Part 1 - The London 2012 Olympics: Revisited

The season of the 2012 London Olympics continues to be brought to our minds in this season, and the reason has to do with space-time manipulation.

The folks responsible for the Olympics have just published a video of the Opening Ceremony on their YouTube channel, on the 3rd anniversary of the occasion. This link will take you there, about 8 and a half minutes in. The Complete London 2012 Opening Ceremony | London 2012 Olympic Games. You'll hear a very cleverly scripted emphasis on time with a subtext of the manipulation of space-time, then see that demonstrated in a well produced fly under and over of the symbolic river of time. The video presentation of the flight from the observer perspective engages the viewer very personally in an Occult ritual that extends that of the actual event.

When the clip begins, you'll hear the stadium PA system announcement: “Ladies and gentlemen. We have one minute until we go live to the world.” There's the combination theme, right there! MINUTE = TIME and WORLD = SPACE. To go live means, broadcast begins, in real time, or with minimal delay. A subtle third theme woven in is, LIVE = LIFE.

A countdown is underway, counting off the seconds. This isn't unusual, of course, and neither is it unusual for ceremonies to feature a review of the history of the games and that of the host city and country, but I encourage you to look beyond that to see the emphasis placed upon time. In every commentary on such a topic it's going to be rife with words relating to time and space, but you'll notice how the descriptive language and specific subjects give emphasis to the space-time theme.

The broadcast commentator says: “... and what you hear from the public address announcer, we are one minute away from the official start of the games of London 2012, and they will be started by the ringing of the Olympic bell, the largest harmonically tuned bell in the world. It was made at the Whitechapel Bell Foundry whose workshop is just a few miles down the road from the stadium. The foundry also created the Liberty Bell in 1752 and Big Ben in 1858. The Olympic bell will remain here in the Olympic Park for the next 200 years. And, it will be struck by the man of the hour, the man who rode with the greatest pride down the Champs Elysées. Need I tell you more? Think about it, it must have been in all the papers all over the world because no Briton has ever done it before.”

The commentator focuses attention on the Olympic bell. The German word for bell is, glocke, which is closely related to our word for clock. (Die Glocke aka Nazi Bell - Time Travel) Bells and clocks are very intimately connected. Bells have long been rung to mark off the hours of the day and the watches kept by mariners. He mentions the Liberty Bell and Big Ben, giving the dates they were produced. Dates. Time. London has long kept time by the chiming of Big Ben, which is the name of the large bell. When you mention Big Ben, it's often the clock tower that comes to mind. After the initial crack had been repaired, the Liberty Bell had been heard ringing out from the steeple of the Pennsylvania State House in Philadelphia. The State House has been renamed Independence Hall, and that clock tower is memorialized on the one hundred dollar bill. Clock and implied bell on money. Time is money - money as time.

The commentator says the bell will be kept in the Olympic Park for the next 200 years. The Prime Meridian very nearly cuts through the Olympic Park, which is located very near to Greenwich where time was kept at the Royal Observatory. I've documented how the Olympic Park marks off time arcs from the Temple Mount in Jerusalem relative to the exact season of the establishment of Israel as a state. The time arcs for the 1948 London Olympics also sweep right through the Olympic Park. That's where the bell will be kept, and the commentator curiously declares just how long it's intended to be kept there. How odd. Unless you grasp how this language is a ritual establishing the connection between the bell and the ringing of the bell and time.

He says it's going to be struck by “the man of the hour.” HOUR = TIME. He's referring to Bradley Wiggins and his ride down the Champs Elysées, who had just won the Tour de France. The riders made a dramatic turn counter-clockwise around the landmark Arch of Triumph. The symbolism of the Arch is huge, and because the streets radiate outward as 12 spokes (like on the face of a clock), and because the Prime Meridian in Paris was the biggest competition for the world's standard for time (a competition that was memorialized in the plot of Jules Verne's novel, “Twenty Thousand Leagues Under the Sea”), that boast of a Briton's celebrated victory in Paris, in the context of the emphasized time theme, serves to magnify it even more.

“Think about it, it must have been in all the papers all over the world because no Briton has ever done it before.” Think about it. What is he not telling us? What kind of papers? NEWSpapers. “Code NEWS” - North East West South. The cardinal spacial directions on the globe of the earth, our 3D world. “No Briton has ever done it before,” which is to say that it was the first TIME. In the NEWSpapers all over the WORLD. SPACE. The first TIME. SPACE-TIME!

Danny Boyle, who was responsible for the Opening Ceremony, was quoted as saying about the stadium and bell, "You will feel different when you're in there and you hear it ring. When you hear it it's very sweet. It's ancient, so it reminds you of the past. It's also timeless, so it evokes the future. That was how communities notified each other something important was about to happen.” So, Boyle himself explicitly identified the ringing of the bell with time, and timelessness. It reminds you of the past. It evokes the future, he said. Literally? Was he using that statement to notify those of us in the global community that something important was about to happen with the ringing of the bell? When the giant bell did ring in the stadium, Aaron clearly heard in the spirit, “It has begun.” We knew the Lord meant by that simple but cryptic declaration something more than that the games in London had begun, but exactly what, we still don't know for sure. We suspect it has to do with the actual hijacking of time itself, marking some key point of transition.

On that morning of the Opening Ceremony, the 27th of July, 2012, bells were rung all over the UK for 3 minutes beginning at the stroke of 8:12 am. All the Bells - Martin Creed's “Work 1197.” Massive ritual. Work 1+1+9+7 = 18 = 6+6+6. Three minutes of ringing: 60+60+60 seconds. The XXX Olympiad was being welcomed, and XXX transforms to 666 when X as the 24th letter is assigned the value of 6 (as 2+4). Remember this recent post where a connection was made between the numbering of 666 and time in the ritual encircling of Jericho for the 6 days (through 2160 degrees, the amplified number of Plato - 216) as a foundation for Israel's triumph on the 7th. When the 13th circuit was made, victory came as it were through acoustic weapons with the blowing of trumpets and shouting. By beginning at 8:12, Martin Creed was able to work that key time number 12 into the ritual. By setting the duration of the ringing to 3 minutes, the principles of symmetry and balance assured that the central minute numbered 13 received emphasis - the mastery of time. I think more is meant in Martin's line drawing of a kind of bell shaped curve than just a bell. I believe it is a bend in the Thames-Isis, which was made ritually TIME resonant with the bells (probably above Greenwich and the Prime Meridian), and a graphed amplitude over TIME cycle of a standing wave harmonic from mid-anti-node through a node to another anti-node!

The exalted British warlock Aleister Crowley declared what the practicers of that kind of magick know, that bells may be used as weapons. And so they are.

When the initial countdown of that ceremonial sequence ends, we hear from the PA announcer: “Ladies and Gentlemen. The Isles of Wonder.”

Because of what we were being told by the commentator, we were led to anticipate hearing the ringing of the bell when that countdown ended and the Isles of Wonder film began, which was a simulated transport back to the beginning of time. Bells are for the facilitation of transits across the borders of space-time domains. An example of this may be seen in how the High Priest of Israel accessed the presence of the most High God in the Most Holy Place on Yom Kippur.

33 You shall make on its hem pomegranates of blue and purple and scarlet material, all around on its hem, and bells of gold between them all around: 34 a golden bell and a pomegranate, a golden bell and a pomegranate, all around on the hem of the robe. 35 It shall be on Aaron when he ministers; and its tinkling shall be heard when he enters and leaves the holy place before the LORD, so that he will not die. ~ Exodus 28:33-35

The official start of the Ceremony came at the stroke of 21:00 hours, another primary time number, the mirror of 12. The short film called, “Journey along the Thames,” began at that moment, which was directed by Boyle and produced by the BBC. It's a two-minute film, which provides an embedded time number for the ritual, 120 seconds, an amplified 12. The scripted time language ritual of the commentary leading up to hour 21 is subsequently demonstrated in that 120 second long film. It really is a TIME ritual, and the featured Thames of the journey is the ritual River of Time. The observer perspective style of the film does more than entertain us. It more actively engages us in the ritual. The film's journey repeats the imagery of space-time and the manipulation of space-time, which strengthens the ritual and reveals with more clarity what the magickal working is about, what it is actually for.

The commentator is our tour guide on this excursion down the river that takes us from the source eastward to the Olympic Park. He's carefully not telling us what's really important, like, for instance, how the river has long been known as the Isis. From the headwaters to Oxford it's still known as the Isis. She's the ancient goddess of magic with an important role to play in stargate transits, where the mastery of time is essential. Ancient images of the goddess of many names picture Inanna, or Ishtar, with water symbols in her hands, as a goddess who wields authority over time. As I've demonstrated (Our Lady of the Olympics), the Zeus and Apollo worshiping Olympic organizers are big on goddess worship.

Now, as the film begins, its exactly the stroke of hour 21, a number signaling time itself and timelessness. We find ourselves underwater in the river of time, with stones, and signs of life appear. We see a frog and we emerge with it out of the water. We're looking at a stone marker like a headstone monument. It's obviously been placed in connection with the XXX Olympiad because it bears the theme of the Opening Ceremony.

It's the ancient past, primordial. The suggestion of the bell ringing at hour 21 sent us back to the beginning, to the source of the river of time and life. As we pause to ponder the inscription on the stone we're joined by an ancient creature, a blue dragonfly, which seems to be examining the marker with us and inviting us to follow it. We've all been taught to connect amphibians with evolution. Darwin was a Brit, and the ceremony is all about honoring Brits. The frog emerging from the water pictures a step in our own evolution. The dragonfly is, to many people, a universal symbol of immortality. This pictures the next step in “our” evolution. The frog; our past, the dragonfly; our future. This picks up the “live” or life theme from the intro scenario and reveals that immortality and the river of life is at the core of what is ultimately an ascension ritual.

Note that the bug is a DRAGON fly. Beelzebub: Lord of them that fly. My hope is in a different god, the Creator, and a better resurrection.

The inscription on the featured marker stone is important.

