Part 6 - What does the Olympic Rings logo really mean?

When we know what the Olympic rings logo signifies we can better understand what is signaled in the varied contexts where we find it. The logo's appearance on the "Olympischer Fackellauf" poster (Olympic Torch Relay - Berlin - 1936) speaks volumes to me! Interpreting the symbolic imagery exposes some profound connections between the antichrists Adolph Hitler and Barack Obama.

Links between these two have been made by many in the past couple of years, most recently with regard to this week's passage of the ObamaCare bill that echos the Nazi Aktion T4 program. Obama's leadership of America follows the pattern of Hitler's leadership of Germany. The occult signaling of Satan's plan reveals that Obama has picked up where Hitler left off. The symbols bear witness to this, validating what many suspect and what some know by revelation insight. Behind these two lies another, even Apollo.

When you consider only the blue elements of the "Olympischer Fackellauf" poster you perceive an early morning scene. We can identify the western face of the Temple and altar of Zeus, which has been in Berlin where those Olympic games were being held. Looking eastward, we see it in silhouette against the brightening sky. Dawn approaches, and the rising Sun in this context represents the dawn of Apollo.

Consider the following prayer, offered by high priestess Maria Nafpliotou in the Temple of Hera on October 22, 2009. "Apollo God of Sun and the idea of light send your rays and light the sacred torch for the hospitable city of Vancouver and you Zeus give peace to all peoples on earth and wreath the winners of the Sacred race." The cauldron flame was then lit by means of focusing the rays of the Sun using a parabolic mirror. Ritually, Apollo, God of Sun, answered their prayers. This lighting of the torch initiated the "sacred" (unholy) "fackellauf" that carried the flame to Vancouver's cauldrons.

Olympism's spiritual light comes from Apollo. His presence is suggested in the poster's imagery by the way the scene is lit. The gradient lighting presents the dawn of "Apollo God of Sun and the idea of light." Relative to the temple and altar of Zeus, we're presented with a view that anticipates Apollo's coming to his temple. Relative to the Olympic rings, Apollo god of Sun should be understood as the unseen ring's identity.

Here are some passages of scripture that relate to both the genuine and counterfeit events in view. 2 Peter 1:19, Malachi 4:1-3, Psalm 19:1-6, Zechariah 14:4, Ezekiel 43:1-5, 2 Thessalonians 2:1-12, Revelation 13:1-10, Luke 11:33-36

It can be said that both Hitler and Obama are keepers of the flame, fellow torch bearers. These two men, renowned for their elaborate and carefully attended personal branding, even share the "Apollo Brand" in Obama's sunrise logo and Hitler's "sun wheel" or "solar cross" swastika! I'll elaborate shortly, but let me state plainly that Apollo god of Sun has not yet dawned in his ultimate incarnation. While Hitler and Obama have borne the torch that was carried in ages past from the "mountain of the gods" by such as Nimrod, Nebuchadnezzar, Antiochus Epiphanes and Nero before them, this torch relay that is the greater Olympischer fackellauf has not yet reached the flame's final destination. One who was and "is not" awaits the dawn.

The occult imagery presented by the IOC is as richly endowed with meaningful symbols as anything I've seen put out by the likes of the Roman Catholics or any secret society. It's the nature of symbols to both conceal and reveal. When we consider the fackellauf poster's stylized temple some startling "dots" are presented that invite "connection." I perceive in this a number of literal temples that each, while themselves genuine, represent a greater spiritual reality. This is the same kind of modeling that is known by students of the Bible. The tabernacle built in the post-Exodus wandering, and, later the Temple built on Mt. Zion in Jerusalem, were constructed according to the pattern shown to their builders by the Lord God. The earthly versions were genuine and Yahweh was present, but these were temporary and symbolic of a greater and lasting spiritual reality and construct.

The temple and altar of Zeus pictured in the poster represented what was then becoming known as the Third Reich. It is the counterfeit of the "Millennial Reign of Christ" when Y'shua HaMashiach will rule, enthroned as the King of Kings.

Some versions of the temple of Zeus are the:

• Acropolis, Mount Olympus, Greece - destroyed by the Roman Theodosius II in 426 BC.
• Pergamon - moved from the ruins of the ancient Greek city's acropolis in what is now, Bergama, Turkey, to Berlin, beginning in the 1880's. This is the one referenced in Revelation 2 as the seat of Satan. The Great Altar of Zeus was built by Eumenes II, mentor to Antiochus IV Ephiphanes, the Seleucid king of "antichrist" notariety.
• Zeppelintribüne, Nuremberg, Germany - declared by the architect Albert Speer to be modeled after the Pergamon altar, for use in Nazi party rallys and large scale pageantry. This version was flanked by a pair of torch cauldrons, which was according to the pattern of the Temple of Zeus on Mount Olympus.
• DNC stage in Mile High Stadium, Denver, CO - built in 2008 as the stage set for Obama's acceptance (8/28/08) of the DNC's nomination for presidency.

I doubt anyone would dispute that the stylized temple of the poster relates to the Pergamon altar of Zeus in Berlin. There is an obvious association of Berlin with Mount Olympus. The ancient temple from the Greek city Pergamon ranks among Germany's most highly prized cultural acquisitions. The horses on the flanking columns strengthen the association. The other poster from the Berlin Olympics of 1936 picked up the horses and rooftop of the Eastern face (See image on right - "rear side") of the Pergamon temple. Yet, the stylized version isn't an exact match. The raised center section suggests the Zeppelintribüne version, which Speer built on a larger scale. Nuremberg's Zeppelintribüne was in use at the time of the 1936 Olympics in Berlin, but still under construction.

Ok. Now, I'm going to present a series of images. These feature the Altar and Temple of Zeus.





More to follow - Lord willing!

Was the ObamaCare bill action of March 21 signaling an "Illuminati human sacrifice"?

