Decoding: Pearle Vision and EyeMed

Were you able to decode these brands to find examples of Code 666, XO MOB, Eye of Horus, Third Eye or even more symbolism? Did you perceive Code 33 in the ad copy?

When it comes to vision care, identifying your brand with pictures of the eye could hardly be more natural. However, neither Pearle Vision nor EyeMed chose to represent themselves with pictures of the eye in any obvious way - but only in the way of the Occult!

Perhaps the most obvious is how the EyeMed highlights 666. The wordmark comprises 6 letters. The reflection of each e is a 6, and the 3 of them are grouped together in the design around the Y. The reflection evokes the Hermetic Maxim, As Above, So Below.

Each letter e is elliptical, styled to suggest the Wedjat eye. The Eye of Horus.

Three eyes = the 3rd Eye. EyeMed ~ Med Eye like Middle Eye. The 3rd eye is usually called the all-seeing eye or Eye of Horus.

EyeMed is basically an insurance provider for vision services. They are all about helping you see better - vision enhancement - with the eye of Horus. eyeMED or medicine: Rx. Prescription.They usually deal with prescription lenses, and the symbol for prescription is the Rx, the eye of Horus associated with healing. When you extract the grouped central Y and e eyes what remains is the m and d. MD: Medical Doctor. The prescriber and vision enhancing practitioner.

So, EyeMed name implies the Rx Eye of Horus and their logo features the third eye with 3 subtle instances of the Wedjat.

The triple e that reflects to 666 also signals 666 through another kind of transformation. The form of each e is round, suggesting the circular letter O. O is the 15th letter, and 1+5=6, so OOO transforms to 666.

This OOO=666 transformation is also suggested in the way Pearle Vision adds the eyeglasses to their wordmark. Round lens 1 plus round lens 2 plus the O in vision. 666. But, more powerfully than that, as the potency of the esoteric imagery is considered, this style of eyeglasses features a subtle OOO=666 with the arc of the nose bridge connecting the eyepieces to form the 3rd O.

Now, the nose bridge is the arc suggesting a smaller eye located between the two flanking eyes. It's the third eye, the Eye of Horus - the Eye of Ra. The BRIDGE - between god and man, heaven and earth.

A lengthy series of posts on this blog offers examples of how the letter “i” is exploited as the homonym of “eye” to secretly indicate the Eye of Horus. The tell is that the dot is given special attention. Pearle Vision dots the I in VISION with the bridge eye, the third eye. To validate that observation (and magnify the supernaturalism of the pharmakeia), right above that we find the letters AR in PEARLE. This indicates the Eye of Ra. There is no practical difference between AR and RA to Occultsts who have been trained (by such as Aleister Crowley) to read and even speak backwards. To us, because we're not trained that way, the AR (or RE according tho the optional spelling RE) version is less suspect, perhaps. The AR version is more highly obfuscated and, for it's subtlety, is potentially more effectual in their scheme.

Here's a classic. The Green Pyramid. The most recognizable Illuminati symbol. As you see here, the sides are suggested by the lines through the A and V, the R and N. The horizontals are formed by underlining the words. AR is identified with the capstone - The Eye of RA! RA VISION - with the third eye of the eyeglasses enhancing it further! It's the beast construct, with the capstone being the head in the heights, the beast himself, and the truncated base is his corporate body in the earth.

The EyeMed logo presents a reflected or inverted pyramid with the inherent Eye of Horus.

The pyramid in 3D is a geometrical construct with 3-4-5 element counts. This fundamental of sacred geometry demonstrates the production of Horus in the earth through the union of Osiris and Isis. (47th Problem of Euclid with 3.4.5 Pythagorean triple)

Did you notice XO MOB imagery? The eyeglasses of Pearle Vision's logo present 3 crossing circles. Cross Circle = XO. In sequence, OXOXO. Technically, the T of EST generates another instance as a Tau cross in connection with the lens on our left. (T as Tau cross = X, thus, XOXOXO or XXX woven together with OOO, doubling the 666, because X as the 24th letter makes 2+4=6 and XXX ~ OOO ~ 666.)

The EyeMed logo conceals the XO because the Y is bent or a broken Tau. It's clearly a cross form with 3 arms or radial spokes. In connection with the round letters e, three XO combos are produced.

It seems likely to me that the eYe obfuscates OTO, the acronym of the Ordo Templi Orientis.

I suspect the Y and radial e triad is signaling triple helix DNA - their anticipated MOB Horus EyeMed to splice in their beast “all seeing eye” genes.

According to Kenneth Grant of the OTO, the union of the X and O establishes the celestial throne of the goddess. There's the presence of Isis. She is also present in the identity of the Wadjet eye.

Did you notice how the ad copy of both Pearle Vision and EyeMed contain expressions of Code 33? Eye Exam ~ EE ~ 33. Most Major ~ MM ~ 33. Without the layered symbolism in the context, I wouldn't suspect their intent, but with it, this is additional signaling and it most certainly does add to the sum.

Do you see the Pearle Vision logo as a place of worship?

Pearle Vision's logo has temples. In the anatomy of eyeglasses, the sides of the frame that extend over the ears are called temples. The logo's temples are very slightly obfuscated. These are obviously “temples” dedicated to the worship of Ra, or the gods of ancient Egypt, which are the gods of today's Luciferian Illumined.

The parent company of these brands is an Italian company headquartered in Milan, Luxottica. They are the world's largest eyewear company. On the stock exchange they are LUX. Light. Think: Lucifer. Illumination. Luxor, in Egypt, was known in the Egyptian language as, “the southern sanctuary.” The two cult temples located there are famous, Karnak and Luxor. Two Temples - like eyeglasses.

Not unrelated, in the word, VISION are the words, ON (aka Inu or Heliopolis, the Egyptian city where Ra resided and sun worship in the northern kingdom of Egypt was centralized), and SION, aka ZION, home of the Mount and Temple of the One True God. You may also take the IO of VISION as suggesting the Greek spelling of Helios, the sun god aka Apollo, Ra and Horus. It could easily be argued that there are multiple instances of IO encoded into the logo.

The parent company's name, Luxottica, seems to suggest the upscale sense of the Exotic, and also perhaps, Luxor Erotica. Certainly the sex magic of the obilisks featured in Luxor and the age-old illumination rituals celebrated there involve a kind of eroticism. The Illumined are obsessed with sexual reproduction of a certain kind, and reproduction of their illumination through the practice of ritual sodomy.

See both of the featured logos as anatomical diagrams. In the middle of the anal triangle is what Occultists call the Eye of Horus. In EyeMed's version it's the radial triangular Y and triple e. In Pearle Vision's, it's the triangle of the pyramid framing the central bridge third Eye of Horus.

EyeMed ~ Preparation H? Is the M-D a proctologist?

Symbol loving sodomites claim to recognize the letter i as a picture of sodomy. The dot is the anus and the ascender is the phallus. Pearle Vision sees that, apparently!

On that same line, as an ideogram, EyeMed's “Y” becomes the sodomizing “Top” of the “e” positioned underneath it, on the Bottom.

Is that too much of a stretch? Are we just getting carried away and reading into this one what's not really there? Here's another reflection of the EyeMed Logo. Seen in the mirror, the letter e becomes g. This is now a picture of the “g eye” or GI tract, the terminus of which is called the Horus Eye. After removing the G-EYE elements from the stylized wordmark, what's left? BM. That's the acronym code for, Bowel Movement, in medical terminology. To suggest that this might somehow be a coincidence is just not very satisfying.

Through the biological mechanism of sodomy, in connection with ritual magic, Occultists acquire illumination and establish control in their domains of authority.

Pearle Vision. 12 letters. Including the space, 13. The numerics of a coven of witches. The numbers signaling time (12) and the mastery of space and time (13).

The obsession with the anus, defecation and sodomy is common to the Horus Eye illumined mind-controlled and controlling Luciferian elite. They have an “over the rainbow” method of bringing a person in and out of deep trance during programming that features a pearl and seeing or envisioning it. This also has to do with accessing a slave's Horus Eye. The programmer hypnotically guides the slave through layers of clouds in the colors of the rainbow, red then orange, yellow, green, blue and violet. That's where they fix on a black pearl. The script goes like this. “Land very gently ... very softly ... in the center of a round, black pearl. See it glowing, softly, gently.” Pearle Vision? The logo's eyeglasses, between the layers of green as the rainbow cloud layer? (See DEEPER INSIGHTS into the Illuminati FORMULA for Undetectable Total Mind Control - pps 44-46)

“Signs and symbols rule the world, not words nor laws.” ~ Confucius

He knew stuff. The kind of stuff that explains why this was forbidden in the Bible as the 2nd commandment.

Are you catching on? Look around. See the world for what it is. Seek the Lord Y'shua, son of the living God for help. We all need it - need Him!

2013 Billboard Music Awards - Celebrating the Illuminati Slave-Handler

While Sweden was hosting the Eurovision Song Contest, another Illuminati sponsored mind-control celebration was happening on this side of the pond, at the MGM Grand in Las Vegas, Nevada. The 2013 Billboard Music Awards. According to the MailOnline, “It's a toast to the top artists on the charts with a wild show of song and dance.” If you review the article and the many pictures from the event it should be obvious to those who follow this blog why I titled this post like I did.

In the MailOnline article's lengthy title we're let in on one of the highlights, “Justin Bieber emerges from an alien orb.” This alien orb was modeled on a chariot of the Egyptian sun god, associated with Horus Behdeti. (Search this blog for Horus Behdeti and also for winged disk) Bieber's arrival from out of the winged orb modeled the return of the sun god, the arrival of the Beast.

The special effects fog inside the orb has him literally arriving in a cloud to picture the messianic event counterfeiting what was prophesied in Acts.

9 And after He had said these things, He was lifted up while they were looking on, and a cloud received Him out of their sight. 10 And as they were gazing intently into the sky while He was going, behold, two men in white clothing stood beside them. 11 They also said, “Men of Galilee, why do you stand looking into the sky? This Jesus, who has been taken up from you into heaven, will come in just the same way as you have watched Him go into heaven.” ~ Acts 1:9-11

What do they mean by the faceted glass door? It's the shape of the coffin pictured on Freemason tracing boards, a feature that identifies the emerging Bieber-sun-god as the resurrecting Osiris!

The pictures you see here are those of the Third Degree, and in Royal Arch Degree tracing boards the coffin is often pictured resting under the checkerboard floor. The raising of Osiris is eagerly anticipated by Illuminists and represents far more than just a casual theme for entertainments.

