The Occult Messaging of Super Bowl XLVIII - Prepare for the Strike

The recent Super Bowl half time show was far less interesting than in previous years, by most accounts. There was no obvious Illuminati symbolism being paraded around that would raise any eyebrows. Now 2 days after the event, some bloggers have weighed in with their commentary, pointing out some elements of an Occult or suspicious nature. Aaron and I were reflecting on some things last night when he made an observation that exposed what is probably the most important message sent through the Occult ritual. The song performed with Bruno Mars by the Red Hot Chili Peppers was “Give it Away.” It was released in September of 1991. If that time seems familiar, it's probably because I've been blogging about it recently. That's when the Lord's return in judgment was marked by a celestial sign.

Part 36 - Celestial Stargates - The Secret of the Shemitah in “I, Pet Goat II”
Part 38 - Celestial Stargates - "We Can't Stop" Spilling the Beans about Celestial Signs!

Looking back at the history of RHCP's hit song with its associated award winning music video and giving consideration to how it fits into the half time show, what comes to our minds is that it's a bridging of time. It links today with September 1991, when this season of judgment began. There is, in these connections noted, the imagery of ancient gods and opened celestial stargates, which strongly suggests that this public mass ritual at the Super Bowl had a literal bridging function. If the concept of a ritual time bridge is new to you, similar constructs linking times and places were noted in the season leading up to the London 2012 Olympics, which I blogged about in several posts, including these:

Part 4 - 2012 London Olympics - The Olympic “ZION” Park, the Subject of Ritual Magick from 1948
Part 9 - 2012 London Olympics - Quantum Entangled Zion and Fringe Science

Doug Hagmann made an important observation about the half time show, asking about the intro that gave attention to the word, prepare. Prepare for what? - By Douglas J. Hagmann. Good question! Prepare for what? The answer was subsequently provided for us via Occult messaging. Prepare for the execution of judgment that is coming in accordance with the symbolic ritual performance. Joseph Herrin made an observation on that line by connecting it to the new Maserati commercial on the common theme of “prepare,” which I'll elaborate on later, but the one word answer provided for us was, “strike.” This all comes in the context of the Final Countdown message, which must remain in mind, as well as the promise of another 911-style false flag. The Black Awakening is now less than 4 months away, according to the patterns I've documented previously. It's all very consistent messaging, and at this late hour, it's expected. The warnings must come, then the appointed strike will follow.

Let's decode the half time show. Some things are subtle, some are not. The Red Hot Chili Peppers single “Give it Away” appeared on their 5th studio album titled, Blood Sugar Sex Magik. Sex Magick is a term popularized by Aliester Crowley. For anyone willing to do their homework, that association is not subtle. We would reasonably identify “blood sugar” as an innocent medical reference to the concentration of glucose in the blood that is managed with insulin, but when you link it with Aliester Crowley, there's an unavoidable sinister side. A typical SRA practice that goes along with sex magik is ritual blood sacrifice and blood drinking. Ke$ha has made the simulation of this practice part of her stage act when performing “Cannibal.” Blood sugar, salty sweet, like candy.

The album art shows a face in profile multiplied and arrayed around a rose. If you understand the secret of the rose, you get who they are. Thorns. Those are thorns on the cover, aren't they, woven as into a kind of crown, making a messianic reference? Genesis 3:18 (Who is Cain's Father?) The tongues are serpentine and there is an Ouroboros kind of effect in the circular array.

I first heard it being reported that the inspiration for “Give it Away” involved an epiphany about the value of giving. “The philosophy behind the lyrics originated from a conversation Kiedis had with Nina Hagen, regarding selflessness and how insignificant material possessions were in his life. It, thus, gave birth to the song "Give It Away."” (Wikipedia) Nice story, right? Given the Bruno Mars song, Billionaire, which has a similar layer of interpretation (which I'll write more about shortly), that makes for a happy link to satisfy the gullible in the crowd about what the show's theme might be. However, you have to ignore and deny plenty to hold to that interpretation. “ During the verses, Kiedis departs from the idea of unselfishness and sings about a variety of topics including long-time friend River Phoenix, musician Bob Marley and various sexual themes including fertility and lust”. (Wikipedia) Baloney. Bunk. The artwork branding the single shows Hindu imagery with a child that you might identify as Harpocrates, Horus. I've decoded a lot of lyrics since I started catching on to the language of SRA Illuminati programming. The song has nothing to do with giving material possessions away. It's all about ritual illumination and opening the Horus Eye, passing it on to others through acts of ritual sodomy and that, most particularly, among family members. It's very, very common, and this is how trauma-based mind-control is expressed in programming media. I've decoded so many similar lyrics there should be no need to do so again. Web search this blog to find more examples.

The award winning music video made quite an impact on introduction.

Red Hot Chili Peppers - Give It Away [Official Music Video]

Visually, it's all about dancing around in the desert like savages acting out rituals, half naked, with metallic skin, clothing and horns. They are aboriginal, hearkening back to an early age when the gods were claimed to walk among men with gold and metallic bodies. For the video, the band members were painted with silver acrylic. They wore silver boots, gold horns, gold lipstick, metal mesh and mirror sequins. The horned one may be identified with Cernunnos, Baphomet, Taurus and the Silver Gate... One member waved an aluminum ribbon, and one played a silver Stratocaster guitar. The guitar is seen being played here in a sequined tree that has scales like a dragon. It's the Tree of Knowledge of good and evil, in the Garden of Eden. The shining one, hissing, the Nachash. Some describe “that anointed cherub who covers” as the former worship leader of heaven.

11 Again the word of the Lord came to me saying, 12 “Son of man, take up a lamentation over the king of Tyre and say to him, ‘Thus says the Lord God, “You had the seal of perfection, Full of wisdom and perfect in beauty. 13 “You were in Eden, the garden of God; Every precious stone was your covering: The ruby, the topaz and the diamond; The beryl, the onyx and the jasper; The lapis lazuli, the turquoise and the emerald; And the gold, the workmanship of your settings and sockets, Was in you. On the day that you were created They were prepared. 14 “You were the anointed cherub who covers, And I placed you there. You were on the holy mountain of God; You walked in the midst of the stones of fire. 15 “You were blameless in your ways From the day you were created Until unrighteousness was found in you. 16 “By the abundance of your trade You were internally filled with violence, And you sinned; Therefore I have cast you as profane From the mountain of God. And I have destroyed you, O covering cherub, From the midst of the stones of fire. 17 “Your heart was lifted up because of your beauty; You corrupted your wisdom by reason of your splendor. I cast you to the ground; I put you before kings, That they may see you. 18 “By the multitude of your iniquities, In the unrighteousness of your trade You profaned your sanctuaries. Therefore I have brought fire from the midst of you; It has consumed you, And I have turned you to ashes on the earth In the eyes of all who see you. 19 “All who know you among the peoples Are appalled at you; You have become terrified And you will cease to be forever.”’” ~ Ezekiel 28:11-19

The song lyrics and music video imagery match on the theme of Satan as a tribute to the sponsor of Satanic Ritual Abuse, the shining one who illuminates them, who is otherwise known as Lucifer. It's a reproductive ritual, not in the way of natural human reproduction but that of the serpent tree that replicates primarily through generations of sodomite enslavement.

This screenshot from the video pictures a mirrored pair of images of the horned band member. There's a Monarch programming facet but this also is a celestial Silver Gate image. The horned Taurus and the Twins of Gemini, the silver painted skin: It's pretty obvious what is meant by this set.

