member of the Clear Lake Lodge Seabrook, Texas, taking part in Gemini 12 and Apollo 11. Leroy Gordon Cooper, Jr. of Mercury 7 and Gemini 5 was a brother of the Carbondale Colorado Lodge No. 82. John H. Glenn, Jr. belonged to the Concord Lodge, Ohio. Other freemasons who journeyed into the heavens for the sake of knowledge were: Virgil Grissom, Edgar D. Mitchell, and Walter Schirra.[927] The connection between the NASA space program and the occult organizations of the world, especially the progenitors of the post WWII political and scientific world, will be fully explained in the closing chapter.”


(Wikipedia)Flynn, David (2012-07-01). The David Flynn Collection (Kindle Locations 18696-18731). Defense Publishing. Kindle Edition.

Friday, May 16, 2014

America's Fall and the Black Awakening - Decoding Kesha: We R Who We R

One of the items Aaron and I have been wanting to blog about for a very long time is a popular song and music video by Ke$ha. We R Who We R is like a pep rally for those who have been programmed with the mission to bring down America in the Black Awakening. Kesha claims the song was intended as a gay pride anthem, and some take it to be just that, but while the gay, or, sodomite connection is evident, that's only one layer of meaning. "We R Who We R" is a track on the album Cannibal, from 2010. Cannibalism and sodomy are two of the ritual acts or behaviors associated with the ancient gods and their worship. These are standard practice during SRA trauma-based mind-control programming. For some background, search the blog for Ke$ha and you'll find much to support what I'm positing here. If you're already familiar with the Sodomite Gateway and the Celestial Stargates posts that will help provide a foundation.

Caveat: If you're a victim of ritual abuse who is still being delivered or you're easily offended by mature subjects and descriptive language, please consider moving on.

I'm going to present this in a format where my commentary is woven in around the song lyrics to interpret what they mean alongside the music video's symbolic imagery.

As the video begins there's blue electrical discharge forming the shape of an eye. Then we're inside a tunnel with lots of flashing lights. Ritual sodomy illumination is pictured, with the tunnel as rectum and flashing lights as the illumination of the Horus Eye. Stargate imagery is apparent, with Silver then Gold celestial stargates pictured, with a transit in progress as shadowy figures approach back lit by the flames.

The video was filmed in Los Angeles and this is the 2nd Street Tunnel. Think GI tract - the tunnel of #2, excrement. Los Angeles, means “the angels” in Spanish, but the city's full name is, La Ciudad de la Reina de los Angeles, which means, “The City of the Queen of the Angels.” If you connect that with the Romish church and the Marian Queen of Heaven, and with Isis, you do well. The police car with the flashing lights on makes a show of the presence of authority, the angelic-demonic authorities. This scene is taking place inside the Los Angeles 2nd Street Tunnel, meaning inside the angel's butt. Why? To ritually acquire the angel's power, to empower an army.

(Marion Knox - Interviewing Deprogrammers: In the House of the Strong Man Sodomy is the Key)
“We have more sodomy now out in the open than we’ve ever had. Lot was in Sodom -- that’s where the word sodomy comes from. It meant anal sex, or as they’re calling it now anal intercourse. What other kind of sex do you think they could produce on those angels that they tried to break the door down to get to? They wanted to get their supernatural power. The belief in the occult world is if you could sodomize God, you’d get God’s power. You become as gods through sodomy; that’s the way the Greek gods became gods. Alexander the Great was a great sodomizer and his Greek army was the most fierce. Hitler tried to pattern his SS and military after the Greek warriors using sodomy. When you put that all together, the civilizations that God wiped out boiled down to the practice of sodomy.”

There's plenty of plausible deniability with the interpretations of the terminology but there's bits you just can't make fit unless you accept the esoteric interpretations.

“Hot and dangerous
If you're one of us then roll with us
'Cause we make the hipsters fall in love
When we got our hot pants on and up”

Kesha is leading a group of women into the tunnel with explosions behind them as she sings, “hot and dangerous,” making immediate reference to Beta-Delta female sex-kitten assassins. What's also hot and dangerous is butt sex with angels directly or by proxy. (Ke$ha Slept With A Ghost - CONAN on TBS) That's why they wear hot pants, which accent the butt. “Rock and Roll” is a euphemism for sexual intercourse. Rolling in the hay. The word “hip” is a Code 33 signal: h+i+p=8+9+16=33. Taylor Swift also names hipsters in her Illuminati ritual song titled “22.” They make the Code 33'ers fall in love and that's all about the sodomy, ritual sodomy, and the relationships between slaves and their handlers.

“And yes of course we does
We runnin' this town just like a club
And no, you don't wanna mess with us
Got Jesus on my necklace-ace-ace”

When the all female gang comes into view we see Kesha wearing a leotard covered in shards of reflective broken glass. Broken mirrors represent the shattered slave, with multiple identities. Their personality and identity is shattered and multiplied when they dissociate during traumatic ritual sodomy. Her garment speaks to Aaron and I of a Nachash suit, the shimmering hissing enchanter. It's a leotard - think leopard, the beast of Revelation 13:2. Another woman wears a feline print leotard, which is another classic symbol of the Beta programming, aka sex kitten programming. This programming is often used in conjunction with Delta programming, which makes them a psi-powered supersoldier. Think Delta forces. These assassin alters represent the deadly missions they are programmed with that have the most well defended cover. Kesha is wearing an ammo belt filled with cartridges draped over her shoulder.

Is that typical gay attire, even for an underground party? No, she's a sodomite warrior, Beta-Delta programmed, a Luciferian undergrounder prepped for special ops. They will literally be “runnin' this town just like a club” where bouncers provide what passes for security. She warns us, because you don't want to mess with them, challenging these “club bouncers” as they enforce the secret club rules.

In a very brief image flashed as the opening tunnel scene began we see Kesha in a position with her hands on the wall like she is being detained and frisked by a law enforcement official. This speaks to me that she's restrained, under someone else's authority. It also reveals how she's a "catch and release" - avoiding being taken into custody. She's above the law, authorized to bring chaos.


In the video she's not wearing a necklace around her neck, but has one large cross for an earring. She is seen in the video wearing a Rosary around her wrist. She's got Jesus on her necklace (ON - Heliopolis). There's an obelisk from On at the Vatican. Like the Pope, she's got Romish-Egyptian Jesus power, the authority of a Jesus Barabbas. That's not my Lord.

She wears a utility chain opposite the ammo belt, which is of a twinned torus construction to signal the Gemini-Taurus of the celestial Silver Gate, through which Horus is being invoked. The chain is like a mission patch or badge. Her mission is to prepare the way for Horus to emerge, to be received as the savior of man - Antichrist. The utility chain looped over one shoulder crosses over the ammo belt looped over the other. It marks her with an X, the mark of the sun god. In conjunction with the encircling loops, the circle X symbol of the mark of the beast is created.

“Got that glitter on my eyes
Stockings ripped all up the side
Looking sick and sexified
So let's go, oh, oh, let's go”

That verse is the first of three in a set that is repeated later and can be considered the chorus. She's got the glitter on her eyes, making them sparkle with illumination. Kesha wears eye makeup that resembles the ancient Egyptian Eye of Horus, with rows of little pyramids adorning her eyebrows. She wears a bracelet that has two rows of bigger pyramids. Her eyes are Osiris green.