“During research for the book (which hit #1 the day of its release), Dr. Horn traveled to Washington DC, where he met with Masons at the House of the Temple, the headquarters of the Supreme Council of the Scottish Rite. Horn says these men were very cordial and mostly responsive to his questions, even confirming his understanding of the influence of Freemasonry in American history. Only when he pressed one of them about a ritual called the Raising Ceremony (the raising of Osiris from the dead—a.k.a. Hiram Abiff), which is conducted in the Temple Room on the third floor of the building, did these Masons become evasive and visibly uncomfortable.”

“The reason for this, according to Horn, is that in addition to the Raising Ceremony being conducted when members reach the 33rd Degree of Scottish Rite Freemasonry, this strange ceremonial is performed without public knowledge in the Temple Room at the inauguration of every U.S. president. Why? Because deep esoteric meaning behind Egyptian and Rosicrucian magic that was incorporated in the rites and rituals of Freemasonry holds that the spirit of Osiris can be raised from the underworld and "installed" (for want of a better term) in the reigning king or president. According to Horn, this is why the U.S. Capitol Dome is laid out so as to face the Obelisk known as the Washington Monument, as well as other puzzling architecture in Government Center.”
READ IT BEFORE IT'S BANNED BY THE US GOVERNMENT - PART 32 Domes, Obelisks, and Magic Squares, O My! How the Most Powerful Nation on Earth Beckons the Evil One

Justin's girlfriend, Selena Gomez was featured in the role of Isis, the sister and wife of Osiris whose magick raises him to bring forth Horus. Her set featured the golden light body and third eye bindi, magickal binding collars and cuffs and attending priestesses with magical enchanting hand motions.

Plenty of other activity made it a big dance party to celebrate the arrival of Horus. Prince, kind of channeling Jimi Hendrix, wore a big ring that was an eye of Horus.

Taylor Swift, who took home 8 more awards to add to this 23 year old's extensive collection, performed a set wearing a unicorn with a rainbow tail on her blouse. A message appeared in what might be the unicorn's thought bubble, a rainbow cloud, “Haters Gonna Hate.” Her special dancers wore the colors of the rainbow, which, along with the unicorn and its message must surely speak to her fans who appreciate her well known LGBT anti-discrimination efforts. It's all a stab at “homophobes” who discriminate against LGBT, of course. And, the Creator, and those who love Him.

Beyond the superficial LGBT activism bit and more importantly, the rainbow and magickal unicorn support the Osiris, Isis and Horus theme, working to facilitate that. If you've been following this blog closely you may recognize the wet raincoat with hat costumes as symbols of ritual sodomy as they dance in the implied fertilizing rain of Horus. The masks and gloves announce to us how these are Illuminati slaves with alter identities. One dancer in a crowd of "regular people" on stage with her wore an orange dress with feline print jacket, signaling the orange sodomy and sex kitten or Beta programming.

The rainbow cloud on Taylor's blouse and the colored rainsuited dancers pictured for us the “go over the rainbow” programming, setting up for some Monarch mind-control script. (See Yoplait Umbrella Commercial and the Flash Mob Black Awakening or search the blog for “go over the rainbow.”) “She also had a colorful performance of her hit "22" — starting backstage and working her way to the main stage on the back of a bike with help from a dozen background dancers and a flurry of red balloons.” (Taylor Swift shines at Billboard Music Awards, Justin Bieber booed) So, red balloons. Rainbow cloud. Uh, this is not exactly well hidden. So where's the black pearl where the memory is placed? Could this be it, on the Billboard sign? The ritual sodomy of the programming event is certainly present, with the stage featuring bright orange and the black circle being squared for the ubiquitous alchemical signal squaring of the circle. It's a sign, right, a Billboard?

2013 Billboard Music Awards - Celebrating the Illuminati Slave-Handler. Of course. The returning Beast is being celebrated by those who facilitate his arrival. That time is near. Public ritual like this example in a constant succession of awards ceremonies is mass programming that builds momentum towards that end.

The Sign of Yom Teruah - Stopped Clock - Russ Dizdar, Agent of Light and Shadow

Yom Teruah was a big day. I don't often write about what goes on behind the scenes here at home but a notable sign in a season of signs that marked the day has to be shared. A week earlier, the Lord had led me to ask for a sign that was for Aaron and I, and within a day's time He brought it, and what was intended by it was quickly accomplished. Within a few days, I was led to expect another sign, something more along the lines of generally confirming some things that we needed to have increasing confidence about. A sign was witnessed on Yom Teruah when a clock in our kitchen fell to the floor. Sure, falling clocks aren't unheard of, but this one's mounting system doesn't permit such a fall by any natural means whatsoever, and no structural failure was involved. The meaning of the details and the context speaks to both Aaron and myself on several levels. The first that I'm going to share has to do with Russ Dizdar and the theme music featured on his popular podcast. Perhaps other reports about the sign's meaning will follow, on subjects like the approaching time mission and Satan's fall.

The level of effort being given to this reporting on the Yom Teruah sign may well be more of a derailing of the series on The Penitent Man than a side-tracking - we'll see. The time remaining is so very short for such things.

Aaron and I don't make it a habit to celebrate every holiday, except as the Lord does occasionally lead. We had an anticipation, a sense of expectation, leading up to this recent Yom Teruah. It needed to be celebrated with attention given to an open agenda. We're not “messianic” in the sense of how the customs of Judaism are adopted by some in the church. (I am not unfamiliar with the community, with various levels of involvement in past seasons of the Lord's preparation.) We had received the Karaite report of the sighting of the moon (sunset 9/26/14) and welcomed the arrival of Yom Teruah by celebrating with some casual food and a season of fellowship. We had lots to celebrate, taking the opportunity to reflect on the amazing expression of the Lord's favor through the many cycles of trial and blessing. We rejoiced and praised the Lord for His goodness. While we were recalling the transitional events of the past week, with a focus that was mainly on our personal lives, Aaron suddenly began to tell me about the theme music Russ Dizdar (ShatterTheDarkness.net) uses for his podcasts. The Ragged Edge Radio ....with Russ Dizdar (preemptionbroadcast.podomatic.com). He had Shazammed it a while back. The Lord brought our attention to it so we began exploring to discover why. Russ Dizdar's selection for his show's branding has something important to tell us, and you may find the insight disturbing, or perhaps just confirming.

The song Russ features at the start and finish of his show is Uli Jon Roth's song titled, Light and Shadows, from the 2008 album, Under A Dark Sky (Sky of Avalon). Aaron looked up the lyrics on his tablet and we were struck by what we found. What happened while Aaron and I were in the midst of assessing what the Lord was revealing to us through Russ' theme music provided validation later in the day, after the clock had fallen, when we were reviewing the complexities of the situation and seeking the Lord's intended meanings.

When you listen to Russ' opening segment you usually hear the softly sung line repeated, “Hallowed be thy name.” It's a line from what is widely known as the Lord's Prayer, from Matthew 6 and Luke 11. Hearing that praise music during the show, you can be assured that many a saint prays along, offering their own praise during this softly hypnotic prelude. Here's the problem. The god being praised in the song is a false god.

Uli Jon Roth websites:
www.ulijonroth.com (Dedicated to the Spirit of Peace)
www.edenwaith.com/uliroth (Eden, as in the biblical paradise. “Waith,” is an alternate spelling of “waeth,” which is a mutated form of gwaeth (“worse”) “Waith,” is also a mutated form of the Welsh word, “gwaith,” meaning: time - with cardinal numbers, 'how many times', etc.)

“Under A Dark Sky is a progressive rock album by Uli Jon Roth, featuring Mark Boals and Liz Vandall on vocals. It marks the first official release in the long-awaited series of Symphonic Legends, which is a cycle of music written for Roth's all-encompassing Sky of Avalon project. ...Andy DiGelsomina, composer of the heavy metal opera Lyraka, calls it "the most relevant rock guitar album of the 21st century...it takes as its base the pioneering progressive rock of the 70s, and with the lead guitar in (Roth)'s hands, ups the expressive content of the compositions to a heretofore unrealized degree. Roth's guitar becomes like a separate voice, a prime protagonist in an apocalyptic opera.".” (Wikipedia)

I invite you to explore Uli Jon Roth's acclaimed Sky Academy website for yourself, especially his Philosophy page. You'll find the following: “Sphere Five is about getting in tune with the Alpha and the Omega.” Hey, Revelation 1:8 and 11 right? Well, no, not that one but a pretender. You'll only confuse his with the genuine if you remove it from context, like Russ does with the “Light and Shadows” clip on his Ragged Edge Radio broadcast theme.

From the Sky Academy's Philosophy page: “Sphere I: The Principles of Music -- In the context of Sky Academy teaching, the first sphere of knowledge is that of MUSIC herself. This pertains to the very fabric of music, as well as to its metaphysics. Music is seen as a mirror image of the principles of creation.”

From Sphere II: Man and Music - The Principles of Man -- “The second sphere of knowledge is concerned with man, especially regarding the human experience of interacting with music. In Sky Academy teaching, man is an instrument. We are designed according to the same principles as is music – in many respects we are music. Music uses man as an instrument – and man uses instruments to create music – this seeming dichotomy can serve as a powerful mirror and a touchstone for our personal development. It is U.J.R.'s conviction that the spirit of music can teach us a lot more about ourselves and our identity than was hitherto realized. Music does hold vital and as yet unfamiliar keys to the spiritual evolution of the human race. It is the aim of Sky Academy to play a vital role in unlocking and utilizing some of this enormous potential.”

From Sphere III: The Way of the Guitar - The Instrument as a Bridge -- “In the third sphere of Sky Academy teaching, music is working through man, who uses an instrument. The third key stage is dedicated to the instrument of our choice – in our case usually the guitar, which is supremely suitable for this task at hand. In the context of Sky Academy teachings, we are essentially treating the guitar as our direct bridge to the heart of music, as well as to that of the listener. For Sky Academy purposes, the guitar is almost like a magic wand of some sort; but virtually any mature instrument - be it bowed or percussive - can be used for teaching these principles.”

On the Sky Academy Teaching page, he writes, “I aim to take gifted players to the level where the magic starts – the inspiration zone – and to show them how to stay there. With some people it is enough to point them through the right gateway and then it suddenly opens for them as if by magic – that’s the moment when everything falls into place…” Magic. It's not merely figurative. The Sky Academy is a vehicle for Occult initiation.

Uli Jon Roth and Jimmy Page have a lot in common, who is Led Zeppelin's lead guitarist and renowned practitioner of black magick. Roth has a direct kind of connection with another legendary guitar hero, Jimi Hendrix, perhaps a transference, supernaturally. Roth's long time girlfriend and muse, Monika Dannemann, was the last to see Jimi Hendrix alive. She was Jimi's girlfriend and he died in her apartment in London. She discovered his body the morning after he died. She kept Jimi's favorite famous guitar, Black Beauty, and it is rumored that Uli has it in his possession. Have you heard of Jimi Hendrix's experiment/concert on the slope of Haleakala in Maui, Hawaii? Watch the clip in the tribute film Jimi Hendrix - Feedback, around 37-39 minutes in. It's not entirely non-fiction but the Rainbow Bridge - really - it's no joke.

