“The National Football League doesn't usually pay the act that performs at halftime during the Super Bowl. But in a twist this year, the league has asked artists under consideration for the high-profile gig to pay to play, according to people familiar with the matter. The NFL has narrowed down the list of potential performers for the 2015 Super Bowl to three candidates: Rihanna, Katy Perry, and Coldplay, these people said. While notifying the artists' camps of their candidacy, league representatives also asked at least some of the acts if they would be willing to contribute a portion of their post-Super Bowl tour income to the league, or if they would make some other type of financial contribution, in exchange for the halftime gig. The pay-to-play suggestion got a chilly reception from the candidates' representatives, these people said.
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The Super Bowl halftime show, which this year featured the Red Hot Chili Peppers and Bruno Mars, drew a record 115.3 million viewers in February, according to the NFL, more than the game itself. The entire event averaged 112.2 million viewers, according to Nielsen. That was more than double the size of the audience for the Academy Awards this year, more than triple the audience for this year's Grammy Awards and more than 11 times the size of MTV's most recent Video Music Awards.
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Rihanna grossed $141.9 million on 90 shows around the world in 2013; Coldplay grossed $171.3 million on 67 global dates on their last tour in 2012, according to Pollstar.”
Even in the midst of the apparent catastrophic failure of the present world order, the world just can't seem to get enough of the Olympics. Saturday night, I watched the opening ceremony for the The 2nd Summer Youth Olympic Games, in Nanjing, China. It was impressive on every level. The 2008 Summer Games in Beijing had set the bar unapproachably high for scale, but every other aspect of the presentation seemed to meet or exceed everything that has come before it. The projection technique that paints the stadium with imagery seems to be at least as good as in Sochi, even in the rain. A new technology projected animated 3D imagery into the air that was incredibly vivid. It was impressive for the broadcast audience and for those inside the stadium.
My interest in the show goes way beyond the superficial entertainment value. The ceremonial entertainment along with every other aspect of the Nanjing Olympic Games represents yet another Theurgistic mass ritual and “energy harvest” that is making the world ready to receive their (false) savior Apollo, son of Zeus, a subject that has been well documented on this blog and on TheOpenScroll.com. I'll just be touching on a few of the more notable elements in this post.
If you've been following this blog you should be very aware of the pending great hoax appointed for 2015. The opening ceremony was called “Light up the Future,” and it really bore witness to the hoax that will set the stage for the introduction and welcoming of the Antichrist beast. It will be a lighting of our very near future with Luciferian illumination, the illumination of Mary, which they demonstrate to us during the ceremony in a limited fashion. As described previously, a combination real and unreal imagery will be projected as a live global stream filtered from out of the past, present and future. The pan-media broadcast will be attended by a supernaturalism that will cause all but the elect to be deceived. (2 Thessalonians 2) If people do not even now perceive what is considered to be entertainments as the ritual modeling it really is, how can they possibly resist what's coming? If you don't know how to avoid being deceived in that hour, you just haven't been paying attention.
Before I address the ceremonial symbolism, let's consider the branding imagery for the games. It looks simple but it's layered with Occult meaning. I've already written at length about the meaning of the Olympic rings, presenting the truncated pyramid that invites Zeus and Apollo, and the fertility goddess, raising Osiris into Horus (Code 47). The dialog box framing the YOG (Youth Olympic Games) DNA script also signals Code 47, accenting the signal right triangle. The numbers produced by the two frames create an instance of Code 13 in a way that distinctly sets it within the context of the goddess. The first frame has 5 sides. The second has 8. Together, there are 13. It's the rebel lord beast signal, as produced by the goddess. Venus traces out a 5 point rosette in exactly 8 earth years, which requires 13 of its own orbits around the sun. The series of 5-8-13 are a Fibonacci set, which is why the spiral is used as a symbol of the goddess who raises Osiris into Horus. The frames speak to me of SD cards, memory chips, which I believe is intended because the Occult imagery attending the Games is literally transferring collective memories.
The 2 letters “n” in the stylized title “nanjing” are arches that represent the Gates of China. The Gate of Nanjing was built in the 14th century (13 hundreds) and is one of the city's thirteen in total. Historically, it's a big deal, and there's that number 13 again. It's known as the Gate of China, of the whole nation. By coloring the letters and the framing gates of the letters n they are suggesting stargates, and this is established very early in the opening ceremony in a video that features the rainbow mascot traveling the rainbow bridge, passing between two pillars, followed by a crowd. (Not unlike London 2012.) It's a familiar scene. The stargates open and the Horus-lawless one travels down through the Gemini Silver Gate, followed by a horde.
The dragon framed armillary sphere plays a very important role in the ceremony, and this early scene creates the fundamental association with stargate transit events.
Let's give the branding of the Games some more consideration. The city of On is highlighted in the way YOG DNA is arranged. It's where the Olympian Apollo was worshiped as the sun god by other names like Helios, Amun Ra and Horus. Aaron noted that YOG DNA is a simple anagram for “ANY GOD,” and I believe that's the primary signification. Worship any god but the one true God - that's a fundamental message that's easily gleaned from the Olympics. Idolatry. Worship any and every god. Another signification is GOY DNA, which is a reference to the gene pool exclusive of Israel. (A non-Yahweh tree without their inheritance) The word, ZION, that is typically encoded in Olympic logos refers to a hijacked version of what the God of Abraham, Isaac and Jacob has promised His chosen people. I believe another intended anagram is, GAY NOD, because homosexuality is a key part of the agenda that advances the world toward the welcoming of their false savior.
The climax of the opening ceremony is always the lighting of the Cauldron. The preparation for this involved high ritual throughout! See Our Lady of the Olympics to learn how this honoring of the flame is an ancient magickal ritual that involves the goddess of many names - Hestia, Hecate, Artemis - aka Mary.
The “sacred” flame was lit and dedicated ceremonially on Mt. Olympus in the customary way, on April 30, 2014. Check the Zeus (Satanic) calendar and you'll discover that it's the greatest Witches' Sabbat! It's Beltane Eve connected with Walpurgisnacht, Roodmas Day and the Grand Climax. Don't think that's unintended.
For these games, 90 million people virtually and ritualistically carried the torch because of the provision made for engagement. “The torch relay was divided into two parts. The first part was a digital relay where people who downloaded an app were able to participate in the relay through an interactive option called "Give Me Fire." When using this feature users were able to pass the Youth Olympic flame to their friends by touching their devices together. The relay visited 258 different online locations from the 204 participating NOCs over a 98 day period.” (Wikipedia)
The torch is known as the "Gate of Happiness." A structure resembling a city gate is found on the top part of the torch. There's the stargate, a kind of Tower of Babel. The torch is a phallic symbol, of Osiris. (Gate of) Happiness = haPENIS = reproductive sex magick with the torch goddess produces Horus ~ opens the eye of Horus, illuminating the world.
The Cauldron was lit in a way that had never been done before, which compares somewhat to the way the flame was sourced directly from the gods in heaven. The fire was started in Greece using a parabolic mirror to focus the sun's rays. When the Cauldron located above and adjacent to the Olympic Stadium was lit last night, it was when the last torch bearer touched that flame to a point on a special structure, which carried the flame around and to its top. The pyrotechnics were designed to launch fireworks, and like flaming arrows, they carried the Sacred Flame from that structure inside the stadium up to the Cauldron, lighting it with the flame that had been ritually sourced from the gods in the heavens on Walpurgisnacht. When you understand the structure as a representation of the gods in heaven and the fireworks as the fallen angel gods, you see how the ritual granted the gods another direct agency in lighting the Olympic Park, which must enhance the potency of the sacred flame's illuminating effect.
These images show the burning Cauldron as it's just been lit, then shortly after as the structure has gone fully neon - light activated.
The structure features an armillary sphere. That object has a central role throughout most of the ceremony. The central character, the “protagonist” who pursues the ancient dream carries one around. Early on, we're told this object was used to locate celestial bodies. The models we see during the ceremony are supposed to be referencing the one from the Yuan Dynasty (probably made in the 13 hundreds) found in Nanjing's Purple Mountain Observatory, along with the telescope replicated on the opposite side of the Olympic stadium.