She's got the activated Horus eye, which she signals later with two fingers making a triangle (anal triangle) next to her eye. The images of Kesha's face rotate through several versions where she wears different makeup. Each is as a separate identity suggesting by the switching that she is a multiple. Her stockings are ripped, indicating abuse and ritual trauma. She's looking sick and sexified, like a traumatized sex slave, but she's ready to go. An invitation to join her in going is a kind of command trigger.

When the song breaks into the next hook we hear the parts of the chorus that rock the 666 mark of the beast symbolism big time, a feature that really should speak very loudly to you!

“Tonight, we're going hard, hard, h-h-h-hard
Just like the world is ours, ours, o-o-o-ours
We're tearing it apart, part, part, p-p-p-part
You know we're superstars, we are who we are”

“We're dancin' like we're dumb, dumb, d-d-d-dumb
Our bodies going numb, numb, n-n-n-numb
We'll be forever young, young, y-y-y-young
You know we're superstars, we are who we are”

Count the repetitions in the stuttering. Slaves are trained to always count repeating items in a set. Hard - 6x. Ours - 6x. Part - 6x. The signaled 666 is associated in Revelation 13:18 with the beast and his mark. This is repeated in the next verse of the chorus - dumb x6, numb x6, young x6 produces another 666. Why would 666 be so cleverly signaled if this song was just an innocent dance club tune or a show of solidarity for gays or misfits?

A similar way of producing 666 is evident in the Prince song, Purple Rain, which I wrote about in Serpent Rain and the 666 of Purple Rain. He sings the chorus 3 times. Each comprises 6 repetitions of the words, “purple rain.” Six, six and six: 666!

Edgar Allen Poe crafted his classic poem, The Raven, with a similar embedding of 666. While I was studying the structure of the work, with an understanding of the raven as a demonic agent representing Apollo, I discovered how the 18 stanzas exhibit a subtle but distinct pattern of three sets of 6. I believe he was illuminated and that he concealed his secret in the first stanza.

Once upon a midnight dreary, while I pondered weak and weary,
Over many a quaint and curious volume of forgotten lore,
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
`'Tis some visitor,' I muttered, `tapping at my chamber door -
Only this, and nothing more.'
” (Poe - The Raven)

In his own volume of the poem, it is the repetitive action that is the tell. Encoded in the repetitions forming the basic structure of the poem is the key - 6-6-6. It was the raven who was tapping, a bird long identified with Apollo. It's about the beast and his mark. Clever Devil. A string of double letter words appear in lines 3, 4 and 5, bearing testimony of 5-Horus as the visitor, according to the esoteric 47th problem of Euclid.

Lines from this poem were used by a serial killer who escaped from prison in season one of the hit show The Following. See this commercial for a highlighted sample promo. He used them to signal his army of programmed killers (The Followers). The serial killer's name is Joe Carroll - JC ~ Jesus Christ ~ a deranged Bible quoting messianic figure. His nickname is, “the prophet Joe,” and his idea was to lead them to salvation. The show was on the FOX (6+(1+5)+(2+4) ~ 6-6-6) network.

Back to the music video, on Kesha's fingernail we see symbolic jewelry, tiny handcuffs. She is a slave, bound to her handler and the entire organization. Ritual sodomy is the binding tie. There's a subtle dark X appearing on the fingernail itself, and together with an O of the handcuffs the ancient symbol of the mark of the beast appears, the circle X or XO. So, there is redundant signaling of the mark of the beast, repeated in the audio and the visual imagery.


The cars drag racing in the tunnel provide a subtle Baphomet signal. The more prominent car is Pontiac's classic muscle car, the GTO, which is known by the nickname; the Goat. In the context of the video, it's the Goat of Mendes - Baphomet. The dancing undergrounders (as inside the tunnel under ground, and as what the Luciferians are called) in the scene are holding their hands up in the air - waving Horus hands.

The pair of stuttering sets heard in the chorus are rhyming sets of three. The repeated chorus is composed of three verses. Illuminati programming: Hypnotic commands are given 3 times. In the following excerpt, the tripling of triggers is described, and we learn what is meant by the lyrics of the chorus and song title, We R Who We R.

(The Illuminati Formula to Create An Undetectable Total Mind Controlled Slave by Fritz Springmeier and Cisco Wheeler)
“3. THE PERSON’S SENSE OF IDENTITY IS LOST. The Monarch slave lose his/her sense of self to the cult and to the person’s master. No sense of where I begin & end, and where the Master begins and ends. The Monarch programming goes beyond what many cult have done, the alters are hypnotized to not see their faces, which is part of their identity.
4. ALTERED STATES & HYPNOSIS IS USED. The handlers/programmers use hypnotic techniques. They induce dissociation by songs, chanting, guilt inducing sessions, torture, isolation, as well as using songs, repeating triggers 3X, and lots of hypnosis.”

We R Who We R: “We” are the unidentified, the mind-controlled slaves. Like in Rango, “Who am I. Nobody.” It's not an existential crisis but the identifying expression of a multiple. This same matter is featured in Alice in Wonderland, a programming staple. The song is more than a catchy dance tune, it's a programming tool. It won't turn you into a slave but it will support the programming of an existing slave.

The two letters R in the title appear for the same purpose expressed whenever an instance of double R in TV titles shows one of them reversed. R = 18 ~ 6+6+6. When the chorus is sung an emphasis is placed on the R sound when stuttering hard, ours and part. Also the two Rs in the title signals 18+18 = 36 - the number of the magic square of the sun that produces 666 and invokes the sun god Horus.

Now, let's give some attention to the lyrics of the chorus. In the first verse the Delta program objective is openly revealed.

“Tonight, we're going hard, hard, h-h-h-hard
Just like the world is ours, ours, o-o-o-ours
We're tearing it apart, part, part, p-p-p-part
You know we're superstars, we are who we are”

When the superstar agents are triggered, they will tear the world apart. These are superstars, code for chosen ones, merged with and powered by fallen angel commanded demons. Stars are angels. Los Angeles.

The second verse uses a code word for the Delta alter program execution, dancing, like in SuckerPunch, like Jessie J in “Price Tag,” who just wants to make the world dance.

“We're dancin' like we're dumb, dumb, d-d-d-dumb
Our bodies going numb, numb, n-n-n-numb
We'll be forever young, young, y-y-y-young
You know we're superstars, we are who we are”

When the Delta alter and mission is triggered the expendable agent has no sense of self preservation. Dumb - mindless. Numb -their state disconnects them from pain and isolates them from their bodies. The promise of being forever young is in being immortalized, and literally this is the hope of the illumined, immortality, eternal youth. “We'll be forever young, young, y-y-y-young.”

This has nothing to do with being misfits or gay, except how it may apply to the chosen ones appointed for the bringing of chaos during the Black Awakening.

When we see the mob run across the tunnel in front of the police car with flashing lights, we should see that they have been activated. Many of the police are programmed agents. They will provide support for those bringing chaos. Transportation hubs and key access points like tunnels and bridges will be targeted for efficiency of control, bringing traffic and travel to a standstill. No escape, no entry for services, provisions... The population will be trapped for reduction and control.

