Part 55 - Rango - The Fringe Version of Petrus Romanus, a “Black Stone”

Continuing from the previous post, yet another witness to the meaning of Rango's terrarium gravel as the Beast DNA portal comes from Fringe, the TV series. The character named Peter Bishop is the basis for a special device that bridges the two universes. Think of this as bridging heaven and earth. The name “Peter” is in Greek, petras, a stone, which you may recall from Post 53. (the cryptogram Blackstone derived from Schwarz(man) and Peter(son)) Peter Bishop's DNA is the singular key to the mechanism.

The following is from the scene where Peter is studying some of the components of the bridging device. His observation is correct in that it was designed just for him.

Peter: "The parameters are human...a reflection of the human genome. The spectrum isn't random. In fact, the specificity of the configuration would seem to suggest that the object would only respond to a subset of people. And a narrow subset at that. A subset of one. Me." Fringe - Episode 2.23, "Over There, Part 2"

This device is so large Peter has to climb up stairs to access it. In the upper of these two images you see him in the machine while Olivia stands on a portable staircase. When Peter is in the machine it responds to him, enabling him to bridge heaven and earth, as it were. Having ascended into the machine, Peter becomes the bridge between heaven and earth, petra, a stone, the unique biological agent with the essential genetics! In the lower image you see him as with a blue light body, appearing as an ascended god in the apotheosis of Peter Bishop.

Notice how the episode referenced is numbered 2.23. The "other" universe tried to drive the transdimensional machine with DNA derived from Peter's child. It didn't work well, having only his genetic contribution as a father. With Peter himself in the machine, all 46 or 2·23 chromosomes were present, and it worked perfectly. The Fringe folks are clever.

This drawing was handed to Peter after he had examined the components and discovered that they responded to him. It shows the device with a picture of him and what we imagine is his personal genome sequence.

If I was expecting to do a series on Fringe I'd already be moving on to the next black stone item, but since I'm not, I'm going to expand a little on the role of Peter Bishop. My buddy Aaron and I were discussing it some time back and it occurred to us that he was the Pope, the False Prophet. According to Roman Catholic doctrine, the Pope is the bishop of Rome, successor of St. Peter, chief of the whole Church, and the Vicar of Christ on earth. Peter, as in St. Peter - Bishop as the Bishop of Rome. This petras stone is the false prophet, the Petrus Romanus, the last Pope in St. Malachy's twelfth-century prophetic sequence.

The False Prophet will be a Pope, the Beast John saw coming up out of the earth. Notice how the drawing of Peter has fiery smoke rolling up out of his eyes, subtly forming two horns like a lamb. Notice how the machine has extensions of Peter's arms that resemble dragon wings, or fangs.

11 Then I saw another beast coming up out of the earth; and he had two horns like a lamb and he spoke as a dragon. 12 He exercises all the authority of the first beast in his presence. And he makes the earth and those who dwell in it to worship the first beast, whose fatal wound was healed. 13 He performs great signs, so that he even makes fire come down out of heaven to the earth in the presence of men. 14 And he deceives those who dwell on the earth because of the signs which it was given him to perform in the presence of the beast, telling those who dwell on the earth to make an image to the beast who had the wound of the sword and has come to life. 15 And it was given to him to give breath to the image of the beast, so that the image of the beast would even speak and cause as many as do not worship the image of the beast to be killed. 16 And he causes all, the small and the great, and the rich and the poor, and the free men and the slaves, to be given a mark on their right hand or on their forehead, 17 and he provides that no one will be able to buy or to sell, except the one who has the mark, either the name of the beast or the number of his name. 18 Here is wisdom. Let him who has understanding calculate the number of the beast, for the number is that of a man; and his number is six hundred and sixty-six.

Revelation 13:11-18

And the beast was seized, and with him the false prophet who performed the signs in his presence, by which he deceived those who had received the mark of the beast and those who worshiped his image; these two were thrown alive into the lake of fire which burns with brimstone.

Revelation 19:20

The False Prophet is like the first Beast, a therion, which to say he is of a similar kind, genetically special, hybridized. Since he will fulfill the role of High Priest and baptizer to the other Beast, it seems a reasonable inference that, as John the Baptist preceded Y'shua with a 6 month advance, the papal False Prophet will begin a ministry in advance of the revealing of the lawless one. But I digress.

But, hey, while I'm digressing, I want to at least lightly touch on the symbolism of the winged machine. Things with wings usually fly, right? As a biblical symbol, things that have wings can traverse dimensional boundaries. The visual designer of this Fringe device understands. The person he inspired to draw it up might understand, too. ;)

20 The cherubim shall have their wings spread upward, covering the mercy seat with their wings and facing one another; the faces of the cherubim are to be turned toward the mercy seat. 21 You shall put the mercy seat on top of the ark, and in the ark you shall put the testimony which I will give to you. 22 There I will meet with you; and from above the mercy seat, from between the two cherubim which are upon the ark of the testimony, I will speak to you about all that I will give you in commandment for the sons of Israel.

Exodus 25:20-22

Olivia is the lead character of the show, who can cross over without technological aid; and there's Walter, who crossed over to get Peter; and Dr. Bell, who crossed over; and Peter, who, with the necessary help of Olivia, not only crosses over but controls the breech created by Walter. These characters all had wings, in a figurative sense, but Peter had them visibly, in the device he was biologically connected with.

The main plot device of Fringe involves the relationship between the two universes, which are ultimately symbolic of heaven and earth. Control over the boundary linking the two and thereby the status of both is the MacGuffin. The dimensional boundary, the border, that's the fringe that's the real focus of attention, beyond the “fringe science” aspect played up more superficially. With regard to control over the dimensional fringe, here's a key connection that will tie in with the stone theme.

31 You shall make the robe of the ephod all of blue. 32 There shall be an opening at its top in the middle of it; around its opening there shall be a binding of woven work, like the opening of a coat of mail, so that it will not be torn. 33 You shall make on its hem pomegranates of blue and purple and scarlet material, all around on its hem, and bells of gold between them all around: 34 a golden bell and a pomegranate, a golden bell and a pomegranate, all around on the hem of the robe. 35 It shall be on Aaron when he ministers; and its tinkling shall be heard when he enters and leaves the holy place before the LORD, so that he will not die.

Exodus 28:31-35

The Fringe is the hem of the ephod with alternating bells and pomegranates all around. This dynamic of this feature perhaps most particularly enables the High Priest to access the most holy place to enter into the presence of the Lord without dying. He meets the Lord, as we noted earlier from Exodus 25, who speaks to him from between the cherubim, whose wings are spread upward.

I see Peter Bishop in the winged transdimensional device modeling St. Peter, Bishop of Rome, Petrus Romanus, the papal False Prophet. The False Prophet is modeled on both Elijah and John the Baptist. Luke 1:5 reveals the name of John the Baptist's mother: Elizabeth. Peter Bishop's mother's name was Elizabeth. And this, for no reason? I doubt that. John the Baptist was an Aaronite as required according to law, who was made the legitimate High Priest of Israel (Aaronic/Levitical and Melchizedek) under sanction of the Most High God. I've written about this, presenting it on The Open Scroll. The High Priest alone can access Gods presence. Fringe presents Peter Bishop as that High Priest with that access, who uses it to make intercession for his people. No, really.

When Olivia's participation is required for Peter to access the machine, we see her at the top of the portable stairs next to Peter in the machine. Dr. Bell calls Olivia by the name Olive. She is Olive, on the mount, adjacent to the High Priest as he accesses the Holy of Holies in an allusion to the Mount of Olives, adjacent to the Temple in Jerusalem. Yeah, it's complicated. Fringe might even exceed Rango on the cryptographic-clever-o-meter, if that could be possible.

I mentioned that the bell-pomegranate hem fringe had a tie in with the stone theme and it does, even beyond Peter as the petras-stone himself. The High Priest modeled by Peter wore stones when he accessed the Holy of Holies. Two stones were on his shoulders that bore the names of the tribes of Israel, 6 names per stone. These stones were onyx. If you want to know what onyx looks like, just look at the black stone in Doda's Bad Girls video. Look at the black stones in the movie Knowing. Right. Onyx. Stones were further set into the High Priest's breastplate of judgment. Gem stones were set in gold into a grid of four rows and three stones per row, each engraved with the name of one of the tribes. The stones are linked to people, biological entities with DNA. This grid of 12 unique stones had a very specific configuration, and this grid had a specific relation to the stone on one shoulder that bore the names of six tribes, and to the complementary one on his other shoulder. You are aware that these things were all made after a pattern, according to what was in heaven, right? These are a witness to some heavenly reality. There is a quantum linking, if you will.

18 I also say to you that you are Peter, and upon this rock I will build My church; and the gates of Hades will not overpower it. 19 I will give you the keys of the kingdom of heaven; and whatever you bind on earth shall have been bound in heaven, and whatever you loose on earth shall have been loosed in heaven.