Uli Jon Roth is not a brother in Christ, and he doesn't claim to be. There's no reason to think that he's crying out to be saved by the God of Abraham, Isaac and Jacob or to give Him honor. Quite the opposite appears to be the case. His music is accursed rather than blessed. Some research with a modicum of discernment will make this abundantly clear. Those who worship the Adversary commonly wear crosses and doves, name the archangels, quote from the Bible, and offer praise and worship in devoted service to their gods. Compare the Pope and the practice of the Romish church. When the Roman Catholic church takes an idol of Isis or Venus and rebrands it as the Virgin Mary, it changes nothing but the label. The same goddess is honored. It's still an idol. By the same principle, when Russ adopts Uli Jon Roth's song for his podcast's theme music, the god being honored does not change.

When you apply yourself to understanding what's wrong with Russ' featuring of Uli Jon Roth's “Light and Shadows” as his theme music, you really have to take stock of the reality and influence of the “charged” music, to use the fitting terminology that Russ himself uses to describe the condition of demonic attachment. The language Uli John Roth uses on his Philosophy page isn't without substance, supernaturally. “Music herself,” he writes, which clearly is a personifying and deifying expression, introducing the meaning that is extended when he later writes such things like, “music” creates man. She is a creative power, the goddess, who unites. The music is transcendental. That music doesn't ascend you into the presence of the true God but rather works to descend you into the presence of the gods where the light is a dark light, into the shadow realm. According to Russ' testimony, that's where he came from before my Lord delivered him.

While Aaron and I were discussing the lyrical content of Dizdar's selection in the evening beginning Yom Teruah, I looked at title #2 on the same album, called “Tempus Fugit.” Given a major trending theme of the season, I exclaimed about the first line of the lyrics, “The first 3 words: Stop that clock!” If you've been following the blog for a while, the subject of stargate transits and of time-space manipulation should be very familiar. I knew “Tempus” meant time but neither one of us gave the title more attention. I was really excited about seeing, “Stop that clock!” I repeated it several times. It spoke to us immediately of the stopping of time for a stargate transit, and we readily connected the rest of the line and verse to the revealing of the lawless one. Yet, it seemed like even that didn't warrant the level of stirring I felt about the song.

It was getting late, and I went upstairs to get some rest. A few minutes later, I heard a clattering downstairs. The clock had fallen to the floor. Aaron was a few feet away, brushing his teeth in the powder room. He noted the time and other pertinent details. He was pretty excited about what he observed, and when we reconvened in the morning for more fellowship on the special Shabbat, more news and insight was forthcoming.

We were led back into the lyrics of Under A Dark Sky (Sky of Avalon). When we followed up on the meaning of the Latin title, Tempus Fugit, the connections were obvious. Time Flies. The clock had fallen off the wall onto the floor, which, again, could not have simply fallen off because of the secure mounting. In a figure, time flies when a clock falls. When it hit the kitchen floor, the battery was ejected. The first 3 words of Tempus Fugit: Stop the clock! Time flew and the clock was stopped. When Aaron picked it up off the floor, the time showing on the analog clock was 12:09. He immediately perceived the familiar time code. 12+9=21. The number 21 means time, the fullness of time.

The words, Tempus Fugit, are sometimes found on clocks and sundials. Not unlike memento mori or carpe diem, it's sometimes viewed as a simple reminder of how this life is fleeting. As believers, the spirit of the Lord leads us to walk in light of the wisdom of Ephesians 5:15-16, making the most of our time because the days are evil. The falling clock may be taken as a reminder of just how fleeting our time truly is, and therefore how precious. That's important, but the sign is much more than that. On one level, the falling clock was a connecting point between the discussion of Russ' theme song that took place just before it fell and another song from the same album that described the sign. Insight fit for the season was being brought forth.

Here's the lyrics of Tempus Fugit, again, by Uli Jon Roth, title #2 from Under The Dark Sky.

Stop that clock! Spawning shock and awe...
Servants, we are servants of Big Brother
Who is our father!

Tempus fugit - Stop the New World Order!
Semper fugit - Save our sons and daughters!

Servants, they are servants of Big Brother
They don't know the father...

Vade retro, vade retro!
Christus est venturus!
Vade retro, vade retro!
Judex mundi est venturus!
Vade mecum - Salva nobis!

Babylon! Old battle ground inside the human soul...
The Lord has spoken thus: Stop killing!

The Latin verse translates:

Go back, go back!
Christ is coming!
Go back, go back!
Judge of the world is coming!
Go with me - Save us!

The scene is Revelation 19. Read the chapter. Think about it. The slaughter is for the enemies of Christ in the campaign of Armageddon. The killing will stop when my Lord, the rider on the white horse of Revelation 19:11 is satisfied that judgment has been fulfilled. When you read, “We are” servants of Big Brother, the singer's boss is Antichrist. When “They are,” Big Brother he is referencing my own brother and Lord Y'shua, the genuine savior and Messiah. When, “They don't know the father...” is sung, the father is the singer's, Lucifer. The New World Order that the singer wants stopped is not the one where their Big Brother Antichrist rules, but Daniel 2's stone kingdom! What they want instead is the one George Bush famously spoke about on 9/11/90, 1 year to the day before the celestial sign marking Y'shua's return in judgment, which 11 years to the day before the WTC false flag that changed the world. This past Yom Teruah, when the clock fell and “time” stopped, it marked the 23rd anniversary of that day of the sign in 1991, and on that accounting, the beginning of the 24th year of a most significant count.

When the song begins, “Stop that clock! Spawning shock and awe...” the time-space manipulation at the opening of a stargate is the subject. Horus transits at the Antichrist apocalypse. It's about spawning, because the beast will reproduce through his mark when the DNA is replicated. There's more to this!

“Shock and awe (technically known as rapid dominance) is a military doctrine based on the use of overwhelming power, dominant battlefield awareness and maneuvers, and spectacular displays of force to paralyze the enemy's perception of the battlefield and destroy its will to fight. The doctrine was written by Harlan K. Ullman and James P. Wade in 1996 and is a product of the National Defense University of the United States.” (Wikipedia) Because the great tribulation (megas thlipsis) begins when that Feast ends 8 days later, the “rapid dominance” of the “Shock and Awe” will manifest as described in 2 Thessalonians 2, Revelation 12 and 13, among other scriptures. That this really is to be interpreted on the subject of the apocalypse of the Antichrist beast is supported by the balance of the first verse: “Servants, we are servants of Big Brother Who is our father!”

The line that follows the first verse declares the nature of the weaponry they intend to deploy in the campaign of Armageddon (Rev. 19:19) “Tempus fugit - Stop the New World Order!” It's temporal, a time-space thing.

I've been many days in the writing of this post as Aaron and I get a sense of what's going on in this season. The stopping of the clock is a signal subject of this Hagmann & Hagmann Report from last night. Their title: Greg Evensen & Steve Quayle with an urgent update -Globalist clock stops. Evensen reports that a 1 star general called him at 4:30am and then again a bit later in the morning and he told Greg, "The clock has stopped!" Greg wondered what he was referring to and the general said, "All we've trained for, all we've prepared for, all we have written...the endless scenarios about...and the constant in service support and what we can cover with our troops and what you can cover with your troops has come to the final moment. We have planned and trained in the last three years for these very kinds of scenarios, and now I'm afraid we are going to have to put them actually to use." Steve ended their segment by quoting Greg's source and then his own, saying, "the clock has stopped and the gate is open."

The chaos that will attend the transition into the day of the Antichrist apocalypse continues to grow.

Now, Tempus Fugit's opening line has another angle. “Stop that clock! Spawning shock and awe...” shock-n-awe = shekinah * Shekinah - “In a manner, she is also the Supernal Mother herself--that is to say, she is the bright reflection. It is in this sense of reflection that her truest and highest name in bolism is Shekinah--the co-habiting glory.” - (The High Priestess card: Waite, Pictorial Key to the Tarot )

On Yom Teruah, Bill and Hillary Clinton became grandparents. It has to be taken into account that Bill Clinton has long been used by the Lord to model to me the false messiah Antichrist, at the appointed times. Stop the clock! Spawning shekinah. Charlotte Clinton Mezvinsky. Chelsea Clinton/Mezvinsky tweeted the birth announcement less than half an hour after our kitchen clock had fallen to the floor. Charlotte was reported to have been born shortly before sunset in Manhattan, which is well into the holiday on the Lord's clock, Israel time. Yom Teruah is the holiday that marked the birth of the Lord Y'shua, in 2 BC. The day of trumpets or day of shouting heralded the Messiah's birth - and His return in judgment in 1991. This year, the triple Shabbat (turn of civil/regnal year + head of lunar month + weekly Shabbat) marked a key transition. More about this in an upcoming post, Lord willing.

Back to Russ Dizdar's theme song, Light and Shadows. The album it's on, “Under A Dark Sky,” is a kind of a opera that follows a classical tradition. The songs combine to tell one story. If there's still a question in your mind about the whether the song is fit for leading the contrasting army of saints in praise, read on. In context, the song, Light and Shadows, isn't ambiguous about that. Here's the lyrics with a few of my comments added.

CAVEAT: Before reading, check with the Lord for His green light invitation to procede.

9) Light and Shadows

Hallowed be thy name [I hear the reverse speech: “he in the people are” - suggesting that the chanting heard in the segue was an incantation, perhaps in twilight language]
Hallowed be thy name

We are waiting for you in darkness
Waving the wands of night [Witches wave wands. In the night, darkness is worn like a cloak.]
We are trembling like leaves in the last days
But there's no light [I hear the reverse speech: “say hallowed Satan”]
There's no light...

We are crying for you from the shadows
Trying to crawl to the light [Lucifer's dark light]
We are searching for you in the meadows [Lucifer]
Yonder circle hawks and kite [the gods, Horus, Isis -- also the anchoring tranced Illuminati slaves]
Yonder hawks and kite...

We are serving the sons of perdition [A plain declaration. antichrist = son of perdition. Note, they are not repentant.]
Who as princes rule the world [Ephesians 6:13...]
Whom their father has given permission [Satan, the ancient dragon, Lucifer]
To worship the black pearl
Worship the black pearl... [The black pearl is a the central construct used when an Illuminati slave is put into a trance state during “go over the rainbow” programming, after the ritual circling described in the previous verse.]

