Part 4 - Celestial Stargates - Heliofant and the London Underground

Before I move on past the viral video I, Pet Goat II it should be noted how, Heliofant, the producers, have branded themselves with a link to a Tarot card, The Hierophant. The Tarot deck is used for divining, and many designs are in production. Many of The Hierophant illustrate the Silver Gate, and the manifestation of the star man Horus.

Please note, if you're a victim of ritual abuse who is still being delivered there may be triggers in the following content.

The word, “heliofant,” is a made up word that is not in the dictionary, but “helio” means “sun,” or the personification of the sun, the sun god. The word ending -fant is like “fan” in FANaTic, so it suggests that a heliofant is something of a fan of Helio, a sun or sun god fanatic. Given what we see in the video, that much is evident. The ending -fant, is like -phant, which is Greek, like “helio.” It means “one who shows.” A heliophant would be the sun or sun god who shows. This is what the Horus Eye is about.

“609c. he has equipped thee with his eye; Horus has adapted to thee his eye. 610a. Horus has opened for thee thine eye that thou mayest see with it.” (Utterance 364 from The Pyramid Texts, As translated by Samuel A. B. Mercer)

The stylized title graphic features a simple encoding of the name of the sun and sun god transliterated as IO, calling out both the i and O for special attention. This technique should be very familiar to regular readers of this blog, as also how giving the letter “i” special attention creates an instance of the “i” of Horus. When we see the title generated in the animation the dot over the i is first centered then slid to the right. This suggests three positions of the dot, one in the center and two flanking it. This is not the first time I've seen this little trick, which creates three “eyes,” the third eye or Horus Eye. With the letter i having the value of 9, the flipped 6 triples and transforms to 666 for yet one more symbol.

I've been illustrating how the celestial symbolism is evident in the video, overtly and covertly. The covert or subliminal is the more powerful. The title graphic illustrates the golden sun Helio or IO as the golden letter O. It's subtle. The dot of the “i” is an orbiting satellite, the Earth, perhaps. The way the Sun looks is how it appears when it's eclipsed by the Moon. It is the dot that is most brightly illuminated, which suggests another celestial body with a luminous satellite. I believe the Earth and Moon are implied. If we perceive it as a hole in the Sun the picture suggests a portal. Students of the mysteries like Dr. Robert Hieronimus have revealed the belief that the Blazing Star Sirius is behind the sun, and that there is a dimensional portal with a realm and entities represented in the matter. The Sun and Moon are overlaid in an eclipse, lining up symbols of the Golden and Silver Gates. With the link to Sirius, given all that has been opened to me in recent weeks, what I see in this is Horus coming through the Silver Gate. It will probably take me a while to effectively express why, so bear with me.

Since the eclipse alignments of the Sun and Moon are historically such potent events, and because of how I see the Golden and Silver Gate symbols are so frequently superimposed, I'm taking this opportunity to give that some attention. Like Heliofant's stylized logo, Will.i.am's large golden chain represented both stargates in Ke$ha's Crazy Kids video. The chain itself is a twinned torus, a Gemini-Taurus or Silver Gate symbol. His was golden, right?

These stargates are connected, as front and back doors of access to the “Milky Way” realm. These stargates occupy opposing positions in the celestial heavens, which can be illustrated by drawing a line through the planisphere represented in the Dendera Zodiac at the markers I identified in the previous post. When you see this as a bisected circle you have come to what is concealed and revealed in some popular branding.

The opposing stargates are pictured by the London Underground sign. The city's famous subway is their underground transit system, of course, so the horizontal line is the ground level that separates what's above from below. “Underground” has the meaning of being hidden from sight, Occult. The Hermetic Maxim comes immediately to mind.

Vehicles traveling underground suggest Anubis traversing the underworld, the Duat. The red ring is as the sun, and so we see a sun rising above the horizon. This is a familiar allegory and ritual about Horus, emerging from the underworld into our earthly realm. The squared circle signaling ritual sodomy enlightenment makes this a Horus Eye symbol. A witch's magic circle is referred to as the squared circle, and the London Underground symbol aptly pictures that protective dimensional container that is bisected by the plane of the surface the circle is cast upon. Without the blue band, the sign is a near match to the Heliofant logo as picturing a solar eclipse and portal.

Now, here's where the paired stargates become evident. The red sun ring also represents the path of the sun called the ecliptic. The ecliptic intersects the Milky Way, which is represented by the blue band with white lettering. The red ring of the ecliptic intersects the blue-white band of the Milky Way in two places, one opposite the other. These intersections represent the Golden and Silver Gates!

Give attention to how the letter N appears at both of those points of intersection. The letter N is a stargate symbol! When I decoded the branding for Nationwide Insurance recently the letter N was featured as a dimensional gateway symbol through which Horus gains access to our realm. Some figure I'm just making stuff up as I go along. I think, not.

The N is also signaling the Nachash alias, the winged serpent. See the London Underground letter N portals as identifying that celestial Ouroboros image of the Nachash, where the serpent has his own tail in his mouth. This is often represented by two winged serpents, forming the band with mouths to tails to mark out both stargates.

Compare the branding of Nissan, which I've also decoded recently. Think about it. Are you seeing what you're looking at?

This image presents the circle of the Zodiac in a different orientation. Astrological versions set Aries in the first position and Pisces in the last. Some, including E. W. Bullinger and Joseph Seiss, have assigned Virgo to the first position and Leo to the last. This order is based upon what they identify as the riddle of the Sphinx. The figure with the head of a woman and tail of a lion is interpreted as a sign to divide the Zodiac between Leo and Virgo. This is supported by the famous representation of the Zodiac on the ceiling of the portico of the Temple of Esneh, where the figure of the sphinx appears between those very figures. Bullinger notes that there is a star in Leo named Sarcam in Hebrew. With the meaning of “the joining,” he wrote that this intimates how it is there that the ends of the Zodiacal circle have their joining. The evidence I see suggests that he is correct. In this alignment, a bisecting horizontal divides the Zodiac between Scorpio and Sagittarius on one side, and Taurus and Gemini on the other. This connects the Golden and Silver Gates horizontally, just as pictured by the London Underground and Nissan. There some other exhibits of this orientation that are pretty convincing attestations, which I hope to propose shortly as the Adversary's scheme to exploit the ancient stargates is exposed.

Count the letters of “Underground.” There are 11, which suggests a transformation symbol of the Twins of 1 that is the astrological glyph of Gemini. The Silver Gate is thereby featured!

Notice how the letter G in “UNDERGROUND” is centered in the circle. Here's a comparison of a pair of images that I made when decoding Nationwide's branding. There's an important linking here. Like with Nationwide Insurance, the London Underground's clever imagery resembles the Masonic square and compass emblem. Is the London Underground sign another example of the Illuminated Freemasons winking at us? That's likely, but what is perhaps an even more valuable observation is how they both represent the Golden and Silver Gates.

The London Underground brand imagery represents the Golden and Silver Gates at the two opposing intersections of the ecliptic and the Milky Way, marking them with the letter N. It may be considered how, at each intersection, an X is formed at each crossing. The Masonic compass intersects the square in two places, marking the opposing Golden and Silver Gates with a pair of Xs. In these similar brandings, the letter G appears central and flanked. G is for Gates. That's not all it means, but it's certainly one valid assignment.

It may be seen that the Silver Gate is implied in the number 47, which is the atomic number of silver and the number implied by the form of a 4 sided figure framing the 7th letter of the alphabet. The number 47 (47th Problem of Euclid: Osiris union Isis) represents the production of Horus, and so it is that we see his introduction into this realm modeled as through the Silver Gate.

In this little diagram of Freemasonry, the 12 rays of the sun number the houses or signs of the Zodiac. The seven stars appear around the silvery moon to identify the Pleiades, which are in the constellation Taurus. This is a ritual flaunting of knowledge about the Silver Gate that is over opposite the Golden Gate. The crossed keys are gold and silver, you can bet, for the like-colored Gates. The trowel and bell are instruments that each represent a means of breeching dimensionally barriers, through the fecal mud of ritual sodomy and by means of sonic energy. The double X of the square and compass is repeated in the crossing of the keys and the trowel and hand bell. There's plenty more here, which has all been covered before on this blog. It's powerful symbolism!