Sometimes I keep watch for certain kinds of events to happen on certain days, based on historical patterns. This past Sunday, March 21, is one claimed to be a day the Illuminati (occult elite) require ritual human sacrifice. While I have no first-hand knowledge of such a thing I have noted how the "Satanic" calendar is closely observed by those who genuinely and sincerely serve him. I wrote not long ago presenting rather convincing evidence of Joseph Ratzinger being elected Pope Benedict XVI in fulfillment of such an appointed day. (See Who is Pope Benedict XVI? The Pope's Election was a "Baptism" on the Day of the Satanic Calendar's "Bloody Sacrifice to the Beast") I think the ObamaCare bill action of March 21 probably was an "Illuminati human sacrifice" signal!

Why would the lawmakers on Capitol Hill put forth such an effort late in the day on a Sunday to push the "ObamaCare" bill "over the hump"? This is the legislation some compare to the Nazi euthanasia program Aktion T4. It was the day claimed by some to require human sacrifice. It was made under the goddess Persephone, god of the underworld, on Capitol Hill inside the city's largest occult owl, which is far bigger than the one honored in the Bohemian Grove. Maybe this is simply the kind of "coincidence" that compares to what some have noted about the World Trade Center situation from 9/11/2001? Right. Unlikely. What seems likely is that this will advance their well documented population reduction agenda on the way to the eventual implementation of the mark of the beast.

Here's an article put out by AP, titled Obama order on abortion locks in health care votes. Mar 21, 4:20 PM (ET) "President Barack Obama and House Democratic leaders struck a last-minute deal Sunday with abortion foes to secure the final few votes needed to remake America's health care system, writing a climactic chapter in a century-old quest for near universal coverage." The author later writes, "Over and over, Democrats stressed the historic nature of the day." Make note of that day, March 21.

I noted with interest the writer's reference to some who resisted the lawless proceedings as "abortion foes." Propaganda is a funny thing. What does that make those with no regard for human life, "abortion friends"? I noted that the word "Slaughter" appeared twice. Just a name, or a sly signaling? Has anyone had the expression "hell-bent" come to mind lately with regard to the ObamaCare effort?

I recommend reading The Slaughter Solution by Joseph Herrin for more insight.

Part 5 - What does the Olympic Rings logo really mean?

To really grasp the meaning of the Olympic Rings logo it helps to see it in a broad range of contexts. What I see more and more clearly as I continue to study and learn is that its symbolic testimony of the one world antichrist-Beast religion referred to by Pierre de Coubertin as Olympism builds upon the foundation of numerous foreshadowing constructs. These constructs, that range from entire civilizations and empires to passing movements, each serve the ideal of Olympism, preparing for the incarnation of Apollo and his ascension to the throne that counterfeits the coming appearance of the true Messiah.

The posters I'm covering in this blog that relate to the 1936 Summer games in Berlin tie some of these shadow forms of Olympism together, especially this one you see here. It's titled "Olympischer Fackellauf," which translates to "Olympic Torch Relay." This one, like the one featured in the previous post, focuses our attention on the unseen ring.

Those of us who play "connect the dots" will find plenty here to play with! Some of what is found linked together in the symbolic imagery isn't generally thought of as being connected, but, when you compare feature to feature it's really obvious there's lots in common, even a supernatural source.

This "Olympischer Fackellauf" poster's design draws our attention to focus upon where a sixth ring would complete the pattern of the five rings. The torch rests upon this ring that "isn't" there. The gradient lighting of the background suggests that the unseen ring is the true source of light, not the flame of the torch. The unseen ring graphically connects the torch with the Temple and altar of Zeus, a structure that has a very notable history; ancient, not so ancient and very recent. I'm shortly going to be showing you the "unseen" ring I just introduced, Lord willing, as it has been presented in some very dramatic contexts! However, before I do, the balance of this particular post is dedicated to a couple other elements.

First, there is the requisite procreative feature. The phallic torch with the flame of Zeus is pictured penetrating the arrangement of rings that's redundantly identified as female by the downward pointing delta and the vesica piscus. Now, if there's any humor to be found in the Olympic torch relay it's related to this "love story" and involves the expression "carrying a torch." The idiom is usually heard in the context of a song, where the person singing is in love with someone and that love is not returned in kind. The striking reality of the "Olympischer Fackellauf" is that those who "carry the torch" for Zeus and Apollo are truly unloved by them! This observation isn't of an irony, actually, since there's no contradiction or incongruity here - it's just the "nature of the Beast," to use another applicable figure!

An important connection to Superman can be seen in this poster's imagery in the color scheme and shape of the rings. If you've been following this blog for a few months you will find the blue and red motif of the poster familiar. These colors of the heart frequently appear together in occult symbols with the heart's accent color, yellow or orange. The rings on the poster don't appear in the usual five color array but only in red. As the rings are in the shape of a downward pointing delta and red in color, when placed upon the blue background it resembles Superman's shield.

The "Olympischer Fackellauf" poster from the 1936 might not have been designed with Superman specifically in mind (The character was introduced in 1932 but it wasn't until June of 1938 that Superman was popularized in Action Comics #1.) but it should be apparent that the inspiration for both comes from the same source. They share a common meaning and purpose. (See Superman and Metropolis, the great merchant city)

Some very interesting connections should be drawn between Superman and Hitler's Nazi Third Reich. In 1932, Jerry Siegel and Joe Shuster created the fictional character Superman. In that same year, Hitler implemented the Lebensborn program, which was intended to be the "spring of life" for the Master Race. The program that involved Superman (or, Übermensch) was all about selective breeding with the intent to spawn a "superior race which was intended to rule the earth during the Nazis’ so-called “Thousand Year Reich”." (Hitler's Supermen) That this was a serious undertaking is underscored by the number of offspring produced under the Lebensborn program, a claimed 42,000!

