Part 43 - 2012 London Paralympics - SRA Carousel Programming With Rihanna - We Found Love

Series Links: 2012 London Olympics

When Rihanna joined Coldplay in London at the close of the 2012 Paralympics (9/9/12), she performed “We Found Love,” the only song that was not a Coldplay song. It was claimed that this honor was accorded her for singing “Princess Of China” with Coldplay frontman Chris Martin, who had shared the #4 hit with their duet. With the focus on the umbrella and SRA programming, I don't see how they could neglect featuring today's undisputed queen of the sodomite umbrella symbol.

“We Found Love” is all about mind-control programming too, the lyrics, the song's official music video and the symbolic performance during the Paralympics that was another of the Devil's evil genius mind-control productions in the Olympic Ceremony tradition. If you can interpret the symbolism in this you'll recognize more signs of the “go over the rainbow” programming I've been blogging about, plus the kind called carousel programming, with ritual abuse and sodomy signaling. I think allusion was also made to the film, Mary Poppins, another sodomite Disney children's classic. As you may recall, an assault team of Mary Poppins clones were featured as they umbrella-parachuting in during the London Olympics Opening Ceremony, waging a witchcraft battle with the giant wizard Voldemort.

BTW, when that much hyped ceremony began, a Skyfall segment found the Queen appearing to parachute in with James Bond. If you put her and Mary Poppins in the same category (witch) and connect the Monarch programming umbrella=parachute and “go over the rainbow” dots, you'll have insight into why this otherwise bizarre stunt was done.

As a necessary caveat, if you're a victim of ritual abuse who is still being delivered or you're easily offended by mature subjects and descriptive language, please don't continue here.

Here's a video of the ceremonies that contains Rihanna's 3 minute performance of “We Found Love,” spanning 1:24-1:27.

Closing Ceremony - Paralympic Games - London 2012

Most people who compare the visual elements of her performance with the official music video would find little in common. Those who understand a little about Illuminati programming and can interpret the Occult symbols will find it makes plenty of sense. On the surface, the music video looks to be all about drug abuse ruining two people's lives and their relationship. You'll find that video here, but be forewarned that it's crude and rude, your standard fare dance club video.

Rihanna - We Found Love ft. Calvin Harris

Those who frequent dance clubs where that video has been played would generally see it superficially, as described, and relate to it on that level. The Paralympics closer has been labeled a Coldplay concert that was occasionally interrupted by Olympic closing stuff. Rihanna's “We Found Love” was placed neatly in that context as a set that had a little carnival flavor to it but was mostly like a dance club. While the swing Rihanna sat in was raised in the air, the stadium became a dance club. The video producers made sure viewers see how the men danced romantically with men and women with women while rainbows of colors flashed in the special spectator seating lights. This was more than just a sly celebration of LGBT: It was a celebration of SRA trauma-based programming!

I'll present some of the Illuminati SRA imagery that links the Paralympics performance to the official video, and to Mary Poppins.

Two of the most common symbols I have addressed in this blog are the orange costume and high heels she wears, signals of ritual sodomy. Another is the giant sun-anus mandala eye on the back of the seat, “behind” her. Swinging in the air, she's presented enjoying sodomy with the sun god. Her boyish hair is a masculine or male feature which makes her “butch,” or gender merged. Rihanna ends her time in the seat by caressing herself and calling attention to the microphone as a phallus. (@ 1:26:49)

The following collection is an exhibit of symbolism concealed in the decorative scrollwork of the bench swing.

The seat's scrollwork is cleverly designed so each side presents three sixes that are correctly rotated, 666. Each side also presents a pair of threes, an instance of Freemason-like sodomy 33, plus a 33 signaling pair of mirrored letters “C” (3rd letter). The overall shape is that of an inverted heart, buttocks. Let's not miss the obvious, the butt sits on a seat bottom, as hers is sitting on that seat bottom. That's the picture they made for us, OK?

In this picture taken from a different angle, you can see the ornamental scrollwork framing her head within two 3s, as another 33. She is being illuminated.

What links this performance to the themes of the song's music video is the ritual abuse, primarily. Ritual abuse? In Rihanna's swing performance? Yup. See Rihanna as a slave in a steel cage, bound with a manacle and with a belt around her waist. The swing is a common element in programming settings, as I note fairly regularly on this blog. Physical abuse is implicit in all the sodomy signaling, of course, because one goes with the other in the Monarch slave's programming. Folks who are ignorant of such matters will deny these elements mean anything because she has to be strapped in for safety reasons. Well, of course, but for that it doesn't have to be made so obvious.

This screenshot from the music video is a Rosetta Stone of sodomite gateway imagery. Its an orange and seat (hers) link between the music video and the Paralympic visuals. Rihanna is striking the same pose as the lamp - bent over with the butt out back and an illuminated head. The concentric rings are the sun god's anus. The Oriental characters break down into occult sodomy signaling elements, with the plus sign in the squared circle orange near to the eye of the anus being most evident.

If this isn't about Illuminati programming and getting psi powers, why does she wear a shirt that declares, we have ESP (extrasensory perception) while throwing darts at a dart board and closing one eye? Butt darts is slang for sodomy. Dart board = sun-anus

At this point, I'd like to decode the song lyrics. Again, if you're not free of being triggered by such explicit programming code, make sure the Lord Y'shua gives you the green light on this.

Rihanna - We Found Love - lyrics

Yellow diamonds in the light
Now we’re standing side by side
As your shadow crosses mine
What it takes to come alive
[Yellow = star angel light. Diamond = many facets, faces, alters in a gem-chosen one. Two side by side, slave and handler working together. Shadows or dark spirits of the two cross during abuse and sodomy. What's going on here is as the “on switch” to come alive. ]

It’s the way I’m feeling I just can’t deny
But I’ve gotta let it go
[Let it go - dissociate]

We found love in a hopeless place (4x)
[Love is what the sodomy abuse is called. The abused slave is without hope.]

Shine a light through an open door
Love a life I will divide
Turn away 'cause I need you more
Feel the heartbeat in my mind
[Shining a light through an open door is the ritual sodomy illumination. “Love,” the sodomy abuse, the life divided is dissociated and mirrored creating alter pairs. “Need you more” because this creates a bond. The heartbeat is such a focal element in trauma-based programming, and it is a mind-control anchor. ]

It’s the way I’m feeling I just can’t deny
But I’ve gotta let it go

We found love in a hopeless place (4x)

Yellow diamonds in the light
Now we’re standing side by side
As your shadow crosses mine

We found love in a hopeless place (4x)
We found love in a hopeless place (4x)

If you watched the performance from the Paralympics you would have seen several carousel animal riding performers floated around the stadium. This puts the show in a carnival setting, and the bench swing becomes an innocent carnival swing ride. However, the elements of ritual abuse and sodomy reveal that there's more going on here. The carousel was historically used to train knights for battle. It remains as just such a training tool!

"The Carousel in real life is used as a device to teach dissociation, and how the alters are to go up and down in trance. Sometimes you will see parents who seem to be so loving having their children ride for long periods on a carousel. They might actually be programming them in dissociation. An internal carousel is built into an internal system. Mirrors and shadows are placed around and perhaps in it. The carousel spins and moves up and down repeatedly. In the center of the carousel, the Programmers often place something or someone important." (The Illuminati Formula to Create An Undetectable Total Mind Controlled Slave by Fritz Springmeier and Cisco Wheeler)

I mentioned earlier how I thought allusion was made to the film, Mary Poppins. There's a scene that featured a some pretty special effects for the day, combining live action with animation in the same scenes. Disney used this to pack in lots of sexual imagery.

Mary Poppins is the nanny. She's a witch. She's on an outing with her friend Burt, the chimney sweep and street artist and entertainer, and the two children she's responsible to care for. They go to an amusement park and ride the carousel. Straight away, this signal element should alert us to the potential for programming. Mary's magick puts them into a fantasy world where what they interact with is animated, where the carousel horses they ride break free from the carousel and carry them off on an adventure. They have dissociated, no longer perceiving the real world. Mary leads, as she is their handler.