Now, when the double X is being signaled we should be mindful of these two celestial stargates, where X marks the spot. I've given the Dos Equis brand plenty of ink but here it is again. I see the central figure as a hint of the Silver Gate. I see the figures of 2 squares overlaid as the superimposed stargates, aligned, looking through the axis from one to the other. Pyramids seen from above sit upon square bases, and each presents a letter X.

Why do you suppose Team Orion brands with the double X?

There's usually a vortex represented in symbol, so picture a whirling energetic torus. The shape is a circle rotated around an axis like a donut or bagel. The axis through the hole locates the Golden and Silver Gates. I think this is what the Reuters news service branding represents. Helena Blavatsky has written of The Torus, the Vortex, and the Vacuum. “Thrive,” the Foster Gamble film, presents the torus in this light. When Led Zeppelin's “In through the Out Door” album title can be considered from this perspective, while the sodomite gateway is a key theme, the depth of meaning goes beyond just that.

It seems to me that a more accurate representation involves two related fields, one counter to the other, making each stargate both a front door and a back door at the same time.

In the Wizard of Oz, which is an obfuscation of On, Heliopolis, and is also “the land down under” or underworld, Glinda the Witch of the North lands her transdimensional bubble vehicle right by the starting point of the Yellow Brick Road. That is the center of a spiral, apparently, the Golden Gate vortex. Dorothy and Toto had arrived there in a whirlwind, which was only seen in black and white. Apparently, that's the Silver Gate! The quest to return home follows the yellow brick road to its end, Emerald city, a gemstone. She returns home from that end of the yellow brick road, through a ritual involving magical ruby (gemstone) slippers and an incantation.

Elton John tapped into that Golden Gate symbolism.

The value of the name “heliofant” is 153 in English gematria, where z=1. The number 153 is a special resurrection number. The scheme to open the Silver Gate is about resurrecting Osiris into Horus through the agency of Isis. Counterfeits are always based on something genuine, and the esoteric 21st chapter of John is where you'll find a basis for this scheme.

10 Jesus said to them, “Bring some of the fish which you have now caught.” 11 Simon Peter went up and drew the net to land, full of large fish, a hundred and fifty-three; and although there were so many, the net was not torn. ~ John 21:10-11

When I wrote this study on The Twenty-First Chapter of John I described how the Bride Theft was in view, triggered by 144k sons of Israel in a notable Romans 11:15 fulfillment. There's a Passing Through the Iron Gate in that event. The catch of 153 fish is subsequent to that, involving a multitude. (Oh, this is good stuff!) The Heliofant scheme will also capture a multitude of fish in a net.

Watch the video. Do you see fish going into the boat?

John 21:6 declares how the 153 fish were caught when the net was cast at Jesus' direction on the right side of the boat. Biblically, people are represented in a metaphor as fish in the sea, and also as sheep and goats. Of sheep and goats, you want to be the sheep. In the following scriptures, when all the nations are gathered before the Son of Man when He has come in His glory, it is the sheep that are collected on my Lord's right side for blessing.

31 “But when the Son of Man comes in His glory, and all the angels with Him, then He will sit on His glorious throne. 32 All the nations will be gathered before Him; and He will separate them from one another, as the shepherd separates the sheep from the goats; 33 and He will put the sheep on His right, and the goats on the left. 34 “Then the King will say to those on His right, ‘Come, you who are blessed of My Father, inherit the kingdom prepared for you from the foundation of the world. ~ Matthew 25:31-34

Remember what I wrote in the previous post about the opening scene of Auschwitz and the bellwether? What Heliofant is saying by, “I, Pet Goat,” is this: “This will soon be YOU!” A goat, captive, enchanted, and barcoded (mark of the beast). They are not trying to warn you to help you escape the net but rather to entangle you in it.

41 “Then He will also say to those on His left, ‘Depart from Me, accursed ones, into the eternal fire which has been prepared for the devil and his angels;
46 These will go away into eternal punishment, but the righteous into eternal life.” ~ Matthew 25:41 and 46

Hey, don't be the goat. Don't be captivated by the pharmakeia of the Heliofant kind of net.

On Pedophilia and Child Sacrifice

Here's a collection of links I've collected over the past few days, some with brief commentary.

A Holocaust of Children - by Joseph Herrin Good observations. Also contains some follow-up on Ke$ha's tweeting - more evident damage control effort.


Pope’s child porn 'normal' claim sparks outrage among victims Read here, SECRET LIVES - By Mike Greenwood, especially focusing on “THE PSYCHOLOGY OF CHILD SEX ABUSERS.” You will note how the Pope's position matches the profile of pedophiles. Connecting dots.


These two articles speak to me of the necessary show of activity performed in the theater. "Hey, look, we're trying our honest best to fight this evil. Really, we are. No really. Trust us."

• Jane Doe unmasked: Child sex abuser busted by federal agents just 24 hours after they released horrific internet footage
• Senate resolution tells Village Voice to take down 'adult entertainment' section

See the following for some of why I'm cynical about the reports of action taken.

The Pedophocracy - by David McGowan (related to the first chapter of Programmed to Kill: The Politics of Serial Murder, which I just finished reading and highly recommend)

Also see this collection of links: Pedophilia

What can we do?

10 Finally, be strong in the Lord and in the strength of His might. 11 Put on the full armor of God, so that you will be able to stand firm against the schemes of the devil. 12 For our struggle is not against flesh and blood, but against the rulers, against the powers, against the world forces of this darkness, against the spiritual forces of wickedness in the heavenly places. 13 Therefore, take up the full armor of God, so that you will be able to resist in the evil day, and having done everything, to stand firm. 14 Stand firm therefore, having girded your loins with truth, and having put on the breastplate of righteousness, 15 and having shod your feet with the preparation of the gospel of peace; 16 in addition to all, taking up the shield of faith with which you will be able to extinguish all the flaming arrows of the evil one. 17 And take the helmet of salvation, and the sword of the Spirit, which is the word of God. 18 With all prayer and petition pray at all times in the Spirit, and with this in view, be on the alert with all perseverance and petition for all the saints, 19 and pray on my behalf, that utterance may be given to me in the opening of my mouth, to make known with boldness the mystery of the gospel, ~ Ephesians 6:10-19

Part 1 - Celestial Stargates - The Golden and Silver Gates

While I was researching the symbolism evident in Ke$ha's Crazy Kids music video my attention was directed to other evidence suggesting how the Adversary intends to exploit what the ancients knew as the Golden and Silver Gates. Aaron and I have been noting examples of various kinds, which I'll continue to explore in this series, Lord willing, because, in this late hour, this subject is definitely trending. On this blog and my regular website I've written fairly regularly about dimensional bridges and gateways. I've shared my understanding of how and why they are being so broadly featured in symbolic ways as well as openly. What is happening now and in the near future to us and our environment relates to these opened pathways to supernaturalism. What the Bible has to reveal about what this is and where it's going contrasts other versions, which are lies. The Truth matters.

If you're not familiar with the series on Crazy Kids, I recommend it as a foundation for this one.

A few years ago some pictures of a large statue of the Egyptian god of the underworld with the Statue of Liberty were being circulated around the internet. The event pictured raised a lot of eyebrows. A few more were raised when Anubis later took up residence at the Denver Airport. Lady Liberty is actually Isis, as I've identified her in previous posts to this blog, so that makes quite a statement.

The floating of Anubis on a barge past the Statue of Liberty was done to promote “Tutankhamun and the Golden Age of the Pharaohs,” an exhibit of ancient artifacts. These were put on public display at Manhattan's Discovery Times Square Exposition between April 23, 2010 and January 2, 2011, and the Anubis stunt was done in advance of that on March 23, 2010. But, things are seldom what they seem on the surface.

I was living near San Francisco back then, and having recently visited the very impressive Rosicrucian Egyptian Museum, when I drove past the de Young Museum during a rare trip through the city and saw a sign like the one below, I took particular notice of it.

