Part 3 - About the Schedule of the Pending Reset of Time

The notable pattern of the shemitah, devoured and devouring, is a key to the schedule of the pending reset of time. This pattern appears in the 29th chapter of Genesis where the central theme speaks loudly to us of the reason for the delayed fulfillment of prophecy. This passage also features the Keystone pattern of 3 sets that are followed by a distinct 4th wherein fulfillment is found!

Genesis 29: Jacob Labors 7 Years for Rachel Twice Under Contract with Laban

There's a dramatic story involved when the patriarch Jacob (later known as Israel) meets his beloved wife, Rachel. He loves her and to secure her as a wife he enters into a labor contract with her father.

16 Now Laban had two daughters; the name of the older was Leah, and the name of the younger was Rachel. 17 And Leah’s eyes were weak, but Rachel was beautiful of form and face. 18 Now Jacob loved Rachel, so he said, “I will serve you seven years for your younger daughter Rachel.” 19 Laban said, “It is better that I give her to you than to give her to another man; stay with me.” 20 So Jacob served seven years for Rachel and they seemed to him but a few days because of his love for her. 21 Then Jacob said to Laban, “Give me my wife, for my time is completed, that I may go in to her.” 22 Laban gathered all the men of the place and made a feast. 23 Now in the evening he took his daughter Leah, and brought her to him; and Jacob went in to her. 24 Laban also gave his maid Zilpah to his daughter Leah as a maid. 25 So it came about in the morning that, behold, it was Leah! And he said to Laban, “What is this you have done to me? Was it not for Rachel that I served with you? Why then have you deceived me?” 26 But Laban said, “It is not the practice in our place to marry off the younger before the firstborn. 27 Complete the week of this one, and we will give you the other also for the service which you shall serve with me for another seven years.” 28 Jacob did so and completed her week, and he gave him his daughter Rachel as his wife. 29 Laban also gave his maid Bilhah to his daughter Rachel as her maid. 30 So Jacob went in to Rachel also, and indeed he loved Rachel more than Leah, and he served with Laban for another seven years. ~ Genesis 29:16-30

The pattern of the first shemitah being eaten up by the one that follows is suggested in verse 20 as "they seemed to him but a few days." They were minimized, in time! A more literal translation of the Hebrew word אֲחָדִ֔ echad, which means, one, reveals how the first set of seven years seemed to him as one single day.

Think about Jacob's serving Laban for his beloved bride like this. He did it once, fulfilling his 7 year term with a disappointing result. Then he had to do it all over again - serving another 7 years - but with this service he secured his promised beloved. Are you seeing the prophecy in this?

As this recent season of increasing insight began, Aaron sent an email to me on the 19th of March. He expressed this so well that I'll just reproduce it here.

"Looking through Jasher and trying to find the Moses material with the serpents and I came across chapter 31 and it is the account of how Jacob was forced to do a repeat of his 7 years of service for the Bride he really wanted. He worked the first seven years thinking he was getting Rachel and instead he got Leah - so he had to do another 7 year stint to get the one he really wanted - Rachel. With this being about getting the bride he really wanted - that speaks to me of The Lord working and reworking the time periods to make sure He gets the Bride He is really after - and deserves!"

Jacob and Rachel are a type of the Bridegroom and the Bride. The first 7 year term of Jacob's labor for Rachel is a prophecy about our present shemitah, and to be sure, deception has been involved. For us, the model was masked, according to how it was that Jacob did not realize he had received Leah in Rachel's stead. There is an underlying legal issue involving sequence that must be honored and, for this reason, another contract term is required in order to legally secure the Bride for the Bridegroom. This explains what we perceive as a delay, the deferment of our hope. For the sake of the Bridegroom's love for His Bride, another full contract term will be fulfilled and the result will be most satisfying! As Jacob received 2 brides and their maids and all their offspring as a result of his patient service, so will the Lord's heritage be brought forth with abounding fruitfulness, to the glory of the Heavenly Father! We are certainly cognizant of the truth that this matter is not only about the Bride but also a people numbered as 144,000 sons of Israel. We have set forth the key relationship between the Bride and those 144,000 in writings about Romans 11, Genesis 45 (Benjamin-as-Bride) and Acts 12 (Peter-as-Bride). Through the agency of these two corporate entities, others of both the Jew and Gentile branches of the Olive Tree will be blessed toward the end of the achievement of maximum salvation.

This present shemitah numbering 860 may be seen as a Leah week. Verse 17 is interpreted in most versions with Leah having tender or weak eyes and her description is contrasted with one of Rachel's attractive appearance. To Jacob, she was unloved, and we have not been fond of the look of this present season. This is far from the experience of satisfaction that we have so earnestly longed for! According to J. B. Jackson, the name, Leah, means, weary, and we have a sense of that as the extended age seems to have long overstayed its welcome.

The name, Rachel, means, ewe, a female sheep. This observation illustrates how our attention is flagged in the circumstance of her coming to meet Jacob because, as this 29th chapter begins, we find "the ewe" acting as the shepherdess (verse 9) of her father's flock of sheep.

1 Then Jacob went on his journey, and came to the land of the sons of the east. 2 He looked, and saw a well in the field, and behold, three flocks of sheep were lying there beside it, for from that well they watered the flocks. Now the stone on the mouth of the well was large. 3 When all the flocks were gathered there, they would then roll the stone from the mouth of the well and water the sheep, and put the stone back in its place on the mouth of the well. 4 Jacob said to them, “My brothers, where are you from?” And they said, “We are from Haran.” 5 He said to them, “Do you know Laban the son of Nahor?” And they said, “We know him.” 6 And he said to them, “Is it well with him?” And they said, “It is well, and here is Rachel his daughter coming with the sheep.” 7 He said, “Behold, it is still high day; it is not time for the livestock to be gathered. Water the sheep, and go, pasture them.” 8 But they said, “We cannot, until all the flocks are gathered, and they roll the stone from the mouth of the well; then we water the sheep.” 9 While he was still speaking with them, Rachel came with her father’s sheep, for she was a shepherdess. 10 When Jacob saw Rachel the daughter of Laban his mother’s brother, and the sheep of Laban his mother’s brother, Jacob went up and rolled the stone from the mouth of the well and watered the flock of Laban his mother’s brother. 11 Then Jacob kissed Rachel, and lifted his voice and wept. 12 Jacob told Rachel that he was a relative of her father and that he was Rebekah’s son, and she ran and told her father. ~ Genesis 29:1-12

It is in "the ewe's" shepherding of that flock that the Keystone pattern is concealed and revealed! When Rachel shepherds that flock to the well there are already three flocks lying there beside it, according to verse 2. This is the pattern of 3 things of a kind being followed by a 4th that is similar but which is specially appointed! We note how this pattern is given special emphasis in verses 7 and 8. We note also that the matter of the stone having to be rolled from the mouth of the well is also repeated for emphasis, and with the water-as-time metaphor having become so familiar - especially in connection with stones (the 5 smooth stones David selected from the brook, the 12 stones that Joshua had removed from the Jordan River and the 12 he subsequently placed back into the river bed at the feet of the priests who bore the ark of the covenant) - we can hardly dismiss it here! The flocks come to the well to be watered in turn - signifying divisions of time.

We didn't include this passage among the 15 examples presented in the writing, The Keystone Pattern - Three Things Then the Fourth, but here it is in connection with the pattern of the shemitah, devoured and devouring!

There are some other outstanding features in this account that add to those and together make this account incredibly compelling!

Scenarios where a bride type is met at a well where water is drawn are very familiar to us. I'll recount some of them (leaving the many relevant points in common to your own personal study) and make a point about the symbolism of the water. Jacob's own mother Rebekah (who was Laban's sister) had come to a well where she was met by Abraham's servant. The servant had been sent to fetch a bride for Isaac. He met Rebekah at a well, and her drawing of water from it to water his animals was a sign to him. Later, Moses (who was descended from Jacob and Leah through their 3rd son, Levi) met his bride and Bride-type, Zipporah, at the well in Midian when she had come to water her father's flocks. You might consider this as kind of a family tradition. (See The Bridegroom and the Bride) The Bridegroom and a Bride-type met at a well in an account given in the 4th chapter of John. Jesus of Nazareth (in his humanity, descended from Jacob and Leah and their 4th son, Judah) spoke with this Samaritan woman about her marital status, the greatness of the patriarch Jacob, whose well it had belonged to and who was a foreshadowing type of the one she was actually speaking with, and water.

7 There came a woman of Samaria to draw water. Jesus said to her, “Give Me a drink.” 8 For His disciples had gone away into the city to buy food. 9 Therefore the Samaritan woman said to Him, “How is it that You, being a Jew, ask me for a drink since I am a Samaritan woman?” (For Jews have no dealings with Samaritans.) 10 Jesus answered and said to her, “If you knew the gift of God, and who it is who says to you, ‘Give Me a drink,’ you would have asked Him, and He would have given you living water.” 11 She said to Him, “Sir, You have nothing to draw with and the well is deep; where then do You get that living water? 12 You are not greater than our father Jacob, are You, who gave us the well, and drank of it himself and his sons and his cattle?” 13 Jesus answered and said to her, “Everyone who drinks of this water will thirst again; 14 but whoever drinks of the water that I will give him shall never thirst; but the water that I will give him will become in him a well of water springing up to eternal life.” 15 The woman said to Him, “Sir, give me this water, so I will not be thirsty nor come all the way here to draw.” 16 He said to her, “Go, call your husband and come here.” ~ John 4:7-16

There is a living water that has to do with eternal life, which has to do with persisting without end - beyond time, you see. Water-as-time, endless water springing up.

Having made these observations about the centrality of the Bride in this prophetic doubling of the shemitah of Jacob's contract terms with Laban in the 29th chapter of Genesis, let's reflect on the account of the 41st chapter of Genesis. After Joseph interpreted the Pharaoh's dreams of the bountiful 7 years being swallowed up by the famine 7, he was immediately promoted to second-in-command and given a bride, so that is another example with a Bridegroom-type marrying a Bride-type in the context.