Matthew 16:18-19

A quantum entangled petras. The gates of the “alt-verse” will not prevail against it.

Sorry. I should have given you advance notice about using an extra wrap of duct tape to keep your tin-foil helmet from blowing off. The Fringe folks know things. They spill the beans. Movies and other media bear continual witness to the supernatural. When the Lord opens your eyes, you see whatever He wants to show you. Go get your helmet and this time secure it with an extra wrap of duct tape. Ready? OK.

The High Priest had his array of stones and musical golden bells adorning his garments, his covering. This equipped him for access into the Most Holy Place. Ezekiel described a being who had a similar covering, apparently for a similar purpose.

13 Thou hast been in Eden the garden of God; every precious stone was thy covering, thesardius, topaz, and the diamond, the beryl, the onyx, and the jasper, the sapphire, the emerald, and the carbuncle, and gold: the workmanship of thy tabrets and of thy pipes was prepared in thee in the day that thou wast created. 14 Thou art the anointed cherub that covereth; and I have set thee so: thou wast upon the holy mountain of God; thou hast walked up and down in the midst of the stones of fire. 15 Thou wast perfect in thy ways from the day that thou wast created, till iniquity was found in thee.

Ezekiel 28:13-15

My buddy Aaron speculated that this might be how Satan "walked to and fro and up and down" upon the earth. I think so, probably giving a view of how he got around Eden. After sinning with Eve and Adam he may have been stripped of a garment, as the man and woman came to see themselves as naked. Did they all lose a garment? The serpent was cursed and somehow changed according to Genesis 3:14. When “the anointed cherub that covereth” had 9 gem stones and was perhaps as some kind of musical instrument, there may have been a complex dynamic facilitating his dimensional access that involved EMR and non-EM resonance. After the curse, was there something like a casting out of heaven involved, stripping him of something like a "wedding garment" so that he fell to a lower realm? He can still get around, but he seems to be handicapped.

Now there was a day when the sons of God came to present themselves before the LORD, and Satan also came among them. 7 The LORD said to Satan, “From where do you come?” Then Satan answered the LORD and said, “From roaming about on the earth and walking around on it.”

Job 1:6

I think he's enlisted the physicists at CERN's LHC to help him get his mojo working. He's upped the contracts to cover overtime on the fringe science to get the black stone hook-up. He's just about got Petrus Romanus online, apparently.

OK. You can remove the tinfoil helmet. :) Until next time, Lord willing.

Our Lady of the Bicycle, Playing Cards, Time-Space and the Euchre Miracle

The bicycle as a symbol of a transdimensional or interdimensional vehicle is well ingrained in our culture, even outside the mass media industry. Most of us grew up playing card games. The Bicycle brand of cards is very popular and their designs are probably familiar to most of us. They typically feature cherubs riding bicycles and support that with very obvious goddess symbolism.

I recently wrote about how bicycles are such a fit symbol for heaven's vehicles. They have 2 wheels, not unlike the “one wheel within another wheel” throne vehicle described in the book of Ezekiel. The cherub may be seen as a kind of bicycle operator.

9 Then I looked, and behold, four wheels beside the cherubim, one wheel beside each cherub; and the appearance of the wheels was like the gleam of a Tarshish stone. 10 As for their appearance, all four of them had the same likeness, as if one wheel were within another wheel. ~ Ezekiel 10:9-10

Ezekiel later recorded the following in a coded passage that is a lamentation over the king of Tyre.

13a You were in Eden, the garden of God... 14 You were the anointed cherub who covers, And I placed you there. You were on the holy mountain of God; You walked in the midst of the stones of fire. ~ Ezekiel 28:13a, 14

The hissing enchanter, the nachash, was in the Garden of Eden. As having been the anointed cherub who covers, he should well know how to represent heaven's vehicles. The cherub class of angelic beings is what's pictured as “Cupid” on the Bicycle cards. The folks responsible for their branding knew their symbols. The bicycle-as-heaven's-vehicle theme is certainly present in their Griffin deck. A griffin is a lion-eagle composite linked to the cherub, and multidimensional access and protection are the griffin's primary features.

And each one had four faces. The first face was the face of a cherub, the second face was the face of a man, the third the face of a lion, and the fourth the face of an eagle. ~ Ezekiel 10:14

The connection between bicycles and playing cards goes beyond the mimicry of engine noise with a flapping card in the spokes. The bicycle represents the way to travel what the deck of cards represents, time-space.

The typical deck of playing cards models a calendar as a representation of time-space. Rounding the counts, there is one card for each of the 52 weeks of the solar year. That's the Pagan calendar, which divides naturally into 4 seasons, on the celestial-terrestrial solstice and equinox events. There are 4 suits, hearts, clubs, diamonds and spades that match to the 4 seasons, as some consider it: Spring, Summer, Fall, Winter. In each suit, there are 13 cards, one for each week in the season. In addition to the solar calendar aspect there is also a lunar. There are 13 lunar cycles in the year, and each lunar cycle divides into 4 phases: first quarter, full moon, third quarter, and new moon. The assigned values of the cards in the deck (1+2+3...13 times 4 suits) totals 364, which is the nearest number to the count of days in a Julian (astronomical) year that divides by 4 without a remainder. Theurgy.

Some trace the history of this kind of deck to antiquity, to the ancient Order of the Magi and Atlantis. It seems likely to me that it came from fallen angels, who taught man some of the secrets of heaven.

And Azâzêl taught men to make swords, and knives, and shields, and breastplates, and made known to them the metals of the earth and the art of working them, and bracelets, and ornaments, and the use of antimony, and the beautifying of the eyelids, and all kinds of costly stones, and all colouring tinctures. And there arose much godlessness, and they committed fornication, and they were led astray, and became corrupt in all their ways. Semjâzâ taught enchantments, and root-cuttings, 'Armârôs the resolving of enchantments, Barâqîjâl (taught) astrology, Kôkabêl the constellations, Êzêqêêl the knowledge of the clouds, Araqiêl the signs of the earth, Shamsiêl the signs of the sun, and Sariêl the course of the moon. And as men perished, they cried, and their cry went up to heaven... ~ Book of Enoch - 8

Most everyone is aware that Tarot cards are used for fortune telling. The common deck of playing cards is also used for divination. It's called cartomancy. Like astrology, it's not without a basis in reality. Lives and fortunes have been won and lost using these cards, and what are considered to be the fates and destinies of men influenced. Card tricks have drawn many into the practice of real magick. The face cards of the deck illustrate how the cards represent entities with a hierarchy of rank, like soldiers and angels, so the deck is played as a warring army. Did you ever play the simple game of War?


The Euchre Miracle

On a personal note, the Lord used a card game as a sign to me at a critical juncture in my life. I wasn't using the cards to divine, but the Lord chose the play of cards to give me a sign.

When He drew me to Himself in 1980 my life was in shambles. I had been perceiving a presence in my life, “interfering” with my plans, bringing me to ruin. I fought against the interference until I was brought very low, really, to the end of myself. I came to pour out my heart in that season, looking up into the sky and saying with all sincerity, “I don't know who you are, but if you want me, come and get me, because I'm done.” I knew he knew exactly what I meant, whoever it was. It didn't take long for Him to do just that. It could not be denied. I was not exactly an easy catch because I still had a huge struggle.

The Lord brought me into a community of saints where a particular Bible class was promoted as a foundation. I was skeptical and uncomfortable about making the commitment required to take the class. I felt like I was railroaded into it, frankly, but I just couldn't resist. It was probably 3 sessions into the course's 12 that I came to a point of crisis. If you have ever been in a place that was infested with cockroaches and watched them scatter when the light was turned on, well, that was my condition. I was like a bag of cockroaches, and the darkness was my comfort zone. Sitting in a room surrounded by people who were praying for me, having to listen for hours on end to the Bible being preached and taught, I felt like I was in the spotlight and there was no escape. Despite having had plenty of evidence to convince me that my prayer had been heard, it wasn't enough. I remember sitting at my desk at work the day after the unbearable session. Stressed. Overwhelming distress. I prayed again and it went something like this. “If you want me to do this class, give me a sign. Otherwise, I can't go back.” It was probably the next day at lunchtime that I got the sign, because the next Bible class would have been scheduled for that night.

Where I worked, there was always a card game going on during lunch hour in what we called the catacombs of the Pilot Plant. Since the small group of engineers and technicians I worked with played, I joined them on occasion. I almost never played, but just watched. The game was always Euchre, and the play in that tiny little room was always very serious and intense even though there was no gambling involved. A Euchre deck is just a regular deck, less all but the 9-10-J-Q-K-A cards. The game is played with 4 people, and 2 are partners so there are 2 opposing teams. Usually, you play a hand together with your partner, but if you have a really good hand you can play alone, taking greater risk for the chance to get double the points. To play a lone hand is not really that rare, but what happened to me that day was impossible. I can't say what went through the minds of the men in that room as I played one unbeatable lone hand after another, but I knew I was getting the sign I asked for. I caught on to what was happening pretty quickly. I got the best hand you could get, which I don't think I had ever even seen before, and then I got the same hand in the very next deal and played them both for the win. After a couple more consecutive lone hands that were unbeatable, I began to call the lone hand without even looking at my cards or caring who dealt it - and I would win all the tricks. Impossible. After a while, the “luck ran out,” tapering off in a gradual way that I knew was part of the sign. Alrighty. I went to class that night and saw it all the way through to graduation. My struggle to get free from oppression and possession was far from over but that battle was won - a significant victory! I'm so grateful for those dear saints the Lord engaged in the many battles fought on my behalf!

