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Monday, May 15, 2017

Decoding: OXO

The Pope must surely like the OXO brand because the Goddess is exalted. There is also the presence of the ancient ritual sex magick that intends to bring forth Horus into this dimensional realm, which the Pope sponsors in no small way. The ancient symbol of the mark of the beast is also represented, redundantly, and with the agent of the Vatican being appointed to fulfill the role of the False Prophet beast of Revelation, this has got to resonate strongly with the Pope.

Let's break down the Occult symbolism of the logo.

The oval shape is the feminine form, symbolic of the divine feminine in iconography and a simple variant of the feminine womb shape of the circle. The color red signifies the goddess. The OXO logo resembles the head of an owl, with big staring round eyes, and the owl is identified with Minerva. With the X inside the oval, and being flanked by the pair of O's, the Goddess who grants all desires is invoked.

As the influential Occultist, Kenneth Grant, noted in his book, "Aleister Crowley and The Hidden God":

“There is a legend known to Initiates concerning the secret abode of the Goddess: The Spirit of Nodens - God of the Great Deep - flashed forth as lightning from the depths and formed a throne in celestial realms - a seat of stone - whereon the Goddess was established. She ruled from the throne of stone which Nodens had fashioned, and about her the temple of Nu-Isis grew into being…

The Heart of the Sigil of Nodens is identical with the Mark of the Beast: (X), the fusion of O and X which produces the lightning flash. Nodens is the God of the Great Deep or Abyss, microcosmically identical with subconsciousness. He reigns over the Abyss and controls and harnesses its lightnings. "Flashed forth as lightning from the depths" describes the act involved in the establishing of the Scat. The Seat of Stone is lsis, and upon this foundation the Goddess is established and rules the heavens, the earth and the deeps beneath the earth. In other words, the Goddess who grants all desires is invoked by the union of the X and the O (the Phallus and the Kteis), the Scat being the vehicle of her power.

Isis is therefore her vehicle, for Isis bears the fire of Nodens within her womb, and her vehicle in the macrocosm is the transplutonic planet known to occult tradition also as Isis.”

Pope Francis, as Pope Benedict and Pope John Paul, etc., have dedicated themselves to the Goddess, and frequently dedicate the world to the Goddess. They love and exalt the Goddess, Our Lady of OXO.

In simple Occult gematria, O+X+O = 15+24+15 = 54, so OXO is signaling Code 54, the Love Code, which we learned from our study of the incredibly deep Occult film, The Lake House. (The Lake House - Embedded Codes 33, 54 and the Ark of the Covenant (6/4/16) (Abridged version on YT) The screenshots below illustrate two places where the elapsed time of the movie that is showing on the media player presents 54. Perfectly synchronized with that, the XO motif appears. On the left, the ceiling tile grid supplies the crossing form of the X while the convex mirror forms the O. On the right, the XO is presented as both characters clasp their hands together, crossing their curved (arcs) fingers to signal the crossing of circles, or, the repeating XO of kisses and hugs. That's the scene where Alex is saying, "I love San Francisco."


Being represented in the OXO brand with the popular kiss and hug symbols of X and O, this layering is actually very potent, supernaturally. It's not just romance that's in view, its the romancing of the god and goddess, which is really, Lucifer, to the Illumined magicians who cast their spells in the promotion of this kind of symbolism.

The sex magick of Isis and Osiris is implicit in the union of the X and O. This image appears In OXO's logo with X as the male member is seen within the blood red oval as a graphic of sexual union during the menstrual flow, an unclean act, biblically. See it aligned vertically to get a more familiar view. This logo presents an image of the birthing of twins. One being flipped or the opposite of the other. Think, Eve, bringing forth Cain and Abel, of two contrasting fathers and natures. Because of the Isis+Osiris=Horus layer, think of Zeus/Satan's wife Leto giving birth on the isle of Delos to Artemis and then Apollo. Apollo = Horus: antichrist identity.

When the pair of letters O are interpreted as eyes, the X between them marks the spot that identifies the third eye, which is also called the Eye of Horus.

As typical of Horus Eye signaling, the practice of ritual sodomy is implicit in the encoding of the squaring of the circle. The oval is the flattened circle, which is squared by being quartered by the central X.

The magick circle cast by witches is called the squared circle, which is divided into the 4 quadrants by the cardinal directions and watchtower guardians identified with the four elements. The OXO logo is a magickal sigil. This bubble of the cast circle contains and intersects heaven and earth and this OXO logo is very much a space/time symbol because the X signifies space in connection with the time signaling O.

The signaling of the mark of the beast appears in the X fused with the O, as already mentioned, and also in the gematria of OXO. Applying the simple reduction, the value of O reduces to 6 because O=15 and 1+5=6. The value of X also reduces to 6, as X=24 and 2+4=6. OXO thus resolves to 666, which is linked to the mark of the beast in Revelation 13:18.

16 And he causes all, the small and the great, and the rich and the poor, and the free men and the slaves, to be given a mark on their right hand or on their forehead, 17 and he provides that no one will be able to buy or to sell, except the one who has the mark, either the name of the beast or the number of his name. 18 Here is wisdom. Let him who has understanding calculate the number of the beast, for the number is that of a man; and his number is six hundred and sixty-six. ~ Revelation 13:16-18

We understand the mark of the beast to involve the genetic transformation of the recipient as they accept the beast's DNA. This is pictured in the OXO logo in the coloring of red and white, with red signaling Adam (which means red, as red and earth) and the white signaling divinity. Man is made divine by being grafted into that antichrist god+man lineage.

Having this insight into the Occult meaning of the logo gives insight into its context. The OXO company was acquired in 2013 by, Helen of Troy Limited. If you understand about Helen of Troy, the Goddess connection could hardly be more evident. According to the legend known as the Judgment of Paris, during a banquet held by Zeus, Zeus deferred the judgement in a beauty contest to the Trojan mortal, Paris. Between the three goddesses, Hera, Athena and Aphrodite, Paris chose Aphrodite because she bribed him with the offer of the object of his affections, Helen of Sparta, who later became known as Helen of Troy. Is OXO really about the Goddess of Love, and code 54? Yes, it is!

Sam Farber started OXO with his son, John. Sam's father, Louis Farber, established Farber Brothers, which sold serving ware. His uncle, Simon Farber, founded Farberware, which manufactures kitchen appliances and cookware. Prior to founding OXO, Sam founded Copco, which manufactured enamel-coated, cast iron cookware. The Farbers were a family of wealthy merchants and Sam was definitely in the family business. Sam was Harvard educated, Ivy League, elite.