We are seeding with poison our skies
Azrael sings on his Haarp [fallen angel is named]
We are bleeding and dying like flies
In the cold light of F-sharp [See Sky Academy philosophy - this is thinning the dimensional veil]
The cold light of F-sharp...

The millions of people in bondage
To the dark side of the moon
Tortured creatures, survivors of clone age
On this island we're marooned
'Tis the planet of the doomed...

I hear echoes of stone age increasing
From a future far too tall
I see hordes of Neanderthals policing
Pride does come before the fall
Pride comes before the fall... [This is not about “the stone age” era, so-called. With the next lines, this is a reference to the age of stone, i.e. a very long time. A coming full circle to when angels and Nephilim [literally, the fallen) rule again in the earth.]

Save us now!
Lord have mercy on our souls
Save us through your grace!

And replenish our deserted fountains
And remember our famished race
And keep calling our names from your mountain
Remember your soldiers of grace
The soldiers of your grace...

Save us now!

Who is being called upon for salvation? Their lord Baal, Beelzebub, Lucifer the liar who promises salvation but will deliver something else altogether. There has been no change of heart (#3 Land of Dawn) of those who serve the sons of perdition. The soldiers of his grace are a barren race. Enoch was entreated long ago to petition the Creator on behalf of the fallen, for the seeking of a remittance of the penalty due for their rebellion. The request was denied, and my Lord, whose mercy truly endures forever, had His reasons.

The track is #9 on the album, and I'm thinking, the 9th gate and the single digit number for the transformation of the beast and his mark. The song is 6:13 long. That's not random. I've written about 6:13. Some of it I've published, some not, mostly because of the time involved to present the deep threads of insight involved. I had a very distinct sign about the numbering 6 and 13 to emphasize it, on a Friday the 13th earlier this year. I received a traffic citation. I was northbound on Rt 66, just south of Kane. The jurisdiction of authority was Marienville. I was at that time deeply involved in Marian study, about the goddess. Everything about the situation was marked. The fine cost me $130, another 13. Failure to sign my proof of insurance certificate. I was guilty of more, and received mercy. The sign was well noted. It spoke to me on several levels, and continues to speak.

Saints, what I keep telling you about the signs of the season has more depth than I can express. We are in a season of mercy as we rush along on our way. It is the bonus season I claim it to be. Do not neglect what is most important. Let go of everything else.

So, what does it mean that Russ features Light and Shadows. I'm told that he may sometimes be heard whispering along with the song like he's praying, or perhaps softly speaking in tongues. Certainly, that encourages others to follow suit. Are you grasping what this means? Again, when Russ adopts Uli Jon Roth's song for his podcast's theme music, the god honored does not change. A whitewashed sepulchre still has a corpse in the grave.

The assemblies of the saints don't use Black Sabbath, Led Zeppelin, Rush or Nine Inch Nails music for worship because that would just be wrong. This is pretty low hanging fruit, easy pickings for discernment, right? But Uli Jon Roth, really? Branding yourself with the kind of sacred music that praises demon gods, well, no good comes of that.

What defense can be offered on Russ' behalf for the grievous offence of the deployment of Ragged Edge Radio's musical stealth weapon? Could he plead ignorance with a claim that the musical selection was an innocent mistake, an oversight perhaps? Can it be dismissed as a minor error in judgment? No. Russ is always preaching and teaching about discernment and the dark side. He's the expert. That's his wheelhouse. He sets the example in this category, in many people's minds.

As you may know, I mention Russ's work favorably on occasion. Like Tom Horn, Cris Putnam, Steve Quayle, John Seitzinger (formerly identifying himself as “John the Baptist” but more recently rebranding as “Johnny Baptist”), Joseph Herrin and others, these men contribute something of value in their appointed labors. So does the Pope and Billy Graham, Pat Robertson, Rick Warren and Joel Osteen... I offer no blanket endorsements when I refer to someone's work. A company of compromised agents ministers with genuine gifts but they effectively cast out nets upon nets to ensnare the saints who make their way along the narrowing path. It's the way of Mystery Babylon, which is mind boggling as you get your mind wrapped around the reality of it. What is intended as the Lord prepares us through many trials is that we escape every snare and find our way to the narrowest of gates, and find ourselves entering into the Lord's Bride company sheepfold. He is helping, and He will have a Bride! We must be overcomers, and the overcoming of deception is required.

Let this speak to you about Matthew 24:43 and the hidden motivation of the appointed oikodespotes. Oikodespotes - the appointed heads of the house, those who are recognized as church authorities. Including the “Bike Lane Collective.”

Have you ever wondered why Russ doesn't ever talk about ritual sodomy, even though it's a fundamental of SRA DID programming? That question is like the proverbial elephant in the room. Steve Quayle gave Russ his big break, kingmaker that he is. Steve talks about the subject, howbeit in cryptic terms. He's still going on about his box of chocolates. He declares how he went down the rabbit hole and insists that he knows what that means. Do you know what that means?

Russ continues to lead the unsuspecting saints in idolatry, praising together with someone who serves the dark side. This is beyond irony. Wrapping the broadcast and mp3 files in this stealthy idol speaks to me of the provision of cover. It's a cloaking device. Surprised? Dismayed? Stunned? Disturbing, isn't it? Was Ezekiel disturbed when the Lord showed him what's recorded in Ezekiel 8? Should I approach Russ like a brother and confront him with his error, seeking to restore him? Of course, Aaron and I have given that consideration. I'm convinced it's just not applicable here. I've written about Doug Riggs already, and it is my firm conviction that he's a handler posing as a deliverance minister. I spent several days with him in 2011. Is Russ compromised, and if so how and to what degree or in what way? Is he a chosen one, a handler and programmer? Is his relationship with the authorities in various agencies according to the network of the secret brotherhood Russ actually teaches about? I can't say I have evidence one way or the other, but what I do see plainly warns me of the probability.

I've met Russ. Aaron too. Sue Bradley extended an invitation to me to come to her house, several months before she died. She had contacted me through comments on the blog, which I couldn't post, of course. Russ was coming to visit and do some ministering work in Pennsylvania's ritual sites, I gathered, and her idea was for me to visit and join him. It was apparent to Aaron and I that the Lord had something better in mind for us.

I'm not going to tell you to boycott such and such a minister or ministry. I will tell you that following where they lead will surely disqualify you, with neglect of the matters of gender propriety (touching directly on the Lord's authority) and with a failure to learn when the Lord is coming and promote what that truly represents. As we get what the Lord has for us, be wary, be vigilant, exercise discernment in all matters. Allow yourself to be disarmed by nothing in your interactions, with ministers, friends and family, except where, when and how the spirit of the Lord may make it very, very plain.

5 This is the message we have heard from Him and announce to you, that God is Light, and in Him there is no darkness at all. 6 If we say that we have fellowship with Him and yet walk in the darkness, we lie and do not practice the truth; 7 but if we walk in the Light as He Himself is in the Light, we have fellowship with one another, and the blood of Jesus His Son cleanses us from all sin. ~ 1 John 1:5-7

11 Do not participate in the unfruitful deeds of darkness, but instead even expose them; 12 for it is disgraceful even to speak of the things which are done by them in secret. ~ Ephesians 5:11-12

14 Do not be bound together with unbelievers; for what partnership have righteousness and lawlessness, or what fellowship has light with darkness? 15 Or what harmony has Christ with Belial, or what has a believer in common with an unbeliever? ~ 2 Corinthians 6:14-15

Part 8 - To Number Our Days Aright - The Coming "Flood"

For a thousand years in your sight are like a day that has just gone by, or like a watch in the night. ~ Psalms 90:4

In this post I offer the basis for my expectations for the big events mapped to 2014 and introduce one of the collateral data sets, a time code resource that complements the historical accounts.

In mapping events from one template to another, the most coarse outline suggests that the seventh day will be set apart from the other 6 in character. Two other stand out divisions are the flood of Noah's day and my Lord's resurrection. I suspect the mapping of many other transitional events will be well worth the exercise, but these two events seem to really stand out. I've already proposed when it is that the corresponding events might be expected. The flood of Noah's day occurred 1656-1657 FA, projecting into the midst of the second day of this Shemittah, May of 2014. My Lord's resurrection occurred very early in the fifth millennial day, projecting into 2016 during the Days of Awe, in September or October. What will those seasons bring, the Black Awakening and the mark of the beast? For our benefit, we have templates to review, and additional resources to complement them.

Before I launch into that, let's acknowledge how this is a very different approach from what so many are accustomed to. The conventional approach to mapping end time events involves the application of natural reasoning to fit the prophetic scriptures together like pieces of a jigsaw puzzle. Since the Lord took me to His feet as a student, I don't put much stock in that approach. The problem isn't that there aren't really smart people putting lots of effort into it. The problem is that the Lord hid it, and nobody has an intellectual crowbar big enough to pry one pearl out of the Lord's treasure box. He grants it to whom He wills when He wills.

About the jigsaw puzzle allegory, the conventional approach of assembling the puzzle seeks to discover the time. What I've discovered is that the Lord usually gives me a time element and fills in what it means from there. If you are experienced and methodical with jigsaw puzzles, the first thing you want to do is find all the straight edged pieces and connect them to form the border. That defines the boundary and structures the context, framing the whole. With the unfolding of prophecy, the metaphorical straight edged pieces used to construct the frame relate to time. Events have context, as any sane perspective of the past reveals. There is continuity between the events, and this context gives them meaning. What sense can be made of the past without the sense of a timeline and a firm grasp of locality and interactions between peoples and regions over time? None! What sense can be made of the future without the same? None! Without the Lord's help identifying and assembling the puzzle frame, we're lost. With it, we've got just what we need!

A good many students of prophecy have as something akin to a fuzzy picture on the cover of the jigsaw puzzle box this week of years described in Daniel 9. The logical thing to do when you work the puzzle and read verse 27 is to read, “middle,” then divide 7 by 2 and get 3.5.

27 And he will make a firm covenant with the many for one week, but in the middle of the week he will put a stop to sacrifice and grain offering; and on the wing of abominations will come one who makes desolate, even until a complete destruction, one that is decreed, is poured out on the one who makes desolate.” ~ Daniel 9:27

The reasoning student surveys the collection of puzzle pieces and grabs those 3.5 year-ish looking pieces, making them fit together as best one can. That works, until it doesn't, and it doesn't work when you pay heed to the pattern of history as the basis for comparison. The Hebrew word for “middle” in verse 27 does not demand interpretation as the midpoint. The pattern weeks of Psalm 90:4 provide no evidence of a midpoint divider marking off 3500 years from Adam. Other events that can still be considered in the midst of the week qualify, however.