There are many symbols of sodomy in this sequence, and the one I connect visually to Rihanna's Paralympic performance appears after she rides up behind a jockey during a race. We notice his butt is sticking up and is distinctly outlined to call it to our attention. Mary slows alongside him on her purple pony, checking out his butt and reaching over to whack him on his bottom with her umbrella or parasol.

In the screenshot where he's standing up, Mary is pictured with the umbrella as a phallus positioned just so as she rides sidesaddle. The other rider is pictured right behind her, wearing orange, as her own abdomen is orange, her sodomizer. The jockey whose butt she whacked has a hat with a bow (tie that binds) that looks like it might be a butterfly, hinting at, Monarch programming. Her own hat has a bow.

If the Paralympic scene with the umbrella queen wasn't intending to give a nod to this London classic, they seem to have accomplished it just the same.

Pinocchio and Jiminy Cricket, Disney's Monarch “Conscience” Programmer

Hey, News Flash - signs of mind control programming appear in Disney productions! OK. For most of us that's not exactly news. However, seeing in an animated feature from 1940 the same Monarch “go over the rainbow” programming that was on exhibit during the recent Paralympics and in the Yoplait Umbrella commercial helps us keep a better perspective on the scope and scale of the matter.

Just like how Steven Hawking played the programmer at the Paralympics, Jiminy Cricket plays the programmer in Disney's animated feature Pinocchio. He is often pictured with his red umbrella, a symbol of ritual sodomy programming that sometimes appears in the closed phallic state and sometimes in the open anal state. He uses it as a parachute, floating in the air on his umbrella to signal the “go over the rainbow script.”

I remember seeing this film when I was very young, and there were a few sequences that I have to say left me traumatized. Disney specializes in making scary villains with intense scenes. The reasons for that go beyond any desire to create memorable entertainment. Walt and Roy Disney had trauma-based mind-control programming objectives.

Breaking down the esoteric allegory, the slave being programmed on screen is pictured by Pinocchio, a wooden marionette who is magically animated by a blue fairy, a fallen star and butterfly-like (Monarch) creature. That pictures the demonic installation that gives an alter identity its powers. Multiples have many alter identities and they are not in control of the switching. They are literally slaves, “remote” controlled by programming in such a way that they are puppets or marionettes. Alters are also pictured by masks (a front alter) or as dolls, dummies or mannequins.

The role assumed by the cricket is as Pinocchio's conscience, and in the end he is even awarded an official certificate in acknowledgement of his efforts. A simple definition of “conscience” is that it is the sense of right and wrong that governs a person's thoughts and actions. “Be a good boy, and always let your conscience be your guide,” the blue fairy instructed, after officially assigning Jiminy Cricket the role. What this reveals is how the programs installed by handler-programmer Jiminy Cricket are to magickally govern or control the marionette's thoughts and behavior.

The blue fairy brings Pinocchio to life with her magick star wand but his body is still pine.

As a necessary caveat, if you're a victim of ritual abuse who is still being delivered or you're easily offended by mature subjects and descriptive language, please don't continue here.

It will help to watch this clip. I couldn't find a better one. This fandub is mirrored and otherwise altered, but it's the best version I could find with this scene.

Disney's Pinocchio - Blue Fairy fandub



The fairy tells Pinocchio that if he wants to become a real boy of flesh and blood he must prove himself to be brave, truthful and unselfish and able to tell right from wrong by listening to his conscience. Pinocchio asks “What are conscience?” This is Jiminy's cue, who leaps off the shelf to float down with his purple umbrella. This is our signal that the programmer has brought the slave into a trance state and is going to install a program. What he says as he floats down is instructive, describing the program, and informing those of us who perceive how Disney is using the film to spill the beans about the Illuminati programmer's plans, ways and means.

When the Cricket says, “What are conscience? I'll tell you. A conscience is that still small voice that people don't listen to,” this is not really programming to obey that still small voice, is it? It's simply a declaration that people don't listen to that still small voice. I'm going to show you how this is a substitution, swapping out one “thought and behavior guide” for another.

The “still, small voice” references a passage from the Bible.

11 And he said, Go forth, and stand upon the mount before the Lord. And, behold, the Lord passed by, and a great and strong wind rent the mountains, and brake in pieces the rocks before the Lord; but the Lord was not in the wind: and after the wind an earthquake; but the Lord was not in the earthquake: 12 And after the earthquake a fire; but the Lord was not in the fire: and after the fire A STILL SMALL VOICE. 13 And it was so, when Elijah heard it, that he wrapped his face in his mantle, and went out, and stood in the entering in of the cave. And, behold, there came a voice unto him, and said, What doest thou here, Elijah? ~ 1 Kings 19:11-13

(Note: This is another example of the time pattern of three things and then a 4th. 1. Wind 2. Earthquake 3. Fire 4. A still small voice, which was the Lord.)

My Lord and Elijah's was in the still, small voice. After Jiminy Cricket's declaration that, “a conscience is that still small voice that people don't listen to,” he himself becomes Pinocchio's official conscience. This pictures Jiminy Cricket becoming a substitute for the Lord, who was in the still, small voice people don't listen to. Doubt it? Before Disney gave this name to his character, Jiminy Cricket, it was an expression being used as cuss words. Jiminy Cricket and Jiminy Christmas were more acceptable ways to take the name of Jesus Christ in vain, examples of what's called a minced oath. It's like saying “gosh darn it” or “dadgumit.”

“The character's name is a play on the minced oath exclamation "Jiminy Cricket!" – which itself was uttered in Pinocchio's immediate Disney predecessor, 1937's Snow White and the Seven Dwarfs. Another example occurs in the 1939 film The Wizard of Oz, wherein Dorothy (Judy Garland) cries, "Oh! Oh! Jiminy Crickets!" when she is startled by the Wizard's pyrotechnics. ” (Wikipedia)

There's your substitution, Jiminy Cricket for Jesus Christ, literally an antichrist. He's JC!

Let's identify this substitute more precisely. Just who is the designated moral compass and behavioral guide for the Monarch slave marionette? Have you ever heard of the expression, “By Jiminy”? That's an oath, more technically, a minced oath. What's being obfuscated is, “By Jove,” swearing by the name of Jove, who is Jupiter. This Jupiter is also known as Zeus, who is identified in the Bible as Satan, the Devil, the Serpent, Dragon and Lucifer. The master programmer supplying the program scripts to be executed by the marionette is Jiminy, aka Satan.

The song Jiminy Cricket sings at the opening of the film is, “When You Wish Upon a Star.” It was written specifically for this film. This Academy Award winning song has become instantly recognizable around the world as the signature Disney song. This is an incitement to sin by idolatry and witchcraft.

“When you wish upon a star,
Makes no difference who you are,
Anything your heart desires will come to you.
If your heart is in your dream,
No request is too extreme,
When you wish upon a star, as dreamers do.

Fate is kind, she bring to those who love
The sweet fulfillment of our secret longing!
Like a bolt out of the blue,
Fate steps in to see you through!
Your dreams come true. ”

A star is an angel, in metaphor. Shortly after this song, we find Geppetto rising from bed to wish upon a star.

“Star light, star bright,
The first star I see tonight;
I wish I may, I wish I might,
Have the wish I wish tonight.”

Then, he makes his wish that Pinocchio could be a real boy. He goes back to bed and the blue fairy arrives like a falling star, materializing in the room as from another dimension. His wish was being granted, which is a clever way of saying his prayer to the demon gods that are fallen angels was granted. This activity is, of course , strictly forbidden in the Bible for our protection. We can identify the blue fairy with Fate. Fate is not the True God, obviously. “Like a bolt out of the blue, Fate steps in to see you through!” A bolt out of the blue is the weapon of Zeus or Jupiter. Geppetto performed a ritual summoning or invocation of the animating blue fairy-fallen angel with this prayer to the celestial lights. Nothing good comes of this rebellion and witchcraft. How many children have been led down the left hand path with this simple enchantment?