I never used cards for divining but the Lord certainly used them to give me a sign. He could have signaled me in any number of ways, but that's how He chose to do it.

Back to the Bicycle brand. Their history speaks very loudly to me about the significance of the bicycle as a stargate transiting symbol.

Bell Tower (The History of Bicycle® Cards)

“A Neo-Romanesque bell tower (4-stories high) was built in 1926 atop the company's 4-story main building entrance. This tower housed a fine set of 12 carillon bells, ranging in size from 1-1/2 to 5-1/2 feet. This was the first set of chimes built for radio broadcasting. The chimes were connected electronically to radio station WSAI, which was owned and operated by The United States Playing Card Company from 1922 until 1930 and located within the USPC complex. The main reason for the radio station was to promote the game of bridge by broadcasting bridge lessons. In those days, there was no limitation on the range of radio power and the WSAI transmission was so clear and strong that it could be picked up as far away as New Zealand. WSAI was eventually sold in the 1930's to the Crosley Radio Corporation.”

If you understand about the supernaturalism of bells and bell and clock towers, nothing much needs to be said about that. If you don't yet understand, see, Bells - Supernatural Enchantment and a Biblical Perspective. Note how the main reason for the station was to promote the game of BRIDGE. Sure, it was clever marketing for their product, but really it was far more than that because the esoteric symbolism is all about bridging the dimensions. Bells facilitate dimensional transit, and the bicycles represent the heavenly vehicles that transit the mecillah, the kingdom viaduct. I note that there are 12 face cards in the deck and 12 signs of the Zodiac, 12 months of the year and 12 tuned chimes in the playing card company's bell tower. The sound of the chiming carillon bells in the bell tower was local, and it may be understood that such devoted objects command the Baals or demonic Archon of the locality. The sound of those bells was wired right into the station for broadcasting their enchantment around the globe. It was a brilliant strategy. Evil genius.

The pictures above show their bell and clock tower in Cincinnati. On top of one of the buildings in the same complex you can see the company name flanked by what looks like two owl figures, the sign of the goddess. The company's iconic ace of spades appears in the window glass, with the door behind. It's the image of the gateway goddess they identify as Freedom, an identity I'll expand upon shortly.

By featuring the image of a cherub riding a two wheeler, the Bicycle brand demonstrates an understanding of the nature of their playing card business. The exercise of control over time-space that is implicit in the transiting of the stargates is signaled, and indeed, leveraged, in their bell tower. The corporate radio station that was devoted to broadcasting BRIDGE lessons around the globe had call letters that are revealing. WSAI -- W+S+A+I = 23+19+1+9 = 52 and there are 52 playing cards in the deck, one for each week of the year!

What's going on there? WSAI's original transmitter site was in Mason, Ohio. Right. Mason. Were those responsible for these things Freemasons? Probably. It wasn't exactly rare for industrialists to become members, but look beyond the organization of men into secret societies to the influence of the fallen angels in the lives of the illumined who rule as regents in this age. They practice theurgy and the sorceries of symbol magic and honor the celestial beings including the goddess of magic. They know what Confucius declared so aptly, that, “Signs and symbols rule the world, not words nor laws.” It is in no small part due to such means that they acquire the power and wisdom to rule over their domain. Hey, do you think that might have something to do with why the Lord commanded us about images in the second commandment? The more I learn, the more it seems so obvious.

The literal broadcasting of Bridge lessons from Mason, OH, certainly encouraged the use of playing cards like their own product. The effort placed their potent symbolic imagery before the people of the world. If the Occult symbolism surrounding the radio broadcast is perceived, consider also the supernaturalism of the broadcasting of a parallel transmission.

“A symbol can act in two ways. First, it can be used to focus and project your energy through it. Second, a symbol can function as a magnifier and transmitter of energy, even if you are not focusing attention on the symbol. Symbols do have a life force of their own. They are mini-transmitting stations for subtle energies that are infused in our reality. Each symbol interacts with your energy field, constantly generating a force field that strengthens you.” (from the popular wiccan magic book, Sacred Space - by Denise Linn)

When a witch describes the generation of, “a force field that strengthens you,” you may interpret that as the evocation of a deceiving demonic agency that aligns you to its own agendas and empowers you to carry them out. The enchantment deployed is a deception and control mechanism. Symbols in any medium are spirit transmitters. When visible or audible symbols (charged language, magic words, NLP, the reverse speech content...) are broadcast through the air, or if transmitted by means of fiber-optic cable, the distribution system functions as a multiplier. That's powerful. But let's talk about the power behind it. The goddess lurks.

Not long ago, radio was what everyone listened to. For many, family life and friendships revolved around favorite shows and sports broadcasts. Radio provided for a shared experience that served to unify its audience. It created a global Bridge game culture, in the case of WSAI. Before radio, newspapers or other publications served the purpose of extending communities beyond the constraining limits of personal interaction. Today, it's all that plus TV plus the Internet, especially through social media. Unification is the hallmark of the goddess. The goddess draws the world to herself to unite under one banner to be delivered to “her son,” the antichrist. The message of the growing phenomenon of the Marian apparition is hardly subtle.

The supernaturalism of broadcasting symbols is magical, literally, an enchantment. Logos that establish brand identities represent a common imagery and perception with a point of focus. There's nearly a thousand posts on this blog for documentation of how this is a great evil, an enchantment that enslaves and controls mankind, binding them together as a setup for the coming Antichrist, and, beyond, the mark of the beast, Armageddon and lake of fire judgment. In the big picture, it should be interpreted as the unfolding love test provided by the sovereign God in this the age of qualification, but let's consider the action at hand. The common ground provided by the focusing symbols and their broadcast distribution machinery is the operative domain of the goddess.

“So will Babylon, the great city, be thrown down with violence, and will not be found any longer... for your merchants were the great men of the earth, because all the nations were deceived by your sorcery. ~ Revelation 18:21b, 23b

With or without any broadcasting or widespread distribution, the symbols and symbol systems of playing cards and of the Bicycle branding function in the way of Mystery Babylon's pharmakeia.

Let's consider how the Bicycle brand honors the goddess and her work.

Our Lady of the Bicycle

Who is the Bicycle goddess featured on their iconic Ace of Spades, on the packaging for many of their deck designs and on the glass of the entry at their headquarters? Here's the official story.

Statue of Freedom (The History of Bicycle® Cards)

“The Ace of Spades carries another code [making reference to the joker card and the milestone marker, 808, which I'll address later], identifying the year in which the deck was printed. This Ace features, within the suit sign, a woman who rests her right hand on a sword and shield while she holds an olive branch in her left. The image was inspired by Thomas Crawford's sculpture, "Statue of Freedom." which, in 1865, had been placed atop the Capitol Building in Washington, DC.”

That personification of Freedom is Minerva and Athena, the national goddess. She stands inside the owl (goddess) over the dome (womb of Isis) on Capitol Hill, ritually in Jupiter's Temple (Capitoline). The land for Washington DC was granted by Virginia and Maryland, forever linking the federal district with the Virgin Mary. With the stars in the background she is a celestial goddess, as Isis or Venus, the Marian apparition. The shaded frame of the spade is the aureola that expresses the radiant glory or divine illumination of the goddess. This feature suggests that Our Lady of Guadalupe was another source of inspiration. See the resemblance in this image? The shape of the spade is an inverted heart form that is traced out in the heavens by the planet Venus, set as upon a pedestal. The branch held in her left hand identifies her as the constellation and Zodiac sign, Virgo. The virgin goddess. The brightest or alpha star of Virgo is, Spica, which is known in Hebrew as, tsemech, and in Arabic as, Al Zimach. It's “the branch,” a messianic reference. The celestial goddess is the mother of a messiah. Basically, the Bicycle brand's Ace of Spades is a Marian shrine that exalts that ancient entity known as the queen of heaven.

The home city of USPS and the Bicycle brand is Cincinnati, OH, which residents began referring to as the "Queen" city when it was enjoying it's early boom town status. Henry Wadsworth Longfellow wrote in his poem, Catawba Wine, that Cincinnati was “the Queen of the West.” For the Queen of Heaven promotion that is the Bicycle brand to be headquartered in the Queen city is, like their broadcasting from WSAI in Mason, OH, evidence of the practical ritual exploitation of theurgy.

Bicycle's ace of spades has some history that illustrates the very real influence of the goddess of war. The image of the card you see here appears alongside the following blurb on their website.