About those spans relating to the reign of the beast and great tribulation, these begin in the middle of the third year when the lawless one is revealed and a genocidal purge of the saints becomes the order of the day. That's Spring of 2015 if you're following along with a sense of the schedule. The terminus of that season will arrive as the week transitions into the Shabbat, the Day of the Lord, of retribution and recompense. 2.5+3.5=6

The world of the day of the lawless one's revealing will differ from the world of today. Within the next two years those of us who survive that long will see it change dramatically. The pattern of rav sheva or the great sevens of Psalm 90:4 suggests it will be a projection of the flood of Noah's day, as 1656-1657 FA maps into May of 2014. What will that look like as it manifests in this compressed prophetic second watch of the night? Let's start by leveraging the biblical templates as we seek insight into what appears to be appointed for a mere 11 months out.

First, we're going to find what is common to the Creation week and millennial week templates then assess what it suggests about our Shemittah. Here's the account of the second "day that has just gone by."

6 Then God said, “Let there be an expanse in the midst of the waters, and let it separate the waters from the waters.” 7 God made the expanse, and separated the waters which were below the expanse from the waters which were above the expanse; and it was so. 8 God called the expanse heaven. And there was evening and there was morning, a second day. ~ Genesis 1:6-8

Here's the passage that describes the flood of Noah's day.

6 Now Noah was six hundred years old when the flood of water came upon the earth. 7 Then Noah and his sons and his wife and his sons’ wives with him entered the ark because of the water of the flood. 8 Of clean animals and animals that are not clean and birds and everything that creeps on the ground, 9 there went into the ark to Noah by twos, male and female, as God had commanded Noah. 10 It came about after the seven days, that the water of the flood came upon the earth. 11 In the six hundredth year of Noah’s life, in the second month, on the seventeenth day of the month, on the same day all the fountains of the great deep burst open, and the floodgates of the sky were opened. 12 The rain fell upon the earth for forty days and forty nights. ~ Genesis 7:6-11

Because “a thousand years in your sight are like a day that has just gone by,” we see a correlation, matching “all the fountains of the great deep” to “the waters which were below the expanse” and “the floodgates of the sky” to “the waters which were above the expanse.” Surprised? Stunned? When I began to test the rav sheva theory I found this match pretty remarkable, wondering how we could have missed this amazing premise for so long. It is a witness to the Lord's ability to hide His treasure in plain sight!

How will this be like a watch in the night? Well, we can rule out a great flood of water because the sign of the covenant made with man and the earth itself still abides, the bow set in the clouds. I've already identified this event to you as what's called the black awakening, so let's turn our attention to what that means and how it fits the model.

If you've been following this blog for a while, you should be coming to an acute awareness that mind-control programming is a fact, that there is an elite body of trans-national programmers who rule the masses through ritual magick performed in both private and public contexts. It should be sinking in that there is a secret army of radically equipped soldier-slaves that have been prepared and strategically placed throughout the world, in every sector of power and influence. The system's security isn't perfect and beans have been spilled, but the damage control mechanism has been very effective. In recent years, through the Lord's bountiful favor, I've discovered that the Adversary, whose forces these are, likes to boast of his achievements, past, present and future, and that evidence of his plan is brilliantly embedded in the media imagery that saturates our cultures. The theme of a raging anti-Bride company bringing chaos appears as a strong thread. They are the agents appointed to aid in the overturning of this order and usher in the next. (ordo ab chaos, motto of the 33rd degree of Scottish Rite Freemasonry)

This is no fabrication of an overactive imagination born of conspiratorial paranoia. Ask Russ Dizdar about what the SRA DID chosen ones have testified as they hurl out their battle cries under duress. Granted, this is all rather difficult to accept in the face of all we've been taught and it goes against the flow of popular paradigm. The Bible says in the last days delusion and deception would dominate, and so it does. The truth is hard to accept, but the Black awakening is coming, and it will not take the Lord Y'shua by surprise. It's actually been on His radar for quite a while, and now, in due time, He makes it known to watchful servants according to His faithful promises.

I must mention how the matter of Daniel 8's prophecy about America's reset button getting punched is still pending. When it will come, I do not know. I only know the sign of imminent fulfillment will be when the powers of the Medes and Persians have both been broken and America exalts herself exceedingly, so Iran must shortly go the way of Iraq. Perhaps it's related to the flood projection.

So, how does the second day flood of water foreshadow the Black Awakening? The figurative language of the Bible represents people as water, and a flood can represent an angry mob or army.

1 Then one of the seven angels who had the seven bowls came and spoke with me, saying, “Come here, I will show you the judgment of the great harlot who sits on many waters,
...
15 And he said to me, 'The waters which you saw where the harlot sits, are peoples and multitudes and nations and tongues. ~ Revelation 17:1, 15

13 But I cry to you for help, Lord; in the morning my prayer comes before you. 14 Why, Lord, do you reject me and hide your face from me? 15 From my youth I have suffered and been close to death; I have borne your terrors and am in despair. 16 Your wrath has swept over me; your terrors have destroyed me. 17 All day long they surround me like a flood; they have completely engulfed me. 18 You have taken from me friend and neighbor— darkness is my closest friend. ~ Psalm 88:13-18 NIV

16 Over me hath Thy wrath passed, Thy terrors have cut me off, 17 They have surrounded me as waters all the day, They have gone round against me together, ~ Psalm 88:16-17 YLT

Wrath is fierce and anger is a flood, But who can stand before jealousy? ~ Proverbs 27:4

19 And they fear from the west the name of Jehovah, And from the rising of the sun -- His honour, When come in as a flood doth an adversary, The Spirit of Jehovah hath raised an ensign against him. 20 And come to Zion hath a redeemer, Even to captives of transgression in Jacob, An affirmation of Jehovah. ~ Isaiah 59:19 YLT

Are you finding any of that compelling? I am!

When the activation code sequence has been transmitted into the world by the programming elite, the demonically psi powered supersoldier alters will be triggered to carry out their appointed missions as agents of destruction. The opposition will be overwhelmed as by a flood. It's a brilliant plan and it will work. An extermination to extinction is beyond the limit set for this operation, but ordo ab chaos will manifest and out of the ashes of the phoenix will appear a vigorous feathered serpent of the form fit for this season of destiny fulfilled.

Prior to my awareness of these agents and their role in what was coming I had seen and written about a counter-flood in parts 6-8 of the Olympic Ceremony Symbolism series based on the 2008 games in Beijing. This counter-flood I perceived in the context of the enemy's plan to swap places with the Almighty God by conversion and elimination of his heritage people. The serpent's heritage was purged from the face of the earth during the flood of Noah's day and he intends a reversal of fortune. While the genetic conversion from man to beast through DNA replication will come largely through the transformative mark of the beast that's at the heart of that counter-flood plan, the Black Awakening flood has a critical role in the lead up to it, making way for the beast's entrance.

I've blogged about these matters some, in posts like Part 28 - Rango - Zombie Resurrection and Apocalypse - The Black Awakening and Beyond. What I've proposed here would have seemed rather unlikely to most folks not long ago, but given the state of the world today it's hardly a stretch of the imagination to picture our world order being overturned within the year.

Finally, I'd like to add a little more substance to what I've proposed for 2014 through a collateral data set, a key source of insight that complements the historical accounts.

What J. R. Church popularized about Hidden Prophecies in the Psalms has been very useful to me for purposes of confirmation. Put simply, it describes a sequential Bible time code where Psalm 1 is a cryptic description of the year 1901, Psalm 48 of 1948, 101 of 2001, 113 of 2013, etc. The many, many hours I invested during the mid 1990s in trying to discern the set representing Daniel's principle seven when I hadn't first had the explicit revelation that identified it to me led to nothing more than a close familiarity with the Psalms. As I attest in this documentation of the fruit of earlier efforts, The Year of His Coming: 1991 - Part II, the time code is useful for validation of what is already known.

Here's the passage that equated to 2014.

When Israel went forth from Egypt, the house of Jacob from a people of strange language, 2 Judah became His sanctuary, Israel, His dominion. 3 The sea looked and fled; the Jordan turned back. 4 The mountains skipped like rams, the hills, like lambs. 5 What ails you, O sea, that you flee? O Jordan, that you turn back? 6 O mountains, that you skip like rams? O hills, like lambs? 7 Tremble, O earth, before the Lord, before the God of Jacob, 8 Who turned the rock into a pool of water, the flint into a fountain of water. ~ Psalm 114

The sea, the Jordan river, a pool of water and a fountain of water; that's pretty wet for one short Psalm. A prophetic foreview? I would not recommend betting against it!

There is a reference here to the exodus, wilderness wandering and crossing into the promised land, which is all “middle of the third day” content, not second day, but it should be noted how the second is really for the preparation for what's coming in the third. Do mountains and little hills really skip, or is there some truth concealed and revealed through metaphorical language? There is a trembling of the earth before the Lord, the God of Jacob. Consider what deeds are attributed to Him as making reference to the miraculous provision for sustaining His people. In the Young's Literal Translation, verse 8 is rendered, “He is turning the rock to a pool of waters, The flint to a fountain of waters!” Present tense, right? Think about it. Such provision will be required, and I'm assured it will be provided right on time.

When I call out the flood of Noah's day as the singular transitional event of that season I surely neglect what must be seen as major related events of the season. Here's a mapping of some.

** Unit 2 - 2013-2014 **
~ 9/8/2013 - ? 9/27/14 (384 days)

1536 FA - God gives 120-year warning of Flood

4/1/14 * 9/18/12 + 560.6 [365*1.536] * from Yom Teruah 2012
3/22/14 * 9/8/13 + 195.6 [365*.536] * from Yom Teruah 2013 - solar
4/2/14 * 9/8/13 + 205.8 [384*.536] * from Yom Teruah 2013

1656-1657 FA - Noah's Flood (year long duration) * The Black Awakening?

