Olympic YOG DNA = ANY GOD - Another Opening Ceremony in China

Even in the midst of the apparent catastrophic failure of the present world order, the world just can't seem to get enough of the Olympics. Saturday night, I watched the opening ceremony for the The 2nd Summer Youth Olympic Games, in Nanjing, China. It was impressive on every level. The 2008 Summer Games in Beijing had set the bar unapproachably high for scale, but every other aspect of the presentation seemed to meet or exceed everything that has come before it. The projection technique that paints the stadium with imagery seems to be at least as good as in Sochi, even in the rain. A new technology projected animated 3D imagery into the air that was incredibly vivid. It was impressive for the broadcast audience and for those inside the stadium.

You can watch the entire ceremony online in HD. The 2nd Summer Youth Olympic Games



My interest in the show goes way beyond the superficial entertainment value. The ceremonial entertainment along with every other aspect of the Nanjing Olympic Games represents yet another Theurgistic mass ritual and “energy harvest” that is making the world ready to receive their (false) savior Apollo, son of Zeus, a subject that has been well documented on this blog and on TheOpenScroll.com. I'll just be touching on a few of the more notable elements in this post.

If you've been following this blog you should be very aware of the pending great hoax appointed for 2015. The opening ceremony was called “Light up the Future,” and it really bore witness to the hoax that will set the stage for the introduction and welcoming of the Antichrist beast. It will be a lighting of our very near future with Luciferian illumination, the illumination of Mary, which they demonstrate to us during the ceremony in a limited fashion. As described previously, a combination real and unreal imagery will be projected as a live global stream filtered from out of the past, present and future. The pan-media broadcast will be attended by a supernaturalism that will cause all but the elect to be deceived. (2 Thessalonians 2) If people do not even now perceive what is considered to be entertainments as the ritual modeling it really is, how can they possibly resist what's coming? If you don't know how to avoid being deceived in that hour, you just haven't been paying attention.

• Will No One Know the Day?
• The Sign for the Bride

Before I address the ceremonial symbolism, let's consider the branding imagery for the games. It looks simple but it's layered with Occult meaning. I've already written at length about the meaning of the Olympic rings, presenting the truncated pyramid that invites Zeus and Apollo, and the fertility goddess, raising Osiris into Horus (Code 47). The dialog box framing the YOG (Youth Olympic Games) DNA script also signals Code 47, accenting the signal right triangle. The numbers produced by the two frames create an instance of Code 13 in a way that distinctly sets it within the context of the goddess. The first frame has 5 sides. The second has 8. Together, there are 13. It's the rebel lord beast signal, as produced by the goddess. Venus traces out a 5 point rosette in exactly 8 earth years, which requires 13 of its own orbits around the sun. The series of 5-8-13 are a Fibonacci set, which is why the spiral is used as a symbol of the goddess who raises Osiris into Horus. The frames speak to me of SD cards, memory chips, which I believe is intended because the Occult imagery attending the Games is literally transferring collective memories.

The 2 letters “n” in the stylized title “nanjing” are arches that represent the Gates of China. The Gate of Nanjing was built in the 14th century (13 hundreds) and is one of the city's thirteen in total. Historically, it's a big deal, and there's that number 13 again. It's known as the Gate of China, of the whole nation. By coloring the letters and the framing gates of the letters n they are suggesting stargates, and this is established very early in the opening ceremony in a video that features the rainbow mascot traveling the rainbow bridge, passing between two pillars, followed by a crowd. (Not unlike London 2012.) It's a familiar scene. The stargates open and the Horus-lawless one travels down through the Gemini Silver Gate, followed by a horde.

The dragon framed armillary sphere plays a very important role in the ceremony, and this early scene creates the fundamental association with stargate transit events.

Let's give the branding of the Games some more consideration. The city of On is highlighted in the way YOG DNA is arranged. It's where the Olympian Apollo was worshiped as the sun god by other names like Helios, Amun Ra and Horus. Aaron noted that YOG DNA is a simple anagram for “ANY GOD,” and I believe that's the primary signification. Worship any god but the one true God - that's a fundamental message that's easily gleaned from the Olympics. Idolatry. Worship any and every god. Another signification is GOY DNA, which is a reference to the gene pool exclusive of Israel. (A non-Yahweh tree without their inheritance) The word, ZION, that is typically encoded in Olympic logos refers to a hijacked version of what the God of Abraham, Isaac and Jacob has promised His chosen people. I believe another intended anagram is, GAY NOD, because homosexuality is a key part of the agenda that advances the world toward the welcoming of their false savior.

The climax of the opening ceremony is always the lighting of the Cauldron. The preparation for this involved high ritual throughout! See Our Lady of the Olympics to learn how this honoring of the flame is an ancient magickal ritual that involves the goddess of many names - Hestia, Hecate, Artemis - aka Mary.

The “sacred” flame was lit and dedicated ceremonially on Mt. Olympus in the customary way, on April 30, 2014. Check the Zeus (Satanic) calendar and you'll discover that it's the greatest Witches' Sabbat! It's Beltane Eve connected with Walpurgisnacht, Roodmas Day and the Grand Climax. Don't think that's unintended.