I didn't know what to make of it at the time, but last week the Lord began to put things together for me. The matter of making elaborate ritual of the stargates is being done overtly both in public ceremony and in entertainment media, and also covertly because there is much to hide.

When Anubis was floated past the iconic Isis in New York Harbor, it was done as a Silver Gate ritual. That was performed on 3/23/10, while “Tutankhamun and the Golden Age of the Pharaohs” was still being exhibited in San Francisco on the West coast. It closed on the 28th, 5 days later, then was moved to the East coast. The exhibit was at the de Young Museum in Golden Gate Park. You did catch that “GOLDEN GATE” bit, right? The ancients considered that the Golden Gate and Silver Gate were linked together. A comparison of the symbolism involved with what the ancients recorded about these celestial constructs exposes this activity as ritual magick, as practiced by the worshipers of Horus long ago! The continental USA, which has the world's largest obelisk as its capitol's proud symbol, is flanked by symbolic Silver and Golden Gates. I believe those responsible for “Tutankhamun and the Golden Age of the Pharaohs” were acknowledging and leveraging those symbols by their activity.

The Golden and Silver Gates are celestial, identifying regions of the heavens where the apparent path of the sun intersects the Milky Way. These are represented in a variety of ways as ritual is performed, with activity involving geography, as in the example I just offered, and other forms of representation. The practicers of legitimate magick ritual have long understood how it may be performed in the context of architectural structures or other non-physical means of representing the symbols in media that may be either animated or static.

The Devil is clever, make no mistake about that. These expressions of his activity expose his agenda. He intends to bring forth his champion to rule the world, and then contend for the very throne of the sovereign God. Success will be granted for a season but ultimately denied. Do you know it to be so? Do you know the real champion, personally? Do you know Him well enough? That is the challenging question I hope this blog is helping you with because the answer that is so critical will be exposed shortly, should you survive what is even now nigh at hand. Am I being overly dramatic? Watch and see.

so that no advantage would be taken of us by Satan, for we are not ignorant of his schemes. ~ 2 Corinthians 2:11

Behold, I send you out as sheep in the midst of wolves; so be shrewd as serpents and innocent as doves. ~ Matthew 10:16

The Occult Messaging of Super Bowl XLVIII - Prepare for the Strike

The recent Super Bowl half time show was far less interesting than in previous years, by most accounts. There was no obvious Illuminati symbolism being paraded around that would raise any eyebrows. Now 2 days after the event, some bloggers have weighed in with their commentary, pointing out some elements of an Occult or suspicious nature. Aaron and I were reflecting on some things last night when he made an observation that exposed what is probably the most important message sent through the Occult ritual. The song performed with Bruno Mars by the Red Hot Chili Peppers was “Give it Away.” It was released in September of 1991. If that time seems familiar, it's probably because I've been blogging about it recently. That's when the Lord's return in judgment was marked by a celestial sign.

Part 36 - Celestial Stargates - The Secret of the Shemitah in “I, Pet Goat II”
Part 38 - Celestial Stargates - "We Can't Stop" Spilling the Beans about Celestial Signs!

Looking back at the history of RHCP's hit song with its associated award winning music video and giving consideration to how it fits into the half time show, what comes to our minds is that it's a bridging of time. It links today with September 1991, when this season of judgment began. There is, in these connections noted, the imagery of ancient gods and opened celestial stargates, which strongly suggests that this public mass ritual at the Super Bowl had a literal bridging function. If the concept of a ritual time bridge is new to you, similar constructs linking times and places were noted in the season leading up to the London 2012 Olympics, which I blogged about in several posts, including these:

Part 4 - 2012 London Olympics - The Olympic “ZION” Park, the Subject of Ritual Magick from 1948
Part 9 - 2012 London Olympics - Quantum Entangled Zion and Fringe Science

Doug Hagmann made an important observation about the half time show, asking about the intro that gave attention to the word, prepare. Prepare for what? - By Douglas J. Hagmann. Good question! Prepare for what? The answer was subsequently provided for us via Occult messaging. Prepare for the execution of judgment that is coming in accordance with the symbolic ritual performance. Joseph Herrin made an observation on that line by connecting it to the new Maserati commercial on the common theme of “prepare,” which I'll elaborate on later, but the one word answer provided for us was, “strike.” This all comes in the context of the Final Countdown message, which must remain in mind, as well as the promise of another 911-style false flag. The Black Awakening is now less than 4 months away, according to the patterns I've documented previously. It's all very consistent messaging, and at this late hour, it's expected. The warnings must come, then the appointed strike will follow.

Let's decode the half time show. Some things are subtle, some are not. The Red Hot Chili Peppers single “Give it Away” appeared on their 5th studio album titled, Blood Sugar Sex Magik. Sex Magick is a term popularized by Aliester Crowley. For anyone willing to do their homework, that association is not subtle. We would reasonably identify “blood sugar” as an innocent medical reference to the concentration of glucose in the blood that is managed with insulin, but when you link it with Aliester Crowley, there's an unavoidable sinister side. A typical SRA practice that goes along with sex magik is ritual blood sacrifice and blood drinking. Ke$ha has made the simulation of this practice part of her stage act when performing “Cannibal.” Blood sugar, salty sweet, like candy.

The album art shows a face in profile multiplied and arrayed around a rose. If you understand the secret of the rose, you get who they are. Thorns. Those are thorns on the cover, aren't they, woven as into a kind of crown, making a messianic reference? Genesis 3:18 (Who is Cain's Father?) The tongues are serpentine and there is an Ouroboros kind of effect in the circular array.

I first heard it being reported that the inspiration for “Give it Away” involved an epiphany about the value of giving. “The philosophy behind the lyrics originated from a conversation Kiedis had with Nina Hagen, regarding selflessness and how insignificant material possessions were in his life. It, thus, gave birth to the song "Give It Away."” (Wikipedia) Nice story, right? Given the Bruno Mars song, Billionaire, which has a similar layer of interpretation (which I'll write more about shortly), that makes for a happy link to satisfy the gullible in the crowd about what the show's theme might be. However, you have to ignore and deny plenty to hold to that interpretation. “ During the verses, Kiedis departs from the idea of unselfishness and sings about a variety of topics including long-time friend River Phoenix, musician Bob Marley and various sexual themes including fertility and lust”. (Wikipedia) Baloney. Bunk. The artwork branding the single shows Hindu imagery with a child that you might identify as Harpocrates, Horus. I've decoded a lot of lyrics since I started catching on to the language of SRA Illuminati programming. The song has nothing to do with giving material possessions away. It's all about ritual illumination and opening the Horus Eye, passing it on to others through acts of ritual sodomy and that, most particularly, among family members. It's very, very common, and this is how trauma-based mind-control is expressed in programming media. I've decoded so many similar lyrics there should be no need to do so again. Web search this blog to find more examples.

The award winning music video made quite an impact on introduction.

Red Hot Chili Peppers - Give It Away [Official Music Video]

Visually, it's all about dancing around in the desert like savages acting out rituals, half naked, with metallic skin, clothing and horns. They are aboriginal, hearkening back to an early age when the gods were claimed to walk among men with gold and metallic bodies. For the video, the band members were painted with silver acrylic. They wore silver boots, gold horns, gold lipstick, metal mesh and mirror sequins. The horned one may be identified with Cernunnos, Baphomet, Taurus and the Silver Gate... One member waved an aluminum ribbon, and one played a silver Stratocaster guitar. The guitar is seen being played here in a sequined tree that has scales like a dragon. It's the Tree of Knowledge of good and evil, in the Garden of Eden. The shining one, hissing, the Nachash. Some describe “that anointed cherub who covers” as the former worship leader of heaven.