Then Pharaoh named Joseph Zaphenath-paneah; and he gave him Asenath, the daughter of Potiphera priest of On, as his wife. And Joseph went forth over the land of Egypt. ~ Genesis 41:45

Several days ago, I was watching a video and the scientist made the following observation. "You can't prove scientific things in a laboratory the same way you prove mathematic theorems. You prove things in a laboratory by piling up so much evidence that its simply unreasonable to deny it." The panel seen on screen had it expressed this way. "Proof is evidence that is so strong that it would be statistically unreasonable to deny it." This speaks to both Aaron and myself in comparison to how it is with the evidence we present. The evidence piles up to make certain points that are increasingly compelling. There comes a tipping point, where we become convinced, where we believe the testimony of the collection of independent witnesses. We are becoming convinced, as the Lord continues to bring forth more witnesses of the kind that have spoken so loudly to us over many years. The redundancy of the patterns, the consistency of the symbolism, the nature and timing of the signs attending the expanding insight - these are hard to deny.

Having a precise knowledge of the time as this age comes to the most significant points of transition has been the key to our knowing that this timeline has been skewed off the prophetic schedule. The matter of knowing it again after the reset of time will be essential when the sign for the Bride manifests in the context of the great hoax. Likewise, our having confidence in knowing the schedule of the reset appears to have value, so we intend to continue passing what we receive on to you, as the Lord provides.

Help us if you can, participating with us in this work with prayer and funds and whatever else the Lord may inspire. This shemitah will be swallowed up but what remains of our labors in faith, hope, and love will have enduring value. We pray that you find strength and encouragement in this. Pray for each other. You and your precious brothers and sisters in the Lord have need beyond even what we see on the surface.

Part 2 - About the Schedule of the Pending Reset of Time

Having already offered an adequate introduction, we'll begin Part 2 of this series with a passage that was among the first insights of this season about the swallowed seven, the shemitah devoured and devouring.

Exodus 7: God's Staff-Serpent-time Consumes Magic Staff-Serpent-times

It was on the 21st of March that Aaron and I had the conversation where the prompting of "What's Next?" resulted in seeing the staffs and serpents in Exodus 7 (and Jasher 79) as time symbols.

8 Now the Lord spoke to Moses and Aaron, saying, 9 “When Pharaoh speaks to you, saying, ‘Work a miracle,’ then you shall say to Aaron, ‘Take your staff and throw it down before Pharaoh, that it may become a serpent.’” 10 So Moses and Aaron came to Pharaoh, and thus they did just as the Lord had commanded; and Aaron threw his staff down before Pharaoh and his servants, and it became a serpent. 11 Then Pharaoh also called for the wise men and the sorcerers, and they also, the magicians of Egypt, did the same with their secret arts. 12 For each one threw down his staff and they turned into serpents. But Aaron’s staff swallowed up their staffs. 13 Yet Pharaoh’s heart was hardened, and he did not listen to them, as the Lord had said. ~ Exodus 7:8-13

As the serpent and staff of God ate up those produced by the secret arts, so will God's timeline of history prevail over the skewed timeline produced by the secret arts in our day. This corrupted shemitah numbering 860 from creation will be 86-ed, in a figure, eaten up by Shemitah 861 like one snake might consume another. Only one will remain, but yet as having consumed the other. It is said that, you are what you eat, and this is pertinent.

In advance of the confrontation with Pharaoh, Moses had met with I AM at the burning bush, where he received a commission. It was there that the staff was first turned into a serpent and then back again into the staff, as a sign.

1 Then Moses said, “What if they will not believe me or listen to what I say? For they may say, ‘The Lord has not appeared to you.’” 2 The Lord said to him, “What is that in your hand?” And he said, “A staff.” 3 Then He said, “Throw it on the ground.” So he threw it on the ground, and it became a serpent; and Moses fled from it. 4 But the Lord said to Moses, “Stretch out your hand and grasp it by its tail”—so he stretched out his hand and caught it, and it became a staff in his hand— 5 “that they may believe that the Lord, the God of their fathers, the God of Abraham, the God of Isaac, and the God of Jacob, has appeared to you.” 6 The Lord furthermore said to him, “Now put your hand into your bosom.” So he put his hand into his bosom, and when he took it out, behold, his hand was leprous like snow. 7 Then He said, “Put your hand into your bosom again.” So he put his hand into his bosom again, and when he took it out of his bosom, behold, it was restored like the rest of his flesh. ~ Exodus 4:1-7

Moses had been directed to grasp it by its tail, which is not how you would handle a normal snake. This speaks of sequence and magnifies this as a time sign, of the supernatural restoration of the earlier form. This interpretation is lent further support by the leprous hand sign (like snow - frozen water-as-time).

This next account is specially related to the one above.


Genesis 41: Pharaoh's Dreams of the Cows and Ears - 7 Years of Abundance eaten up by 7 years of Famine

In Pharaoh's dream, we understand the Nile to represent the river of time, using the same metaphorical language found in the books of Daniel, Ezekiel, Revelation, Exodus, and Joshua, among others. Pharaoh saw himself standing on the bank, which is to say, witnessing a passing of time that is in accord with the convention of this age.

17 So Pharaoh spoke to Joseph, “In my dream, behold, I was standing on the bank of the Nile; 18 and behold, seven cows, fat and sleek came up out of the Nile, and they grazed in the marsh grass. 19 Lo, seven other cows came up after them, poor and very ugly and gaunt, such as I had never seen for ugliness in all the land of Egypt; 20 and the lean and ugly cows ate up the first seven fat cows. 21 Yet when they had devoured them, it could not be detected that they had devoured them, for they were just as ugly as before. Then I awoke. 22 I saw also in my dream, and behold, seven ears, full and good, came up on a single stalk; 23 and lo, seven ears, withered, thin, and scorched by the east wind, sprouted up after them; 24 and the thin ears swallowed the seven good ears. Then I told it to the magicians, but there was no one who could explain it to me.” 25 Now Joseph said to Pharaoh, “Pharaoh’s dreams are one and the same; God has told to Pharaoh what He is about to do. 26 The seven good cows are seven years; and the seven good ears are seven years; the dreams are one and the same. 27 The seven lean and ugly cows that came up after them are seven years, and the seven thin ears scorched by the east wind will be seven years of famine. ~ Genesis 41:17-27

The 7 years of plenty were devoured or swallowed up by the 7 years of famine. The cows and ears compare to the serpents and staffs.

In the days of Joseph and the famine in Egypt, the 7 bountiful and 7 famine years were consecutive, and so it is today. Yet, there's a twist. There is a prophetic layer where this grain of salvation applies on a level beyond that which saves people during a literal famine. This is demonstrated in the wonderfully rich and very exciting typological prophecies of Joseph and Benjamin - Part I and Part II. What's recorded in the scriptures is there as a historical account but yet is also there for a prophetic testimony. This informs us very particularly about our day, when the 7 bountiful and 7 famine years are consecutive, as before, yet also are one and the same, in the very way that was so colorfully illustrated by Pharaoh's doubled dream - as the famine shemitah swallows up the bountiful!

We believe we are now well into the 5th year of the bountiful shemitah and that what is essential for salvation is being grown and stored away in the spiritual granaries. Fill up and watch carefully over your silos, family!

Here's a bit of personal history regarding the interpretation of Pharaoh's dreams. After the Spring of 1994 passed without witnessing the resurrection that I later came to identify as the Bride Theft, I knew that the 1st shemitah from 1991 was not the one appointed for fulfillment. I found hope in this pattern of Pharaoh's dreams and the salvation provided through Joseph's stewardship, and my sights were set on 2001. Again, I suffered a crushing disappointment as hope was deferred. After that rough lesson about how the simple pattern of the consecutive sevens did not begin in 1991, I had no clue about how this might apply in these last days. Aaron advanced a hypothesis over a year ago, speculating that it might relate to the reset, and it appears to us now that, yes, it does indeed!

Before moving on we should note some of the other elements relative to the accounts of Genesis 41 and Exodus 7. These bracket Israel's season of living in Egypt. Israel was brought into the land of Egypt by means of the severe famine that was the subject of Pharaoh's dreams about time periods eating up the previous time periods. Israel was brought out of Egypt about 4 centuries later when a significant role was played by the staff-serpent of God that ate up the staffs-serpents of those who practiced the secret arts. It should be noted that the wise men and magicians of Egypt failed in both cases while God's agents had the victory.

Another version of this notable pattern of the shemitah, devoured and devouring, appears in a passage of scripture that contains many of the elements that are being highlighted to us so brilliantly!

Awaiting Part 3, Lord willing!

Fringe and the Dandelion Sign of the Pending Time Reset

A few days ago I noticed this definition for Clock: #6 "The downy flower head of a dandelion that has gone to seed."

The TV series Fringe featured the dandelion clock in a very significant way in an episode that first aired on September 28, 2012 in an extremely notable season. Fringe: 5.01: Transilience Thought Unifier Model -11 aka Dandelion Wine (The Simple Joys of Yesterday)

"Oh, and it's neat that the episode begins and ends with a dandelion — at the start, Young Etta is picking dandelions and blowing their spores away, and at the end, a despondent Walter is staring at a dandelion in the wreckage."
IO9 ("We Come from THE FUTURE")

"The first and last shots of the final season premiere of Fringe focus on a dandelion. In the first, a dandelion has gone to seed, its time done. In the last, a newly matured dandelion stands straight and defiant in the middle of scorched earth. Soil proclaimed dead by the Observer, Windmark. Episode 5.01 closes inside the detritus of an abandoned taxi as a depleted Walter Bishop, a devout disciple of science, led by the prism light of a windchime CD tree; looks for inspiration after being battered by the torturous mind probings of Windmark. Not through science. But music."
Fringe Episode 5.01 Review – Dandelion Wine

At the end of the episode, Walter Bishop is in the year 2036 and the earth is very barren. He sits in an abandoned cab and spies a lone dandelion, flowering, which brings a tear to his eyes - a sign of hope!

Henrietta Bishop
Fringe Wiki - Transilience Thought Unifier Model-11
Wikipedia: Transilience Thought Unifier Model-11

Fringe, was famous for doing very clever things with symbols. The title has to do with what things are considered fringe science, which more and more being considered as cutting edge. The plot of the show featured an alternate dimension and interaction between the dimensions. It also featured a class of beings called Observers. Think Watchers, as in the class of angels who fell from heaven to earth, as per Genesis 6 and Enoch 7 and 8. Certain characters in Fringe not only passed from one dimension into the other in the same relative time, they sometimes teleported into the past or into the future. In connection with these events, Fringe showed the knowing exploitation of symbols like the bell and tuning fork and entheogens and the metaphor of water as time. These are the kinds of tells that reveal the knowing and purposeful presence of Luciferian Occultism behind the production. My point in saying that is this, that the dandelion as clock is being used with knowledge to convey something secretly. We'll explain more, but we believe it can be taken as a sign of the pending reset of time. Another flower, a white tulip, was used symbolically on the show, which should speak to those of you who watched it closely. The White Tulip was received by Walter as a sign from God (that was actually revealed to have been given by a friendly Observer("Watcher") named September, yes, same as the month.)