More is meant by the device than to indicate a merely astronomical function. The key is in understanding its use in astrology and divination, and identifying the ancient gods as the celestial bodies. It is a universal idol that honors the host of heaven. Olympism is a religion, as the Baron Pierre de Coubertin insisted.
I write plenty about the 2nd Commandment and the consequences we reap unto ourselves for disobedience. It's bundled together with the command against the idolatry of worshiping the celestial bodies, which are more than simply lights in the sky. They represent the host of heaven, spiritual entities, angels.
15 “So watch yourselves carefully, since you did not see any form on the day the Lord spoke to you at Horeb from the midst of the fire, 16 so that you do not act corruptly and make a graven image for yourselves in the form of any figure, the likeness of male or female, 17 the likeness of any animal that is on the earth, the likeness of any winged bird that flies in the sky, 18 the likeness of anything that creeps on the ground, the likeness of any fish that is in the water below the earth. 19 And beware not to lift up your eyes to heaven and see the sun and the moon and the stars, all the host of heaven, and be drawn away and worship them and serve them, those which the Lord your God has allotted to all the peoples under the whole heaven.~ Deuteronomy 4:15-19
Those ringing the top of the columned armillary sphere represent the gods in the heavens, the celestial bodies. That's why there's an army of Nike goddess priestesses worshiping at the object, which is a temple. They are bathed in a waves of light of a roseate hue, as would have been heard in the singing of the Olympic Hymn. They are wreathing the gods who sponsor the Games.
Compare it with the famed scene from antiquity that was found on the ceiling of the portico at Dendera, in Egypt.
The producers of these Occult entertainments practice Theurgy. They exalt the celestial bodies to exploit the Seirai that unite the Orders of Being according to the direction they receive from that other realm of the spirit.
“Additionally the theurgist sought to ascend into the presence of the gods by using symbols, signs, words, sounds, godly materials called seirai (chords, chains, "processions") which united Orders of beings with Celestial bodies, "A Great Chain of Being." The practice of theurgy would only convey influence from the gods if the symbols and rituals used were taught by the gods. This is why Plato said 'great power of geometric equality exists amongst both gods and men.'”
(The David Flynn Collection - Kindle Edition)
Another student of the arcane noted the following.
“By the Principle of Continuity we can see that there must be a connection between the "highest" and "lowest" realms, between the One and Matter, and connecting all things in between. These are the divine Seirai (Chords, Chains, "Processions"), which unite the Orders of Being. Thus we have connections with the Celestial Bodies and are influenced by Them, who in turn convey influences from the Gods; this is the basis of astrology. We are all connected in the 'Great Chain of Being.'”
(A Summary of Pythagorean Theology by John Opsopaus)
The influences from the gods are being conveyed. Can you accept it? That declaration is entirely consistent with biblical revelation. This is why we see the same messages in symbol language repeating over and over again, in a seemingly endless variety of ways. The streams of narrative flow together like tributaries into a mighty river. The diverse masses are borne along in the collective flow, being readied to be poured out into their appointed destination. The Great Harlot Mystery Babylon sits on many waters.
As Aaron and I reviewed what we had been seeing during the ceremony, he noted how the armillary sphere temple resembled the machine built in the film, Contact (1997). As I explored the association it became apparent that the producers of the film and those responsible for the Olympic Ceremony were basically working off the same notes. Contact was based on Carl Sagan's best selling novel of the same name (published in 1985). From Carl's Wikipedia bio: “His contributions were central to the discovery of the high surface temperatures of Venus. However, he is best known for his contributions to the scientific research of extraterrestrial life...” Carl Sagan was involved with the film production but died before it was completed. He “knew stuff.”
The film stars Jodie Foster as Ellie Arroway. She was dropped (gravity) from a crane-like platform (pedestal) into a machine that looked like the Olympic armillary sphere. That was a stargate, built from the blueprints furnished by aliens) that transported her through a wormhole. She visited a distant place where she had interaction with a being she recognized as a dead ancestor (her father). There's a time manipulation because no time passed on earth during the event, while 18 hours (6+6+6) passed in her experience as the traveler. The fiery ARROWay was shot from the machine through a wormhole to reach her heavenly target. Likewise, flaming arrows were shot from the armillary sphere temple toward their target in the heavens. And, with everything else I'm noting, that can't be just a coincidence.
In the scene of the film where extraterrestrial contact is being discovered, the first content recognized in the coded digital message received from space is a video clip from a historical television broadcast. Claimed to be the very first television broadcast, it showed Adolf Hitler's brief address at the 1936 Summer Olympics in Berlin. So, it was the opening ceremony of the Olympics. The opening ceremony of the Olympics. There's a connection. You got that, right? There will be another link made, with Hitler, so keep that in mind.
It is a fact that Hitler officially opened those Games with these words, “I proclaim the Games of Berlin, celebrating the eleventh Olympiad of the modern era, to be open.” This is the translation from German, of course. In the film version, the character played by William Fichtner interpreted his message as, "I declare the Games in Berlin, at the celebration of the first Olympics of the new era, as open." I wonder if the Games in Nanjing where an allusion to this film was made through this armillary sphere temple might be considered as the first of a new era. With Sochi's Olympics and Paralympics past, I thought that particular body of ritual work was done. I was surprised to discover the YOG ceremony, stumbling upon it while I was programming the DVR to record some shows. Providence. Thank you Lord!
In Contact, William Fichtner's character was named Kent Clark. He was blind, but he had exceptional inSIGHT. You really have to “see” what's going on here and identify him with Clark Kent, the DC Comics character who wore fake glasses as a disguise to conceal his alter identity as Superman. He pretended to have poor eyesight but he really had X-ray vision. Make the connections here - Übermensch. Lebensborn = “Wellspring or Fount of Life” --- Hitler assigned his SS agent Heinrich Himmler to carry out this breeding program. Hitler made a profession to the effect that this effort was really about the hybridized line of the fallen angels, Nephilim. In the context of the Olympics, it's the agenda of populating the world with the gods of Olympus and their offspring.
Contact also contained video clips of President Bill Clinton (2 terms spanning 1993-2001) that were sourced from televised broadcasts. These caused some controversy. His digitally composited image, with his messages, were edited and set within quite another context to adapt the meaning for their purposes. Think about how that supports what I've presented about the coming hoax as a segue to the revealing of the lawless one! Reinterpreting the past in a broadcast of edited historical content. Bill Clinton. Alien contact. He was heard to say, “We will continue to listen closely to what it has to say as we continue the search for answers and for knowledge that is as old as humanity itself but essential to our people's future.” Hmmmm. ...“as old as humanity itself but essential to our people's future.” He was also heard to say, “We are monitoring what has actually happened.” Think about it. Beans are being spilled here.
The following extract provides some useful insight.
“Jörg Lanz von Liebenfels (July 19, 1874 - April 22, 1954) was a Austrian occultist, former Cistercian monk, and founder of the Ariosophy movement. He was a friend of student of Guido von List. Lanz von Liebenfels helped found the "Guido-von-List-Gesellschaft" (Guido von List society) in 1905 and in 1907 he founded the "Ordo Novi Templi" (Order of the New Templars). He published the magazine 'Ostara', regularly read by Adolf Hitler. The magazine was founded in 1905 by Lanz, (name of the German goddess of Easter spring) took a huge spread in the German countries, reaching runs over 100,000 copies. It appeared in two series, from 1905 to 1917, eighty-nine numbers and published from 1922 to 1927, with twelve more numbers In 1904, he published his book 'Theozoologie' in which he glorified the "Aryan race" as "Gottmenschen" ("god-men"). Liebenfels proposed the existence of the Gotter-Elektron (the Electron of the Gods), which was a cosmic life force - also known as the 'vril' - which would only be found in the pure blooded Aryans, and which would be capable of transforming them into the Übermensch. Liebenfels states that "the Aryans are the masterpiece of the gods, and are endowed with supernatural and paranormal, powers derived from the Grail (Gotter-Elektron) emanating from 'centres of power' that confer absolute supremacy over any other creature. The emblem that Liebenfels chose to use was the swastika. ”
So, Hitler read von Liebenfels' magazine, “Ostara” (and took that same symbol for his Nazi party, the swastika). Ostara, that's Isis-Mary, Our Lady of the Olympics.