11 Again the word of the Lord came to me saying, 12 “Son of man, take up a lamentation over the king of Tyre and say to him, ‘Thus says the Lord God, “You had the seal of perfection, Full of wisdom and perfect in beauty. 13 “You were in Eden, the garden of God; Every precious stone was your covering: The ruby, the topaz and the diamond; The beryl, the onyx and the jasper; The lapis lazuli, the turquoise and the emerald; And the gold, the workmanship of your settings and sockets, Was in you. On the day that you were created They were prepared. 14 “You were the anointed cherub who covers, And I placed you there. You were on the holy mountain of God; You walked in the midst of the stones of fire. 15 “You were blameless in your ways From the day you were created Until unrighteousness was found in you. 16 “By the abundance of your trade You were internally filled with violence, And you sinned; Therefore I have cast you as profane From the mountain of God. And I have destroyed you, O covering cherub, From the midst of the stones of fire. 17 “Your heart was lifted up because of your beauty; You corrupted your wisdom by reason of your splendor. I cast you to the ground; I put you before kings, That they may see you. 18 “By the multitude of your iniquities, In the unrighteousness of your trade You profaned your sanctuaries. Therefore I have brought fire from the midst of you; It has consumed you, And I have turned you to ashes on the earth In the eyes of all who see you. 19 “All who know you among the peoples Are appalled at you; You have become terrified And you will cease to be forever.”’” ~ Ezekiel 28:11-19

The song lyrics and music video imagery match on the theme of Satan as a tribute to the sponsor of Satanic Ritual Abuse, the shining one who illuminates them, who is otherwise known as Lucifer. It's a reproductive ritual, not in the way of natural human reproduction but that of the serpent tree that replicates primarily through generations of sodomite enslavement.

This screenshot from the video pictures a mirrored pair of images of the horned band member. There's a Monarch programming facet but this also is a celestial Silver Gate image. The horned Taurus and the Twins of Gemini, the silver painted skin: It's pretty obvious what is meant by this set.

Historically, the song and video were influential. This influence came forth into the world when the Lion of the Tribe of Judah returned in judgment, precisely according to Jacob's deathbed prophecy in Genesis 49. I know it, and I'm not alone. Giving attention to the importance of this very season is why the Red Hot Chili Peppers performed this song with Bruno Mars at Super Bowl XLVIII. Now that you know what the song and video are about, the role it plays in the half time show will make sense. The song was recorded during April-June. I first recognized the celestial sign in May, while they were recording it. They released it officially on September 4, between the Magi “massing in Leo” sign and the sign marking Yom Teruah, September 10-11. The album Blood Sugar Sex Magik that featured the song was released on September 24th, just after the sign's window had passed. Those who follow “Marian” appearances like the Caritas of Birmingham don't put out an URGENT notice that there are nine days (9/13-9/21, 1991) for changing world history for no reason at all. The Soviet Union had just been dissolved, which was a very sudden and unexpected world changing event. Prominent and very significant Lubavitcher Rebbe Menachem Schneerson had just predicted the very day the Gulf war would end, based upon ancient prophesies. He followed that up with a declaration that the Messiah was about to come, naming Yom Teruah as the day, the very day I watched the celestial sign unfold. Bill Clinton's Presidential career was being launched in the very same season. The world changed. The pivot was very specific. The day of account and its meaning are known.

Bruno Mars and his band wore very distinctive gold outfits, and I believe that's a very important signal element. The RHCP appeared half naked, like in their classic song's music video, but there was a big difference. Instead of being adorned with shimmering precious metals they sported tattoos, images of feathered serpents, Amaru, Quatzalcoatl, Cthulhu (H.P. Lovecraft), a demon headed scorpion. The shimmering metallic garments were worn instead by Bruno Mars and his band. Different band, same Nachash suit. Different day, same Nachash suit. The shimmering metallic garments represent the nature of the body, which is symbolism found in the Bible. The Devil knows these things, and knows well how most folks have absolutely no clue what's being illustrated in their mass ritual. Bruno's band donned the Nachash suits to establish the visual link. The link extends beyond the kind of body to the realm of time, linking the present with the past. In this linking are references to the ancient Nachash in the Garden and to September of 1991, both, notable transitions. The metallic suits are a bridge through the song from the present into the past.

The half time show began with children singing a verse from a song Bruno Mars made popular with Travie McCoy, Billionaire.

Oh, every time I close my eyes
I see my name in shining lights
Yeah, a different city every night
Oh, I swear the world better prepare, prepare, prepare.

When they finished the word “prepare” was visible behind them. The actual song lyrics are, “Oh, I swear the world better prepare - For when I'm a billionaire” but the children simply repeat the word prepare, and offer no suggestion about what it is for which to be prepared. Doug Hagmann asks the question that is prompted, Prepare for what? It's ominous, an implied warning.

What the lyrics describe is the mental exercise called visualization. See in your mind what you want to manifest in the world. It's practiced widely. It's a mental discipline that is a form of witchcraft. There is a legitimate way to rehearse things and there is a demonic counterfeit. Cain is the builder of cities. The darkness rules the night. Lucifer is the one who masquerades as an angel of light. When the children raise their arms they frame their heads as the pupil of an eye, making a familiar sign. The Eye of Horus. The sun god is named twice in the word PREPARE, p-RE-pa-RE, with a third appearance in the mirror of AR as RA. This large eye adds to their own 2 as a third eye, one that sees into the past and future. Linking hands in a chain, they picture how things are done for the raising and amplification and projection of ritual energy. There are 12 children, a coven, minus one. Is Bruno himself perhaps the High Priest, drumming? Drumming is what is typically done during ceremonial ritual in the raising of energy. A psi-power operation is pictured, with the children as deadly agents. Make no mistake, many children of these ages are proficient at remote supernatural operations.

When the vision manifests and Lucifer's Beta-Delta agents are glorified in the cities of men, the world will be unprepared, taken by surprise. We have been warned, but who really perceives the warning and takes it seriously? The army of chosen ones are prepared and preparing. This Super Bowl half time ritual is one rehearsal among multiplied thousands. What's coming upon us has been planned for a very long time! The Sovereign God also has a plan, and although it will appear for a season that all is lost, it is not. This is just what the road to ultimate victory looks like for the Overcomers.

Before I address the Maserati commercial I want to present another car commercial with a similar message that played during the Super Bowl. I'm not talking about the Volkswagen commercial about angel butts and rainbows. I covered that here. The very notable Kia K900 ad features the character Morpheus from The Matrix.

"The Truth" | Official Kia K900 Morpheus Big Game Commercial 2014

“Let me tell you why you're here. It is the world of Luxury that has been pulled over your eyes to blind you from the truth.” He offers them the famous choice between the blue and the red, but these are car keys instead of pills. The shtick is comparing those who choose to buy a Kia K900 to those like Neo who choose to know the truth. Decoding that, “Neo Anderson” is the New Son of Man, translated. That's the counterfeit, an Antichrist identity. What do they really mean by Luxury? LUX = Light. Luxor Egypt, where the sun god was worshiped. Luxury equates to Lucifer, the Nachash, the Devil. This is evident from their marketing slogan, “Challenge the Luxury You Know™” This alludes to the oft quoted expression, “Better the devil you know than the devil you don't.” Connect the dots. What really speaks to me about the message made is when, at the end, the other cars on the street are all being swept up into the air in the wake of the Kia, with the city lights exploding all around. What appears then is the slogan, “Challenge the Luxury You Know™” followed by the word “introducing” over the chrome K900 badge, which then spins backwards and turns into the Kia logo badge. K900 is inverted, so flip it back: 009K. The letter K is the 11th, so this becomes 00911 or 9-11. The suggestion to reverse it is really pretty obvious. This is not really a difficult code to break. The meaning of what was being sung during the commercial, Nessun Dorma,can be interpreted as supporting that message.

Think about it. It's a redundant Occult message, folks, another warning of an impending false flag in the city. Recall what the children were singing.

Oh, every time I close my eyes
I see my name in shining lights
Yeah, a different city every night
Oh, I swear the world better prepare, prepare, prepare.

Here's the Super Bowl commercial for the Maserati Ghibli.