When I think of Fringe and what esoteric meaning they might be misdirecting us away from by pointing us to the fringe science, it speaks to me now of the literal fringe of this passage of scripture, which describes the sound made by the bells and how this was necessary for the Aaronite High Priest's annual appointment with the Most High God in the Most Holy place.

4 And these are the garments which they shall make: the breast-plate, and the shoulder-piece, and the full-length robe, and the tunic with a fringe, and the tire, and the girdle; and they shall make holy garments for Aaron and his sons to minister to me as priests.
33 And thou shalt make the full-length tunic all of blue. 34 And the opening of it shall be in the middle having a fringe round about the opening, the work of the weaver, woven together in the joining of the same piece that it might not be rent. 35 And under the fringe of the robe below thou shalt make as it were pomegranates of a flowering pomegranate tree, of blue, and purple, and spun scarlet, and fine linen spun, under the fringe of the robe round about: golden pomegranates of the same shape, and bells round about between these. 36 A bell by the side of a golden pomegranate, and flower-work on the fringe of the robe round about. 37 And the sound of Aaron shall be audible when he ministers, as he goes into the sanctuary before the Lord, and as he goes out, that he die not. ~ Exodus 28:4, 33-37 (Brenton Septuagint Translation)

Early in the episode we see the clock that is the downy flower head of a dandelion that has gone to seed blown away by young Etta. As time itself is scattered to the wind, in a figure. At the end, the flowering dandelion in its splendor is seen in a place where hope is clung to with desperation. Walter's attention was drawn to the setting by the sunlight that reflected into his bedroom off the collection of CDs hanging over a large metal tub. They were apparently placed there to act as a scarecrow, to keep birds away from the tub that must have been used as a planter. It may be said that farming demands faith and hope, with the effort made in the hopeful expectation of an eventual harvest.

The way of a dandelion is that the seeds produce more dandelions, so the order of the appearance of the two images in that sequence makes perfect sense. HOWEVER - if you've ever watched the show, Fringe is seldom about simple things and their natural order. There may be a hint of where the esoteric meaning lies in the alternate title of the episode, "Dandelion Wine (The Simple Joys of Yesterday)."

This episode speaks to us of the turning back of the clock (dandelion). We see this in a figure as the same dandelion, from having gone to seed to being back in its former glory, back in the past - with the clock or time reset into the past.

Here's an image I found. Someone else made this, and it does speak to us of hope, specifically, THE HOPE and our hope that now depends upon the reset of time. Although precious few will realize what has happened, we'll find ourselves returned into the past. The recent years of time we've just experienced will be repeated. The biblical schedule that has been prophesied will unfold - and this second time around - right on schedule!

One thing that makes this fresh insight into a show that aired over five years ago compelling is because this was the insight I had almost immediately upon learning that the dandelion head was called a clock.

Another thing that makes this compelling is the dates involved. The show first aired in 2012 just a few weeks after the London Olympics and Paralympics concluded. (The time suggestive Paralympics motto being: "Inspire a Generation") We remain convinced that that was a crucial season with regard to when time itself was skewed. Etta was blowing on the dandelion just before she disappeared, and was not found. That was set in 2015, and it was in the Spring of 2015 that we became thoroughly convinced by supernatural signs and revelation insight that time had indeed been skewed.

What makes this more compelling yet is what's been happening since I decided to work on this post and began to write it! Yesterday I was working on another project, the time portal opening ritual in PyongChang South Korea that was presented during the Opening Ceremony of the Winter Olympics. Unless the Lord directs otherwise, I typically continue work on whatever project is current. The Lord directed otherwise, obviously. This morning, I reviewed the latest news and published a post about Hollywood's witch casting out demons by Beelzebel (also, Beelzebub). I then began working on this post about the dandelions framing the Fringe episode. Then, I was interrupted with a plumbing issue.

The toilet in the rental where I live has an occasional problem where it fails to flush properly, even when nothing unusual is asked of it. Usually, a plunger and a minute or so of effort returns it to its usual function. Not this time. That's a first. It's still not flushing properly. The landlord will be tending to this soon, I expect. Because of the water as time metaphor, I'm always attentive to water related events. I don't want to make something of nothing, but when there is a sign, I don't want to miss it. If we weren't just put on alert a few days ago for the same thing I'd perhaps not see the interruption in this writing of a time reset sign post with a plumbing water event as a sign. But we were!

Early yesterday morning (Tuesday, the 20th), Aaron had to deal with the same thing, a toilet that wouldn't flush, and this was the very first time it actually overflowed a little. During the brief span that it overflowed and he mopped it up, he observed that the 12:21 time had passed. He wasn't led to see it when the clock read that time, but still, there's that. There's more to this. He put a rug and towels in the washing machine. A little later he heard a loud banging. The washing machine had walked itself about 4 feet out of place. That's a water drainage issue too, because the washing machine had started a spin cycle and whatever load balance issue was not resolving itself caused a failure of the water to drain. Now, aside from that, we had been talking together about the flooding outside. He lives on the river directly across from a dam. For the first time since he lived there, the water had begun to flood over the roads nearby and at least had come right up to the very top of the dam. The high water and flooding happens because the water isn't draining fast enough, right? So, after he told me about all these things we prayed together and talked about whether or not these were to be considered as time signs. We agreed that we had no insight about it, but that it should just be recorded and we would stay on alert, being confident that if this was meant as a sequence of time signs that the Lord would make it plain. At this point, it's plain enough. Yes. In connection with the toilet flushing issue here in Greensburg and with the writing of this post. The water signs are linked to this post about the time reset. With the extended span of time involved, I believe it is more broadly inclusive of the Olympic Ceremony's opening of the time portal that was the subject of the video project I worked on yesterday, as well as the video we published just before that, the final one of the Transformers trio where the cryptic presentation of the Great Pyramid as a time weapon was the subject.

Aaron and I reviewed and discussed this post before publishing it and a few other items seem relevant. This is the 12 month, on the Lord's calendar, and today is the 21st day, on the Pagan Gregorian calendar. Different calendars but still those are the pertinent time numbers. Not long ago, Aaron had a time stopping sign when the water pipe in his upstairs bathroom froze during a cold snap earlier this Winter. We're still experiencing a significant funding deficit and, on the money as time metaphor, we have to see this in context as consistent with the water flow stoppage signs. What the Autobot named Hot Rod said in the climactic scene of Transformers, The Last Knight, echoes in my ears. "I save you. I stop the time."

These are strange times. This season will not last. Yesterday is coming. While few will perceive what happened, what is being done in this season matters. The Lord keeps perfect records. Let us encourage you to make the most of what you've got.

Jim Carrey. Legit Whistleblower, or?

It still looks to us like Jim Carrey is a master of the limited hangout. Blowing cover - as cover.

Jim Carrey: 'The Illuminati is Brainwashing Children into Worshipping Satan' Hollywood star says entertainment industry is pushing Satanism

Over three years ago now, as a guest on Jimmy Kimmel Live (LIVE, backwards is, EVIL), the award winning and controversial actor and comedian made a show of a silly looking triangle mouth sign. He used this as a spin off the triangle eye sign famously flashed by celebrities to launch a conspiracy theorist/insider kind of routine.

Jim Carrey's Secret Hand Signal - on Jimmy Kimmel Live, 11/14



Quiz time. What's the meaning of the sign? Hint. The astronaut shirt he's wearing.

The mouth is the opening of his GI tract that he can get away with actually showing on TV. The triangle sign he's obviously referencing is the one always being flashed by models and actors and singers. It means the same thing. The eye is the mouth, like the mouth of a river; the outlet. The eye is one framed by the anal triangle, the Horus Eye. The astronaut shirt is a way of validating the meaning. ASStronaut.

The foul version, which is what Jim Carrey is really modeling, is the sex act called analingus where the tongue is stuck into someone's anus.

But hey, it's a joke, right? It's all in good fun. Actually, only the sodomites think this is funny because the joke is on us, the mass audience who are mind controlled, naive, and ignorant, who can't see past the cover spells of the illusionists, hypnotists and illuminated magicians.

When Jim Carrey starts to explain things like we just did openly, admitting to his complicity, we'll start to think he might be recovering and a legitimate whistleblower who has gained real freedom from his sodomite handlers and their programming. As we wait for that, we're not holding our breath.

The astronaut shirt he's wearing exposes a double E signaling of Code 33, which features ritual sodomy illumination as a primary layer of meaning. The slogan declares. “I need more space.” SPACE, in simple Occult gematria, is 44. A Code 47 goddess number. He's modeling the Black Madonna, who is usually seen with Harpocrates (as the boy Horus is known). It's a familiar pairing, the goddess and foul sodomite programming.

Here's a collection of interesting articles on the NeonNettle.com site. (Robert Downey Jr. starred in the Sherlock Holmes film franchise, which was overflowing with very specific Thelemite Illuminist witchcraft.)

http://www.neonnettle.com/news/3160-jay-z-satan-is-our-true-lord-only-idiots-believe-in-jesus-
http://www.neonnettle.com/news/3305-miley-cyrus-worship-satan-if-you-want-to-be-rich-famous-like-me-
http://www.neonnettle.com/news/2694-taylor-swift-is-about-to-expose-elite-pedophiles-and-satanic-illuminati
http://www.neonnettle.com/news/1642-brad-pitt-reacts-to-angelina-s-hollywood-illuminati-ritual-video
http://www.neonnettle.com/features/1157-israel-prime-minister-s-son-exposes-soros-reptilian-illuminati-connection
http://www.neonnettle.com/news/2565-robert-downey-jr-blows-the-whistle-on-elite-hollywood-pedophile-ring
http://www.neonnettle.com/news/2918-robert-downey-jr-las-vegas-shooting-was-an-illuminati-blood-sacrifice-

Most of you won't want to explore this further, but if you're so led down this dirty road, here's a couple more productions involving Hollywood's icons. It's not really mainstream and, while there is no nudity, you are being warned right up front that the content is NSFW - not safe for work - because of the subject matter, and it is only appropriate under special circumstances.