During the YOG DNA Games, the name Mary was heard many times in NLP rich dialogue throughout the entertainments (NBC Olympics production). It was always cloaked in the pretext of naming the commentator, Mary Carillo. I noted how the goddess of war and “their rebellion” was signaled when the color guard marched out to raise the national flag of China. It's a red flag. See Our Lady of the Nations. Red China is communist. The Queen of All unites all into one. The flag features 5 point stars, 5 of them. Horus, and Venus. The blood red Venus rose. The goddess was evoked throughout as the symbol rich flags of the nations were given plenty of broadcast coverage. When the Olympic rings symbol was dramatically created it was done through expanding concentric rings to pass first through a momentary formation of the triquetra, the triple goddess symbol and signal of the triple helix DNA that will characterize beast and mark of the beast genetics.
I'm going to repeat an excerpt from ThirdReichOccultHistory.com. “Liebenfels proposed the existence of the Gotter-Elektron (the Electron of the Gods), which was a cosmic life force - also known as the 'vril' - which would only be found in the pure blooded Aryans, and which would be capable of transforming them into the Übermensch.” Gotter-Elektron, the Electron of the Gods. Think, god particle, the Higgs Boson and CERN's LHC collider. During the opening ceremony, I believe the LHC was illustrated to us as the key to opening up the Silver Gate.
Recall the award medals from London, 2012.
See the armillary sphere as a standard model of the atom with orbiting electrons. Light beams were fired from the telescope like a laser cannon, representing the high energy particle beams fired from the accelerator. When the Cauldron was about to be lit, the light emitting telescope was aimed at the armillary sphere, and there was an impending particle collision! Consider the Gotter-Elektron - Vril - the Übermensch. When you see this image of the dragon legged armillary sphere behind the rainbow bridge I captured from the opening video segment, let it speak to you of the role of the LHC's particle collider in opening the stargate. That's the message implied. The YOG DNA rainbow clothed transdimensional antichrist mascot is a motion blur as he makes his from beyond, with a horde following after. Other entities will stream through. Ultimately the beast that will result in that antichrist spirit's incursion will be reproduced through DNA replication, his mark, and many duped humans will become hosts, avatars.
The runner with the torch bearing the sacred flame climbed up on a platform with other runners. Four runners in red attended her on the open upper deck, and others were visible inside the platform. Human ritual energy was represented, I believe, and the spirits of the underworld. The 5 on the deck represent Horus, and the goddess, and everyone in the world. The light of the torch is the Sacred Flame of Apollo carried by the Olympian goddess.
The platform moved across the stadium toward the atomic sphere. See the torch as the particle emitted from CERN's LHC. The flame is the inherent Vril Gotter-Elektron, the God Particle. When the flame reached the atomic particle construct, the torch was touched to a special place to trigger the pyrotechnics. There was an explosion, the particle collision. The result was spectacular as the collision reaction resulted in the intended illumination of the Olympic park, creating the Temple of Zeus under the roseate hue. The stargate opened and Horus came through. The people of the world were illuminated with opened eyes of Horus. The lawless one was received and celebrated, applauded by the masses. And so it will be in reality, as modeled by the IOC specialists in Theurgy.
When we see this image painted into the atmosphere we should consider the energy harvested from the human power cone as being channeled into the heavens from Purple Mountain's telescope and armillary sphere. The sky donut is a torus, the Silver Gate. In a flash, it was replaced by a momentary image of a starry seed-like object. A seed has been planted. The Tower of Babel gambit failed once, but the Memory Tower of Beijing's Olympic closing ceremony (seen in this image) and this impressive human cone sequence in Nanjing aren't for naught.
By Aaron Hermann Some of you may have noticed this, but for those of you who missed it this article that hit the AP web site on August 15th was another major signal of the impending pandemic. With the majority of the world's attention focused on the Ebola scare, some folks are forgetting about the work of Fouchier and Kawaoka and what they have done concerning the Bird Flu. Forgetting all that they have done and all of the signaling that has pointed to their work would be a mistake.
“NEW YORK (AP) -- A government scientist kept silent about a potentially dangerous lab blunder and revealed it only after workers in another lab noticed something fishy, according to an internal investigation.
The accident happened in January at the headquarters of the Centers for Disease Control and Prevention in Atlanta. A lab scientist accidently mixed a deadly strain of bird flu with a tamer strain, and sent the mix to another CDC lab and to an outside lab in Athens, Georgia.
No one was sickened by bird flu. But unsuspecting scientists worked with the viral mix for months before it was discovered.
CDC officials have called the incident the most worrisome in a series of lab safety problems at the government agency, long regarded as one of the most respected public health agencies in the world. Earlier this summer, a lab mishandled anthrax samples and both the bird flu and anthrax labs were shut down.
"We all feel horrible this happened," said Dr. Anne Schuchat, who oversees the CDC's Influenza Division - which includes the lab where the bird flu accident took place.
Because of employee privacy rules, she said she could not name the lab scientist or the leader of the scientist's team, who were both faulted in the investigation report released Friday. She said disciplinary actions are taking place, but she did not provide any details.
CDC's release of the report is one of many signs the agency is trying to make things right, said Dr. William Schaffner, an infectious disease expert at Vanderbilt University. But he added that the CDC should at least disclose any disciplinary measures, to reassure the public that the agency is taking the matter seriously.
According to the report, the lab scientist was doing work with both bird flu strains - the deadly form and a tamer version. Lab rules call for them to be handled separately, and the tasks should take at least 90 minutes.
The CDC investigation found the work was completed in 51 minutes. That's a clear indication the scientist took short-cuts, Schuchat said.
The lab scientist told investigators that the work was done in the proper sequence, but noted being rushed to finish the job and attend a meeting. CDC officials say it's possible the scientist worked on both strains at the same time.
In February, some of the mixed virus sample was sent to another CDC lab in Atlanta. In March, a shipment of it went to a U.S. Department of Agriculture laboratory in Athens. For a study, the bird flu virus was given to chickens. The chickens died, prompting USDA staff to take a hard look at the sample and detect the deadly strain.
The USDA lab notified the CDC lab in May, and the CDC lab confirmed the finding.
But the CDC team leader didn't report what happened to supervisors or anyone else, reasoning that the viral mix was at all times contained in specialized laboratories and was never a threat to the public, the investigation report said.
CDC officials were only notified in June after the second CDC lab reported a problem with its sample. Two weeks later, CDC Director Dr. Tom Frieden was notified.
Frieden ordered the flu and anthrax labs closed, an internal review and other steps. The anthrax lab director resigned last month.”
The enemies of the Creator spill the beans on their planned star wars, where celestial stargates are leveraged to wage war in the heavens. While some success is granted, the version presented in Strawberry Swing falsely represents the final outcome.
The 19th chapter of Revelation presents a fairly graphic picture. The beast and the Marian Papal false prophet have the primary responsibility for the rebel alliance that will engage in the campaign of Armageddon, in a non-fiction version of star-angel wars. The kings of the earth and their armies will be brought to a confrontation with my Lord, the King of Kings and Lord of Lords, in the final offensive of this age. They won't be thinking to use clubs, knives, arrows, guns, missiles, lasers or other directed energy weapons of a physical nature so much as the supernaturally charged weapons of their “beyond high tech” arsenal.