ISLES OF WONDER - THIS STONE WAS PLACED HERE TO MARK THE SOURCE OF THE RIVER THAMES

I believe a major key to the ritual is the connection between this stone and the bell that was the focus of the previous commentary, which is located in the stadium seen at the film's end. Shakespeare's production of, The Tempest, provided the Opening Ceremony's theme, “Isles of Wonder.” It's derived from a speech given by the demigod hybrid monster Caliban. The bell is inscribed with a line from that speech. “BE NOT AFEARED, THE ISLE IS FULL OF NOISES.” One memorial object is like the other, ritually linked together by the common words and the fundamental nature of the inscribed objects. There exists a standing wave relationship, a resonance through time and distance. I'll explain more shortly.

It should be mentioned that the headwaters of the Thames-Isis have long been marked with stones, and even an inscribed monument at Thameshead or Thames Head. River Thames: The Source

Leaving behind the source and stone, we follow the dragonfly along the serpentine Thames-Isis river of time. Let's jump ahead to another major key to this potent space-time manipulation ritual. When we pass through the London Tower Bridge, special attention is given to the Occult Olympic Rings sigil-logo as our view immediately turns from looking forward to looking back. We immediately ascend to a height at a point directly above where the world's time is officially kept, in Greenwich, at the Prime Meridian. We're not told that this is what's going on, but it's clearly that. The zenith was significant to the astronomers at the Royal Observatory where time was kept. We're given something of a misdirection in the pretext that this segment was honoring the popular BBC show, the EastEnders. While that seems pretty obvious, the segment is only roughly similar to the show's famous intro. The mention of EastEnders wasn't devoid of appropriate esoteric meaning, however, because it provides the cardinal compass direction, East, in connection with a word that has to do with a limit of distance and time, End.

As the journey along the Thames-Isis has gone fully to it's eastern limit, we descend to witness one last sequence before our arrival just North of there in the days just prior to NOW, at our destination, the Olympic Park and Stadium, as preparation for the Opening Ceremony nears completion. We see travelers in the London Underground (the underworld - like the name of the band from Cardiff that furnished music for the ceremony) with trains in tunnels, with modern scenes and faded black and white imagery as from the past. Time travelers once more, making dimensional transits like angels traversing between space-time realms along the ancient stargates, the mecillah. Joel 2. The theme continues with regular cars in a tunnel, and then we're underwater again, immersed in the river of time like back at the source - and suddenly we emerge to find ourselves looking at the stadium in the Olympic Park. A big cloud appears, and a cloud represents an angelic transdimensional vehicle. (Heaven's Vehicles - UFOs - Fake and Genuine and The Kingdom Viaduct) The cloud also alludes to The Tempest's speech of Caliban that links the stone and the bell.

Be not afeard: the isle is full of noises,
Sounds, and sweet airs, that give delight, and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears; and sometimes voices,
That, if I then had wak'd after long sleep,
Will make me sleep again: and then, in dreaming,
The clouds methought would open and show riches
Ready to drop upon me; that, when I wak'd,
I cried to dream again.

William Shakespeare, The Tempest, Act 3, Scene II - Caliban's Speech

At this point the nature of the ritual can be explained. I'll follow that with a few more relevant observations about the “Journey along the Thames,” but here's my understanding of the ritual working of the manipulation of space-time. Be patient - it's coming. It will surely help if you're familiar with the series we wrote on the 2012 London Olympics

A fundamental of the working has to do with William Blake's poem, “And did those feet in ancient time,” which is the basis of the song known as, Jerusalem, that was sung in the stadium just after the Journey film, another countdown from 10, and the bell was struck. The poem provided the inspiration for the sets and sequence of the Opening Ceremony. This all has to do with establishing Jerusalem, the heavenly city or Zion, in England's green and pleasant land. Note how the film's cloud in the Olympic Park also alludes to this poem. Mostly, note the zeal and dedication to the task. This is the foundation of the ritual.

And did those feet in ancient time
Walk upon England's mountains green:
And was the holy Lamb of God,
On England's pleasant pastures seen!

And did the Countenance Divine,
Shine forth upon our clouded hills?
And was Jerusalem builded here,
Among these dark Satanic Mills?

Bring me my Bow of burning gold;
Bring me my Arrows of desire:
Bring me my Spear: O clouds unfold!
Bring me my Chariot of fire!

I will not cease from Mental Fight,
Nor shall my Sword sleep in my hand:
Till we have built Jerusalem,
In England's green & pleasant Land

“And did those feet in ancient time” aka “Jerusalem” - William Blake

Blake was illuminated. He wasn't inspired to honor the Creator's plan and agency but rather what is counter to that. It's an antichrist work.

“"And did those feet in ancient time" is a short poem by William Blake from the preface to his epic, Milton a Poem, one of a collection of writings known as the Prophetic Books. The date of 1804 on the title page is probably when the plates were begun, but the poem was printed c. 1808.” (Wikipedia) Why 1804 on the title page? 1+8+0+4 = 13. Asserting the mastery of time. In the preface to, Milton, right below where the poem appeared, Blake placed a verse from the Bible. Numbers 11:29. Pay attention to the NUMBERS, we're told in the way of the Occultists! 1+1+2+9 = 13. Mastery of time.

Here's Blake's favorite and best known painting, titled, “The Ancient of Days setting a Compass to the Earth.” It's a SPACE-TIME title. Ancient. Days. TIME. Earth. SPACE. See him inside a circle, with a compass that draws circles - of time in space. The painting is of course a graven image, done contrary to the 2nd commandment, so it's an idol and therefore not truly representative of the one with that biblical title. The one in the image is the Titan known to the Romans as Saturn (see the image as a ringed planet), and to the Greeks as Kronos - the false keeper of time worshiped by the ancients. Zeus famously subdued Kronos, acquiring his powers.

The Zeus worshiping IOC and those like Blake are not ignorant of such matters. Their intent has been to bring a literal transference, in space and time, to manifest a messianic heavenly city and kingdom among us. This is why the word, ZION, is encrypted into all of the recent Olympic logos, as part of this wide-ranging ritual working.

More to follow, Lord willing!

Odds and Ends

One of the trending themes of the day is the exodus. I've paused the series on the exodus, Israel's wandering and the water crossings to add support with a series on the symbolism of the numbers 12 and 13, but a return is expected, picking up right where I left off in part 5.

Refugee flooding over borders is causing social and economic crisis in the US and all over Europe.
An exodus of biblical proportions (Joel News)


The language also appeared in an article about the Burning Man event in Nevada's Black Rock Desert - with a amplified time number.
70,000 prepare for mass exodus from desert back to civilization

The lyrcs of a song written by Bob Dylan came to my attention a few days ago. (Thanks Katherine for the timely submission.) Mr. Dylan was either channeling it (divining, streaming communication through demon possession) or he was writing from a well spring of Luciferian illumination.

Bob Dylan – Ring Them Bells Lyrics (excerpts)

Ring them bells ye heathen from the city that dreams
Ring them bells from the sanctuaries cross the valleys and streams
For they're deep and they're wide
And the world is on its side
And time is running backwards
And so is the bride.
...
Ring them bells for all of us who are left
Ring them bells for the chosen few
Who will judge the many when the game is through
Ring them bells for the time that flies...

About bells and their ringing, one of the most popular studies on TheOpenScroll.com is, Bells - Supernatural Enchantment and a Biblical Perspective. Are you familiar with it? The bell (glocke) is related to time (clock), like how the words are related. Mr. Dylan is considered to have gone through a Christian period, yet the fruit of a serious compromise remained. That illuminated singer and songwriter publicly confessed to having made a deal with the “commander in chief” to get where he was, confirming what he meant by indicating that he went to the crossroads in an obvious reference to Robert Johnson's legendary deal with the Devil.

One of the weird signs of the season has to do with a controversy over the name of a children's book. We remember it as the Berenstein Bears, but the objective evidence indicates that it has always been spelled, Berenstain Bears. How can you argue with the plain evidence? Well, because we're not confused about how it was always spelled and pronounced. Somehow, the spelling was changed. Yes, it's possible, and we see in this controversy evidence of some kind of time manipulation. Why it was done is perhaps as a test to see if it could be done and what the result might be, but I can't really say I know why. One has to wonder what other kinds of changes have been made, with what results, and how long this kind of thing will be permitted before time is locked down in a reset.

I was shopping in Whole Foods yesterday and picked up a bottle of drinking water. The brand is Evamor, like, evermore. Water as time, right? They get it. So, check this out. Their logo is a close match to the time loop the Lord had me draw when we were beginning to get insight into the masked model and the nature of the season. There's even similarity with the coloring! This is the kind of thing that has become the new normal in this season.

I found this promo image on freeStuffGalaxy.com. They seem to decorate all their products with galaxy imagery, but the one for Evamor seems pretty special. They include the brands ad imagery where the bottle of water is kind of floating along in the stream, and they intersect it with a stream of stars like the Milky Way, and put the ringed planet Saturn in the stream. Saturn, aka Kronos, the god of time. The Milky Way intersection with the ecliptic marks the celestial stargates, the Golden Gate and the Silver Gate.

Evermore. Led Zeppelin - The Battle of Evermore. The first video I posted to my YouTube Channel was a reverse speech presentation of a couple lines of this song. Here's some of the lyrics where you can find the appearances of the word, time.

The Queen of Light took her bow,
And then she turned to go,
The Prince of Peace embraced the gloom,
And walked the night alone.

Oh, dance in the dark of night,
Sing to the morning light.
The dark Lord rides in force tonight,
And time will tell us all.
...
Oh, well, the night is long, the beads of time pass slow,
Tired eyes on the sunrise, waiting for the eastern glow....

The Queen of Light took her bow. Physics of light, the speed of light in distance over time. Time flies like an arrow. The Battle of Evermore. Time war. Jimmy Page ran an Occult bookstore and published works of Aliester Crowley. He even owned Crowley's house on Loch Ness for a while. He and Robert Plant - they knew stuff. Dancing in the night and singing to the morning light is familiar ceremonial ritual to practicing witches.