If he was a member of a secret society, it's a secret that Google searches are not designed to give up easily. What is easily discovered, however, is that Sam was a major collector of outsider art, Art Brut, including works by Henry Darger. (Inside The Dark And Twisted Alternate Universe Of Outsider Artist Henry Darger) If you have never seen the works of Henry Darger, they feature pre-pubescent girls in battle scenes with soldiers, and composites of butterfly winged Pan. The girls are often naked and are pictured having penises. At least one features naked girls being crucified on crosses with many naked others being mutilated and even disemboweled. If pizzagate comes to mind and names like Tony and John Podesta and Marina Abramavic and James Alefantis, you've got the picture. The artist that so inspired OXO's founder went to Mass 5 times a day. He would have repeated the Hail Mary prayer and prayed the rosary many times in worshiping "Our Lady of OXO." If Henry Darger weren't molested by a priest in his youth, I'd be very, very surpised, because he fits the altar boy profile. What does the collection of works by Darger reveal about the co-founder of OXO? The love of the goddess coded into his logo resonates with his taste in art. Would the Pope appreciate the OXO brand? No doubt.

Sunday, March 05, 2017

The Pope Francis Kind of Love

Pope Francis recently had an opportunity to make a public statement about where he stood with regard to pedophilia.

Pope Francis Under Fire After Quietly Reducing Punishment for Pedophile Priests

Some felt betrayed, but since this is one of the means of maintaining his own status quo, could he be expected to do otherwise?

Those who can interpret the Occult imagery used by the church don't need to look far to see the sign of sodomy that attends the pedophila, copraphagy, human sacrifice, sorcery and mind control programming. We've exposed many similar images over the years, where the stylized heart represents the butt. Many of them take this familiar form, where the anus is called out in the design. The cross of the rosary is the X that marks the spot. The anus is identified as the rose or rosebud rosette of the rosary.

The Rosary is associated with the goddess, and the gesture being made by the Pope in the featured photo is her sign, the W of the bent elbow dancing bee goddess known as "Easter," Ishtar or Inanna - aka, Our Lady of Fatima. The sign is also a Horus hand sign, referencing the esoteric version of the 47th Problem of Euclid.

The anus is known to the Illumined as the Eye of Horus, and this is emphasized in the Occult design by having the cross dot the "i" in, Francisco. When the dot of an "i" is stylized it signals the homonym "i" or "Eye" of Horus.

The imagery of the cross positioned in the heart and dotting the "i" is redundant, which adds potency to the symbol magick, and also serves to verify that the symbolism of the anus is intended by the graphic.

By placing the square cross sign where a round hole is implied, they are effectively "squaring the circle," a symbol of ritual sodomy.

A crucifix is sometimes used by an Illuminati handler to sodomize a victim, and this is referred to as "the Peace of Mary." Because of the context, we know this is what is specifically in view, the Peace of Mary, with the foul graphic of the crucifix inserted into the anus. The Pope's trip to Fatima is all about Mary, called, Our Lady of Fatima.

He's planning to visit that shrine in Portugal where it is claimed that the Virgin Mary appeared in 1917, a century earlier. The thousands of witnesses gave varying reports of what happened, but it can't really be denied that some supernaturalism was manifest. One thing we can be certain of is that it was not the manifestation of the woman who gave birth to my Lord Y'shua. The event involved an impostor, an angelic fraud, the same kind of demonic spirit that engages the Luciferian illumined in the Peace of Mary and inspires posters like the one for Papa Francisco's visitation of Our Lady of Fatima.

The anus is also known as the Eye of Horus, or, the Eye of Ra. The name of the god, Ra, is emphasized in the title, with the RA of F-RA-ncisco being supported by the way they stacked Papa above it, which adds another RA connecting to the A above the R. If you don't think this is relevant, take a step back and consider the object that occupies the exalted position in the Vatican's St. Peter's Square. I count eleven more namings of Ra and the alternate, Re, in the other stacked lines of the poster. The name of Pan is embedded in "Papa" over "Francisco" in another cross-line spelling that can take 2 routes, which makes it redundant. Pan is the god that Aleister Crowley identified with the Devil in Chapter 15 of The Book of Lies.

To learn more about the significance of Fatima, we recommend this study on The OpenScroll.com titled, The Sign of the Queen of Heaven.

Here's a painting of the Jesuit that we think Pope Francis took his name from, St. Francis Xavier. When an Occultist crosses his hands he's saying that you have to cross the meaning, invert or flip it. The heart with the cross stuck into the anus is therefore a reference to the one seen in heaven, where he's giving the divinity the Peace of Mary. The IHS + cross is, of course, the scatalogical reference - SHI - t. "Fire in the hole!"

Here's a picture of fake (antichrist) Jesus with the heart-butt motif and the Peace of Mary. May we suggest a fitting caption? "Fire in the hole!" Check out his hand sign. GODDESS! Peace of Mary.

This kind of butt and sodomy imagery is not unique to the Vatican and or to the Jesuit church, although it does have a central role in their iconography because it is key to their illuminated status and essential in the worship of the sun gods. Martin Luther, former Catholic Priest, is considered to be the father of the Protestant reformation. He adopted this symbol, called Luther's Rose, which remains to this day as the iconic logo of the Lutheran Church.




The Seventh-Day Adventist church identifies itself with the Peace of Mary. Fire in the hole! One should also see in this logo the redundant signaling of Code 33, and the ancient winged sun disk. The place from which the fire emanates is spelled out for us beginning with the A in, Adventist. Rising on the path to the "eternal flame," we pick up the next letter, the S in, Seventh. The final S is obfuscated in the flame that wraps around the sphere or disk.

Like Mother, like Daughter - of Babylon.



Here's a promotional image of a Bible version called the Passion Translation, which echoes the embedding of the Seventh Day Adventist Church logo. Fire in the hole!



The society or order of the Rose-Cross, aka Rosicrucians, adopted this illuminated sodomite iconography.

So did the Quakers, with this image crafted by the Lutheran mystic, Jakob Böhme.


Do you find these images offensive? Really, you should! Yet, let it speak to you about the "secret" religion of the global elite, not just the religious institutions represented, and about their nature.