19 And I saw the beast and the kings of the earth and their armies assembled to make war against Him who sat on the horse and against His army. 20 And the beast was seized, and with him the false prophet who performed the signs in his presence, by which he deceived those who had received the mark of the beast and those who worshiped his image; these two were thrown alive into the lake of fire which burns with brimstone. 21 And the rest were killed with the sword which came from the mouth of Him who sat on the horse, and all the birds were filled with their flesh.~ Revelation 19:19-21
The revolution that leads up to that day is being sponsored by the goddess Mary (“their rebellion”). Coldplay's goddess actively promotes the revolution through the magickal exploitation of ritual symbolism. That same rose goddess Liberty-Marianne of Delacroix's painting is recruiting and training and uniting her warriors. She is appointed to prepare the world for the ultimate coup d'etat where the intent is to overthrow divine order on the highest level, displacing even the Creator Himself. Their enemy is sovereign and that assault will result in an epic failure. Yet, here's how it goes down, from the music video's perspective.
The sovereign Yahweh is pictured as the mean giant squirrel that holds the Queen captive in his sky castle. I'll present some of the details that support this allegorical interpretation shortly. The antichrist superhero overcomes the castle guard and gains access. His attempt to rescue the queen by stealth fails, so the clever hero devises another plan. He uses magical powers of synthesis to craft an acorn-bomb and uses it to distract the witless rodent-god while he rescues the queen. As he escapes with the queen, he lights the fuse, and as they fly away to safety the acorn-bomb blows up the evil squirrel-god and his off-world home. (Superhero with acorn: Thor, the antichrist seed of the “oak” tree)
The superhero and the rescued queen see a sunrise as they approach their destination. In the midst of the butterfly remnants of the old heavens, the antichrist superhero celebrates Victory, Liberty and Freedom with his rescued queen as in the new heavens.
That's the Adversary's plan, as sold. I don't doubt that this version compares very closely to one of the sequences that will be broadcast during the hoax that will be projected as pictured during the video's scene of the transit of Venus. By the way, that hoax is coming within 8 months time.
Here's some biblical descriptions of what's been twisted up in the video.
1 Then I saw a new heaven and a new earth; for the first heaven and the first earth passed away, and there is no longer any sea. 2 And I saw the holy city, new Jerusalem, coming down out of heaven from God, made ready as a bride adorned for her husband.~ Revelation 21:1-2
7 But by His word the present heavens and earth are being reserved for fire, kept for the day of judgment and destruction of ungodly men. 8 But do not let this one fact escape your notice, beloved, that with the Lord one day is like a thousand years, and a thousand years like one day. 9 The Lord is not slow about His promise, as some count slowness, but is patient toward you, not wishing for any to perish but for all to come to repentance. 10 But the day of the Lord will come like a thief, in which the heavens will pass away with a roar and the elements will be destroyed with intense heat, and the earth and its works will be burned up. 11 Since all these things are to be destroyed in this way, what sort of people ought you to be in holy conduct and godliness, 12 looking for and hastening the coming of the day of God, because of which the heavens will be destroyed by burning, and the elements will melt with intense heat! 13 But according to His promise we are looking for new heavens and a new earth, in which righteousness dwells.~ 2 Peter 3:7-13
The ungodly will not have the victory.
The superhero Antichrist leaves his Anti-bride on the moon, as her inheritance. The rescued queen represents the collection of people who are promised a merging with Horus, and Zion, and also the goddess who sponsors that delusion by inspiring their false faith, hope and love.
The first battle takes place when the superhero encounters the giant squirrel high above the city. The arrows fired by the squirrel appear to be an effort to keep him from rescuing the captive queen. As taking place over the city, the aerial battle is really being waged in the heavens. When the squirrel clips the cape-wings, the masked superhero falls to the earth, splashing down in the sea. It's a snapshot of the baptism,the first one in a series that concludes when Chris(t) emerges to set upon the top hat.
7 And there was war in heaven, Michael and his angels waging war with the dragon. The dragon and his angels waged war, 8 and they were not strong enough, and there was no longer a place found for them in heaven. 9 And the great dragon was thrown down, the serpent of old who is called the devil and Satan, who deceives the whole world; he was thrown down to the earth, and his angels were thrown down with him.~ Revelation 12:7-9
The time this pictures is April of 2015, the season of the revealing of the lawless one, and sealing of the 144k sons of Israel that is concurrent with the Bride Theft. There is some validity in this modeling from Strawberry Swing. During this battle we hear the words sung, “Everybody was for fighting.”
Chris is the bee-wings-clipped star seen falling from heaven, and when he ascends up on a cloud of pipe smoke, because he just came out of a pipe, he seems to model a locust coming out of the smoke of the pit.
1 Then the fifth angel sounded, and I saw a star from heaven which had fallen to the earth; and the key of the bottomless pit was given to him. 2 He opened the bottomless pit, and smoke went up out of the pit, like the smoke of a great furnace; and the sun and the air were darkened by the smoke of the pit. 3 Then out of the smoke came locusts upon the earth, and power was given them, as the scorpions of the earth have power. 4 They were told not to hurt the grass of the earth, nor any green thing, nor any tree, but only the men who do not have the seal of God on their foreheads. ~ Revelation 9:1-4
1 After this I saw four angels standing at the four corners of the earth, holding back the four winds of the earth, so that no wind would blow on the earth or on the sea or on any tree. 2 And I saw another angel ascending from the rising of the sun, having the seal of the living God; and he cried out with a loud voice to the four angels to whom it was granted to harm the earth and the sea, 3 saying, “Do not harm the earth or the sea or the trees until we have sealed the bond-servants of our God on their foreheads.”~ Revelation 7:1-3
There are other relevant passages of scripture that speak to me about the scope of this battle. The squirrel's arrows represent what I believe are angels and also the saints as the sovereign God's seed, his offspring deployed in spiritual warfare. In these passages we see varying degrees of our engagement.
1 Unless the Lord builds the house, They labor in vain who build it; Unless the Lord guards the city, The watchman keeps awake in vain. 2 It is vain for you to rise up early, To retire late, To eat the bread of painful labors; For He gives to His beloved even in his sleep. 3 Behold, children are a gift of the Lord, The fruit of the womb is a reward. 4 Like arrows in the hand of a warrior, So are the children of one’s youth. 5 How blessed is the man whose quiver is full of them; They will not be ashamed When they speak with their enemies in the gate.~ Psalm 127
Like I wrote in the previous post in series, the arrows fired by the squirrel won't be the only arrows fired in the battle. St. Louis de Montfort uses this language to describe the Marian agents in, True Devotion to Mary. “They shall be "like sharp arrows in the hand of the powerful" Mary, to pierce Her enemies.”
10 My shield is with God, Who saves the upright in heart. 11 God is a righteous judge, And a God who has indignation every day. 12 If a man does not repent, He will sharpen His sword; He has bent His bow and made it ready. 13 He has also prepared for Himself deadly weapons; He makes His arrows fiery shafts.~ Psalm 7:10-13
15 Now when the attendant of the man of God had risen early and gone out, behold, an army with horses and chariots was circling the city. And his servant said to him, “Alas, my master! What shall we do?” 16 So he answered, “Do not fear, for those who are with us are more than those who are with them.” 17 Then Elisha prayed and said, “O Lord, I pray, open his eyes that he may see.” And the Lord opened the servant’s eyes and he saw; and behold, the mountain was full of horses and chariots of fire all around Elisha.~ 1 Kings 6:15-17
10 Finally, be strong in the Lord and in the strength of His might. 11 Put on the full armor of God, so that you will be able to stand firm against the schemes of the devil. 12 For our struggle is not against flesh and blood, but against the rulers, against the powers, against the world forces of this darkness, against the spiritual forces of wickedness in the heavenly places. 13 Therefore, take up the full armor of God, so that you will be able to resist in the evil day, and having done everything, to stand firm. 14 Stand firm therefore, having girded your loins with truth, and having put on the breastplate of righteousness, 15 and having shod your feet with the preparation of the gospel of peace; 16 in addition to all, taking up the shield of faith with which you will be able to extinguish all the flaming arrows of the evil one. 17 And take the helmet of salvation, and the sword of the Spirit, which is the word of God.~ Ephesian 6:10-17
A relevant picture of the warfare on the stargates (Hebrew: mecilah - their courses) appears in Judges 5.