Part 12 - 2012 London Olympics - Death Rituals: A "Bell, Book and Candle" Mega-Ritual on the BBC

I believe the upcoming London Olympics is intended to be a Bell, Book and Candle ritual, a Satanic mega-ritual. I'll be expanding on what is meant by bell, book and candle, but briefly it's a ritual curse made using these three implements. This ritual's most familiar guise is the Roman Catholic priesthood's excommunication practice. This activity isn't merely symbolic, and I don't hesitate to say that, even though it's apparent to me that so many educated and intelligent people will immediately dismiss me as superstitious and ignorant, this matter should be taken very seriously.

Bell: The London Olympics will open with bell ringing all over the UK, including the ringing of the biggest ringing bell in Europe, a featured object that will be hung at the Olympic Stadium.

Book: The book is something I suspect will manifest on multiple levels, the most important of which is the human “book of life.” DNA has been featured heavily in Olympic ceremonies and in some of the associated art and architectures. The helical DNA “scroll” is written in genetic script that includes letters (A, C, G, and T nucleotide bases) and punctuation, in “stop DNA” or termination codons. The Olympic games that are “bookended” by the opening and closing ceremonies feature the entire scope of the “book,” competitors, support personnel and spectators from nearly every race and place.

Candle: The candle will be the Olympic Cauldron, truly a witch's cauldron, burning with the flame ritually lit from the sun on Mt. Olympus and dedicated to Apollo and Zeus, aka Satan.

Here's Wikipedia's current description of the excommunication ritual.

“The phrase "bell, book, and candle" refers to a method of excommunication for one who had committed a particularly grievous sin. Apparently introduced around the late 9th century, the practice was once used by the Catholic Church; in modern times, a simple pronouncement is made. This ceremony involved a bishop, with 12 priests, reciting an oath on the altar:”

“We separate him, together with his accomplices and abettors, from the precious body and blood of the Lord and from the society of all Christians; we exclude him from our Holy Mother, the Church in Heaven, and on earth; we declare him excommunicate and anathema; we judge him damned, with the Devil and his angels and all the reprobate, to eternal fire until he shall recover himself from the toils of the devil and return to amendment and to penitence.”

“After reciting this the priests would respond "So be it!" The bishop would ring a bell to evoke a death toll, close a holy book to symbolize the ex-communicant's separation from the church, and snuff out a candle or candles, knocking them to the floor to represent the target's soul being extinguished and removed from the light of God.”

Bell, book, and candle

Practicing witches will immediately identify the bishop with 12 priests as a coven, and their reciting an oath on the altar as the ritual casting of a cursing spell. And so should we.

The activity planned for the London Olympics suggests that the IOC intends to enact a mega ritual modeled on the bell book and candle curse. They will begin by ringing a giant bell. They will hold the games for 2 weeks, marking the conclusion with a ceremonial declaration, closing the book. Finally, they will extinguish the flame, snuffing out the candle. Given the symbolism surrounding all that's being done leading up to the event, and, in the context of everything else going on at the present time, it seems apparent to me that a bell, book and candle spell will be cast and that all who participate on some level will be cursed thereby. Without the sovereign God's intervention, the impact of this supernatural offensive will be massive in scale.

I have to wonder if a precedent wasn't set in the not too distant past, during the "Nazi" Olympics. That happened in Berlin in 1936. Give some consideration to what followed. Serious consideration.
Those games featured a special iron bell that was dedicated by Nazi officials (SS) in a secret ceremony, hung at the stadium and rung to open the event. Those games concluded with a ceremony, and their cauldron flame was extinguished. That flame was the first in modern times to have been lit from the sun on Mount Olympus and conveyed to the stadium in a torch relay, the Olympischer Fackellauf.

[video] Hitler Nazi Olympics Opening Ceremony

The three implements featured in the curse are popular items in magick ritual.

Hollywood's Bell, Book and Candle (1958 - James Stewart, Kim Novak) features a witch who casts influential spells. I watched it a couple times fairly recently and it impressed me as having been made by folks who understood witchcraft. This movie was based on a popular Broadway play of the same title. These, along with the 1942 film, [video] I Married a Witch, inspired the popular TV series Bewitched (1964-1972 - Elizabeth Montgomery). The BB and C Broadway play was popular, and the movie was nominated for two Academy Awards and a Golden Globe, but the greater influence would come through the medium of TV, with Bewitched having a huge influence on our culture. The series was produced by Screen Gems, so each episode was attended by a version of the infamous "The S From Hell." The trauma induced aided in the systematic programming of generations of mind-controlled people like us. Unless you're breaking free, you're still under the spell. Really.

Here's some copy featured on the shopping site for the Bell Book & Candle Supply.

“Tools & Gifts For Your Spiritual Practice”

“Welcome to Bell Book & Candle Supply, your online source for metaphysical supplies, witchcraft supplies, wicca supplies, pagan supplies, shaman supplies, Kemetic, Egyptian, hoodoo, and all other needs for your own spiritual path, whatever that may be. Please ask if you're looking for something special. We're here to help you on your journey.”

“Do you need to update your Book of Shadows? Would you like an heirloom for your children, or a special book of shadows for your coven? Look at our wooden Book of Shadows. We also carry velvet journals by Jessica Galbreth. The cover designs on these popular velvet Book of shadows are exquisite and she really captures the magick in her fairy and sorceress artwork. We also have a number of other blank book journals for note-taking or spell-writing.”

The bell, book and candle deal is definitely not a "Christian" thing, with nothing of obedience to Y'shua in any of it!

I think the network broadcasting the London Olympic games locally should be considered as a Bell, Book and Candle entity. Consider the acronym BBC (British Broadcasting Corporation) as the “Bell, Book and Candle.” They broadcast a signal that enchants and bewitches, and I'm being quite literal. See the Vigilant Citizen's presentation titled Mind Control Theories and Techniques used by Mass Media for some excellent insight from the mind-control perspective.

In this blog and on theopenscroll.com I've posted plenty about the meaning of bells, the DNA "book of life" and the Olympic flame "candle light." If you dismiss my concerns as being without a substantial basis, I can only suggest that you've failed to do your homework adequately.

The London Olympics, a mass death ritual?

I want to close here by calling attention to some of the features that suggest this upcoming London Olympic “Bell, Book and Candle” event is intended as a mass death ritual. BTW, I'm not the only one who sees evidence pointing to that conclusion. How it might manifest, I don't know, on a physical level. Spiritually (which will manifest in the physical), I do see this as a milestone in advancing the population towards receiving the Beast and his mark, which will assure a season in the lake of fire. According to the words of the ritual, those cursed will be “damned, with the Devil and his angels and all the reprobate, to eternal fire.” Also, with the result of “the target's soul being extinguished and removed from the light of God.” That's mark of the beast and lake of fire language, right?

According to the excommunication ritual, “The bishop would ring a bell to evoke a death toll.” The bell intended for the Olympic Stadium will be inscribed with a line from Shakespeare's “The Tempest.” “Be not afeard, the isle is full of noises.” Why this? Is there something that should be feared, if it were known? Here's a few related things to noodle. The London Olympics will of course be held in the British Isles, and the theme of the opening ceremony is taken from “The Tempest,” "Isles of Wonder." Caliban, who speaks that line, was a murderous and conspiratorial hybrid monster, born of a human mother and the devil himself. The setting of The Tempest is an enchanted isle, starring a king who, by sorcery, controls the minds of those on the island. Hmmmm.

The bell was originally declared to be 27 tonnes in weight. This giant bell will be the centerpiece of the ceremony opening the Olympics on July 27, a ceremony budgeted at £27 million. Have you ever heard of the 27 Club? Also known as the Curse of 27, it's a death club meme whose membership includes Robert Johnson (at the crossroads, he famously sold his soul to the devil), Brian Jones, Jimi Hendrix, Janis Joplin, Jim Morrison, Kurt Cobain and Amy Winehouse. Right. Hmmmmm. The music for that ceremony is the responsibility of Underworld. No, really. It's also a fact that Satan himself was something of a “worship leader”, a musician and quite probably an instrument in a literal sense. Is the musical peal of the bell going to come as a death peal, calling worshipers into the underworld?

And, this just in. Dated yesterday. Team GB will win 27 gold medals at London 2012, research predicts. That's 27. Thinking of joining the Team GB Gold Medal 27 Club?

On the morning of the 27th, before the offficial ceremony scheduled for that evening, bells will be rung all over the UK. This activity is referred to as 'Work No.1197' and the plan is that all the bells in a country will be rung as quickly and as loudly as possible for three minutes. Three minutes. A minute is 60 seconds, so 3 minutes represents 60+60+60, which equates to 666. That's the number that represents the beast and his mark, the one assuring the lake of fire. There it is. Three minutes spans 180 seconds, and 1+8+0 = 9, the single digit transformation number, relating to the Beast and his mark, and 666. “The bishop would ring a bell to evoke a death toll.” Hmmmmm.

Opening day, July 27th, is known as the Grand Climax on the SRA (Satanic Ritual Abuse) calendar. Having observed how Freemasons and Jesters coordinate their activites on this calendar, when the Oympics schedule their Satanic rituals on such an “unholy day,” I pay attention. This day of the Grand Climax will bring with it perverse rituals, performed around the world with human sacrifice (female) and gross sexual abuse. Will there be a coordinated global sex and sacrificial death ritual headlined in the Olympic Park? (Maybe the Queen and some of the royals will wear their Order of the Garter apparel?)

In view of all these things, the word “ominous” falls pretty far short of describing how this looks. Some folks have grave concerns about what might come on December 21, 2012. I think it's reasonable to have serious concerns that are rather more near-term. Whether trouble comes on a grand scale in July, August or December, I can't say. In the midst of this, there's all the US Presidential election nonsense. Trouble is coming, and my recommendation is to heed the ominous warning signs that swarm all around us. There is a refuge. In Him, there is peace.

VIVA (May He Live) - Apollo/Horus - the Beast

Continuing from the previous post, let's consider how the stylish lighting out front fits the scheme.