Is anything what it seems? That depends. Are you seeing things as you were taught and programmed, as the majority sees things? Or, are you seeing as through the eyes of the Lord Y'shua, from the perspective of The One who knows the end from the beginning?

Monday, November 14, 2016

Decoding John Podesta's pic with 14 and a fish drawn on his palms

This pic surfaced recently in the midst of a lot of controversy. It's John Podesta with 14 and a fish drawn on his palms.


As the story goes, Osiris was killed and chopped into 14 pieces. Isis was able to retrieve 13 of them but the penis was lost, eaten by a fish. She substituted another phallus and magically used it to bring forth Horus, from dead Osiris.


Hillary's 2016 campaign chairman has long been a Washington insider. He was Bill's chief of staff. I have no doubt that he understands and practices the secret religion of the Federal government, which is that of the illumined global elite. The iconic Washington Monument is the world's largest obelisk. This is what John Podesta is signaling, in part. The vesica piscis figure seen around the giant phallus of Osiris is the divine feminine (Isis), and that fish-phallus.

Pisces ~ piscis

A figure formed around the Washington Monument is also known as the ICHTHUS.

On this theme, the drawing of this code on his palms speak to me of the phoenix palm. It's a symbol of victory over death, as in how Isis raised dead Osiris into her son Horus, after magically fashioning a phallus to replace the one that had been eaten by the fish. In a parallel legend, Apollo (akin to Horus) was born to Leto as she clung to the phoenix palm on the magickal isle of Delos.

With his hands in that position, John is signaling a squared circle, framing his round face as inside a square. The grid of ceiling tiles completes the square. This form is linked to Freemasonry (squaring the circle as an adept with a square and compass) but this is really a sign of the act of sodomy, a ritual act through which he was very likely illumined and initiated into the ancient sun cult.

("Crocodile Smiles" video published on Dec 17, 2018)



Wednesday, September 21, 2016

Decoding: "Food Swings" Cookbook Cover

When you see what the cover of Jessica Seinfeld's latest cookbook is about you might think she's a comedian like her husband, Jerry. But really, it's not funny.

In prison lingo, donut means butt. The donut hole is the anus. Occultists call it the Eye of Horus. Jessica is giving that some special emphasis by holding it over her face like its a big seeing eye. Magnifying that eye makes it the sun eye and the other the moon eye of Harmerty, Horus who rules with two eyes. It can also be said that she's hiding one eye to model to us the hidden eye, the anatomical Eye of Horus that's hidden from sight. This is not just a crude gag.

There is support added by her wardrobe because she's wearing a turtle-neck blouse. Of course, that makes her head a turtle head. There's potty “humor” in that because, turtle head, refers to poop starting to poke out of the butt like how a turtle head starts to poke out of a turtle shell.

This is the same crude gag played up in the original Teenage Mutant Ninja Turtles movie from 1990. This poster illustrates it because the turtle heads are popping out of a manhole. Man. Hole. Anus. Sewer pipe access.

So, Jessica's head is poop and her neckline is the defecating butt, and so apparently is the donut she holds to her eye.

Are we done with the crude schtick? No. Sorry. The broccoli is no more innocent than the donut is. The broccoli is a phallus, part of the male package that features the double O of, FOOD, as the testicles. Study that for a moment. Consider the peculiar way she holds it in her hand. Her posing hand suggests the shaft that passes between the double O, one that is more erect than the stalk of broccoli. Put the phallic package broccoli together with the anal donut.

Is this just a gag involving the male anatomy - the phallic package and the butt? No, it's really about butt sex. Sodomy.

Wardrobe (or “photoshop” perhaps) has added more to this clever design than just the signal turtle head. There's a subliminal impression of the word, SEX, with the X formed on her sleeve. The E is obfuscated by the F, and the S is just right there plainly. This kind of thing has been widely demonstrated to be a common feature of book and magazine covers and movie posters and cartoons like Disney's animated features.

What kind of sex are they suggesting? Obviously, sodomite sex, the kind that opens the Eye of Horus, illuminating in the way of Illuminati sodomite mind-control. When I see how the design lay out has her name positioned, I perceive how the S on her head is intended as a Serpent. Luciferian, Kundalini or serpent illumination was pictured in this way from ancient times. It is Horus Eye illumination. “Sei,” of Seinfeld, played as Se "i" or Seeing eye.

If there's virtue in addition to the vice we see on the cover, it's only in the perverted eyes of the illumined sodomites. Food Swings - it's an obvious take on, mood swings. What's less obvious is the allusion to "identity swings" or the alter switching of multiples, which is what trauma-based sodomite mind control programming causes.

There's more here in this Occult design that has to do with the goddess. Certainly, as a celebrity wife and celebrity in her own right, Jessica is “worshiped” by some as something of a goddess. But in the way of the Occult, the cover exalts her as The Goddess.

Look at the way her fingers appear. With no thumbs in view, the distinct count is 4 fingers on each hand. The number 44 is identified with Isis in the esoteric interpretation of the 47th Problem of Euclid. It's the dimensions of the area adjacent to the Isis side of the base Pythagorean triangle. (You might see in her hands the signaling of a Masonic sign known as the claw.)

The cover design draws our attention to the colorful words, Virtue & Vice. Alliteration - “the repetition of identical or similar sounds at the beginning of words or in stressed syllables.” It's the repeated letter V that's emphasized. V & V. Double V. Double V is VV or W. Because of the supporting imagery in the context, the easily assembled W identifies the goddess as the ancient dancing bee and bent elbow goddess, Inanna and Ishtar, by other names. In the pose featured on the book cover, Jessica Seinfeld's elbows are bent. She is that goddess.

This book cover is more than just a collection of crude gags. It's far more offensive than that.

Are you seeing what you're looking at? And, no sodomy or honoring the goddess is required! Praise the Lord.

The hearing ear and the seeing eye, The Lord has made both of them ~ Proverbs 20:12

Sunday, February 07, 2016

Trending: Code SS - More Hidden Evidence of Nazi Influence

In addition to what was put on exhibit yesterday, here's more examples of the Nazi and Neo-Nazi symbolism embedded in the media.