“DJ turn it up
It's about damn time to live it up
I'm sick of being so serious
It's makin' my brain delirious”

The DJ provides the cues and the sound track for the underground party. The DJ represents the Illuminati programmer, who knows the codes and gives the trigger signals according to plan. The mind-controlled delerium is ramping up, and the agents are living for the moment they are activated.

“I'm just talkin' true
I'm tellin' you 'bout the sh*t we do
We're selling our clothes, sleepin' in cars
Dressin' it down, hittin' on dudes, hard”

If this is all about being gay, why are the women hitting on dudes? Oh, because they are Beta-Delta warriors, and they are all about the literal beat down. The sh*t they do is referencing the ritual sodomy, and the other ritual activity involved. Kesha and crew are telling us true, if we know how to and care to listen. Selling their clothes and sleepin' in cars indicates how they are completely dedicating their resources to this effort without compromise.

In this scene inside the underground dance club we see the DJ's have the website Plenty of Fish on screen. “The World's Largest Online Dating Website.”


A dating website collects and maintains a database of personal information. The authorities have the population catalogued, thanks to Plenty of Fish, Google, Facebook, Twitter and every other social networking site. They know who to target and what to expect from them. The Lord Y'shua haMashiach told Peter he would make him a fisher of men. Fish are people in the context of harvest, and the symbol of fish is often seen in connection with Christ and Christians. The Plenty of Fish site pictured on the DJ's laptop screen suggests their primary targets are the saints. When the time comes to cross off those who are perceived as threats off their lists, they will have quite an advantage. Have you seen “Deus Ex Machina,” episode 23 of season 3 of the CBS (all seeing eye network) TV show Person of Interest? (Thanks Beverly) The J. J. Abrams show's plot puts a lot of what's actually planned right out in the open.

The club is serving drinks, 100 proof Mexican tequila, Revolucion brand. They are pouring out the spirit of revolution. The label features a pair of six shooters. Did you read the news about the 36,007 convicts being released by the US ICE in 2013? Where do you suppose the vast majority immigrated from? Kesha now appears wearing a tattered American flag for an outfit. Connect the dots. This dance is all about revolution in America.

The three verses of the Chorus are heard again, for the second and last time, followed by this unique verse that has more stuttering signals:

“DJ turn it up
DJ turn it up
DJ turn it up
DJ turn it up”


The DJ or programmer gives the code trigger, turning up the volume, amping up the intensity. Giving attention to the counts, the first three lines present a stuttering of 7s. The number 777 is the biblical gematria identified with the cross. It signals sacrificial death, which is of course followed by resurrection. The voice of the third line is altered, calling attention to it. Three is the resurrection number.

We see in this scene Kesha posing on top of a tall skyscraper like a golden haired goddess. Kesha's look is an homage to the dance club look of the decade of the 80s, when the "artist of the decade" was Madonna -- Queen of Heaven - Isis. The building appears from angles that make it resemble a pyramid. She lets herself fall backward off the building, in free fall to the ground with her arms held out like she's on a cross. Sacrificing herself like Jesus, like her Jesus, for her Jesus (Barabbas). She is saved, caught miraculously by the crowd like she's crowd surfing at a club, supported by the Horus Hand crowd of worshipers - Horus resurrection. As soon as she hits the crowd on the ground, the electrical celestial eye appears in a bright flash. It's the illumination of the immortal “forever young” life of the beast resurrection, which will transfer to the crowd of supporters, worshipers, through the mark of the beast That's why we see the electric eye superimposed over Kesha and the Horus Hands up crowd, with lots of bright flashing lights. The eye of Horus illumination is pictured with alternating flash back images from the opening scene's GI tract tunnel and stargate, tying it all together for us, because of the key role ritual sodomy has played in advancing man toward a merging with the beast.

With the altered voice of the 3rd line and then followed by a unique 4th line, This is the 3 and 4 called out to signal the production of Horus through the union of Osiris-3 and Isis-4.

Because the first 3 lines each produce a 7 and the 4th produces an 8, this is another example of the key pattern, “three things and then a fourth,” which identifies this present Shemitah (2012-2019) as the one bringing the anticipated end of the age with all expectation of promises being fulfilled.

The number 8 represents a new beginning. The 7-7-7 cross symbol is followed by a new beginning. Death and resurrection. It's a messianic beast and phoenix story, as the flaming firebird rises from its own burning ashes, in a new form.

The song closes with the last two of the three verses of the chorus, presenting us with another doubling of the stuttering presentation of 666. Those two verses are heard three times in the song, stuttering 666 a total of 2x3 (hypnotic programming) or 6 times.


Consider what Kesha has been wearing. Her outfit resembles a tattered American flag. Kesha's look has been channeling Madonna with her cross earring and the trademark hair and the Rosary (Like a Prayer) and the dance club fashion of the era when Madonna reigned as Queen because Madge did a “Rock The Vote” commercial for MTV in 1990, and this link identifies Kesha with the republic even more strongly. (Madonna identified herself with the gay community as a promotion of the sodomite god, just like Kesha, and so many others.) When Kesha falls from the skyscraper rooftop she represents the republic, America, falling to a lower level, a lesser status. That's the big deal. See America fall from the heights - down, down, down, while the music is paused for emphasis - to gather the viewer's raised energy that is poured in to fill the void. From the way the city lights appear in the brief flashes of background offered during the closing dance scene, it looks like they are dancing on another rooftop, but one much lower than the building Kesha fell from. That's the operation. The Black Awakening is not intended to completely destroy America but to reset it to a much lower level, an easily manageble level.

The surviving army of chosen ones will celebrate when their missions have been completed.

Saturday, September 13, 2014

Series Links: Ke$ha's 'Crazy Kids'

MK-ULTRA Mind-Control Programming. Opening celestial stargates. The Black Awakening. The revealing of the lawless one. Ritual Sodomy. The Eye of Horus. The Hand of Horus. These are some of the subjects of the Ke$ha song and video, Crazy Kids.

Ke$ha - 'Crazy Kids'



This "sticky" page presents links to all the posts in the series.


Part 1 - Secret Identities
Part 2 - Modeling the Ancient Golden and Silver Gates
Part 3 - Little Horus, the Tower of Babble and the Bottomless BBQ
Part 4 - Mazel Tav Trouble
Part 5 - A Tribute to Josef Mengele, Master Programmer
Part 6 - Insane, But with a Method to their Madness
Part 7 - Twinned Torus Chains

Saturday, October 26, 2013

Part 4 - Ke$ha's 'Crazy Kids' - Mazel Tav Trouble


I'm going to revisit some things I touched on earlier, filling in a gap in the symbolism decoded to connect some more dots. This post features how Will.i.am's rap decodes as a riddle that, in conjunction with very simple but cryptic video imagery, demonstrates an objective that will fulfill a key biblical prophecy.

As a necessary caveat, if you're a victim of ritual abuse who is still being delivered or you're easily offended by mature subjects and descriptive language, please consider moving on.

Here's a link to the featured video. Ke$ha - Crazy Kids ft. will.i.am



In Part 2 I mentioned how Ke$ha sends the dog through the house to cue the astronaut and how the dog represents Sirius, the Dog Star, which is identified with Isis and also with Osiris. What is “dog” spelled backward but “god,” right? Another Dog Star identity is Anubis, the jackal-dog headed god who “took over” the role of “god of the underworld” from Osiris. Anubis is an alter-identity of the psychopomp Hermes or Mercury, facilitator of Horus, as I like to say. With that insight we can connect the dog and the surfboard symbols because they represent the same identity.