For these games, 90 million people virtually and ritualistically carried the torch because of the provision made for engagement. “The torch relay was divided into two parts. The first part was a digital relay where people who downloaded an app were able to participate in the relay through an interactive option called "Give Me Fire." When using this feature users were able to pass the Youth Olympic flame to their friends by touching their devices together. The relay visited 258 different online locations from the 204 participating NOCs over a 98 day period.” (Wikipedia)

The torch is known as the "Gate of Happiness." A structure resembling a city gate is found on the top part of the torch. There's the stargate, a kind of Tower of Babel. The torch is a phallic symbol, of Osiris. (Gate of) Happiness = haPENIS = reproductive sex magick with the torch goddess produces Horus ~ opens the eye of Horus, illuminating the world.

The Cauldron was lit in a way that had never been done before, which compares somewhat to the way the flame was sourced directly from the gods in heaven. The fire was started in Greece using a parabolic mirror to focus the sun's rays. When the Cauldron located above and adjacent to the Olympic Stadium was lit last night, it was when the last torch bearer touched that flame to a point on a special structure, which carried the flame around and to its top. The pyrotechnics were designed to launch fireworks, and like flaming arrows, they carried the Sacred Flame from that structure inside the stadium up to the Cauldron, lighting it with the flame that had been ritually sourced from the gods in the heavens on Walpurgisnacht. When you understand the structure as a representation of the gods in heaven and the fireworks as the fallen angel gods, you see how the ritual granted the gods another direct agency in lighting the Olympic Park, which must enhance the potency of the sacred flame's illuminating effect.

These images show the burning Cauldron as it's just been lit, then shortly after as the structure has gone fully neon - light activated.

The structure features an armillary sphere. That object has a central role throughout most of the ceremony. The central character, the “protagonist” who pursues the ancient dream carries one around. Early on, we're told this object was used to locate celestial bodies. The models we see during the ceremony are supposed to be referencing the one from the Yuan Dynasty (probably made in the 13 hundreds) found in Nanjing's Purple Mountain Observatory, along with the telescope replicated on the opposite side of the Olympic stadium.

More is meant by the device than to indicate a merely astronomical function. The key is in understanding its use in astrology and divination, and identifying the ancient gods as the celestial bodies. It is a universal idol that honors the host of heaven. Olympism is a religion, as the Baron Pierre de Coubertin insisted.

I write plenty about the 2nd Commandment and the consequences we reap unto ourselves for disobedience. It's bundled together with the command against the idolatry of worshiping the celestial bodies, which are more than simply lights in the sky. They represent the host of heaven, spiritual entities, angels.

15 “So watch yourselves carefully, since you did not see any form on the day the Lord spoke to you at Horeb from the midst of the fire, 16 so that you do not act corruptly and make a graven image for yourselves in the form of any figure, the likeness of male or female, 17 the likeness of any animal that is on the earth, the likeness of any winged bird that flies in the sky, 18 the likeness of anything that creeps on the ground, the likeness of any fish that is in the water below the earth. 19 And beware not to lift up your eyes to heaven and see the sun and the moon and the stars, all the host of heaven, and be drawn away and worship them and serve them, those which the Lord your God has allotted to all the peoples under the whole heaven. ~ Deuteronomy 4:15-19

Those ringing the top of the columned armillary sphere represent the gods in the heavens, the celestial bodies. That's why there's an army of Nike goddess priestesses worshiping at the object, which is a temple. They are bathed in a waves of light of a roseate hue, as would have been heard in the singing of the Olympic Hymn. They are wreathing the gods who sponsor the Games.

Compare it with the famed scene from antiquity that was found on the ceiling of the portico at Dendera, in Egypt.

The producers of these Occult entertainments practice Theurgy. They exalt the celestial bodies to exploit the Seirai that unite the Orders of Being according to the direction they receive from that other realm of the spirit.

“Additionally the theurgist sought to ascend into the presence of the gods by using symbols, signs, words, sounds, godly materials called seirai (chords, chains, "processions") which united Orders of beings with Celestial bodies, "A Great Chain of Being." The practice of theurgy would only convey influence from the gods if the symbols and rituals used were taught by the gods. This is why Plato said 'great power of geometric equality exists amongst both gods and men.'”
(The David Flynn Collection - Kindle Edition)

Another student of the arcane noted the following.

“By the Principle of Continuity we can see that there must be a connection between the "highest" and "lowest" realms, between the One and Matter, and connecting all things in between. These are the divine Seirai (Chords, Chains, "Processions"), which unite the Orders of Being. Thus we have connections with the Celestial Bodies and are influenced by Them, who in turn convey influences from the Gods; this is the basis of astrology. We are all connected in the 'Great Chain of Being.'”
(A Summary of Pythagorean Theology by John Opsopaus)

The influences from the gods are being conveyed. Can you accept it? That declaration is entirely consistent with biblical revelation. This is why we see the same messages in symbol language repeating over and over again, in a seemingly endless variety of ways. The streams of narrative flow together like tributaries into a mighty river. The diverse masses are borne along in the collective flow, being readied to be poured out into their appointed destination. The Great Harlot Mystery Babylon sits on many waters.

As Aaron and I reviewed what we had been seeing during the ceremony, he noted how the armillary sphere temple resembled the machine built in the film, Contact (1997). As I explored the association it became apparent that the producers of the film and those responsible for the Olympic Ceremony were basically working off the same notes. Contact was based on Carl Sagan's best selling novel of the same name (published in 1985). From Carl's Wikipedia bio: “His contributions were central to the discovery of the high surface temperatures of Venus. However, he is best known for his contributions to the scientific research of extraterrestrial life...” Carl Sagan was involved with the film production but died before it was completed. He “knew stuff.”