Aaron has been watching, The Colony, a new series on the USA Network. From this plot summary on Wikipedia you can quickly see how it's a take on 1920s and 1930s Germany as the Nazi Party rose to power, but with the alien angle played up. I believe the fallen angels were responsible for the rise and dominance of Hitler and the Nazi Party, and the show is set in the City of Angels, Los Angeles. (LA = 12+1 * mastery of time). Aaron noted that the “Red Hats” seem to model the Brownshirts, and that at one point during a scene when they are raiding a house a person says, “you didn't need to bring them in like storm troopers.” The Nazi Brownshirts were the SA, short for Sturmabteilung, which literally means Storm Detachment.

Here's a telling screenshot. There's an obvious allusion to the iconic banner displays of the Nazi swastika flag.


Decoding the logo, which appears to have been divined according to theurgic magickal practice, if you take the zoomed out big picture view, it looks like an eye, a kind of serpent eye. The bird is an eagle, Amaru, the feathered serpent, and the falcon and sky god Horus. It's a Horus Eye and all-seeing eye. One layer of symbolism suggests the surveillance state. There's a 666 (Revelation 18:13) evident in the six arc segments formed by the bird, together with the two sixes of the inner and outer circles. (The value of the letter O as the 15th letter. * 1+5=6) The logo also hints at the Black Sun, which is at the heart of the Nazi Occult religion of the SS.

Here's a telling image that's not at all obvious - and this kind of embedding betrays the supernaturalism and dark agenda behind the show!


Starfish Sushi. Acronym: SS. Schutzstaffel. It's a sign, literally a physical store sign and a sign to us that signals something important. The SS is also a rough equivalent to HH, Neo-Nazi code for Heil Hitler, because the H and S are both the 8th letters, one from the front and the other from the back. H, S, 8 - any one substitutes for any other in their versatile substitution cipher. How do we know this is intended as a signal? There's redundancy and there's some other Occult symbols in the scene. The arcing line drawn from the star (as ANGEL, in the City of Angels, a falling star-angel) reaches over to touch the second S in Sushi. That Star+S connection supports the acronym of the two words. The SS is also a signal 88, and this combines with a numbering of 14 to signal the Neo-Nazi code 14-88. Count the letters and include the space. Fourteen character places. When you sum up the letter values of the name you produce a doubled 88. STARFISHSUSHI = 176 = 2 * 88

Two instances of SS are produced in the name plus graphic elements and two 88s in the gematria of the name. That's evil genius. Evidence of theurgy.

You'll note how the row of lights features a cross circle and Mark of the Beast design, being hemispherical with crossing bands. Another symbol in play is the collection of bicycles. I've identified how bicycles picture dimensionally transiting vehicles in other media, and this definitely plays on the alien as falling angel layer. Note the two palm trees in the screenshot. The palm tree signals victory over death. Seig Heil: Hail Victory. As twin pillars they signal a stargate, as for the transdimensional bicycles, and the pair signals time travel programming in Illuminati mind control contexts.

Here's a picture of the brownshirts parading their bicycles past Adolf Hitler at a rally in Dortmund, 1933. Hmmmmm.


The SA, storm troopers or Brownshirts were effectively superseded by the SS in 1934.

Aaron has also just been led to watch Falling Skies, on TNT. It ended last year after 5 seasons and 52 episodes (a time number as weeks in a year). Aaron noted that the entire first episode was loaded with time references and symbolism. Immediately after he stopped a clip he made for me, the character Tom Mason was shown coming up out of the ocean and onto the sandy shore with rocks all over it. Aaron noted that the first words spoken were "It's time" - "so many options, so little time" - and a couple repeats of "It's about time." There's a hint of Revelation 13:1 in TMs coming out of the sea. Water and sand are both used as metaphors to signal time. The stones are also involved in that layer of symbolism, as a search of the blog will document. There's also the Mason/Freemason and Mason jar container-avatar-host angles in play. Aaron noted that there was a battle at a high school and that the sign outside of the school read, "The future is in the hands of our youth." Future. Youth. Time words. 'In the hands of" means Control. Aaron said that after that there's a scene with an empty swimming pool (emptied of water-as-time), and that it became rather evident that the battle scenes were signifying a time war. I note that the title, Falling Skies, is composed of 12 letters, and one space between the words makes a total of 13 character places. This composition speaks of time and the mastery of time. It suggests that Falling Skies bears witness to the time wars we've been writing about that are described in the Bible, where heavenly domains will be emptied as skies thrown down to earth, to a lower dimension!

Like, The Colony, Falling Skies was about a global invasion by extraterrestrials and their control over the Earth. Having just watched, Iron Sky, I can tell you that one Nazi connection that exists is through the roles played in both by the mining of helium-3 from the moon. Such a thing as that just isn't a common plot element.

The show featured an SS in the occasional use of a classic Chevy Camaro.


The branding of the Super Sport performance line has been on my radar for some time as signaling the Nazi SS. Here's some billboard imagery sponsored by GM.


Detroit, GM's headquarters. It's got a tough image. The SS is known as a muscle car. Muscle is sometimes a euphemism for the thugs who use force to intimidate and manhandle the people on their boss' turf. Like the Gestapo, and SA - and the SS - The Nazi Muscle.

What car had a bud vase? The VW Beetle. There's a Nazi connection in this car and brand's history. Here's some excerpts from Wikipedia. In June 1934, Ferdinand Porsche received a contract from Adolf Hitler to design a "people's car" (or Volkswagen). In 1937, Porsche joined the National Socialist German Workers' Party (becoming member no. 5,643,287) as well as Schutzstaffel (SS). By 1938, Porsche was using the SS as security members and drivers at his factory, and later set up a special unit called SS Sturmwerk Volkswagen. In 1942, Porsche reached the rank of SS-Oberführer. Mentioning the Bud vase in an ad for the SS? Okay. Noted.

While watching Flash on The CW network, Aaron noted these classic muscle cars featured in a street race. Here's another Chevy SS.


How do we know their intent in using this car? The licence plate is a tip-off. TXI-195. Sum up the numbers 195 with the letter values. They sum to 68, and 6+8 = 14. SS as 88, together with the value of 14 conceals the Neo-Nazi code, 14-88!

Here's the muscle car driven by Wally West, a new addition to the cast. Wally West. WW. Code 33.


Wally's classic Mopar muscle wears plate 6EG-488. There's an 88 in there. 88 is HH or “Heil Hitler” so maybe, Sexy G for 88 - the Masonic G-eye (tract), the target of lusty sodomites? Or, perhaps because a G resembles a 6, 6EG is like 6E6 or sixty-six. “66 for 88.” Their 88 HH champion of the abyss ~ Abyss for Herr Hitler - an antichrist.