Hermanubis: “A combination of the Greek god Hermes and Anubis. As their functions as psychopomps were similar, they were combined by the Greeks into a single form. Hermanubis also appears in alchemical and hermetical literature of the Middle Ages and the Renaissance.” (source)

So, the dog is the Dog Star - is Anubis - is Hermes - is Mercury - is Quicksilver - is the Silver Surfer. There's lots of redundancy in what Crazy Kids is showing us. The amount of attention being given to the facilitator of Horus is certainly fit for the context.

A very common reference to Hermes is made whenever we see horizontal reflections, as in a body of water or from a shiny table. The Hermetic Maxim: As Above, So Below, is what the imagery of the reflection is telling us. What happens above, in heaven (or below, in the underworld, as the case may be), is evidenced in the earth. It's not seen directly but it's more like a reflection. This expression is cribbed from the Bible to simply state a legitimate principle. Witches of all kinds leverage this in symbol magick and binding spells. In the book of Revelation, accounts of scenes in heaven are woven in with parallel scenes in the earth. What is bound in the earth is bound in heaven; that's a principle that appears in numerous passages of scripture. The Aaronic priesthood's attire and service, the sacrifices, these were copies and shadows, and the tabernacle and its objects were made according to a heavenly pattern. Hebrews 8:5, Numbers 8:4, etc. This 3-space + time dimensionality is considered as a kind of projection from higher dimensionality. What is manifested on the earth is related to something heavenly or higher dimensional like a shadow is to the object that casts it, and a greater light beyond the object is implied. What is seen implies the unseen that is exactly related in limited ways. There is a degree of cause and effect in the nature of connectivity.

With that said, what I've been decoding from the Crazy Kids video so far is pretty much about the unseen and the boundaries, which are also unseen. A synchronized presentation of what will happen in the heavens and what will happen on earth unfolds as soon as the golden star-sailor is cued by the dog-star. The astronaut turns around and starts rapping in riddles, leaving the pinball machine behind. The key to this scenario is in 2 Thessalonians 2, which is itself a bit of a riddle.


The visual imagery shows us what's happening in the unseen in a very elegant way. It's brilliant. Pay attention to the stars on the pinball machine because these represent a particular set of angelic entities in their assigned zone. Will.i.am is playing pinball, engaging in the appointed domain of such stars as he. He's one star among them, awaiting his cue, busy about the business of the underworld as pictured by playing the Warrior game. When the appointed time arrives and he get's his cue he disengages. He turns around and begins to rap, immediately leaving the Warrior star zone game machine behind. He was with the other stars, among them. Then he got his cue and left them behind. How this manifests in the earth is what he's rapping about.

If this doesn't seem familiar in your reading of the Bible it's probably because you're not privy to what 2 Thessalonians 2 is concealing. I present the long version about how I came to this insight in The Sign for the Bride. It was a huge deal for me! I'm not going to repeat it here except for the barest minimum. I must say that if you don't study this for yourself you're really missing out. What the Lord opened to me, including about the thematic structure as a code, is invaluable.

3 Let no man deceive you by any means: for that day shall not come, except there come a falling away first, and that man of sin be revealed, the son of perdition; 4 Who opposeth and exalteth himself above all that is called God, or that is worshipped; so that he as God sitteth in the temple of God, shewing himself that he is God. ~ 2 Thessalonians 2:3-4 (KJV)

Horus comes through the portal and incarnates as the man of sin, the son of perdition, in King James-speak. The “falling away first,” or apostasia in the Greek, literally means, “standing away from.” It has nothing to do with Christians or faith. What is together in the heavenly realm will be separated to create the condition of apart-ness. The astronaut is with the other stars playing pinball, then he's apart - apostasia. This describes the heavenly activity that is a critical dynamic but yet is unseen. Verses 6 and 7 elaborate.

6 And now ye know what withholdeth that he might be revealed in his time. 7 For the mystery of iniquity doth already work: only he who now letteth will let, until he be taken out of the way. ~ 2 Thessalonians 2:6-7 (KJV)

According to the Crazy Kids version, Ke$ha withholdeth because she waited until just the right time to send the dog to cue Will.i.am. Their video suggests “the mystery of iniquity” is a lot like the Warrior pinball game. The real star-sailer pictured is working it as we speak. The Newberry Interlinear renders the expression, “until he be taken out of the way” as “until out of midst he be.” “Taken out of the way” is literally, “gone from among.” The STAR is playing with the other stars, then he turns and leaves. How does that manifest in the earthly realm?

Then that lawless one will be revealed whom the Lord will slay with the breath of His mouth and bring to an end by the appearance of His coming; ~ 2 Thessalonians 2:8

This manifests as his incarnation, which is a revealing. This is what he's rapping about!

I'm buzzin' off these bubbles
I'm sippin' and I guzzle
I'm the new nigga that says Mazel Tov
I bring the trouble
If they don't have no alcohol
Then I'm gonna smuggle
Some Rosé, Chandon, drink 'til I see doubles

“I'm the new nigga that says Mazel Tov - I bring the trouble” - This coded line references the central event of the second chapter of second Thessalonians. Mazel Tov is a Jewish expression of congratulations that translates to “good luck.” This is a messianic reference. The old nigga implied is my Lord, the genuine. The new nigga is the impostor, the antichrist beast, the trouble-bringing incarnation of Horus, the star-sailor with the anti-anointing. In the following passage, note “that he takes his seat in the temple of God, displaying himself as being God.” The temple is composed of people, in a figure, but something akin to what formerly stood on the Temple Mount in Jerusalem is also suggested, as unlikely as it seems to most folks today. Radical change is coming, and soon.

1 Now we request you, brethren, with regard to the coming of our Lord Jesus Christ and our gathering together to Him, 2 that you not be quickly shaken from your composure or be disturbed either by a spirit or a message or a letter as if from us, to the effect that the day of the Lord has come. 3 Let no one in any way deceive you, for it will not come unless the apostasy comes first, and the man of lawlessness is revealed, the son of destruction, 4 who opposes and exalts himself above every so-called god or object of worship, so that he takes his seat in the temple of God, displaying himself as being God. 5 Do you not remember that while I was still with you, I was telling you these things? 6 And you know what restrains him now, so that in his time he will be revealed. 7 For the mystery of lawlessness is already at work; only he who now restrains will do so until he is taken out of the way. 8 Then that lawless one will be revealed whom the Lord will slay with the breath of His mouth and bring to an end by the appearance of His coming; 9 that is, the one whose coming is in accord with the activity of Satan, with all power and signs and false wonders, 10 and with all the deception of wickedness for those who perish, because they did not receive the love of the truth so as to be saved. 11 For this reason God will send upon them a deluding influence so that they will believe what is false, 12 in order that they all may be judged who did not believe the truth, but took pleasure in wickedness. ~ 2 Thessalonians 2:1-12

“I'm the new nigga that says Mazel Tov - I bring the trouble” - When what happens in heaven is the unseen “gone from among” action, and what subsequently results in the Earth is trouble, as the new nigga is thereby revealed.

Remember, we've been given direction in the lyrics of Crazy Kids to give consideration to the Zodiac. About Mazel Tov: “The expression comes from the Mishnaic Hebrew mazzal, meaning "constellation" or "destiny".” (Wikipedia) The celestial constellations of the Zodiac are called the Mazzaroth.