Official Maserati Super Bowl Spot - Ghibli

Here's the transcript:

“The world is full of giants
They have always been here
Lumbering in the schoolyards
Limping through the alleys
We had to learn how to deal with them
How to overcome them
We were small, but fast, remember?
We were like a wind appearing out of nowhere
We knew that being clever was more important than being the biggest kid in the neighborhood
As long as we keep our heads down
As long as we work hard
Trust what we feel in our guts, our hearts
Then, we’re ready
We wait until they get sleepy
Wait until they get so big they can barely move
Then we walk out of the shadows
Quietly walk out of the dark
And strike”

A car commercial. Really. This is a script for the Black Awakening, with little being hidden because it just doesn't have to be. Small fast and clever children will strike and overcome the sleepy giants who have become so big they can barely move. That's you and I. The 12 innocent looking children who were singing in front of the American flag are examples of what some of the deadly agents of chaos look like. If you think you can recognize the threats around you because they will be big and ugly and stupid, guess again.

I haven't mentioned it yet, but the name of Bruno Mars identifies the god of war. That's really the main label for the whole show. I read how RHCP was there with him at his own request.

What was sung by the children who opened the show was a verse from Billionaire, slightly modified. Here's the first verse of the song.

I wanna be a billionaire so f-in' bad
Buy all of the things I never had
I wanna be on the cover of Forbes magazine
Smiling next to Oprah and the Queen

Is this really fit to be referenced by the innocent children? Is this really supporting the theme of altruism, like we have been told? No. Here's something else we're not going to be told. Oprah and the Queen. Why those two? Oprah is Harpo spelled backwards. Harpo is Harpocrates, aka the child Horus. The Queen of Heaven is Isis, his mother. Oprah and the Queen is a reference to the Madonna and child, Harpo and Isis.


Bruno Mars sung his big hit, Locked Out of Heaven. Here's a verse from that song that suggests a further agenda, what the Black Awakening and 911 false flag actions are leading the world into.

Cause your sex takes me to paradise
Yeah your sex takes me to paradise
And it shows, yeah, yeah, yeah
Cause you make feel like, I've been locked out of heaven
For too long, for too long
Yeah you make feel like, I've been locked out of heaven
For too long, for too long

Paradise = the Garden of Eden. It was the sex in the Garden that brought the need for expulsion. The Nachash Serpent is bent on returning to that realm from which he was banned. He's been locked out of heaven, but he has a plan. He's been waiting a long time, too long, from his perspective.

The Black Awakening is going to pave the way for his return, and a false flag is going to come. Global pandemic will follow, which is already showing signs of beginning. The Final Countdown was observed as their messaging declared, with a delay of an unspecified duration following. That's all meaningless if there doesn't come the big event, the falling domino that topples the others. There is a schedule to keep. Before this coming May is over, major world changing events will have happened, according to the prophetic templates of Psalm 90:4 and related biblical prophecy.

Like the children sang, prepare, prepare, prepare. Whatever that means to you, according as you yourself are receiving it from the Lord Himself, take it seriously.

Christopher Lloyd (Doc Brown) and Code 88

(Inspired by Observations made by a Redditer on: Christopher Lloyd and 88 * Thanks, Brandon)

The movie titled, 88, was very hard to watch, with the violence, gore and excessive sexuality of that style of film, but Aaron and I both were compelled to watch it. The movie is absolutely loaded with #88 signals that are both overt and covert. What we call Code 88 is a familiar celestial code that is used in space-time ritual magic. (See: Code 88: Space-Time (and the Lion's Gate)) The lead character's lover was named Aster. That means, star. Some of the events involve a motel room and these are always room number 88. One of the recurring settings is room 88 of the Starlight Inn. Celestial!

Mind-control programming is a pretty obvious theme. Identifying the lead character as a beta sex kitten and delta assassin and Lloyd's character as her handler/programmer should be easy. The way the sequences are jumbled testifies on this level of the slave/victim's experience of "out of time" memories. This feature also speaks to the matter of the space-time ritual anchored on the signaling of 88.

The lead character should also be identified as the goddess type through her wearing of the red dress and her obsession with drinking milk. The DAIRY QUEEN - Hathor. This goddess symbolism is layered up. For example, she is the celestial goddess, obviously, who is Venus. And, twice, she is served milk at a bar or counter by someone in the role of the queen bee goddess, because of the tradition of the fermented honey drink, mead. Her name is Gwen, meaning white circle, white, pure, blessed, blessed ring, holy.



Here's a screen capture from the movie "88" showing the house number and street name of the house where Christopher Lloyd's character lives. 88 Constellation Row. It has been accepted for many years that there are a total of 88 recognized constellations of the Zodiac, which can be described as a row. The length of the movie is 88 minutes, exactly. That makes it "time bound," a magick ritual thing.

When you get to the end credits you will notice that they roll them in the opposite direction, scrolling them down from above, also featuring an inversion in sequence. As Above, So Below. Magick Ritual.

The stylized text spills the beans on one of the features we call out as code very frequently. Each time a B appears in a name it is swapped for an 8. BB88 - with B as 8 by reason of simple resemblance.

Christopher Lloyd is also the lead actor in, The Boat Builder (2015). The Title is Code 88 (BB88), and the plot has a distinct resonance with the celestial code as he is a retired ship's captain who lives to restore his boat and set off to sea.

(Evocative of the famous poem - "I must go down to the seas again, to the lonely sea and the sky, And all I ask is a tall ship and a star to steer her by," - John Masefield, From "Sea-Fever", in Salt-Water Ballads (1902) )

The following scenes from the film should speak loudly to you.

This screenshot is from 13 seconds in, when the moment that first signals the mastery of time is presenting a space-time ritual.



The lead actor's name is appearing in the credits as he appears riding his bicycle. See these posts on The Open Scroll Blog, where we illustrate how the bicycle is used to represent a dimension-transiting vehicle. The actor has all the casting resonance imported from his appearances in the, Back to the Future, trilogy (as Doc Brown), from, The Adventures of Buckaroo Banzai Across the 8th Dimension (as John Bigboote), etc. Space-time ritual in a time-binding moment.

When the film's title screen appears, the camera lingers on the shoreline.



The boat builder had just paused there with his bicycle. He just left but the camera doesn't pan with him. The Boat Builder, BB88. The shoreline is where the water as time meets the sands of time. The rocks and the water are symbolic elements that are so frequently paired in the esoteric context of space and time, even in the Bible.

The chain is also symbolic. It is first evoking the divine seirai of theurgy, the connection between men and the Celestial Bodies. The chain with its "Twin Torus" links evokes the Celestial Silver Gate, which lies between the constellations of Gemini (The Twins) and Taurus. For more insight, see Part 7 - Ke$ha's 'Crazy Kids' - Twinned Torus Chains.

In allegory, or in ceremonial magick ritual, to identify it more plainly, with his dimension-transiting vehicle he transited the Silver Gate, departing from the space-time dimension we were viewing.

Part 83 - The Sodomite Gateway - Super Bowl's Nuclear Lyrics

The Super Bowl halftime show has become a centerpiece for Illuminati ritual. Hours from now, the performance of a song is anticipated that tells a story about a special sodomite relationship between SRA multiples.

The usual caveats apply, so if you're a victim of ritual abuse who is still being delivered or you're easily offended by mature subjects and descriptive language, please move on. If you're new to this series, welcome! You may want to start at the beginning to get the foundation for what's here. Series Links: The Sodomite Gateway

Lyrics: Destiny's Child - Nuclear

You had your dreams
And I had mine
Eyes wide open
And we dreamed together
I never know how we keep
Our sh*t together

[Dreaming with eyes wide open isn't normal, right? This references the trance state a multiple enters during trauma inducing activity. The use of the scatological expression must be understood as a reference to the binding function of ritual sodomy. More insight into what's meant by dreaming together is provided later in the song. ]

Wondering
Is this love or illusion
We're just getting better
When the two become one
On a quantum level

[This is the bonding and merging of the sodomites.]

It's nuclear
We're two here
There's nowhere left to run
Why run? Why would you run?
It's nuclear
We're two here
We both heat up

[The word nuclear describes atomic energy but also the family unit of two parents and their children. By saying “It's nuclear - We're two here” it's plain we're not dealing with atomic energy. SRA is usually dealing with families, where parents abuse their children and the abused children abuse their siblings. The abused children can't run anywhere to flee and report the abuse because, where help should be found (like at home, or school, or church, or the police, or the hospital), that's where the abusers are found.]