What might seem like an ironic twist in this comparison is the fact of Superman's strong Hebrew roots and Hitler's antisemitic bent. However, not all who lay claim to being a Jew or a Hebrew honor the sovereign Lord God of Abraham, Isaac and Jacob.

Another very interesting link between Superman and the Nazi party is the city called Metropolis. While most associate this fictional city with New York City, Toronto or one of several others, if you've ever seen the most expensive silent film ever produced, titled, Metropolis, you would be busily connecting some dots for some time to come. The film was written by a Mr. and Mrs. Fritz Lang as a screenplay in 1924. Based on Thea von Harbou's (Mrs. Lang's) thesis, another version, a novelization, was produced in 1926. The film produced in 1927 was one with which the Nazi party had considerable fascination. Rent it on Netflix sometime and you'll see why. The primary author, von Harbou herself, became a passionate member of the Nazi party in 1933. The inspiration for the musical score is partly attributed to the music of Richard Wagner, beloved composer of the Third Reich. I noted with interest how the film was produced in the Babelsberg Studios.

In closing, I want to share how my eyes were opened yet again today to see some really surprising insight about the "unseen ring" and just how and by whom it has been presented. Coming soon - Lord willing!

Part 4 - What does the Olympic Rings logo really mean?

The Olympic Rings logo is an occult symbol that conceals and reveals a very dark secret. This secret is that which has been known to and closely guarded by the elite priesthoods of the mystery religions and the most trusted among the secret societies of every culture through the ages. That is the conclusion that must ultimately be drawn by students of the symbolic meanings of the artifacts and historical accounts passed down through time. Given how powerfully influential the Olympics have become, what does it mean that Olympism is a religion dedicated to the fulfillment of this dark secret?

If one takes an honest and critical look at the world today and tries to recognize the nature of what is pictured in the Bible as a "one world religion," one stands out from among the others: Olympism. To what other temple do the nations come, together as one, to worship at a common altar? We have to ask whether Baron Pierre de Coubertin's vision is quietly fulfilling Bible prophecy while everyone's attention is turned elsewhere.

While I've already given some attention to this subject matter there are some more examples to be presented that will help you learn to read the secret testimony where it has been concealed. Among these examples are two posters that imply the sixth ring of the Olympic rings logo, both from the 1936 Berlin "Nazi" Summer Olympics. I'll address the first of them in this post.

I'm wondering if this poster that features the Brandenburg Gate with its Quadriga  might actually have a white ring completing the delta/pyramid. I can't tell because it would be hidden behind (or inside) the head of the golden giant Olympian (which is apparently intended to represent Apollo). The positioning of the rings relative to the head suggests that the unseen ring is the third eye. That would be the eye that is the lamp of the body (Luke 11) of the capstone head.

Let's turn that pyramid right-side up. Now it's obvious. Now it resembles the "folded" version of the Vancouver 2010 logo!

The golden god sure has a glowing look to him. I suspect Aleister Crowley really liked this poster, who wears in a popular photo the glowing capstone as an illuminated third eye.

The Olympic posters I've considered at length all seem to have some procreative feature. This one has the essential procreative feature in the iron cross inside the laurel wreath on the staff being held by the goddess Victoria, who is driving a chariot drawn by four horses.

The interpretation of the cross features the individual vertical and horizontal elements, plus their intersection. With regard to the great and dark secret of the ages, the vertical represents the heavenly male, the sons of god. The horizontal represents the earthly female, the daughters of men. The intersection of these two represents their union that results in the conception and birth of offspring.

"In classical mythology, the quadriga is the chariot of the gods; Apollo was depicted driving his quadriga across the heavens, delivering daylight and dispersing the night." Quadriga - Wikipedia
In this poster, you can't see Victoria's wings or discern that she is female, which suggests that there is actually a single god in view, pictured twice; Apollo. This view is supported by the fact that the Brandenburg Gate's design is based upon the Propylaea, which is the gateway to the Acropolis in Athens, Greece. Such an exalted element as the primary "stargate" - the access portal to the home of the gods - should honor no less than Apollo himself. Indeed, it's really his symbol that appears on the staff. An iron cross inside a laurel wreath is a sonnenrad, a solar disk and sun wheel - the sign of Apollo! The eagle that holds the sonnenrad in its talons is the family mascot, of Zeus, Apollo's father.

Notice how the procreative symbol is pictured in that poster from an angle where it is separating the four horses to mark off three and one. Hmmmmm. As the very kind of sign I've been looking for, it speaks to me of the critical link that establishes the dating of the week of years (Daniel's "seventieth") that is so very, very important! Is this another confirmation signaled through the agency of the Olympics? If so, the poster's imagery points to the year 2012, the year Tom Horn has identified as the secret of the Great Seal's pyramid's time code! It is also the year of the London Olympics, about which so much has been signaled!

Does it surprise you to see the same agenda signaled in today's Olympic imagery from way back in 1936? Here's a promotional poster from the Paris Olympics, going all the way back to 1900. The circle and rectangle are female and male, respectively, but notice how the female figure is positioned relative to the Eiffel Tower. Imagination is hardly required to see the procreative aspect. Maybe it's just me, but subtlety just doesn't seem to have been factored into the design with a very high priority. The designers of that crude poster could have taken a lesson from the folks responsible for the erection of this member seen during the Vancouver 2010 closing ceremony, presented here in one of their official "highlights" images. See. Now that's subtle.

The occult Olympic imagery is all about procreation and the mark of the Beast. It's not that the IOC is obsessed with sex, but the hybrid offspring must be brought forth in fulfillment of their god's agenda, and the continual signaling of this secret is a vital means to their end. Is this beginning to make sense to you? Do you see why the same message is being proclaimed over and again, saturating the environment with symbols, with versions of every kind?

Part 3 - What does the Olympic Rings logo really mean?

So far in this series I've shown how the Olympic Rings logo testifies of the Beast and the mark of the beast. This meaning is presented redundantly, on one level after another. It also matches exactly the witness of the Beijing closing ceremonies, from both the Chinese and the London presentations. Before I wrap up this brief series of posts I intend to propose a perspective on all this you probably haven't yet considered. But first, here's a few more observations to ponder.