31 Canst thou bind the sweet influences of Pleiades, or loose the bands of Orion? 32 Canst thou bring forth Mazzaroth in his season? or canst thou guide Arcturus with his sons? ~ Job 38:31 (KJV)

In the reading of Job 38 you'll find reference to the watery abyss and to lightning, other symbolic elements that are featured in the video. When what happens in heaven is the unseen “gone from among” action, Horus the star-sailor comes through the stargate to incarnate in his appointed avatar body. It will be a baptism that reveals him.

According to that fundamental revelation of 2 Thessalonians 2, deception, false wonders and a deluding influence (that my God lays claim to) will factor heavily into what's going on. This is what's meant by the video's bubbles and the alcohol. Horus isn't going to have alcohol legally imported, there's going to be illicit and covert activity involved. Where could the star-sailor smuggle alcohol from but where he came from, beyond this dimension. He's bringing intoxicating pharmakeia with him from the Warrior game zone.

Many saints are being led to expect that all they need to know is that the Pope is the False prophet, and have a general time frame in mind with a vague idea about an alien UFO scenario. They are developing a confidence that, armed with this knowledge they are assured immunity from deception when the critical time comes. WRONG! SET-UP!

11 For this reason God will send upon them a deluding influence so that they will believe what is false, 12 in order that they all may be judged who did not believe the truth, but took pleasure in wickedness. ~ 2 Thessalonians 2:11-12

Saints, go into your church, family, friends and neighbors and co-workers and testify of what you know to be the truth. Who believes the truth now? How many will when greater deception comes?

The escort and then her twin are seen blowing bubbles so we naturally connect the astronaut's reference to these soap bubbles. “I'm buzzin' off these bubbles - I'm sippin' and I guzzle” - but, what? Is he drinking the bubble solution? Then he raps about alcohol, so perhaps he's buzzin' on champagne bubbles, or is it the eroticism of the bimbo's bubbies that's giving him the buzz? If we consider the Little Horus scenario exposed in the previous post, where this is about his being nursed by Isis, we can take this as a reference to what I used to call “the milk buzz” when my children were small. Breast milk is like a powerful drug! However valid those observations may be, with regard to the stargate transit and the themes of 2 Thessalonians 2, it's all about making reference to the pharmakeia, the intoxicating deceiving sorcery of drugs and the kind of demonic influence drugs have.

Soap bubbles are little spheres with a rainbow appearance, which suggests the transdimensional orbs being witnessed around the world that are angelic-demonic in nature. Watch the video with that in mind and the stargate aspect I've been describing will be even more vivid. Remember the scene in the Wizard of Oz when Dorothy and Toto have just arrived in the land of Oz? Just such a bubble floats out of the sky to visit them. It's Glinda, the “good” witch.

With regard to the supernatural (which really emphasizes the mind-control programming aspect), bubble blowing is actually practiced by some witches as they perform magick ritual. There is a pharmakeia to it. Again, watch the video with that in mind and see how the spell is being cast. The magick isn't all about the fingers and bling enchantments.

Let's give the alcohol bit some consideration. What's up with Will.i.am naming the alcohol beverage of choice? Chandon is a brand that makes a sparkling rosé wine. One glance at the Chandon label should tip you off because it bears the symbol making yet one more reference to Horus coming through the stargate. He's the shooting star, the falling angel. The letter N is a symbol of the stargate and the Nachash.

BTY, Dragon software and Nuance are linked and they are spending lots of money advertising on cable TV now, splashing their branding imagery all over. Connect the dots.

Why the choice of rosé wine for the intoxicating beverage? The rose is a common symbol for the Illumined. The Rosy Cross, is the Rosicrucian order. “Under the Rose” is an expression that means, secrecy. As I understand it, thorns are under the rose, and thorns are the seed of Cain, tares, serpent seed. Because Horus is often pictured as a boy with his finger to his mouth, which is widely recognized as a gesture indicating silence or a secret, the mention of rosé presents yet another link to the identity of little Horus.

One might also rightly connect the wine to Bacchus or Dionysus. He's the god of the grape harvest, of wine making and wine. Relevant to the context of the revealing of the man of sin he is also a god of epiphany, "the god that comes." Will.i.am's expression of drinking 'till he sees doubles indicates the extent of drunkenness that characterized the binging worshipers who would be induced into frenzy called bakkheia. The horrifying deeds recorded as being done while in that state are almost beyond belief.

Finally I'm about to shift attention to the programming symbolism in the Crazy Kids video. I'll close with a couple final observations.

The dog represented the Dog Star, Sirius, which according to the ancients was watched as a sign. It was an indicator of Osiris and Isis emerging from the Duat (underworld), at the center of which is the Silver Gate, the Celestial portal that is positioned opposite the Golden Gate. After rising, their role is to bring forth Horus into manifestation, which we see subsequently modeled in the video's dramatic vignettes. In the video, Ke$ha weaves through the house before we see the dog-star herald in action, and the whole point of her activity seems to involve making a show of the gold fringe and silver fringe that decorates several doorways. The signs of the Golden and Silver Gates are central to their presentation.

Public rituals like the Super Bowl half time shows, Olympic ceremonies, music videos, plus all those done in secret add to the sum of influence. They will bear their intended fruit. When Horus is incarnated, he will be accepted, as the true Messiah will continue to be rejected. By most. But the Lord has a plan. Not all will be deceived, slumbering in darkness and delusion.

23 Then if anyone says to you, ‘Behold, here is the Christ,’ or ‘There He is,’ do not believe him. 24 For false Christs and false prophets will arise and will show great signs and wonders, so as to mislead, if possible, even the elect. ~ Matthew 24:23-24

Seek to qualify, it's worth it!

Monday, October 28, 2013

Part 5 - Ke$ha's 'Crazy Kids' - A Tribute to Josef Mengele, Master Programmer


When I began this series I pointed out how “Crazy Kids” is code for chosen ones, Illuminati slaves. After several posts focusing attention on the antichrist layer of how Horus comes through the stargate I'm going to shift attention to the music video's symbolism of Illuminati programming. These two aspects are expertly woven together, which is not really uncommon in the genre. They are as inseparable in reality as in symbol because the programmer-handler-slave activity has long been the essential control mechanism that brings the world to the moment of the sun god's incarnation, and beyond.

“Crazy” really describes the special condition created when the personality or identity of a victim, typically a child of around 3 years of age, is shattered by ritually traumatizing them until dissociation occurs. Through Satanic ritual and sodomy the programmers and handlers create a mind-controlled slave.

As a necessary caveat, if you're a victim of ritual abuse who is still being delivered or you're easily offended by mature subjects and descriptive language, please consider moving on.

Here's a link to the featured video. Ke$ha - Crazy Kids ft. will.i.am



The video begins with an intro where we hear whistling. Straight away, this is a programmer's trigger and invocation device, which I'll describe shortly.

Another trigger appears in the soap bubbles the twins are blowing. Bubbles are featured in a film that is something of a programmer's standard, the Wizard of Oz. Early in the film, having just arrived in Oz, we hear a snippet of the melody of the song Dorothy had sung earlier, Over the Rainbow. “Oh Toto,” she says. “I have a feeling we're not in Kansas anymore. We must be over the rainbow!” she exclaims, and immediately we see what resembles a large soap bubble floating down out of the sky. It lands next to Dorothy and manifests as Glinda, the “good” witch. This is referencing Go Over the Rainbow programming. (Web search my blog for it) Witchraft and dimensional transport are represented in the bubbles, which I've already introduced and which describes elements of the trance magick involved with that kind of programming.