Meet the Feebles - with lyrics (An overt celebration of sodomy - written and directed by Peter Jackson [LOR])

"low hangin fruit" by Tenacious D (Jack Black and Kyle Gass)

Observations on the function and role of the Great Pyramid

I have known for over 30 years that the Great Pyramid embodies the numbers of our earth, moon and sun, and that it's specially positioned and aligned with the earth and heavens. I have been aware that there is an internal calendar system that identifies significant biblical events that I know to be legitimate through revelation insight and biblical astronomy. The purpose for all these observations was a mystery to me until the Lord shined a light on it many months ago, as I was researching the time codes of the film, The Lake House, and perceiving the threats and boasts made by the supernatural entities responsible for that remarkable production. We have produced and published several pertinent videos on these subjects in recent years.

The Great Pyramid is the key element in an ancient system that facilitated warring in the heavenlies. It's a kind of counterpart to the Ark of the Covenant, a special interface between heaven and earth. It was a time weapon, a device that was used to manipulate space-time dimensional constructs. Although it was disabled long ago, it remains as a witness, and a partially functional reminder that there is nothing new under the sun.

9 That which has been is that which will be,
And that which has been done is that which will be done.
So there is nothing new under the sun.
10 Is there anything of which one might say,
“See this, it is new”?
Already it has existed for ages
Which were before us.
11 There is no remembrance of earlier things;
And also of the later things which will occur,
There will be for them no remembrance
Among those who will come later still. ~ Ecclesiastes 1:9-11

That is one of the many notable 9-11 passages in the Bible.

About a year and a half ago, the Lord had began to highlight some things to me, among them how Dr. Joseph Farrell was right about the Great Pyramid being a kind of “Giza Death Star.” He understands how resonant systems have an energetic connection. Energy is either drawn from or fed into one system from another through the operative principle of resonance. The transfer is influenced by amplitude and the tuning of phase and harmonics. The Great Pyramid is the central element in a vast number of energetic nodes, the grid of ancient and modern monuments. This network is an array of antennas for receiving and broadcasting energies and control over the flow was managed through the Great Pyramid. Storage and conversion capabilities are inherent.

The pyramid's vast numbers of significant dimensional analogs are not present for no reason. The accurate calendar is not present for no reason. Think about it. History, or, time itself, is one of the dimensional analogs. Across the full spectrum, these dimensional analogs establish a lock in space and time dimensions, referential bindings that may be exploited according to intention. The energies of the systems were, in a former age, able to be managed toward the manipulation of space-time dimensions. If you're oriented toward the technical, consider how we are now very openly expoiting technologies of quantum physics, muon radiation, the principles of missile locks, radar jamming, coherent energy transmissions, holographic projection, ultrasound penetration imaging (and cellular manipulation/destruction as with cancer), microwave radiation, 3D cymatics, acoustic levitation, the projection of voices in heads in targeted spacial domains, vortex math and toroidal flow. It any of this seems like a stretch, consider the capabilities demonstrated by the implementations of AI, and what we may be kept in the dark about. With regard to AI, there is another form of intelligence behind it. When it is known that the almighty God created all, having the end already in mind, the only rational conclusion that may be drawn is that the created being we know as the Devil did not appear by accident. Although he has already been defeated, in truth, the Adversary's authority will continue to manifest in this age and the next, according to limits that are established and maintained by the eternal and sovereign Most High God of Abraham, Isaac, and Jacob.

The evidence that there is a supernatural component to the Great Pyramid-centric ancient monuments should be obvious, since the nodes in the network have to do with worship and ritual sacrifice. When the fallen angels began to manipulate human, plant and animal genetics, they exploited the secrets of heaven to a point where the physics of this creation had to be changed to assure that it would no longer be subject to such exploits, as evidenced by the sign of the rainbow.

Here's a passage of scripture that bears repeating here.

19 The kings came and fought, then fought the kings of Canaan in Taanach by the waters of Megiddo; they took no gain of money. 20 They fought from heaven; the stars in their courses fought against Sisera. 21 The river of Kishon swept them away, that ancient river, the river Kishon. O my soul, thou hast trodden down strength. ~ Judges 5:19-21

We've written plenty on the subject of the water-as-time metaphor. It's evident here. Stars in their courses are angels in their dimensional transits, stargates, if you will. They were exploited for warring in the heavens and on earth. When you consider what might be meant by that ancient river, the river Kishon (kedumim nachal) it's not just some natural stream of water that flowed through the land a long time ago.

Consider a couple verses from earlier in the chapter.

4 Lord, when thou wentest out of Seir, when thou marchedst out of the field of Edom, the earth trembled, and the heavens dropped, the clouds also dropped water. 5 The mountains melted from before the Lord, even that Sinai from before the Lord God of Israel. ~ Judges 5:4-5

Water-as-time. Do you understand the language where the clouds of heaven are vehicles or transit/teleportation mechanisms? (see Heaven's Vehicles - UFOs - Fake and Genuine. Brother Jim Wilhelmson gets it. Echoes of Enoch.)

How are mountains melted? Physical evidence exists as proof that they have been. In today's world, the evidence of the use of mountain melting directed energy weaponry is part of the legacy of Silver Gate NYC's Ground Zero and 9-11.

Then were the horsehoofs broken by the means of the pransings, the pransings of their mighty ones. ~ Judges 5:22

The mechanism of this transiting was broken. Right where the rubber meets the road, so to speak. Dr. Farrell describes the dismantling of the weaponized system from his understanding of ancient texts, together with his understanding of the physics evidently involved with the Great Pyramid.

Consider this enigmatic work of ancient masonry in Peru, outside the city of Cusco. Why would the builders make walls of such irregular stones? How could such stones have been found or made and fit together with such incredible precision?

The place is known variously as Saksaywaman, Saqsaywaman, Sasawaman, Saksawaman, Sacsahuayman, Sasaywaman, Sacsayhuamán, Sacsayhuaman, Sacsahuaman, Saxahuaman. Waman means, falcon or variable hawk, so connect this place with the flying serpent or Dragon, and Horus/Apollo.

The physical evidence suggests that the legends are true. The ancient builders had technology that could melt and reform stone, and transport massive objects by means of levitation. What would be the reason for unique and irregular stones? One answer involves magick, ritual and mathematics. Another involves the principles of resonance. If you fed energy into one stone according to its dimensions of mass and shape and location, the oscillations produced would be damped by every stone that surrounds it. It's a durable construction, resistant to assaults by energy weaponry and perhaps resistant to probe technologies, providing security through opacity and obscurity, cover, a place to hide.

The walls of Jericho fell FLAT when trumpets were blown amidst the shouting of a people, at the conclusion of a timed ritual that was performed at the direction of the Most High God.

15 Then on the seventh day they rose early at the dawning of the day and marched around the city in the same manner seven times; only on that day they marched around the city seven times. 16 At the seventh time, when the priests blew the trumpets, Joshua said to the people, “Shout! For the Lord has given you the city.
...
20 So the people shouted, and priests blew the trumpets; and when the people heard the sound of the trumpet, the people shouted with a great shout and the wall fell down flat, so that the people went up into the city, every man straight ahead, and they took the city. ~ Joshua 6:15-16, 20

There was a way of controlling the energies centralized in the Great Pyramid, taking what was received and converting it, storing it toward the eventual amplifying, focusing and transmitting toward or into some intended target. I believe it was driven by the intention of the Adversary expressed through a goddess loving hive mind of the networked collective of Luciferian Illumined, of demonically controlled and “psi-powered” and hybridized slaves and the symbol-magic/pharmakeia hypnotized/trance controlled masses.

I believe this control mechanism is what's being restored, alongside the environmental modifications of atmospheric seeding and heating (chem-trails, HAARP) and GMO bio-engineering that has a significant role in undoing the rainbow effect. The energy weaponry of time-space domains toward the end of assaulting the heavens is in view. One can hardly overlook what happened on the plain of Shinar with the city and tower of Babel.

4 And they said, Go to, let us build us a city and a tower, whose top may reach unto heaven; and let us make us a name, lest we be scattered abroad upon the face of the whole earth. 5 And the Lord came down to see the city and the tower, which the children of men builded. 6 And the Lord said, Behold, the people is one, and they have all one language; and this they begin to do: and now nothing will be restrained from them, which they have imagined to do. ~ Genesis 11:4-6

In a timely fashion, the Lord God intervened. There is nothing new under the sun.

For the efforts of the rebel forces today there will be granted some degree of success, and we have already begun to witness it. This is why time itself must be reset, into the past. If it isn't, its already too late, and the promises of the Most High have been nullified. We have lost.

The role of the Ark of the Covenant is not concluded. We have a report that it is seen in heaven. Make note that this is in direct connection with an energetic emission, as from heaven (the unseen realm that is the angelic abode) to earth and that there is a dramatic impact in this physical realm.

19 And the temple of God which is in heaven was opened; and the ark of His covenant appeared in His temple, and there were flashes of lightning and sounds and peals of thunder and an earthquake and a great hailstorm. ~ Revelation 11:19

We've noted how the features of the Great Pyramid give the ark of the Covenant special attention, toward establishing it as a dimensional analog or resonant system. (We have yet to offer a presentation on the matter but it has been well researched and our observations have been recorded.) The Ark of the Covenant is a kind of mobile center of time (David Flynn - Gone on Ahead (UTAH Beach - Direct Hit!) / Part 5 - 2012 London Olympics - State of Israel maps to Zion Olympic Park) that would sometimes function as a weapon. The ultimate purpose for the Great Pyramid clicked for me when I saw the internal calendar as one of the dimensional analogs. It means that the Great Pyramid was made resonant with history forward and back and therefore time itself. All the energy collected and stored in the earth and other systems could be absorbed back and tuned to resonate with time and space in four dimensions, and perhaps more. This was done in ancient times, and the heavens and terrestrial bodies in our solar system were severely impacted. The cosmological mythologies still bear witness. The Great Pyramid was disabled and the grid of connected monuments fell into ruin long ago yet remnants of the system remain. The fallen angels are directing a kind of restoration work, toward a functional alternative.