Now, here's a remarkable thing. The Olympic rings logo appeared in a field of crops in the UK not long ago. That's not the remarkable part - it was done as a publicity stunt.

"We received a call from the top selling UK tabloid newspaper The Sun which has a daily readership of 8.5 million people. They wanted to put together a PR stunt to help raise the profile of their campaign to have the 2012 Olympic Games held in London, so we agreed to make the Olympic logo crop circle which consists of 5 interlocking rings in a field in Wiltshire for them." (Circlemakers)

If you follow this blog and what I've written about the Beijing Olympic ceremony signs you should know the crop signs factor in when the larger scope of supernatural signage is considered. This one does too! The version of the Olympic logo they produced is an interesting variant.

The Olympic rings are usually found within a rectangular (male) area, like on the flag or a banner, but the crop sign rings are inside a circle (female). Add to this the female vesica piscis and female downward pointing delta. The design was made in a crop of barley, which is the grain symbolic of the female Bride of HaMashiach, biblically. Crops are all about bearing fruit, so what do we make of this sign? The crop circle brings to my mind the image of a human egg, fertilized, undergoing mitosis. Do you see the resemblance?

Now, here's something that might really boggle your mind. Who was responsible for making this sign? The Sun! Get it? The (anti-Bridegroom father Zeus, source of the Olympic flame) Sun! Think about it. Let it sink in. This version of "The Sun" is a tabloid, but not The Word Himself (John 1). This version of the Sun is of the UK, the United Kingdom, but not the kingdom united under the true King of Kings. What kind of offspring do you think are in view?

As signs go, some might seem to be a stretch or based on rather flimsy evidence, but this one really has to be considered as "over the top!" Do we get the message?

I think we're going to discover that the "aliens" (deceptive demons) really did back their bid! London in 2012 - the Summer Olympics - will it be everything it is hyped to be? We'll soon see! Watch with me.

Yet more coming, Lord willing!

Part 2 - What does the Olympic Rings logo really mean?

Where did this evil logo come from? It was designed in 1912 by the Jesuit trained Pierre de Coubertin, the man I introduced in an earlier post as the founder of the modern Olympic Games. The rise of this symbol's popularity came in association with the 1936 Summer Olympics in Berlin. It was famously used by the Nazis to promote the Third Reich. It was at these same games that, through Nazi influence, (Carl Dium) the tradition of lighting the flame on Mt. Olympus by the sun and running the relay through different countries began. Hitler and the Nazis knew their occult symbols, to be sure! Pierre de Coubertin had one ready that was fit for the task!

When Pierre designed the logo he not only chose the form of the pyramid but was also inspired to use elements that individually identify the body of the pyramid as the peoples of the whole world, and collectively identify them as those who receive the mark of the Beast. The rings, their colors and the way they are connected represent all the people of the world, linked together, and undying!

The colors chosen represent the five inhabited continents of the world, with the blue, yellow, black, green, red (on the white background), according to De Coubertin, standing for those colors that appeared on all the national flags of the world at that time.

In number as in color, the rings represent the five inhabited continents of the world, according to De Coubertin, "the five parts of the world which now are won over to Olympism and willing to accept healthy competition."

The association of all the people of the world with the number five is biblical. I've observed that the popularly misrepresented sign of The Feeding of the Five Thousand is a prophetic type of the feeding the bread of life to the whole world. The bread of life (John 6) is the son of God, who came down from heaven. Zeus/Satan is well aware of this, inspiring De Coubertin's five elements of the Olympic logo that present the anti-bread from heaven being fed to the whole world!

This meaning of the logo's five rings becomes quite clear when you grasp what was meant by de Coubertin's use of the term, "Olympism," as when he explained the five rings as signifying "the five parts of the world which now are won over to Olympism." Consider an excerpt from the book "Philosophy of Olympism" by Ljubodrag Simonovic. "As far as the relation between Olympism and religion is concerned, Coubertin, unlike many of his followers who try to conceal the true nature of modern Olympism, is crystal clear: "The first essential characteristic of ancient and of modern Olympism alike is that of being a religion."" So, if we can simply accept de Coubertin's own explanation, the five rings of the Olympic logo represent the nations of the world that are won over to the religion called Olympism.

His declaration of the meaning of the colors as those of every national flag compares to the other statement he made about the number five, that it represents the five inhabited continents of the world. Obviously, the scope of his vision for Olympism is global and totalitarian.

I recommend that you read at the very least, the "Olympism as a Positive Religion" section of Simonovic's book, to give you a perspective on the Olympic phenomenon of today as one that has followed a charted course.

When the five rings of the truncated pyramid body are summed with the one of the completing capstone, the six of the completed pyramid represents the completed man, whose number is six.

We find a similar testimony on the obverse side of the great seal of the U.S. When the double deltas are traced in the glowing array of 13 stars a significantly numbered configuration appears. Seven stars are encircled by a ring of six! The seven, representing spiritual perfection, or, divinity, is inside the six, man. This is the higher level of the completed man, represented in the Olympic rings via its numerous levels of symbolism. In this we see the union of the sons of god with the daughters of men, the serpent's offspring produced through the mark of the beast!

As for the interlocking rings themselves, the origin of these symbolic elements can be traced back to Carl Jung. Yes, that Carl Jung - the one who wrote that, "The psychological mechanism that transforms energy is the symbol." According to Carl, the ring meant continuity and the human being. What is the ring, then, but the symbolic image of a human with continuity, undying, with eternal life? The ring portends the triple helix transformation I've been blogging about for a few months that will counterfeit a resurrection body! The ring is as the ouroboros. Looking around at the state of things today, I have to say Jung's belief about a symbol being a psychological mechanism that transforms energy is pretty well validated. Wouldn't you agree?