During the video's pool party scene we see water pouring out of two gates into the pool. Waterfalls are used as a hypnotic image for memory, triggering the slave to forget pain and anything else about the programming session or a particular situation. Based upon some of the other programming symbols I recognize, there's plenty here that a victim would want to forget!

In Disney's animated feature, Pinocchio, which is sometimes used for programming, the one doing the whistling is Jimini Cricket. The whistling cricket is the spirit guide programmers use that is associated with Jupiter. You can read about this in Pinocchio and Jiminy Cricket, Disney's Monarch “Conscience” Programmer. This is linked to Josef Mengele, the Nazi master programmer known to many as Dr Green.

When we see the astronaut with the green face the infamous Dr. Green is recalled, aka the angel (star) of death, the whistling cricket programmer. The pinball game title the green-faced star-sailor plays is, Warrior, and Mengele was a soldier who served with the SS Viking Division deep behind Soviet lines. He was wounded and was subsequently awarded medals for heroism. His inability to return to combat opened the door for other, eh, opportunities.


We see this uniformed man with the face of Green with twins at his side, and Mengele is perhaps best known for his cruel experiments with identical twins during WW2. He was a member of the SS during that time, and we see those very runes of his insignia on the twin's clothing as a branding!

We see a version of Mengele's identifying winged sun disk (the Reichsadler) over the astronaut's heart as his pilot's wings patch. The three stars lined up on the Captain's collar are called pips, and three stars are framed by Will.i.am's arm, which are momentarily visible on the side of the Warrior pinball machine as in this screenshot. When he descends the stairs with the twins he fumbles with his hands, crossing them to model the Totenkopf insignia of Mengele's 3rd SS Division Totenkopf by mimicking the features of the crossed bones with a face that floats eerily above them.

I puzzled over the meaning of the pennant banners a few times, which are strung around the front of the house. After I came to recognize how Joseph Mengele was being characterized it came to me that the room was a cave. The pennant banners represent stalactites, those mineral deposits that hang down from the ceiling like icicles. These, of course, imply those coming up from the floor, which are called stalagmites. The key insight is knowing how a Stalag is a German World War II POW camp. Pennant banners picture the stalactites that imply Stalag-mites. Mengele worked at camps that were not technically Stalags. He was a medical officer at Auschwitz, Gross Rosen and others, and the chief medical officer at Birkenau, and while I don't know that he ever worked at a Stalag, the pennant banner reference to Nazi internment camps is pretty clever.

Regarding the cave, I also note how the pennant banner pictures the underworld as the setting of those who are coming through the portal into our domain. There are those beings who have been buried in the subterranean earth to be raised as agents of judgment.

The way so many symbols are layered in so expertly into these scenes that look so casually assembled and even cheaply executed is a testimony of the evil genius involved in the production. Our Adversary is evil but is worthy of the respect due him.

What happened to Josef Mengele after WW2? Some say he went to South America and carried on his experiments. Others claim he worked in America, continuing his work as a master programmer. What I see in tribute works like this speaks loudly to me, vindicating those who have given testimony about having been abused by him in procedures and programming rituals in America and were marginalized for the supposed absurdity of their claims. The embedding of his image in the imagery of ObamaCare indicates that there's more to come of those horrors. Remember this? Organizing for Health Care - Interpreting the Symbolic Imagery Search this blog for more evidence that his influence continues to garner tributes in surprising places.

Friday, October 25, 2013

Part 3 - Ke$ha's 'Crazy Kids' - Little Horus, the Tower of Babble and the Bottomless BBQ


From what was introduced in Part 1 and Part 2 it should be getting pretty obvious that Ke$ha's Crazy Kids video is an elaborate Illuminati ritual based upon ancient beliefs. The central theme of the coming of Horus is expertly dramatized, illustrating for us what amounts to the Adversary's crux move, truly, one of the world's biggest deals and one that will manifest on the world's stage not many months hence.

The Bible pictures that pivotal event in several passages but also in very cryptic ways. Since 1991, the Lord has been giving me understanding of how that will unfold and why, what role it has in His plan and how it relates to other key events. As I explore more of this video's symbolism I'm going to draw on the learning of these past 22 years, and nearly 34 of preparation since the Lord drew me as a broken young man to Himself so wonderfully. This effort is not for the purposes of entertainment. It's a precious opportunity. Time is short. I encourage you to press in to all the Lord has for you, dear friends.

As a necessary caveat, if you're a victim of ritual abuse who is still being delivered or you're easily offended by mature subjects and descriptive language, please consider moving on.

Here's a link to the featured video. Ke$ha - Crazy Kids ft. will.i.am




Here's more decoding that supports how Will.i.am the gold-suited star-sailor astronaut represents the scene of the revealing of the lawless one as the sun god coming through the stargate. I do intend to give the mind-control programming and ritual sodomy sex magick adequate attention in due time.

Toward the end of Part 2 I introduced how the nursing Horus was represented in the star-sailor's rap. There's more support for that. Here's his lines again.

I'm buzzin' off these bubbles
I'm sippin' and I guzzle
I'm the new nigga that says Mazel Tov
I bring the trouble
If they don't have no alcohol
Then I'm gonna smuggle
Some Rosé, Chandon, drink 'til I see double
She put boobies in my face and now I'm really seeing doubles
I, I took her to my place to blast off like the shuttle, wait
Kissing while we talkin'
So I'm speaking with a mumble

[mumbles]

“She put boobies in my face and now I'm really seeing doubles.” Idols from antiquity picturing Isis nursing Horus are plentiful so the scene is familiar to many. Her breasts are in his face. While Will.i.am raps, “Kissing while we talkin',” we're shown the bizarre scene in the red bathroom. That's actually a garish reinterpretation of the popular Egyptian Madonna with child scene, at least on one level.

The pony is a little horse, a play on “little Horus,” you see. The star-sailor i's modeling the little Horus as Isis his mother is nursing him, so he's not really kissing so much as suckling. “I'm sippin' and I guzzle,” he tells us. That's why he's speaking with a mumble, and his mumbling sounds like baby talk. The man in the bathroom is tattooed and probably with some magickal symbols, as Isis is the goddess of magick. Looking like a man who spent time in prison (stripes as bars of cell), he's someone's “female dog,” someone's bitch, if you'll pardon the expression. He's bare-chested, with left hand on the little horse like Isis with little Horus. The depiction of Isis sitting on the throne nursing Horus is an intimate scene. Comparing to that, the man's bottom is in front of or “over” both the love seat and the throne, as a commode is sometimes called, and he tenderly pets the pony. Associated with their heads are dimensional portals. The light streaming through the window crowns the man's head, which is as the disk of the crown of Isis. The window frame and vertical stripes of the wallpaper suggest the horns of Isis that flank the Silver Gate disk (between the horns of Taurus and Gemini). The Crazy Kids reinterpretation of the Egyptian Madonna with child is rather bizzare but it's not hard to see how they compare. Plausible deniability? Eh, not so much.