In this next clip that goes further past the clip offered above, you'll hear Jiminy Cricket call Pinocchio, “son,” identifying the marionette to us as Apollo, the son of Jiminy-Jove-Jupiter-Satan and antichrist beast.

Pinocchio and Jiminy Cricket - Always Let Your Conscience Be Your Guide!



Notice how Jiminy has a “heart to heart” talk with Pinocchio. That interprets to butt to butt interaction, here, incestuous reciprocal sodomy, which is typical handler-slave relationship and behavior. (Taylor Swift's illustration of what is meant by "heart to heart." - note: Wonderland Magazine, as in "Alice in Wonderland.") JC tells the marionette to sit down, so he plops down on his butt. Then he sits himself down, on his own butt, and while he talks he keeps pointing his phallic umbrella. See how the fiddle string breaks and whips Jiminy in the backside. Old standard Bimbo's Initiation style action.

This sequence has a solid programming layer, but first I want to establish a family relationship by introducing the Egyptian allegory. Jiminy is pictured more like a grasshopper because he's flesh colored or sometimes green. Osiris green. Consider how the ancient Egyptian trinity is evoked an allegory where the Blue Fairy is Isis, the goddess of reproductive magick, who uses the phallus of Osiris (the magick star wand) to magickally give life (birth) to Horus-Pinocchio.

When Jiminy tells Pinocchio, “And anytime you need me, you know, just whistle,” he proceeds to teach him how and lead him in what must be seen as a ritual invocation of the devil. In many such rituals, the name Cernunnos is used. The whistling or blowing is a common ritual imagery where the breath is spirit. When you interpret the symbols, it's all pretty plain.

This scene informs us on a programming level that Jiminy Cricket is a program that represents the programmer, a demonic (literally) master control program that has the job of controlling alter switching. Watch the clip a few times and this should become apparent. See him dancing and sliding down on the fiddle string with his red “parachute” umbrella, once again signaling the slave's trance state and “go over the rainbow” programming, with the programmer accessing the security system of the Umbrella programming. The function of the open match box Jiminy Cricket stands and sits upon appears to be that of the black pearl. The contents placed inside the black pearl are sealed in, secured because discovery or loss of the valuable secret program would be the worst that could happen. Like matches, this knowledge could be used to light destructive fires.

If Jiminy's tightrope act on the fiddle seems familiar, it's probably because Gene Kelly reenacted it for us in “Singin in the Rain”! His playful tightrope walking routine and coy little “jump off” step off the curb bit was done in front of the bookstore that represented the programming scripts. (Part 96 - The Sodomite Gateway - Singin' in the Rain: Umbrella Programming at the Hat Store) That routine was a nod to this scene in Disney's film, which had come out of Hollywood 12 years earlier. Add “go over the rainbow” programming to the list of Gene's symbolic routines.

If you haven't connected the dots, it's time to identify links to the fiddle playing master programmer Joseph Mengele aka Dr Green. Green, like Osiris and grasshopper. Here's a collection of excerpts from The Illuminati Formula to Create An Undetectable Total Mind Controlled Slave by Fritz Springmeier and Cisco Wheeler. I put my comments inside square brackets.

“One of the names connected with Monarch programming is Marionette Programming. The child literally becomes a Marionette. This concept appears to have been cooked up by the Germans under Hitler. An alter System as a child is physically shown that they are a marionette puppet. Their muscles are electro-shocked in such a way as to take advantage of the natural reflexes. When electro-shocked that way, the victim’s body parts jerk out of our control at the whim of the programmer to prove to the victim that they are a puppet. At this time, the rules are given and rule number 8 is that the alters are their puppet. Illuminati programmer Dr. Mengele, used puppets in a dollhouse as he programmed. He did skits with his puppets. “Dance Marionette dance,” he’d say in his thick german accent. Pinocchio’s story was used to name the spirit guide Jiminy Cricket.”
--- [the spirit guide, Jiminy-Satan antichrist]

“‘This,’ said the Nome King, ‘is but a small part of my army. No ruler upon Earth has ever dared to fight me, and no ruler ever will, for I am too powerful to oppose.’ This was to help build acceptance within the child of the layering of armies of demons. pg. 180, Book 3 Ozma of Oz, “For upon the edge of the table rested a pretty grasshopper, that seemed to have been formed from a single emerald.” The next page has a picture of a grasshopper wearing a hat and many shoes. This was used to help the victim take the hypnotic suggestion that their programmer was a grasshopper, a cricket. Mengele used a clicker which helped with this hypnotic suggestion too.”
--- [demonic army - locusts - black awakening]

“The top of the page has a large cricket like creature that was said to the child to be the programmer (Dr. Mengele). All of the stories in The Tall Book of Make Believe were used one way or the other in programming. We will just touch on some notable points. On page 38 is a poem about a Mr. Nobody. The programmers like to have alters identify themselves as “nobody”. On page 39 is a poem/story about “someone” who comes tapping...but it is “only the cricket whistling”. This was used to help program in that the 3 taps were the cricket (the cover image for the programmer.) ”
--- [A programmer is identified in the phrase, “only the cricket whistling.” The whistling cricket is featured in Pinocchio, which you saw if you watched this clip earlier that illustrated the Devil's invocation. Pinocchio and Jiminy Cricket - Always Let Your Conscience Be Your Guide!.]

“INTERNAL DECEPTIONS - When building an internal world, the programmers use every trick in the book to hide things. First the abuse has to be hidden in silence, and then the MPD has to be hidden. Next, the real core needs to be hidden. Then, the purpose of a Monarch slave needs to be hidden. All the time that this is going on, the programmers must constantly work at keeping the programmers’ identities hidden, and their programming sites hidden. Programmers usually have cover names when programming, and then hypnotically have the victim see them as something else. For instance, Dr. Green had victims see him as a cricket. He even used a cricket noise maker while programming, that clicked.”
--- [Dr Green bug grasshopper-cricket. By the way, Nuns in Catholic schools use a clicker to summon and program.]

Some claim this programming was invented by Mengele but he was merely one contributor. Pinocchio's story was used by Dr Green, along with many others that weren't just accidentally found to be useful by random happenstance.

“Dr. Joseph Mengele of Auschwitz notoriety was the principle developer of the trauma-based Monarch Project and the CIA’s MK Ultra mind control programs. Mengele and approximately 5, 000 other high ranking Nazis were secretly moved into the United States and South America in the aftermath of World War II in an Operation designated Paperclip.” (Ken Adachi, Mind Control the Ultimate Terror - Origins and Techniques of Monarch Mind Control)

Really, trauma based programming predates the CIA and the OSS, and even the invention of the umbrella by a long, long time. The Wizard of Oz film, with hit song “Somewhere Over the Rainbow” hit theaters a year before Pinocchio, in 1939. Fantasia hit the theaters the same year as Pinocchio, which Springmeier and Wheeler claim was the fruit of years of development of color programming. (Deeper Insights into the Illuminati Formula) Had Dr Green seen these and derived inspiration for his programming scripts? I believe the basis for these would have been circulating globally in that era's Illuminati programming scripts.

“Pinocchio” is Italian and the name translates to, “pine eyes.” This is an Occult reference to the pine cone third eye or pineal gland enlightenment! This is what the story is really about, which applies on several levels of allegory in the film.

Earlier, I identified Jiminy as Satan. Jiminy was assigned to guide Pinocchio. The blue fairy tells Pinocchio that if he wants to become a real boy of flesh and blood he must prove himself to be brave, truthful and unselfish and able to tell right from wrong by listening to his conscience. The ability to tell right from wrong alludes to what Jiminy-Serpent-Satan told Eve in the Garden of Eden.