The film stars Jodie Foster as Ellie Arroway. She was dropped (gravity) from a crane-like platform (pedestal) into a machine that looked like the Olympic armillary sphere. That was a stargate, built from the blueprints furnished by aliens) that transported her through a wormhole. She visited a distant place where she had interaction with a being she recognized as a dead ancestor (her father). There's a time manipulation because no time passed on earth during the event, while 18 hours (6+6+6) passed in her experience as the traveler. The fiery ARROWay was shot from the machine through a wormhole to reach her heavenly target. Likewise, flaming arrows were shot from the armillary sphere temple toward their target in the heavens. And, with everything else I'm noting, that can't be just a coincidence.

In the scene of the film where extraterrestrial contact is being discovered, the first content recognized in the coded digital message received from space is a video clip from a historical television broadcast. Claimed to be the very first television broadcast, it showed Adolf Hitler's brief address at the 1936 Summer Olympics in Berlin. So, it was the opening ceremony of the Olympics. The opening ceremony of the Olympics. There's a connection. You got that, right? There will be another link made, with Hitler, so keep that in mind.

It is a fact that Hitler officially opened those Games with these words, “I proclaim the Games of Berlin, celebrating the eleventh Olympiad of the modern era, to be open.” This is the translation from German, of course. In the film version, the character played by William Fichtner interpreted his message as, "I declare the Games in Berlin, at the celebration of the first Olympics of the new era, as open." I wonder if the Games in Nanjing where an allusion to this film was made through this armillary sphere temple might be considered as the first of a new era. With Sochi's Olympics and Paralympics past, I thought that particular body of ritual work was done. I was surprised to discover the YOG ceremony, stumbling upon it while I was programming the DVR to record some shows. Providence. Thank you Lord!

In Contact, William Fichtner's character was named Kent Clark. He was blind, but he had exceptional inSIGHT. You really have to “see” what's going on here and identify him with Clark Kent, the DC Comics character who wore fake glasses as a disguise to conceal his alter identity as Superman. He pretended to have poor eyesight but he really had X-ray vision. Make the connections here - Übermensch. Lebensborn = “Wellspring or Fount of Life” --- Hitler assigned his SS agent Heinrich Himmler to carry out this breeding program. Hitler made a profession to the effect that this effort was really about the hybridized line of the fallen angels, Nephilim. In the context of the Olympics, it's the agenda of populating the world with the gods of Olympus and their offspring.

Contact also contained video clips of President Bill Clinton (2 terms spanning 1993-2001) that were sourced from televised broadcasts. These caused some controversy. His digitally composited image, with his messages, were edited and set within quite another context to adapt the meaning for their purposes. Think about how that supports what I've presented about the coming hoax as a segue to the revealing of the lawless one! Reinterpreting the past in a broadcast of edited historical content. Bill Clinton. Alien contact. He was heard to say, “We will continue to listen closely to what it has to say as we continue the search for answers and for knowledge that is as old as humanity itself but essential to our people's future.” Hmmmm. ...“as old as humanity itself but essential to our people's future.” He was also heard to say, “We are monitoring what has actually happened.” Think about it. Beans are being spilled here.

You can watch the clips I referenced from Contact that feature Adolph Hitler and Bill Clinton here. The real Adolf Hitler and the real Bill Clinton in Contact

That's quite a pairing. Both, antichrists.

The following extract provides some useful insight.

“Jörg Lanz von Liebenfels (July 19, 1874 - April 22, 1954) was a Austrian occultist, former Cistercian monk, and founder of the Ariosophy movement. He was a friend of student of Guido von List. Lanz von Liebenfels helped found the "Guido-von-List-Gesellschaft" (Guido von List society) in 1905 and in 1907 he founded the "Ordo Novi Templi" (Order of the New Templars). He published the magazine 'Ostara', regularly read by Adolf Hitler. The magazine was founded in 1905 by Lanz, (name of the German goddess of Easter spring) took a huge spread in the German countries, reaching runs over 100,000 copies. It appeared in two series, from 1905 to 1917, eighty-nine numbers and published from 1922 to 1927, with twelve more numbers In 1904, he published his book 'Theozoologie' in which he glorified the "Aryan race" as "Gottmenschen" ("god-men"). Liebenfels proposed the existence of the Gotter-Elektron (the Electron of the Gods), which was a cosmic life force - also known as the 'vril' - which would only be found in the pure blooded Aryans, and which would be capable of transforming them into the Übermensch. Liebenfels states that "the Aryans are the masterpiece of the gods, and are endowed with supernatural and paranormal, powers derived from the Grail (Gotter-Elektron) emanating from 'centres of power' that confer absolute supremacy over any other creature. The emblem that Liebenfels chose to use was the swastika. ”

The Genesis of Übermensch (ThirdReichOccultHistory.com)

So, Hitler read von Liebenfels' magazine, “Ostara” (and took that same symbol for his Nazi party, the swastika). Ostara, that's Isis-Mary, Our Lady of the Olympics.