The interlocking of the rings speaks of these things:

• The marriage bond, as between the anti-Bridegroom and anti-Bride.
• Linked and locked together, the freedom of the individual to act independently of the others is limited.
• The interconnection of those who receive the mark of the Beast. This is the connection established between an individual and the others connected into the Beast network. This connection enables the interaction referred to in the NCR.com slogan, "Experience a new world of interaction." (By the way, they now have a new marketing sequence of three scenes. Perhaps the previous version was just a bit too obvious? Perhaps they didn't appreciate the exposure?) This creates a brotherhood of man infused with the same family DNA. Those connected are grafted into the bad tree, permenantly.
• The female, identifying the daughters of men. The symbol created by the linked rings is a version of what's referred to as the vesica piscis. Because the shape resembles the female vulva it's recognized as another symbol of the female.

The formation of the "female" vesica piscis highlights another signification of the Olympic rings logo. The form created by tracing around the outside of the rings is that of a downward pointing delta, the daughters of men symbol. The four vesica piscis add to the downward pointing delta to present a redundant testimony and amplify the magnitude of the symbol's influence.

What does the standard presentation of the Olympic rings on a rectangular white banner mean? The white rectangle (male) represents the divine sons of god, so, yet once more, it's the occult presentation of the sons of god with the daughters of men. Redundancy. I think we're beginning to catch on to what the Olympic rings logo means!

More coming, Lord willing!

Part 1 - What does the Olympic Rings logo really mean?

To many people, the Olympic games are all about athletic competition and national pride. Those who take a close enough look at the games and the IOC, their governing body, become aware that the competition is merely a vehicle for the promotion of the worship of Zeus and the return of his son. The IOC makes no attempt to disguise the fact that they are entirely pagan yet they operate primarily in the ways of the occult as they accomplish their agendas, which are the secretive and devious ways of their gods.

Their logo is an occult symbol that is seen nearly everywhere during the increasingly frequent seasons of Olympic games. Some time ago I began to ponder what their logo really meant. I knew the official explanation fails to reveal what's most important. I could tell it had to be a very powerful symbol because it was so exalted and ubiquitous! Well, finally, I get it! It's the pyramid! Sure, it's obfuscated, and there's more to it than just that - but that's what it is!

The five Olympic rings are the truncated pyramid, flipped upside down so as not to be too obvious. When you flip it "right side up" you see the familiar form without a capstone!

The capstone is not there, but yet, it's there very subtly by inference. The background is white. A white ring is "unseen" against a same-color background. With an understanding of colors and with some consideration of the symmetry of the rings' color pairings you discover that following the pattern that emerges leads to the matching of the black ring with an opposing white one, completing the pyramid! The condition in which it lacks a capstone gives it an unbalanced dynamic. The image as designed and presented seeks completion, drawing us subtly, subliminally, to complete it.

This pyramid that is so popular in occult iconography was recently addressed at length in this blog as the hidden symbol of the Vancouver cauldron. It's the body and temple of the Beast of Revelation 13:1. The pyramid presented in the Olympic rings logo as "wanting a capstone" (wanting - as in both "lacking" and "desiring") advances the agenda of the IOC. It subtly prompts our interaction, inviting us to focus on the objective that is to set the capstone in place. This is a set-up for accepting the beast and the mark of the beast.

With this logo's simple design they are leveraging principles of influence, some of which are known as priming. Ultimately the reasoning facilities of the people so influenced are set aside when the time comes to make the decision to join with the Beast and his body-network. The spiritual dynamic suggests there is a demonic spell cast through this symbol. The symbol is ubiquitous, and while some consider it merely clever branding it is far, far more than that!

I've been aware for a long time that the Lord sometimes directs His people to avoid the Olympics and everything related to them. In such a way, the Lord lovingly protects them by limiting their exposure to the considerable danger. In this series of blog posts where I present so many of these wicked symbols, it would be wrong to present them except as directed to bring them into the light, exposing them. This nullifies their effect and sets people free from the controlling spells and demonic influence. Occult symbols are not to be considered lightly.

Consider this view of the Vancouver 2010 logo. If you printed it out, folded it, and held it up to the window so the light could shine through, you would see something like this. See the capstone on the pyramid! The green head of the stylized inunnguaq represents the son of Zeus, aka the green-skinned Osiris, head of the Beast body, as presented in this recent post.

More coming, Lord willing!

Vancouver Olympics - Part Five - "There are Three Things - Even Four"

Having addressed the "mark of the beast" messaging of the "three things, then four," signaled by the "apparent technical malfunction" of the Olympic cauldron assembly in BC Place, I'm moving on to the next level of messaging. Heads up - this one's a keeper.

While I was studying and writing about the Beijing Olympics there were a number of symbolic elements the Lord had prepared me in advance to recognize and understand, having given me clear and particular insight some years prior to those Olympics. For example, when I saw the Londoners forming a human viaduct, I knew exactly what was being signaled because of the peculiar way the pattern had been made very meaningful to me! When the BC Place cauldron was fully assembled and I realized that it had gone from being a three-legged structure to a four, I recognized a pattern I had been prepared to see and had been watching for since 2008!

Here's the key verse.

Truly, truly, I say to you, a rooster will not crow until you deny Me three times.
John 13:38

Make sense? Right. Of course not. Let me explain.

Back in May of 1991, the Lord began to open to me a series of things related to His coming. Just prior to that, in preparation for this season, the Lord had basically hit my reset button, changing our relationship dramatically. He taught me about keys to developing a hearing ear and followed that up with giving me what it is that a hearing ear hears; secrets. Much of what has been revealed since then relates to the meaning of certain key events in the last days, their relationships, sequence and something of their timing. You can read about these things in a series of writings (formerly titled "Beyond the Veil" - and retitled to, When Cometh That Thief in the Night.