For God knows that in the day you eat from it your eyes will be opened, and you will be like God, knowing good and evil. ~ Genesis 3:5

Your eyes will be opened - "pine eyes" and you will be like God, knowing good from evil as coached by Jiminy-Serpent.

This aptly named esoteric story derives from an older work. “'The Adventures of Pinocchio' is a novel for children by Italian author Carlo Collodi, written in Florence. The first half was originally a serial between 1881 and 1883, and then later completed as a book for children in February 1883.” (Wikipedia) Disney understood that esoteric work, who could identify with Pinocchio as his own third eye was opened.

Disney covered Collodi's classic 11 years before covering a Lewis Carroll classic, producing “Alice in Wonderland” in 1951. Collodi was a contemporary of Carroll. He was already an author by 1865, when Carroll published “Alice's Adventures in Wonderland,” but it wasn't until 1875 that he began to write literature for children. It's well known that his literature was highly allegorical. Comparing Collodi and Carroll (similar pen names) and their contributions to classic programming literature (with similar descriptive titles, “Adventures”...) may suggest some deeper connection, but what is evident is that they had the same inspiration and objectives as Walt Disney.

Collodi was a Freemason, which explains a lot. The VC documents that here, in The Esoteric Interpretation of Pinocchio. Perhaps Walt Disney was too, and speculation abounds about that. The exclusive 33 Club isn't called that for nothing. Jiminy Cricket and Mickey Mouse don't wear trademark Masonic white gloves for nothing. His esoteric works betray that he is an adept, and official membership in one group or another isn't going to change the way I see that.

There are some other elements of Pinocchio that I noted that should be mentioned. Really, I think an entire blog could probably be devoted to this animated feature but I'll probably limit commentary mostly to this one post.

Like in the animated feature Rango but presented in a more subtle fashion, there's a knights quest involved that is a seeking for the holy grail. This is evident in how the blue fairy tells Pinocchio that if he wants to become a real boy of flesh and blood he must prove himself to be brave, truthful and unselfish and able to tell right from wrong by listening to his conscience. It's the left hand path story. The promise made is that by attaining virtue he will be rewarded with a bodily transformation. He was given the anointing with the blue fairy “queen's” magick wand doubling as a scepter of authority. Like Don Quixote, this “pine eyes” knight of the quest has a squire in Jiminy Cricket. The queen granted authority to squire Jiminy Cricket with her magick wand scepter and with magickal new attire gave him provisions fit for the quest.

Here's how it went when Pinocchio let Satan be his guide. He finds himself held captive in a bird cage, as SRA slaves being programmed usually do. He finds himself on an island where there is a terrible curse which turns little boys into donkeys. Here's some classic pedophile programmer stuff, an island filled with little boy asses. He finds himself lying, and the nose that grows into a tree branch when he lies shows he is a son of the father of lies (John 8:44), a branch of that family tree that is not of the true tsemach, or Branch of Isaiah 4:2 or Jeremiah 33:15, Zechariah 3:8 and 6:12.

The big deception of the hypnotic program script inspired by the blue fairy and programmed by Jiminy Cricket is this, that you should always let your conscience be your guide. This is actually contrary to the Bible's direction. The fallen ones teach rebellion and sin of every kind. What the unsaved carnal man has for a moral compass is often called the heart, which the parallel script is always declaring that we should follow our hearts.

“The heart is more deceitful than all else and is desperately sick; Who can understand it? ~ Jeremiah 17:9

1 But the Spirit explicitly says that in later times some will fall away from the faith, paying attention to deceitful spirits and doctrines of demons, 2 by means of the hypocrisy of liars seared in their own conscience as with a branding iron, ~ 1 Timothy 4:1-2

That's the Jiminy-Satan conscience that is found at the conclusion of the grail quest. Long nose-branch Pinocchio or the transformed marionette as a hybrid donkey are two images that illustrate that end.

With the programming and esoteric “pine eyes” themes you know there's got to be an abundance of ritual sodomy symbolism in Pinocchio. I already discussed some, but here's more.

In this pair of similar images, Jiminy Cricket has the phallic state umbrella and the anal hat, which models ritual sodomy and also a male train. The one with the stars illustrates the fallen angel illumination pretty effectively.

Do you suppose the cricket's posturing inspired the Brown Derby Luv Pub?

Gene Kelly demonstrates below what's going on with Jiminy Cricket's umbrella.

You can see in the first video clip that Jiminy Cricket is terrified when the blue fairy appears. He grabs his umbrella and shoes and leaps into one of Geppetto's pipes to hide. This little sequence is rich! Here's a pair of screenshots that captures much of the symbolic imagery. Before the cricket can do any programming he's got to be initiated, and this is where it happens.

This mind-control programming is trauma-based. When the blue fairy, a fallen angel, materializes, he's traumatized. He runs by a pie-eyed pincushion doll with checkerboard clothing, pierced with tacks. Yikes! The ritual torture and sacrifice of a companion! The ritual sodomy that is symbolized here is going to force him to dissociate, which is pictured by a pair of pipes that are carved to look like heads. With no bodies, they are dismembered heads that represent his dissociated identities, alters.

After Jiminy grabbed his shoes, they were no longer drawn to look like shoes. From that point, they looked like a naked brown butt, and a scrotum.

Several more sodomy images appear, perhaps the most obvious of which, after the purple umbrella, involves the figure on the pipe Jiminy dives into. You could say that the pipe man caught Jiminy but in the language of what's pictured, the pipe man is really the sodomite “pitcher,” not the catcher. This is the same flip presented in Puss in Boots, when Humpty Dumpty was dropped down for Puss to catch. When we hear Jiminy exclaim, “As I live and breathe! A fairy!” - he's calling attention to the pipe man as the fairy, which is slang for a homosexual man. He stands up stiffly and exclaims. Ummm-MMMM! Gay! When you learn how that many alters are programmed to picture themselves as inanimate and that much is made of living and breathing during programming, the other part of the exclamation is one more clue to tip us off to the ritual initiation.

There is a twisted purple cord wrapped around a pipe stem, picturing the sphincter around the “dirt pipe.” It has a pair of twisted strands wrapped around the gold band that signals the promised triple helix gold DNA body, (like Humpty Dumpty, the “gold pooper”). Extending this imagery we see the spiraling design of the big pipe bowl, the signal sodomy vortex, which is strengthened by the positioning of the open purple umbrella on top of it. When Jiminy lifts the umbrella and peers out, it's the symbolic opening of the third eye.



In this screenshot, Geppetto is in bed with the little black and white cat, covered by a quilt with a Masonic checkerboard pattern. Felines and their features signal Beta or sex kitten programming, which are often programmed to give support to the Delta assassin missions. Pedobear. GepPedobear. Disney named Geppetto's cat, Figaro. This a name that has been used in theatrical productions for many years, and it has come to mean, “an adroit and unscrupulous intriguer.” This name certainly is an apt description of the Beta-Delta operative. The cat in Puss in Boots named Kitty Softpaws was another animation character fitting the exact description. Note, cats are commonly kept by witches as familiars.

Finally, here's Jiminy Cricket's image on a military patch that signals in so many ways that they are programmed supersoldiers.

Decoding the Aereo Brand

Aereo is upsetting the apple cart today with their announcement that their cloud DVR/live TV streaming service will be expanding past New York City to more than 19 million people living in the surrounding metropolitan area.

Decoding their brand imagery reveals a match to the elements of the pyramid pictured on the dollar bill. The folded band forms the shape of a truncated pyramid, the base upon which a capstone would sit. The capstone is implied in the white negative space, the all seeing eye of Horus. This is confirmed as Aereo is aer+eo or air plus e and o, EO, Helios the sun god. Helios is Apollo, which Tom Horn masterfully identified as the god magnified on the Great Seal of the USA. The Aereo connection to the sun god beast symbol is further verified as we consider how the name was positioned underneath the simple graphic, with the letters A and o being called out by the descenders. The AO is as the EO, indicating Helios.