If you're familiar with the famous California mission bells, you'll recognize the lamps as bells. There's one in Los Gatos, a couple miles away in "Old Town" at the east end of the Main Street bridge.

The guy currently responsible for the promotion and proliferation of these bells, John Kolstad, lives in an adjoining community. He's the guy I encountered at the barber shop back in September, 2010 in one of two notable signs that highlighted the importance and timeliness of the subject. (See California Bell Company - "Originators of the 1906 El Camino Real Mission Bell and other Mission Bells and Bell Street Lights")


These bells are associated with the early Spanish missions. These Roman Catholic outposts were and are a form of pagan "christian cathedral" / pagan temple, houses of idolatrous worship of the ancient gods. These Viva lamps as mission bells establish the link to the local tradition of worshiping Horus as the sun god in ceremonial mass and exalting Isis as the mother goddess through Marian worship.

As referencing bells, we must import into the context of these mission bell lamps everything that applies to the bell that has recently been presented in a study titled, Bells - Supernatural Enchantment and a Biblical Perspective. The bell instrument has a significant role in the pharmakeia/sorcery of Revelation 18:23!

The attributes of this local establishment present a lot of dots to connect, yeah?

Some might argue that I'm making something out of nothing, here. I will argue that critics make nothing out of something, and support that with plenty of evidence of such a kind that is being recognized by growing numbers of folks whose eyes are no longer dimmed by the dark light of the false god Lucifer. Praise the Lord for His work in this season that delivers us from darkness to light!

The bell enchantment is there by way of the imagery yet there's no actual bell ringing. However, a couple other agencies of pharmakeia are actively featured at Viva. They serve alcoholic beverages, which involves the "drug" facet, and they feature "live jazz" on Friday and Saturday nights, bracketing the weekly Shabbat with musical enchantments. This should seem very familiar to those of you who have been following along with The Open Scroll studies for a while.

(This is not to suggest that every instance of alcohol consumption and jazz playing is evil, and neither is that statement an endorsement of any kind. These things must be taken in context.)

For collateral study, see:

Part 12 - "The Iron Giant" signaling the Beast agenda
Stars On Top - Occult Starbucks - More Strange Brew
Pharmaceuticals -The Sorceries of Babylon



The Owl

Now, did you notice the owl perched over the entrance? If nothing else stands out about Viva, certainly the owl should flag our attention! I'll address the general meaning of the owl and the more specific meaning as it appears in the context at Viva.

Quoting from a recent post: "The deCODE logo graphic looks like a pair of lower case letters, "ii" - a pair of "eyes." This is a Watcher theme, since one watches with their eyes. I believe the popularity of owls in occult signaling and worship really points most essentially to the angel Watchers who fell and took wives for themselves among the daughters of men. These "ii" eyes aren't big goog-goog-googly eyes, but I do believe they are equivalent symbols."

You can't see this owl's eyes because they're turned towards the diners. Yet, notice how the owl is positioned near to the double "O" in the word "neighborhood." Consider the "OO" as the owl's Watcher eyes, like g-OO-gle eyes and the "ii" eyes in the deCODE logo.

Many are aware of the owl's association with the gods of mythology and it's popularity with secret societies. "The screech-owl was regarded as the animal familiar of the god Haides just as the little owl (another species) was Athena's bird." (ASKALAPHOS) Athena(Minerva) as the goddesses of Wisdom may well be associated with Viva, given the owl and female gender attention. Yet, I believe the gods referenced must be seen in the most fundamental context, beyond even the manifested personalities of Athena, Isis, and even Apollo and Horus.

The Bohemian Grove features a 40 foot tall owl. One appears in San Francisco's Bohemian Club, a replica of one found on the Acropolis in association with the chief temple dedicated to Athena. (See Owl of Wisdom: Illuminati, Bohemian Club, Schlaraffia, James Gordon Bennett Jr. While visiting the link, scroll down to see the Bell Ringers at Herald Square, with the owl on the bell!) There's the infamous owl that can be drawn around the US Capitol (upon which building's dome appears Liberty/Isis), and the one hidden in the one dollar bill. There's much more that could be noted here but the point has been made that the owl is an important symbol.

This unclean bird is a bird of prey. It hunts for its prey under cover of darkness. This is as a parable for what the Watchers do. The fallen angel offspring, the giants or Nephilim were cannibals, eating human flesh and that of their own kind. As presented in Who is Cain's Father? Part Three, the practice will continue until the curse pronounced upon the serpent in, "Dust you will eat," is fulfilled, and Adam is dust. (Genesis 3:14,19)

It's in this context that you can know why the Viva owl is facing in towards the "eatery." The customers as unsuspecting prey are "on the menu," ultimately. Steve Quayle would get a kick out of this one, who understands and promotes this truth. What is meant by "Neighborhood Eatery" is really that you and I are intended to become as human sacrifices to feed the gods. The "Neighborhood Eatery" is really about eating the neighborhood. Of course, I'm not suggesting that the restaurant is kidnapping and "serving customers" literally like as in "Soylent Green." I believe there is, however, the intentional meaning of actual consumption to be read into the symbolism, and also that there is a kind of sacrifice in view that involves death without literal consumption being required.

Now, as significant an insight as that appears to be, there's yet even more with regard to the restaurant aspect that's being leveraged in this scheme!

A restaurant is where people go to "break bread," which is an idiom that means, to eat. Breaking bread, as an idiom used in the Bible, means, the opening of the understanding. (See The Feeding of the Five Thousand)

They began to relate their experiences on the road and how He was recognized by them in the breaking of the bread.
Luke 24:35

Connect more Viva owl dots. The owl as the secret society's wisdom emblem relates to the watchers eyes and also to the third eye, the enlightened eye of illumination. The illumined ones see themselves as the owls, the enlightened ones who watch and prey. They break bread together, with their eyes being illumined.

That this is an establishment that would be recognized by Freemasons and other "illuminated" societies as one of their temples should be pretty obvious. Masons do represent the guild of builders and are the inheritors of the mysteries behind the buildings made to honor and worship the gods. There are a number of Masonic lodges in the vicinity. The Bohemian Club in San Francisco isn't far away. The Rosicrucians have a remarkable Egyptian museum and extensive library in nearby San Jose, maybe 15 minutes away. If you were in the brotherhood, wouldn't you want to be eating there, soaking up the atmosphere created by the stars, owl and other elements shared with the Egyptian pyramid, Greek and Roman temples, Spanish missions, and "Christian" cathedrals?

There's a link on the Viva home page asking, "what's with all the stars?" When you click through, the landing page simply states, "Why the Shooting Star? Our Viva 'Shooting Star' Symbolizes the Celebration of Great Food, Wine, Spirits & Attitude, and the True Stars [note:image of the Star of Isis appears here] Our Neighborhood Clientele. Thank you for dining with us! The Viva Staff"

On their Web site's About page, you may read, "Viva is more than just a restaurant, we are a Celebration of Great Food, Fine Wines & Spirits, & our Neighborhood Clientele. The 'Shooting Star', visual throughout the restaurant, symbolizes 'Celebration'!"

What's up with the "Neighborhood Clientele" bit? When I read in their blurbs about "Our Neighborhood Clientele," it reads to me like a veiled reference to the local illumined brotherhood, who would be the "True Stars." Note the caps. Note the well placed star image. I really have to agree that it's more than a restaurant. I have to agree that they're celebrating Spirits and Attitude. The ancient spirits. Gloating and prideful Attitudes. Viva - "May he live" Hiram Abiff certainly comes to mind. Seeing the entrance to the restaurant as a version of the familiar Royal Arch of so many tracing boards isn't difficult at all.

There's one last observation I'd like to make about this restaurant and about every public dining area surrounded by such occult signaling as discovered here at Viva. For a while now, I've been wondering just why it is that dining is involved in some of these locations the Lord has had me blogging about. The Clock of Nations in Rochester, NY was featured in the Atrium at Midtown Plaza. You may recall how there was a cafe style restaurant nearby, which was acclaimed as being somewhat of novelty back in its day. When the Clock of Nations was relocated to the ROC airport it was placed right in the midst of the food court, featuring open dining. I've personally eaten in both locations, right next to the clock. It has finally occurred to me that the dynamic here is a reproductive metaphor! Thank you Lord! Let me explain.

In John 6, the Lord is teaching about eternal life. He presented it in such a way that some took great offense, interpreting it as some wierd cannibal doctrine. About this matter, I have written the following.

"The very profound truth hidden here is that food is to the eater like a father is to a son. Something of food is imparted to the eater, which becomes part of them. Something of a father is imparted to the son, which becomes part of them. Get it? Genetic material is transferred from father to son as nutrients are transferred from food to eater. Read the context again with this understanding. Natural food relates to physical life. The genetic material "food" relates here to eternal life! The natural eating involves putting things in your mouth and chewing them up. The other kind of eating is procreative." (Who is Cain's Father?)

Realizing that the devil is not entirely ignorant, and, given his history, going all the way back to the Garden of Eden, I have to acknowledge that he's quite well informed about the eating as reproduction metaphor. This appears to be the reason why these dining facilities are set in such magickal contexts. Wow! It's one more level of powerful sex magick akin to the obelisk and dome.

The serpent dragon wants kids. He's out to get you and I converted, no joke. He is sly and very, very subtle. But he's got nothing on my God! There are many battles to be waged before this war is over, my friend. I pray you and I will be well equipped, with offensive and defensive appointments fit for victory.





In closing, news of interest with a deadly Masonic connection: Michael Brea, bit-part 'Ugly Betty' actor, says, 'I didn't kill her. I killed the demon inside her'

Part 43 - Rango - Crystal Cubes and Rainbows

“What our story needs is an ironic unexpected event that will propel the hero into conflict,” the hero had said, setting up for his dramatic transition. I just showed how the literal propulsion of the hero occurred by providential means. The hero had called upon the ancient gods for help and they showed up in short order. The illustrated means or mechanism of this propulsion suggests our hero playing the role of Thor. That's the identity connected with the transport mechanism as we look beyond the car bumping over the armadillo to see the bow formed in the clouds, the rainbow. The water from Rango's umbrella drink arches out of the glass to form a distinct bow in the clouds, complete with ice crystals, presented even from both angles to ensure we don't miss the bridging feature.