Brothers and sisters, the war is on. A high ritual season on the annual calendar is now passing. Don't be an idle bystander or be lulled into complacency. Engage with your supernatural prerogative as warriors in the spirit. Pray as led. Use your spiritual gifts to the full. Persist. Endure. Well-doing will find great reward in ages to come!

Honored to be serving with you - Shabbat Shalom, in Y'shua,

Bob (and Aaron)

Seen While Out and About in Our Neighborhoods

While we're out and about, we see what we see. And, frankly, sometimes it just can't be unseen. Here's a scene from Aaron's neighborhood, in nearby Monaca, Pa. This is the decor for Panera Bread. Who would want this creepy eye watching them eat? No normal person, yet, there it is. And it's more then just creepy.

What's really going on here? The stylized heart is the butt. Bread and BUTTer, yeah? Eye in a radial "pucker" as the Horus Eye i.e. anus. Ringed around with a sphincter design. "Pinching a loaf," or two (defecation - #2 in potty code), which is the apparent comedy gag. X marks the spot. The Sodomite Gateway! The loaves look a bit like legs, don't they?

Panera Bread locations are always decorated with sneaky esoteric art. I've been inside several and the XO motif is usually evident. The Monaca version features the XO with redundancy. The crossing loaves make the XO, because the loaves are roughly cylindrical, with round cross sections. The X is formed inside (well, mostly) what looks like it could be a barrel, which is rounded on the sides and which has a circular cross section. Above and below the barrel are flame-like tongues. Lines traced through the edges of those triangles intersect at the barrel rims, implying the X on the O. The stylized heart is formed by arcs that picture crossing rounded forms. Major XO redundancy!

The union of the X and O is male + female god + goddess sex magick. Obviously, it's anal sex magick yet its also vaginal. The female anatomy is in view because the stylized heart pictures the vagina with spread labia. Also, Illuminati slang for the vagina is, TT, and there's the TT of buTTer appearing as a suggestive caption. If the artist had centered the loaves inside like the word, BUTTER, the alignment and association with the TT would be much more apparent.

The union of the XO establishes the throne of the goddess, in Occult belief, and Panera Bread openly exalts the goddess. We've featured Panera Bread's Occult imagery before on this blog. Their branding imagery honors Ceres, the Roman goddess of grains and bread. You know where we get the word, cereal, right? Her Greek identity is Demeter. Panera Bread is also honoring Vesta (Roman) or Hestia (Greek), goddess of the hearth.

We see what seems like the goddess in the setting right below the Bread and Butter scene.



Back in Greensburg, PA, in my local neighborhood, I often see this sign as I walk around. Hate has no Home Here. Really? HEART - Anagram: HATER. The jokes on you, folks. The HEART sign is stuck in the grASS, in the dirt (dirt-as-excrement).

As we're out and about, on the way to Panera Bread (and the local theater) and back we pass right by the Beaver Valley Mall. Here's their sign! So, here's a question. Why is there a yellow river running through the V? The nearby Beaver River doesn't really have yellow water. Unless by, beaver, you mean, vagina. Because urine is yellow. The V is a Vagina, as an idogram.

If you've caught on to how the exaltation of the sun god is such a big deal, you probably noticed how R and A flanks the V. He, Ra, owns her. His name is mirrored, sharing that letter R. ER = Re = Ra. Redundancy. Potency.

We sometimes wonder, as a reality check - do people really NOT SEE this for what it is? Wow! We know they don't. Those behind all this mind control magic have their cover spells, and they are very effective. It's a witness to the pharmakeia of Mystery Babylon the Great.

A story is told by the featured merchants. There's Dicks. Slang for penises, obviously. They actually sell sporting goods. Not sex toys. The Mall folks put Dicks all the way at the bottom of the list because, well, it might be just a little too obvious, otherwise. Sex Magic. At the top of the list is Macy's. That fits with the Beaver V because this merchant's branding is all about the goddess! A goddess red colored star-angel Venus pentagram is their brand. Macy's - Anagram: My Asc, or, C(see) my as'. Hey, there's SEARS, right? Anagram: ARSES! What about JCPenney? Well, in this Mandela Effect-ed reality, sure. It always was, J. C. Penny, though. Before time went off the rails.

The Beaver Valley. Sodomite Sex Magick! At the Beaver Mall. Homophone. Maul. The Beaver Maul. Sexual abuse and trauma.

As we're out and about, if we travel across the river to the quaint little village of Beaver, we find more of the same esoteric exploitation. Here's a couple of merchants marketing to the ladies, just down from piZZA/AZZ Joes. The Wildwood Boutique. Their slogan? With a kiss of country. We're in Beaver, so its,"with a kiss of c-unt-ry." They are cunning linguists, are they not? ;)

The Wildwood Boutique is the W B, the bent elbow W bee dancing bee queen of heaven. See how the letter, t, in, boutique, is doing the cross circle with the O? X union O, sex magic establishing the celestial throne of the goddess. This region of the stylized wordmark is a little, "square and compass"-ish, don't you think?

See how they have the phallic package ideogram, the letter b, in, boutique, sticking it to the d hole? Wild WOOD (phallus) indeed. WildWood ~ WW ~ rotated 33 Code 33. More esoteric imagery and more sex magick and exploitation of the Beaver location and slang!

Are we done yet? Nope. Next door, we're being MOONED! The Luna Nail Studio. The sun and moon, together. IO, spelling in Greek of, Helio, sun. Studio is the esoteric identification of the sun god as a stud, virile and fertile. STUD IO.

LUNA Anagram: ANUL. No, it's not ANAL, but it's close enough for Occult symbolism. Misspelled, like a homophone. This is the moon, in Beaver. The moon is a Bride symbol, biblically, and it's hijacked for the anti-bride and the goddess identities in Occult symbolism. The Moon goddess is highly exalted in Beaver/Vagina, PA. To nail something, in crude slang, is to have sexual intercourse with it. Stud Helio nails the anul.

Need more evidence? LUNA NAIL Anagram ANUL LAIN ~ anal lane ~ dirt road - rectum.

In proximity, there's ANU+S. And, the homophone-ish, ANIS. There's no need to stretch anything; it's all there.

The L is isolated in bright part of the crescent moon. The L is the 12th letter. It's a time number. Time+space ( the moon is a celestial body that is one of the time keepers, biblically, ruling the night). Time + sodomy is a really common Occult symbol combo.

This is what's going on in our neighborhoods. Of course, nothing like this is going on anywhere else. It couldn't be. This is just a rare exception. Surely. Unless, it isn't.

The Goddess of VELO-LOVE and the Paris of Harper's Bazaar

Another Shabbat has come and gone. We've been working on a project intended to generate some income all last week, and with the Shabbat we took a day of rest from that endeavor. This post continues on the theme of the VELO LOVE Code 54.

A reader sent me a picture of this image a little while back. The vehicle the flag waving woman is riding in is labeled, Velo-Taxi. It's a bicycle taxi. This is from a Chanel photoshoot in Paris France, published in the April 2017 edition of Harper's Bazaar magazine. It's pretty much all about the exaltation of the goddess across a wide range of identities, with the addition of the VELO LOVE Code and the bicycle as a dimension-transiting vehicle. The featured model is Paris Jackson. Right. Paris, in Paris. She's the daughter of Michael Jackson, the pop music and dance legend.

The theme of the shoot is the Liberation of Paris, a military action that took place during World War II from August 19-25, 1944.

Paris had been occupied by the Nazis, and the liberation began when the military forces of the French Resistance staged an uprising against the German garrison, upon the approach of the US Third Army. This shot of Paris Jackson celebrating with soldiers with the Eiffel Tower in the background is a spin on this iconic image that was taken in 1944. It's typically captioned, “American soldiers look at the French tricolour flying from the Eiffel Tower.”

If you know the relevant history (which we mentioned in this video: Pizza Esoterica - Pizzagate or The Pizza Gate? Pizza Code in Media Part 7 - Katy Perry "This is How We Do" - Four Illuminati Calling Cards), you would see the incongruity of Chanel's celebration of the Liberation of Paris. And hypocrisy. Coco Chanel was in bed with the Nazis, literally. Coco was aligned with the Nazis in several ways, even as early as 1941. Her wartime lover was the high ranking spy, Baron Hans Günther von Dincklage. In 2011, based on the evidence of newly declassified period documents, Hal Vaughan published a book called, Sleeping with the Enemy: Coco Chanel's Secret War. It was revealed that she had indeed collaborated with the Nazis in intelligence activities during the war. This was widely suspected by the French people of the time. Chanel's recent corporate campaign illustrates the way of the elite, who paint history as it serves their fancy. Their marketing effort offends for selling a version that contrasts their founder's true legacy of betrayal. Worse than that, this photoshoot preys upon the ignorant in a supreme betrayal through the Occult exaltation of the goddess who brings all who are under her influence into bondage instead of liberating them.

Harper's Bazaar is actually celebrating history with this, the magazine's 150th Anniversary Collector's Edition.

It's the age-old love affair with the goddess.

It has been noted that Paris Jackson was made by Chanel to look like she was channeling the pop star, Madonna. Why? Because of her name: Madonna - the mother goddess with child. The virgin Mary and Jesus, Isis and Horus, etc. Being the daughter of Michael Jackson, she's a black Madonna, right? It's a good fit.

She is Paris, in Paris. Her namesake is the French city and its namesake, the man of the legend of the Judgment of Paris. This legend is connected with the Apple of Discord and the Trojan War. As the legend goes, there was a wedding and all the gods were in attendance. Paris of Troy was compelled to judge a beauty contest between three goddesses, Aphrodite, Hera, and Athena. He choose Aphrodite because he favored her bribe over that of the other two. He won Helen of Sparta as a prize, who subsequently became known as Helen of Troy. Yes, there was trouble and a long bloody war, instigated by Eris, goddess of discord.

Her other name, Jackson, supports the goddess identity because of the Occult gematria value. 44 = Isis, according to the esoteric interpretation of the 47th Problem of Euclid. The side of the Pythagorean triangle that is 4 units in length is identified with Isis. This proof of the Pythagorean theorem involves the area, which is 4 square, or 4x4, which is often signaled as 44. This finds support in the context with '44 being the year of the Liberation of Paris.

Because Paris Jackson is waving the flags of the liberating armies, she is the flag waving goddess, Liberty, Lady Liberty, Freedom and Columbia. With the soldiers flashing the popular two-fingered hand sign of the day, V for Victory, they are identifying her as Victoria, the Goddess of Victory. They're in a Vehicle. The goddess of travelers, voyagers and wanderers is Viatrix. V for Victoria and Viatrix. She is also known as the French national goddess, Marianne.