It's yet more Occult promotion of the coming Beast of Revelation 13:1.

• The Sky Is The Limit For Aereo, Assuming The Sky Remains Filled With Free TV Signals
• Aereo Launches Cable-Killer Ad Campaign, Expands Into Three New States
• Aereo Amps Up Marketing Efforts Before Expanding To New Cities, Hires Former Apple Exec As CCO
• CNET Now Forbidden To Review Aereo, The TV Service In Active Litigation With CBS
• The Sky Is The Limit For Aereo, Assuming The Sky Remains Filled With Free TV Signals

2012 Paralympics Opening Ceremony Highlights Monarch 'Over the Rainbow' Programming with Vatican Connections

The mind control technique associated with military programming was pretty obvious in Yoplait's Umbrella commercial. (See Yoplait Umbrella Commercial and the Flash Mob Black Awakening) The flash mob style is the perfect complement to the umbrella Delta assassin and “over the rainbow” programming subject. It's a cryptic but explicit announcement of the coming black awakening. Really, how else can you interpret all that? The flash mob's performance in Seattle of the Emmy winning Glee show's Umbrella+Singin' in the Rain mashup makes it obvious that this whole deal is well embedded in our culture. The black awakening is coming, and chosen ones have been boasting about it for years. This should be sobering and a wake up call to some of you reading here, who still need some cold water in the face.

Even if you've learned and been able to accept what I've presented on this blog for the last couple years and are now familiar with what I presented in that Yoplait flash mob post, you might still be shocked at how the very same Illuminati programming was done during the 2012 Paralympics Opening Ceremony in London. I already wrote some about that ceremony in Part 41 - 2012 London Paralympics - Occult Opening Ceremony. If you're not familiar with that, I recommend getting caught up on it as a supplement. I'm going to revisit that global scale Occult ritual again from mostly other perspectives. There's Vatican connections in this, to Vatican City and also Pope Francis.

As a necessary caveat, if you're a victim of ritual abuse who is still being delivered or you're easily offended by mature subjects and descriptive language, please don't continue here. If you've got a green light on this, here's a video of part of the mass programming ritual.

London 2012 Paralympic Opening Ceremony



There's several levels to be addressed, first up, the in-your-face Monarch “go over the rainbow” programming. If the Yoplait Umbrella post is fresh in mind there's not much commentary needed to interpret this big budget ritual and demonstration. Reread the programmer's script if you require. When umbrellas descend from the sky or ascend or hover it pictures how a Monarch slave is being taken into a deep trance state and that delta programming is going to occur. When the many colored umbrellas float in the sky it represents the rainbow the slave is told to stay on, having been brought to that state where a programmer will install the program. There's plenty of that going on in the Olympic stadium, as you can see from these photos. Those capped pyramid lighting structures ringing the stadium are so very appropriate!

One of the features of this programming is a black pearl. That big black “umbrella” in the middle of the stadium represents the Monarch black pearl! Here's the role it has as the programmer hypnotically guides the slave into the deep trance, descending down on clouds that are the colors of the rainbow. “Land very gently ... very softly ... in the center of a round, black pearl. See it glowing, softly, gently.” When the slave is about to be brought out of trance, it's referenced again. “In the pearl, prepare to awaken.” As the programming session finishes and the slave is going to be sent back into a front alter, the memory of the program will remain "in the black pearl" while the slave is isolated from it for security. “Leaving the memory in the black pearl and closing and sealing the black pearl. You will remember only those details that I tell you to remember.” When the labeled wheels-in-wheels sphere is dropped into the black sphere during the ceremony under the pretext of the presumed Big Bang of creation, what's really pictured is the installation of the black awakening program most or all of the slaves have received. That's the big bang they really mean.

Or, you can just accept whatever they tell you it means and go on your merry way, oblivious to the grand conspiracy.

There's more. See the peculiar structure with the elevated Lunar orb? It's the inside of an umbrella, inverted for obfuscation and partly buried with no fabric cover. It's got a Moon handle. See the brilliant liar Stephen Hawking as the programmer inside, accessing the slave's Delta alter.

“U. Umbrella. This is associated with military programming. An umbrella protects something, such as the Delta assassination alters. An umbrella must be taken down from the inside and so must this protective shield of the Umbrella program.” (The Illuminati Formula to Create An Undetectable Total Mind Controlled Slave by Fritz Springmeier and Cisco Wheeler)

There it is. Hidden in plain sight. The Illuminati programmers do their dirty work and put the evidence of it right out in the most public arena. Many of the Paralympics performers and audience have been traumatized physically and emotionally due to life changing injuries. In this venue and context the Illuminati creeps prey upon the vulnerable, because that's their way. They seize upon every perceived opportunity to wield more control.

The programming session in view is mass ritual that influences all of us directly or indirectly. I believe the ceremony supports the programming of those who have black awakening programs installed in a special way, and also the entire network of programmers and handlers. There's a supernaturalism involving the worship of their god. In his Zeus alias, receiving worship is what the entire event is about, with the honoring of all the ancient gods of Olympia and those who serve them.

From one news report, “Professor Stephen Hawking, who enjoyed a starring role in tonight's Opening Ceremony, said the Paralympic Games is about transforming our perception of the world. "We are all different. There is no such thing as a standard or run-of-the-mill human being but we share the same human spirit," he said.” Truth and lies. We don't share the same human spirit. There are tares sown into the Lord's harvest field. Some undergo a transformation that accompanies salvation that makes them a new creation in Christ, some don't. I don't doubt that Hawking is right about the purpose of the games. Our perception of the world changes as we are reprogrammed, which was clearly happening during the ceremony, or better still, our perception of the world changes as we're set free from that Luciferian programming, to see the world as the sovereign Creator sees it.

In this mass ritual, a storm begins with lightning and thunder, the discharged weaponry of Zeus that may also be taken in a reproductive sense. Notice how the special stadium seating has lighting effects that simulate rain falling. By design, and this may be the main reason for the lighting, where the audience sits, that's where the rain is falling. Do you see purple rain? Remember these posts?

• Serpent Rain and the 666 of Purple Rain
• The Secret of the Rain Man (god is in the rain)

The last line of Prince's song Purple Rain was this: “I only want to see you, only want to see you in the purple rain.” Remember how 666 was embedded in the song? There's a signature, Lucifer's autograph. This immersion of the spectators in purple rain while playing a remix of Rihanna's Umbrella should really speak to you about the layering of symbols and building of energy in this ritual magick.

Here's another scene from the Paralympics. Rainbow, clouds, black pearl. Check, check, check. All sorts of squares and circles going on there. I see sun wheels, anja chakras, Neptune... Programming alchemy.

As I've described in many posts, an SRA programmer would typically sodomize the slave to access the programming. Clever signaling of this essential activity and gateway to supernaturalism is not lacking in the scene. That's what Rihanna's Umbrella is all about, and the rain.

What the Illumined Luciferians call the Key of David aka Rothschild sodomy causes illumination that is perceived as flashes of light by the slave, and that's what the “big bang” pyrotechnics pictured. When the symbolic sphere dropped into the top of the giant black umbrella butt it was as a seed was planted, the sperm of a god. The big bang is the ultimate creative act in their minds, and this is what the Key of David is to them every time there is such a ritual enactment. This is why the Nazi religion of the elite SS considered the north tower with the black sun in the floor at Wewelsburg Castle as the center of the world.

The eye and the black sun anus are equivalent symbols, and we see this dramatized for us in the stadium when the light rayed black umbrella is framed as the pupil of an eye, the all seeing eye of Horus.