13) I set My bow in the cloud, and it shall be for a sign of a covenant between Me and the earth.
14) It shall come about, when I bring a cloud over the earth, that the bow will be seen in the cloud,

Genesis 9:13-14

The chameleon is pictured with a bow in the clouds as he falls to Earth. Hello Bifröst! I'll return to Genesis shortly, but let's focus our attention first on the rainbow as a transport mechanism. There's a legitimate “science” here.

If you follow this blog you know the rainbow is a popular theme. It's frequently signaling a dimensional portal, the mecillah or kingdom viaduct that bridges heaven and earth. By other names it's a stargate, wormhole and even a gate of hell, a door to the underworld, the rainbow bridge or Bifröst. Bifröst, in Norse "mythology," spans Midgard, the realm of man, and Asgard, the realm of the gods. It's the only bridge between here and there.

Thor Odinson (or son of Odin) is another alias for the ancient god and coming Beast akin to Apollo and Horus, the character played by the Johnny Depp voiced chameleon in so many others of Rango's symbolic scenes.

The comic book image is from “The Mighty Thor” Marvel Comic, drawn by Jack Kirby.

After falling to earth, a Rango mythology is created about the chameleon-god in the Gascan Saloon, where this stranger spins a yarn about coming from the far west, eating men and killing all seven Jenkins brothers with one bullet. He's a god. How did he get here? The bow in the clouds, the Bifröst or mecillah dimensional bridge. Why has he come? He was propelled into conflict, which manifests in part as the waging of war - the campaign of Armageddon after he assembles his army. The conflict is also the necessary friction generating the fire of the furnace for the refinement of God's people.

When the scene of the hero being propelled begins the slo-mo effect, the first thing we're shown is the chameleon's umbrella drink glass. Rising out of the glass is an ice cube, a crystal cube! The contents becomes the watery bow with ice crystals in the clouds. As you see it in this still, the crystal cube has a splash of water forming a dish shape like an antenna around the crystal. The umbrella in the class also resembles an antenna dish. Given that crystals are used for tuning in radios and crystals act as prisms for the manipulation of light spectral frequencies, both dishes aimed at the crystal suggests there's a wave energy technology and a transmitter device that facilitates the transport. Beam me down, Scotty!

During the NLP-rich segue to the scene we hear, “The hero can not exist in a vacuum.” Early crystal radio technology featured vacuum tubes. Vacuum is also an allusion to the physics of electromagnetic wave propagation. In the medium of a vacuum, a special case exists where the phase velocity equals the speed of light exactly. What I think we're carefully "not being told" is that there is a device like a crystal radio that will be used to bridge the heaven and earth. This might sound fringe, like even beyond the boundary of sanity for me to think that, but there's more substance here than you might think. There is a biblical basis plus other movies signaling this same message.

Wave energy of the electromagnetic radiation kind is referenced and also that of the non-electromagnetic kind, sound. Sound requires air pressure and cannot travel in a vacuum. “The hero can not exist in a vacuum.” Meaning? Both EM and non-EM is apparently required in this stargate technology, light and sound. Consider the light and sound interplay in the following biblical text, describing special access to a cube where man interacts with God.

31) “You shall make the robe of the ephod all of blue. 32) There shall be an opening at its top in the middle of it; around its opening there shall be a binding of woven work, like the opening of a coat of mail, so that it will not be torn. 33) You shall make on its hem pomegranates of blue and purple and scarlet material, all around on its hem, and bells of gold between them all around: 34) a golden bell and a pomegranate, a golden bell and a pomegranate, all around on the hem of the robe. 35) It shall be on Aaron when he ministers; and its tinkling shall be heard when he enters and leaves the holy place before the LORD, so that he will not die.

Exodus 28:31-35

The bells alternate with pomegranates. The root word for pomegranates in the Hebrew is ramam, which means “1) to be exalted, be lifted up a) (Qal) to be exalted b) (Niphal) to lift oneself” There is an ascension and elevation from one realm to another. The pomegranates that were positioned between the golden bells have specified colors. Colors describe bands of visual EM radiation. The bells are a tuned non-EM wave energy device. The High Priest's Ephod had a grid of gems - crystals. The robe of the ephod was all blue. Think about this in terms of the physics of wave energy transmission and spectral analysis. What Rango's cryptic “falling to earth” scene is telling us is how fallen angel tech is exploiting the secrets of heaven.

The bells tinkled, but the sound must have been more than just noise because they were made as directed by the Lord God for this purpose and probably tuned.

“The bell is more complex acoustically than any other vibrating body intended for musical purposes, and its manufacture presents a formidable challenge. ” (Chapter 5: The Acoustics of Bells)

“The main partials (frequencies of specific pitches) of a well-tuned bell consist of a fundamental (prime), a minor third (tierce), a fifth (quint), an octave (nominal), and a hum tone an octave below the fundamental.” (Chapter 4: The Musical Bell)

The Holy of Holies was a cube, and it was the place where the Lord God had made an annual appointment to meet with a man. Rango's crystal cube had two dishes aimed at it. One EM and one non-EM? The only furnishing inside the Holy of Holies was the ark of the Covenant. It's been described by some as a technological device that may function as a battery and as a transmitter and receiver. I'm not explaining anything spiritual away as just some high tech collection of gizmos, but you have to know the laws of physics are not imaginary. This is the framework of our existance. I believe managed EM and non-EM wave energy harmonics can cause resonant structures to change their vibrations and thereby cross dimensional boundaries. I suspect some of what's being done with cloud seeding and chemtrails and HAARP is towards this end, essentially a detuning off the favorable Yahweh Tree mapping onto one favorable to the Serpent Tree mapping. Which brings us back to Genesis.

The bow in the clouds mentioned in the 9th chapter of Genesis was a new thing. There was no rainbow before that. The physics of the planet changed. Why, just so we could have a sign, or was there more to it? Looking at the context to find some answers for what's really going on, you have to consider the flood of Noah's day, the reason why the sign of the bow was given. The flood was brought upon the earth due to the activity of the angels who fell to earth. There's a key connection, as the bow in the clouds accompanied the chameleon's fall to earth.

So what are we onto here? Is the rainbow a manifestation of the physics of a locked down condition, a jamming signal barring angels from doing what the 200 watchers had done? Is this evidence of something akin to what was later done to frustrate those in the plain of Shinar who would have aquired the ability to do whatever they purposed to do? They were going to accomplish that by leveraging a construct that had a bottom on the earth and a top in the heavens, like Bifröst bridging Midgard, the realm of man, and Asgard, the realm of the gods. This architectural stargate technology built by ancient masons is referred to as the tower of Babel, remember? Is the devil once again hacking the code behind the rainbow physics to neutralize the spectral jammer, engineering the key to the changed lock to exploit the existing dimensional gateway technology? I suggest, yes. I think there's more to it that just that, but that's a partial answer.

There is definite crossover here with the London 2012 Olympic series with this rainbow and bell gateway tech topic. I'll bet you noticed!

More coming, Lord willing, because there's plenty more here!

THE HARNESS OF THE LORD - by Bill Britton (1918-1985)

This was written by Bill Britton (1918-1985) in the 1960s.

THE HARNESS OF THE LORD - from Eagle Saints Arise - Bill Britton Ministries

There is a terrific operation of the Spirit going on today to bring the Sons of God into an absolute confinement to the perfect will of God. This is the Day of His Preparation, the day in which He is preparing the channel through which He shall pour forth His Glory for all the world to see. This channel is His Body in the earth, that glorious company of people who are being conformed through much tribulation and fiery tests to the Image of the Son of God. This is His "battle axe and weapons of war" with which He shall subdue kingdoms and overcome all His enemies. This is His "mighty and strong One" to whom He shall commit the work of judging this world. This is His Overcomer, His "great army" with which He shall bring the nations into submission. The weapons of their warfare are not carnal, natural weapons, but they are mighty weapons, mighty through God to the pulling down of strongholds. These are those who shall "be strong and do exploits."

But before God can commit this great and tremendous ministry into their hands, they must submit themselves to the discipline of the Lord, letting Him truly be the Lord of their entire lives. We have long since dealt with the question of open sin, but now God is dealing with the inward rebellion of our own wills. Some good Christians are not now being so dealt with, for they are not in this Firstfruits Company, but nevertheless there is a real dealing of God going on within those who are called into the High Calling of God. This is a very real thing, and is the work of the Refiner's Fire. To those who are going through it, some of its aspects are horrible, but very necessary, and the end result thereof is glorious as we are brought into absolute and complete submission to the will of our Lord.

It was in a minister's conference and convention in Tulsa, Oklahoma that God gave me a vision which I want to share with you concerning this harnessing of our own wills. There were more than 30 ministers present in this particular Thursday morning service, and God, the Father of spirits, was present to deal with His sons, to correct them and discipline them to absolute obedience to His will. There was such a stern dealing in the Spirit that no one could go to the pulpit and minister, there was a reluctance among the ministers to say anything except that which was directly ordered by the Spirit. And as those men of God sat there in the awesome presence of Almighty God, some of them having many years of ministry, some missionaries, all of them capable of getting up and preaching a powerful sermon, I was impressed by the way they responded to the discipline of the Spirit. And in the midst of this terrific dealing of God with out spirits, the Holy Ghost gave me a vision…

I Saw the King's Carriage

On a dirt road in the middle of a wide field stood a beautiful carriage, something on the order of a stagecoach, but all edged in gold, and with beautiful carvings. It was pulled by six large chestnut horses, two in the lead, two in the middle and two in the rear. But they were not moving, they were not pulling the carriage, and I wondered why. Then I saw the driver underneath the carriage, on the ground on his back, just behind the last two horses' heels, working on something between the front wheels of the carriage. I though, "My, he is in a dangerous place; for if one of those horses kicked or stepped back, they could kill him, or if they decided to go forward, or got frightened somehow, they would pull the carriage right over him." But he didn't seem afraid, for he knew that those horses were disciplined and would not move till he told them to move. The horses were not stamping their feet nor acting restless, and though there were bells on their feet, the bells were not tinkling. There were pom-poms on their harness over their heads, but the pom-poms were not moving. They were simply standing still and quiet, waiting for the voice of the Master.