During the YOG DNA Games, the name Mary was heard many times in NLP rich dialogue throughout the entertainments (NBC Olympics production). It was always cloaked in the pretext of naming the commentator, Mary Carillo. I noted how the goddess of war and “their rebellion” was signaled when the color guard marched out to raise the national flag of China. It's a red flag. See Our Lady of the Nations. Red China is communist. The Queen of All unites all into one. The flag features 5 point stars, 5 of them. Horus, and Venus. The blood red Venus rose. The goddess was evoked throughout as the symbol rich flags of the nations were given plenty of broadcast coverage. When the Olympic rings symbol was dramatically created it was done through expanding concentric rings to pass first through a momentary formation of the triquetra, the triple goddess symbol and signal of the triple helix DNA that will characterize beast and mark of the beast genetics.

I'm going to repeat an excerpt from ThirdReichOccultHistory.com. “Liebenfels proposed the existence of the Gotter-Elektron (the Electron of the Gods), which was a cosmic life force - also known as the 'vril' - which would only be found in the pure blooded Aryans, and which would be capable of transforming them into the Übermensch.” Gotter-Elektron, the Electron of the Gods. Think, god particle, the Higgs Boson and CERN's LHC collider. During the opening ceremony, I believe the LHC was illustrated to us as the key to opening up the Silver Gate.

Recall the award medals from London, 2012.

See the armillary sphere as a standard model of the atom with orbiting electrons. Light beams were fired from the telescope like a laser cannon, representing the high energy particle beams fired from the accelerator. When the Cauldron was about to be lit, the light emitting telescope was aimed at the armillary sphere, and there was an impending particle collision! Consider the Gotter-Elektron - Vril - the Übermensch. When you see this image of the dragon legged armillary sphere behind the rainbow bridge I captured from the opening video segment, let it speak to you of the role of the LHC's particle collider in opening the stargate. That's the message implied. The YOG DNA rainbow clothed transdimensional antichrist mascot is a motion blur as he makes his from beyond, with a horde following after. Other entities will stream through. Ultimately the beast that will result in that antichrist spirit's incursion will be reproduced through DNA replication, his mark, and many duped humans will become hosts, avatars.


The runner with the torch bearing the sacred flame climbed up on a platform with other runners. Four runners in red attended her on the open upper deck, and others were visible inside the platform. Human ritual energy was represented, I believe, and the spirits of the underworld. The 5 on the deck represent Horus, and the goddess, and everyone in the world. The light of the torch is the Sacred Flame of Apollo carried by the Olympian goddess.

The platform moved across the stadium toward the atomic sphere. See the torch as the particle emitted from CERN's LHC. The flame is the inherent Vril Gotter-Elektron, the God Particle. When the flame reached the atomic particle construct, the torch was touched to a special place to trigger the pyrotechnics. There was an explosion, the particle collision. The result was spectacular as the collision reaction resulted in the intended illumination of the Olympic park, creating the Temple of Zeus under the roseate hue. The stargate opened and Horus came through. The people of the world were illuminated with opened eyes of Horus. The lawless one was received and celebrated, applauded by the masses. And so it will be in reality, as modeled by the IOC specialists in Theurgy.

When we see this image painted into the atmosphere we should consider the energy harvested from the human power cone as being channeled into the heavens from Purple Mountain's telescope and armillary sphere. The sky donut is a torus, the Silver Gate. In a flash, it was replaced by a momentary image of a starry seed-like object. A seed has been planted. The Tower of Babel gambit failed once, but the Memory Tower of Beijing's Olympic closing ceremony (seen in this image) and this impressive human cone sequence in Nanjing aren't for naught.

Prepare!

Part 21 - Signs of Horus Worship - RA, Just RA and Decoding Sabra

Series Links: Signs of Horus Worship

Sometimes the name of the sun god is just put right out there in the open, hidden in plain sight, and we're trained to overlook it entirely. Here's a few examples.

Colleges promote RA by making students into resident advisors or resident assistants. In the dorm, the RA has responsibility and clout. The images you see here were used on college websites to attract potential RAs. They try to give the RA the appeal of a superhero, like Superman, the iconic flying serpent sun god hero (chi rho) with a Clark Kent CK Code 33 alter identity. The version at the right sneaks in an X to leave Ra's mark at the button on top, and a solar star below.

The following three images were offered as options for the Royal Ambassadors. When it comes to making idols, those Baptists in Texas go big. RA. Don't take offense, but somebody is intending just that (“Kiss my ROYAL A...” comes to mind), because these are Ra worshiping sodomite gateway graven images. Making reference to the Bible doesn't cleanse these idols even a little bit.

The exaltation of RA abounds with Royal Academy brands.

Road America is a popular road course for motorsports with a squared circle logo. “Road Amaru-ca” would be a more appropriate spelling, honoring the sodomite sun god identity this country appears to have been named for.

Usually, the naming of Ra hides not so simply in plain sight but with some subtlety. Sabra is an example, a very popular brand of hummus. I put together some images to illustrate how the final -ra in Sabra is signaling the sun god, Ra, which seems pretty blatant once you're seeing what you're looking at.

The graphic designer put the sun right there on top of the letters “ra” to replicate the ancient image of the sun on Ra's head. It's even underlined for us! If you want to take these features as focusing more widely on the three letters, “bra,” the reference to the woman's brassiere adds a layer of sexual reference, suggesting also that the sun is a breast. The presence of the registered trademark is a Horus Eye that signals us there is a seeing Horus Eye being balanced in the creation of an instance of Harmerty. It's the seeing sun eye of Ra, obviously.