While the golden star-sailor mumbles, he's descending the stairs and fumbling with his hands. He crosses them to make the sign of the cross, the X, the sun god's mark. X = Trans. His coming through the stargate is a transdimensional transition and transformational event. The twins escorting him wear sandals laced to present sets of the symbolic double X. I have blogged about how the double X symbol is many things including an obfuscated square and compass. That's a very interesting symbol in the context. Sure, it's a sign of Freemasonry, but it's a generative sex magick symbol that embeds the Horus producing number 47. (4 sides, G=7)

This matter of the mumbling as he descends the stairway from heaven alludes to the Tower of Babel and Nimrod's epic construction project. Mumbling ~ babbling ~ Babel. That tower has been identified as a stargate by many. The Freemasons lay claim to it as one of their ancient works of brick and mortar. The work was interrupted, and as it is written in Genesis 11:9, “Therefore its name was called Babel, because there the Lord confused the language of the whole earth...” Mumble, mumble, bumble. His mumbling kind of echoes the testimony of the European Union, the effort to complete that work has neither been forgotten nor abandoned. It is written in Genesis 11:6 that, “this is what they began to do, and now nothing which they purpose to do will be impossible for them.” You can see where the Illuminated ones are going with their science projects, right? And, art projects, and all every lofty endeavor that isn't sponsored by the True God.

When the astronaut has descended to earth we see palm trees. I'll probably get more comments like, “Well, yeah, dude. They're in SoCal!” OK, sure, but these are used as symbols. The palm trees are phoenix palms. The phoenix rising from its ashes is a picture of victory over death, of Horus resurrecting out of dead Osiris via Isis. That's the message here! According to Greek legend, it was under the palm tree on the Aegean island of Delos that Leto gave birth to the son of Zeus, Apollo. The Egyptian labels name Isis, Osiris and Horus.

On the theme of Greek history, there's another Golden Gate connection to be made by identifying the astronaut as Apollo, the archer, because the archer in the Zodiac is Sagittarius. Recall from excerpting The Galactic Alignment how it is “the Golden Gate of Sagittarius, through which souls ascend (and through which the Gods descend)” The Twins that escort the golden star-sailor bear the symbolic lightning bolts, the weapons of Zeus that flash from heaven to earth as his arrows.

What is that white geometric object floating in the pool? If that's not a dodecahedron it sure looks like one! We are directed to consider the Zodiac, the celestial, and that object relates to astrophysics in relevant contexts.


(Wikipedia)
“The dodecahedron was the last of the Platonic solids to be discovered. Iamblichus states that Hippasus, a Pythagorean, perished in the sea, because he boasted that he first divulged "the sphere with the twelve pentagons." Plato's dialogue Timaeus (c. 360 B.C.) associates the other four platonic solids with the four classical elements, adding that there is a fifth figure (which is made out of twelve pentagons), the dodecahedron—"this God used in the delineation of the universe.”
...
“Various models have been proposed for the global geometry of the universe. In addition to the primitive geometries, these proposals include the Poincaré dodecahedral space, a positively curved space consisting of a dodecahedron whose opposite faces correspond (with a small twist). This was proposed by Jean-Pierre Luminet and colleagues in 2003 and an optimal orientation on the sky for the model was estimated in 2008. In Bertrand Russell's 1954 short story "THE MATHEMATICIAN'S NIGHTMARE: The Vision of Professor Squarepunt," the number 5 said: "I am the number of fingers on a hand. I make pentagons and pentagrams. And but for me dodecahedra could not exist; and, as everyone knows, the universe is a dodecahedron. So, but for me, there could be no universe."”

OK. A dodecahedron floating in the pool does make sense. Note, the 5-sided figures like the pyramid are identified with Horus. Having descended (which is also, ascended from the underworld) the star-sailor is now incarnated in this realm, which is represented by the pool area. It's the watery abyss. The dodecahedron represents this time-space universe. There's a sphere floating near to it that speaks to me of the earth with its atmosphere. I notice a few little angels posted around, which speaks to me of the elemental guardians, the Watchtowers. The folks playing with noodles speaks to me of strings, the basic objects theorized to compose our universe that are two dimensional in contrast to the point-like objects of particle physics. Is that the sea monster of the deep Leviathan in their pool ? I do believe so!

There's a limit to how much of the metaphysical, philosophical, etc. is useful for the exposure of the nature and meaning of what we're being shown. Some is very useful. If we view this and other music videos, media productions and logos as generally shallow, dumb and mindless, we're missing a lot. We, dear saints, have been so undersold on the craftiness of our Adversary. I underestimated my enemies for a long time. Our only help in this matter comes from the Lord, as we abide in Him with careful obedience. He is so good to us!

Did you notice the BBQ smoker on the back porch? It's an allusion to the scene of the smoky pit of Revelation 9. There, John recounts how he saw the star-sailor Horus coming through the stargate as a star from heaven which had fallen to the earth.

1 Then the fifth angel sounded, and I saw a star from heaven which had fallen to the earth; and the key of the bottomless pit was given to him. 2 He opened the bottomless pit, and smoke went up out of the pit, like the smoke of a great furnace; and the sun and the air were darkened by the smoke of the pit.
...
11 They have as king over them, the angel of the abyss; his name in Hebrew is Abaddon, and in the Greek he has the name Apollyon.
~ Revelation 9:1-2, 11

That “BBQ smoker pit” that is the abyssos phrear will opened by the golden star-sailor after being announced by the 5th angel, a “5 star” signal and event! The world will never be the same. It will be worse, then better. 2 Peter 3! If you think the environment is trashed now, just wait.

More to follow, Lord willing.

Monday, March 10, 2014

Part 39 - Celestial Stargates - Light Rods, Tinsel and Pleats


This series was interrupted when I turned my attention to the Winter Olympics. While there's probably more blogging about those symbolic ceremonies to be done (which are rich with celestial stargate imagery), I'm returning back to this series to give special attention to the stargate imagery featured in the Fisht Olympic Stadium throughout the closing ceremony of the regular Olympics. A collection of large cylindrical rods hung from the ceiling that were painted with light. These dynamically lit rods were used to signify and ritually model the opened stargate as opened lines of transmission between the realms of the seen and unseen. The vertical lines of the light rods is a visual cue common to many settings where stargate transits are featured. They also illustrate the kind of radiation beaming from the stars that influences men on the earth.

Ancient Egyptians used the pictograph you see here to represent the energy beaming from the stars and the operative stargate. Parallel lines are drawn to connect the objects involved in the transmission, suggesting coherent rays of energy.

These images are gleaned from Magickal Egypt, a documentary by John Anthony West.


This is not the stuff of imagination, superstition or illusion. Energy from the stars, since the stars are associated with angels, represents the supernaturalism of Ephesians 6:12, as it is written, “our struggle is not against flesh and blood, but against the rulers, against the powers, against the world forces of this darkness, against the spiritual forces of wickedness in the heavenly places.

19 And beware not to lift up your eyes to heaven and see the sun and the moon and the stars, all the host of heaven, and be drawn away and worship them and serve them, those which the LORD your God has allotted to all the peoples under the whole heaven. 20 But the LORD has taken you and brought you out of the iron furnace, from Egypt, to be a people for His own possession, as today. ~ Deuteronomy 4:19-20

What powerful influence would draw them away to serve all the host of heaven but that supernaturalism of the false gods represented in those celestial lights as they actively sought to be worshiped? In the version of the text above (NASB), the language used for the motivation is a little soft. The Hebrew word used is more forcible and doubled, nadach nadach: to thrust, to impel.