Historically, the song and video were influential. This influence came forth into the world when the Lion of the Tribe of Judah returned in judgment, precisely according to Jacob's deathbed prophecy in Genesis 49. I know it, and I'm not alone. Giving attention to the importance of this very season is why the Red Hot Chili Peppers performed this song with Bruno Mars at Super Bowl XLVIII. Now that you know what the song and video are about, the role it plays in the half time show will make sense. The song was recorded during April-June. I first recognized the celestial sign in May, while they were recording it. They released it officially on September 4, between the Magi “massing in Leo” sign and the sign marking Yom Teruah, September 10-11. The album Blood Sugar Sex Magik that featured the song was released on September 24th, just after the sign's window had passed. Those who follow “Marian” appearances like the Caritas of Birmingham don't put out an URGENT notice that there are nine days (9/13-9/21, 1991) for changing world history for no reason at all. The Soviet Union had just been dissolved, which was a very sudden and unexpected world changing event. Prominent and very significant Lubavitcher Rebbe Menachem Schneerson had just predicted the very day the Gulf war would end, based upon ancient prophesies. He followed that up with a declaration that the Messiah was about to come, naming Yom Teruah as the day, the very day I watched the celestial sign unfold. Bill Clinton's Presidential career was being launched in the very same season. The world changed. The pivot was very specific. The day of account and its meaning are known.

Bruno Mars and his band wore very distinctive gold outfits, and I believe that's a very important signal element. The RHCP appeared half naked, like in their classic song's music video, but there was a big difference. Instead of being adorned with shimmering precious metals they sported tattoos, images of feathered serpents, Amaru, Quatzalcoatl, Cthulhu (H.P. Lovecraft), a demon headed scorpion. The shimmering metallic garments were worn instead by Bruno Mars and his band. Different band, same Nachash suit. Different day, same Nachash suit. The shimmering metallic garments represent the nature of the body, which is symbolism found in the Bible. The Devil knows these things, and knows well how most folks have absolutely no clue what's being illustrated in their mass ritual. Bruno's band donned the Nachash suits to establish the visual link. The link extends beyond the kind of body to the realm of time, linking the present with the past. In this linking are references to the ancient Nachash in the Garden and to September of 1991, both, notable transitions. The metallic suits are a bridge through the song from the present into the past.

The half time show began with children singing a verse from a song Bruno Mars made popular with Travie McCoy, Billionaire.

Oh, every time I close my eyes
I see my name in shining lights
Yeah, a different city every night
Oh, I swear the world better prepare, prepare, prepare.

When they finished the word “prepare” was visible behind them. The actual song lyrics are, “Oh, I swear the world better prepare - For when I'm a billionaire” but the children simply repeat the word prepare, and offer no suggestion about what it is for which to be prepared. Doug Hagmann asks the question that is prompted, Prepare for what? It's ominous, an implied warning.

What the lyrics describe is the mental exercise called visualization. See in your mind what you want to manifest in the world. It's practiced widely. It's a mental discipline that is a form of witchcraft. There is a legitimate way to rehearse things and there is a demonic counterfeit. Cain is the builder of cities. The darkness rules the night. Lucifer is the one who masquerades as an angel of light. When the children raise their arms they frame their heads as the pupil of an eye, making a familiar sign. The Eye of Horus. The sun god is named twice in the word PREPARE, p-RE-pa-RE, with a third appearance in the mirror of AR as RA. This large eye adds to their own 2 as a third eye, one that sees into the past and future. Linking hands in a chain, they picture how things are done for the raising and amplification and projection of ritual energy. There are 12 children, a coven, minus one. Is Bruno himself perhaps the High Priest, drumming? Drumming is what is typically done during ceremonial ritual in the raising of energy. A psi-power operation is pictured, with the children as deadly agents. Make no mistake, many children of these ages are proficient at remote supernatural operations.

When the vision manifests and Lucifer's Beta-Delta agents are glorified in the cities of men, the world will be unprepared, taken by surprise. We have been warned, but who really perceives the warning and takes it seriously? The army of chosen ones are prepared and preparing. This Super Bowl half time ritual is one rehearsal among multiplied thousands. What's coming upon us has been planned for a very long time! The Sovereign God also has a plan, and although it will appear for a season that all is lost, it is not. This is just what the road to ultimate victory looks like for the Overcomers.

Before I address the Maserati commercial I want to present another car commercial with a similar message that played during the Super Bowl. I'm not talking about the Volkswagen commercial about angel butts and rainbows. I covered that here. The very notable Kia K900 ad features the character Morpheus from The Matrix.

"The Truth" | Official Kia K900 Morpheus Big Game Commercial 2014

“Let me tell you why you're here. It is the world of Luxury that has been pulled over your eyes to blind you from the truth.” He offers them the famous choice between the blue and the red, but these are car keys instead of pills. The shtick is comparing those who choose to buy a Kia K900 to those like Neo who choose to know the truth. Decoding that, “Neo Anderson” is the New Son of Man, translated. That's the counterfeit, an Antichrist identity. What do they really mean by Luxury? LUX = Light. Luxor Egypt, where the sun god was worshiped. Luxury equates to Lucifer, the Nachash, the Devil. This is evident from their marketing slogan, “Challenge the Luxury You Know™” This alludes to the oft quoted expression, “Better the devil you know than the devil you don't.” Connect the dots. What really speaks to me about the message made is when, at the end, the other cars on the street are all being swept up into the air in the wake of the Kia, with the city lights exploding all around. What appears then is the slogan, “Challenge the Luxury You Know™” followed by the word “introducing” over the chrome K900 badge, which then spins backwards and turns into the Kia logo badge. K900 is inverted, so flip it back: 009K. The letter K is the 11th, so this becomes 00911 or 9-11. The suggestion to reverse it is really pretty obvious. This is not really a difficult code to break. The meaning of what was being sung during the commercial, Nessun Dorma,can be interpreted as supporting that message.

Think about it. It's a redundant Occult message, folks, another warning of an impending false flag in the city. Recall what the children were singing.

Oh, every time I close my eyes
I see my name in shining lights
Yeah, a different city every night
Oh, I swear the world better prepare, prepare, prepare.

Here's the Super Bowl commercial for the Maserati Ghibli.

Official Maserati Super Bowl Spot - Ghibli

Here's the transcript:

“The world is full of giants
They have always been here
Lumbering in the schoolyards
Limping through the alleys
We had to learn how to deal with them
How to overcome them
We were small, but fast, remember?
We were like a wind appearing out of nowhere
We knew that being clever was more important than being the biggest kid in the neighborhood
As long as we keep our heads down
As long as we work hard
Trust what we feel in our guts, our hearts
Then, we’re ready
We wait until they get sleepy
Wait until they get so big they can barely move
Then we walk out of the shadows
Quietly walk out of the dark
And strike”

A car commercial. Really. This is a script for the Black Awakening, with little being hidden because it just doesn't have to be. Small fast and clever children will strike and overcome the sleepy giants who have become so big they can barely move. That's you and I. The 12 innocent looking children who were singing in front of the American flag are examples of what some of the deadly agents of chaos look like. If you think you can recognize the threats around you because they will be big and ugly and stupid, guess again.

I haven't mentioned it yet, but the name of Bruno Mars identifies the god of war. That's really the main label for the whole show. I read how RHCP was there with him at his own request.

What was sung by the children who opened the show was a verse from Billionaire, slightly modified. Here's the first verse of the song.

I wanna be a billionaire so f-in' bad
Buy all of the things I never had
I wanna be on the cover of Forbes magazine
Smiling next to Oprah and the Queen

Is this really fit to be referenced by the innocent children? Is this really supporting the theme of altruism, like we have been told? No. Here's something else we're not going to be told. Oprah and the Queen. Why those two? Oprah is Harpo spelled backwards. Harpo is Harpocrates, aka the child Horus. The Queen of Heaven is Isis, his mother. Oprah and the Queen is a reference to the Madonna and child, Harpo and Isis.