20 “The stars fought from heaven, From their courses they fought against Sisera. 21 “The torrent of Kishon swept them away, The ancient torrent, the torrent Kishon. O my soul, march on with strength.~ Judges 5:20-21
After the warfare that precedes the baptism and anointing stargate transit, another battle sequence takes place as the superhero lays siege to the heavenly fortress. The way he defeats the guard is revealing. The props drawn into the setting of the squirrel's sky lair are also very revealing.
As the superhero ascends on the cloud of smoke he acquires a red paddle, which he uses to paddle his way up to the sky castle. Consider how the superhero grabs the paddle with his left hand and paddles only to his left to advance to his left on the way up. He's on the left-hand path. He then uses it in some sword play with the castle guard. Red is the color of blood, which is spilled in sword fighting. Using the red paddle to ascend speaks to me of blood ritual that raises energy, granting the agents responsible increased authority. Massive amounts of blood have been spilled already for this reason, on ritual days (touching on the SRA Illuminati trauma-based layer of symbolism) and in wars, and much more is about to be spilled (Black Awakening...). The sum of it is required to ascend the warriors to a place of readiness to engage in the battles of Armageddon, setting the scene for the concluding face-off.
The superhero takes off the head of a guard (face off) and uses the skull to bowl the pins (British, slang for legs) down. When thunder is heard, it is the gods in heaven, bowling, as I was told so many years ago. The thunderbolt or lightning bolt is the weapon of Zeus. Zeus, aka Satan, is bringing the conflict as in the days of old, with the tower of Babel gambit.
Chris ascended into the heavens and the battle took place outside the gates of the castle-fortress-temple-abode. I compare the leg-guards to the Egyptian hieroglyph for walking, where the columns or pillars represent the stargates.
Inside the castle we find some symbolism employed that you might find very familiar. When I mentioned in Part 3 how the grandfather clock's pendulum was still, I presented it in the context of identifying Alice in Wonderland through the cessation of time that resulted in the Mad Hatter's continual tea party. The abode of the Creator exists outside the realm of space-time so there is no time in that part of His domain. In a very real sense it's always now, and then, or like time has stopped. The scene is very personal to me because, about 15 years ago, I found myself in what I call the timeless place, near to the throne of the Most High God. (Release of the Apostolic Anointing in 1988, Henry Gruver, Translation and “Because of the Elect”) The still pendulum supports the identification of the squirrel as the Most High God and the sky castle as His abode.
When the producers of the music video present the one true God as a furry rodent it's an assault on His character. He is vicious and not very sporting when he cranks out arrows at the poor superhero, who has only an umbrella for defense. When the rodent-god reaches around with his giant scissors, he's a sneaky cheater. He holds the queen captive and tortures her by flooding her chamber. Bad squirrel god, who gets his jollies by making others suffer. (The sovereign God is keeping the spirits in chains, agents bound since the flood, and the Devil's got revenge in his heart.) The squirrel-god's castle is guarded by sodomite angel pirates (high heels, starlight yellow stockings) Thieving pirates live for rum, bum and the lash, so he's obviously a hypocrite because he condemns that very behavior. The accusations leveled against the squirrel-god continue as the superhero sneaks past the furnishings toward the big meany. All the items are old fashioned, from the antique phonograph to the Grandfather clock. It suggests that he's out of touch with the times. The Mona Lisa belongs in The Louvre, suggesting he's a thief. The large rocking horse suggests that he's juvenile in behavior. The leaning clock suggests that he's lazy and careless about maintaining things because it only needs to be stood upright to restore it to order. Do any of these accusations seem familiar? Such as that is heard outside the professing church, and also inside. The Lord will vindicate Himself, in due time.
There's much more to be written about the symbolism of the furnishings. It's the stargate transit imagery in this video set that I find so very compelling as a sign!
The signs of the goddess are pervasive in architecture, fashion, sporting equipment and organizations, media of logos, ads, commercials, movies, song lyrics, music video imagery... and what is commonly accepted about it is that it's all just good marketing. It's a working of the pharmakeia of the Great City Babylon the Great, Mother of Harlots. Revelation 18 presents her relationship with the merchants of the earth. The goddess has universal appeal, of course, to the carnal flesh. This exploitation of symbols is an expression of rebellion against the authority of our Creator, who gave us the second commandment for our protection. That's the one forbidding the making of images.
Pharmakeia. Have you seen commercials and ads for Invokana? Expanded, it is a directive: Invoke Inanna. Like a witch. The parent company has Cernunnos branding. The Invokana branding emphasizes the goddess V (Venus-Virgin-vagina-Viator) in a way that presents a “3 things and then a 4th” signal.
Maybelline. Their tagline is “Maybe it's Maybelline.” May-BEE it's May-bel-line The May bee is the May Queen and Queen Bee. Bel or bell or belle is another goddess name reference. The beautiful rose goddess is Venus-Aphrodite. “Fall in love” ~ the goddess of love. “Maybe she's born with it.” Birth - reproduction and mother goddess.
“Magnified shine feels so DIVINE” - “Shine SEDUCTION”
What's the story behind cosmetics?
And Azâzêl taught men to make swords, and knives, and shields, and breastplates, and made known to them the metals of the earth and the art of working them, and bracelets, and ornaments, and the use of antimony, and the beautifying of the eyelids, and all kinds of costly stones, and all colouring tinctures. And there arose much godlessness, and they committed fornication, and they were led astray, and became corrupt in all their ways. Semjâzâ taught enchantments, and root-cuttings, 'Armârôs the resolving of enchantments, Barâqîjâl (taught) astrology, Kôkabêl the constellations, Êzêqêêl the knowledge of the clouds, Araqiêl the signs of the earth, Shamsiêl the signs of the sun, and Sariêl the course of the moon. And as men perished, they cried, and their cry went up to heaven...~ Enoch 8
The largest online retailer is the merchandising giant, Amazon.
Amazon: “A member of a nation of women warriors reputed to have lived in Scythia.” “The historical Amazons were Scythians, an Iranian people renowned for their cavalry. The first Greeks to come into contact with the Iranians were the Ionians, who lived on the coast of Asia Minor and were constantly threatened by the Persians, the most important of the Iranian peoples. Amazon is the Ionian Greek form of the Iranian word ha-mazan, 'fighting together.'” (The American Heritage® Dictionary of the English Language)
Amazon (Mary) - The goddess of war is drawing the world to herself, uniting them, to fight together - leading a revolt against the Creator. Amazon... and you're done. Competition: She will put you down!
The company started out in 1994 as cadabra.com - a magick word related to abracadabra or abrahadabra. When Jeff Bezos changed it in 1995 and went online as Amazon.com the branding changed from honoring the goddess in one role to honoring her in another.
In checking recent news, I came upon CNN's website. Goddess imagery. First, here's the news report.
Spy satellites fighting crime from space “The satellite was sensitive enough to pick up a rabbit hole under bushes, and the disturbance caused by shotgun shells used in clay pigeon shooting. By systematically eliminating possible sites of the grave, police say their eye in the sky has saved them months of fruitless work. The search for Alayed's body is ongoing, but Marsh believes a significant breakthrough has been made.”
“We see this technology as taking us into the next generation of crime investigation. For me it's a 'wow factor' to have assistance from a satellite in space rather than using a spade on the ground. This is moving forward.”
Those of you who think you're going to be sneaking around to escape persecution while trying save your life, it's not a good bet. The Lord might have something better in mind.
For whoever wishes to save his life will lose it; but whoever loses his life for My sake will find it.~ Matthew 16:25
The honeycomb structure of space-time. Their image signals the Queen honeybee of heaven's domain. The red CNN script - goddess - and the globe is a Gaia goddess symbol.
CNN, heralding lies around the globe as the goddess bewitches the world with her mind-control scripts.
See the CNN script logo's double N as a W - goddess bent elbow - nestled between the bracketing curves of the C and globe. CW = 33 - and the red NN split by the white makes two 3 forms, 33.
CNN 3+14+14 = 31~13 -- Code 13 - 13 pieces of Osiris raised by Isis-Mary (their rebellion ~ 13) into Horus.