In a nutshell, the Lord's coming is marked from the fall of 1991, signaled by a celestial sign on Yom Teruah. That is something of a cornerstone in the foundation. This event, as I discovered in 1999, also marked the transition of the Lord's Shemittah, sets of seven years that have cycled from their beginning with the week of Creation (Genesis 1-2). The pattern of the four being presented in the manner of one added to three speaks to me of the Shemittah, counting off from Yom Teruah of 1991. If it truly means what I think it does, it's a big deal!

You see, I've had this cornerstone or anchor point for the dating system since 1991. As a complement to that, I've received some insight into a particular week of years that involves a sequence of events established at fixed points relative to that week. (Of course, I could be wrong. Yet, with that same honesty I have to tell you I've seen so much validation over the years that I'd have to be crazy to reject it! Some might point out the fact, and would be right in doing so, that I have a history of disappointed expectations, from 2008, 2001, 1994 and 1991. I can only suggest that you accept personal responsibility here and take an "eat the fish and spit out the bones" kind of approach. I'm honestly doing the best I can to make sense of what the Lord is showing me. I pray you are too. Mark 13:37) So, while these two kinds of dating systems are obviously related, the problem I've had is the lack of insight into how one relates to the other. In matters of navigation and building construction, some kind of triangulation is required.

It wasn't until 2008 that such a triangulating link appears to have been provided. The element that links the other two really has to come in the same manner as the other two for me to have confidence in its legitimacy. This had been lacking, but perhaps, no longer. The customary way the Lord works with me is to prepare me to receive a thing, building some kind of expectation. Then comes a revelation insight that is followed by multiple validations. I know some of you can relate to this process. It was on the 13th day of the first month in the Spring of 2008 that what I believe to be the revelation insight came regarding this link. Since then, I've watched for the validating evidence that always follows such insight. The pattern signaled by the BC Place cauldron incident may be the first validation of the triangulating link. If so, I anticipate yet two more to come. Until such a time when I might recognize further validation I have to consider conclusions drawn as speculative. With that said, let's continue!

Truly, truly, I say to you, a rooster will not crow until you deny Me three times.
John 13:38

I understood the revelation given to me through John 13:38 with this interpretation. The three Shemittah accounted from 1991 are typified or prophesied by Peter's denials, who represents the church. The rooster crowing is the sounding of the shofar trumpet and angelic voice announcing a resurrection event. As the rooster crows and awakens sleeping people, some who sleep in death will awaken in new life at the sound of the trumpet. No harvest event will be fulfilled and no sounding of the rooster crowing that announces the event until the three seasons appointed for Peter's denial have passed.

Because of the context in which John 13:38 was received, it meant to me that seven more years would have to pass before the hoped-for events would be fulfilled. We were (and still are at this writing) in the third Shemittah from 1991, and I was watching on the appointed watch day in 2008. What was unfolding at the time was, well, quite promising. What came to me in the spirit with John 13:38 was not what I had hoped for - FAR from it. What I took away from that experience led me very soberly to write, "Batten down the hatches, there's a storm coming," to those who were watching with me at that time. (See "A rooster will not crow until you deny Me three times" April 20, 2008) There has indeed come some notably rough weather, both literal and figurative, and I believe plenty more will come before 2015 rolls around. This is necessary to prepare us, because we are not yet ready for what is required of us. The Lord is good to provide what we so desperately need, and right on time. The Bridegroom will have a Bride, a worthy Bride whose robe is white!

The pattern exhibited in the Vancouver cauldron incident speaks to me of what I received in April of 2008 about where we are on the Lord's calendar. Is it a validation of the triangulating link, setting in position the prophesied Shemittah relative to the cornerstone of 1991? Perhaps! If so, my expectation is that the fourth Shemittah that will begin on Yom Teruah in the fall of 2012 is the one I've been awaiting. If so, the first harvest will follow as appointed in the third day/year as newly ripened barley on the last day of Pesah, 2015 - the Bride Theft! The sign promised to signal that event comes eight days earlier on the thirteenth day of the first month, which is the revelation of the lawless one that is being heralded incessantly by the IOC and the many others who are complicit in this antichrist plot.

You should know full well that the supernatural power directing the Olympic messaging systems has knowledge of things long past and yet future, of deeply hidden things that are unknowable except as granted by the sovereign and one true God. The messages signaled about the year 2012 from Beijing and those I've observed thus far that relate to the host city London's participation validate that observation with what seems like almost excessive redundancy. Consider as you look around you today everything proclaimed to be identifying December 21, 2012 as the significant point of transition for all mankind. Add to that my personal testimony that the year 2012 marks the transition from the third to the fourth and probable key Shemittah from 1991's celestial sign. Connect the dots.

The Olympic flame and cauldron are very important, which you should know from an honest consideration of the first four parts of this series. Could the signaling of the one added to three by way of this cauldron be accidental? While extremely unlikely, even if it were, the sovereign God oversees such things, even the small and large. What must be signaled is signaled. I got the messages. Some will know things that will happen in advance of their scheduled time, perhaps even you and I. I intend to keep watch. Watch with me.

One biblical example that comes to mind when thinking about this pattern of one added to three is how three distinct periods of 40 years passed under Moses, the deliverer, without the children of Israel crossing over into the promised land. After the passing of Moses, Joshua led them in. In closing, here are four passages from Proverbs 30 to ponder.

15) The leech has two daughters, "Give," "Give."
There are three things that will not be satisfied,
Four that will not say, "Enough":
16) Sheol, and the barren womb,
Earth that is never satisfied with water,
And fire that never says, "Enough."
Proverbs 30:15-16

Compare 2 Peter 3.