Bruno Mars sung his big hit, Locked Out of Heaven. Here's a verse from that song that suggests a further agenda, what the Black Awakening and 911 false flag actions are leading the world into.

Cause your sex takes me to paradise
Yeah your sex takes me to paradise
And it shows, yeah, yeah, yeah
Cause you make feel like, I've been locked out of heaven
For too long, for too long
Yeah you make feel like, I've been locked out of heaven
For too long, for too long

Paradise = the Garden of Eden. It was the sex in the Garden that brought the need for expulsion. The Nachash Serpent is bent on returning to that realm from which he was banned. He's been locked out of heaven, but he has a plan. He's been waiting a long time, too long, from his perspective.

The Black Awakening is going to pave the way for his return, and a false flag is going to come. Global pandemic will follow, which is already showing signs of beginning. The Final Countdown was observed as their messaging declared, with a delay of an unspecified duration following. That's all meaningless if there doesn't come the big event, the falling domino that topples the others. There is a schedule to keep. Before this coming May is over, major world changing events will have happened, according to the prophetic templates of Psalm 90:4 and related biblical prophecy.

Like the children sang, prepare, prepare, prepare. Whatever that means to you, according as you yourself are receiving it from the Lord Himself, take it seriously.

Part 37 - Celestial Stargates - "We Can't Stop" Horus Transiting the Silver Gate

Series Links: Celestial Stargates

The Silver Gate transit of Horus is sometimes pictured in some creative and pretty bizarre ways. So are the symbols concealing and revealing the secrets of the timing of the end of the age. The music video for “We Can't Stop” by Miley Cyrus provides such content, and more! Accompanying this music video's Silver Gate imagery is a reference to the pivotal celestial sign of 1991. That's the anchor point for the Shemitah count (3 things then a 4th) that identifies this very time as the appointed season for the fulfillment of prophecy about the end of the age. I can't cover this all in a single post, so there will be more to follow, Lord willing!

Miley Cyrus is the current edition of the “former Disney girl-gone-bad” collection. She has made headlines in recent months for her obscene stage performances. While this post was being written, she performed at Clive Davis' annual pre-Grammy gala at the Beverly Hilton Hotel. Despite her embarrassing public behavior, she continues to be involved in media ritual.

Here's the official music video this post is focused upon, although I recommend not watching it. There's no nudity but be forewarned that it is indecent and very offensive. If the production seems cheaply done, don't be fooled into thinking it's amateurish. Like with “Crazy Kids” by Ke$ha, the apparent lack of sophistication and budget belies the evil genius behind the effort.

Miley Cyrus - We Can't Stop

The general content has become standard fare for the industry. The celestial stargate transit imagery I'm going to point out shortly is attended by Monarch programming symbolism, including plenty of Beta sex kitten programming. The drug theme is prominent, and the imagery of bondage, abuse, homosexuality, sodomy, incest and pedophelia is pervasive. The lyrical theme might seem like it's just a bunch of spoiled bratty kids but it's really more than that. You might take it as a sign of the routine Illuminati programming of children at 3 years old having frozen them in that stage of development, and yet, there's still more to it.

It's our party we can do what we want
It's our party we can say what we want
It's our party we can love who we want
We can kiss who we want
We can live how we want

This defiant youth, rebel, anarchist, lawless shtick is what some call a “care free attitude.” That's a bit mild. They actually care very deeply about unrestrained evil. It's an exhibition of Aliester Crowley's Thelema motto, “Do what thou wilt shall be the whole of the law,” which he claimed was not really about the unrestrained expression of the individual's own will. It's about the full and unrestrained expression of the will of their god. By one name, that god is Horus. “Thou,” in “Do what Thou wilt,” is not the individual but Horus. This has been a major theme on this blog and this is the most basic meaning of the video.

Miley's wild house party is celebrating the coming incarnation of Horus. This is the familiar pep rally for the agents of the chaos that has been called the Black Awakening, the action that will usher in the social order being prepared for the returning ancient king's welcome.

So la da di da di, we like to party
Dancing with Molly [party drug MDMA - “Mandy” - “ecstasy”]
Doing whatever we want
This is our house
This is our rules
And we can’t stop
And we won’t stop
Can’t you see it’s we who own the night
Can’t you see it we who bout’ that life
And we can’t stop
And we won’t stop
We run things
Things don’t run we
We don't take nothing from nobody

Again, the song and video are programming the expendable agents whose role it is to forge this age into the one in which the incarnating Horus will be received.

At 1:38 into the video, the modeling of a Silver Gate transit begins to unfold. This sequence begins with a collection of ratty stuffed does arrayed in a circle. They appear to be cloned like as if in a kaleidoscope that multiplies a radial section by reflecting it in adjacent mirrors. You have to point a kaleidoscope at the light. The little doe clones all face in and wear sun glasses, with their shadows radiating outward. This scene represents the Zodiac, which rings around the Earth. A deer with sunglasses has features of both people and animals, and the Zodiac is populated with the forms of people and animals.

You can draw a circle through the sunglasses, which represents the path of the sun through the heavens, the ecliptic. Generally, sunglasses signal the worship of the sun god. As filtering the light into the eyes, the sunglasses represent the blinds of Occult obfuscation. There's a concealing and a revealing at hand. As sunglasses are known as shades, there is in this scene a witness to those spirits so called. A bhuta or a kama-rupa is a ghostly astral copy of a man that was. Shades are considered to be decaying astral corpses. Biblically, think Rephaim and the spirits of the dead that are appointed for another incarnation for the purposes of judgment. The decrepit stuffed critters in the celestial setting of the Zodiac are such shades, and we will see their vision of the dead Osiris coming out from among them as resurrecting into Horus.

Count the deer. There are 11, and yes there are actually 12 signs in the Zodiac. Where's the missing sign?

I'll describe another layer of symbolism later, but first consider the 12th sign pictured as this other doe clone. It appears next in sequence after the Zodiac set, flashed briefly just before we see the stuffed bobcat-like critter being pulled across the floor. We get a better view of the sign when we see Miley wearing a fur coat and carrying little “Bambi.” The deer is wearing Miley's sunglasses. This is the 12th doe, the circle's missing constellation that is actually the first in the sequence: Virgo. Miley and the doe are Virgo. The doe has a fur coat, and so does Miley. The doe is wearing Miley's sun glasses. Miley gives us an unblinking stare that might well be her best impression of a “deer in the headlights.”

In the circle of the Zodiac, Virgo is at the head and Leo is at the end. This is implied by the design of the Sphinx. This is familiar, right? This mystery of the Sphinx is demonstrated by Miley as she pulls the bobcat behind her. The bobcat is a big cat representing Leo, the lion. She is Virgo, and the golden chain in her hand that is Leo's assumed leash implies the other constellations. We don't see the entire chain at once, which must be, in part, to make allowance for the unseen links in the Zodiacal chain connecting Virgo with Leo.

Woven into this symbolism is the transit of Horus through the celestial Silver Gate. The strange looking bobcat being slid across the floor is a fierce beast. It's Horus, of course! He's poised to pounce, a predator and lion king sun god who is springing forth into our dimension. He is stuffed, mummified, that long dead Osiris who is about to spring into life in the resurrected Horus. The count of deer in the stylized Zodiac presents the 11 that is a simple Twin graphic to signal Gemini, the Twins. The doe clones are all twins; again, Gemini. The white color that dominates the set is equivalent to silver in heraldry, and these are also represented by the same Egyptian hieroglyph. Yes, it's another cryptic vignette of Horus transiting the Silver Gate.

A waveform appears at the bottom of the curtain that speaks to me of the repeating cycle of the sun crossing over the equator, a testimony of the sun god's manifestation in the earth. It also suggests to me the hieroglyph for the watery abyss, which is being traversed.