Tuesday, October 20, 2015

Decoding Fandango as the Crossing of the Abyss


The popular website for movie tickets, trailers and reviews has an interesting logo. There's a white letter F for Fandango, but study it for a moment and you'll find another one hidden in the orange.

The double F makes sense when you identify the Occult symbolism. F is the 6th letter, and 66 is the number signaling the abyss. When the name appears next to the logo, the F of Fandango adds a third F and therefore a third 6 in series. 666. The number identified with the beast and his mark in Revelation 13:18.

Here's an excerpt from FreemanTV - Mark of the Beast.

“Qliphoth/Qlippoth Lit. "shells" (singular: qliphah). Shades of the dead whose names appear in the books of Dyzan or Thoth, or the Book of the Law (AL). They may contain formulae of magical powers. ...The Qliphoth are separation or "excrement" or negative representations of Divinity: Samael, Beelzbub, Lillith. In Kabbalistic magic, the Qliphoth are represented by the number 66 which in Hebrew would be VV; in English 66 is OX or FF. ”

FF. Fandango. There are other letter combinations and visual cues that may be signalling the Qliphoth and the abyss, like the common, “of,” and FX as in, special effects. The common pricing of merchandise at 99 cents does more than make the price seem lower. Flip it.

The logo is retro, picturing a traditional ticket used at movie theaters. Movie tickets are issued to those who use them to gain access to the theater, obviously. The generic labeling was, Admit One. Admit one to the darkened theater in a sea of people, to the abyss. This requires the assistance of those who can cross over, like Anubis, Hermes or Mercury. The psychopomp has access, the visa, the ticket to the abyss. You have to pay the ferryman.

“"Crossing the Abyss" is regarded as a perilous operation, and the most important work of the magician's career. Success confers graduation into the degree of Magister Templi, or "Master of the Temple."”

Abyss (Thelema) - Wikipedia

The Fandango logo ticket represents the ritual initiation of a magician, who seeks a ticket to cross the abyss. The logo's tilted F nested together with a hidden F presents a crossing metaphor.

Here, Taylor Swift presents the crossing of the abyss. Showing V or 6 on each hand, she crosses them in this image from her music video for the song, “22.”

The show, Fringe, was all about crossing over between space-time dimensions. The brand imagery for the Fringe Division in the alternate universe featured the mirrored F of the 66, the abyss.

The logo serves the Fandango name well. The word derives from the lyrics of a classic rock song from 1967, Procol Harum's “A Whiter Shade of Pale.” As the song begins, we hear, “We skipped the light fandango - Turned cartwheels cross the floor...” Turning cartwheels cross the floor presents OX or circle cross imagery. The rotations provide the circles. The body presents the X form, plus there's the cross of “cross the floor.” The move is called a cartwheel because it emulates a turning spoked wheel. Interpreted according to letter value, the X and O of the form present 6 (24 or 2+4) and 6 (15 or 1+5). 66. It's clever, very clever. The XO signals the mark of the beast and magically establishes of the celestial throne of the goddess as the god Nodens flashes lightning from the abyss. Fandango naturally imports that reference from the song lyric with their name, and by embedding the double F in their logo they signal us that this is done with knowledge and intent, and yet, this is far more than the sending of a signal. It's the evidence of magick ritual. Theurgy.

The ticket shape presents a square with cutouts of 2 half circles. It's a squared Circle, which you would make with a square and compass, of course. Ritual sodomy illumination. The song lyric referenced by Fandango will validate that reference, which I'll explain more about shortly.

The word, Fandango, has more notable history behind it, in the movie ticket website and in the Procol Harum song. Skipping the light fandango alludes to an expression that was made very popular in the 1890s, tripping the light fantastic. “This expression became popular from the American song "Sidewalks of New York" (melody and text by Charles B. Lawlor and James W. Blake) in 1894. Part of the chorus: "Boys and girls together, me and Mamie O'Rourke / Tripped the light fantastic / On the sidewalks of New York."” (Trip the light fantastic (phrase) - Wikipedia) It was popularly understood from the time of the gay 90s to indicate the gaiety of dancing, but the expression derives from the more more ancient past, from medieval times, and that's where more meaning is found.

To skip the light fandango and to trip the light fantastic means more than just to dance gaily about. The 17th century works of Shakespeare and Milton are referenced, and going back further to the 14th century, of Chaucer. The literature, which I'll touch upon shortly, is about the gods and goddesses, even those specifically of the underworld, in Pagan and Catholic (also Pagan) versions. The underworld is a lower realm also known as the abyss. The language and contexts from these sources behind, fandango, speak very loudly to me of stargate transiting, not of any natural form of dancing. Any dancing involved has to do with the spiral dance of the ancient and current goddess religions and the practice of witchcraft.


The language and contexts evoked by the word, fandango, speak of spells that evoke and engage demonic entities to deceive and to do the bidding of the magician. There is in this activity the celebration of the graduation of the magician in the crossing of the abyss. In the case of the lyrics of the ballad that names, fandango, that most definitely factors in as it's really about Illuminati programming, trauma-based mind control, the dissociation and installation of the Legion of demons brought about through ritual sodomy. Some would call it psychedelic, and while entheogens or hallucinogenic drugs are often used in such programming rituals, the song's significance should not be diminished by such dismissive labeling because it really is about more than a casual recreational experimentation.

Here's the lyrics of the most direct source of Fandango's brand identity. Procol Harum's, A Whiter Shade Of Pale.

We skipped the light fandango
Turned cartwheels cross the floor
I was feeling kinda seasick
But the crowd called out for more
The room was humming harder
As the ceiling flew away
When we called out for another drink
The waiter brought a tray

[Chorus]
And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale

She said, there is no reason
And the truth is plain to see.
But I wandered through my playing cards
And would not let her be
One of sixteen vestal virgins
Who were leaving for the coast
And although my eyes were open
They might have just as well've been closed

[Chorus]
And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale

She said, I'm home on shore leave,
Though in truth we were at sea
So I took her by the looking glass
And forced her to agree
Saying, you must be the mermaid
Who took Neptune for a ride.
But she smiled at me so sadly
That my anger straightway died

[Chorus]
And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale

If music be the food of love
Then laughter is it's queen
And likewise if behind is in front
Then dirt in truth is clean
My mouth by then like cardboard
Seemed to slip straight through my head
So we crash-dived straightway quickly
And attacked the ocean bed

[Chorus]
And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale

Caveat: If you're a victim of ritual abuse who is still being delivered or you're easily offended by mature subjects and descriptive language, please consider moving on.