18) There are three things which are too wonderful for me,
Four which I do not understand:
19) The way of an eagle in the sky,
The way of a serpent on a rock,
The way of a ship in the middle of the sea,
And the way of a man with a maid.
Proverbs 30:18-19

Bridegroom and Bride - the way of a man with a maid - Song of Solomon's lovers

21) Under three things the earth quakes,
And under four, it cannot bear up:
22) Under a slave when he becomes king,
And a fool when he is satisfied with food,
23) Under an unloved woman when she gets a husband,
And a maidservant when she supplants her mistress.
Proverbs 30:21-23

As the Bride-type Esther replaced Vashti? The earth quakes in resurrection!

29) There are three things which are stately in their march,
Even four which are stately when they walk:
30) The lion which is mighty among beasts
And does not retreat before any,
31) The strutting rooster, the male goat also,
And a king when his army is with him.
Proverbs 30:29-31

Compare Revelation 19:11-14

Truly, truly, I say to you, a rooster will not crow until you deny Me three times.
John 13:38

Vancouver Olympics - Part Four - "There are Three Things - Even Four"

The main subject of this post is what was signaled when an "apparent technical malfunction" caused the Olympic cauldron at the center of the ceremonies in BC Place to become a three-legged structure, then four. What I presented in Part Three was not yet the whole story because it's about more than just two independent symbols. The whole story amounts to more than the sum of its parts. The sign involves a pattern of "three things, then four," a particular sequential relationship. This special pattern is amazingly significant on both levels of which I am aware. Before we move on to the next level I want you to understand the profound message signaled by the cauldron as a Beast body-temple construct (as addressed in the previous post), now with a focus on the "three things, then four."

Let me refresh your memory about the meaning of the two constructs, the "three things" and the "four." The three-legged Vancouver cauldron represents the crystalline triple helix DNA that will unite the earthly man with the divine. It's the manner of man's transformation, ascension to godhood, and, the mark of the beast that connects men into the Beast network, which is a many membered body and temple. The four-legged Vancouver cauldron is the pyramid and anti-menorah lampstand that casts the dark light of Zeus over its temple. It is the Beast system and network, the many membered body with the son of Zeus enthroned as its capstone and head. Ultimately global in scale and scope, it mimics the Kingdom of the true Messiah as a counterfeit.

Now, it takes the "three" to make the "four," which is to say that the triple helix DNA transformation is required to build the pyramid, to complete the body-temple by establishing the vital connection with the divine capstone. This connection is the crux move of the scheme! The whole story amounts to more than just the sum of its parts! The exalted key is the great secret of the ages, the conception and birth of the dragon's offspring that is the implementation of the mark of the beast!

What's that? You already knew that? You saw it on NCR.com, did you? :) Yes, a few of us are on to their scheme. The serpent is going to keep trumpeting his exalted secret until the end, and it's necessary for some among us to recognize not only what but when, where and how this is signaled as we honor the Lord Y'shua with obedience and faithful watching.

Make note, now, how this Olympic prophecy declares a counterfeit and thereby implies the genuine. There are no counterfeit three dollar bills, meaning, where there is a counterfeit there is a genuine after which pattern it is made! The counterfeit light that is darkness will bring a pathetic and temporary anti-death substitute that results in what is worse by far than death. The genuine, on the other hand, will be worth everything it will cost you. Trade up, not down!

More coming, Lord willing! Until then, here's some news of note.

Symantec to play host to health care companies

Google Health gains partners

'Neuromarketing' uses MRIs to influence consumers Of course, it's not the typical product advertisers and marketers who represent the real threat now, is it?

Vancouver Olympics - Part Three - The Cauldron Pyramid

In Part One I addressed the core IOC agenda for the games and in Part Two, the meaning of the Olympic flame. In this post I'm going to focus on the meaning of the cauldron and relate one of the messages signaled when an apparent technical malfunction caused the Olympic cauldron at the center of the ceremonies in BC Place to become a three-legged structure.

The Olympic cauldron is a lampstand that compares to the menorah in the temple that is described in Exodus 25:31-39. The light of Zeus is cast from before this lampstand into a vast temple like a spell that is cast from a sorcerer's cauldron, darkly illuminating those within it's domain. To understand the nature of the cauldron you should understand the nature of the genuine lampstand it mimics as a counterfeit. The menorah of Exodus 25 was made as every other attribute of the temple, according a very specific heavenly pattern.

And see thou and do [them] by their pattern which thou art shewn in the mount.
Exodus 25:40 (YLT)

The principle is that the tabernacle and temple model greater realities, what's in heaven, spiritual truths. Pagans acknowledge the principle by saying, "As above, so below." The Olympic cauldron designs are made according to patterns shown to their builders "in the mount," so to speak, by their familiar spirit guides. If you think their designs are merely whimsical fashions you just don't understand the way of the occult and neither have you grasped just how important the light of the Olympic flame is to the master plan. The cauldron is a three dimensional symbol whose meaning and power complements and supports that of the flame and its light.

"The psychological mechanism that transforms energy is the symbol." (Carl Jung)

"To cast a spell is to project energy through a symbol." (Starhawk - from "The Spiral Dance" (popular manual for witchcraft))

The form of the Vancouver cauldrons is that of a pyramid. Pyramid structures are formed when, from a square base, each side rises to meet at a central point. You may not have recognized the cauldron as a pyramid because it's been obfuscated somewhat. Obfuscation is the customary practice of the occult, which is to hide a thing but not so much as to make it unrecognizable by those who know what to look for. While there are no visible sides in the structure as built you can imagine them as the planes that intersect the legs.

The pyramid, of course, is a very common occult symbol. It is seen from any side angle as the upward pointing delta that signals the heavenly sons of god. The pyramid structure represents a temple that in the occult view is for the worship of the many-named god Lucifer.

If you pause to consider the Vancouver cauldron as a pyramid with a Luciferian glow on top you should begin to recognize a familiar image. Can you picture a capstone with each corner of its square base resting on a horizontal-topped leg? The light of its flames emanates from this capstone. Consider the great seal and the eye within the glowing capstone. Uh-huh. Isn't that a coincidence? Uh, NO!