The flag waving Paris Jackson has to be seen in connection with that flag bearing goddess Marianne, who was memorialized by Eugène Delacroix in the famous painting from 1830 titled, La Liberté guidant le peuple, Liberty leading the people. She is liberating the French people, leaving a wake of death and destruction.

As we've noted previously, there's an esoteric signature in view. The image of a red rose has been painted into the flag. Liberty is the rose goddess, Venus. Delacroix, in a subtle way, also painted his own likeness into the scene as the man in the top hat. Being “under the rose,” he is literally, sub rosa, which means that some valuable secret is being held in confidence. His name, Delacroix, means, of the cross. Positioning himself near the hidden rose presents the signature of the Rosy cross or Rosicrucian. The Rosicrucians, like other secret societies, are typically involved in subversive schemes - and are worshipers of the ancient goddess.

Another subtle detail has been observed in the painting, that aside from the flag held by Liberty, a second, minute tricolore appears in the distance flying from the towers of Notre Dame. Notre Dame, the famous Catholic cathedral. Notre Dame, meaning, Our Lady, the goddess to whom their devotion is: the Virgin Mary, alias Marianne, Venus, Isis, Inanna - Our Lady of bloody rebellion, of death, destruction, and deceit.

That same kind of Occult promotion of the goddess is what flag bearing Paris Jackson is being exploited in. Like how Coco Chanel secretly betrayed her people, so likewise her legacy company, through this esoteric promotion of the goddess in Harper's Bazaar.

Here's the special cover. It's more than just a quirky romp. The goddess is flying the tricolor ribbon and the featured identity is the dancing bee, Ishtar or Inanna, in a fly by of the tower.

The skirt makes her look like a butterfly, which is a mind control thing (Monarch programming), but it recalls the expression, “Float like a butterfly, sting like a bee.” (Mohammed Ali)
That she's the dancing Bee is seen in her bent elbow pose and adorned wrists. The intention is revealed as the layout artist splits the double A of BAZAAR with the Eiffel Tower. The double A becomes the classic flanking owls. AWA. ABA. Part 7 - Hidden Signs of the Goddess - AWA / ABA This scene resembles one in The Matrix, with the bee goddess "buzzing the tower" with her “over the roof” aerial stunt.

The cover design is actually sex magick, with the tower as phallus. Our Lady of the Olympics in Paris, the goddess of love, with the tower as giant phallus. This is far from the first time the image of the Eiffel Tower has been exploited in this way, with the Queen of Heaven.

While the tower is a phallic symbol, a tower is also a pillar or column, a goddess symbol. The Eiffel Tower was created as a monument to the French Revolution, which had begun nearly a century earlier. The sponsor of revolution is the goddess - the rebel Lucifer, actually, in the guise of the rebel goddess.

“The design was exhibited at the Exhibition of Decorative Arts in the autumn of 1884, and on 30 March 1885 Eiffel read a paper on the project to the Société des Ingénieurs Civils. After discussing the technical problems and emphasising the practical uses of the tower, he finished his talk by saying that the tower would symbolise, "not only the art of the modern engineer, but also the century of Industry and Science in which we are living, and for which the way was prepared by the great scientific movement of the eighteenth century and by the Revolution of 1789, to which this monument will be built as an expression of France's gratitude."” (Wikipedia)

A few years prior to the Eiffel Tower, Gustave Eiffel built the Statue of Liberty (1886), teaming up with French sculptor Frédéric Auguste Bartholdi. That was based on the goddess named, Isis. One towering goddess tribute begat another.

Eiffel's Tower was a monument to the French Revolution, which involved war. Several, in fact. The location in Paris is a long park called the Champ de Mars. It's named after the Campus Martius ("Mars Field") in Rome, a tribute to the Latin name of the Roman God of war. Fitting, yes? The hand signs that the soldiers with Paris Jackson are flashing in the Jeep are what some would identify as peace signs. They are not.

The Eiffel Tower is practically on the bank of the Seine River. The name "Seine" comes from the Latin, Sequana, the Gallo-Roman goddess of the river. It's not unlike how the River Isis, aka Thames, runs through London.

Let's turn our attention back to the velo-taxi scene.

The river in the background is the Seine, invoking the Gallo-Roman goddess of the river, Sequana.

Paris is riding along the Quai de la Mégisserie, across the Seine from the Conciergerie. The facility began as part of the medieval royal palace complex but is perhaps most famous as a prison during the Revolution. Featuring a prison does make sense because of the theme of the Liberation of Paris. This photo was taken from the west end of the Théâtre du Châtelet. Parallel to their route, on the other side of the Théâtre runs Avenue Victoria. Nestled within the Théâtre is Victoria Cross, a bar, and the Hotel Victoria Châtelet. Victoria is the Roman goddess of Victory. They are riding east, and once they pass the Théâtre they will come to the Fontaine de la Victoire, built in 1806-1808. At the top of a 59 foot high column is a statue of Victory made of gilded bronze, carrying the laurels of victory. It's a monumental fountain, designed to provide fresh drinking water to the population of the neighborhood and to commemorate the victories of Napoleon Bonaparte. The location of the photoshoot is pretty much all about the goddess. The Velo-Love is related to the love for the goddess.

The bicycle represents a kind of vehicle that travels between space-time dimensions or realms. The Seine as the river of time.

We see the goddess Viatrix being honored, of travelers, voyagers, and wanderers, and jeeps, and leaps, and velo-taxis.

Velo-love and goddess love is a sodomite love, and so we see the driver bent over his bicycle looking fairly uncomfortable. Tires and spoked wheels are individually symbols of the anus. High heels signal sodomy as by the raising of the butt for presentation. The gesture Paris makes is a pointing of the sodomizing heel at the man's butt. Identify the windshield as one made of glass and you'll see that she's a kick-glASS goddess, waving the flags of famous revolutionary countries.

So much of what we published recently in this post (LoveLoveLo VeloVeloVe) is repeated in the Chanel photoshoot for Harper's Bazaar. It's this velo-love code 54 kind of thing that the goddess uses to maintain status quo, as Mystery Babylon. I'm reminded once more of the simple insight offered so long ago by Confucius. “Signs and symbols rule the world, not words nor laws.” We pay the price for the continued violation of the 2nd Commandment.

We count our blessings that the Sovereign God is rich in mercy as He invites us to draw near Him to find freedom that is freedom indeed, to be truly liberated and find enduring reward that is beyond comparison.

Arrival (2016), The Universal Language and the Tower of Babel

Several of the recent films and TV shows we've seen recently seem worthy of a video series exposing the symbolic meanings of each, but my attention is still largely consumed with the video series on the Great Pyramid, and Aaron's on producing the studies on The Open Scroll as videos, so that's probably not going to happen. The trending themes in these films do have a lot of cross-over with our pyramid studies, especially regarding the exercise of control over time in the context of multidimensional warfare. I watched, Arrival, starring Amy Adams, when it first came out on DVD, then was inspired a few nights ago to do so again. This is thoughtful and entertaining science fiction, compelling on several levels, but what is makes it noteworthy is what it has to reveal about Bible history/prophecy and the reality of our present season.

To get familiar with Arrival, you can watch the whole movie, or just a trailer, or read descriptions on sites like wikipedia, IMDB and Rotten Tomatoes.

Spoiler alert. The film is about aliens who know the future. They visit Earth on a mission to engage the people of Earth in such a way as to secure help for themselves when the time finally arrives when they need it. It's about the interaction between aliens and humans and the role of a very special language. You may find it familiar in that comparisons can be made to, The Fountain, directed by Darren Aronofsky. The subject of knowing the future and being able to manipulate it is overt, even central to Arrival's plot, but it's the covert layers that expose it as an Occult and even very significant work. The decoding of Arrival highlight the agendas of the illumined and the schemes of the god of this age as the world falls further into antichrist delusion. It's Genesis 11 and the City and Tower of Babel, revisited.

Early in the film, we learn that 12 alien ships have positioned themselves around the world, with one in Montana. The US military has set up a base near the vessel and is recruiting civilian experts to help establish communication. Amy Adams plays Louise Banks, author and professor of linguistics. She has top secret military clearance from a previous contract, and she's being flown to Montana in a helicopter. With her is another civilian contractor, Ian Donnelly (actor Jeremy Renner), a pompous theoretical physicist from Los Alamos. His first conversation with Louise is his reading a passage to her from her book. “Language is the foundation of civilization. It is the glue that holds the people together. It is the first weapon drawn in a conflict.” Ian asserts that she's wrong, that the cornerstone of civilization is science. The point I want to make is that this quote introduces a central point in the film, central to what is both overt and covert. Overtly, the plot is driven by tensions and constraining time frames revolving around the misunderstanding of the alien's intent that results when aggressive and protective nations rush to conclusions. The problem lies with the word, weapon, which is wrongly inferred, when tool, device, or implement, or even, means, would be more correct. When we hear that language is the first weapon drawn in a conflict, we're introduced to what unfolds through the course of the film in a way that is not uncommon to other films and stories told through novels. Yet, by observing the details it must be seen that this is also characteristic of NLP. Word-crafting magicians and witches perform their magic of mind control programming in this way. One truth of the matter is that the language is their weapon, as they speak lies that alter reality. This reality involves time and space, the perception of it and the exercise of control over it.

Near the end of the film, as Louise is being rushed during the mandated evacuation of the base, she explains to her military liaison, “I know what it is. It's not a weapon. It's a gift. The weapon is their language. They gave it all to us. Do you understand what that means?” He clearly doesn't, responding, “So we can learn heptapod - if we survive.” (@1.37.57 ) Louise continues her explanation. “If you learn it, when you really learn it you begin to perceive time the way that they do. So- so you can see what's to come. Look, time - it isn't the same for them. It's not linear.” Louise knows this because she has been experiencing flash-forwards (vivid memories of what hasn't actually happened yet, in their present or in “real time”) These flash-forwards involve a daughter she will have. During one of these episodes we see her telling her daughter about her special name, Hannah. Louise tells her that it's a palindrome, the same forward and backward. This isn't explained as such, but the clever bit is a witness to the way the heptapods see time, and how those who receive their gift and learn the language learn to see time, as reversible, or all at once.