There were Two Young Colts in the Field

As I watched the harnessed horses, I noticed two young colts coming out of the open field, and they approached the carriage and seemed to say to the horses: "Come and play with us, we have many fine games, we will race with you, come catch us…" And with that the colts kicked up their heels, flicked their tails and raced across the open field. But when they looked back and saw the horses were not following, they were puzzled. They knew nothing of harnesses, and could not understand why the horses did not want to play. So they called to them: "Why do you not race with us? Are you tired? Are you too weak? Do you not have strength to run? You are much too solemn, you need more joy in life." But the horses answered not a word, nor did they stamp their feet or toss their heads. But they stood, quiet and still, waiting for the voice of the Master.

Again the colts called to them: "Why do you stand so in the hot sun? Come over here in the shade of this nice tree. See how green the grass is? You must be hungry, come and feed with us, it is so green and so good. You look thirsty, come drink of one of our many streams of cool clear water." But the horses answered them with not so much as a glance, but stood still, waiting for the command to go forward with the King.

Colts in the Master's Corral

And then the scene changed, and I saw lariat nooses fall around the necks of the two colts, and they were led off to the Master's corral for training and discipline. How sad they were as the lovely green fields disappeared, and they were put into the confinement of the Corral with its brown dirt and high fence. The colts ran from fence to fence, seeking freedom, but found that they were confined to this place of training. And then the Trainer began to work on them, with his Whip and His Bridle. What a death for those who had been all their lives accustomed to such a freedom! They could not understand the reason for this torture, this terrible discipline. What great crime had they done to deserve this? Little did they know of the responsibility that was to be theirs when they had submitted to the discipline, learned to perfectly obey the Master, and finished their training. All they knew was that this processing was the most horrible thing they had ever known.

Submission and Rebellion

One of the colts rebelled under the training, and said, "This is not for me. I like my freedom, my green hills, my flowing streams of fresh water. I will not take any more of this confinement, this terrible training." So he found a way out, jumped the fence and ran happily back to the meadows of grass. And I was astonished that the Master let him go, and went not after him. But He devoted His attention to the remaining colt. This colt, though he had the same opportunity to escape, decided to submit his own will, and learn the ways of the Master. And the training got harder than ever, but he was rapidly learning more and more how to obey the slightest wish of the Master, and to respond to even the quietness of His voice. And I saw that had there been no training, no testing, there would have been neither submission nor rebellion from either of the colts. For in the field they did not have the choice to rebel or submit, they were sinless in their innocence. But when brought to the place of testing and training and discipline, then was made manifest the obedience of one and the rebellion that lay hidden in the heart of the other. And though it seemed safer not to come to the place of discipline because of the risk of being found rebellious, yet I saw that without this there could be no sharing of His glory, no Sonship.

Into the Harness

Finally this period of training was over. Was he now rewarded with his freedom, and sent back to the fields? Oh no. But a greater confinement than ever now took place, as a harness dropped about his shoulders. Now he found there was not even the freedom to run about the small corral, for in the harness he could only move where and when his Master spoke. And unless the Master spoke, he stood still.

The scene changed, and I saw the other colt standing on the side of a hill, nibbling at some grass. Then across the fields, down the road came the King's carriage, drawn by six horses. With amazement he saw that in the lead, on the right side, was his brother colt, now made strong and mature on the good corn in the Master's stable. He saw the lovely pom-poms shaking in the wind, noticed the glittering gold bordered harness about his brother, heard the beautiful tinkling of the bells on his feet… and envy came into his heart. Thus he complained to himself: "Why has my brother been so honored, and I am neglected? They have not put bells on my feet, nor pom-poms on my head. The Master has not given me the wonderful responsibility of pulling His carriage, nor put about me the golden harness. Why have they chosen my brother instead of me?" And by the Spirit the answer came back to me as I watched. "Because one submitted to the will and discipline of the Master, and one rebelled, thus has one been chosen and the other set aside."

A Famine in the Land

Then I saw a great drought sweep across the countryside, and the green grass became dead, dry, brown and brittle. The little streams of water dried up, stopped flowing, and there was only a small muddy puddle here and there. I saw the little colt (I was amazed that it never seemed to grow or mature) as he ran here and there, across the fields looking for fresh streams and green pastures, finding none. Still he ran, seemingly in circles, always looking for something to feed his famished spirit. But there was a famine in the land, and the rich green pastures and flowing streams of yesterday were not to be had. And one day the colt stood on the hillside on weak and wobbly legs, wondering where to go next to find food, and how to get strength to go. Seemed like there was no use, for good food and flowing streams were a thing of the past, and all the efforts to find more only taxed his waning strength. Suddenly he saw the King's carriage coming down the road, pulled by six great horses. And he saw his brother, fat and strong, muscles rippling, sleek and beautiful with much grooming. His heart was amazed and perplexed, and he cried out: "My brother, where do you find the food to keep you strong and fat in these days of famine? I have run everywhere in my freedom, searching for food, and I find none. Where do you, in your awful confinement, find food in this time of drought? Tell me, please, for I must know!" And then the answer came back from a voice filled with victory and praise: "In my Master's House, there is a secret place in the confining limitations of His stables where He feeds me by His own hand, and His granaries never run empty, and His well never runs dry." And with this the Lord made me to know that in the day when people are weak and famished in their spirits in the time of spiritual famine, that those who have lost their own wills, and have come into the secret place of the most High, into the utter confinement of His perfect will, shall have plenty of the corn of Heaven, and a never ending flow of fresh streams of revelation by His Spirit. Thus the vision ended.

Interpretation of the Vision

"Write the vision, and make it plain upon tables, that he may run that readeth it." (Habakkuk 2:2) "Harness the horses: and get up, ye horsemen" (Jeremiah 46:4). I'm sure that many of you who can hear what the Spirit saith to the Church, have already seen what God was showing in the vision. But let me make it plain. Being born into the Family of God, feeding in the green pastures and drinking of the many streams of the unfolding revelation of His purposes is fine and wonderful. But it is not enough. While we were children, young, undisciplined, limited only by the outer fence of the Law that ran around the limits of the pastures, (that kept us from getting into the dark pastures of poison weeds), He was content to watch us develop and grow into young manhood, spiritually speaking. But the time came to those who fed in His pastures, and drank at His streams, when they were to be brought into discipline or "child-training" for the purpose of making them mature Sons. Many of the children today cannot understand why some of those who have put on the harness of God cannot get excited by the many religious games and the playful antics of the immature. They wonder why the disciplined ones run not after every new revelation or feed on every opportunity to engage in seemingly "good and profitable" religious activities. They wonder why some will not race with them in their frantic efforts to build great works and great and notable ministries. They cannot understand the simple fact that this Company of saints is waiting for the voice of the Master, and they do not hear God in all this outward activity. They will move in their time, when the Master speaks. But not before, though many temptations come from the playful colts. And the colts cannot understand why those who seemingly appear to have great abilities and strength are not putting it to good use. "Get the carriage on the road", they say, but the disciplined ones, those in God's harness, know better than to move before they hear the voice of the Master. They will move in their time, with great purpose, and great responsibility.

And the Lord made me to know that there were many whom He had brought into training who had rebelled against the discipline, the chastising of the Father. And they could not be trusted with the great responsibility of mature Sonship, so he let them go back to their freedom, back to their religious activities and revelations and gifts. They are still His people, still feeding in His pastures, but He has set them aside from the great purposes for the end of the age. So they revel in their freedom, feeling that they are the Chosen ones with the many streams of living water, not knowing that they have been set aside as unfit for His great work in this end of the Age.

And He showed me that though the chastising seemeth grievous for the time, and the discipline hard to endure, yet the result with all the glory of Sonship is worth it all, and the glory to follow far exceeds the suffering we endure. And though some lose even their lives in this training, yet they will share alike in the glory of His eternal purposes. So faint not, saints of God, for it is the Lord that doth bring thee into confinement, and not thine enemy. It is for thy good, and for His glory, so endure all things with praises and thanksgiving that He hath counted thee worthy to share His glory! Fear thou not the whip in His hand, for it is not to punish thee, but to correct and train thee, that thou mightest come into submission to His will, and be found in His likeness in that Hour. Rejoice thou in thy trials, in all thy tribulations, and glory thou in His cross, and in the confining limitations of His harness, for He hath chosen thee, and He hath taken upon Himself the responsibility of keeping thee strong and well fed, so lean thou upon Him, and trust not in thine own ability and thine own understanding. So shalt thou be fed, and His hand shall be upon thee, and His glory shall overshadow thee and shall flow through thee as it goes forth to cover the earth. Glory to God! Bless the Lord, He's wonderful! Let Him be Lord of your life, friends, and complain not at that which He bringeth to pass in your life.

Plenty in the Time of Famine

For in the hour when famine sweeps the land, He shall feed by His own hand those who are submitted to His perfect will, and who dwell in the secret place of the Most High. When terror stalks the land, those in His harness shall not be afraid, for they shall feel His bit and bridle and know the guidance of His Spirit. When others are weak and frail and fearful, there shall be those who shall be strong in the power of His might, and shall lack for no good thing. In the hour when the traditions of the religious systems have proven false, and their streams have dried up, then His Chosen ones shall speak forth with the true Word of the Lord. So rejoice, Sons of God, that you have been chosen by His grace for this great work in this last hour.