The opening line is making reference to the stargate transit and subsequent installation of the demons at the initiate's new birth into the illuminated state. That's the functional precursor to the mark of the beast transformation, a fuller merging of god and man that is not yet available. I've decoded many song lyrics on the blog in recent years, and this hugely popular theme has become very familiar to me. In the last verse, the kind of love named is not what is good and healthy but rather the kind of binding relationship that is created between the slave and their sodomite handler. (See Series Links: The Sodomite Gateway) Queen: The sodomized male used as a female. Dirt: Excrement. Mouth: Actually, the other end of the GI tract. Cardboard: corrugated, rough. To seem to slip straight through the head, the sensation of illumination. To crash-dive and attack the ocean bed. Bed, being bedded. Ocean, an abundance of fluid - semen and blood from the violent crashing together in the attack. The forced compliance of a slave is indicated in the third verse, where whoever she is is forced to agree with the view of reality that was presented to her about her location and identity. The looking glass or mirror is a very common meme in mind control programming, with the splitting of identities associated with pairs of alters.

If you think this isn't all about the practice of the Occult arts and witch-crafts that engage the demonic realm from the abyss, you must have missed the verse mentioning the singer's playing cards, where an obvious reference to cartomancy is made (divination with playing cards). The vestal virgins are the priestesses of the goddess of the hearth. Today, their service is dramatized in the lighting the Olympic flame at the temple of Hera on Mount Olympus. The goddess is also referenced as the mermaid who rides Neptune, aka Poseidon, the god of the deep, the abyss. References made to travel to and from the coast and the shore are to the borders of this space-time dimension.

Why would the movie site Fandango want to reference all this with their branding? Do you understand the nature of the industry? Mind control. Demonization. Trauma. The name, Hollywood, is revealing, which has long been the center of the industry. Traditional magic wands are made from holly wood.

From the lyrics of the popular tune of 1894, Sidewalks of New York, “tripped the light fantastic,” became a well worn phrase. Procol Harum derived from that, “We skipped the light fandango.” The first video for that song was shot in the ruins of Witley Court, near Great Whitley in Worcestershire, England. Witley Court was built in 1655 by Thomas Foley. The video establishes a connection with the ancient past. It's in the literature of that period and of three centuries earlier where we find the inspiration. We'll begin with the works of Milton on our way through Shakespeare to Chaucer. What we find on this journey sheds light on what is meant by the Procol Harum song that provides Fandango's identity.

From Milton's 1645 poem, L'Allegro:

Com, and trip it as ye go,
On the light fantastick toe.

The lines are in sequence numbers 33 and 34 of the lyric poem. Occult encrypting is far from new. It's an ancient practice. I call this an instance of Code 33. And about 34: 3+4= 7 and 3*4=12. The 7 and 12 are both time numbers, and this is about space-time domains. The 3 and 4 are also signal numbers for Osiris and Isis, which produce Horus. This is the essence of the magickal work of Fandango and the magician's grossing of the abyss.

Here's the first 40 lines. Don't be naive. This is not just a matter of poetic frivolity.

Hence loathèd Melancholy,
Of Cerberus, and blackest Midnight born,
In Stygian cave forlorn,
'Mongst horrid shapes, and shrieks, and sights unholy;
Find out some uncouth cell,
Where brooding Darkness spreads his jealous wings,
And the night-raven sings;
There under ebon shades, and low-brow'd rocks,
As ragged as thy locks,
In dark Cimmerian desert ever dwell.........................................10
But come thou goddess fair and free,
In heav'n yclep'd Euphrosyne,
And by men, heart-easing Mirth,
Whom lovely Venus at a birth
With two sister Graces more
To Ivy-crownèd Bacchus bore;
Or whether (as some sager sing)
The frolic wind that breathes the spring,
Zephyr, with Aurora playing,
As he met her once a-Maying,......................................................20
There on beds of violets blue,
And fresh-blown roses wash'd in dew,
Fill'd her with thee, a daughter fair,
So buxom, blithe, and debonair.
Haste thee nymph, and bring with thee
Jest and youthful Jollity,
Quips and cranks, and wanton wiles,
Nods, and becks, and Wreathèd smiles,
Such as hang on Hebe's cheek,
And love to live in dimple sleek;........................................................30
Sport that wrinkled Care derides,
And Laughter holding both his sides.
Come, and trip it as ye go
On the light fantastic toe,

And in thy right hand lead with thee,
The mountain-nymph, sweet Liberty;
And if I give thee honour due,
Mirth, admit me of thy crew
To live with her, and live with thee,
In unreprovèd pleasures free;......................................................40

Liberty is the goddess of a thousand names. Did the poet use the figure, personification? Obviously. It's just as obvious to those who are familiar with the way of Occult symbolism that it represents more than merely innocent entertainments. So, is the expression of lines 33 and 34 the picture of nimble dancing? Sure. Okay - but as I wrote earlier, the language and contexts from these sources behind, fandango, speak to me of a dancing across dimensional boundaries, of stargate transiting. To trip it as ye go on the light fantastic toe is to use Fandango's ticket to admit one in the crossing over in or out of the abyss.

Before penning that poem, John Milton recorded the following lines in 1634 (printed in 1637). From, A Mask Presented at Ludlow Castle, which is known as the masque, Comus.

Come, knit hands, and beat the ground,
In a light fantastic round.

Rhythmic drumming is very often used when spirits are being summoned and demonic energy is being raised for the casting of a spell. Here's those lines in context. There's nothing good or innocent here, in the derivation of Fandango.