Isis and Anubis are also present and active. Virgo is Isis, and so we see Miley with the little doe towing the beast by his golden leash. It's through the magick of Isis that Osiris resurrects into Horus. The psychopomp Anubis leads the way in this passage out of the underworld Duat in the guise of the little stuffed doe. Anubis is the god of embalming, of mummification, the taxidermist's trade.

The stuffed animals all bear witness to his identity and presence in the scene. Miley's fur coat is another witness, which has been processed by the tanner to accomplish the same purpose of the preservation of select portions of the body of the dead.

Notice how there's no slack in the chain that pulls the beast. It doesn't droop, it's perfectly straight. Together with the horizontal and vertical edges of the video frame, a right triangle is suggested. That chain is the hypotenuse. This evokes the formula of the 47th Problem of Euclid. The hypotenuse represents Horus, as produced through the union of Osiris and Isis. That golden chain is the golden Apollo, Horus. This is a fitting picture with Isis as Miley standing upright and vertical, and with Osiris as the beast on the perpendicular horizontal base.

Early in this series and while addressing Ke$ha's “Crazy Kids” video, the chains seen around the necks of people and animals were identified with the Theurgists concept of the Great Chain of Being. This is in play here. Some of these chains are the utility kind that has toroidal links. The twinned torus speaks of The Twins and Taurus, the celestial Silver Gate.

“By the Principle of Continuity we can see that there must be a connection between the "highest" and "lowest" realms, between the One and Matter, and connecting all things in between. These are the divine Seirai (Chords, Chains, "Processions"), which unite the Orders of Being. Thus we have connections with the Celestial Bodies and are influenced by Them, who in turn convey influences from the Gods; this is the basis of astrology. We are all connected in the 'Great Chain of Being.'” (source)

The scenes that immediately follow that bizarre Silver Gate sequence repeat the message in a different way to give us the validating redundancy.

According to legend, Apollo, son of Zeus, was born on the floating island of Delos. Leto gave birth to him under a palm tree. This is dramatized for us by Miley as she floats in the water wearing a suit with palm trees on her breasts.

“And as soon as Eileithyia the goddess of sore travail set foot on Delos, the pains of birth seized Leto, and she longed to bring forth; so she cast her arms about a palm tree and kneeled on the soft meadow while the earth [of Delos] laughed for joy beneath. Then the child [Apollo] leaped forth to the light, and all the goddesses raised a cry. Straightway, great Phoibos, the goddesses washed you purely and cleanly with sweet water, and swathed you in a white garment of fine texture, new-woven, and fastened a golden band about you.” (Homeric Hymn 3 to Delian Apollon 2 - 148 (trans. Evelyn-White) (Greek epic C7th to 4th B.C.))

The video producers present the bobcat beast leaping forth into the light with a golden band or chain around him as the newly born son of Leto, adorned by the Phoibos.

There is a celestial aspect to this. According to Greek legend, Asteria (root meaning of “star”) was a Titan goddess of astrology. After fleeing the advances of Zeus she leapt into the sea and became the island of Asteria, also called Delos. The censored sign over her mouth with golden chains connecting it to the sunglasses bears further witness to the bringing forth of the sun god, Apollo. Leto was restricted in where she might give birth. She gave birth on the floating Asteria because Hera, Zeus' wife who was known for her morality, banned her from giving birth on a mainland or a normal island. Leto was censored. So it is that we see the sign on Miley attached to her sunglasses reading, “CENSORED.” Miley represents Leto, famously censored by Hera.

When you see Miley in the pool with a doll dressed exactly like her, it speaks of the birth of Artemis to Leto, Apollo's twin.

“It is remarkable that Leto brought forth Artemis, the elder twin, without travail, as Callimachus wrote, as if she were merely revealing another manifestation of herself.” (Wikipedia)

The doll is Artemis, “another manifestation of herself”; Miley-Leto.

The doll obviously speaks of Gemini, the Twins, to add even more Silver Gate imagery.

Miley and the doll also symbolize the twinning of Illuminati trauma-based mind-control programming. Much, much more could be written about all that layering, because the video is just smothered in it.

It should be noted that the palm tree is the phoenix palm, the familiar Occult symbol of victory over death. The birth of Apollo to Leto is equivalent in symbol to the resurrection of Osiris into Horus as wrought by Isis, the long sought manifestation of victory over death.


Before we get into the very special time element embedded in this video, let's return to the vignette where Miley-Isis-Anubis was towing the beast to get more of what's there for us.

I had previously identified Miley and the doe clone she was carrying as the 12th sign of the Zodiac, Virgo, noting how there was another layer of symbolism evident. On this level, the sign missing from the 11 remaining in the Zodiac is Leo, the big cat, who is being dragged away. See the celestial realm as containing star-angel beings and not just physical lights. This beast poised to pounce is going to spring through the Silver Gate into our earthly dimension. It has to leave there to get here. The 11 stuffed and scruffy shade critters are left behind after the Horus entity has left that habitat, which is the Duat, underworld abyss, the place of the dead. At present, in reality, the antichrist entity referenced as Horus is among others of like kind, but it soon will depart from among them to become separate. This is literally what the following passage declares, with a literal rendering of “taken out of the way” being, “gone from among.”

7 For the mystery of lawlessness is already at work; only he who now restrains will do so until he is taken out of the way. 8 Then that lawless one will be revealed whom the Lord will slay with the breath of His mouth and bring to an end by the appearance of His coming; 9 that is, the one whose coming is in accord with the activity of Satan, with all power and signs and false wonders, 10 and with all the deception of wickedness for those who perish, because they did not receive the love of the truth so as to be saved. ~ 2 Thessalonians 2:7-10

This is the “apostasia” of verse 3, the “standing away from,” pictured in a very elegant but bizarre way in this brief video sequence. It is not meaning “apostasy” as we know the word! (See The Sign for the Bride - Part 1)

Let no one in any way deceive you, for it will not come unless the * apostasy * comes first, and the man of lawlessness is revealed, the son of destruction ~ 2 Thessalonians 2:3

This departure and the separation created thereby is a key aspect of the transit of Horus through the celestial Silver Gate into our earthly realm.

This pillar or bridge or viaduct being traveled is named in the second chapter of Joel, where we find an explanation for more of the video's imagery. This is synchronized with the song lyrics on the audio track.

The dimensional bridge is identified as the mecillah in the Hebrew Bible. I already shared these versions of the verse in Part 15 - Celestial Stargates - Operative Black Magick but I'm going to repeat them here.

They do not crowd each other, they march everyone in his path [mecillah]; When they burst through the defenses, they do not break ranks. ~ Joel 2:8 (NASB)

“In his path” is the Hebrew word “mecillah.” It's the viaduct or way of ascending and descending between the realms, a stargate.

And each his brother they press not, Each in his way they go on, If by the missile they fall, they are not cut off. ~ Joel 2:8 (Youngs Literal Translation)

They do not push each other; each man proceeds on his own path. They dodge the arrows, never stopping. ~ Joel 2:8 (Holman Christian Standard Bible)

No one shall press upon his brother: they shall walk every one in his path: yea, and they shall fall through the windows, and shall take no harm. ~ Joel 2:8 (Douay-Rheims Bible)

This traversal is very often (and I mean VERY often) pictured in symbol by a train on railroad tracks with the individual cars all linked together and traveling in a line. No recognizable train is in sight in this video, but the long narrow silver vents on the floor between the beast and the drapery speak to me of the train tracks. The sled the beast slides along on is as a car in the train. It's Leo, the caboose on the golden Zodiac chain led by Virgo, right? It's the orderly procession where everyone marches along in line.