Goin all the way (eh eh)
Goin all the way (eh eh)
Goin all the way (eh eh)
Goin all the way (eh eh)

You had your half
And I had mine
But now there's no such thing
As you and me
I was so used to feeling incomplete

[The sodomite trauma bond is accomplished. The ritual is completed, with demon's installed and programming implemented. ]

Wondering
Is this Love or illusion
We're just getting better
When the two become one
On a quantum level

It's nuclear
We're two here
There's nowhere left to run
Why run? Why would you run?
It's nuclear
We're two here
We both heat up

Goin all the way

Anytime the climates change between us
We share a bond they can't restrict
That can't be touched
So amazing super power
Take over
Never lose the energy

[Now we're talking about energy, but not atomic. “So amazing super power.” Psi power, demonic, installed during ritual sodomy. “Take over.” The slave switches to an alter for the execution of that program, operating as a supersoldier on missions. In a recent post (Part 76 - The Sodomite Gateway - Alice in Wonderland's Orange Marmalade) I wrote the following very relevant description of a scene in Disney's Alice in Wonderland : “What is pictured by this use of double decks of cards seems to be what is described by Wheeler and Springmeier in the Monarch Mind-Control Codes section as the programming of two part alter teams, called twinning and cross-programming. “Teams will be trauma and sexually bonded, as well as having mirror images with each others names.” ” I believe that's really what Beyonce will be singing about. These teams are more than handler-slave. ]

It's nuclear
We're two here
There's nowhere left to run
Why run? Why would you run?
It's nuclear
We're two here
We both heat up

Goin all the way (eh eh)
Goin all the way (eh eh)
Goin all the way (eh eh)
Goin all the way (eh eh)

This song that will probably be the centerpiece of the Illuminati extravaganza speaks to me of the twinned Delta teams that have been programmed for the bringing of chaos in missions that include the Black Awakening. Aaron and I have seen quite a few movies and music videos recently that send the reinforcing message about “going all the way”, unto sacrificial death in the great cause. Like the controversial Ke$ha's song and video, Die Young. This is not new. In the old cartoon, Bimbo's Initiation, the lodge brothers sing, “We are the members of “DO IT OR DIE.” VI VI VI” (666) The sodomite warriors of Sparta used to hold their ground to the death. While the kinds of marching orders are not new, the season of their primary execution draws near. Destinies Child. Hmmmm.

I have to wonder whether this halftime show is intended to send the signal as one part of a multi-part trigger, for a large scale op at some future time. I don't expect the main force of the Black Awakening to break forth until 2014, but I do expect there will be ops on various scales before and after that in the greater campaign.

Part 8 - Celestial Stargates - Insane Freefall from the Duat

The transit through a stargate is being ritually modeled to us by people and animals doing a freefall, like Felix Baumgartner from Red Bull's Stratus capsule and Bullwinkle's Rocky off the high dive platform. Similar freefalls are featured in the “Wizard of Oz,” “I, Pet Goat II” and in the A-Jax music video for “Insane.” These have some very revealing elements in common, providing rich detail in the adding of symbolic layer upon layer!

So we return in this post to the A-Jax music video for “Insane,” where we find some very significant ritual modeling. Search this blog to find the foundation of what I've already written about this video's symbolism. I'm assuming you're familiar with that.



It's a simple action, basically. A cat jumps off a pillar onto the floor. The video makes a big deal out of that and a candlestick that gets knocked over in the process. Why? Because the Illuminati programmers behind it have a very important ritual to perform. The pivotal action takes place around one minute in, then again about two minutes in. What is being modeled to us can't be done effectively in one take because there are two key aspects involved. The set is identifying the Silver Gate very distinctly, setting the context for two modelings that establish the relationship of light, gravity and time in a way that spills some beans on a time truncation ploy.

The producers of “Insane” put Siamese cats in a paneled room. In various scenes they are all over the place, even on top of pillars. We associate “Siamese” with twins. The theme of twinning plays on the mind-control programming layer of symbolism and also on the parallel antichrist beast layer, as one Gemini symbol among many because there's more mirror twinning in this setting. One arrangement of the room has one half being mirrored to present identical sides. The pillar at the back of the room then has a mirror twin. The lamp on top of it is the kind that features twin candlesticks. In a version of the room that isn't mirrored there are still two pillars, with one of them becoming our focus of attention. It has a single candlestick on top, with a style that isn't twinned but, with a silver base and white column and white candle inside a clear globe, placed upon the white column just silently screams: “Silver Gate”!

To understand the music video's method of dramatic modeling, you have to link the patient in the room with the activity in the other rooms. The scenes set in the strange rooms represent what's going on in his insane mind (dissociated alters). For example, when the patient has a fan blowing on his face, we alternately see someone in a surreal room acting like they are struggling against a strong wind. This device that uses alternating scenes to picture concurrent realities effectively plays on both thematic layers of Monarch programming and antichrist beast manifesting. The patient's room in the asylum is the real world scene, this material space-time dimension. The alternating scenes set in the paneled room represent a heavenly realm. The pillar represents the connection as standing upon this earthly realm and reaching up into the heavenly. What primarily interests me in this post is how that which falls from the top of the pillar to the floor falls from heaven to earth via the Silver Gate.

The cat that leaps down does not appear in the earthly dimension. The candlestick, however, becomes an hourglass, and here is where things get real interesting! As Above, So Below. There's so much going on here. I'm going to loop through it a few times to explain what I'm seeing. This will take more than a single post.

Inserted within the pivotal alternating scenes of the pillar events (both at around one minute in, and then again about two minutes in) is a guy wearing a red plaid shirt and a Vogue hat. On his shirt we see a mirrored pair of dog's heads. Around his neck is a golden chain that functions as a key ring. His bizarre attire has a lot to tell us.

If you see him in connection with the fashion magazine, you're probably looking beyond the incredibly tacky look and seeing what is common between them, the imagery of the Illluminati sorcerers working a mass mind-control scheme that programs slaves and influences vain people through ritual magick. That's a fair perception, in a general sense, but minding the details affords us some very relevant insight!

The dog resembles Anubis, right? The shadows picture the shadow world, the underworld. The twinned dog is like the pair of pit bulls in Ke$ha's Crazy Kids, representing Gemini and the Dog Star (Sirius A and B). Those pit bulls wore chains around their necks. Mr. Vogue's twinned dog does too. So does he, and his has keys! Keys open and close locked doors, like celestial stargates.

The chain means what I've already covered at length in recent posts, representing the twinned torus stargate(s) and the Great Chain of Being.

“By the Principle of Continuity we can see that there must be a connection between the "highest" and "lowest" realms, between the One and Matter, and connecting all things in between. These are the divine Seirai (Chords, Chains, "Processions"), which unite the Orders of Being. Thus we have connections with the Celestial Bodies and are influenced by Them, who in turn convey influences from the Gods; this is the basis of astrology. We are all connected in the 'Great Chain of Being.'” (source)

As David Flynn observed:

“Additionally the theurgist sought to ascend into the presence of the gods by using symbols, signs, words, sounds, godly materials called seirai (chords, chains, "processions") which united Orders of beings with Celestial bodies, "A Great Chain of Being." The practice of theurgy would only convey influence from the gods if the symbols and rituals used were taught by the gods. This is why Plato said 'great power of geometric equality exists amongst both gods and men.'” (The David Flynn Collection - Kindle Edition)

How do you suppose folks bringing this stuff forth learn what to do, how and when? It comes from somewhere.

You may also interpret the keys on the chain around Mr. Vogue's neck as a sign that he has a secret, but we know what that is! His identity and role is that of Anubis, Hermes, Hermanubis, the psychpomp. He's the agent of the dimensional transit, the Dog Star navigating the Duat.