Ace of Spades (The History of Bicycle® Cards)

“The Ace of Spades served a famous purpose in the war in Vietnam. In February, 1966, two lieutenants of Company "C," Second Battalion, 35th Regiment, 25th Infantry Division, wrote The United States Playing Card Company and requested decks containing nothing but the Bicycle® Ace of Spades. The cards were useful in psychological warfare. The Viet Cong were very superstitious and highly frightened by this Ace. The French previously had occupied Indo-China, and in French fortunetelling with cards, the Spades predicted death and suffering. The Viet Cong even regarded lady liberty as a goddess of death. USPC shipped thousands of the requested decks gratis to our troops in Vietnam. These decks were housed in plain white tuckcases, inscribed "Bicycle® Secret Weapon." The cards were deliberately scattered in the jungle and in hostile villages during raids. The very sight of the Bicycle® Ace card was said to cause many Viet Cong to flee.”

Symbols are powerful, and not just when used in psy-ops deployed against the superstitious. The goddess of war that is the secret weapon is not imaginary, and her images are not devoid of supernatural presence. They are idols. The Bicycle brand has been used by soldiers in many theaters of war. Special decks other than those exclusive to the Secret Weapon have been used. Spotter cards that feature weapons and wanted enemy agents have been popular.

During WWII, the company produced a special deck that had a very fitting purpose. The cards were distributed to POWs in German camps. When moistened, the cards revealed sections of maps that had escape routes marked out. The goddess - facilitating escape and covert transit through enemy territory. Hmmmm. Brilliant.

You may recall from Alice in Wonderland how the feared Queen of Hearts was so quick to command, “Off with their heads!” She commanded all the cards in the deck as her guards and the army of Wonderland. The cards in the deck have rank like the soldiers and officers in an army. As above, so below, as the principle goes. The warring angelic hierarchy is manifest in the playing cards. Lewis Carroll and the Disneys and the Illuminati programmers who leverage the same imagery know what they are doing as they evoke the power of the goddess in the wielding of control.

The very real influence of the goddess is evident in the history of the two-wheeled vehicle that is the basis for the Bicycle brand. Mary, means, their rebellion. The goddess inspires rebellion, and we see her named as Liberty and Freedom where people have revolution and social activism in their hearts. I refer you to the following articles, and make note of the historical link between bicycles and revolutionary feminism and social activism. The bicycle and the Bicycle brand, which has been in continuous production since 1885, are symbols, and what is represented manifests in reality.

• The Importance of the Bicycle to the Early Womens Liberation Movement
• Annie Londonderry - Women on Wheels: The Bicycle and the Women’s Movement of the 1890s
• Social Movements and the Bicycle

Remember the painting, Liberty Leading the People, by Eugene Delacroix? Remember Coldplay and Viva la Vida? You may recall Coldplay's Strawberry Swing video, where the superhero passed the bicycle just prior to emerging into the presence of the banner waving goddess Liberty, who was leading the revolutionaries in battle.

The goddess as a queen bee was featured in both of those two Coldplay videos I have been writing about. The Bicycle brand exalts the goddess as the queen bee in making their famous Bee decks their premium casino quality cards. Notice how the stylized letter B presents the 13 of the Queen bee goddess of love, Venus and of “their rebellion,” Mary.

Here's a related image of the beehive and flower as a Royal Arch dimensional portal from the Masonic perspective. Notice how the arch presents a wheel within a wheel in a the arc of a ring variant.

You can see in the design of the Bicycle fan-back cards that the fans resemble the shells that are trademark Venus symbols. The bicycle in the fan is imagery that compares to the shell conveying Venus to the beach across the celestial sea. A fan is for moving air, creating currents of air. Air and water are both symbols of spirit.


I want to take this opportunity to expand on the observation I made about the dual ringed Masonic arch that compares to a wheel within a wheel style of bicycle. The imagery of a sliding ring within a ring is associated with stargate activation, usually as representing the operation of a coded magical lock mechanism. It's kind of like how the classic Captain Midnight secret decoder ring used a simple substitution cipher, and such mechanisms were used for transmitting secret messages in ancient times. I see such a “bicycle” in this screenshot from the pre-title scene introducing the “Disney Fairies” animation, Secret of the Wings (2012). This adventure tale about Peter Pan's Tinkerbell is probably worthy of its own series for the mining of all the stargate imagery involved. The pre-title sequence alone is LOADED! Whirlwinds, bridges, towers, helical coils, compass roses, mapped trees and rivers...The screenshot was captured in the sequence where the following narration was heard.

If you had wings to lift you and the second star your guide
you'd find a place where all the seasons flourish side by side
yet past the summer meadow and beyond the autumn wood
lies an icy land of secrets, a world, misunderstood.
But if your mind is open and your heart just has to know
your wings can take you farther than you ever thought you'd go.

The sawtooth ringed disk is like the other symbols, used for magickal navigation of the realms through time-space.

By the way, when you see the image of a rabbit on a bicycle, especially when it's the white rabbit who is obsessed with time and who led Alice down the rabbit hole into Wonderland, you should recognize the goddess and cherub psychopomp transiting the stargate.

Back to the cards. The spiritual reality of the influential role of the goddess is expressed in some of the games commonly played with cards.

The ace has one spot and typically has the value of 1 as the first card. The number one, means, unity. While engaged in writing this study, the headline news on 9/19 read: “Scottish leader quits, Queen urges unity.” It's a reflection of the Queen of Heaven's urging of unity, and an exhibit of why the esoteric Bicycle brand features her on their ace of spades.

In the game, Blackjack (21), the ace is assigned either one of two possible values, 1 or 11. The number 11 is a graphic of a pillar, or two pillars. As such, the 11 is used as an astrological symbol of Gemini, The Twins. As is Taurus, that's a Silver Gate sign that implies the presence and function of the goddess.

In the games of Hearts and Spades, cards of the Queen rank have the value of 13, a number that is astronomically linked to Venus. The game of Hearts is also known as Black Lady, The Dirty, Dark Lady, Slippery Anne, Chase the Lady, Crubs, Black Queen and Black Maria. The game has a play called shooting the moon, which adds yet another layer of goddess imagery.

The allure of the goddess is present with all games of “chance” and where there's a playing of the odds. Card players and gamblers have ever courted Lady Luck. Fortuna (Agathe) is her name, according to the culture reflected in the USPC bell and clock tower style of architecture. She is otherwise known as Tyche, the Seven Hathors, Meshkhenet, Isis-Renenutet... These have been called upon in the seeking of good fortune, and many a good luck charm, amulet or spell has been leaned upon for some advantage. The blessings of Victory, Justice, Liberty, Freedom and Columbia are likewise sought for the gaining of benefit and favorable outcomes in risky circumstances. The courting of Lady Luck is the evocation of the goddess, a practiced idolatry of a kind that often involves a magical working in the form of a good luck charm, like lucky socks, perhaps, or an act like crossing the fingers or kissing a ring. These expressions are not really unlike cartomancy in that such activities are inspired by the nature of the playing cards. Dice are similar. These also inspire gambling.

The goddess of Bicycle's Ace of Spades is the symbol of unity who draws and leads people to her Antichrist son. I see this imperative in the Bicycle Joker card.


The Joker

The Joker (The History of Bicycle® Cards)

“The Joker is an American invention dating from about 1865 and has made different appearances in the Bicycle® card line. The first type represented a man on a high-wheeled bike. The bicycle later acquired two wheels of normal size. Then followed a series of playing card kings on bikes. These cyclists wheel past a milestone marked "808." Contrary to some opinions, this number has no mystical meaning. It is merely a reference number distinguishing this brand from others (such as "606") by the same company.”

The joker is akin to the court jester, who was traditionally able to get away with subversive words and deeds under the protective cloak of providing amusement for the court. The Freemason's secretive Royal Order of Jesters comes to mind, who have transport and trade responsibilities. There's really nothing funny about any of that. It's all for their own amusement as they abuse genuine authority to exploit the benefits provided by their special cover.

So, no mystical meaning for the 808 on the milestone? Really? Why is it that the 808 is the only one of their many brand reference numbers to appear? Why does a code number appear at all, and why is it on a milestone marker? The thing about those who engage in Occult activities is that they serve the father of lies. They are deceived, and deceivers. There is a mystical meaning. It has to do with supporting the theurgy of the card deck and the primary mission of bringing forth the Antichrist beast.

There may be more to it, but this is what I see. If we take the milestone numbers on the Jokers, 5 8s can be produced. Count the number of 8s in 808 and 808. There are 4, plus 2 zeros. If the zeros are placed one on top of the other, another 8 is formed.

8₀8
8⁰8

If the jokers produce 5 8s and this is a milestone marker code, it suggests a refinement of the decks theurgy.