In the collection below I feature two related elements, the 666 mark of the beast signal and the partial formation of the magickal word, abracadabra, or, abrahadabra.

Central to the swirled orange product's partially covering label, the bracketing Cs in “CLASSIC” and the double m in “hummus” present Code 33, and together with spelling out the central anatomical feature of the sodomite gateway positioned directly over the mm, this observation really takes the plausible out of plausible deniability.

cl^ASSic
hu^MMus

The 666 seems pretty obvious, given how the swirling sun anus vortex is so near in form to a 6, with the count of 6 rays, and the 5 letters of Sabra plus the swirl mark providing a third 6 to complete the set.

The way the “S” is offset from “abra” speaks loudly to me of the magickal formation of Abracadabra. Aleister Crowley regarded it as possessing great power, testifying that its true form is “abrahadabra.”

“Abrahadabra is a word that first publicly appeared in The Book of the Law, the central sacred text of Thelema. Its author, Aleister Crowley, described it as "the Word of the Aeon, which signifieth The Great Work accomplished." This is in reference to his belief that the writing of Liber Legis (another name for "The Book of the Law") heralded a new Aeon for mankind that was ruled by the god Ra-Hoor-Khuit (a form of Horus). Abrahadabra is, therefore, the "magical formula" of this new age. It is not to be confused with the Word of the Law of the Aeon, which is Thelema, meaning "Will".” (Wikipedia)

Because some consider that the word “Abracadabra” is actually a Hebrew phrase meaning “I create (A’bra) what (ca) I speak (dab’ra),” this is a creating word, suggesting the spell on this Sabra symbol idol is about the creation of Ra, the sun god. The S is a symbol used very commonly to represent the ancient serpent, Satan, as on Superman's chest. Sabra is about the creation of the Serpent in an incarnation like Ra.

“The incantation Avada Kedavra is known as the Killing Curse in the Harry Potter novel series. During an audience interview at the Edinburgh Book Festival on 15 April 2004, series author J. K. Rowling had this to say about the fictional Killing Curse's etymology: "Does anyone know where avada kedavra came from? It is an ancient spell in Aramaic, and it is the original of abracadabra, which means 'let the thing be destroyed.' Originally, it was used to cure illness and the 'thing' was the illness, but I decided to make it the 'thing' as in the person standing in front of me. I take a lot of liberties with things like that. I twist them round and make them mine."” (Wikipedia)

There are a variety of interpretations of the magickal word, and with Apollyon as the destroyer and what is attributed to the sun god as the creator, such destruction/creation scenarios witnessed to by Shiva Nataraja, the Lord of Dance and the phoenix are about to be played out in the earth. The role of the wicked magickal symbols of ancient Egypt in places like the grocery store shelves is not insignificant. Killing curses are real. We have been living with them our entire lives. If there's any comfort in knowing this, it comes for me in knowing that my Lord is sovereign, and that He has a plan for good that is working, while all that opposes Him will be brought to nought.

Part 21 - Code 33 - Continuum on SyFy and the CBS Eye

Series Links: Code 33

Picking up where right we left off, sometimes the appearance of KC will be more subtle, as in the naming of a character Kasey or Casey. The name may also have the acronym KC, like with the CK of Clark Kent, Superman's cover identity. (Part 19) An example is found in the SyFy channel's current series, Continuum. This Canadian series stars actress Rachel Nichols in the role of a female “supersoldier” (Beta-Delta programming) from the future named Kiera Cameron. The Code 33 theme of the Illuminati programming of deadly agents is central to the show as it pivots around various agendas and ops being carried out. An entire blog could be devoted to the show's symbolism, but this one won't be because there's other ground to cover.

The character upon whom KC must depend upon is from “the past” who also lives in her future time. Played by Erik Knudsen, the character's name is Alec Sadler. It's not hard to recognize this cryptic reference to Alexander, as in “the Great.” This key historical character is seen by some as Apollyon the destroyer, a Horus identity. He may well be a king described in the seventeenth chapter of the book of Revelation, verses 8-11 as the one who was and is not, yet will come.

The show's name makes reference to the continuum of time and history that is a framework exploited as the central plot device.

time - the continuum of experience in which events pass from the future through the present to the past
history - the continuum of events occurring in succession leading from the past to the present and even into the future; "all of human history"
(Based on WordNet 3.0)

I've been watching the show with interest because this plays upon aspects of how the Adversary actually works his schemes. The blurb on the Season One DVD packaging reads: “CONTROL the PAST - SAVE the FUTURE.” This description of the show is really a concise summary of the Adversary's operative plan! This a really big deal that I'll explain more about shortly, after addressing some of the imagery.

By making all the letters in the blurb upper-case except for the two words “the,” attention is drawn to them as a redundant signaling of 33 (t+h+e ~ 20+8+5). The wordmark title of the show features a stylized letter O that generates several layers of Occult symbolism. First, the alignment of the doubled letter presents the intersection of two circles. With that, another very subtle 33 is formed as one 3 appears at the right edge with a mirrored version opposite. I see one more 33 appearing in the WM, both of which letters rotate to produce a 3. What's that? There's no WM in Continuum? Look above Kiera's head. Double U M.