What's Vogue about that? It means to sail or row -- to go, transport in a vehicle -- water in motion -- to sway, rock -- a rowing, a course.

vogue: “[French, from Old French, probably from voguer, to sail, row, of Germanic origin; see wegh- in Indo-European roots. V., after the fashion magazine Vogue.]
Word History: The history of the word vogue demonstrates how sense can change dramatically over time even while flowing, as it were, in the same channel. The Indo-European root of vogue is wegh-, meaning "to go, transport in a vehicle." Among many other forms derived from this root was the Germanic stem wga-, "water in motion." From this stem came the Old Low German verb wogn, meaning "to sway, rock." This verb passed into Old French as voguer, which meant "to sail, row." The Old French word yielded the noun vogue, which probably literally meant "a rowing," and so by extension "a course," and figuratively "reputation" and later "reputation of fashionable things" or "prevailing fashion." The French, who have given us many fashionable things, passed this noun on as well, it being first recorded in English in 1571.” (The American Heritage® Dictionary of the English Language, Fourth Edition copyright ©2000 by Houghton Mifflin Company. Updated in 2009. Published by Houghton Mifflin Company. All rights reserved.)

The Silver Gate is at the center of the Duat, and the transit event being modeled to us includes a proper acknowledgment of the agency involved. It's how ritual magick is done. The being or beings transiting through the stargate are coming through from the underworld into our world. What we're seeing is the ancient religion of Egypt being practiced today. If you see this as a clumsy and merely superficial adaptation of symbols you're missing something. The ancient gods are being worshiped today. The religion of the Pharaohs is the religion of the Illuminated elite today. The ancient gods are quite real, and will manifest once again in this realm as in olden times. The cat was worshiped as a goddess, Bubastis. She was known as the Eye of Ra. This ritual is being performed as directed from the underworld, if you can see past the layer of the flesh. The Eye of Ra is being invoked. Horus will manifest again in a body of flesh in not many months time.

I'm going to pick this up in the next post, Lord willing.

In closing, I'll leave you with a picture of the Silver Gate that is trending in fashion today, clipped from the homepage of The Limited (Thanks Pam). Also trending, “It's Time”!

Fallen Angels in the Days of Jared and the Days of Justin Bieber

By Aaron Hermann

---

A couple of weeks ago the Lord inspired me to begin going through Genesis 6 and 7. It became evident rather early on that He was beginning to grant some insight pertaining to the timing of the flood of Noah and how that matches up to the coming counter-flood event of the Black Awakening. However, it was not until a couple of days ago that He began to reveal some very interesting time elements pertaining to the incursion of the Fallen Angels that occurred in the days of Jared.

Earlier in the week Bob and I were discussing the meaning of the name Jared (A descender; their descent) and how it corresponded to the incursion of the Fallen Angels. We were curious as to where it mapped out on the millenial time line so we began to go through the process of mapping it out using the calculation methods Bob has been using for the millenial week projections.

“Jared was born 460 years From Adam and died 1422 FA (Genesis 5:15, 20). My calculations produce the dates 3/1/13 - 2/17/14. Note: Since I'm lacking confidence in how exactly the year-day that we're compressing the 1000:1 millennial-day into is defined I'm working with a range.

Here's my work.

9/18/12 Yom Teruah Observed = start point for the year.
9/8/13 Yom Teruah Observed = start point for the year.
9/25/14 Yom Teruah estimated = start point for the year within a day.

Jared born - 460 FA:
[365 day solar year] .460 * 365 = 167.9 days so 9/18/12 + 168 days produces the date: 3/5/13
[356 days inclusive between 9/18/12 and 9/8/13] .460 * 356 = 163.8 days so 9/18/12 + 164 days produces the date: 3/1/13

Jared died - 1422 FA:
[365 day solar year] .422 * 365 = 154.03 days so 9/8/13 + 154 days produces the date: 2/9/14
[383 day year of 13 month span btw. 9/8/13 and 9/25/14 inclusive (Karaite estimated 1st day of 1st month: 3/31/14) ] .422 * 383 = 161.6 days so 9/8/13 + 162 days produces the date: 2/17/14

The full span of the life of Jared projects to 3/1/13 - 2/17/14. This corresponds to when the angels that were responsible for the judgment of the great flood are reported to have fallen, when their offspring proliferated and their great sin corrupted the earth. As I write on this last day of February I reflect upon the general nature of that season, and, well, about all I can say is, that explains it. All of what we're witnessing, what we're perceiving in the flesh and in the spirit - that explains it. Now, we're in the season corresponding to when the angels have fallen and their impact is manifest. My projection for the great flood date falls in the range of May 5-18. Whether it manifests in one way or another or in many ways, if there's anything to this, the world is in crisis and reaching a tipping point.”

Part 10 - To Number Our Days Aright - As it Was in the Days of Noah

I encourage you to check our calculations and to also reference this most excellent time line presented by Stephen Jones of Gods Kingdom Ministries.

After establishing the range of dates I began going through the Drudge Report Archives to see if there was anything that matched up to the Fallen Angels descending into this realm and onto the Earth and what I found was more than stunning!

On March 4, 2013 Justin Bieber performed a concert at the O₂ arena in London. The dates of the event on March 4 and the reporting of it on March 5 fall within the range presented above located in Part 10 - To Number Our Days Aright - As it Was in the Days of Noah.

At this point you may be wondering what in the world could a Justin Bieber concert possibly have to do with the incursion of the Fallen Angels in the Days of Jared. I asked that very same question. However, before addressing that pertinent question by discussing what occurred at the concert, some attention must be paid to the location selected for this very timely event. The concert, which was part of Bieber's "Believe" tour was set to take place at the O₂ arena, and this choice of venue was no accident as the O₂ arena is located on the Greenwich Peninsula and is part of the Royal Borough of Greenwich.

“The O2, visually typeset in branding as The O2, is a large entertainment district on the Greenwich peninsula in South East London, England, including an indoor arena, a music club, a Cineworld cinema, an exhibition space, piazzas, bars and restaurants. It was built largely within the former Millennium Dome, a large dome-shaped building built to house an exhibition celebrating the turn of the third millennium; as such, The Dome remains a name in common usage for the venue...

Greenwich Peninsula is an area of South East London, England, located in the Royal Borough of Greenwich. The peninsula is bounded on three sides by a loop of the Thames, between the Isle of Dogs to the west and Silvertown to the east. To the south is the rest of Greenwich, to the south-east is Charlton. The peninsula lies within the Royal Borough of Greenwich...

The Royal Borough of Greenwich ( is an Inner London borough in south-east London, England. Taking its name from the historic town of Greenwich, the London Borough of Greenwich was formed in 1965 by the amalgamation of the former area of the Metropolitan Borough of Greenwich with part of the Metropolitan Borough of Woolwich to the east. The local council is Greenwich Borough Council.

Greenwich is world famous as the traditional location of the Prime Meridian, on which all Coordinated Universal Time is based. The Prime Meridian running through Greenwich and the Greenwich Observatory is where the designation Greenwich Mean Time, or GMT began, and on which all world times are based. In 2012, Greenwich was listed as a top ten global destination by Frommer's – the only UK destination to be listed.

Greenwich was one of six host boroughs for the 2012 London Olympics and events were held at the Royal Artillery Barracks (Shooting), Greenwich Park (Equestrianism) and The O2-former Millennium Dome (Gymnastics; Basketball).

To mark the Diamond Jubilee of Elizabeth II, Greenwich became a Royal Borough on 3 February 2012, due in part to its historic links with the Royal Family, and to its UNESCO World Heritage Site status as home of the Prime Meridian.”

Wikipedia - The O₂
Wikipedia - Greenwich Peninsula
Wikipedia - Royal Borough of Greenwich

Millenial Dome built to celebrate the turn of the third millenium? Bound on three sides by the Thames, Isle of Dogs and Silvertown? Greenwich being the location of the Prime Meridian on which all Coordinated Universal Time is based?!? Is it me or is there a time-related silver gate dimensional transport theme taking place here?

Right!

It should be obvious by now that they selected this venue because they were attempting to add a very intense focus on time. However, just in case the location of the event proved too subtle for some they added another element to the presentation that ensured the issue of time would be a major deal in relation to the concert.