CNN slogan: “Go There - This is CNN” Go there as the traveler - Viator-Beatrice-Beatrix.
Anything that follows Part 2 in this series is going to be rather anticlimactic, but yet there's more of value to be added. There's more goddess Queen Bee resurrection imagery, biblical modeling of celestial stargates and battles in the heavens, and I've hardly even introduced the Illuminati programming layer. The enemies of the Creator know plenty about what's coming, and in the usual way they put the plot on exhibit for the working of theurgistic ritual magick - concealing it in symbol yet revealing it to those who can interpret the meaning.
The theme of resurrection was highlighted in parts 1 and 2, with a focus on the modeling of the baptism of the lawless one. Baptism is itself a resurrection model. Occult writers claim the bee and hive symbolism suggests resurrection. It's about Isis raising Osiris into Horus. Emphasis is put on role of the fertile goddess as the Queen Bee, and also on the worker bees' role in the pollination that is essential for life on this planet, and also on the healing and embalming properties of honey. This is why we find subtle imagery of the bee as one of the prevailing themes, with other complementary references to the goddess who is worshiped by the producers of the video.
The queen rescued by the superhero is Venus. She is in the half-teacup filling with water, wearing the crown of five rays. Venus, Stella Maris, the star of the sea. The number five is silently signaled by Venus as the planet moves through the heavens. Her symbols appear in scenes as the moon and the sea from which she was birthed. When Chris uses the umbrella as a boat, allusion is made to the scallop shell as pictured in Botticelli's classic, The Birth of Venus. When Chris is swallowed by the sea monster. Before we see it as a fish it's recognized as a lion, as famously marking the approach to the Gate of Ishtar. It's actually a lion fish, strengthening the association further.
As described in the previous posts, inside the lion-fish goddess is a hat wearing fish, Dagon-Venus-Pope. The Star of Inanna is pictured in the manhole cover. The ceiling fan is another version of the star, and the "starfish" goddess symbol is made as the fish walks right under it. Liberty-Marianne appears as in the Delacroix painting.
The goddess Ariadne is referenced as the goddess who provides the exit for Chris to emerge from the pipe and stove-pipe hat. It's based upon the legend of Theseus as he kills the Minotaur. The success of that mission depended on Ariadne, who provided a way out of the labyrinth, which was represented in the video by the winding path of the plumbing. With an understanding of Illuminati programming, you should be able to identify the scene where Chris is peacefully sitting on the stove-pipe hat of Delacroix in the presence of Liberty, while she is leading the people in violent revolution. When a mind-controlled slave is sodomized with a crucifix it's called, The Peace of Mary.
When the superhero enters the cloud-castle and sneaks across the room, he passes a painting of the Mona Lisa. The name is a doubled reference to the goddess. Mona is derived from Madonna. Lisa is another name linked to the goddess. Leonardo da Vinci painted her with the famously ambiguous smile and with eyes that some experts claim are painted with a special stereo technique. They seem to follow you. He was an esoteric master, creating the Last Supper and the Vitruvian Man in addition to the Mona Lisa. He embedded secrets in his art. His patrons were significant, and he had relationships with agents of the Vatican. Mona Lisa is a tribute to the goddess.
Strawberry Swing's captive queen is the Queen Bee. The superhero is a bee. He falls to earth when the squirrel snips off his cape because his bee wings were cut off. He gets new wings, being regenerated when he rescues the Queen Bee and dons the membrane that held the water in her chamber. They fly off together, and her appearance is also bee-like, with bee-banded stockings. They land on the moon (goddess) and celebrate Liberty and Freedom together, performing the bent-elbow bee dance.
They kiss in the midst of butterflies. (Butterfly Kisses) (TomorrowWorld's logo, a Rose-Butterfly)
(source) “Another insect even more closely associated with Ariadne was the bee. She was in fact the survival of an extremely ancient Bee Goddess known all over the region. Sometimes called Melissa (Melitodes was also a title of Persephone) and representing the bee swarm that manifested the lifeforce of Nature, while also retaining the power of death in its stings. Bees were also thought to have been born from the carcass of a dead bull, and so represented the eternal lifeforce of the Bull God who went through cycles of life and death. Ariadne was thus the Shakti of Dionysos (who himself was identical with Shiva). The cymbal and drums of Rhea were also said to attract and dispel swarms of bees. More Dionysian, bees were the produces of honey the sacred nectar of the Goddess, which was fermented into the mead on which Ariadne’s devotees became intoxicated during their famous orgies. Long before wine was invented. The prototype of Dionysos was a Libyan mead god too. Honey was also used for embalming in Libya demonstrating the interelation of life and death. A honey rite was closely linked to the rising of Sirius, when initiates descended in underground caverns to find bees nests and take honey from them, which were then brought to the surface and fermented for forty days (and nights) to make mead (which they then became intoxicated on). Linguistically the Greek word To Ker related to the honeycomb, and also meant heart and breast, while E Ker meant death and fate and was associated with the Underworld Goddess.”
“The stylised bee also had the same form as the labrys, the double headed axe of the Goddess, which in turn was merged in art to the stylised form of the butterfly (another life – death motiff), the latter descending from an ancient Neolithic Butterfly Goddess (often accompanied by two winged dogs) representing regeneration. Artemis also descended from this archetype and was closely associated with Ariadne.”
Apollo and Artemis are suggested in the aerial battle scene's arrows, and the umbrella used a shield implies the protection of the goddess as Athena-Minerva. I'll expand on this shortly, but arrows are a reference to warriors. St. Louis de Montfort uses this language to describe the Marian agents in the classic work I referenced at the close of part 2, True Devotion to Mary. “They shall be "like sharp arrows in the hand of the powerful" Mary, to pierce Her enemies.” Arrows ~ bees with stingers. Both sides of that spiritual conflict have arrows.
The many clouds make reference to her identity as the wife of Odin, Frigga, goddess of the clouds. (CHAPTER XIX Friday--The Day of Freya) In the castle-fortress in the clouds, the acorn bomb makes reference to the oak and seed of the oak, Odin and Thor.
Instead of the rose imagery leveraged by Vida la Vida, this music video presents a much more subtle allusion to the goddess, through the strawberry. The flower of the strawberry presents the pentagram star. It compares to the rose as another flower drawn by the planetary motion, and to the apple. The title, Strawberry Swing, refers to the swinging of Venus through the heavens as it draws out the flower of the strawberry. I note how the strawberry depends heavily upon the bee. Do an image search for strawberry bee. Read this brochure, Bee pollination benefits for strawberry. The bee and strawberry are linked!
There are several ways the goddess is identified in connection with Lewis Carroll's Alice in Wonderland tales. The parallels exposed here could be explored at great length, even ignoring the central role it has on the mind-control programming layer. I'll just make a few observations that pertain to the goddess identity.
The crown wearing female inside the half teacup is Alice, at the Mad Hatter's tea party in Wonderland.
In, Alice in Wonderland, Disney's animated version from 1951, the Mad Hatter offers the March Hare some tea. In response, he slices a teacup in half and replies, “Just half a cup, if you don't mind.”
Across from the half teacup is a grandfather clock, on the other side of the giant squirrel. It leans against a column with the pendulum resting against the side of the cabinet. The clock has stopped, which is a metaphor for time standing still. This element supports the identification of the queen as Alice. In the Mad Hatter's tea party scene of Disney's Alice in Wonderland, the Mad Hatter reveals that they have tea all day because Time has punished him by eternally standing still at 6 pm (tea time).
Carroll's work wasn't nonsense. The March Hare and the White Rabbit picture Hermes, the psychopomp Anubis. The obsession with time is a tell. Rabbits are prolific breeders. His fantasy presents Alice in the role of the fertility goddess who is connected with the Easter bunny, Eastre, Oestre...
For another connection, in Through the Looking-Glass, in Chapter 7, "A Mad Tea-Party," Alice reveals that the date is "the fourth" and that the month is "May." Strawberry Swing's captive queen was tied to a pole, the spiral bound May pole, as the May Queen.