This sliding of the beast along the mecillah is synchronized with the lyric, “And everyone in line,” and now you know why!

Here's what's being sung while this prophetic drama unfolds on screen. This verse is about finding a private place while you're out clubbing to do illicit drugs and get high, but only superficially. This segment begins with a twerking scene then cuts right into the celestial stargate transit sequence.

To my home girl here with the big butt
Shaking it like we at a strip club
Remember only God could judge us
forget the haters cause somebody loves ya
And everyone in line in the bathroom
trying to get a line in the bathroom
we all so turned up here
getting turned up yeah, yeah

Have you ever “turned up” somewhere? You went there and upon your arrival you were found present in that location. It's the encoding of the Silver Gate transit described in Joel 2:8 (above). Read the whole chapter. It's about God's judgment, which is why that's in the verse of the song, evoking the theme to set the context for us! In the execution of God's judgment, these appointed agents will transit the mecillah in single file, like the cars of a train along their track. They will be “all so turned up here.” The producers of “We Can't Stop” know it. We are going to get “freight trained” and it won't be stopped. Judgment is even now arriving, and those agents will be “getting turned up” right on schedule.

This message of “We Can't Stop” compares to what you will find in the music video by A-Jax, “Insane.” (See Parts 8 and 9 among others.) In both of the Silver Gate transit sequences where the cat jumps off the pillar and the candlestick-hourglass falls, it ends with the Anubis guy wearing keys around his neck and the words, “I can't hold it in, you can't stop me.” When Horus' is triggered, the transit will not be stopped.

One of the features of Silver Gate modeling involves time. The activation of the celestial stargate is presented in the context of a manipulation of the continuity of time through a truncation or reset action. Time keeping pieces like clocks and timers are some of the more obvious symbols used but sometimes a reset is suggested by the way scenes are sequenced. The stargate sequence in “We Can't Stop” begins with the 11 doe Zodiac. It's followed by the doe carried by Miley, then the bobcat beast, then Miley and the doe. I see a reset in the cutting of scenes from the doe to the cat and back to the doe. Virgo appears then Leo and then it's back to Virgo. In the context of the Zodiac you can see this as a time loop that implies a reset.

You can also interpret that as a positional looping, like the trace of a planet undergoing retrograde motion in that region of the sky. What leads me to that observation is a later scene that references a very special celestial sign, the sign of Yom Teruah, 1991, which involved just such a motion!

The referencing of this sign is a big deal because it is the sign of the Lord's coming in judgment and the basis for the count of Shemitah that identifies to us that it is truly this present Shemitah that is the one appointed for the conclusion of this age! If you're not familiar enough with the sign to have confidence in what it means, well, you've really got some catching up to do on some very important matters, critical matters, it must be said.

Part 17 - Celestial Stargates - The Pillar of London with links to NYC

Series Links: Celestial Stargates

* See also : Mass Stargate Ritual - The Temple of Baal (4/6/16)

I closed the previous post indicating how the Tower Bridge in London is a Silver Gate symbol, which I'm going to expand upon. I intend to be making some observations in the next several posts, Lord willing, about the evident connections between London, the Giza Plateau in Egypt, The Temple Mount in Jerusalem and New York City, among other places. There appear to be relationships between these places that might well be described as quantum entanglements. If you've been reading this blog for a while you might find that kind of talk familiar, because these things were the hot topic during the season of the London Olympics in 2012. You may recall what I've written about the evident link between Rochester, NY and NYC. My insight into such things has been upgraded in recent months, and there's a Silver Gate-Golden Gate layering that I'll be developing, Lord willing.

I started out in Part 1 showing Anubis being floated on a barge past the Statue of Liberty in NYC. I described how this was a Silver Gate ritual, with the iconic Statue representing Isis. It was being done, so the story goes, as a promotion of an exhibit from ancient Egypt called, “Tutankhamun and the Golden Age of the Pharaohs.” At the time of that ritual enactment, this exhibit was still open to the public on the west coast, in Golden Gate Park near to the Golden Gate Bridge, a symbol of the Golden Gate. That was in 2010.

Three years earlier, on October 1, 2007, a similar ritual had been enacted in London under the same pretext, promoting the same exhibit of the ancient artifacts.

“A five-ton golden replica of a statue of Anubis, the ancient Egyptian jackal-headed god of the dead, was transported along the River Thames past the Tower Bridge in London. The statue, about 23 feet tall, was on its way to a spot in Trafalgar Square where it will stand to promote the coming exhibition, "Tutankhamen and the Golden Age of The Pharaohs."” (Pictures of the Day, Oct. 1 (NYT))

The number 23 provided as the description of the statue's stature is a genetic signal, giving him a dimension, you might say, that suggests an added strand of DNA. The number of tons is a 5 that links him with Horus.

When Anubis passed under the bridge, the lower span had to be raised due to his stature. This was a Silver Gate ritual! The twin Towers represent the celestial Twins, Gemini. It's a symbol of the stargate bridging heaven and earth, the pillar identified by David Flynn as spanning Sirius in heaven and the Prime Meridian on earth.

Where, you may ask, might Isis be found?

“The Thames through Oxford is sometimes given the name the River Isis. Historically, and especially in Victorian times, gazetteers and cartographers insisted that the entire river was correctly named the River Isis from its source down to Dorchester-on-Thames, and that only from this point, where the river meets the River Thame and becomes the "Thame-isis" (supposedly subsequently abbreviated to Thames) should it be so called. Ordnance Survey maps still label the Thames as "River Thames or Isis" down to Dorchester.” (Wikipedia)

Obviously, this is the kind of thing that matters a lot to those initiated into the arcane knowledge of the ancients. The exhibiting of artifacts at the O2 Arena from 15 November 2007 to 30 August 2008 was not just some insignificant event. Tutankhamun and the Golden Age of the Pharaohs. To the worshipers of Horus, and the Queen Mother is certainly that, this is a big deal.

Is there a Golden Gate to match London's Silver Gate, like with the pairing in America? I suspect there are multiple sets on varying scales. One of them is on a relatively small scale, where we find a notable artifact, an obelisk that had once stood in Egypt's ancient city of the sun, On, or Heliopolis. It's sometimes referred to as a needle or Cleopatra's Needle. “The London needle is in the City of Westminster, on the Victoria Embankment near the Golden Jubilee Bridges.” (Wikipedia) This artifact calls to our attention how the Golden Jubilee Bridges in WESTminster are, like the Golden Gate Bridge on the west coast of America, symbolic of the Golden Gate. It's about the bridging of heaven and earth, most particularly, establishing the connection to the realm of the underworld.

The red granite obelisk has long been venerated as the phallus of Osiris, and now, being located near to the flowing River Isis, there is a sex magic being performed continually that supplements the action of the sun's daily motion across the sky. It is all for the generation of Horus in the earth.

These are connections that we don't typically make because we're constantly lied to about what things mean and why they are where they are, and why they are done when they're done. Ritual magick is secretly being performed all around us, every day, in nearly every place. Some of it is very significant.

I believe London and New York City are directly connected, by some line of supernaturalism, and that this unseen link is being exploited through the performance of stargate ritual. I'll present a witness to that link and discuss a little of what I understand as the plan behind it. I'll close this post with some fascinating evidence of the long term involvement of these cites in stargate ritual.

Not far from Liberty Island is Manhattan's Central Park, where a twin to the ancient obelisk in Westminster may be found. It, too had formerly stood in Heliopolis. The hieroglyphic inscriptions are interpreted and posted to Wikipedia, and you may find them informative. The Masons celebrated the erection of the obelisk, pun intended.