The introduction of the joker has to have an impact on the numerical value of the card deck. I noted earlier many of the features of the natural calendar that are inherent in the standard deck. The deck's total value comes up a little short of the number of days in the solar year. Producing 364 gives the closest round figure (divisible evenly by 4), but the astronomical-Julian year is 365 1/4 days long so the value of the deck is short by 1.25 days. If you assign each of the joker cards the value of 5/8, it produces the number of days exactly (364 + 5/8 + 5/8 = 365.25). This seems to crack the milestone marker code. The working of theurgy demands accuracy in the symbols.

The principle involved is described in Exodus 25, where Moses was given instruction about building the tabernacle that was an earthly model of a heavenly construct. Reference is made to that in Hebrews when describing the function of the Lord Y'shua as the High Priest.

1 Now the main point in what has been said is this: we have such a high priest, who has taken His seat at the right hand of the throne of the Majesty in the heavens, 2 a minister in the sanctuary and in the true tabernacle, which the Lord pitched, not man. 3 For every high priest is appointed to offer both gifts and sacrifices; so it is necessary that this high priest also have something to offer. 4 Now if He were on earth, He would not be a priest at all, since there are those who offer the gifts according to the Law; 5 who serve a copy and shadow of the heavenly things, just as Moses was warned by God when he was about to erect the tabernacle; for, “See,” He says, “that you make all things according to the pattern which was shown you on the mountain.” ~ Hebrews 8:1-3

Accuracy matters. Fallen angels know this, and they impart knowledge and wisdom to their illuminated servants.

The numbers 5 and 8 are produced by the planet Venus. In a cycle that takes exactly 8 Earth years to complete, a rosette is traced out that has a regular pentagonal figure. For that reason, the numbers 5 and 8 (also 13, the number of times Venus orbits during that cycle) are used signal the presence and activity of the goddess.

On the popular design of the joker, the vehicle is one of heaven's, the symbolic bicycle, a celestial transport. They are typically operated by a cherub. Who might represent himself as the cherub king? The king of Tyre, (bicycle tires?) of Ezekiel 28? As reaching the coded milestone marker on his bicycle, which presents theurgic calendar imagery, the image speaks to me of his reaching the milestone of gaining authority over the calendar, over time itself, with the assist from the goddess. The joke's on us, it seems to say, as he makes entrance through the twin pillar celestial silver stargate, bicycling into this realm as the returning king. The brand's promotion of the goddess with the time-space transiting king is really an essential pairing.

While researching the number 808 I discovered a claim that it was identified as the energy voltage of the God particle by the celebrated Nobel Prize-winning particle physicist Leon Lederman. He's the author of The God Particle: If the Universe Is the Answer, What Is the Question? and he's the one who gave the Higgs Boson the nickname, “the God particle.” The number 808 was derived from an analysis of the numbers he received in a dream while working on mathematical constructs for the Higgs Boson.

If there is a legitimate connection between the number 808 and the particle, the Bicycle joker's milestone marker makes a lot of sense. That atomic particle is believed to be the key to mass, and that has a direct bearing on the manipulation of time-space. The connection between the efforts to exploit the God particle (CERN LHC) and the opening of the stargate through which the ancient sun god and king will enter has been made many times on this blog. Could those responsible for the joker's milestone have received similar insight about the 808 milestone?

Because the number 8 represents a new beginning, and it is the common symbol representing infinity, the number 808 may be seen as a time wave symbol, where the value goes from infinity to zero back to infinity.

If you see the 808 milestone marker as an ancient standing stone, an interesting connection can be made with a TV show on the STARZ (stars = angels) network called, Outlander. A woman was transported back in time when she placed her hands on a standing stone monument. A coven of witches had just performed a Beltane ritual there in the moonlight. Standing stone ~ milestone marker ~ time-space stargate. Finding herself in the past, she soon encounters a man who looks like her husband's twin, who is his infamous ancestor. His nickname is Black Jack. That's a secret time code. The card game Blackjack is also called 21. The number 21 is a time number, generally meaning, the fullness of time. She and he may be seen to be linked through time, obviously. Her husband was the last person she interacted with before her transit, and Blackjack was the first significant contact, following.

Part 8 - 2012 London Olympics - The Bell of Caliban: Be Afeard!

The opening ceremony of the 2012 London Olympics will be launched with the ringing of a giant bell. If you've been following this series and have done your homework on bells you should be able to grasp how that the reasonable expectation of the result is a dramatic escalation of evil, in the UK and throughout the world. The facts of the matter are the facts, indisputable, documented, and the story they tell is one with such redundancy and consistency of theme that it warrants, well, I must say, even demands our attention.

To introduce this post by summarizing all I've written about bells at the Lord's leading would be a lengthy undertaking. I'll offer some in brief, but if you've done your homework it should be apparent that what I'm proposing and the concerns I express aren't “me being whimsical” or superstitious, although it's not long since that would have been my own assessment of one who writes such things. If you feel like I'm exaggerating in my testimony here, you haven't yet grasped the import of this matter, layered even on top of Work #1197, All the Bells. I'm not interested in jerking you around with false drama. I am, however, very interested in giving a trustworthy report as a watchman, and what I see coming is trouble on a grand scale.

Bells are used by witches and priests of the ancient gods to cast spells. The evoking and invoking of demons is done with ringing instruments as energetic portal devices. If you see a bell being used in some religious context, it's a safe bet that it's been ritually cursed, consecrated to summons a specific god in the demonic hierarchy to serve the agenda of Mystery Babylon the Great and the Beast she rides. Large bells hung in structures serve the god of that domain, a territorial Ba'al. They are sometimes inscribed with expressions identifying their purpose.

Aleister Crowley, a giant of evil, included the bell in the small number of objects commonly used as "magickal weapons," instruments used to bring about intentional change. He knew how to bring evil into the world. This man, who relished the moniker assigned to him by the press of his day, "the wickedest man in the world," was listed in a BBC poll taken in 2002 as the seventy-third greatest Briton of all time. That's not good. If this giant bell is intended as such a device, a magickal weapon, and there's no cause to think it's not, big trouble is coming.

The Nazis understood such things, magickal weapons and big trouble. They are the one's who did the previous featuring of an Olympic Bell.

The IOC agenda is to promote Zeus worship and, attested to by an expansive array of signs, bring an incarnation of his son to rule over the kingdoms of the world. This is the change they seek, which can be inferred from the inscription of the words of the son of the Devil (Satan, aka Zeus - Revelation 2) on the bell, of the hybrid monster Caliban from The Tempest.

"Be not afeard, the isle is full of noises"

I want you to give consideration to what is revealed about the “noises” in Caliban's speech.

Be not afeard; the isle is full of noises,
Sounds, and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears; and sometime voices
That, if I then had waked after long sleep,
Will make me sleep again; and then in dreaming,
The clouds methought would open, and show riches
Ready to drop upon me, that when I waked
I cried to dream again.

- Shakespeare’s The Tempest, III, ii

The dream that resulted was one that left one wanting desperately to return. This noise has a powerful and lingering influence. A noise such that, even though one is well rested, would make one sleep so soundly that a dream would result, is an impressive sleep inducement. The influence of the noise compares to that which has been assigned to the caduceus, the wand of Hermes. In fact, it may well be just that. Sir Francis Bacon (Shakespeare) was a Hermeticist and occultist. He knew of such things, who very likely penned The Tempest.

The reference to sweet airs in the second line makes me wonder if the Isles of Wonder crew are going to be engaging some aroma therapy during the event, to fine tune the atmosphere.

Caliban describes the noise, adding "and sometime voices" and we must understand this in the context of The Tempest's magical isle, where ancient spirits manifested themselves in various forms and kinds. These were the source of the noise, the carrier, if you will, for the enchantment.

The clouds of the dream that were thought might open and show riches ready to drop upon the dreamer are the subject of another text, one that is entirely pertinent, referencing dreamers, clouds without water and brute beasts, like Caliban.

7 Even as Sodom and Gomorrha, and the cities about them in like manner, giving themselves over to fornication, and going after strange flesh, are set forth for an example, suffering the vengeance of eternal fire.
8 Likewise also these filthy dreamers defile the flesh, despise dominion, and speak evil of dignities.
9 Yet Michael the archangel, when contending with the devil he disputed about the body of Moses, durst not bring against him a railing accusation, but said, The Lord rebuke thee.
10 But these speak evil of those things which they know not: but what they know naturally, as brute beasts, in those things they corrupt themselves.
11 Woe unto them! for they have gone in the way of Cain, and ran greedily after the error of Balaam for reward, and perished in the gainsaying of Core.
12 These are spots in your feasts of charity, when they feast with you, feeding themselves without fear: clouds they are without water, carried about of winds; trees whose fruit withereth, without fruit, twice dead, plucked up by the roots;
13 Raging waves of the sea, foaming out their own shame; wandering stars, to whom is reserved the blackness of darkness for ever.

Jude 7-13

That part about "to whom is reserved the blackness of darkness for ever," I can assure you that the IOC isn't going to be giving that angle much coverage.

During the opening ceremony, keep in mind that Underworld is responsible for the music.