When you hear in the lyrics of Strawberry Swing, “such a perfect day,” it must be seen on one level as a reference to “the golden afternoon” when the Wonderland fantasy literature was inspired. Charles Dodgson was rowing on the river Isis in 1862 in the company of Alice Liddell, the introductory poem's Secunda, with her two sisters and the Reverend Robinson Duckworth. The Strawberry Swing's masked superhero was using a red paddle as he ascended to the princess in an Isis adventure.
By identifying the captive queen as Alice we can make another link to the goddess. Disney's Alice in Wonderland includes scenes taken from Through the Looking Glass (1871), the sequel to Alice's Adventures in Wonderland (1865). During the scenes with Tweedle Dee and Tweedle Dum and the Carpenter and Walrus and Dodo, she has a conversation with the White Rabbit, who is expressing some confusion about identity.
Alice: Now I wonder who lives here...
White Rabbit: Mary Ann! Drat that girl. Where did she put 'em? Mary Ann!
Alice: The rabbit!
White Rabbit: Mary Ann! No use, can't wait, I'm awfully late, oh me oh my oh me oh my!
Alice: Excuse me sir, but- but I've been trying to...
White Rabbit: Why, Mary Ann! What are you doing out here?
Alice: Mary Ann?
Consider the identification of Alice as Mary Ann. Mary - the blessed virgin of Rome. Ann - Inanna. Delacroix's Liberty Leading the People is Marianne, patroness of France.
“Liberty Leading the People,” pictured the revolution of 1870, and was painted in that same year. Alice Through the Looking Glass was published in 1871. I believe another period connection involves the literary giant and acclaimed artist, William Blake. ("And did those feet in ancient time") On the Wikipedia page for that poem is a section titled, Revolution, which describes him as a long time revolutionary who supported the Napoleonic wars and French Revolution.
Along with "The Red Flag", Parry's setting of Blake's classic poem to music as “Jerusalem” is sung each year at the closing of the annual Labour Party conference. See Our Lady of the Nations for why that's significant in connection with the goddess. The following facts should speak loudly to the work of the goddess, Liberty, Freedom, social activism in revolution led by “their rebellion,” Mary. “The song was used by the National Union of Women's Suffrage Societies (indeed it was their property until 1928, when they were wound up after women won the right to vote – see above in relation to Millicent Garret Fawcett). During the 1920s, many Women's Institutes (WI) started closing meetings by singing it, and this caught on nationally. Although it has never actually been adopted as the WI's official anthem, in practice it holds that position, and is an enduring element of the public image of the WI.”
The radical suffragettes were an army of militants.
Jerusalem was featured during the opening ceremony of the 2012 London Olympics. Strawberry Swing was performed during the closing ceremony, framing the ZION labeled (logo) games in that esoteric context.
Last night, I watched The Bee Movie, where the rebel protagonist, Barry B. Benson, closely followed Blake's revolutionary social action script. A true follower of the rebel Queen Bee.
The Strawberry Swing video is a deep esoteric work that is akin to the Viva la Vida videos. Goddess inspired, through and through.
The flight attendant uniforms all feature the standard wings, symbols of Horus and Isis. There's a layer of ritual sodomy symbolism from start to finish in the visuals and innuendo in the lyrics-titles. Grab a seat on Virgin America? Just in case we must evacuate? The nearest EXIT might be behind you? Woven in with that is an abundance of goddess symbolism, mostly honeybee references.
At 15 seconds in: “So honey zip your lips.” Uhhhhh, moving on. They slip in some owl referencing onomatopoeia about 10 seconds later, (whoo, whoo) which is used as a euphemism for the butt. At 36 seconds in, a disobedient habit-wearing nun is dealt with. She's a worshiper of the VIRGIN Mary, of course, whose name means, “their rebellion.” She's wearing a Rosary around her neck, the cross of the VIRGIN brand image. At 52 seconds she's shaking' her stuff and doing the dancing bee. “Fly away with me, Fly away with me, yeah.” Right. Fly away with the dancing honey bee goddess to go do some cross-pollination. At 3:22 she's acting like a ham, making allusion to Inanna-Ishtar's pig/boar symbol. She sings, “So look around and let us just remind you.” For insight into what VIRGIN Mary has to do with remembering, see this post. It's a BIG DEAL.
At 1:40, the girl wears a striped “bee suit” with a collection of bracelets that frequently attends Queen Bee goddess imagery. It's purple, and has a bow, for the ritual sodomy tie that binds. She's young, a presumed virgin. Before we can identify her as a bee we see her through a hole like we're looking into a bee hive. Watch for the W goddess dancing bee moves. The set's blank signs on stands are like honeycomb cells. The background grid presents XX figures and 8 rayed stars of Inanna. There are also upside down 5 point stars formed in the bottom row. Horus. Venus. Spirit into matter.
Her line about the changing cabin pressure alludes to bee flight in the hive, which regulates critical pressure-temperature variables. (PV=nRT for you chemistry buffs)
The following is from The Venus Blueprint: Uncovering the Ancient Science of Sacred Spaces by Richard Merrick. He writes the following about Rosslyn Chapel.
“We know the chapel is designed according to harmonic principles and that it resonates at specific frequencies compatible with its inner dimensions . We also know it is adorned with musical cubes, pentacles, musical cherubs, and beehives in the roof— all ancient fertility symbols for Venus. Given this, there could be secret funeral rites associated with Venus that require the chapel to be purified by heat in order to contain the purest music possible— the music carved into the cubes in the arches. These additional excerpts from Sir Walter Scott’s poem seem to confirm this connection to Venus and her mythical birth from the sea:
There are twenty of Roslin’s barons bold
Lie buried within that proud Chapelle;
Each one the holy vault doth hold—
But the sea holds lovely Rosabelle!
And each St. Clair was buried there,
With candle, with book and knell
But the sea-caves rung and the wild wings sung,
The dirge of lovely Rosabelle.
The name Rosabelle means “beautiful rose” and probably refers to the pentacle rose orbit pattern of Venus. Playing a purified dirge to Rosabelle, or Venus, could then have been a way to request assistance from the goddess to help the deceased baron into the afterlife. For the funeral dirge to work as an incantation or offering to the goddess, the chapel would naturally need to be tuned to Venus. This is where B and the bees come into the picture. First, it is important to know that honeybees are cold-blooded creatures and, as such, lack any kind of auto control over their body temperature. Because of this, the worker bees must contract flight muscles without moving their wings in order to keep the hive at a constant temperature. As it turns out, the temperature required to gestate the hive is about 33.888888 ° C or 93 ° F— the exact temperature needed to tune A-432 to the dimensions of the chapel. Honeybees are naturally resonant with A-432. So as a supreme offering to Venus, the chapel may well have been designed as a superheated, resonant honeycomb chamber tuned to A-432, thus providing a kind of spiritual launch pad for the Sinclair barons or, as Scott refers to them, “minstrels.” In particular, the dimensions could have been intended to amplify the sacred music of Venus’s children, the angelic honeybees, to invoke her assistance in reincarnating. Once heated, the chapel would become one with the hives on the roof, vibrating synchronously with the speed of sound inside the chapel. And in the process, the entire chapel would become an acoustical womb or gestation chamber believed to transmit the baron’s inner spirit into the outer cosmos of the gods.”
“You know that we won't be leaving you hangin'” - The “hanging goddess” is Ariadne, and Artemis. “You hangin'” - like a MARIONette.
“...don't worry oxygen flows” - Reverse the word “flow” to “wolf.” The wolf is linked to Apollo, and also with the Celtic goddess Morrighan, and Scottish, Cailleach.
“If you're traveling with someone” - The wanderer-traveler Viator, a Latin name from which is derived, Beatrice and Beatrix - BEE. Have you ever made a beeline for some destination?