“Jesse B. Anthony, Grand Master of Masons in the State of New York, presided as the cornerstone for the obelisk was laid in place with full Masonic ceremony on October 2, 1880. Over nine thousand Masons paraded up Fifth Avenue from 14th Street to 82nd Street and it was estimated that over fifty thousand spectators lined the parade route.” (Wikipedia)

The obelisk in New York has a plaque that attributes the erection to the generosity of William H. Vanderbilt, a family long identified with the Illuminati. There's a Masonic Lodge named after the man who sponsored the relocation of London's obelisk. The Erasmus Wilson Lodge (1464) was founded in 1873. It was in 1877 that Sir Erasmus Wilson sponsored the moving of the obelisk. He was knighted by Queen Victoria in 1881. The Royals and their kindred secret societies had much to celebrate.

More evidence of the London ritual appears in the following excerpt from Wikipedia.

“The William Watkins Ltd paddle tug Anglia under the command of Captain David Glue was then commissioned to tow the Cleopatra back to the Thames. On their arrival in the estuary, the school children of Gravesend were given the day off when she arrived on 21 January 1878. After a wooden model of the obelisk had been placed outside the Houses of Parliament but the location had been rejected, it was finally erected on the Victoria Embankment on 12 September 1878.”

This obelisk and the attending sphinxes are about the underworld and resurrection, so I can't help but see ritual when it is reported that “the children of Gravesend were given the day off.” Whether you consider Gravesend as Graves End, or Grave Send, the bases are covered, aren't they?

The way it worked out, the obelisk in London was erected on 12 September 1878 and its twin was erected in NYC on February 22, 1881, three years later according to the official dating. I find it more than a little interesting that this same span of time was repeated for the exhibiting of the ancient artifacts associated with “Tutankhamen and the Golden Age of The Pharaohs,” because 3 is the primary resurrection number! Anubis was floated down the Thames on 1 October, 2007, for the 15 November 2007 through 30 August 2008 exhibit at the O2 Arena. Three years later, following the pattern of the obelisks, Anubis was floated past the Statue of Liberty, on March 23, 2010 for the April 23, 2010 through January 2, 2011 exhibit at the Discovery Times Square Exposition. Maybe that's just a coincidence, maybe not, but at some point, those who pay attention to the details simply have to acknowledge some underlying plan.

It's that plan that I describe on this blog as I continue to learn more and more about it, and how it reflects and fulfills biblical prophecy. We do live in “biblical times.” Here's an important part of the plan.

The secrets of heaven were brought to Earth by angels who fell from heaven. Some of those secrets involved diverse means of exercising control over dimensional access. The transmitting of knowledge continues, and evidence attesting to that has been unfolding in this ongoing series of exhibits. There have always been limits to their ability to traverse the dimensional barriers, and this should be seen as a matter of authority.

The false god sponsoring rebellion against the Sovereign Creator fell prior to the time when the Watchers of Genesis 6 did. Here's a version of what must be seen as one example of the reset of his domain.

14 The Lord God said to the serpent, “Because you have done this, cursed are you more than all cattle, and more than every beast of the field; On your belly you will go, and dust you will eat all the days of your life; 15 And I will put enmity between you and the woman, and between your seed and her seed; He shall bruise you on the head, and you shall bruise him on the heel.” ~ Genesis 3:14-15

I still have far more questions than answers about such things, but I understand this next passage as another version and example, expressed as his being cut down to the earth. His arrogant ascension scheme that we see being executed so passionately will ultimately fail, resulting in a humbling and yet another even more humble plane of existance.

12 “How you have fallen from heaven, O star of the morning, son of the dawn! You have been cut down to the earth, you who have weakened the nations! 13 “But you said in your heart, ‘I will ascend to heaven; I will raise my throne above the stars of God, and I will sit on the mount of assembly in the recesses of the north. 14 ‘I will ascend above the heights of the clouds; I will make myself like the Most High.’ 15 “Nevertheless you will be thrust down to Sheol, to the recesses of the pit. ~ Isaiah 14:12-15

The one in charge has say over who goes where and does what, and when. This provides us with a proper perspective for a consideration of the Golden and Silver Gates and just why they are so important. Control over dimensional access is the key to the ascension scheme. A particular stargate is the son of the dawn's means of access to the Throne and the exploitation of that means is how he intends to become like the Most High. By establishing control over the Golden and Silver Gates, a linking between this realm and the underworld provides for the combination of the assets of both realms. This is where the false prophet beast and the king beast and the image of the beast and the mark of the beast factor in. With that binding of the realms and with the uniting of their assets, it's on to Armageddon!

And I saw the beast and the kings of the earth and their armies assembled to make war against Him who sat on the horse and against His army. ~ Revelation 19:19

It's an impressive plan. Read the chapter. As impressive as it is, it's doomed to failure.

In America, the geographical Silver and Golden Gates span the contiguous 48 states. If you consider this in the celestial context, these span the 48 constellations typically identified with the Zodiac, the 12 primary signs with their associated decans. 12+36=48. Straight lines may easily be drawn between the East and West coasts of the continent that pass through 12 states, like the ecliptic through the Zodiac. Coincidence? When it comes to something like this, I doubt it.

The UK and London have similar features that speak of a celestial plan, of stargates and ancient Egypt. I'm reading a book titled “Before the Pyramids,” by Christopher Knight and Alan Butler. From what I've read so far and what the Lord has highlighted to me, this expression of the relationship between the UK and Egypt goes way, way back in time, but I can't really get into any of that, yet.

London has long been the setting for Silver Gate ritual. Exactly what it's based on, I can't say I know, but I'm assured there's a profound reason why the Prime Meridian is defined at Greenwich, London. David Flynn named two ancient pillars of heaven, one anchored on the Great Pyramid at Giza and the other on the Prime Meridian. He identified the one in Egypt with Orion and the other with Sirius, the Dog Star. That probably has something to do with the seemingly arbitrary assignment of where the grid reference standard of the Prime Meridian and the antimeridian (or 180th Meridian, also known as the International Date Line), and this is of course directly related to the assignment.

If you look at a map of London today and explore the area around the Royal Observatory, Greenwich, through which the Prime Meridian anchoring the pillar of heaven runs, you'll make some interesting discoveries.

Just across the Thames you'll find the Isle of Dogs. Sirius is the Dog Star, right? Anubis and Isis are often paired, and right here in this place we find the River Isis winding around the Isle of Dogs. Note, It's plural, suggesting Sirius A and Sirius B, because the Dog Star is binary. There's a magickal dynamic there, and the Isle of Dogs Pumping Station adds to it!

A little further north you'll find Star Lane and Star Lane Park. Star Lane ~ Stargate! Park spelled backwards is Krap, which is being leveraged as a sodomite gateway symbol.

On the Thames just north of the anchor point you'll find the O₂ Arena, named for the telecommunication company. This is where the “Tutankhamun and the Golden Age of the Pharaohs” exhibit was hosted in 2007! Do you think they might be harnessing the human life energy from that entertainment venue? I do! Here's a screen capture from the company's current home page.

See the coiled rope on the side of the beach house? It's the Sphinx-sphincter of the sodomite gateway, with a spiraling vortex dynamic. The stargate is supplemented by a rainbow colored vertical stack of something on the deck. The fence presents pyramidal X forms and pentagram star forms. The bubbles are symbols of the orbs that transit the stargates as captured by Michael Erevna and others, and what is pictured in Ke$ha's Crazy Kids music video and in the Wizard of Oz. I believe their brand identity represents the aligned Golden and Silver Gates as two letters O, one behind the other. As the symbol of oxygen, O₂ represents life itself to us, and that most valued element of the atmospheric heavens. It fits. What is the basis of their cellular services but the unseen interaction between the terrestrial and celestrial realms, the orbiting satellites above and dishes below.