We'll explain the Occult signaling and meaning of this shortly, but here's what some more dialog reveals.

The plot is reaching its climax as the nations of the world are preparing to make war on the aliens, resulting from some of them having rushed to a wrong conclusion based on their misinterpretation of the use of a weapon. Louise seeks to have another conversation with the heptapods, desperately trying to avoid the impending war by asking them to communicate with the other 11 alien vessels. She's received into the alien ship and interacts very personally with one of the aliens. The alien understands Louise's voice and communicates with her in the ink blot circle symbol language. The alien message is captioned to the viewer in the terms Louise had learned, which at this point, still involves the term, weapon.

Louise has weapon
Use weapon
Louise: I don't understand. What is your purpose here?
We help humanity
In three thousand years
we need humanity help
Louise: How can you know the future? (She has another episode, experiencing another interaction with the young girl. The heptapod is perhaps telepathic, with the scene presenting into her mind as part of their discourse.) I don't understand. Who is the child?
Louise sees future
Weapon opens time

Superficially, the audience is learning as Louise is learning, that the word, weapon, isn't what's meant. What Louise has is the ability to perceive future events. This is linked to the language, to learning the alien language. By, “Weapon opens time,” they mean that their language facilitates the ability to perceive outside the linearity of time. This ability is inherent in the use of the language that is being given to humanity. It's being given to help them now so that in 3000 more years humans can help the heptapods. While the alien's motivation isn't genuinely altruistic, it doesn't seem like a bad thing, right? But let's look a little deeper.

Some of the more obvious Occult signaling has to do with the heavy use of the primary time numbers, 7 and 12, and the number of the mastery of time, 13. These are used in connection with the overt references to time, and are sometimes even emphasized by synchronization with the media time signature, the elapsed time of the presentation.

The aliens are redundantly marked with 7 because of their form. They are called heptapods because they have seven pods of feet-like appendages. The end of each appendage opens like a 7 point star. Each alien has 7 pods with a seven-fold end or 49 points. We're all familiar with the 7 day week. The Lord's calendar features more scales of sevens in Shemitah cycle and Yobel or Jubilee cycle, and the Omer count toward Shavuot. It also factors in as the number of the creation week and the fullness of this age known as the millennial week, spans we describe in a prophetic model based on Psalm 90:4 that include another 7 referred to there as watches in the night. The really special thing about the aliens has to do with their apparent mastery of time, so stamping them with 7s makes sense.

The heptapods use their 7-fold pods to communicate, spraying out inky mist to generate circular patterns that represent words and sentences. The circle itself is a time symbol, so with the 7x7 features shooting out circles, that's layering the symbolism for added potency. Plus, the inky circles look like Rorschach Test images that resemble the Ouroboros, the serpent that has its own tail in its mouth. The Ouroboros represents time, as cycling over and over.

During the private conversation with Louise, the heptapod reveals that the help they want is for the distant future, in three thousand years. The number 3 is a special time number that is related to 7 because sets of 7 may be in 3 parts, 1-2-3, 4-5-6, then 7. This period of time is also signaling, resurrection, because 3 is a resurrection number, and making it 3000 expands it in application beyond the individual to the corporate level.

The number that dominates the film is 12, which signifies cycling time, like the circle and Ouroboros. It's the number of alien ships that visit earth, and a big point is made of the one in Montana being 1 of 12. In one scene, Louise and Ian, the theoretical physicist, are studying a screenshot of a special communication with the aliens. It's a huge collection of characters and @1:20:12-13 on the elapsed time counter of the media player we hear Ian saying, "It's going to take us years." Years, that's a time span, and we hear it at the counter time signaling time and its mastery. While we're watching Louise looking at the screen, we hear a girl's voice ask, "What's this term here?" It's their daughter's voice from the future, which is from a flash forward episode Louise is having. This is heard @1:20:21, which presents the combination of 12 and 21 that the Lord has used so many times to signal Aaron and I about time. When the episode passes, Louise asks Ian, “What time is it?” He replies with even more emphasis on time. “It's time to open that bottle you've been hiding.” Louise picks up on the celebratory cue. “You cracked something, didn't you?” Ian replies, “Yeah, come here. Take a look at this section. It seems to be talking about time. Their symbol for time is everywhere! So what is this, a symbol for faster-then-light travel?” End of minute 1.21. Major emphasis on time, synchronized with the elapsed time of the media. You can see this minute number as a mirroring like 12:21, but simply 121 forward and back, like the palindrome, HANNAH, that emphasizes the way the heptapods see time. What Ian wanted to celebrate was his decoding of the bigger picture, how the message, "One of Twelve," was encoded into the entire image based on proportion. We'll get to that shortly.

The number 13 is usually connected with the time number 12 in ritual contexts, and so it is in this film. The scene with the dialog about seeing the future is part of the extended sequence of the film's climax. This happens on the elapsed time counter of the media player at the “mastery of time” numbering. At exactly 1:30:00, we read the caption, Louise has weapon. During this signal minute, the mastery of time is on exhibit, with the revelation that the heptapods are either from the future, or they just see the future. They are also able to share this ability to see the future, which they demonstrate effectively with an example for Louise. The scene of Louise and her daughter shows them on the shore, featuring rocks and water, more time symbols. See how it's being layered in the way of Occult symbolism? The minute ends with Louise asking, “How can you know the future?” See, it's about the mastery of time. The scene continues, explaining what just happened. At 1:31:30, which is when 13 appears twice (at one and half hours plus one and a half minutes), the “mastery of time” signaling is repeated for impact. This is when the symbol appears that is then captioned over the next few seconds. Louise sees future. This is on screen when the time signature is the repeating 13, both forward and backward, @1:31:31, again, like the palindromic girl's name, HANNAH, and like how the aliens perceive time. This kind of media time synchronization is evidence of an Occult ritual, a magical working. It's an expression of high level theurgy. If you have become familiar with the video we've produced in recent years, you've seen several other examples of this kind of embedding in films and in TV programming.

In another example of counter synchronization, in the film's 12th minute, Louise is being visited by Colonel Weber and is listening to a recording of the alien visitors communicating. The audio clip is punctuated with the loudest and most distinct sound @ 0:12:13. The Colonel says "NOW you've heard it." and the timer marks 0.12.21. Now, is a time word, of course. Time words at time numbers. Still In that 12th minute, Colonel Weber says, "assuming they were not speaking at the same TIME."

It's worth mentioning here, because of what we put on exhibit in the videos about the pairing of the themes of time travel and sodomy, that when the word, "assuming" is used in that context, the vulgar anatomical term is probably intended as a ritual identification of the sodomite gateway. On this same theme, the heptapod's appendages have to seen as picturing the ritual sodomy that the illumined are obsessed with, which also serves to provide a cover spell for ritual workings like this film production. The cover of the book we see from the future is titled, Universal Language, by Dr. Louise Banks. The graphic suggests an eclipse or the black sun, which is sometimes used as a sodomite gateway symbol. Think about how remote viewing (which is what the ability conveyed by alien language compares to) is exploited to see the future, for profit and strategic military advantage - and how the ability is typically installed through ritual sodomy programming that opens the third eye.The book cover's black and white balancing dualistic design signals the knowledge of good and evil, which is associated with the Luciferian illumination, gnosis and enlightenment.

Another synchronization ritual is evident in the timing of the film's theatrical release. It was released in theaters across the United States and Canada on November 11, 2016. November is the 11th month, so the launch was stamped with 11:11. This numbering graphically pictures 2 pillars, and pillars are trigger code in Illuminati mind control for, Time Travel programming.

I believe the film's launch on 11:11 is also calling out the 11th chapter of Genesis, the book that launches the Bible and biblical history. This is the chapter where we find the account of the city and tower of Babel, and this is what seems to be the foundation of the film, what it resonates with.

1 Now the whole earth used the same language and the same words. 2 It came about as they journeyed east, that they found a plain in the land of Shinar and settled there. 3 They said to one another, “Come, let us make bricks and burn them thoroughly.” And they used brick for stone, and they used tar for mortar. 4 They said, “Come, let us build for ourselves a city, and a tower whose top will reach into heaven, and let us make for ourselves a name, otherwise we will be scattered abroad over the face of the whole earth.” 5 The Lord came down to see the city and the tower which the sons of men had built. 6 The Lord said, “Behold, they are one people, and they all have the same language. And this is what they began to do, and now nothing which they purpose to do will be impossible for them. 7 Come, let Us go down and there confuse their language, so that they will not understand one another’s speech.” 8 So the Lord scattered them abroad from there over the face of the whole earth; and they stopped building the city. 9 Therefore its name was called Babel, because there the Lord confused the language of the whole earth; and from there the Lord scattered them abroad over the face of the whole earth. ~ Genesis 11:1-9

These are the first 9 verses of the 11th chapter of Genesis, and of the Bible because it's the first book. Some might see a 9-11 in this, and that's probably justified. The entire meme comes from somewhere. The film's Occult message can be seen as a warning and a threat. This thought will be developed further, but the relevance of this passage should be established first. Notice how the Babel project represents a legitimate and incredibly significant threat and that having the same language is the issue that the Lord addresses. The book Louise writes about this supernaturally facilitating gift from the aliens is titled, The Universal Language. According to verse 1, “Now the whole earth used the same language and the same words.” The Universal Language.

(One could and really should see Louise playing the role of the goddess in that scene, who rallies the whole world together)

After Ian decodes the spacial embedding of the complex alien message, he and Louise take a printout to mission command.