Trip the pert fairies and the dapper elves.
By dimpled brook and fountain-brim,
The wood-nymphs, decked with daisies trim,...........................................120
Their merry wakes and pastimes keep:
What hath night to do with sleep?
Night hath better sweets to prove;
Venus now wakes, and wakens Love.
Come, let us our rights begin;
'Tis only daylight that makes sin,
Which these dun shades will ne'er report.
Hail, goddess of nocturnal sport,
Dark-veiled Cotytto, to whom the secret flame
Of midnight torches burns! mysterious dame,..........................................130
That ne'er art called but when the dragon womb
Of Stygian darkness spets her thickest gloom,
And makes one blot of all the air!
Stay thy cloudy ebon chair,
Wherein thou ridest with Hecat', and befriend
Us thy vowed priests, till utmost end
Of all thy dues be done, and none left out,
Ere the blabbing eastern scout,
The nice Morn on the Indian steep,
From her cabined loop-hole peep,.....................................................140
And to the tell-tale Sun descry
Our concealed solemnity.
Come, knit hands, and beat the ground
In a light fantastic round.

Prior to that, Shakespeare (likely a front for Sir Francis Bacon and his guild) penned the following lines in, The Tempest, in 1610-11.

Before you can say come, and goe,
And breathe twice; and cry, so, so:
Each one tripping on his Toe,
Will be here with mop, and mowe.

There is no mention of the light fantastic. The lines are spoken by Arial upon being commissioned by Prospero on a mission to fetch an unsuspecting couple. Prospero was a sorcerer and Arial a sprite, a demonic entity, bound to do his bidding. The play furnished the theme for the Opening Ceremony of the 2012 London Olympics. You're familiar with what we've written about that, right? The ceremonial rituals of the 2012 Olympics had to do with the worship of the ancient gods, the casting of spells and the magickal manipulation of space-time.

Fandango clearly derives from Milton's 1645 poem, L'Allegro, through the similarity in the phrasing of Procol Harum's song. This connection is strengthened by the period of the setting used in their video. There is another literary reference made through Fandango. Here's the chorus of “A Whiter Shade of Pale.”

And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale

The Miller's Tale (1386-1390), is the second of the three tales in Geoffrey Chaucer's ribald classic, The Canterbury Tales. Compare these words of the character Absalom, the parish clerk, to those from Procol Harum.

And maken a chartre of lond or acquitaunce.
In twenty manere koude he trippe and daunce.....................................................220
After the scole of Oxenforde tho,
And with his legges casten to and fro,

There's no mention of the light fantastic, but here's a telling fact. Oxenforde is Oxford, and reference is made to the activity of the town or the university that was famed even so far back as Chaucer's day. Oxford, is known for the Occult signaling of the letter values of the name and for a connection with Isis. The River Isis becomes the Thames as it flows past Oxford. The name of the goddess is thus hidden there, occulted. The ox is identified with the goddess, like Hathor, one of the other identities of the goddess of a thousand names. The letters O, X and F each transform to the number 6 by adding the digits of their positions in the alphabet. OX-ford, you ford a stream when you cross through it. OX-ford ~ 66-ford ~ abyss-ford = crossing the abyss.

Recall the opening lines of Procol Harum's song.

We skipped the light fandango
Turned cartwheels cross the floor

Turning cartwheels cross the floor pictures the O and X like the OX of OXford. The XO is the symbol of the mark of the beast, like 666.

In twenty manere koude he trippe and daunce ~ We skipped the light fandango
After the scole of Oxenforde tho ~ Turned cartwheels cross the floor

As I wrap this up, I am convinced that what is meant by turning a whiter shade of pale has to do with illumination. A girl being traumatized would be quite pale. When the main objective of the ritual abuse and sodomy is obtained, dissociation occurs and subsequently illumination. A whiter shade of pale.

There's are two themes evident through the entire thread of this tracing of the history of the word, Fandango - nobility and the entertainments they sponsor that honors false gods. Chaucer's patrons were royal even King Richard II. The royals, monarchs. Monarch programming. Fandango supports the film industry, with celebrities treated like royalty and where Illuminati programmers, handlers and slaves are famously present. Wikipedia records the following about Milton's Comus, mentioned earlier. “Known colloquially as Comus, the mask's actual full title is A Mask presented at Ludlow Castle, 1634: on Michelmas night, before the right honorable, Iohn Earl of Bridgewater, Viscount Brackly, Lord President of Wales, and one of His Maiesties most honorable privie councill. An air of controversy surrounds this masque, as the Earl of Castlehaven, Bridgewater's brother-in-law, was the subject of a sordid sodomy and rape scandal for which he was executed. Some critics have conjectured that the masque, with its focus on chastity, was designed to "cleanse" the Egerton family.” That this kind of thing has only gained momentum is well documented.

In this strange season we're in, it's good to continue to be mindful of the nature of this world and age, which is surely passing away.

Friday, September 25, 2015

Part 1 - Code N.E.W.S.

In this season of diverse signs on the theme of time and space, an observation made a couple weeks ago continues to hold my interest. News agencies and the reports they spread through the full spectrum of media have an inherent symbolism that is being exploited by the illumined.

News, is defined as, “newly received or noteworthy information, especially about recent or important events,” and as, “information not previously known to someone.” These have to do with time; newly, recent, previously. I'm not the first to notice how the word, NEWS, is an acronym of the four cardinal directions: North-East-West-South. That has to do with space. NEWS is a Space-Time signaling word, and it's exploited as such for mind-control and ritual magick. Code N.E.W.S.


The news is often seen or heard or alluded to in the context of other time related words, like with the world famous papers, the London Times, New York Times and the Los Angeles Times.


When names are associated with the news that identifies the frequency of publication or broadcasting, it supplements the time aspect. Examples include the Daily News, Newsweek, the Evening News or the Six O'Clock News, or even the Saturday Evening Post.


The famous publication, Time Magazine, has been in continual publication since 1923. Time, is a weekly news magazine. There is nothing unusual about any of this naming, but the fact that this is all so utterly common and familiar has nothing to say about what it is or isn't, with regard to its nature and purpose.

When the news is discussed in the context of the Occult, the god known as Hermes or Mercury has to be considered. Papers like the San Jose Mercury News come immediately to mind. Many papers are named the Herald or the Tribune, or in combination as the Herald Tribune. Mercury is the swift winged messenger of the gods and the patron of heralds and tribunes. His winged rod with the winding serpents is the herald's staff. His staff was able to produce an effect known as eye-mazing, which describes the casting of a spell that put people in a slumbering trance-like state. (That spell-binding device is now connected in most peoples minds with medical services. There's a reason for that beyond simple ignorance and confusion with the rod of Asclepius.) When it comes to the reporting of news in this world where the god of this age holds sway, this ancient eye-mazing god is being ritually engaged.