Stargate ritual is playing out in so many ways today. It's embedded in our servies, our architectures, geography, public events, private Occult ritual and in media of every kind. The sum of it is that this worship of Horus is going to find him manifesting in the Earth once again, as in ancient times.

Part 8 - Celestial Stargates - Insane Freefall from the Duat

The transit through a stargate is being ritually modeled to us by people and animals doing a freefall, like Felix Baumgartner from Red Bull's Stratus capsule and Bullwinkle's Rocky off the high dive platform. Similar freefalls are featured in the “Wizard of Oz,” “I, Pet Goat II” and in the A-Jax music video for “Insane.” These have some very revealing elements in common, providing rich detail in the adding of symbolic layer upon layer!

So we return in this post to the A-Jax music video for “Insane,” where we find some very significant ritual modeling. Search this blog to find the foundation of what I've already written about this video's symbolism. I'm assuming you're familiar with that.



It's a simple action, basically. A cat jumps off a pillar onto the floor. The video makes a big deal out of that and a candlestick that gets knocked over in the process. Why? Because the Illuminati programmers behind it have a very important ritual to perform. The pivotal action takes place around one minute in, then again about two minutes in. What is being modeled to us can't be done effectively in one take because there are two key aspects involved. The set is identifying the Silver Gate very distinctly, setting the context for two modelings that establish the relationship of light, gravity and time in a way that spills some beans on a time truncation ploy.

The producers of “Insane” put Siamese cats in a paneled room. In various scenes they are all over the place, even on top of pillars. We associate “Siamese” with twins. The theme of twinning plays on the mind-control programming layer of symbolism and also on the parallel antichrist beast layer, as one Gemini symbol among many because there's more mirror twinning in this setting. One arrangement of the room has one half being mirrored to present identical sides. The pillar at the back of the room then has a mirror twin. The lamp on top of it is the kind that features twin candlesticks. In a version of the room that isn't mirrored there are still two pillars, with one of them becoming our focus of attention. It has a single candlestick on top, with a style that isn't twinned but, with a silver base and white column and white candle inside a clear globe, placed upon the white column just silently screams: “Silver Gate”!

To understand the music video's method of dramatic modeling, you have to link the patient in the room with the activity in the other rooms. The scenes set in the strange rooms represent what's going on in his insane mind (dissociated alters). For example, when the patient has a fan blowing on his face, we alternately see someone in a surreal room acting like they are struggling against a strong wind. This device that uses alternating scenes to picture concurrent realities effectively plays on both thematic layers of Monarch programming and antichrist beast manifesting. The patient's room in the asylum is the real world scene, this material space-time dimension. The alternating scenes set in the paneled room represent a heavenly realm. The pillar represents the connection as standing upon this earthly realm and reaching up into the heavenly. What primarily interests me in this post is how that which falls from the top of the pillar to the floor falls from heaven to earth via the Silver Gate.

The cat that leaps down does not appear in the earthly dimension. The candlestick, however, becomes an hourglass, and here is where things get real interesting! As Above, So Below. There's so much going on here. I'm going to loop through it a few times to explain what I'm seeing. This will take more than a single post.

Inserted within the pivotal alternating scenes of the pillar events (both at around one minute in, and then again about two minutes in) is a guy wearing a red plaid shirt and a Vogue hat. On his shirt we see a mirrored pair of dog's heads. Around his neck is a golden chain that functions as a key ring. His bizarre attire has a lot to tell us.

If you see him in connection with the fashion magazine, you're probably looking beyond the incredibly tacky look and seeing what is common between them, the imagery of the Illluminati sorcerers working a mass mind-control scheme that programs slaves and influences vain people through ritual magick. That's a fair perception, in a general sense, but minding the details affords us some very relevant insight!

The dog resembles Anubis, right? The shadows picture the shadow world, the underworld. The twinned dog is like the pair of pit bulls in Ke$ha's Crazy Kids, representing Gemini and the Dog Star (Sirius A and B). Those pit bulls wore chains around their necks. Mr. Vogue's twinned dog does too. So does he, and his has keys! Keys open and close locked doors, like celestial stargates.

The chain means what I've already covered at length in recent posts, representing the twinned torus stargate(s) and the Great Chain of Being.

“By the Principle of Continuity we can see that there must be a connection between the "highest" and "lowest" realms, between the One and Matter, and connecting all things in between. These are the divine Seirai (Chords, Chains, "Processions"), which unite the Orders of Being. Thus we have connections with the Celestial Bodies and are influenced by Them, who in turn convey influences from the Gods; this is the basis of astrology. We are all connected in the 'Great Chain of Being.'” (source)

As David Flynn observed:

“Additionally the theurgist sought to ascend into the presence of the gods by using symbols, signs, words, sounds, godly materials called seirai (chords, chains, "processions") which united Orders of beings with Celestial bodies, "A Great Chain of Being." The practice of theurgy would only convey influence from the gods if the symbols and rituals used were taught by the gods. This is why Plato said 'great power of geometric equality exists amongst both gods and men.'” (The David Flynn Collection - Kindle Edition)

How do you suppose folks bringing this stuff forth learn what to do, how and when? It comes from somewhere.

You may also interpret the keys on the chain around Mr. Vogue's neck as a sign that he has a secret, but we know what that is! His identity and role is that of Anubis, Hermes, Hermanubis, the psychpomp. He's the agent of the dimensional transit, the Dog Star navigating the Duat.

What's Vogue about that? It means to sail or row -- to go, transport in a vehicle -- water in motion -- to sway, rock -- a rowing, a course.

vogue: “[French, from Old French, probably from voguer, to sail, row, of Germanic origin; see wegh- in Indo-European roots. V., after the fashion magazine Vogue.]
Word History: The history of the word vogue demonstrates how sense can change dramatically over time even while flowing, as it were, in the same channel. The Indo-European root of vogue is wegh-, meaning "to go, transport in a vehicle." Among many other forms derived from this root was the Germanic stem wga-, "water in motion." From this stem came the Old Low German verb wogn, meaning "to sway, rock." This verb passed into Old French as voguer, which meant "to sail, row." The Old French word yielded the noun vogue, which probably literally meant "a rowing," and so by extension "a course," and figuratively "reputation" and later "reputation of fashionable things" or "prevailing fashion." The French, who have given us many fashionable things, passed this noun on as well, it being first recorded in English in 1571.” (The American Heritage® Dictionary of the English Language, Fourth Edition copyright ©2000 by Houghton Mifflin Company. Updated in 2009. Published by Houghton Mifflin Company. All rights reserved.)

The Silver Gate is at the center of the Duat, and the transit event being modeled to us includes a proper acknowledgment of the agency involved. It's how ritual magick is done. The being or beings transiting through the stargate are coming through from the underworld into our world. What we're seeing is the ancient religion of Egypt being practiced today. If you see this as a clumsy and merely superficial adaptation of symbols you're missing something. The ancient gods are being worshiped today. The religion of the Pharaohs is the religion of the Illuminated elite today. The ancient gods are quite real, and will manifest once again in this realm as in olden times. The cat was worshiped as a goddess, Bubastis. She was known as the Eye of Ra. This ritual is being performed as directed from the underworld, if you can see past the layer of the flesh. The Eye of Ra is being invoked. Horus will manifest again in a body of flesh in not many months time.

I'm going to pick this up in the next post, Lord willing.

In closing, I'll leave you with a picture of the Silver Gate that is trending in fashion today, clipped from the homepage of The Limited (Thanks Pam). Also trending, “It's Time”!

