Part 5 - Sochi Winter Olympics 2014 - Opening Access to the Underworld Duat

Series Links: Sochi Winter Olympics 2014

The underworld was recreated in the stadium during the opening ceremonies in Sochi, just like in London 2012. Take a look at the shape of the clouds in the dream sequence where seven islands floated through the air. They have flat tops.

Real clouds are flat on the bottom, not on the top. The inverted clouds reveal this upside-down scene as a world of a reflected image.

The scene presents a vivid expression of the Hermetic Maxim, As Above, So Below. This is what's demonstrated by the clouds and why a flipped image of what's on top appears on the bottom of the islands. The translucent wrapping represents a binding supernaturalism. The stadium was transformed into the underworld, and the upside down versions under the islands represent what we consider our real world, the material world. (The upside-down underworld setting was on exhibit in I, Pet Goat II. See here.)

While most of the world sees the Olympic ceremonies and all those like it as innocent entertainments, they are far from that. The proper worship of Zeus and Apollo, which is what the Olympics are about, involves engaging ritual enactments. The underworld is featured as a dramatic setting because a kind of magick is being worked that leverages the connection between what is seen and what is unseen. Patterns are established in the material world that bind, supernaturally, and we're talking about demons and Luciferian agencies. This is what we see happening in the Olympic stadium, arranged by the masters of the craft. If you can interpret the symbolic elements in their Occult language you can understand what is being modeled in their clever ritual enactments.

We know that we are of God, and that the whole world lies in the power of the evil one. ~ 1 John 5:19

Fallen angels influence men and women to assist in their quest to reenter our realm, to remain in various forms, and to dominate the affairs of this world. They have dominated and do so today, to be sure, and an hour is coming where some of their most coveted objectives will be achieved. The underworld is a reality, though unseen, and the work of the underworld agents in this realm is performed through opened portals of various kinds. One kind involves symbolism, which is a representation or modeling in this dimension of the unseen constructs.

This is not the Devil's own invention.

4) Now if He [Y'shua] were on earth, He would not be a priest at all, since there are those who offer the gifts according to the Law; 5) who serve a copy and shadow of the heavenly things, just as Moses was warned by God when he was about to erect the tabernacle; for, “SEE,” He says, “THAT YOU MAKE all things ACCORDING TO THE PATTERN WHICH WAS SHOWN YOU ON THE MOUNTAIN.” ~ Hebrews 8:4-5

This matter of opening portals though symbol magick was given lots of attention very early in the opening ceremony, ritually opening access to the underworld realm and agencies for what would follow. One of the primary constructs bridging the underworld and this world is the celestial Silver Gate. I'm going to present some of the images involved in their elaborate Silver Gate modeling. I already gave attention to a major Silver Gate transit scene in Part 2 (giant white horses and a toroidal sun) and if you're familiar with the Celestial Stargates series, much of this should be familiar. Before we launch into all that let's give the clouds themselves the attention these ubiquitous symbols deserve, which were also featured during the opening ceremonies in London.

As I wrote here (Part 22 - Code 33 - KC Portals and Royal Illumination), “The clouds represent a transdimensional vehicle. As clouds in the sky appear and disappear, so also do the transportation portals. Such clouds are actually associated with living beings.”

3 He lays the beams of His upper chambers in the waters; He makes the clouds His chariot; He walks upon the wings of the wind; 4 He makes the winds His messengers, Flaming fire His ministers. ~ Psalm 104:3-4

“Behold, he goes up like clouds, And his chariots like the whirlwind; His horses are swifter than eagles. Woe to us, for we are ruined!” ~ Jeremiah 4:13

And the vision was shown to me thus: Behold, in the vision clouds invited me and a mist summoned me, and the course of the stars and the lightnings sped and hastened me, and the winds in the vision caused me to fly and lifted me upward, and bore me into heaven. ~ Enoch 14:8 (R.H. Charles)

Stars and clouds are both symbols of angelic beings. Stars and clouds both also represent transdimensional access points. See the context of Jude 1:12 and Acts 1:9-11 for more notable passages about the cloud. When the clouds are featured during the ceremonies they mark points of dimensional access, stargates, and signal the vehicles of and presence of the celestial beings. Given that the representation of such things is strictly forbidden, according to the second commandment, those acts of rebellion are not going to produce the good fruit of blessing.

I intend to decode more of that live action scene's Occult symbolism, but let's go back to the video part featured in Part 3 to develop the celestial stargate imagery featured there as a segue.

Several images of stargate transits appeared during the opening sequence in the video of the dreaming girl. She iterated through the Cyrillic alphabet to give honor to Russia's iconic national heroes, or so goes the pretext. In this one, a letter that resembles the Gemini glyph appears as in the heavens, set upon the tiles of the periodic table of elements. The girl is running on the 9th column of the 18 column table through the letter as a gateway between the pillars.

The Cyrillic letter resembles the astrological glyph for Gemini, the Twins. The pillars span the 9th column of the table, and the 9th gate is Taurus. This very obviously pictures a transit of the celestial Silver Gate. The pillars that span and bridge heaven and earth are set in this ritual enactment upon the periodic table that represents the elements of this material earthly realm.

The psychopomp who facilitates travel between this world and the underworld was represented in the very first scene, at the window of the sleeping girl's bedroom. The hare is the very familiar symbol of Hermes, who is also known as Mercury, Anubis or Hermanubis. One stuffed rabbit appeared on the window seat, and others could be seen populating her bedroom.

Another Cyrillic letter looks like an inverted version of the one that had been leveraged as a glyph for Gemini. The presenters took the opportunity to present it with a bridging imagery akin to the Bifröst of legend.

Another Gemini Silver Gate image featured a pair of pillars with arches in a grand train station. The Royal Arch is a sodomite gateway image, and the lighting framed signals the Luciferian illumination that is the result of ritual sodomy. It should be noted that there's an abundance of imagery supporting that Horus Eye dimensional portal hijacking scheme in the context, making an exhibit of Illuminati / Monarch / MK-ULTRA programming, but for now I'm going to stay focused on the celestial stargate theme.

At the station is a train, a vehicle that moves in an orderly line along a track. These are very often used for Occult signaling and ritual modeling.

A kind of stargate is referred to in the Hebrew Bible as a mecillah. (The Kingdom Viaduct) A transit is pictured like a train.

They do not crowd each other, they march everyone in his path [mecillah]; When they burst through the defenses, they do not break ranks. ~ Joel 2:8

The dreamer is seen framed in the arch between the pillars and between the pillars in the opened door of the train car. She appears to be seated. The alignment of the camera and subject aligns her under the light. It's all about the opened dimensional gateways.

To be continued, Lord willing.