5/15-16/14 * 9/18/2012 + 604.44 to 604.80 [365*1.656 and 7])
5/5-6/14 * 9/8/13 + 239.44 to 239.80 [365*.656 and 7]
5/18/14 * 9/8/13 + 252 to 252.3 [384*.656 and 7]

1757 FA - Peleg born * Earth divided in days of Peleg

6/21/14 * 9/18/2012 + 641.3 [365*1.757]
6/11/14 * 9/8/13 + 276.3 [365*.757]
6/26/14 * 9/8/13 + 290.7 [384*.757]

1908 FA Nimrod born to Cush

8/15/14 * 9/18/2012 + 696.4 [365*1.908]
8/5/14 * 9/8/13 + 331.4 [365*.908]
8/23/14 * 9/8/13 + 348.7 [384*.908]

1996 FA Peleg dies, Tower of Babel destroyed

9/17/14 * 9/18/2012 + 728.5 [365*1.996]
9/7/14 * 9/8/13 + 363.5 [365*.996]
9/26/14 * 9/8/13 + 382.5 [384*.996]

As I review the dramatic history of the second millennium it's a mind-bending exercise to consider the implications for 2014. How might the domination of the ancient serpent bloodline of the Nephilim and descendants of Cain manifest in the time compression leading up to the flood purge marker? How about their remarkable resurgence following the flood, as they were shortly led to conspire together to storm heaven through the Tower of Babel gambit? Will a coup via seizing control over a dimensional gateway be narrowly averted, or just how might such a pattern manifest as the calendar turns over the leaf into the third day of this long awaited Shemittah? Will the days of Peleg manifest in a division of the Earth that echoes the language of the second day of Creation? Does Jasher's record offer some vital clues?

Watch with me as answers to many questions never before even formulated find answers in the days ahead. We live in remarkable times!

1 Praise ye Jah! Praise, ye servants of Jehovah. Praise the name of Jehovah. 2 The name of Jehovah is blessed, From henceforth, and unto the age. 3 From the rising of the sun unto its going in, Praised [is] the name of Jehovah. 4 High above all nations [is] Jehovah, Above the heavens [is] his honour. 5 Who [is] as Jehovah our God, He is exalting [Himself] to sit? 6 He is humbling [Himself] to look On the heavens and on the earth. 7 He is raising up from the dust the poor, From a dunghill He exalteth the needy. 8 To cause to sit with princes, With the princes of His people. 9 Causing the barren one of the house to sit, A joyful mother of sons; praise ye Jah! ~ Psalm 113 YLT

Part 4 - Code 33 - The Smashing Pumpkins

Sometimes, the number 33 is presented like any other number might be in our world with no obfuscation whatsoever. These instances may be assessed with a sense of what the mystical number means to expose where it's being leveraged as a sorcerer's mechanism by Illuminated predators.

“Thirty-Three” is the title of a song by the American alternative rock band, The Smashing Pumpkins. I'm going to give that some attention because it exemplifies several key aspects of Code 33.

Smashing pumpkins is what juvenile pranksters do on Halloween night, so straight away a violent act of vandalism is brought to mind. What is also brought vividly to mind is that very important day on the Pagan's ceremonial calendar that is also called Samhain. The pumpkin is a metaphor for the head, and the violent smashing of heads is something that may be witnessed or experienced during Satanic Ritual Abuse and Pagan sacrifice. The most compelling interpretation of the band's name invokes the SRA programmers and handlers who fracture the minds of the slaves. When a victim is traumatized and they experience dissociation, the multiple alter identities generated are the result of their smashed pumpkins. The lyrics and the imagery of the official music video for “Thirty-Three” really only make sense in that context. The Smashing Pumpkins further speaks of the black awakening, when the programmed agents of chaos will vent their demonic fury.

Caveat: If you're a victim of ritual abuse who is still being delivered or you're easily offended by mature subjects and descriptive language, please consider moving on.

To set some context for the song, “Thirty-Three,” was the last single released off the “Mellon Collie and the Infinite Sadness” album (released on 11/11 1996, yes, eleven eleven). The first single released off that album was titled, “Bullet With Butterfly Wings,” a song that was their first Top 40 US hit and which garnered their only Grammy award. That single's cover art speaks volumes!

What is a bullet with butterfly wings but a Monarch programmed Delta assassin, produced by the pumpkin smashing Illuminati programmers and handlers. The adult man on the artwork is as a paper veneer, a masking front alter, and inside that torn open “smashed pumpkin” facade we see his core persona revealed. That child identity represents the mind-controlled slave at the age when he was initiated, where without deliverance he will remain enslaved, forever young. The rayed celestial illumination appears as from his backside because ritual sodomy is the fundamental key to that enlightened state. The tearing opened a pentagram star portal.

The previous album was titled, “Siamese Dreams,” suggestive of the Illuminati twinning process that is done while the programmer has the slave in the trance state.

Here's the official video for The Smashing Pumpkins - Thirty-Three.



The music video was directed by writer and frontman Billy Corgan and his then-girlfriend. The lyrics he wrote and the visual imagery he associates with it are his own, suggesting that, officially at least, there's no industry sponsored intervention in the artistic interpretation.

While most assume these lyrics are best described as poetic expression there's a better explanation. It's a coded message that I'll explain in commentary, as I understand it. I'm no programmer, but I have learned a few things about how their craft operates, as the Lord graciously opens it to me.

Lyrics: The Smashing Pumpkins - Thirty-Three

Speak to me in a language I can hear
Humor me before I have to go
Deep in thought I forgive everyone
As the cluttered streets greet me once again

[This describes a ceremonial occasion such as Samhain, when the long night's ceremonial has run on into the next day. When it's over, the heinous acts committed among them are put behind them, and as folks are ready to integrate back into the external world they exit the isolated and private setting. Video imagery: Hookers at a whore house, one is a Marilyn Monroe look-alike, an MK-ULTRA covergirl. The setting reveals how the ceremonial resembled a sex party and featured mind-control programming.

Is there a language spoken that you can't hear? No natural language, but there supernatural communications exist, psi powers of telepathy. There are those who can push or project their thoughts into the minds of others and those who can perceive the thoughts of others, transmitters and receivers, if you will. If you haven't experienced these things personally you are going to be very skeptical, but if you can accept the testimony of others who are quite sane, this communication is real. ]

I know I can't be late
Supper's waiting on the table
Tomorrow's just an excuse away
So I pull my collar up
And face the cold, on my own

[Returning to the obligations of their cover lives is apparently a challenge, and excuses must be made for their degraded appearance and performance after being up all night. Video imagery: Alice in Wonderland, programming classic with Alice and the white rabbit, and the table set is by extension alluding to the surreal Mad Hatter's tea party. The man who walks through the park alone is the programmer who is also a slave, who leaves with a balloon on a string. The balloon is a symbol of “go over the rainbow programming” and the trance state, and in this scene as he carries it on a string it speaks to me of his condition of being in a front alter.]

The earth laughs beneath my heavy feet
At the blasphemy in my old jangly walk
Steeple guide me to my heart and home
The sun is out and up and down again

[Levitation is not an uncommon experience in these rituals, and when witches are pictured flying on broomsticks and umbrellas there's more to that than just fanciful figures. When the party's over it's back to the heavy feet, anchored in this plane to the earthy and earth. I believe this also makes reference to the use of swings and other means of suspending trauma victims, including even the immersion in tanks of water.

(Webster's Revised Unabridged Dictionary) - jangly: “like the discordant ringing of nonmusical metallic objects striking together; sounding with a jangle; as, a custodian with a jangly set of keys.”
Who's got the jangly walk but the one with keys on a ring, the programmer, who logs and keeps the codes that permit access to the slave's program structures and alters. There's much blasphemy in those codes where Bible references are imprinted over with Luciferian perversions. Programming is Satanic ritual and the invocation and participation of demons is inherent to the process. Video imagery: The rosy cheeked boys who are dressed like toy soldiers and march together as one marionette unit controlled by a single puppeteer is a telling image. They are the Illuminati mind-controlled slave army. Rosy cheeks signal ritual sodomy abuse.

The steeple is a phallic object (and religious element akin to an obelisk). The heart is a reference to the shape of the butt. This guiding to the home thereby makes reference to the role of ritual sodomy during programming. The sun god is out, present through ritual invocation, and sodomizing by proxy, up and down again. ]

I know I'll make it, love can last forever
Graceful swans of never topple to the earth

[The endurance of what they call love is a sick expression of the sadistic abuse that defines the relationships between handlers and slaves. Graceful swans of never are the sons of god who fell, a figure I'll expand upon shortly. They are behind the ritual sodomy and programming, in every sense.]

And you can make it last, forever you
You can make it last, forever you
You can make it last

[Video imagery: A rider on a white horse. Revelation 6:2 - counterfeiting Revelation 19:11-14. The boat hull with oars floating on the water present the Masonic square and compass, and the sex magick of a vesica piscis with Marian goddess inside, imagery that carries over from the Lady Godiva and goddess allusion of the previous set. ]

And for a moment I lose myself
Wrapped up in the pleasures of the world
I've journeyed here and there and back again
But in the same old haunts, I still find my friends
Mysteries not ready to reveal, sympathies I'm ready to return

[To lose oneself for a moment is the experience of a mind control slave who has another alter triggered. The former alter identity is then lost, dissociated, displaced. When the round trip on this journey is complete, they are returned, found as in the very next moment with no memory of what had transpired. “Haunts” is a very appropriate descriptive, given the demonic nature of the hosting. During such trance programming procedures as the “go over the rainbow” programming, program scripts and all memories are placed in the secret vault called the black pearl as mysteries not ready to reveal. ]

I'll make the effort, love can last forever
Graceful swans of never topple to the earth
Tomorrow's just an excuse, tomorrow's just an excuse
And you can make it last, forever you
You can make it last, forever you
You can make it last, forever you, forever you

[Video imagery: Uh, did Horus just make a cameo? Those sallow empty looking women with dolls are such a familiar image of the Monarch slave.]

Well, there it is, one more veiled presentation of how it is in the secret world of the agents of the Illuminati. Another song, another stealth weapon, unleashed into the world to work the spell of pharmakeia.

Many fans think this song is a reference to Christ, as you can read in this collection of comments on SongFacts. This impression illustrates how this song lyric is one more example like many others presented on this blog of how antichrist beast symbolism is wrapped in mind-control programming symbolism. It's evil genius. Wicked clever.

The “graceful swans of never” can be taken as an acronym, with swans of never signaling s.o.n or son. Graceful adds a religious overtone, grace, and who was it in a religious context that had a “grace-ful” - grace-fall or fall from grace? Who subsequently toppled to the earth, as it were? g.s.o.n. = sons of god = fallen angels.

1 Now it came about, when men began to multiply on the face of the land, and daughters were born to them, 2 that the sons of God saw that the daughters of men were beautiful; and they took wives for themselves, whomever they chose. ~ Genesis 6:1-2

I'll pick this up again in another post, Lord willing.

Pinocchio and Jiminy Cricket, Disney's Monarch “Conscience” Programmer

Hey, News Flash - signs of mind control programming appear in Disney productions! OK. For most of us that's not exactly news. However, seeing in an animated feature from 1940 the same Monarch “go over the rainbow” programming that was on exhibit during the recent Paralympics and in the Yoplait Umbrella commercial helps us keep a better perspective on the scope and scale of the matter.