Justin Bieber was more than two hours late starting his show, which caused a rather intense backlash due to the fact that not only was he two hours late for the event, but Bieber provided no valid reason or apology. This was staged to create more high-drama, and to really add the fuel to the fire it was reported that hundreds of young kids were left stranded in Greenwich after they missed the last train of the night because the show was so late in starting.

The Lord's people are not the only ones aware of the times and seasons and those responsible for carrying out the enemy's role in all of this could not have orchestrated this event any more perfectly.

Even with the overwhelming time connection, I would not have thought much about a Justin Bieber concert connecting to the descent of the Fallen Angels in 460 FA until I saw the pictures from the concert. Bieber was performing his "Believe" tour and he made his entrance of each show wearing a bright white suit with golden gloves and gold on his shoes with a set of huge, iron wings covered in organ keys, speakers, guitars and cymbals! Bieber represents the commander of all the Fallen Angels, Lucifer! Doing his best Lucifer impression, Bieber descends onto the stage just like an angel falling to earth!

13 Thou hast been in Eden the garden of God; every precious stone was thy covering, the sardius, topaz, and the diamond, the beryl, the onyx, and the jasper, the sapphire, the emerald, and the carbuncle, and gold: the workmanship of thy tabrets and of thy pipes was prepared in thee in the day that thou wast created. ~ Ezekiel 28:13

I found the images below from the Drudge Report Archive link for March 5, 2013

The following write-up from a critic contains more over-the-top descriptive language of Bieber's fallen angel entrance, and I view the contempt that Bieber displayed for his worshipping audience to be the same type of contempt that the fallen angels have for the throngs of humans that have been duped into worshipping them.

“When he emerged, dressed as a white-suited, white-winged angel, hovering over the audience (there may be messianic tendencies ahead), waving his creepy, gold fingerless gloves, there would be no explanation of whatever diva tantrum had caused him to treat his audience with such contempt, nor would there be an apology.”

Justin Bieber, O₂ Arena - music review

I was able to find this HD Justin Bieber LIVE beginning/ entrance to the Believe Tour London O2 Arena 8 March 2013 that has the entire fallen angel routine recorded in HD. Quite telling is the intro video that is played just before Bieber performs his live action bit. For those of you who have been following Bob's latest writing this will remind you of the multi-media presentation in conjuntion with the live action sequence of the opening and closing ceremonies of the 2014 Sochi Olympic games that are a signal for the coming 2nd Thessalonians 2 deception!



The countdown is played and then we see a silver subway line with the train tracks and underground subway system being a reference to the Silver Gate transit and that of Joel 2 and the incursion of invading angelic and demonic forces. We are then confronted with a large face that says the following:

“Ladies and Gentlemen, welcome. Now you are entering another world, a world where there is no limits, no rules, only endless possibilities. Can you hear it? The vibration of the beat, the rhythm of your heart and the electricity running through your veins. Allow your imagination to skyrocket, your dreams to be remixed. Let go of everything but what exists. Be strong, be brave, but most importantly BELIEVE.”

Swag On Justin Bieber Tumblr Site

This entire spectacle not only speaks, but screams of the silver gate dimensional transit of the Fallen Angels! The Bible and extra-biblical works of Enoch, Jasher, and others are very clear on this fact.

Now it came about, when men began to multiply on the face of the land, and daughters were born to them 2 that the sons of God saw that the daughters of men were beautiful; and they took wives for themselves, whomever they chose. 3 Then the Lord said, “My Spirit shall not strive with man forever, because he also is flesh; nevertheless his days shall be one hundred and twenty years.” 4 The Nephilim were on the earth in those days, and also afterward, when the sons of God came in to the daughters of men, and they bore children to them. Those were the mighty men who were of old, men of renown.5 Then the Lord saw that the wickedness of man was great on the earth, and that every intent of the thoughts of his heart was only evil continually. 6 The Lord was sorry that He had made man on the earth, and He was grieved in His heart. 7 The Lord said, “I will blot out man whom I have created from the face of the land, from man to animals to creeping things and to birds of the sky; for I am sorry that I have made them.” 8 But Noah found favor in the eyes of the Lord. ~ Genesis 6:1-8

The span of Jared's life from his birth in 460 FA and death in 1422 FA aligns with the time period of March 1, 2013 through February 17, 2014. According to the fractal model, the projection of the fallen angel incursion has passed. Where we are now, being March 1, matches to when their corrupting influence increases - until May's projection of the great flood.

“1 And it came to pass when the children of men had multiplied that in those days were born to them beautiful and fair daughters. 2 And the angels, the sons of heaven, saw and lusted after them, and said to one another: 'Come, let us choose us wives from among the children of men 3 And have children with them.' And Semjaza, who was their leader, said to them: 'I fear you will not agree to do this deed, 4 And I alone shall have to pay the penalty of this great sin.' 5 And they all answered him and said: 'Let us all swear an oath, and all bind ourselves by mutual curses so we will not abandon this plan but to do this thing.' Then they all swore together and bound themselves by mutual curses. 6 And they were in all two hundred who descended in the days of Jared in the summit of Mount Hermon, and they called it Mount Hermon, because they had sworn and bound themselves by mutual curses on the act. 7 And these are the names of their leaders: Samlazaz, their leader, Araklba, Rameel, Kokablel, Tamlel, Ramlel, Danel, Ezeqeel, Baraqijal, (Author’s note: Samlazaz could be another spelling of Semjaza, and possibly be the same entity.) 8 Asael, Armaros, Batarel, Ananel, Zaqiel, Samsapeel, Satarel, Turel, Jomjael, Sariel. These are their chiefs of tens.

1 And all of them together went and took wives for themselves, each choosing one for himself, and they began to go in to them and to defile themselves with sex with them, 2 And the angels taught them charms and spells, and the cutting of roots, and made them acquainted with plants. 3 And the women became pregnant, and they bare large giants, whose height was three thousand cubits “4 The giants consumed all the work and toil of men. And when men could no longer sustain them, the giants turned against them and devoured mankind. 5 And they began to sin against birds, and beasts, and reptiles, and fish, and to devour one another's flesh, and drank the blood. 6 Then the earth laid accusation against the lawless ones.

1 And Azazel taught men to make swords, and knives, and shields, and breastplates, and taught them about metals of the earth and the art of working them, and bracelets, and ornaments, and the use of antimony, and the beautifying of the eyelids, and all kinds of precious stones, and all coloring and dyes. 2 And there was great impiety, they turned away from God, and committed fornication, and they were led astray, and became corrupt in all their ways. 3 Semjaza taught the casting of spells, and root-cuttings, Armaros taught counter-spells (release from spells), Baraqijal taught astrology, Kokabel taught the constellations (portents), Ezeqeel the knowledge of the clouds, Araqiel the signs of the earth, Shamsiel the signs of the sun, and Sariel the course of the moon. And as men perished, they cried, and their cry went up to heaven.”

Lumpkin, Joseph (2011-02-21). The Books of Enoch: The Angels, The Watchers and The Nephilim (With Extensive Commentary on the Three Books of Enoch, the Fallen Angels, the Calendar of Enoch, and Daniel’s Prophecy) (pp. 23-30). Fifth Estate. Kindle Edition.

The stories of people having wanted and unwanted engagements with Incubui and Succubi, suffering from sleep paralysis, having supernatural experiences, and reporting "alien abductions" are at all-time high. Celebrities such as Ke$ha openly discuss their sexual interaction with spirits, involvement in the occult, and fascination with magick. Ke$ha talks ghost sex - MSN(warning graphic language).

The days in which we now find ourselves match up to the days in which the Fallen Angels had already arrived and were wreaking havoc with all of the earth. They are here again and up to their old tricks!

That which has been is that which will be,
And that which has been done is that which will be done.
So there is nothing new under the sun. ~ Ecclesiastes 1:9

That unsettling disquiet you feel is the reaction to the agents of hell working their literal magick on the face of the earth readying this plane for the arrival of their antichrist messiah. What we are seeing in the world around us is like what was going on in the days of Noah.

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By Aaron Hermann

Please feel free to contact me through my Gmail account. (theultimateplan@)