Over against the black sun is a moon, which is a typical Occult feature like you see in esoteric art and Masonic lodges and tracing boards. It's a counterfeited version of the Bridegroom and the Bride. If you know what mooning is, you'll understand the meaning of the moon with a giant phallic tower stuck in its bottom.

Four men with orange hats performed a roller skating routine under that moon with sodomite phallic symbols, white umbrellas held in their collapsed state.

In the screenshot you see here, they line up behind each other to model for us the Vitruvian Man, a sodomite classic.

As for the signaling of the illumination that is their goal, we see it on levels that include the most obvious. According to an ITV report, “Empowerment and challenging perceptions are some of the themes of the show, called Enlightenment, which also stars Sir Ian McKellen and references Shakespeare's The Tempest.” (London Paralympics Opening Ceremony) During the ceremony, McKellen played the sorcerer Prospero, who is perhaps most well known for his role as Gandalf the wizard. Celebrating witchcraft and enlightenment openly, well, there's that. But on the occult subliminal level, where the powerful supernaturalism of the symbols operates, the more subtle imagery should be identified, like how the moon is illuminated as the symbol of the head and at the same time of that butt being sodomized.

We should note how the black umbrella was celebrated with lots of associated lighting. Those who carried the illuminated umbrellas wore illuminated headgear that gave them a halo and third eye effect. These represent the kingdom of the Beast, worshipers of the sodomite god whom they serve and who services them. This is a display of what love looks like in their dark sodomite kingdom.

They are as a rainbow encamped around their god. They are a sea of people in the purple rain that exist as a kind of moat around a medieval castle, a security perimeter, the guard. They are the Delta and umbrella programmed soldiers who are active now but also await the triggering of the black awakening. Beyond the figure, of course, this may well describe the reality. There are plenty of chosen ones in the UK, and who knows what the real selection criteria was for the volunteer force.

At this point, I'd like to point out the Vatican connections I perceive in the scene, which does itself have a renowned but secretive illuminated supersoldier global security guard, the Jesuit and orders of the Knights.

I see a modeling of the Vatican City in the Paralympic stadium. Compare the obelisk to the moon-topped tower, each with a circular base and set in a keyhole. Compare the basilica to the dome of the umbrella.

When this common pattern become apparent that begs a question, and I believe the best answer speaks to how it is the same demonic agencies behind them both driving similar objectives. I believe they are celestially aligned as fit for those objectives in those locations. I believe this explains similar constructions in such diverse settings as Washington DC, in the Epcot Center at Walt Disney World in Florida and in Victor, NY at East View Mall.

I believe there is a transformative magick involved in binding the celestial and terrestrial. This matter is what's signified in Papal heraldry, and most particularly in that of the latest Pope, the Jesuit Francis (Xavier). I believe this relates to the keyhole I mentioned and to what may be identified as the Vatican City star key itself, which appears on the map when you consider the St. Peter's end as the key handle and the pentagram star shaped end (Parco Adriano and Castel Sant Angelo) as what is inserted into the lock.

I think the celestial-terrestrial binding and loosing magick of the Paralympic Ceremony is not particularly well hidden when the scripts of those who spoke during the ceremony are considered. Star seed and the return of the ancient celestial parents is a familiar underlying theme. The Vatican's Occult magick is not at all dissimilar. Their focus on astronomy and interest in diligently watching for the coming ET gods is one expression of their hope. What the Vatican is all about can really be considered alchemy, science magick. The Jesuits operating the VATT in Arizona and spokesmen for the Vatican have made official disclosure of alien contact seem imminent. The language of their announcements falls short of announcing a coming savior, but that's not far off. Y'shua's replacement is on the way.

Here's pictures of the facilities on Mount Graham. The Jesuits have access to these, and the Vatican owns and operates the VATT. The LUCIFER instrument has gotten press recently, which is associated with the nearby LBT. There's also a radio telescope, like the kind SETI uses to search for the ETs.

Take another look at the structure under the moon. Isn't that a radio telescope, like on Mount Graham, hoping for contact? “The Vatican Advanced Technology Telescope and the Heinrich Hertz Submillimeter Telescope began operations in 1993. The Large Binocular Telescope, one of the world's largest and most powerful telescopes, began operations using lenses independently in 2004, with joint operations between the two lenses beginning in 2008.” (Wikipedia)

It is the contact that is the arrival of the false messiah that the Vatican and the Zeus worshiping Olympic sponsors await. To tie this all together, the black awakening that is programmed in with Monarch umbrella Delta Assassin programming is an essential part of that plan. These agents of chaos are the slave army of Apollo, or Horus, the beast. It is the Pope who will anoint him. Doubt it? Watch the Paralympics opening ceremony. That's what you're seeing! If you can't see it yet, you're still under the cover spell of delusion. That's not a good thing.

Part 4 - To Number Our Days Aright - And Even More Examples of 3 Things and Then a 4th

Series Links: To Number Our Days Aright

To number our days aright let [us] know, And we bring the heart to wisdom. ~ Psalm 90:12 YLT

In 2008, I came to understand how there would be seven more years before the sign to the Bride would be witnessed. This came as I received the missing piece of the chronology puzzle that locked two parts together. The Lord Y'shua revealed this through a kind of parable in the scriptures, a historical event that also prophesied of the future. When Peter denied the Lord three times, as it is written, it fulfilled the prophecy the Lord spoke to him in John 13:38, but only in part. That prophecy would be fulfilled on a greater scale in a people represented by Peter, us.

When the revelation came to me about the three denials of Peter I understood the context very clearly, immediately equating the three denials to the three Shemittah following the celestial sign of 1991. I understood from that insight something that was very emotional, how the Bride and 144k sons of Israel were not yet ready, and that there must be seven more years of maturing. I understood the implicit declaration that, then, they would be ready! In 2008, this was a bittersweet realization because I knew severe trials must come. Some have already, but what is coming in the next two years will be far greater still, to test and prove, as Satan is given permission to sift “Peter.” Some of us will survive until then to participate in the activity surrounding the revealing of the lawless one that leads up to the Bride Theft, and some will not. Let it be the Lord's call which it will be for you.

It's not enough for me to just say so about such things, there must be demonstrations of various kinds, and for this purpose I offer another batch of evidences of the pattern the Lord gave me to understand. Many of these were brought to my attention by my friend Aaron Hermann, who has been a diligent student of these things that lie beyond the veil. We have been yoked together by the Lord with much grace as He sends two by two in such a work as this.

Here's a summarized listing of examples introduced thus far. In each, there is precious insight to be gleaned by the hungry student at the Lord's feet.

• Luke 8 - the parable of the soils, which was underscored by the way the accounts were recorded
• 1 Samuel 3 - the calling of the prophet Samuel
• 2 Kings 2 - the journey that resulted in Elisha witnessing the taking up of Elijah in a whirlwind
• Acts 7 - Joshua led the children of Israel into the promised land to accomplish what had been denied Moses before him
• Luke 20 - the sequence of four agents sent by the owner of a vineyard, the fourth being the owner's beloved son
• Daniel 7 - the four great beasts from the sea, the fourth being different from the three before it
• Daniel 2 - the metallic statue with head of gold, silver, bronze iron, the fourth being iron mixed with clay and struck by the stone kingdom
• Luke 13 - the fig tree dug around and fertilized in the fourth year to be spared being cut down - with two bracketing illustrations of the 18 killed by falling tower and 18 years sick
• 4 occurrences of 666, 3 in the OT and 1 in the NT
• Matthew 26 - the pattern sign of 3 denials then the rooster crows illustrated in Gethsemane by the cycles of the Lord addressing his disciples and praying about drinking the cup, then drinking it.

The pattern appears in the account of a crucial historical transition, when the favor of the God of Abraham, Isaac and Jacob was beginning to be extended very particularly to the Gentiles. This momentous occasion was prefaced by a vision that prepared Peter to become the Lord's agent in the work.