The fence which kept the colts in their own meadows and their own pastures mean nothing to the team in the harness, for the gates open to them, and they go forth pulling the king's carriage into many strange and wonderful places. They do not stop to eat the poison weeds of sin, for they feed only in the Master's stable. These fields they trample under their feet as they go forth on the King's business. And so to those who are brought into absolute subjection to His will, there is no Law. For they move in the Grace of God, led only by His Spirit where all things are lawful but not all things are expedient. This is a dangerous realm for the undisciplined, and many have perished in sin as they leaped over the fence without His harness and His bridle. Some have thought of themselves as being completely harnessed and submissive to Him, only to find that in some avenue of their life there dwelled rebellion and self-will. Let us wait before Him until He puts His noose around us and draws us to His place of training. And let us learn of the dealings of God and the movings of His Spirit until at last we feel His harness drop about us, and hear His voice guiding us. Then there is safety from the traps and pitfalls of sin, and then shall we abide in His house forever!

Part 39 - 2012 London Olympics - The Menorah, and Choreographing 7x360, “For My Money”

With the closing ceremony mere hours away, here's one more post addressing the occult activity the officials lightly label an opening ceremony. There is more insight to be gleaned from the lighting of the Cauldron. After the closing ceremony, I may have plenty more to write about the Cauldron, and whatever else the Lord may direct about what is broadcast and published.

By the way, I am behind on email response so, if you wrote and haven't heard back from me yet, I do apologize for that and ask for your patience, and prayers.

The first thing that really caught my attention about the torch lighting was something I was watching for, the casting of a magick circle. I had already seen the golden ring lit as a magick circle and was amazed to see yet another instance as seven torchbearers lit the Cauldron! With each torchbearer lighting the thorn nearest them, the thorns that were laid down on the stadium floor in a circle began to burn in sequence, moving clockwise.

The torchbearers were standing to the right as I watched NBC's broadcast feed, which I might take as east, since I have no reference point other than to assume the observer is looking northward as on a map. This follows the standard for casting a magick circle in the northern hemisphere, beginning with element air in the east then traveling the circle clockwise, as fire burning upon the circle is visualized by the witch casting it.

A magick circle is really only a circle where it intersects the plane of the ground. It's more precisely an enclosing sphere, a bubble. This is what appeared during the ceremony because, as all the thorns lit and began to burn, they raised up off the ground together in the form of a dome, the visible upper hemisphere of the magick circle. Aaron were looking at each other as we watched this with eyes as big as saucers. DUDE! DID THEY REALLY JUST DO THAT? Yes, yes they did! The Bell of Caliban had been rung and rung again while other bells were being played as through the local cathedral was change ringing their bells, ringing rounds. The large bells played in this way are usually configured in a ring. DUDE! Mega Magick Ritual!

I've presented this Cauldron in several recent posts variously as a collection of Trojan horses, a burning thorn bush, a crown of thorns, and a rose, and now a magick circle. And, on top of all that, yet another image appears in this bewitching monument to evil genius, that of the rising of a many headed beast from out of the sea! This is, in the context of Olympism's worship of Zeus, the dawn of Apollo, but in the language of Revelation 13, Zeus is the dragon and Apollo is the beast seen coming up out of the sea by the apostle John as revealed by the Lord.

And the dragon stood on the sand of the seashore. Then I saw a beast coming up out of the sea, having ten horns and seven heads, and on his horns were ten diadems, and on his heads were blasphemous names. ~ Revelation 13:1

In the verses that follow, notice how this usage of “tabernacle” (verse 6) is defined for us as a reference to those who dwell in heaven.

1 And the dragon stood on the sand of the seashore. Then I saw a beast coming up out of the sea, having ten horns and seven heads, and on his horns were ten diadems, and on his heads were blasphemous names. 2 And the beast which I saw was like a leopard, and his feet were like those of a bear, and his mouth like the mouth of a lion. And the dragon gave him his power and his throne and great authority. 3 I saw one of his heads as if it had been slain, and his fatal wound was healed. And the whole earth was amazed and followed after the beast; 4 they worshiped the dragon because he gave his authority to the beast; and they worshiped the beast, saying, “ Who is like the beast, and who is able to wage war with him?” 5 There was given to him a mouth speaking arrogant words and blasphemies, and authority to act for forty-two months was given to him. 6 And he opened his mouth in blasphemies against God, to blaspheme His name and His tabernacle, that is, those who dwell in heaven. ~ Revelation 13:1-6

The word “sea” is sometimes used in the Bible as a metaphor for people, as in the familiar expression, “sea of humanity.” This Cauldron was lifted up off the stadium floor, appearing in some shots as though it had many horn-heads crowned with flames, coming up out of the undulating blue sea of surrounding humanity. John was shown how blasphemous names were on his heads, which we may favorably compares to how each copper element composing the Cauldron is engraved with the name of a nation participating in Olympism, which, as I have suggested, quite probably represents in dark magick the Baal or regional demonic authority over each nation. The dragon is declared in that passage to give the beast his power and authority, and so it is that we saw the flame that had been ritually lit from the sun on Mt Olympus transferred from the torch to seven torches, then to the seven Cauldron heads, yes, SEVEN HEADS bearing blasphemous names, lighting the Cauldron in an anointing of fire, as the power and authority of the sun from god to beast! The worshipers in the stadium that had been dedicated as a temple were awestruck at the sight. This was not yet the ultimate fulfillment of the anointing of the beast, but it was, make no mistake, a very significant ritual modeling, and ordained with legitimate power.

Now, it may also be noted how the copper rose thorns resemble sharks teeth, which we might identify as dragon's teeth as pictured in familiar imagery. When these were installed after being carried in by each nation's youthful bearers, it may be perceived as though the dragon's teeth were given to the beast, which had a mouth like a lion. England has long born the symbol of a lion, and the iconic imagery seen around London is that of a griffin, a winged lion resembling a dragon. What is perhaps most intriguing about these observations is how the Aramaic text of Revelation 13:1 has been translated so that the beast seen rising out of the sea is literally, “a beast of the tooth.”

While this is all quite notable, I still haven't come to what I found most startling about this lighting ritual, a cryptic signal through the choreography! I believe this little flourish was intended to reference the fifth chapter of Daniel, making a very ominous statement through that allusion.

Just before the seven torchbearers lit the seven Cauldron beast heads, they did something very subtle that has profound implications. Arriving in position, with each standing before the head they would light, they were in a line. Each of them turned completely around, doing a full 360 degree rotation. By doing this, they signaled 7 times 360 degrees, or 2520. While this may not mean anything to some of you, to others, I can only imagine you're jumping out of your chair! I'll only be able to touch lightly on this here, but that signaling, in this context, is a very big deal!

22 Yet you, his son, Belshazzar, have not humbled your heart, even though you knew all this, 23 but you have exalted yourself against the Lord of heaven; and they have brought the vessels of His house before you, and you and your nobles, your wives and your concubines have been drinking wine from them; and you have praised the gods of silver and gold, of bronze, iron, wood and stone, which do not see, hear or understand. But the God in whose hand are your life-breath and all your ways, you have not glorified. 24 Then the hand was sent from Him and this inscription was written out. 25 “Now this is the inscription that was written out: ‘MENE, MENE, TEKEL, UPHARSIN.’ 26 This is the interpretation of the message: ‘MENE’—God has numbered your kingdom and put an end to it. 27 ‘TEKEL’—you have been weighed on the scales and found deficient. 28 ‘PERES’—your kingdom has been divided and given over to the Medes and Persians.” ~ Daniel 5:22-28

OK, so what does that have to do with rotating Olympian torchbearers? Well, there a fair number of “dots” to connect, so I'll explain what should be the more familiar connections, but first, what the 2520 signals.

“The mena equalled 50 shekels; the upharsin (half a mena) equalled 25. The four words, therefore, stood for: mena, 50 shekels; mena, 50 shekels; tekel, 1 shekel; upharsin, 25 shekels. The total equalled 126 shekels. In addition, each shekel can be divided into even smaller units (as a pound can be divided into ounces, for example). The shekel was equal to 20 gerahs (Ezekiel 45:12). The 126 shekels of Daniel 5:25 is equivalent to 2,520 gerahs.”
...
“In prophecy, a "time" equals a year of 360 days. This can be seen by noting that 3 1/2 "times" equals 42 months or 1,260 days (Revelation 12:6, 14; 13:5). "Seven times," therefore, equals 2,520 days, and Nebuchadnezzar himself spent seven years without his human reason, living like a beast (Daniel 4:31-37).”

What Do the Words Mene, Mene, Tekel, Upharsin Mean (Daniel 5:25)?

The focus is not on the gerahs as money but as redundantly identifying the number 2520 to clarify that seven times or seven years is being signaled. When the seven torchbearers each turned around, right at the peak moment of anticipation (i.e. magickal energy capture), a signal “seven years” was choreographed. This is key, because Satan does surely know what time it is on the Lord's calendar, at least in the context of this particular mission.

The year 2012 isn't the big deal we see made of it for no reason whatsoever. While it isn't what many insist it is, it will truly mark the beginning of the appointed Shemittah wherein the beast will receive the dragon's authority and rule for 42 months. That season won't begin until 2015, but the seven “times” begin in September, next month, and that's a plenty big enough deal to get excited about. I'll expand on this shortly.

The passage in Daniel relates how Belshazzar's prideful arrogance was confronted and judgment was dramatically pronounced, with a severe consequence to follow. I previously presented a message as implied in the burning thorn bush commission, suggesting the intent to bring Yahweh's people into rather than out of bondage. What we find in a link to Daniel 5 is similar, a giving over of a kingdom to the Medes and Persians. If you know your history, Yahweh's people had been taken captive and most of the kingdom of Judah was captive in Babylon, then subject to Belshazzar. The common theme I perceive is the bringing of Yahweh's people into captivity under the authority of foreign nations. (As a point of interest here, the Medes and Persians are the people of Iraq and Iran. I consider most Christians and Jews have been captives in Babylon in a figurative sense, Mystery Babylon the Great.)

When you read the passage above, consider the copper elements composing the cauldron as pagan idols where the gods of copper and steel are being praised. As the burning thorn bush imagery was hijacked by the Zeus worshipers in London to become an idol with a sun-lit flame, there is a sense in which the copper elements as holy vessels from the Temple in Jerusalem have been desecrated. In this is yet another conspicuous ZION connection. When you read, “your kingdom has been divided and given over to the Medes and Persians,” think about the cauldron as a kingdom that will be dramatically dismantled and parted out at the end of the ceremony. That really represents a sacrifice of the Cauldron to a greater purpose.