“Sometimes a thousand twangling instruments
Will hum about mine ears; and sometime voices”

I'm really at a loss for what to say about that, except, whatever happened to subtlety?

Still more to come, Lord willing!

Assorted Items of Interest

Attention around the world is turned to the celebration of the Queen Elizabeth 2's Diamond Jubilee celebration. The 1000+ boat flotilla went smoothly today, perhaps the main event in the 4 day celebration. It ends tomorrow with a concert. The flotilla included a barge with 8 bells, said to be the primary boat of the 1000+ strong flotilla. The ringing of the bells on this lead boat commenced the flotilla's launch. There is in that a supernaturalism that attends that of the symbolism and the worshipful honor given the Queen and royal family.

The numbering of 8 bells is a euphemism for death. The way the end of a sailor's watch is signaled is by ringing the ship's bell 8 times. It's called 8 bells, and the end of a life is like the end of his earthly watch. The barge has a radiant sun graphic that honors the ancient and soon returning Horus/Apollo. That's not random or a coincidence. This imagery signals a Hermes/Horus hookup, concealing and revealing what that barge and indeed the entire flotilla is really celebrating. The 8 bells death toll is an essential part of the magick and pharmakeia that is ushering in the Antichrist Beast and preparing his kingdom.

It should be noted that Noah is referred to in the Bible literally as Noah the 8th, and that the etymology of his name is linked to the word for navy. It should also be noted that a major objective in the Adversary's plan relates to a counter to the Flood of Noah's day, which purged his family from the face of the earth.

I haven't given this any ink yet because, as significant as whatever ritual magick performed during this celebration this might be on its own merit, it must be seen in the context of the grand scale of what's being performed in the UK as the host of the upcoming XXX Olympiad.



Another item of interest relating to the royals is scheduled for June 21, Prince William's 30th birthday, when it is planned to install him as a Knight of the Most Ancient and Most Noble Order of the Thistle. (His number matches the number of the upcoming Olympiad, and the Roman numerals XXX are an indicator of hazard or poison.)
Queen to make William Knight of the Thistle to mark his 30th birthday
This represents the highest honour the Queen can bestow in Scotland, an honor only second to being inducted into the Order of the Garter. This is yet another royal Order featuring sodomy signaling imagery. See Part 17 - The Sodomite Gateway - Royal Pains - Order of the Garter for more insight.

[Update: 6/5]
The thistle is a fit symbol for the order of royals, pointing back to the curse pronouced upon Adam.

Cursed is the ground because of you; In toil you will eat of it all the days of your life. 18 “Both thorns and thistles it shall grow for you; and you will eat the plants of the field;

Genesis 3:17b-18

Thorns and thistles compare to tares in New Testament language.
[ / Update]

Here's another indication that September will mark a season of dramatic transition, and not in a good way. You do know who George Soros is, right? He's a guy who makes things happen, according to plan.
GEORGE SOROS: EUROPE HAS THREE MONTHS TO STEM EURO CRISIS

This coming Yom Teruah (Rosh Hashanah) (September 18) marks the transition into the 4th Shemittah from the celestial sign in 1991 that marked the Lord's coming in judgement. Around this time, although this is never said to be a sign, it seems likely that some notable covenant will be signed with many. We have the world's power brokers coming to the USA in that season, where globally relevant covenants have been made in recent years. Lord willing, I'd like to be monitoring Clinton's Global Initiative (Sep. 23-25 NYC) for potential, which usually follows on the heels of the UN Assembly, but appears to be concurrent this year. The UN is meeting this month for their 66th session, but also in September.

“The General Assembly in its resolution A/RES/66/102 decided that the high-level meeting of the General Assembly on the rule of law will be held on 24 September 2012 in New York and that the high-level meeting will address the topic of the rule of law at the national and international levels.” UN: 66th Session - Rule of Law - Sep 24, 2012

International rule of law. That seems right on schedule.

Bill Clinton, by the way, still has global clout that just won't quit.

“It’s one thing to have Cory Booker criticize the president’s campaign strategy. Or Ed Rendell. Or Deval Patrick. Who really gives a flying fig? But Clinton? For Dems, that’s like having Elvis talk smack about your singing. (And, unlike Booker, Clinton is unlikely to be cowed into backpedaling by the White House.) Team O will need more than Band-Aids and a bottle of Bactine to take the sting out of this one. This episode illuminates the omnipresent peril the current president faces in having such a high-profile, high-octane frenemy. (No one out there really believes these two super-touchy alpha males have really worked through all their issues, do they?) Clinton is the original political rock star, and the media remain utterly captivated by his every burp, cough, and hiccup. Dems worship him as their only two-term president since FDR. And in a bit of crazy, shameless revisionism, Republicans are suddenly singing Bill’s praises as a sensible moderate Dem whose legacy is being trashed by lefty-extremist Obama.” Bill Clinton - Two Edged Sword

I found it very noteworthy that a place with a history of cannibalism has just come into the news, joining a rash of other instances around the world of cannibal activity in the news.

“Over two weeks ago, an army of eight-legged freaks invaded it. It all happened in the evening on May 8. Most of the inhabitants of Chaulkhowa Nagaon village had been to a Bihu function. When the programme drew to a close, swarms of spiders suddenly descended from nowhere and started biting the people. ..."Sadiya is not alien to terror. The place was notorious for human sacrifice until the mid-19th century when the British stopped this barbaric practice. ... On May 28, the spider allegedly appeared in Nalbari, Lower Assam-a good 600 km away from Sadiya-and bit a woman. The woman not only trapped the spider, she was also sane enough to come to a hospital instead of visiting a witch doctor.”

India: ‘Tarantulas’ invade Assam town, ‘kill’ two

The swarm of spiders seems like a biblical-style plague or judgment, like something the Egyptian magicians of Pharaoh's court might muster up. The people attacked were just leaving one of their worship events, honoring the same gods in probably the same way as when cannibalism had been practiced. Are they being prompted to return to cannibalistic sacrifice to ward off the plague? Has the rising tide of evil supernaturalism reached such a level?


Also of interest is the upcoming lunar eclipse on the 4th followed by Venus transit on 5th & 6th, the next Venus transit expected by most in 2117, although, given what's coming, I'm betting that is subject to change. I don't have an interpretation to offer assigning any meaning to this, but Venus is one dot that connects in with a lot of other dots I'm paying attention to in this season.

A Season for Satanic Ritual and Spiritual Warfare

As I write, it's just prior to the Super Bowl XLVII. Because of the late hour, as judgment rolls out, I wanted to draw attention to the nature of what's going on behind the scenes. What the Lord is doing is more than keeping pace with the Adversary's activity, but the kingdom of darkness is ramped up and an assault is being launched. On guard.

On February 1 and 2, Candlemas and Imbolg, a.k.a. Groundhog's Day were celebrated by many Pagan witches with human sacrifice and perverse sexual rites. During this lead up to the Super Bowl, sex traders of every kind have focused their activity on supporting the city of New Orleans, long a center for voodoo and other dark magickal working.

• Super Bowl Frenzy: Police Watch for Sex Trafficking (2011)
• Sandusky Part of Illuminati Pedophile Network (November 13, 2011)

Mardi Gras is coming up on February 12, which is , of course, a huge deal in New Orleans, followed shortly by St. Valentines Day on the 14th. If you think all this activity doesn't impact you, you're sleeping still. The rituals are not for maintaining the devil's status quo but for advancing his program. The Enemy has got momentum. There is activity targeting the saints, specifically those who are awake. The spells being cast are directed at you and I, and if you're not wary and engaged, it must be said that it's probably because you're not a threat.

Some have wrongly reported that the street address of the Superdome is 330 Loyola Ave. That's the address of the Holiday Inn. The Mercedes-Benz Superdome is a few blocks away at 1500 Sugar Bowl Dr.

The address of the Holiday Inn (with its Osiris green branded H for Horus and Hermes and orange rayed sodomite sun wheel) is notable, though, being on the street named after Ignatius Loyola, founder of the Jesuits, and at the signal sodomite number of 33(0).

The Super Bowl halftime show has become a centerpiece for Illuminati ritual, and I expect we'll see one later today. The lyrics of the song that is supposed to be featured tells a story about a special sodomite relationship between SRA multiples. I'm curious about what kind of dramatic symbolism will be layered on it. I'll address the lyrics in another post.

More Satanic ritual happened in Paris, France, on the Pagan High Ritual Day of Candlemas. The birthday of the famed Pagan high place, the Notre Dame Cathedral, was celebrated with the so-called “blessing” (cursing) of nine giant bells. The largest bell is named Mary, which is fitting for the institution dedicated to the worship of “Notre Dame,” “Our Lady.” One of the ancient names of this honored entity is Isis. The bell as a witch's weapon and dimensional portal controller is something I've written about at some length. Search my sites for bells and you'll get plenty of interesting results.

New Notre Dame bells make harmonious history

Mary weighs in at 6,000 kilograms of “glistening bronze.” Six is the number of Adamic man. Nine is the single digit number for the mark of the Beast transformation, which is the establishment of a dimensional bridge.