Prior to the Exodus, a contest ensued when Moses was sent to the Pharaoh to encourage the release of the enslaved Israelites.

10 So Moses and Aaron came to Pharaoh, and thus they did just as the Lord had commanded; and Aaron threw his staff down before Pharaoh and his servants, and it became a serpent. 11 Then Pharaoh also called for the wise men and the sorcerers, and they also, the magicians of Egypt, did the same with their secret arts. 12 For each one threw down his staff and they turned into serpents. But Aaron’s staff swallowed up their staffs. ~ Exodus 7:10-12

6 So Aaron stretched out his hand over the waters of Egypt, and the frogs came up and covered the land of Egypt. 7 The magicians did the same with their secret arts, making frogs come up on the land of Egypt. ~ Exodus 8:6-7

The magicians of Egypt were not putting on a show with cheap tricks. Today, the public is told by the generally recognized and respected authorities that magic is just pretend and that the Devil is not real, and by their enchantments most folks simply accept those lies. For the first 22 years of my life, I was oblivious. Now, not so much.

The column or pillar is a popular representative form of the bridging mechanism. A simple cylinder is the simple geometric form of a squared circle, which is relevant as a symbol of illumination through ritual sodomy. The light rods employed in Sochi are, of course, cylinders.

During the closing ceremony of the regular Winter Olympics, South Korea, host country of the next planned Winter Games, presented their own ritual performance on the grand stage underneath the light rods. Their official logo was projected on the floor, for PyeongChang 2018. I see their logo as a glyph for Gemini, a Silver Gate symbol, and a star of the exact form used in ancient Egypt. Familiar, yes?

In this picture you see a technical illustration used by NASA, where a wormhole is pictured with colored rods of light surrounding it. When you watch films or TV shows that picture a star ship going into warp drive or traveling near or above the speed of light or other kinds of wormhole transits through space-time you will usually see special effects extending points of light into light rods. This is the addition of an extra dimension to a point to create a line. It's akin to the motion blur. Its a visual dynamic that suggests time-space is being spanned. This is the effect created by the light dynamic of the rods in Fisht Olympic Stadium.

The cylinders hanging from the ceiling of the Fisht Olympic Stadium were painted with light and used as animated decor throughout the ceremonies.


In some of the segments, these were supporting the theme of stargate transit. In others, they were illustrating the effects of star energy beaming into the stadium. I believe those stage props are magickal instruments that were employed in ritual for energetic transmissions beaming in and out of the Stadium. The objects in that collection was reported to number 204, which cannot be simply random.
  • 204 balls may be stacked in a pyramid whose base is an 8 by 8 square, and which has 8 courses or levels. The pyramid and all its forms is believed to be very potent, energetically, and is associated with ancient Egypt and the worship of the sun god. It is associated with the Illuminati. The three 8s produced suggests 888, a number linked to the name Jesus in biblical gematria.
  • 204 is a truncated triangular pyramid number. The truncated pyramid has special signification in connection with the Great Pyramid at Giza and as the representative form of the body or kingdom of the beast of Revelation 13:1, the head or capstone of that base.
  • 204 is the number of squares of all sizes on a chessboard, an object often used to signify the presence of the knowledge of good and evil.

Those rods hanging from the ceiling were apparently also called a forest, so they must individually be trees, as trees in the Garden of Eden which are not of the natural kind that populate the forests on earth. The collection was also what seemed to be referred to at one point as the soul of Russia, which links to the Milky Way as a celestial river of souls.

In Sochi, when the flame was about to be extinguished at the climax of the Games, a scene transition combined two shots in the fade to overlay some key symbols.


The light rods representing the opened stargate were superimposed over the mirrors that represented dimensional portals. It was momentary - and brilliant. They were raised to reveal the mascots, illustrating the revealing of the lawless one who will come as Horus incarnates through the celestial Silver Gate. Evil genius.

What is represented by these rods on this grand scale is more simply and commonly modeled by draperies with vertical pleats or by vertical blinds at windows or by pillars with vertical lines ringing the shaft.
In Ke$ha's official Crazy Kids music video, cheap tinsel icicles hanging in doorways and wreaths were stargate props, with silver tinsel representing the Silver Gate and the gold, the Golden Gate.

This scene where Ke$ha sits between two bull dogs is brilliant. The Gold and Silver Gates are positioned in the Zodiac opposite each other, marking where the ring of the galactic plane intersects the ring of the Milky Way. There is an alignment of the two, and this is what we see with the Silver Gate pictured directly in front of the Golden Gate. The Golden Gate is represented in the golden tinsel hanging down, and the golden sunrise arc at the top of the golden backed couch. The Silver Gate is pictured as Ke$ha wears the vertical banded blue and white blouse. Her legs are crossed because she is crossing over the dimensional barrier. She's flanked by two bull dogs. Bulls signify Taurus and the two of them picture Gemini, The Twins. The celestial Silver Gate is flanked by Gemini and Taurus. The utility chains worn by the dogs are constructed of twinned torus links. Anubis, the escort to and from the underworld is the dog headed god, and in the celestial heavens he is represented by the Dog Star Sirius.

The producers of the official music video for We Can't Stop, by Miley Cyrus, modeled the stargate transit at the revealing of the lawless one by her dragging a stuffed bobcat across the floor. The backdrop is a simple white drapery, which is the color equivalent to silver in heraldry, and represented by the same Egyptian hieroglyph. The vertical pleats present the coherent beaming starlight structure of the stargate transited.

The same visual was employed in the official music video for Insane, by the South Korean “K-Pop” band A-Jax. The structure of the spinning chair's 5 ray wheeled base presents us with the stargate vortex image. As a backdrop we see the same subtle prop used in Miley's set.

The transdimensional construct was used to great effect in the industry changing film, The Matrix. Streaming columns of characters were used to represent the construct of the matrix, a virtual world created by the machines that held humanity captive in an artificial world of digitally generated illusion. It's really quite an impressive allegory. In their representation of another dimension interfacing with real world biology and physics, the filmmakers employed the dynamic light rod kind of effect in a variety of notable ways.

That film's illustration of the columns of streaming light as the interface between the realms was augmented with another kind using sound. The bell, which I've written plenty about (Bells - Supernatural Enchantment and a Biblical Perspective - also search this blog for tuning fork), is an ancient means of initiating travel between the dimensions. When Neo and the others who have been freed from the Matrix reinsert themselves into that realm, their only way back is by way of finding a phone.


To get an exit they have to wait for the phone to ring. When the hard-wired land line phone rings, which is an old school AT&T “Ma Bell” type bell phone, we're not told this but you should note that it triggers the ringing of a bell, which opens the stargate and facilitates the transit.


Stargate transit imagery is important to those who craft mass rituals. This is how they access the ancient entities represented in the celestial heavens, transmitting, broadcasting and receiving from the heavenlies. When their champion is incarnated in his host body after transiting the Silver Gate, most folks will be oblivious to what's going on. I'm hoping you will seize the opportunity while it remains to seek the Most High God and Father of His only begotten son, the Lord Y'shua while He may be found - with all your heart!