We know that we are of God, and that the whole world lies in the power of the evil one. ~ 1 John 5:19

Hermes or Mercury is also the patron of boundaries and of the travelers who cross them. His evocation in the ritual magick of Code N.E.W.S. is for the breaching of space-time dimensional barriers for the traversing of heavenly and earthly domains.

I referred to Code N.E.W.S. in Part 1 - The London 2012 Olympics: Revisited. The commentator for the 2012 London Olympics Opening Ceremony was giving us the NLP laden prelude to a guided Journey along the Thames, engaging the audience in a space-time manipulation ritual. He spoke of “the man of the hour” who would be striking the bell, saying, “Think about it, it must have been in all the papers all over the world because no Briton has ever done it before.” Papers - implying NEWSpapers. “No Briton has ever done it before,” which is to say that it was the first TIME. “In all the papers all over the world,” - NEWSpapers all over the WORLD. North. East. West. South. World. SPACE.

The presence of Time-Space ritual in connection with NEWS is most evident and the sorcery (pharmakeia) most potent when associated branding imagery contains other symbolic references to time or space-time mastery.

Until recently I couldn't understand the branding of CNN. I knew there was some kind of potent Occult meaning behind the brand imagery of that dominant force in western news. It's Code N.E.W.S. The letters, n, overlap, forming the wave glyph. Water-as-Time. The letter, C, is a homonym of the word, sea, which is filled with water and waves. The watery seas appear in the image of the attending globe, which also evokes the concept of space. The white line running through the red script is the channel where water flows as through a water pipe. In addition to all that, there is what's inherent in the cardinal directions of the acronym of news, and what is new in time.


The parent company of Cable News Network is Turner Broadcasting System (TBS), and TIME Warner. Their slogan is “Go There. This is CNN.” “Go There,” evokes a relocation, transporting us through space-time. According to their own press release copy, “'CNN. Go There.' is the new brand campaign that signifies a commitment to what CNN can and will be. With an unmatched global footprint, CNN has the capabilities to go where no one else can.” So, it signifies a commitment to what CNN can and will be. When? In the future. That time language is paired with equally obvious space language.

These observations I'm making reveal the demonstrated religion of the illumined elite, the expression of the worship of their gods. It's called theurgy. It's a form of ritual magick. It's also called the sorcery or pharmakeia of Mystery Babylon.

Also inherent in the word, NEWS, is Code 47. The gematria of NEWS when A=1 is 14+5+23+19=61 and 6+1=7, a fundamental time number. When Z=1, NEWS is 13+22+4+8= 47. This is the number that evokes the production of Horus in this dimension through the union of Osiris and Isis. It also involves space-time. You can see from this graphic how the time numbers 7 and 12 are inherent in the esoteric 47th Problem of Euclid.

Consider the branding of MSNBC, one of CNN's main competitors in the West. It's the union of NBC and MSN. When they bend the name around the corner it fits perfectly within the 3.4.5 dimensioned right triangle that is the basis for the esoteric 47th Problem of Euclid. I made this graphic. I didn't stretch it in any direction, just resized one relative to the other so we could see how it fits. Oh, my! What an amazing coincidence, right? No. It's not a coincidence. It's evidence of the ritual, supporting through redundancy the Code 47 features of the gematria of the word, news.

The traditional NBC branding is the bird with the colorful feathers. “Proud as a Peacock” is their familiar slogan. The colors of the rainbow are represented in order, in a radial fashion. The colors pictured in their logo are in the sequence expressing movement counter-clockwise, i.e. counter-CLOCKwise. I think they are modeling the face of a clock. The feathers occupy the positions of the hours on the upper half of the face, with the the bird's head straight up at 12 o'clock like hands. With that hour being called out for special attention by use of the different element, the time number 12 is emphasized. The bird's neck and head is the white light that splits into the rainbow. The rainbow is a space-time dimensional construct, a bridging construct. The N at the center of MSNBC's linear logo is given emphasis. The letter, N, is used as a portal or stargate letter. (See this post, Part 29 - Signs of Horus Worship - Nationwide, Jr Nation and Comet Ison) The letter, N, is the 13th from the end of the alphabet. Thrteen, signaling the mastery of time and space-time dimensions.

Another major news source is Fox News. Because of their familiar 21st Century FOX movie animations, we tend to see their beacons of light sweeping the sky in the Fox News logo. One is like the other. A century is a span of TIME lasting 100 years. The number 21 is a time number, the mirror of 12. We don't do this consciously, but our minds automatically scan things to identify relationships, and this provides the possible contexts from which we derive meaning. The process imports the time elements through the connection. I see another clock in their brand imagery, with hands sweeping around the face, and also a sundial with a shadow being cast by the gnomon. Fox is, of course, f=6 o=6 (1+5) x=6 (2+4) Code 666, and they are magnifying the XO MOB.

Superman. I've written many posts in the last 5 years about the Occultism involving this fictional character. Superman is a news reporter in his secret identity as Clark Kent. He works in the big city at a paper called the Daily Planet. Daily Planet. Time + Space. On top of the newspaper's towering skyscraper is their icon, a globe.



What planet has a ring around it? It's not the Earth but Saturn. Saturn, the god of time! Cronus, Chronus or Kronos. The Daily Planet; the planet that rules the “daily,” or time.

In other renderings of the building, the ringed planet appears on top of a pyramid like the obelisk that is the phallus of Osiris, a god of time. In another rendering, the building is composed of four opposing towers, presenting an X form. With the spherical globe, that's the familiar XO form. See the four towers as a modeling of North, East, West and South. N.E.W.S. It's the Daily Planet newspaper building. On top, there's a time ball. Keep that identification in mind. We'll be returning to that concept.


Remember, Superman, the film from 1978 starring Christopher Reeve? He resets time into the past to change the outcome of events. He demonstrates the powers of Saturn that are connected with his alter identity. Here's a clip of the epic scene. clip from Superman (1978) turning back time. Watch for the other time symbols, the water (Hoover Dam) the rocks. Superman demonstrates the meaning of his NEWSpaper's icon, spinning rings around the earth. He turns back time, resetting it in the past. Superman's romantic interests have names with L. L. as their initials. Lois Lane. Lana Lang. (allusion to Fritz Lang and wife Thea von Harbou - Metropolis (1927)) Superman's nemesis was named Lex Luthor. Why all the double L naming? L, is the 12th letter. It factors into the space-time ritual.

To be continued, Lord willing.