Just like how Steven Hawking played the programmer at the Paralympics, Jiminy Cricket plays the programmer in Disney's animated feature Pinocchio. He is often pictured with his red umbrella, a symbol of ritual sodomy programming that sometimes appears in the closed phallic state and sometimes in the open anal state. He uses it as a parachute, floating in the air on his umbrella to signal the “go over the rainbow script.”

I remember seeing this film when I was very young, and there were a few sequences that I have to say left me traumatized. Disney specializes in making scary villains with intense scenes. The reasons for that go beyond any desire to create memorable entertainment. Walt and Roy Disney had trauma-based mind-control programming objectives.

Breaking down the esoteric allegory, the slave being programmed on screen is pictured by Pinocchio, a wooden marionette who is magically animated by a blue fairy, a fallen star and butterfly-like (Monarch) creature. That pictures the demonic installation that gives an alter identity its powers. Multiples have many alter identities and they are not in control of the switching. They are literally slaves, “remote” controlled by programming in such a way that they are puppets or marionettes. Alters are also pictured by masks (a front alter) or as dolls, dummies or mannequins.

The role assumed by the cricket is as Pinocchio's conscience, and in the end he is even awarded an official certificate in acknowledgement of his efforts. A simple definition of “conscience” is that it is the sense of right and wrong that governs a person's thoughts and actions. “Be a good boy, and always let your conscience be your guide,” the blue fairy instructed, after officially assigning Jiminy Cricket the role. What this reveals is how the programs installed by handler-programmer Jiminy Cricket are to magickally govern or control the marionette's thoughts and behavior.

The blue fairy brings Pinocchio to life with her magick star wand but his body is still pine.

As a necessary caveat, if you're a victim of ritual abuse who is still being delivered or you're easily offended by mature subjects and descriptive language, please don't continue here.

It will help to watch this clip. I couldn't find a better one. This fandub is mirrored and otherwise altered, but it's the best version I could find with this scene.

Disney's Pinocchio - Blue Fairy fandub



The fairy tells Pinocchio that if he wants to become a real boy of flesh and blood he must prove himself to be brave, truthful and unselfish and able to tell right from wrong by listening to his conscience. Pinocchio asks “What are conscience?” This is Jiminy's cue, who leaps off the shelf to float down with his purple umbrella. This is our signal that the programmer has brought the slave into a trance state and is going to install a program. What he says as he floats down is instructive, describing the program, and informing those of us who perceive how Disney is using the film to spill the beans about the Illuminati programmer's plans, ways and means.

When the Cricket says, “What are conscience? I'll tell you. A conscience is that still small voice that people don't listen to,” this is not really programming to obey that still small voice, is it? It's simply a declaration that people don't listen to that still small voice. I'm going to show you how this is a substitution, swapping out one “thought and behavior guide” for another.

The “still, small voice” references a passage from the Bible.

11 And he said, Go forth, and stand upon the mount before the Lord. And, behold, the Lord passed by, and a great and strong wind rent the mountains, and brake in pieces the rocks before the Lord; but the Lord was not in the wind: and after the wind an earthquake; but the Lord was not in the earthquake: 12 And after the earthquake a fire; but the Lord was not in the fire: and after the fire A STILL SMALL VOICE. 13 And it was so, when Elijah heard it, that he wrapped his face in his mantle, and went out, and stood in the entering in of the cave. And, behold, there came a voice unto him, and said, What doest thou here, Elijah? ~ 1 Kings 19:11-13

(Note: This is another example of the time pattern of three things and then a 4th. 1. Wind 2. Earthquake 3. Fire 4. A still small voice, which was the Lord.)

My Lord and Elijah's was in the still, small voice. After Jiminy Cricket's declaration that, “a conscience is that still small voice that people don't listen to,” he himself becomes Pinocchio's official conscience. This pictures Jiminy Cricket becoming a substitute for the Lord, who was in the still, small voice people don't listen to. Doubt it? Before Disney gave this name to his character, Jiminy Cricket, it was an expression being used as cuss words. Jiminy Cricket and Jiminy Christmas were more acceptable ways to take the name of Jesus Christ in vain, examples of what's called a minced oath. It's like saying “gosh darn it” or “dadgumit.”

“The character's name is a play on the minced oath exclamation "Jiminy Cricket!" – which itself was uttered in Pinocchio's immediate Disney predecessor, 1937's Snow White and the Seven Dwarfs. Another example occurs in the 1939 film The Wizard of Oz, wherein Dorothy (Judy Garland) cries, "Oh! Oh! Jiminy Crickets!" when she is startled by the Wizard's pyrotechnics. ” (Wikipedia)

There's your substitution, Jiminy Cricket for Jesus Christ, literally an antichrist. He's JC!

Let's identify this substitute more precisely. Just who is the designated moral compass and behavioral guide for the Monarch slave marionette? Have you ever heard of the expression, “By Jiminy”? That's an oath, more technically, a minced oath. What's being obfuscated is, “By Jove,” swearing by the name of Jove, who is Jupiter. This Jupiter is also known as Zeus, who is identified in the Bible as Satan, the Devil, the Serpent, Dragon and Lucifer. The master programmer supplying the program scripts to be executed by the marionette is Jiminy, aka Satan.

The song Jiminy Cricket sings at the opening of the film is, “When You Wish Upon a Star.” It was written specifically for this film. This Academy Award winning song has become instantly recognizable around the world as the signature Disney song. This is an incitement to sin by idolatry and witchcraft.

“When you wish upon a star,
Makes no difference who you are,
Anything your heart desires will come to you.
If your heart is in your dream,
No request is too extreme,
When you wish upon a star, as dreamers do.

Fate is kind, she bring to those who love
The sweet fulfillment of our secret longing!
Like a bolt out of the blue,
Fate steps in to see you through!
Your dreams come true. ”

A star is an angel, in metaphor. Shortly after this song, we find Geppetto rising from bed to wish upon a star.

“Star light, star bright,
The first star I see tonight;
I wish I may, I wish I might,
Have the wish I wish tonight.”

Then, he makes his wish that Pinocchio could be a real boy. He goes back to bed and the blue fairy arrives like a falling star, materializing in the room as from another dimension. His wish was being granted, which is a clever way of saying his prayer to the demon gods that are fallen angels was granted. This activity is, of course , strictly forbidden in the Bible for our protection. We can identify the blue fairy with Fate. Fate is not the True God, obviously. “Like a bolt out of the blue, Fate steps in to see you through!” A bolt out of the blue is the weapon of Zeus or Jupiter. Geppetto performed a ritual summoning or invocation of the animating blue fairy-fallen angel with this prayer to the celestial lights. Nothing good comes of this rebellion and witchcraft. How many children have been led down the left hand path with this simple enchantment?

In this next clip that goes further past the clip offered above, you'll hear Jiminy Cricket call Pinocchio, “son,” identifying the marionette to us as Apollo, the son of Jiminy-Jove-Jupiter-Satan and antichrist beast.

Pinocchio and Jiminy Cricket - Always Let Your Conscience Be Your Guide!



Notice how Jiminy has a “heart to heart” talk with Pinocchio. That interprets to butt to butt interaction, here, incestuous reciprocal sodomy, which is typical handler-slave relationship and behavior. (Taylor Swift's illustration of what is meant by "heart to heart." - note: Wonderland Magazine, as in "Alice in Wonderland.") JC tells the marionette to sit down, so he plops down on his butt. Then he sits himself down, on his own butt, and while he talks he keeps pointing his phallic umbrella. See how the fiddle string breaks and whips Jiminy in the backside. Old standard Bimbo's Initiation style action.

This sequence has a solid programming layer, but first I want to establish a family relationship by introducing the Egyptian allegory. Jiminy is pictured more like a grasshopper because he's flesh colored or sometimes green. Osiris green. Consider how the ancient Egyptian trinity is evoked an allegory where the Blue Fairy is Isis, the goddess of reproductive magick, who uses the phallus of Osiris (the magick star wand) to magickally give life (birth) to Horus-Pinocchio.

When Jiminy tells Pinocchio, “And anytime you need me, you know, just whistle,” he proceeds to teach him how and lead him in what must be seen as a ritual invocation of the devil. In many such rituals, the name Cernunnos is used. The whistling or blowing is a common ritual imagery where the breath is spirit. When you interpret the symbols, it's all pretty plain.

This scene informs us on a programming level that Jiminy Cricket is a program that represents the programmer, a demonic (literally) master control program that has the job of controlling alter switching. Watch the clip a few times and this should become apparent. See him dancing and sliding down on the fiddle string with his red “parachute” umbrella, once again signaling the slave's trance state and “go over the rainbow” programming, with the programmer accessing the security system of the Umbrella programming. The function of the open match box Jiminy Cricket stands and sits upon appears to be that of the black pearl. The contents placed inside the black pearl are sealed in, secured because discovery or loss of the valuable secret program would be the worst that could happen. Like matches, this knowledge could be used to light destructive fires.

If Jiminy's tightrope act on the fiddle seems familiar, it's probably because Gene Kelly reenacted it for us in “Singin in the Rain”! His playful tightrope walking routine and coy little “jump off” step off the curb bit was done in front of the bookstore that represented the programming scripts. (Part 96 - The Sodomite Gateway - Singin' in the Rain: Umbrella Programming at the Hat Store) That routine was a nod to this scene in Disney's film, which had come out of Hollywood 12 years earlier. Add “go over the rainbow” programming to the list of Gene's symbolic routines.

If you haven't connected the dots, it's time to identify links to the fiddle playing master programmer Joseph Mengele aka Dr Green. Green, like Osiris and grasshopper. Here's a collection of excerpts from The Illuminati Formula to Create An Undetectable Total Mind Controlled Slave by Fritz Springmeier and Cisco Wheeler. I put my comments inside square brackets.

