Black and hovering stones have been the occasional subjects of this blog recently. Rango features the rising and hovering gravel of the chameleon's terrarium in the scene where he's catapulted out of the rear window of the family wagon. I began covering this scene in Part 42, exploring several facets that provide us with amazing insights into a fall to earth from a heavenly realm. I've addressed elements of the scene that spill the beans on dimensional portal technologies, making reference to Bible passages and to other movies that, like Rango, employ crystal, cube, and rainbow symbolism. This post continues that line as the meaning of the rising and hovering black stones is explored. If this post is your first exposure to the Rango series you might already think I'm a lunatic. Let me encourage you to start at Part 1. You'll quickly catch on to the fact that Rango doesn't “do” random. Even the terrarium gravel is signaling something of significance!
You can watch the scene I'm describing and see the gravel float in this clip on YouTube, specifically at 5:10-5:20 in. [video] First 14 Minutes Of Rango If you're a Netflix subscriber, you can watch the entire Rango movie online now.
Black stones are featured heavily in Knowing (2009), starring Nicolas Cage. The movie is worthy of a series of posts for it's vast signaling of the Adversary's plan. The stones are given to certain special people by mysterious whispering beings. Many of the stones rise and hover in a key scene near the end of the movie while alien rockets ascend, transporting selected children, male and female, to planets symbolic of Eden. These stones are related to Rango's gravel. OK. I know what you're thinking. Why would Nicolas Cage star in a movie with esoteric symbols, right? :)If you understand about the two trees in the Garden of Eden, how they represent two family trees that populate the earth, these can be seen also as messianic lines and as rocks or stones.
Daniel gave testimony about such a stone or rock, which falls on the feet of a body that will be carried away as chaff, interpreting Nebuchadnezzar's famous dream. This stone is the kingdom of the King of kings HaMashiach that will never be destroyed....
44 In the days of those kings the God of heaven will set up a kingdom which will never be destroyed, and that kingdom will not be left for another people; it will crush and put an end to all these kingdoms, but it will itself endure forever. 45 Inasmuch as you saw that a stone was cut out of the mountain without hands and that it crushed the iron, the bronze, the clay, the silver and the gold, the great God has made known to the king what will take place in the future; so the dream is true and its interpretation is trustworthy
A stone or rock is HaMashiach, God, yet there are other rocks worshiped and another messianic rock.
On the Temple Mount in Jerusalem is what's called the foundation stone, an object considered holy by mainstream practitioners of each of the Abrahamic faiths. This is the stone over which the Dome of the Rock is built, the, Masjid Qubbat As-Sakhrah. The Zohar and other writings have much to say about a foundation stone at the Temple Mount. I believe David Flynn was right about his locating the center of time and space on the mount some distance from the Dome of the Rock. What is identified today as the foundation stone is an important symbol, but one that, to me, seems very likely to be connected with the Antichrist Beast. As it is written, “their rock is not like our Rock.” Rango's gravel is rock or stone but instead of one big foundation stone it's a collection of small stones. Each stone is a “chip off the ol' block,” figuratively, of the same substance as their heritage rock, or messianic god. These black stones are dead stones in contrast to the living stones of the genuine.
The black stones are disobedient to the word, even appointed to stumble in disobedience. They aren't God's but the possession of another rock, and who will not receive mercy. As a collective, they form the temple represented in the stones of the ubiquitous pyramid, pictured with the hovering capstone with the eye illuminating with the dark light. (Luke 11:33-36) The hovering stones represent those who rise to a state between heaven and earth as demi-gods, hybrid god-men. The black stones are the dark star children, even including those who will take the mark of the Beast. Like the hovering illumined capstone head, so is the body, the collective members, living stones but with a zombie resurrection kind of life. The stones ascend and hover in Rango during the scene where the chameleon falls to earth from heaven. The ice cube in the umbrella drink and the water that, with the ice, forms an arch witnesses to the stargate technology that facilitates the passage into our realm. The ascending and hovering gravel in the scene models those who are associated with the god who falls to earth, with their related ascension/decension through the dimensional portal in yet one more dramatization of things I've presented in the Rango series more than a time or two. If it doesn't seem familiar, you may want to give the series some review.
There's more here on the theme, and, Lord willing, more will follow!
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