A passage of scripture presented in the last post is striking, given the insight connecting the Vancouver cauldron with the seal's infamous pyramid.

33) No one lights a lamp and puts it in a place where it will be hidden, or under a bowl. Instead he puts it on its stand, so that those who come in may see the light.
34) Your eye is the lamp of your body. When your eyes are good, your whole body also is full of light. But when they are bad, your body also is full of darkness.
35) See to it, then, that the light within you is not darkness.
36) Therefore, if your whole body is full of light, and no part of it dark, it will be completely lighted, as when the light of a lamp shines on you.
Luke 11:33-36

Got chills? This is profound, isn't it? The pyramid of the occult iconography and the Vancouver cauldron that is built on the same model should be understood according to the revelation of verse 34. The capstone eye is the lamp of the pyramid body. What is recognized as the all seeing eye of Horus, Osiris or Apollo can be considered as the bad eye of verse 34 whose body also is full of darkness. The capstone's Luciferian glow and the light from the Olympic flame is Luke 11:35's light that is darkness.

The pyramid on which the capstone sits is the many membered body on which the head sits with its eye. With its eye as the lamp of the body, this pyramidal cauldron is the lampstand in the vast temple described in the Olympic hymn. This lampstand, with its flame that was ritually acquired from the heavens on Mt. Olympus, casts the light of Zeus that is darkness, from the bad eye that is the lamp of its body, before the temple in which it has now been installed; Vancouver, British Columbia.

When you become aware of the curse that is upon Vancouver through the demonic agency of the flame and cauldron you have to see how the domain of the cursed Olympic flame truly extends far beyond. The people who attended the games and were directly within the temple lit by the flame (as the living stones (1 Peter 2:5-9) of the spiritual house of antichrist) have returned to their homes that are all over the world. Consider how the light of the flame has been seen globally by millions during the games through the visual media of television and how it continues to be seen in video published on the Web. Add to this what relates to the flame lighting and torch relay. Multiply this by how many Olympic events in recent years have featured such a flame and you will realize how this iconic imagery of the Olympic flame has come to be burned into the minds of so many of us today. Oh, and, uh, how popular and familiar is the imagery on the ubiquitous dollar bill? If curses are real, and, yes, they really are, this situation has to be recognized for its role in preparing the world for the day when Apollo, son of Zeus, ascends to his appointed throne.

The book of Revelation presents a scene that those indoctrinated into Olympism must perceive as the greater pyramid of the great seal's Masonic iconography and Vancouver cauldron. This view is of "spanning the globe," in the words that so many of us associate with the "wide world" of sports and the Olympics through the voice of Jim McKay, who covered 12 games.

1) After this I saw four angels standing at the four corners of the earth, holding back the four winds of the earth, so that no wind would blow on the earth or on the sea or on any tree.
2) And I saw another angel ascending from the rising of the sun, having the seal of the living God; and he cried out with a loud voice to the four angels to whom it was granted to harm the earth and the sea,
3) saying, "Do not harm the earth or the sea or the trees until we have sealed the bond-servants of our God on their foreheads."
Revelation 7:1-3

Aleister Crowley, the man who prided himself on being popularly labeled as "the wickedest man in the world," understood spells and curses. He strived to promote all things evil and publish it abroad. In this famous photograph, does the glowing eye of the pyramid capstone appear over his forehead merely for the sake of whimsical fashion? These are the elements of Revelation 7, are they not? Does the logo for PositiveID, the microchip implant company, combine the imagery of a glowing serpent's eye with a pyramid atop the globe of the earth at the rising of the sun for naught? Connect the dots. Be wise as serpents and harmless as doves. There is a Satanic conspiracy afoot and the dark light-bearer's goal is in sight.

For yet another example, consider the pop diva Lady Gaga and her homage to Crowley, whose logo you see here with the headless body of Zeus/capstone-less pyramid. She famously has an obsession with eyes, frequently drawing attention to one at a time. Gaga, by the way, is the name of a Babylonian/Assyrian deity. See "The Religion of Babylonia and Assyria" by Morris Jastrow. Use the book search feature at that link to find instances of "gaga."

I'm about ready to address the three-legged construction formed on opening night. To understand the meaning you have to see the Vancouver cauldron as a symbol of the human body. I already identified the lampstand as a temple and as a body. It represents both a collective "many membered" body and an individual body of flesh. Of the latter it's also the DNA at the cellular level. You will not see in the image of the cauldron either the form of the human body (which you do in the Vancouver 2010 logo's inunnguaq) or the helical ladder form of DNA (as you can in the triple helix cauldron of the 2002 Winter Olympics in Salt Lake City, Utah). However, when you consider the component elements of the cauldron as the ice crystals they resemble you can relate the structure to crystalline DNA.

The crystalline cauldron represents the crystalline DNA of the body. While I'm not aware of any plans for a four strand structure, one with three strands is another matter altogether! With three strands the cauldron  presents the triple helix DNA model I've been teaching about through an extended series of posts. Yes, it's yet another occult testimony about transforming man into a hybrid god-man, a creature that will be found no longer in the image of his Creator but rather in the image of the serpent. If you understand the symbolic closing ceremonies of the Beijing Olympics you know full well the Olympics are all about promoting procreation with the gods and bringing forth hybrid offspring. The host facilities can be flooded with bazillions of condoms and it won't diminish the baby boom-ish numbering of spiritual children conceived by even one!

So, the fact is that a three-legged crystal was formed on opening night as the central focus of ceremonial ritual in BC Place! The drama created by the apparent "failure" of one a fourth leg to rise into place brought added attention to the image created. This imagery was recreated during the closing ceremonies in such a way as to make it one of the stand-out memories of the Vancouver 2010 Olympics. Could the focus of attention on an illuminating three legged crystalline body-temple have been unintentional? Sure. Was it? I think not.

Having now addressed one of the messages signaled by the Olympic cauldron's "technical malfunction," Lord willing, I'll address the other in the next post.