Continuum is one of a small number of words spelled with consecutive letters “U.” With an awareness of how the letter u can be assigned the value of 6 and of how a trio of them may be leveraged to signal the mark of the beast, we cast a suspicious glance at the stylized O. Can you see that as another letter U, with the stretching of the sides lent by the doubling and a little erasure of the superfluous bits? UUU=666.

That this triple U feature is valid and intentional becomes rather obvious when considering the title with this revised spelling. The first 4 letters now make a crude reference to the female genitalia. The stylized form of the intersecting letters suggests the vesica piscis that is symbolic of the same reproductive anatomy. The word in crude popular usage makes reference to certain gender specific behaviors, which some may see as descriptive of the lead character.

Kiera Cameron may be seen in the role of Isis because her continual motivation involves her young son, whom she leaves when she is taken from her present into the past. What this is telling us is that her identity, how she sees herself, is as a mother. The thing about Isis is primarily that she regenerates and mates with Osiris to produce a son, Horus. Sam is probably short for Samuel, which means, “Name of God” or “God has heard.”

The stylized O presents a version of the vesica piscis that is reclined when compared to the usual orientation. This has been used by the CBS network to craft their familiar all seeing eye. On the DVD packaging the eye is emphasized as the Eye of Horus by spelling “Helios” in close proximity. Helios = IO ~ 10 “All 10 Episodes”

I'm going to take this opportunity to shine some real light on the dark eye of CBS, featuring this particularly useful imagery from the website of a sub-brand. “OUTDOOR” is a codeword for the anus and a reference to ritual sodomy, as illustrated by Led Zeppelin when they titled an album, “In Through the Out Door.” That's the Horus Eye that is the brand identity for CBS. Their eye on the world is superficially the camera lens through which the news and other content is brought to the network's viewers. The Occult meaning is that it is the Eye of Horus.

“...Always ON.” (There's the familiar “power button” kind of signal) It's the ancient Egyptian city of “ON” aka “Heliopolis.” The subtle reflections signal the Hermetic Maxim and provides for the inherent magickal dynamic of the symbol, making it so: As Above, So Below.

That Maxim is invoked in this ad for the premiere of Continuum. We see the 2012 city of Vancouver, BC, basically, today. Reflecting in the water is the city of 2077, the future. It's a kind of Rosetta Stone, guiding us to an interpretation the two intersecting circles in the title. The upper circle is 2012, the present world. The lower circle is the future, world, 2077. This is a symbol of the continuum of time and history.

Since this is all about the continuum, I see the setting of Vancouver, BC as a reference to the BC that used to be in popular use as a calendar reference, meaning: Before Christ. There is most definitely a messianic angle here in the Code 33 rich environment! Horus! The sun god king who was and is not, and yet will come.

(Wikipedia) “Every episode begins with the plot of the show narrated by a Voiceover from the POV of Kiera Cameron.

2077. My time, my city, my family. When terrorists killed thousands of innocents, they were condemned to die. They had other plans. A time travel device sent us all back 65 years. I want to get home but I can't be sure what I will return to if history is changed. Their plan, to corrupt and control the present in order to win the future. What they didn't plan on was me!”

This premise is not unlike the io9 brand. (i=9 o=15 so io9 = 9+15+9 = 33) “WE COME FROM THE FUTURE.” (search this blog for more insight into this brand imagery)

“Their plan, to corrupt and control the present in order to win the future.” “CONTROL the PAST - SAVE the FUTURE.” As I mentioned earlier, this is really a concise summary of the Adversary's operative plan. If your eyes have been opening to see the symbols testifying to the control exercised over our present world by the Horus worshiping elite and their mind controlled slaves, you need no further demonstration of that operative principle. I've written on occasion about time missions being appointed, about clockwork angels, time truncation and such. Aaron and I are so grateful to know that those who are involved are being well prepared for special ops on this peculiar mission field!

God will shorten time because if He doesn't all flesh would be lost, not saved. This will not come as a necessary benefit for the elect, as some suppose. He's rather enlisting the elect to be His special agents, to be commissioned for the shortening of those days.

And if those days were not shortened, no flesh would have been saved; but because of the chosen, shall those days be shortened. ~ Matthew 24:22 (YLT)

Shhhhh. This is above top secret. :)

The Devil has big game. He still loses.

I'm convinced that a huge exhibition of “controlling the past to save the future” is going to come in 2015, according to the declaration of 2 Thessalonians 2:2. This grandest of extravaganzas will be a deception to the effect that the day of the Lord has come, and the evidence and circumstance will be very, very, very nearly undeniable. Watch and see.

Part 10 - Signs of Horus Worship - DC and HORUS Whores in the Capitol

Series Links: Signs of Horus Worship

A few days ago I posted a link to a news article (to the Notable Stuff section of this blog's side bar) about the US House of Representatives and the accepted level of corruption that goes without general acknowledgement. The members of the House are as harlots, selling themselves in the marketplace, so I retitled the link more appropriately to, House of Representatives = wHORes

I have further noted how the acronym HORUS appears in their title, only very minimally scrambled. Their anal eye of Horus and Capitol Dome brand imagery is the perfect complement. House of Representatives, United States = HORUS.

I've written on occasion about how the Capitol Dome as the womb of Isis is mating very literally, by ceremonial magick, with the Washington Monument, the obelisk and phallus of Osiris. This ritual sex magick is for the manifestation of Horus in the earth, and it's in that very location where the HORUS is found, the House of Representatives, United States! This is operative and symbolic at the same time.