“One of the names connected with Monarch programming is Marionette Programming. The child literally becomes a Marionette. This concept appears to have been cooked up by the Germans under Hitler. An alter System as a child is physically shown that they are a marionette puppet. Their muscles are electro-shocked in such a way as to take advantage of the natural reflexes. When electro-shocked that way, the victim’s body parts jerk out of our control at the whim of the programmer to prove to the victim that they are a puppet. At this time, the rules are given and rule number 8 is that the alters are their puppet. Illuminati programmer Dr. Mengele, used puppets in a dollhouse as he programmed. He did skits with his puppets. “Dance Marionette dance,” he’d say in his thick german accent. Pinocchio’s story was used to name the spirit guide Jiminy Cricket.”
--- [the spirit guide, Jiminy-Satan antichrist]

“‘This,’ said the Nome King, ‘is but a small part of my army. No ruler upon Earth has ever dared to fight me, and no ruler ever will, for I am too powerful to oppose.’ This was to help build acceptance within the child of the layering of armies of demons. pg. 180, Book 3 Ozma of Oz, “For upon the edge of the table rested a pretty grasshopper, that seemed to have been formed from a single emerald.” The next page has a picture of a grasshopper wearing a hat and many shoes. This was used to help the victim take the hypnotic suggestion that their programmer was a grasshopper, a cricket. Mengele used a clicker which helped with this hypnotic suggestion too.”
--- [demonic army - locusts - black awakening]

“The top of the page has a large cricket like creature that was said to the child to be the programmer (Dr. Mengele). All of the stories in The Tall Book of Make Believe were used one way or the other in programming. We will just touch on some notable points. On page 38 is a poem about a Mr. Nobody. The programmers like to have alters identify themselves as “nobody”. On page 39 is a poem/story about “someone” who comes tapping...but it is “only the cricket whistling”. This was used to help program in that the 3 taps were the cricket (the cover image for the programmer.) ”
--- [A programmer is identified in the phrase, “only the cricket whistling.” The whistling cricket is featured in Pinocchio, which you saw if you watched this clip earlier that illustrated the Devil's invocation. Pinocchio and Jiminy Cricket - Always Let Your Conscience Be Your Guide!.]

“INTERNAL DECEPTIONS - When building an internal world, the programmers use every trick in the book to hide things. First the abuse has to be hidden in silence, and then the MPD has to be hidden. Next, the real core needs to be hidden. Then, the purpose of a Monarch slave needs to be hidden. All the time that this is going on, the programmers must constantly work at keeping the programmers’ identities hidden, and their programming sites hidden. Programmers usually have cover names when programming, and then hypnotically have the victim see them as something else. For instance, Dr. Green had victims see him as a cricket. He even used a cricket noise maker while programming, that clicked.”
--- [Dr Green bug grasshopper-cricket. By the way, Nuns in Catholic schools use a clicker to summon and program.]

Some claim this programming was invented by Mengele but he was merely one contributor. Pinocchio's story was used by Dr Green, along with many others that weren't just accidentally found to be useful by random happenstance.

“Dr. Joseph Mengele of Auschwitz notoriety was the principle developer of the trauma-based Monarch Project and the CIA’s MK Ultra mind control programs. Mengele and approximately 5, 000 other high ranking Nazis were secretly moved into the United States and South America in the aftermath of World War II in an Operation designated Paperclip.” (Ken Adachi, Mind Control the Ultimate Terror - Origins and Techniques of Monarch Mind Control)

Really, trauma based programming predates the CIA and the OSS, and even the invention of the umbrella by a long, long time. The Wizard of Oz film, with hit song “Somewhere Over the Rainbow” hit theaters a year before Pinocchio, in 1939. Fantasia hit the theaters the same year as Pinocchio, which Springmeier and Wheeler claim was the fruit of years of development of color programming. (Deeper Insights into the Illuminati Formula) Had Dr Green seen these and derived inspiration for his programming scripts? I believe the basis for these would have been circulating globally in that era's Illuminati programming scripts.

“Pinocchio” is Italian and the name translates to, “pine eyes.” This is an Occult reference to the pine cone third eye or pineal gland enlightenment! This is what the story is really about, which applies on several levels of allegory in the film.

Earlier, I identified Jiminy as Satan. Jiminy was assigned to guide Pinocchio. The blue fairy tells Pinocchio that if he wants to become a real boy of flesh and blood he must prove himself to be brave, truthful and unselfish and able to tell right from wrong by listening to his conscience. The ability to tell right from wrong alludes to what Jiminy-Serpent-Satan told Eve in the Garden of Eden.

For God knows that in the day you eat from it your eyes will be opened, and you will be like God, knowing good and evil. ~ Genesis 3:5

Your eyes will be opened - "pine eyes" and you will be like God, knowing good from evil as coached by Jiminy-Serpent.

This aptly named esoteric story derives from an older work. “'The Adventures of Pinocchio' is a novel for children by Italian author Carlo Collodi, written in Florence. The first half was originally a serial between 1881 and 1883, and then later completed as a book for children in February 1883.” (Wikipedia) Disney understood that esoteric work, who could identify with Pinocchio as his own third eye was opened.

Disney covered Collodi's classic 11 years before covering a Lewis Carroll classic, producing “Alice in Wonderland” in 1951. Collodi was a contemporary of Carroll. He was already an author by 1865, when Carroll published “Alice's Adventures in Wonderland,” but it wasn't until 1875 that he began to write literature for children. It's well known that his literature was highly allegorical. Comparing Collodi and Carroll (similar pen names) and their contributions to classic programming literature (with similar descriptive titles, “Adventures”...) may suggest some deeper connection, but what is evident is that they had the same inspiration and objectives as Walt Disney.

Collodi was a Freemason, which explains a lot. The VC documents that here, in The Esoteric Interpretation of Pinocchio. Perhaps Walt Disney was too, and speculation abounds about that. The exclusive 33 Club isn't called that for nothing. Jiminy Cricket and Mickey Mouse don't wear trademark Masonic white gloves for nothing. His esoteric works betray that he is an adept, and official membership in one group or another isn't going to change the way I see that.

There are some other elements of Pinocchio that I noted that should be mentioned. Really, I think an entire blog could probably be devoted to this animated feature but I'll probably limit commentary mostly to this one post.

Like in the animated feature Rango but presented in a more subtle fashion, there's a knights quest involved that is a seeking for the holy grail. This is evident in how the blue fairy tells Pinocchio that if he wants to become a real boy of flesh and blood he must prove himself to be brave, truthful and unselfish and able to tell right from wrong by listening to his conscience. It's the left hand path story. The promise made is that by attaining virtue he will be rewarded with a bodily transformation. He was given the anointing with the blue fairy “queen's” magick wand doubling as a scepter of authority. Like Don Quixote, this “pine eyes” knight of the quest has a squire in Jiminy Cricket. The queen granted authority to squire Jiminy Cricket with her magick wand scepter and with magickal new attire gave him provisions fit for the quest.

Here's how it went when Pinocchio let Satan be his guide. He finds himself held captive in a bird cage, as SRA slaves being programmed usually do. He finds himself on an island where there is a terrible curse which turns little boys into donkeys. Here's some classic pedophile programmer stuff, an island filled with little boy asses. He finds himself lying, and the nose that grows into a tree branch when he lies shows he is a son of the father of lies (John 8:44), a branch of that family tree that is not of the true tsemach, or Branch of Isaiah 4:2 or Jeremiah 33:15, Zechariah 3:8 and 6:12.

The big deception of the hypnotic program script inspired by the blue fairy and programmed by Jiminy Cricket is this, that you should always let your conscience be your guide. This is actually contrary to the Bible's direction. The fallen ones teach rebellion and sin of every kind. What the unsaved carnal man has for a moral compass is often called the heart, which the parallel script is always declaring that we should follow our hearts.

“The heart is more deceitful than all else and is desperately sick; Who can understand it? ~ Jeremiah 17:9

1 But the Spirit explicitly says that in later times some will fall away from the faith, paying attention to deceitful spirits and doctrines of demons, 2 by means of the hypocrisy of liars seared in their own conscience as with a branding iron, ~ 1 Timothy 4:1-2

That's the Jiminy-Satan conscience that is found at the conclusion of the grail quest. Long nose-branch Pinocchio or the transformed marionette as a hybrid donkey are two images that illustrate that end.

With the programming and esoteric “pine eyes” themes you know there's got to be an abundance of ritual sodomy symbolism in Pinocchio. I already discussed some, but here's more.

In this pair of similar images, Jiminy Cricket has the phallic state umbrella and the anal hat, which models ritual sodomy and also a male train. The one with the stars illustrates the fallen angel illumination pretty effectively.

Do you suppose the cricket's posturing inspired the Brown Derby Luv Pub?

Gene Kelly demonstrates below what's going on with Jiminy Cricket's umbrella.

You can see in the first video clip that Jiminy Cricket is terrified when the blue fairy appears. He grabs his umbrella and shoes and leaps into one of Geppetto's pipes to hide. This little sequence is rich! Here's a pair of screenshots that captures much of the symbolic imagery. Before the cricket can do any programming he's got to be initiated, and this is where it happens.

This mind-control programming is trauma-based. When the blue fairy, a fallen angel, materializes, he's traumatized. He runs by a pie-eyed pincushion doll with checkerboard clothing, pierced with tacks. Yikes! The ritual torture and sacrifice of a companion! The ritual sodomy that is symbolized here is going to force him to dissociate, which is pictured by a pair of pipes that are carved to look like heads. With no bodies, they are dismembered heads that represent his dissociated identities, alters.

After Jiminy grabbed his shoes, they were no longer drawn to look like shoes. From that point, they looked like a naked brown butt, and a scrotum.

Several more sodomy images appear, perhaps the most obvious of which, after the purple umbrella, involves the figure on the pipe Jiminy dives into. You could say that the pipe man caught Jiminy but in the language of what's pictured, the pipe man is really the sodomite “pitcher,” not the catcher. This is the same flip presented in Puss in Boots, when Humpty Dumpty was dropped down for Puss to catch. When we hear Jiminy exclaim, “As I live and breathe! A fairy!” - he's calling attention to the pipe man as the fairy, which is slang for a homosexual man. He stands up stiffly and exclaims. Ummm-MMMM! Gay! When you learn how that many alters are programmed to picture themselves as inanimate and that much is made of living and breathing during programming, the other part of the exclamation is one more clue to tip us off to the ritual initiation.

There is a twisted purple cord wrapped around a pipe stem, picturing the sphincter around the “dirt pipe.” It has a pair of twisted strands wrapped around the gold band that signals the promised triple helix gold DNA body, (like Humpty Dumpty, the “gold pooper”). Extending this imagery we see the spiraling design of the big pipe bowl, the signal sodomy vortex, which is strengthened by the positioning of the open purple umbrella on top of it. When Jiminy lifts the umbrella and peers out, it's the symbolic opening of the third eye.



In this screenshot, Geppetto is in bed with the little black and white cat, covered by a quilt with a Masonic checkerboard pattern. Felines and their features signal Beta or sex kitten programming, which are often programmed to give support to the Delta assassin missions. Pedobear. GepPedobear. Disney named Geppetto's cat, Figaro. This a name that has been used in theatrical productions for many years, and it has come to mean, “an adroit and unscrupulous intriguer.” This name certainly is an apt description of the Beta-Delta operative. The cat in Puss in Boots named Kitty Softpaws was another animation character fitting the exact description. Note, cats are commonly kept by witches as familiars.

Finally, here's Jiminy Cricket's image on a military patch that signals in so many ways that they are programmed supersoldiers.