9 On the next day, as they were on their way and approaching the city, Peter went up on the housetop about the sixth hour to pray. 10 But he became hungry and was desiring to eat; but while they were making preparations, he fell into a trance; 11 and he saw the sky opened up, and an object like a great sheet coming down, lowered by four corners to the ground, 12 and there were in it all kinds of four-footed animals and crawling creatures of the earth and birds of the air. 13 A voice came to him, “Get up, Peter, kill and eat!” 14 But Peter said, “By no means, Lord, for I have never eaten anything unholy and unclean.” 15 Again a voice came to him a second time, “ What God has cleansed, no longer consider unholy.” 16 This happened three times, and immediately the object was taken up into the sky. 17 Now while Peter was greatly perplexed in mind as to what the vision which he had seen might be, behold, the men who had been sent by Cornelius, having asked directions for Simon’s house, appeared at the gate; 18 and calling out, they were asking whether Simon, who was also called Peter, was staying there. 19 While Peter was reflecting on the vision, the Spirit said to him, “Behold, three men are looking for you. 20 But get up, go downstairs and accompany them without misgivings, for I have sent them Myself.” ~ Acts 10:9-20

Following the three repeated revelations of the vision came a fourth revelation, while Peter was reflecting on the vision. Yet again, three things of a kind are followed by a special fourth of a different kind. (It's a good thing Peter didn't misinterpret the vision and kill and eat the three emissaries, right? That may seem like a pretty absurd observation, but, hey, that's how the other kingdom works.) So, it is here as I've noted previously, that a cryptic prophetic scenario appears in the fourth thing that will be fulfilled during this fourth Shemittah. Before I elaborate on that, what was given to Peter in the vision should first be recognized as a prophecy about the church age, and both its beginning and end.

What should be obvious is how the unclean animals on the sheet represent Gentiles whom God has cleansed. Peter was being sent to Cornelius who, with his house, became the first to receive the salvation of this age that had been reserved for Jacob and his children. What may not be so obvious is how the three times the "clean gentiles" are presented as a picture of the three harvests of the church. I came to understand this passage as I wrote many years ago in one of the studies collected into Beyond the Veil, Peter's Vision of the Gentile Age, and a reading of it is recommended as a supplement. The vision given Peter encapsulates the entire age.

About the vision, only once is it written that the object was taken up into the sky, immediately after “this happened three times.” This presents an exact parallel to the three denials of Peter immediately followed by the rooster crowing. The rooster crows as announcing the object being taken up into the sky.

16 For the Lord Himself will descend from heaven with a shout, with the voice of the archangel and with the trumpet of God, and the dead in Christ will rise first. 17 Then we who are alive and remain will be caught up together with them in the clouds to meet the Lord in the air, and so we shall always be with the Lord. ~ 1 Thessalonians 4:16-17

So, the revelations repeated during the vision will be fulfilled during the fourth Shemittah, but the fourth revelation that followed will also be fulfilled during the fourth Shemittah. We may rightly infer that there is a prophetic scenario dramatized in what followed after Peter saw the object ascend, concealing and revealing what will follow after what's described in 1 Thessalonians above. Intriguing, yes?


The next exhibit of the pattern is found in 1 Kings 18 in another episode of Elijah's life.

31 Elijah took twelve stones according to the number of the tribes of the sons of Jacob, to whom the word of the LORD had come, saying, “Israel shall be your name.” 32 So with the stones he built an altar in the name of the LORD, and he made a trench around the altar, large enough to hold two measures of seed. 33 Then he arranged the wood and cut the ox in pieces and laid it on the wood. 34 And he said, “Fill four pitchers with water and pour it on the burnt offering and on the wood.” And he said, “Do it a second time,” and they did it a second time. And he said, “Do it a third time,” and they did it a third time. 35 The water flowed around the altar and he also filled the trench with water. 36 At the time of the offering of the evening sacrifice, Elijah the prophet came near and said, “O LORD, the God of Abraham, Isaac and Israel, today let it be known that You are God in Israel and that I am Your servant and I have done all these things at Your word. 37 Answer me, O LORD, answer me, that this people may know that You, O LORD, are God, and that You have turned their heart back again.” 38 Then the fire of the LORD fell and consumed the burnt offering and the wood and the stones and the dust, and licked up the water that was in the trench. ~ 1 Kings 18:31-38

The three drenchings of the offering with water are like baptisms. These are followed by a kind of baptism by fire, signaling an acceptance. It is as three denials followed by an acceptance. As a supplement to this account I recommend reading what I've written in, Elijah's God Answers by Fire. The prophetic symbolism is very rich and relevant. This contest with 950 prophets of Baal and Ashtoreth led to their destruction. This took place on Mount Carmel, where Elisha went after witnessing Elijah's being taken up in the whirlwind and when he had received Elijah's mantle and a double portion of the spirit that had been on him. There are some contests coming in this Shemittah, about which 1 Kings 18 prophesies. Despite the opposition, the Elijah people will find their sacrifice accepted after three seasons of denial. My Lord, the God of Abraham, Isaac and Israel will have turned the hearts of His people back again, first in the 12k from each tribe represented in the 12 pitchers of water poured out upon the sacrifice, that Elisha people. I write this as though it's easy. I can hardly convey just how over the top big a deal this is! Give consideration to the sacrifice of Zephaniah 1:7 and its context.


It has probably come to your mind already that even our Lord's own resurrection models this pattern to us. The simple fact of His being dead in the grave for three days and three nights is unremarkable. What is remarkable is that at the conclusion of those three He was raised to life eternal in a resurrection body! This fourth thing is an endless day for the one who said to John, “Do not be afraid; I am the first and the last, 18 and the living One; and I was dead, and behold, I am alive forevermore, and I have the keys of death and of Hades.” (Revelation 1:17b-18) His resurrection is itself prophetic as a firstfruits, of what fruitful crops in His harvest field will be reaped in this fourth Shemittah from 1991!

I can hardly neglect touching upon how the Lord's resurrection was a sign of Jonah as recorded in Matthew 12 and 16, declaring the pattern of note.

38 Then some of the scribes and Pharisees said to Him, “Teacher, we want to see a sign from You.” 39 But He answered and said to them, “An evil and adulterous generation craves for a sign; and yet no sign will be given to it but the sign of Jonah the prophet; 40 for just as Jonah was three days and three nights in the belly of the sea monster, so will the Son of Man be three days and three nights in the heart of the earth. ~ Matthew 12:38-40

It's openly declared how the Lord's own death, burial and resurrection would meet the condition of matching that pattern as the sign, yet it's a coming sign of Jonah that will manifest in what is presented in the prophecy of the verses that follow that declaration. See The Sign of Jonah, another study in the Beyond the Veil collection.

Update 5/9/14:

The dramatic offering of Barabbas to the crowd at the Feast presents yet another example of the pattern.

20 Pilate, wanting to release Jesus, addressed them again, 21 but they kept on calling out, saying, “Crucify, crucify Him!” 22 And he said to them the third time, “Why, what evil has this man done? I have found in Him no guilt demanding death; therefore I will punish Him and release Him.” 23 But they were insistent, with loud voices asking that He be crucified. And their voices began to prevail. 24 And Pilate pronounced sentence that their demand be granted. 25 And he released the man they were asking for who had been thrown into prison for insurrection and murder, but he delivered Jesus to their will. ~ Luke 23:20-25

Three times the crowd demands Barabbas and insists that the other Jesus should be crucified, but Pilate denies them. Then Pilate makes his final appeal, for absolution, with a token gesture, washing his hands of the matter. According to pattern, in that 4th instance in series, he relents, and the appointed deed is done.

Adding these examples to the collection presented in the first three installments of this series makes for quite a substantial exhibit of the pattern. The Lord speaks through patterns - are we listening?