"During the French Revolution, they (the original bells) were all brought down and broken except (one) and four other bells that were recast in the middle of the 19th century ... This will complete in a definitive manner the entire set of 10 bells as conceived ... in the Middle Ages," Notre Dame rector Patrick Jacquin said.

Testament to the international pull of Notre Dame — with its 20 million annual visitors — on each bell is written "Via viatores quaerit," latin for "I am the path looking for travelers."

The first time revelers will able to hear the new pealing will be on March 23, just in time for Palm Sunday and Easter week. Mary will soon be hoisted up to the gothic south tower ready to sound out — echoed by other eight in the north tower — over the medieval gargoyles, historic rooftops, and the snaking Seine River.

Rife with NLP, the article echoes the testimony I hear resounding all around me, that we have arrived in the season where the hope of many travelers on the left hand path is being fulfilled.

"Via viatores quaerit." That's not a match to John 14.

Jesus said to him, “I am the way, and the truth, and the life; no one comes to the Father but through Me. ~ John 14:6

The Notre Dame bell path is a way of death, lies, and a counterfeit that does not lead to the Father. My Lord is the way!

Part 5 - Rango - A Choreographed DNA Transformation!

Before I launch into the Rango post I want to note that much could and probably will be written about parables evident in the damage from the recent quake. Judgment is being visited upon the church and America, and some who have denied it in the past are now becoming believers. Praise the Lord, whose plan is perfect and who fulfills every promise! Let this draw you even closer to the Lord, in whom salvation is!

The animated feature titled Rango reveals key elements of the Devil's plan to hijack Adam-kind. The coming "upgrade" scheme appointed to convert man to beast at the genetic level is dramatized in a bizarre Country line dance scene. The ritual symbolizing this transformation is initiated at the ringing of the bell in Dirt's clock tower, adding yet one more cryptic but decipherable witness to what the Lord showed me while writing about bells and providing further validation that acoustic wave technology will play a role when the mark of the beast is implemented. I'll expand on that shortly, but first, consider the symbolic dance ritual.

Every week a ritual occurs in Dirt, and all the townsfolk participate in it. The water that means life itself is rationed by the Mayor and is doled out to the townsfolk as he presides over a ceremony with his officiating Horus Priests. (See Part 1) Every Wednesday at Noon a procession forms on the main street and the folks march out of town to the holy spigot to receive their water ration. It's at the forming of the procession that the bizarre dramatization of DNA transformation begins!

As the clock tower bell begins to ring out the Wednesday Noon "call to worship," the townsfolk drop whatever they are doing to collect containers for water and form two lines in the street. (top image of the collage) When the clock ticks over to 12:01, a song is broadcast over the PA system and they begin do what looks like a well rehearsed country line dance routine. This concludes with the folks on one side reaching across to slap the face of the one opposite. The slapping starts at one end and goes all the way up the line, with Rango himself getting slapped. Without identifying the lines as strands of DNA, the scene is nonsensical but, when you get that this is all a witness to the Beast scheme and the mark of the Beast and you're familiar with the model of how it's going to play out, the meaning is obvious!

The two lines formed in the dust of the main street of Dirt represent the two strands of Adam-kind's DNA. Adam was formed of dust from the ground, from Dirt. The action of sequential slapping connects one line to the other like sequencing the DNA ladder rungs. Symbolic choreography like this was featured during the London Ceremony three years ago at the closing ceremony of the Olympics in Beijing (as documented here).

Now, this DNA line dance is part of a water ritual, and DNA is mostly water. When we breathe out, we exhale water. Have you breathed on a mirror or a window or seen your breath on a cold day? The ritual that begins in the street first pictures the forming of Adam and his kind out of dust. When the folk then receive their ration of water its the receiving of the breath of life.

Then the LORD God formed man of dust from the ground, and breathed into his nostrils the breath of life; and man became a living being.

Genesis 2:7

More particularly though, this dramatization is about a "new birth." The next scene is as a water baptism, officiated by Mayor John "the Baptist," High Priest of Dirt. This is about re-creation, transformation.

The three strands of DNA that will define the posthuman condition are presented here with subtlety. I captured the screen shot you see at the bottom of this collage that shows Rango being slapped in the face. In this frame, a barber pole appears (towards the right) that illustrates triple helix DNA. Researching the history of the barber pole reveals that the red represents man's blood. What you won't discover in the typical reference material is how the red, white and blue bands winding up the pole really represent triple strand DNA! It's a symbol of the union of the blue, the heavenly sons of god, with the red, daughters of men, or, Adam-kind. The white represents divinity. The barber pole comes into view just as Rango is slapped, displaying to the watchful viewer the DNA transformation that establishes the connection bodily linking the townsfolk to their "savior"! Yes, there will be a genuine with a new body but what is shown to us here is an evil counterfeit. This pictures the mark of the beast transformation!

At this point another really important action occurs. After Rango is slapped in the face, he reacts by punching the one who slapped him. He knocks out this "woman" and steals her container. She represents the church, dealt a knockout punch! This is not a false promise or an empty boast!

for if God did not spare the natural branches, He will not spare you, either.

Romans 11:21

Did God spare the natural branches from being broken off? Think about it. No, he did not. Follow that logic through. The woman-church will be knocked out into the dust, as pictured. Romans 11:17ff The breaking off of this branch will come right on schedule, as it must, as a result of the activity being "preenacted."

This scene is bracketed by scenes that focus on death, the fate of the previous Sheriff. Amos. Abel?

The water ritual continues as the townsfolk march outside of town to the "holy spigot," where we see mud come out. The River Jordan was a muddy river.

5) Then Jerusalem was going out to him, and all Judea and all the district around the Jordan;
6) and they were being baptized by him in the Jordan River, as they confessed their sins.

Matthew 3:5-6

So, did anyone confess their sins on the way? After stealing the woman's water container he runs and butts in line ahead of a handicapped crow (Indian), who is using a crutch. "This is a heck of a hoe-down you got going. I'm still working out those steps." he says, passing by a red, white and blue striped water tower, another DNA signal. The crow says to Rango, "You killed bird." "Yeah," replied Rango. "As a matter fact I did." Confession of sin?

The action of baptism is a profound parable of death and resurrection and the exchange of one kind of life for another. (See Baptism - The Prophecy) This is what's represented in Rango at the "holy spigot," actually, the evil counterpart, a baptism of unholy water and unholy spirit. The exchange pictured is the trading of the creator's Adamic life for His created serpent's life at the acceptance of the mark of the Beast.

When they get to their "church revival" there's lots of shoutin' Hallelujah. Mayor John (The High Priest of Horus with the authority of the dragon - the false prophet) is up on the exalted altar in his chariot throne wheelchair. Mayor John gives something of an "altar call" inviting Rango to come forward. Rango approaches. "Prepare the holy spigot," he says, directing the "Priests of Horus," who come forth with the "sun wheel" spigot handle.

The Mayor says: "The time has come, my friends, the time that was foretold ("Hallelujah!" - the "Dirtonians" respond), the sacred time ("Hallelujah!" The Horus Priests affix the sun wheel handle to the spigot), the time of destiny ("Hallelujah!" Rango takes a position under the holy spigot waiting to receive), the time of deliverance ("Hallelujah!" - raising their bottles worshipfully). It is the time of HYDRATION!"

At that, the Horus Priests actuate the sun wheel handle, the key artifact that releases hydration. Hydration is code for the hydrous DNA activation, the Eye of Horus activation, the mark of the Beast DNA transformation that goes along with worship of the Beast. We are being told that we are seeing prophecy unfold. Don't doubt it.

Mud comes out of the spigot into Rango's stolen container and makes a mess on him. The Dirtonians freak out in response and begin to resemble a lynch mob. They say things like, "Burn him! He's a witch!"

The Mayor intervenes on Rango's behalf, with an ominous declaration. "My friends. My friends. Temper your frustrations. Times will be tough from now on. Sacrifices will have to be made. But if I can help in any way, please know that my door is always-"

At the event dramatized, times will be tough from then on. Sacrifices will be made because this literally testifies of human sacrifice. The mark of the beast will create a zombie race, a people that are truly dead but animated with another kind of life. Their souls will be gone, traded away. It's a bad deal.

Lord willing, I'll pick this up in the next post!


Some links of interest:

Stones fall off Washington National Cathedral (AP - 8/23/11) A testimony of judgment on the church, of religious Babylon and national Babylon? Yes!

Secret U.S. experiments to prompt 2nd Coming? (WorldNetDaily 8/21/11)
Animal's genetic code redesigned (BBC 8/11/11)

Nestlé Nutrition builds on 3S Packaging Technology (3S Packaging Technology - 9/15/2010) "HORUS, named after a deity from the ancient Egyptian mythology and tutelary god for children, is the name of the currently most important project within Nestlé Nutrition."