The representation of Capitol Hill as the owl seen in any overhead view identifies that owl as another image of Horus. Call it the Amarucan Eagle and you'll have the equation.

These features are evidence of the worship of Horus and represent the modern expression of the ancient Egyptian magick.

So, sometimes the name of the sun god is concealed as an acronym, sometimes it's in word symbols like “studio,” spelled out openly in iPhone operating systems (iOS), and sometimes it's just reversed. SUROH = HORUS.

The designation of where the HoR, US is located, the District of Columbia, is another sign of Horus worship, with the shorthand DC expressing it very simply. With DC representing the 4th and 3rd letters of the alphabet, the reference to the esoteric Pythagorean triple 3.4.5 should by now be quickly recognized. DC signals the union of Isis and Osiris that produces Horus.

Washington DC is the more complete expression that identifies Washington as the Horus identity, and the underside of the Capitol Dome provides a witness to that in Brumidi's scene of the Apotheosis of Washington. It's not George Washington or Hiram Abiff whose apotheosis is really in view. It's about the raising of Horus as the Beast in the concrete expression of the union of Osiris and Isis. More confirmation of the Washington identity appears in the Washington Monument. This is the phallus of Osiris, so Washington represents the resurrecting Osiris manifesting as Horus. The dimensions of the Monument are telling. The 555 is the Horus number 5 repeating the number of resurrection, 3 times. The 666 identifies it with the beast and his mark. The pyramid capstone expresses the esoteric 3.4.5 solution to the 47th Problem of Euclid. Most folks will dismiss this collection of observed facts as following from mythical and figurative artistic expressions, but watch and see what comes of it.

DC is leveraged by DC Comics, responsible for Superman and the TV series Arrow.

One of their fictional goddess heroines is branded with the winged disk, which I've written about numerous times. See Wonder Woman as Isis with a golden Code 33 symbol.

DC Shoes is a pretty major DC brand. The seven pointed star is what I believe refers to Apollo as Alcyone of the Pleiades in Taurus. The Isis feminine appears in the vesica piscis-like intersection. Code 33 is signaled in the outline of the framing top and bottom. I believe the opened D imparts magickal balancing. The registered trademark signals Harmerty as matching to the oval Eye of Horus produced in the union of Osiris-3-C and Isis-4-D.

Call of Duty is a CD, equivalent to the DC. It's got the union Osiris and Isis production of Horus with evident Duty-as-doody metaphor, as exploited in Disney's Wreck-It Ralph. The MW is Code 33, with both characters being of the rotated numeral 3 kind.


The DC is more subtly leveraged in this ad for Bethel College. Spirited Connections. You get what the spirited connection really is here, right? D union C. Bethel - the house of God. That's Horus, folks. That's their brand identity. Read it for yourself.

Part 19 - Code 33 - CK or 3*11

Series Links: Code 33

After a consideration of how 3 and 11 signal 33 as factors, the next level of obfuscation involves the substitution of letters with the values of 3 and 11. This is a pretty big class with lots of examples. Here's some notable CK versions.

First up: Calvin Klein. I chose this particular logo variant because it illustrates more levels of Code 33. The cC adds a layer. The word “in” is position at the correct anatomical location for demonstrating a side view of the Vitruvian Man action, sodomy. Calv-IN-Klein. Inside the K are a pair of opposing glans penis, Apollo's arrowheads.

This catalog promo from 2004 features a couple demonstrating the position sodomites call the butterfly.

C & K presents a similar image, identifying the sun god's butt with orange rays. They rotate this, which suggests the form to us as a child, with the C as their head, Horus Eye illuminated. The C is a 3 and that's the third eye. They C, you see. Code 33! Note, these CandK folks are pre-schooling professionals, since 1907. Pre-school age, actually 3-4 years old is prime for programming chosen ones and multiples farmed for psi powered alters. Just how many Illumined slaves do you suppose have been programmed with ritual sodomy since then? SRA mind-control programming goes way back long before MK-ULTRA and Mengele.

While we should expect that kind of thing from the fashion industry, and really from those organizations parents trust their children to, we folks tend to let our guard down around the comfortable safety of the diner.

The pair on the left side of this collection of Country Kitchen logos each conceal an X up top, presenting the sun god's mark instead of the obvious sun graphics of the pair on the right. The version at upper left presents an X-in-a-box pyramid of the Mayan style, with a 3.4.5 feature in the count of elements (which includes the yellow X). That peak at the top is for squaring the circle, which also suggests a pyramid capstone on the oval eye of Horus.

The version at lower left features a weather vane with a rooster over the X, the fowl associated with Hermes. Validating that, the Hermetic Maxim is emphasized with another image of the rooster below, as above. The rooster is a herald of the dawn of Horus as crowing to announce the coming rise of the sun. I should add here that this is actually modeled on the biblical symbolism of the rooster crowing to announce a resurrection. (See The Bridegroom and Bride - Two Years and Counting)

At upper right, the sunny flower conceals a subtle CC, a great light rising out of the green butt. At lower right is the form of the squared circle, and sunrise. The leg of the K reaches out to mark the male bindi in the circle and create the classic target style sun symbol. The C and K touch, bonding them together, and at their intersection an X is formed, the sun god's mark.