Louise explains, “What they're saying right here is that, this is 1 of 12. We are part of a larger whole.” (Esoteric: special emphasis on the 12--ness - TIME - and the concept of being united)
She's met with resistance, as another consultant chimes in, “Or we're one of 12 contestants for the prize.” (Esoteric: special emphasis on the contest, war and spoils of war [a TIME war!])
Louise: “Why do I have to talk to him?” (Esoteric: calling attention to direct communication [talk to] and to the need for unity, single-mindedness and teamwork)
Colonel Weber: “We're all working together here.” (Esoteric: a profession of unity and single-mindedness and teamwork)
Louise: “We need to talk to the other sites. We need to help them with what they've gotten from the other heptapods.” (Esoteric: The necessity of communication and all parties working together)
Consultant: “In case you don't remember, we're blacked out. China just threatened to destroy their shell. We're on our own.” (Esoteric: Calling attention to division and isolation and the threat of destruction - Gen. 11:4)
Louise: “But it says that all the pieces fit together.”
Consultant: “And I'm telling you that no one else cares. Two hours ago we pulled this audio off a secure channel in Russia. Someone on the science team there was broadcasting wide.” (Esoteric: 2 hours is 2*60 or 120 minutes, an amplified 12)
Russian science team member: “In their final session, the aliens said, 'There is no time. Many become one.' I feel we have all been receiving weapons. If anyone is receiving this, please-” [* interrupted by machine gun fire - then silence]
Louise: “Well, I mean, there are a lot of ways you can interpret what he said-” ("There is no time" i.e. "There is no time remaining because the limit we set is passing" or is it rather, "What you perceive as time does not exist"? )
Consultant, interrupting: “I don't need an interpreter to know what it means. Russia just executed one of their own experts to keep their secrets. (He is focused on what's important to him [personal and national defense or safety] in his myopic view)
Louise: "Many become one" could just be their way of saying, 'some assembly required'.” (Esoteric: assembly required - because the city and tower of Babel was a construction project.)
Consultant: “Why hand it out to us in pieces? Why not just give it all over?”
Louise: "Well, what better way to force us to work together, for once. ”

Think about the account of the city and tower of Babel. This is not the only way it's being acting out or suggested in NLP, but this scene is probably the most obvious and extensive!

The Lord said, “Behold, they are one people, and they all have the same language. And this is what they began to do, and now nothing which they purpose to do will be impossible for them. ~ Genesis 11:6

Former US president Ronald Reagan famously spoke of how a global threat posed by aliens could unite the world. It's been repeated publicly by Bill Clinton, too. Some see this alien threat as the dynamic that will unite people together to back a single leader of the entire planet. The one world order. The antichrist Beast. We perceive antichrist symbolism, for example with the AC in "Alien Crisis," which appears in the film.

One might well ask whether "aliens" helped with the building project of Babel? Researchers like Tom Horn believe Nimrod was responsible for the effort at Babel and that he became a demigod. It seems likely. So, let's interpret what, Arrival, is showing us. By aliens, you should know that the heptapods are better identified as fallen angels. Instead of coming from the future, they should be recognized as coming from another dimension, a supernatural or spiritual domain or domains. The fallen operate on the basis of lies, deceiving those of us who are not well grounded in the revelation of biblical truth. The fallen inspired and sponsored the construction project at Babel and the work continues in, Arrival, one in a long list of ritual media presentations, directed toward the end of supplanting the Creator.

While the movie plays it up like as if the word, weapon, isn't really the proper interpretation of what the aliens mean, it definitely is intended on the esoteric level. The purpose of this language is to partner human and fallen angel agencies and abilities and subsequently exploit time as a weapon in multidimensional warfare. 'There is no time. Many become one.' That's the message reported by the frightened Russian Science Team member. The message speaks to me of Revelation 19:19, when the armies of the world unite and face off against the Lord and His armies.

Is this film really about a time war? An example appears (@1:19:40) when a Chinese news report pictures the time onscreen, 13:07. This is given in what we call, Military Time, format, and their Navy war ships are pictured, the most significant weapons of war on water as time. 13:07 - the mastery of time.

But, here's the obvious sign! Consider the name of the heroine, Louise Banks. Louise, means, “famous warrior.” Banks, refers to, banks of the river - of time! Banks are also financial institutions, and time is implicated because, “time is money.” To give the linguistics professor who is their champion a name suggesting, famous time warrior, is fitting. “It (Language) is the first weapon drawn in a conflict.” When the following messages are conveyed to Louise, we see her wearing military fatigues: “Louise has weapon - Use weapon” / “Louise sees future - Weapon opens time” After that scene, during a flash-forward episode (@1:35:00), she is conversing with her daughter on the time-signaling shore. Hannah asks her Mom, “Are you unstoppable?” Louise replies, “Yeah.” Meanwhile, since she collapsed while having this episode, she's being held up by Ian, who wears military fatigues, like Louise, and they are still on a temporary but secure military base and surrounded by military personnel and equipment - while the world is rushing to battle.

The language that opens time is her weapon, acquired through the universal language that is received from the aliens/demons.

In Genesis 6 and Enoch 8 and 9, the fallen angels shared secrets of heaven with men. It didn't go well for mankind.

1) And Azazel taught men to make swords, and daggers, and shields, and breastplates. And he showed them the things after these, and the art of making them; bracelets, and ornaments, and the art of making up the eyes, and of beautifying the eyelids, and the most precious stones, and all kinds of coloured dyes. And the world was changed.
2) And there was great impiety, and much fornication, and they went astray, and all their ways became corrupt.
3) Amezarak taught all those who cast spells and cut roots, Armaros the release of spells, and Baraqiel astrologers, and Kokabiel portents, and Tamiel taught astrology, and Asradel taught the path of the Moon.
4) And at the destruction of men they cried out; and their voices reached Heaven. ~ Enoch 8

6) See then what Azazel has done; how he has taught all iniquity on the earth and revealed the eternal secrets that are made in Heaven.
7) And Semyaza has made known spells, he to whom you gave authority to rule over those who are with him.
8) And they went into the daughters of men together, lay with those women, became unclean, and revealed to them these sins.
9) And the women bore giants, and thereby the whole Earth has been filled with blood and iniquity. ~ Enoch 9:6-9

The Creator intervened, as later at Babel.

Then God said to Noah, “The end of all flesh has come before Me; for the earth is filled with violence because of them; and behold, I am about to destroy them with the earth. ~ Genesis 6:13

The fallen are still bitter about those setbacks, including such as occurred at Sodom and Gomorrah, and innocent seeming works like, Arrival, work toward avenging for their losses and perceived injustices. Primarily, Arrival, focuses on Babel because the universal language is the key.

Like I mentioned earlier, there's a lot of cross-over with what I've been immersed in while studying about the Great Pyramid. It's a time weapon. When the film makes a big deal emphasizing the “1 of 12,” this really speaks so loudly to me. I would say that the 1 resonates with the 12, as the 1/12th part. A few days after I knew I would be dropping everything I had been doing to return my attention to the Great Pyramid's function and role, the Lord dropped an early morning waking up insight on me about David and Goliath. I was contemplating David's armament, a sling and the 5 stones he took from the brook. The stones and the brook have to do with time. David slew Goliath with one of the five stones. Why choose five when only one was needed? Some suggest that the others were intended for Goliath's 4 brothers, but here's what I came to understand. There were five because it made the one that killed Goliath one of five, 1/5, which is to say that the one resonated with the five. Over the next few days, and weeks, really, the Lord added insight through many means, as Aaron can affirm. The 5 and 12 are connected, the association of 5 with damping in acoustic resonance, insight into why the key military installation we call the Pentagon has that design, about the pentagram leveraged for dimensional portaling, the dodecahedron shape of the universe and of DNA architecture, and so on. With, Arrival's 1 of 12, it made perfect sense to me. Time weapon. Their shells or ships were like smooth stones from a brook. One resonates with the 12. Each is the 12th part. They are a single unit, or measure. They are resonant with time. David's stone from the brook was resonant with time as a damping element. Applied to Goliath's forehead, that stone that resonated with the 5 damped his oscillating pineal gland, his illumination and connection with the life of his god. David put out his light.

I'll close now with a few more pertinent observations.

We're regularly informed about the setting of the alien ship and military camp being in Montana. Montana, means, mountain, and mountain is a metaphor for a kingdom or realm. Think Mt. Zion and Mt Sinai. The abbreviation for, Montana, is MT. MT Sinai. MT Zion. The MT of Transfiguration, which was probably MT Hermon. Joseph P. Farrell's reading of some ancient documents has the gods being described as waging war in the sky in association with mountains, which he claims can be a metaphor for, pyramids. Montana. A place where humans and gods interact, and where war is waged, linked to pyramids.

If one understands about runes and magickal glyphs, the alien language may well be said to be runic. The concept behind this may be related to the mysterious Twilight language, as used by Crowley and other Occultists, and by such as the SRA multiples with the kinds of alters who identify as Babalon Working Babies.

About the heptapods, they seem to have been modeled on cephalopods like squid and octopus, which shoot ink when they are threatened. When they are not threatened, they don't shoot ink, so, it's very subtle, but a threatening situation is implied in every instance of the expression of this language, their weapon. If you're familiar with the Cthulhu mythos and H. P. Lovecraft, it's no stretch to see the heptapod surrounded by mist as a related form of that monster. One can't really assign the Cthulhu mythos to mere fiction because it has been legitimatized by practicing Occult magicians, like Alan Moore. He's an occultist, ceremonial magician, and anarchist, who is responsible for comics like Watchmen and media productions like, Promethea, From Hell, and V for Vendetta. He has publicly performed and distributed audio recordings of "avant-garde" spoken word occult "workings" with The Moon and Serpent Grand Egyptian Theatre of Marvels. One more observation about the alien form is yet one more sodomite connection. When the heptapod mimics Louise's gesture the star-ended appendage is seen against the transparent wall. What comes to mind is, chocolate starfish, the crude term for the anus. The star is also a metaphor for an angel. These heptapods are actually sodomite fallen angels.

Because of the scene where Louise was personally interacting with the heptapod and her flash forward episodes were part of the communication, the alien must have been projecting these into her mind. This is an ability that multiples have due to Theta programming, to one degree or another. This is how some stage magicians perform some of their stunts. This mental projection of a "reality" outside our "here and now" speaks very loudly to me about, "The Great Hoax." Very, very loudly!

The Lying Report - A Supernatural Multimedia Hoax (The Sign for the Bride)
Part 3 - Sochi Winter Olympics 2014 - The Ultimate Hoax

When the matter of the zero sum game is brought up in, Arrival, we should understand it on a deeper level. "In game theory and economic theory, a zero-sum game is a mathematical representation of a situation in which each participant's gain or loss of utility is exactly balanced by the losses or gains of the utility of the other participants." In the Devil's economy, this balance of value is sometimes referred to as the Latin expression, quid pro quo. Deals made with the Devil, however, always have a hidden cost. Ultimately, it's a lose-lose - of epic proportion. Following the facing-off the armies in Revelation 19:19 is the balance of the chapter. That's where all the momentum carried on by, Arrival, is really going. Opt out of all that and side with the One Who has told it like it is, right up front, that rider on the White Horse out of whose mouth comes the sword, with armies who ride in victory!