The signaling of 7 years as the torch was just about to be lit really does make sense when more of the context is considered. I see it as the ceremonial pronouncement of transition into the new world order, where the world, through a season of chaos, will be brought thereby into bondage on a scale and to a degree beyond what has ever yet been known in the history of the world. As the Cauldron was lit, there is a sense in which the 204 nations participating in Olympism gave their authority to the beast, as will soon enough be done by 10 kings (Rev. 17:12-13). The seven year span that is about to begin has been acknowledged by the Illuminists in London as the world watched, spellbound, oblivious.

On the enchanted Isles as under Prospero's spell in The Tempest, it does seem the world was made captive. What may be the supernaturalism of the Olympic Park's seeming magickal quantum entanglement with 1948 and Zion's temple, the fertilization of Gaia's body with the serpent's seed, all I've written about in this blog (and what I haven't, what I'm ignorant about or lacked the bandwidth to address), all this must be summed up as the mass ritual leading up to the opening was brought to the climactic moment of the torch lighting. When David Icke says, where attention goes, energy flows, he's expressing something that those who work the sorceries of Olympism capitalize on. Energy flowed to the Cauldron lighting moment, massive energy. I believe the choreographed rotation of the seven young athletes who bore the fire of Zeus in their gold light body torches was something of a capture moment, concentrating and focusing the sum total of dark energy that had been built in the flame, the stadium and the participants, London, the UK and all the world. Everywhere there was a coven participating in the SRA calendar's Grand Climax with ritual sacrifice, where those under the spell of Olympism watched with wonder on their TV, this too must be taken for what it is in reality as an investment in the Devil's account, which is then able to be reinvested in some wicked scheme. If we read the clue, it's all about the next seven years!

The Dragon Zeus knows what he needs to know to do what he needs to do, because the sovereign God hides from him what needs to be hidden and reveals what needs to be made known so he can do the job that needs to be done. The matter of times and seasons is watched over most carefully. The Lord's crux moves are carefully shielded, but the Adversary has the job of running cover, like blowing smoke all around the fire to obscure it, and because all but the very elect are going to be deceived in what is most essential, we should have confidence in knowing how counterfeiting schemes are going to be woven in alongside the genuine with evil genius. And so, it must be.

There are a few other things I want to note from the ceremonial lighting. Here's the NBC commentary that was heard while the torch entered the stadium, loaded with NLP and rich with allusion.

“So here is Sir Steve Redgrave carrying the torch that he received from David Beckham off the water just a second ago into the Olympic Park as you just heard through an honor guard of some 5oo construction workers who helped build the Olympic Park here in this once blighted section of London known as East London. So the torch just about to complete its journey of nearly thirteen thousand miles.”

There's no doubt Sir Steve Redgrave was a fit choice for carrying the torch on that leg of the journey. Yet, consider the imagery. Redgrave ~ red grave ~ bloody grave or grave of red-Adam-kind. By itself, this means nothing, but in addition to the bloody guts dress used for the awards ceremonies, etc., well, it's one more ominous layer of symbolism added to the towering heap.

Passing through an honor guard of 5oo workers who helped build the Olympic Park, could it be a nod to the Masons, the guild of builders from ancient times who use their skills to build the architectural structures inspiring and facilitating the worship of the ancient gods?

Many things might have been said about the torch journey, and what was said stamped it with the number of the beast that relates to the timing of the revealing of the beast, the number 13 (13th day of the 1st month). More than that, it is the number times 1000, the esoteric raising to the global level.

They do know about timing. When Steve was about to pass the torch, seven athletes faced him in a line. Steve passed it to one who was much taller than the rest, the 4th from left. Unless you understand how the focal seven years is a Shemittah and that it stands in relation to a certain point of reference as the 4th in line, you'll miss the significance of that simple act. When I call attention to how the pattern of three things and then a fourth are discovered in movies and logos, this is why. Are you catching on to how the Devil knows times and seasons, concealing and revealing his knowledge in cryptic ways?

Here's a really important signification, the identification with Zion's temple's seven branched lamp. As you can tell from this image, Steve was like the High Priest, who, having entered the holy place, lit the servant candle of the menorah, a fixture in Zion's temple that represented the messianic light of Yahweh.

12 Then I turned to see the voice that was speaking with me. And having turned I saw seven golden lampstands; 13 and in the middle of the lampstands I saw one like a son of man, clothed in a robe reaching to the feet, and girded across His chest with a golden sash. ~ Revelation 1: 12-13

This symbolism was extended as that servant candle was then used to transfer the flame to the six other golden accented lampstands. When they subsequently lit seven branches of the Cauldron, it became the substitute for Zion's menorah, in London's new temple of Zeus version! Nothing good will come of this!

Seven young athletes from Great Britain were chosen to light the torch, and it was said that "this is that whole idea of the next generation of potential Olympians inspiring a new generation." There was in this ritual transition a pause for embracing their older generation of sponsors, former Olympians who passed six torches to the young athletes so each would have one. The point was being made that this ceremony marks the passing of the torch, figuratively. The new generation has arrived and the old has passed, and authority and responsibility has been transferred. The transition of the generations, of the ages, has come. The seven young athletes are the hope of the future, of the accomplishment of all that is intended for the next seven years.

This is all being done while Caliban's Dream by Underworld is being performed, an enchanting melody with the rhythm of a beating heart.

The athlete with the lit torch then lit those of the other six. They then lifted them up in a salute and, get this, they did the rotation here - the 7 x 360 signal. They do it again when standing before the Cauldron, but they did it here first. While they rotate, we hear, “So much is made about the creative part of the Olympic opening ceremony, different in every country of course, the great nations.” As they complete the rotation, we hear, “For my money, this is the most moving aspect of the opening ceremony, its so steeped in history and tradition...” The commentary has emphasis put through the vocal inflection upon one expression: “For my money." It all sounds so casual, but it's not. I can't say how much is carefully scripted in advance, but I can tell you with full assurance that the puppet master is pulling strings from the underworld to pull off this ritual magick. So, recalling what I wrote earlier about Daniel 5, around they went, 7 times 360 degrees. “For my money” ~ 126 shekels or 2520 gerahs ~ ‘MENE, MENE, TEKEL, UPHARSIN.’ That was the choreographed move referenced by the NLP, the “moving aspect.” This appears to be “steeped in history,” as in that of Babylon, going back to the judgment in Belshazzar's palace!

The athletes trotted off and soon turned off the perimeter to make their appointment with the Cauldron located in the center of the stadium. “And these young athletes will move through the center of the stadium, passing through the heart of the athletes gathered from all two hundred and four nations.” The heart. The Cauldron. The moment the commentator said heart, the soundtrack changed. From Caliban's Dream, we now heard the change ringing of bells. The distinctive beating heart rhythm of Caliban's Dream became the enchanting bell sounds, a new magickal life blood flowed through the stadium. There were other bell sounds too, and Caliban's bell would be rung. If you watched Fringe on TV, there was an episode where Olivia was visiting Dr Bell in the alternate universe. The soundtrack was entirely sampled from bells, and it was the ringing of a bell that took her there and brought her back. What Fringe dramatized as fictional entertainment the IOC ritualized in the stadium in London. The transdimensional meeting was facilitated. The alt-verse is here the underworld. Was it all just fiction? Do I just have an overactive imagination? Watch and see.

I have one last ominous item to cover. Again, here's what was said while the torch entered the stadium.

“So here is Sir Steve Redgrave carrying the torch that he received from David Beckham off the water just a second ago into the Olympic Park as you just heard through an honor guard of some 5oo construction workers who helped build the Olympic Park here in this once blighted section of London known as East London. So the torch just about to complete its journey of nearly thirteen thousand miles.”

Consider the following definitions for the word “blight,” which your mind will variously process as it does its subliminal data processing, finding and assessing the most fitting definition for the context.

Any of numerous plant diseases resulting in sudden conspicuous wilting and dying of affected parts, especially young, growing tissues.
The condition or causative agent, such as a bacterium, fungus, or virus, that results in blight.
An extremely adverse environmental condition, such as air pollution.

The following are taken from Blight (disambiguation) - Wikipedia

• Blight (urban), the term for abandoned, derelict, or severely neglected buildings and lots; slums
• The Blight is used to describe a group of diseases originating from Red Mountain in The Elder Scrolls universe
• Blight, a term in the book Worlds of the Imperium often related to as a spatial grid, and/or dimensional gateways in means of crossing the universe
• Blight (comics), an alien race in the universe of DC Comics
• A Blight, moment in which the Darkspawn, demonic monsters, swarm up the surface of Thedas in Dragon Age: Origins.
• The Blight, a condition that is negatively affecting the flora of the alternate universe in the TV series Fringe, caused by deterioration of the alternate universe.

To associate the Olympic Park with blight, given everything else noted, doesn't seem random. It just seems ominous. "...received ... off the water just a second ago into the Olympic Park ... blighted.” Have you read Parts 24 and 26 of this series yet? This is all really, really ominous.

Following the London Ceremony at the close of the 2008 Games in Beijing, that 8 minutes of production was fodder for the mill I spent over six months working, with most of that being a full time effort, or, overtime, to be more precise. That presentation included the Chinese ceremony and a few related signs, but mostly, it featured the 8 minutes of cryptic drama surrounding the double decker red bus. Whatever is done in closing the London Olympics, even with the probable Rio 2016 Ceremony, I will state with a high degree of confidence that it won't be followed by a similar effort on my part. Or, anyone elses. It's not that I'm not willing but that we are crossing the threshold into that new world order so much has been said about, and what characterizes this season of opportunity will pass quickly away. If it seems to you like I'm just being cryptic and dramatic you probably haven't been very deeply engaged by this blog for very long. This is a message I've been bringing for some time, and the daily news is supplying all the drama one could want - and more!