Part 7 - Celestial Stargates - Red Bull, The Bulls, Pit Bulls and Bullwinkle

One of the most visible brands in the world of sports features the Silver Gate, Red Bull, the Austrian energy drink company. They sponsor the reigning Formula 1 world championship team and driver. They host major sporting events and sponsor many teams and athletes across a wide range of activities. This symbol of the sun god coming through the Silver Gate is getting a lot of promotion! Their logo is a sun flanked by a mirrored pair of bulls. Twin bulls - Gemini-Taurus. I've decoded this brand before, uncovering many layers of symbols. Here's yet one more!

In the branding of the Red Bull Air Race you can see the name of Ra being called to our attention as the leading letters, and central in Air Race. The sun draws attention to how the Re in Red is also naming the sun god. The crossing of the legs of both letters R in Air Race suggests a pair of Rx style Horus Eyes. The Rx is linked to drugs, of course. Their drink is a powerful concoction that might be seen as a spell-inducing potion, pharmakeia, which works in parallel with the evident symbol magick.

The tail of the airplane is linked to the stylized letter A in such a way that a double X appears, which I've recently identified as the two connected stargates. The trace of the aerial loop forms a Horus Eye and Silver Gate! The plane's prop provides two Tau crosses, and the body and wings of the plane provide the third: Triple-Tau. It's signaling the Masonic Royal Arch degree that pictures the dimensional portal. I infer that the CE at the end provides a Code 33 that supports the WC-33 of World Championship.

Isis is frequently identified with the Silver Gate, and so it is with Red Bull's imagery. The bulls flanking the sun picture the reproductive organs of the female. Isis. The reproductive system of Osiris is represented by the stylized title, with the dB as his phallic package. Together, they bring forth Horus, and that's the story of the Silver Gate, right?

This company performed an extravagant ritual on October 14, 2012 with the Red Bull Stratos project. Austrian daredevil Felix Baumgartner set a new freefall record. This star-sailor fell from the sky to earth wearing a kind of astronaut suit bearing the energy drink's Silver Gate branding. He ascended in a capsule raised by a helium balloon. Helium ~ He. Helio - the sun. HE ~ Horus Eye. They missed their target date by a few days. The target was the 11th, the number symbol of the Twin pillars of Gemini.

Here's a Red Bull ad featuring their slogan, “Red Bull Gives You Wings.”

These wings are not for flapping around in the air we breathe. What wings represent is the ability to traverse dimensional barriers. There is a reality that underlies their slogan. Clearly, these are the familiar artistic versions of angel wings. Fallen angels.

The placement of their logo at the keystone position of an arch is brilliant, and putting it across a race track where vehicles travel through with high energy is just evil genius. It's more Silver Gate ritual, but down to earth. Taurus-Earth / Gemini-Air.

The Red Bull logo for the drifting event features the Silver Gate image on another arch, with the sun making its descent.

Another red bull branding is for the Chicago Bulls basketball franchise. This image is from their Twitter page. The stars set the celestial context. Taurus. Between the horns is the Silver Gate. The red may be linked to the sun disk. Inside the blue and white symbol is a check mark - that's the right triangle signaling the Pythagorean Theorem and esoteric 47th problem of Euclid. Its another portal symbol of the production of Horus in this realm!

There are other kinds of bulls that are not considered cattle. These also may represent Taurus with the benefit of just a little bit of obfuscation.

One example comes from Ke$ha's Crazy Kids music video. I neglected to identify the breed of dogs with Ke$ha on the couch. (Thanks Arthur.) Those dogs are Pit Bulls. Chaos-Abussos Taurus. Identical Pit Bulls are as twins, which again signifies to us the contellations of the Silver Gate, Gemini and Taurus!

Then there's Bullwinkle. This star of network TV cartoons was introduced in 1959 and was on the air in several versions of shows until 1964. Bullwinkle was a moose who appeared with Rocky, a flying squirrel. The horned moose was a bull. The ending of his name, “winkle” is like “twinkle,” like a twinkling star in Taurus, the bull.

His co-star Rocky wore a helmet and goggles like a pilot of open cockpit airplanes. He was a flying squirrel, but those critters don't actually fly. They glide. It's not freefall, but the result is that they descend from the sky to the earth. That's a familiar theme, right? Rocky was just his nickname. His full name is Rocket J. Squirrel. Rockets go into space, and that was the Mercury and Gemini era. Rocky's color is like silver.

Rocky and Bullwinkle were close companions, often seen shaking hands, or with Bullwinkle holding Rocky. Together, like the constellations Taurus and Gemini.

I wrote a little about Bullwinkle and Rocky in Part 95 - The Sodomite Gateway - Singin' in the Rain: Pharmakeia, where I featured Bullwinkle's hat gag.



It was a humorous take on the stage magician's classic trick where he reaches into a top hat and pulls out a rabbit. A hat can be a symbol of the anus and ritual sodomy, that which a head goes into. The rabbit hole is a metaphor for the rectum, as derived from the story of Alice in Wonderland. Pulling a rabbit out of the hat makes the symbolism redundant, removing any doubt as to what is meant. Ritual sodomy is a magickal act, so the stage magician's trick makes every performance a public ritual. The Silver Gate is evident in the gag when you picture the hat on Bullwinkle's head, a dimensional portal between the horns of a bull. Isis and the Silver Gate. This was a regular routine used to segue into a commercial. As such it was a transitional device.

Another iconic schtick involved a freefall, like Felix Baumgartner's Red Bull Stratus stunt. Rocky would perform the high dive, a classic circus stunt. He would leap off a platform atop a high ladder (reaching from earth into the heavens). He was a glider (with jet plane sound effects) and didn't need to land in the customary target zone, a tub of water. He would jump off the platform but Bullwinkle would jump into the tub. This linked them together in a way that speaks to me of the Gemini-Taurus partnership.

One more thing the show was known for suggests the Occult practice of stargate ritual. Bullwinkle famously employed a theatrical device that represents an extension from that other dimension into our reality.

“The fourth wall is the imaginary "wall" at the front of the stage in a traditional three-walled box set in a proscenium theatre, through which the audience sees the action in the world of the play. The idea of the fourth wall was made explicit by philosopher and critic Denis Diderot and spread in 19th-century theatre with the advent of theatrical realism, which extended the idea to the imaginary boundary between any fictional work and its audience. Speaking directly to or otherwise acknowledging the audience through the camera in a film or television program, or through this imaginary wall in a play, is referred to as "breaking the fourth wall" and is considered a technique of metafiction, as it penetrates the boundaries normally set up by works of fiction.” (Wikipedia)

Do Occultists know theater? Oh yeah!

I'll close out with a Silver Gate / Golden Gate ritual. It's Lady Gaga's latest, Venus. Yes, that's a scorpion on her face, covering her 3rd eye. See this Dail Mail article with video clips for more detail. She sings about Venus, the goddess of love. That's a planet, of course, a celestial body, and the scorpion is Scorpio, a celestial sign identifying the Golden Gate. Since she has the Golden Gate symbol on her face, I wonder if she's going to have a Silver gate symbol on her backside, because that's the back door. If she “moons” us at any point, that's enough to do it.

The rainbow bridge pictured by the lighting is very definitely a stargate symbol. She sings, “Rocket number 9 take off to the planet to the planet, Venus.” Venus ~ Isis. I believe the 9th gate is associated with the Silver Gate. She sings, “Let's blast off to a new dimension...” A new dimension, you see, not just a planet. She sings, “Goddess of love just take me to your leader,” which can be taken as a prayer to the celestial goddess. “Take me to your leader” is a campy expression aliens would say when arriving on the earth, popular in pulp fiction and Drive-In movie fare. Horus is being invoked. As usual. The symbolism is muddied water, obfuscated, with a degree of plausible deniability, but my interpretation is consistent with the video imagery they've released so far.

We've got plenty of redundancy in these examples. The Gates of Silver and Gold have been important to the worshipers of Horus for a very long time. They exploit the symbols in ritual magick in every way imaginable.