Part 39 - Celestial Stargates - Light Rods, Tinsel and Pleats

Series Links: Celestial Stargates

This series was interrupted when I turned my attention to the Winter Olympics. While there's probably more blogging about those symbolic ceremonies to be done (which are rich with celestial stargate imagery), I'm returning back to this series to give special attention to the stargate imagery featured in the Fisht Olympic Stadium throughout the closing ceremony of the regular Olympics. A collection of large cylindrical rods hung from the ceiling that were painted with light. These dynamically lit rods were used to signify and ritually model the opened stargate as opened lines of transmission between the realms of the seen and unseen. The vertical lines of the light rods is a visual cue common to many settings where stargate transits are featured. They also illustrate the kind of radiation beaming from the stars that influences men on the earth.

Ancient Egyptians used the pictograph you see here to represent the energy beaming from the stars and the operative stargate. Parallel lines are drawn to connect the objects involved in the transmission, suggesting coherent rays of energy.

These images are gleaned from Magickal Egypt, a documentary by John Anthony West.

This is not the stuff of imagination, superstition or illusion. Energy from the stars, since the stars are associated with angels, represents the supernaturalism of Ephesians 6:12, as it is written, “our struggle is not against flesh and blood, but against the rulers, against the powers, against the world forces of this darkness, against the spiritual forces of wickedness in the heavenly places.”

19 And beware not to lift up your eyes to heaven and see the sun and the moon and the stars, all the host of heaven, and be drawn away and worship them and serve them, those which the LORD your God has allotted to all the peoples under the whole heaven. 20 But the LORD has taken you and brought you out of the iron furnace, from Egypt, to be a people for His own possession, as today. ~ Deuteronomy 4:19-20

What powerful influence would draw them away to serve all the host of heaven but that supernaturalism of the false gods represented in those celestial lights as they actively sought to be worshiped? In the version of the text above (NASB), the language used for the motivation is a little soft. The Hebrew word used is more forcible and doubled, nadach nadach: to thrust, to impel.

Prior to the Exodus, a contest ensued when Moses was sent to the Pharaoh to encourage the release of the enslaved Israelites.

10 So Moses and Aaron came to Pharaoh, and thus they did just as the Lord had commanded; and Aaron threw his staff down before Pharaoh and his servants, and it became a serpent. 11 Then Pharaoh also called for the wise men and the sorcerers, and they also, the magicians of Egypt, did the same with their secret arts. 12 For each one threw down his staff and they turned into serpents. But Aaron’s staff swallowed up their staffs. ~ Exodus 7:10-12

6 So Aaron stretched out his hand over the waters of Egypt, and the frogs came up and covered the land of Egypt. 7 The magicians did the same with their secret arts, making frogs come up on the land of Egypt. ~ Exodus 8:6-7

The magicians of Egypt were not putting on a show with cheap tricks. Today, the public is told by the generally recognized and respected authorities that magic is just pretend and that the Devil is not real, and by their enchantments most folks simply accept those lies. For the first 22 years of my life, I was oblivious. Now, not so much.

The column or pillar is a popular representative form of the bridging mechanism. A simple cylinder is the simple geometric form of a squared circle, which is relevant as a symbol of illumination through ritual sodomy. The light rods employed in Sochi are, of course, cylinders.

During the closing ceremony of the regular Winter Olympics, South Korea, host country of the next planned Winter Games, presented their own ritual performance on the grand stage underneath the light rods. Their official logo was projected on the floor, for PyeongChang 2018. I see their logo as a glyph for Gemini, a Silver Gate symbol, and a star of the exact form used in ancient Egypt. Familiar, yes?

In this picture you see a technical illustration used by NASA, where a wormhole is pictured with colored rods of light surrounding it. When you watch films or TV shows that picture a star ship going into warp drive or traveling near or above the speed of light or other kinds of wormhole transits through space-time you will usually see special effects extending points of light into light rods. This is the addition of an extra dimension to a point to create a line. It's akin to the motion blur. Its a visual dynamic that suggests time-space is being spanned. This is the effect created by the light dynamic of the rods in Fisht Olympic Stadium.

The cylinders hanging from the ceiling of the Fisht Olympic Stadium were painted with light and used as animated decor throughout the ceremonies.

In some of the segments, these were supporting the theme of stargate transit. In others, they were illustrating the effects of star energy beaming into the stadium. I believe those stage props are magickal instruments that were employed in ritual for energetic transmissions beaming in and out of the Stadium. The objects in that collection was reported to number 204, which cannot be simply random.

• 204 balls may be stacked in a pyramid whose base is an 8 by 8 square, and which has 8 courses or levels. The pyramid and all its forms is believed to be very potent, energetically, and is associated with ancient Egypt and the worship of the sun god. It is associated with the Illuminati. The three 8s produced suggests 888, a number linked to the name Jesus in biblical gematria.
• 204 is a truncated triangular pyramid number. The truncated pyramid has special signification in connection with the Great Pyramid at Giza and as the representative form of the body or kingdom of the beast of Revelation 13:1, the head or capstone of that base.
• 204 is the number of squares of all sizes on a chessboard, an object often used to signify the presence of the knowledge of good and evil.

Those rods hanging from the ceiling were apparently also called a forest, so they must individually be trees, as trees in the Garden of Eden which are not of the natural kind that populate the forests on earth. The collection was also what seemed to be referred to at one point as the soul of Russia, which links to the Milky Way as a celestial river of souls.

In Sochi, when the flame was about to be extinguished at the climax of the Games, a scene transition combined two shots in the fade to overlay some key symbols.

The light rods representing the opened stargate were superimposed over the mirrors that represented dimensional portals. It was momentary - and brilliant. They were raised to reveal the mascots, illustrating the revealing of the lawless one who will come as Horus incarnates through the celestial Silver Gate. Evil genius.

What is represented by these rods on this grand scale is more simply and commonly modeled by draperies with vertical pleats or by vertical blinds at windows or by pillars with vertical lines ringing the shaft.
In Ke$ha's official Crazy Kids music video, cheap tinsel icicles hanging in doorways and wreaths were stargate props, with silver tinsel representing the Silver Gate and the gold, the Golden Gate.

This scene where Ke$ha sits between two bull dogs is brilliant. The Gold and Silver Gates are positioned in the Zodiac opposite each other, marking where the ring of the galactic plane intersects the ring of the Milky Way. There is an alignment of the two, and this is what we see with the Silver Gate pictured directly in front of the Golden Gate. The Golden Gate is represented in the golden tinsel hanging down, and the golden sunrise arc at the top of the golden backed couch. The Silver Gate is pictured as Ke$ha wears the vertical banded blue and white blouse. Her legs are crossed because she is crossing over the dimensional barrier. She's flanked by two bull dogs. Bulls signify Taurus and the two of them picture Gemini, The Twins. The celestial Silver Gate is flanked by Gemini and Taurus. The utility chains worn by the dogs are constructed of twinned torus links. Anubis, the escort to and from the underworld is the dog headed god, and in the celestial heavens he is represented by the Dog Star Sirius.

The producers of the official music video for We Can't Stop, by Miley Cyrus, modeled the stargate transit at the revealing of the lawless one by her dragging a stuffed bobcat across the floor. The backdrop is a simple white drapery, which is the color equivalent to silver in heraldry, and represented by the same Egyptian hieroglyph. The vertical pleats present the coherent beaming starlight structure of the stargate transited.

The same visual was employed in the official music video for Insane, by the South Korean “K-Pop” band A-Jax. The structure of the spinning chair's 5 ray wheeled base presents us with the stargate vortex image. As a backdrop we see the same subtle prop used in Miley's set.

The transdimensional construct was used to great effect in the industry changing film, The Matrix. Streaming columns of characters were used to represent the construct of the matrix, a virtual world created by the machines that held humanity captive in an artificial world of digitally generated illusion. It's really quite an impressive allegory. In their representation of another dimension interfacing with real world biology and physics, the filmmakers employed the dynamic light rod kind of effect in a variety of notable ways.

That film's illustration of the columns of streaming light as the interface between the realms was augmented with another kind using sound. The bell, which I've written plenty about (Bells - Supernatural Enchantment and a Biblical Perspective - also search this blog for tuning fork), is an ancient means of initiating travel between the dimensions. When Neo and the others who have been freed from the Matrix reinsert themselves into that realm, their only way back is by way of finding a phone.

To get an exit they have to wait for the phone to ring. When the hard-wired land line phone rings, which is an old school AT&T “Ma Bell” type bell phone, we're not told this but you should note that it triggers the ringing of a bell, which opens the stargate and facilitates the transit.

Stargate transit imagery is important to those who craft mass rituals. This is how they access the ancient entities represented in the celestial heavens, transmitting, broadcasting and receiving from the heavenlies. When their champion is incarnated in his host body after transiting the Silver Gate, most folks will be oblivious to what's going on. I'm hoping you will seize the opportunity while it remains to seek the Most High God and Father of His only begotten son, the Lord Y'shua while He may be found - with all your heart!