Part 3 - To Number Our Days Aright - Still More Examples of 3 Things and Then a 4th

To number our days aright let [us] know, And we bring the heart to wisdom. ~ Psalm 90:12 YLT

Here's more examples of the “3 things and then a 4th” pattern the Lord revealed to me. These prophecies establish the chronology of the end times relative to the celestial sign of the Lord's return in judgment, which came in 1991.

6 And He began telling this parable: “A man had a fig tree which had been planted in his vineyard; and he came looking for fruit on it and did not find any. 7 And he said to the vineyard-keeper, ‘Behold, for three years I have come looking for fruit on this fig tree without finding any. Cut it down! Why does it even use up the ground?’ 8 And he answered and said to him, ‘Let it alone, sir, for this year too, until I dig around it and put in fertilizer; 9 and if it bears fruit next year, fine; but if not, cut it down.’” ~ Luke 13:6-9

What has been unfolding in the news is described here as a digging around and putting in of fertilizer. If it still smells a lot like dung, well, that's why. There's good news, though, because the fig tree in His vineyard will bear fruit, first in the 144k sons of Israel. The 4th year is a type of this present Shemittah! What an exciting time to be alive! What an honor!

Acknowledging the context of that parable, I note how it's bracketed by a pair of illustrations that reveal the same pattern through the number 18 as representing 3 similar units, as a 6+6+6.

4 Or do you suppose that those eighteen on whom the tower in Siloam fell and killed them were worse culprits than all the men who live in Jerusalem? 5 I tell you, no, but unless you repent, you will all likewise perish. ~ Luke 13:4-5

10 And He was teaching in one of the synagogues on the Sabbath. 11 And there was a woman who for eighteen years had a sickness caused by a spirit; and she was bent double, and could not straighten up at all. 12 When Jesus saw her, He called her over and said to her, “Woman, you are freed from your sickness.” 13 And He laid His hands on her; and immediately she was made erect again and began glorifying God. 14 But the synagogue official, indignant because Jesus had healed on the Sabbath, began saying to the crowd in response, “ There are six days in which work should be done; so come during them and get healed, and not on the Sabbath day.” ~ Luke 13:10-14

In the opening bracket, 18 were killed by the falling tower. In the closing, 18 years marked the season of the woman's suffering from a sickness caused by a spirit. The number 6 is called to our attention by a tare in the context of a week. Given the obvious 18 as 6+6+6 and how these lessons bracket the parable of the fig tree in the vineyard, I believe this is a structure that conceals more layers of the featured prophetic pattern. I believe the warning of verse 5, “repent or perish,” is intended for this very season, the 4th, when the final accounting is appointed. And, likewise, I believe the deliverance healing of that woman at the synagogue on the Shabbat is prophetic of this time, and our God will be so glorified in a people despite the tares' wielding of control.


It's of great interest that the number 666 occurs only four times in the Bible, three times in the Old Testament and once in the New. Yes, it's another instance of the prophetic pattern! Twice we see it as the number of talents of gold with reference to King Solomon. (1 Kings 10:14 and 2 Chronicles 9:13) Once we find it in a numbering of Jews who returned from exile in Babylon, of the offspring of Adonikam. (Ezra 2:13) Then, instead of as a count of things, we find it in the book of Revelation in a similar but different kind of identification by number!

Here is the wisdom! He who is having the understanding, let him count the number of the beast, for the number of a man it is, and its number [is] 666 ~ Revelation 13:18 YLT

Revelation 13:18, appointed to be fulfilled in this fourth Shemittah from 1991! Thirteen is a number representing the rebel lord beast, which I often repeat. Eighteen is the sum of three sixes. The beast and his mark - 666. When is that due? In late 2016, as I understand the prefiguring patterns!


In Matthew's account of the “last supper” we find a parallel to John 13:38, the verse through which the Lord spoke to me about the pattern. What's really interesting in this account is how the pattern declared is immediately demonstrated in the verses that follow, at Gethsemane!

34 Jesus said to him, “Truly I say to you that this very night, before a rooster crows, you will deny Me three times.” 35 Peter said to Him, “Even if I have to die with You, I will not deny You.” All the disciples said the same thing too. ~ Matthew 26:34-35

To reiterate, the three denials of Peter are three things, followed by the fourth, the cock crowing, which, being interpreted, means that three seasons of denial are followed by one where there is acceptance and resurrection. Immediately following that cryptic declaration of the prophetic pattern, a passionate scene unfolds to provide a dramatic enactment of the same.

36 Then Jesus came with them to a place called Gethsemane, and said to His disciples, “Sit here while I go over there and pray.” 37 And He took with Him Peter and the two sons of Zebedee, and began to be grieved and distressed. ~ Matthew 26:36-37

What follows now are three scenes where Y'shua addresses Peter, James and John, then goes and prays asking for the cup to pass from him, if it is the Father's will.

[1 of 4]
38 Then He said to them, “My soul is deeply grieved, to the point of death; remain here and keep watch with Me.” 39 And He went a little beyond them, and fell on His face and prayed, saying, “My Father, if it is possible, let this cup pass from Me; yet not as I will, but as You will.”

[2 of 4]
40 And He came to the disciples and found them sleeping, and said to Peter, “So, you men could not keep watch with Me for one hour? 41 Keep watching and praying that you may not enter into temptation; the spirit is willing, but the flesh is weak.” 42 He went away again a second time and prayed, saying, “My Father, if this cannot pass away unless I drink it, Your will be done.”

[3 of 4]
43 Again He came and found them sleeping, for their eyes were heavy. 44 And He left them again, and went away and prayed a third time, saying the same thing once more. ~ Matthew 26:38-44

This next time, Y'shua addresses his disciples again but instead of separating himself he invites them to go with him, and instead of praying about the cup he begins to drink it as they go.

[4 of 4]
45 Then He came to the disciples and said to them, “Are you still sleeping and resting? Behold, the hour is at hand and the Son of Man is being betrayed into the hands of sinners. 46 Get up, let us be going; behold, the one who betrays Me is at hand!” 47 While He was still speaking, behold, Judas, one of the twelve, came up accompanied by a large crowd with swords and clubs, who came from the chief priests and elders of the people. 48 Now he who was betraying Him gave them a sign, saying, “Whomever I kiss, He is the one; seize Him.” 49 Immediately Judas went to Jesus and said, “Hail, Rabbi!” and kissed Him. 50 And Jesus said to him, “Friend, do what you have come for.” Then they came and laid hands on Jesus and seized Him. ~ Matthew 26:45-50

Judas is a type of the Antichrist, the one doomed to destruction. He's coming is appointed for this 4th Shemittah from 1991. Unless maybe these patterns I'm seeing are all just cosmic coincidence.

Nah.

This account of the Lord drinking his cup is a prophecy about this Shemittah and the unleavened Barley Bride, who will first follow her Lord as a willing sacrifice. Barley crops are considered soil conditioner, plowed under for the sake of the next crop in the field. You did read that set of writings about Gethsemane I linked in Part 1, right? Do you understand the final exam, how that martyrdom is optional but you should really want to qualify for the privilege? Have you read where I wrote about Genesis 44, where Benjamin was setup, with Joseph's cup hidden in his sack?

This is not yet the last of the remarkable testimonies of the pattern. More to follow, Lord willing!

America's Destiny - The Daniel 8 Shaggy Goat Horn will be Broken Off

Iran lines up behind North Korea, warns the US of “great losses”

Until the US crows about her victory over Iran and her "king" she will not fall. But after that, America will be “reset.” And out of her will rise “a little horn.” Right on time. Search this blog for Daniel 8 to see what's nearly upon us.

People Not In Labor Force Soar By 663,000 To 90 Million, Labor Force Participation Rate At 1979 Levels The economy is artificial, and it's not all about the economy. This “ship” has been “scuttled” and is about to be sunk, to rise again as prophesied.