The Candy Kitchen is another opportunity for some sneaky Code 33 signaling. The K appears to be sodomizing the C, with the yellow star (angel) covering the action. That's Horus, called out as it dots the “i” of Horus. “The”=20+8+5=33. The candy cane look underscores it with that subliminal CC allusion.

Below that, Candy Kitchen features a sun god graphic. The sign shape pairing adds to that big circle a square, to repeat the signal made as the straight lined candy wrapper squares the circle of the sun, just in case we missed all the squaring done by every ray. It looks to me like a 3 is concealed in each wrapper of the other candy. They are arranged to suggest the male package, near to the sun anus. Chocolate Covered. Right. A CC class of Code 33. Chocolate, a metaphor for excrement. Strawberry, slang for an abused anus.


The Circle K branding is a simple CK graphic. The leg of the K kicks out to square the circle. Red and white ~ Illuminated Adam-kind ~ Code 33!


Sometimes, the CK appears in a more subtle fashion as with Jack in the Box, which has been leveraging their Occult imagery to great effect. On the left you see their earlier branding. The peculiar way they merged the X into the O of “BOX” is one squaring of the circle. The presence of the registered trademark directs us to perceive that image as a wedjat, the seeing eye of Harmerty. Another squaring of the circle symbol is the rounded corner box. The CK of Jack isn't highlighted but you can see it as another circle being squared in a way suggestive of sodomy, with the joining of the letters producing another X, the sun god's mark.

If you follow their lead and keep tipping the off-balance box to the left, you'll have a pair of them on top, XX, or 33, flanking “the” (20+8+5=33). If you accept that the OX is a wedjat eye, assume that the CK-formed X is another eye, and the the E is the third Eye between them! When double Xs line up the Masonic square and compass is implied.

In the current branding, pictured on the right, the ck is given rather conspicuous attention by wrapping it around the corner. Why? Code 33! A phallic package is also suggested (like with The Candy Kitchen logo above). You can learn more about the decoding of this brand here and here.

The Jack of this brand has a round head. Jack in the Box is the round head in the square box. Remove the eyes and smile from that circle and you have the target style sun god symbol - the sodomizer Horus! A jack that is the child's toy presents an X, and a jack-X in the box is a pyramid!


The CK is the secret identity of Superman, Clark Kent. He's always described as being “mild mannered,” and mm~33. Search this blog for what I've already written about some of the Occult themes I've been led to discover. I expect more will be written about this in the series focused on signs of Horus worship, but it certainly deserves attention here in the context of Code 33. If this comic book cover isn't a picture of SRA, what is it? Superman Ritual Abuse! Superman - The Man of Steel: Daniel 2 - Steel-iron + Man-clay. Small wonder that the ET man in tights is so beloved by the LGBT fraternity. Another community of fans includes ministers: Ministry Resource Site. Mystery Babylon is as Mystery Babylon does.


We leave the entertainment media behind for the real world do-gooders at Camp Kindle, but the Code 33 theme of ritual abuse remains. Their CK logo features a sun anus vortex. Three waves ~ Third Eye.

Here's an advance on Code 33 word sums: CAMP = 3+1+13+16 = 33

The image of the archer appears on their current home page. If you're familiar with the sodomite gateway series this scene should be pretty familiar. Fragile traumatized youth are rounded up by an organization whose branding is a celebration of all things Code 33. I'm a huge fan of genuine charity but I'm not a fan of the schemes of predators. Let's ignore the young archer's absurd technique as the pose had to have been staged for the picture (and ignore the arrow missing a feather [Hey - those folks must really squeeze every dime out of the funds received.]) and focus on the symbolism.

Apollo is the archer. The boy's one eye validates that Horus identity. He wears an orange t-shirt, a symbol of ritual sodomy. Sodomy is already in mind here, as the means of how HIV and AIDS are primarily transmitted. See how the j in “project”on the adult's t-shirt pokes the Kindle K in the butt. They seem to be making allusion to the drugstore window scene of Singin' in the Rain, when Don Lockwood poked the Mahout girl's butt with the handle of his umbrella. “J” is the letter numbered 10, a transformed IO for Helios. In Roman numerals, J as 10 is an X. Sun god sodomy. Just what they are project-ing there is clarified by the context. The torch is a classic of arcane symbolism representing the light of the sun, stolen from the heavens and brought to earth to illuminate man. The emphasized red letter I with heart flame calls out an “i” of Horus, which makes the heart-butt at the top just oh-so apropos.

“Oh, how superior is the Eye of Horus to the Mouth of Isis!” (Aleister Crowley, expressing his sexual preference.)

Some Welcome. What kind of Hope is being Ignited to set fire to that kindling?


Finally, the last CK example is the Comfort Keepers brand, which features the heart inside an anal triangle. Find a pair of 3s in the outline of the sidewalk to support the CK code. The helping Horus hand looks like a serpent dragon head. Plus sign windows form the X in a box of Mayan pyramids. Rotate this a quarter turn and the windows frame the inside of a blue H, for Horus. The open door is the sodomite gateway, and white light spills out through the 33 to break the outline of the oval eye, squaring the circle. The sidewalk signals this is the third eye. Take your pick which eye you want to match to the Harmerty signaling registered trademark. The Hermetic Maxim transformation reveals 666 in the reflection. It all just looks so, well, nice, until you see through the delusion.

Thank you Lord, for exposing the snares of the enemy! Soon enough, the corruption of this age will pass away, and the Lord will reveal Himself openly, Who is truly good!