CC = Code 33. At 2:40 the flight attendant does some dancing bee goddess moves while reminding of us of the VIRGIN's GI tract obsession: “Just in case we must evacuate.” That's followed by a line that emphasizes the killer bee militant Marian agenda - “We've got a plan of attack” - as well as making reference to the Beta-Delta programmed Illuminati army who will be led by the warrior goddess to do the Dance of Inanna - the bee dance where they swarm and sting their victims to death. See her toss the big dude in the leather and studs.
Virgin America. Queen of Heaven. Virgin America ~ VA ~ the opposing triangle letters that signal the union of the sons of god with the daughters of men, and the Virgin goddess with the god Amaru.
For something a little more laid back and old school, check out the dancing bee goddess in the music video for Blind Melon - No Rain.
The dancing girl wears a bee suit with the Venus loop trace on the front. The striped bands on her forearms are usually represented by many bracelets. Her frilly tutu is the rosette, the Venus Rose. She strikes the W pose a few times. Blind Melon also does the W - as a worker bee. At 2:13, she comes to a gate with a wreath of roses on it, and a crown of roses is a Rosary. The Rosette Seal of Inanna. It has Fibonacci spiral forms. Also, like Inanna's knot. She goes through the rose gate and enters into the presence of many bees dancing. An apiary (also known as a bee yard) is a place where beehives of honey bees are kept. There are honey bee yellow guitar “female” bodies. At the end she has been promoted to the status of the Queen Bee, the May Queen with the pole and ribbons.
And, speaking of ribbons...
This promotional imagery for the London Marathon, sponsored by Virgin, features plenty of goddess sex magick. The V with dot head and red heart (Valentine) are yonic, and the ribbon outlines her bottom. The runner is the dancing bee “virgin.” The heart is also the sodomite symbol. The X formed is the sign of the sun god, which calls out the supplemental mirrored RA (ARA) of Marathon. That also emphasizes the doubled ON endings, plus the third ON in London. On = Heliopolis.
The popular awareness ribbon is a goddess symbol. The loop is like the Venus trace loops, and the female genitalia and the astrological glyph for Virgo. The Virgin. Some ribbons present a down triangle in the loop, like the pubic patch of the goddess who crosses her legs in modesty. Several attributes of the “divine feminine” are evident in the phenomenal popularity of the awareness ribbon. Sensitivity and mothering, healing. The focus is on mortality, championing VICTORY over death, and a lot of emotion is evoked in connection with the ribbons, with ritual energy harvesting, and the harvesting of lives and funds, it must be said.
December 10th is the International Declaration of Human Rights Day and Breast Cancer Awareness. It's celebrated with the ringing of bells. Do you understand about bells? Mortality - Immortality. Magick. Fertility ritual. Bell = goddess and god fertility.
Even in the midst of the apparent catastrophic failure of the present world order, the world just can't seem to get enough of the Olympics. Saturday night, I watched the opening ceremony for the 
The 2nd Summer Youth Olympic Games
Let's give the branding of the Games some more consideration. The city of On is highlighted in the way YOG DNA is arranged. It's where the Olympian Apollo was worshiped as the sun god by other names like Helios, Amun Ra and Horus. Aaron noted that YOG DNA is a simple anagram for “ANY GOD,” and I believe that's the primary signification. Worship any god but the one true God - that's a fundamental message that's easily gleaned from the Olympics. Idolatry. Worship any and every god. Another signification is GOY DNA, which is a reference to the gene pool exclusive of Israel. (A non-Yahweh tree without their inheritance) The word, ZION, that is typically encoded in Olympic logos refers to a hijacked version of what the God of Abraham, Isaac and Jacob has promised His chosen people. I believe another intended anagram is, GAY NOD, because homosexuality is a key part of the agenda that advances the world toward the welcoming of their false savior. 
The fire was started in Greece using a parabolic mirror to focus the sun's rays. When the Cauldron located above and adjacent to the Olympic Stadium was lit last night, it was when the last torch bearer touched that flame to a point on a special structure, which carried the flame around and to its top. The pyrotechnics were designed to launch fireworks, and like flaming arrows, they carried the Sacred Flame from that structure inside the stadium up to the Cauldron, lighting it with the flame that had been ritually sourced from the gods in the heavens on Walpurgisnacht. When you understand the structure as a representation of the gods in heaven and the fireworks as the fallen angel gods, you see how the ritual granted the gods another direct agency in lighting the Olympic Park, which must enhance the potency of the sacred flame's illuminating effect. 
The models we see during the ceremony are supposed to be referencing the one from the Yuan Dynasty (probably made in the 13 hundreds) found in Nanjing's Purple Mountain Observatory, along with the telescope replicated on the opposite side of the Olympic stadium. 
As Aaron and I reviewed what we had been seeing during the ceremony, he noted how the armillary sphere temple resembled the machine built in the film, Contact (1997). As I explored the association it became apparent that the producers of the film and those responsible for the Olympic Ceremony were basically working off the same notes. Contact was based on Carl Sagan's best selling novel of the same name (published in 1985). From Carl's Wikipedia bio: “His contributions were central to the discovery of the high surface temperatures of Venus. However, he is best known for his contributions to the scientific research of extraterrestrial life...” Carl Sagan was involved with the film production but died before it was completed. He “knew stuff.”
It was always cloaked in the pretext of naming the commentator, Mary Carillo. I noted how the goddess of war and “their rebellion” was signaled when the color guard marched out to raise the national flag of China. It's a red flag. See 
I'm going to repeat an excerpt from ThirdReichOccultHistory.com. “Liebenfels proposed the existence of the Gotter-Elektron (the Electron of the Gods), which was a cosmic life force - also known as the 'vril' - which would only be found in the pure blooded Aryans, and which would be capable of transforming them into the Übermensch.” Gotter-Elektron, the Electron of the Gods. Think, god particle, the Higgs Boson and CERN's LHC collider. During the opening ceremony, I believe the LHC was illustrated to us as the key to opening up the Silver Gate. 
Human ritual energy was represented, I believe, and the spirits of the underworld. The 5 on the deck represent Horus, and the goddess, and everyone in the world. The light of the torch is the Sacred Flame of Apollo carried by the Olympian goddess. 
When we see this image painted into the atmosphere we should consider the energy harvested from the human power cone as being channeled into the heavens from Purple Mountain's telescope and armillary sphere. The sky donut is a torus, the Silver Gate. In a flash, it was replaced by a momentary image of a starry seed-like object. A seed has been planted. The Tower of Babel gambit failed once, but the Memory Tower of Beijing's Olympic closing ceremony (seen in this image) and this impressive human cone sequence in Nanjing aren't for naught. 
I compare the leg-guards to the Egyptian hieroglyph for walking, where the columns or pillars represent the stargates. 
The largest online retailer is the merchandising giant, Amazon. 
The honeycomb structure of space-time. Their image signals the Queen honeybee of heaven's domain. The red CNN script - goddess - and the globe is a Gaia goddess symbol. 
Her symbols appear in scenes as the moon and the sea from which she was birthed. When Chris uses the umbrella as a boat, allusion is made to the scallop shell as pictured in Botticelli's classic, The Birth of Venus. When Chris is swallowed by the sea monster. Before we see it as a fish it's recognized as a lion, as famously marking the approach to the Gate of Ishtar. It's actually a lion fish, strengthening the association further. 
The flight attendant uniforms all feature the standard wings, symbols of Horus and Isis. There's a layer of ritual sodomy symbolism from start to finish in the visuals and innuendo in the lyrics-titles. Grab a seat on Virgin America? Just in case we must evacuate? The nearest EXIT might be behind you? Woven in with that is an abundance of goddess symbolism, mostly honeybee references. 
At 36 seconds in, a disobedient habit-wearing nun is dealt with. She's a worshiper of the VIRGIN Mary, of course, whose name means, “their rebellion.” She's wearing a Rosary around her neck, the cross of the VIRGIN brand image. At 52 seconds she's shaking' her stuff and doing the dancing bee. “Fly away with me, Fly away with me, yeah.” Right. Fly away with the dancing honey bee goddess to go do some cross-pollination. At 3:22 she's acting like a ham, making allusion to Inanna-Ishtar's pig/boar symbol. She sings, “So look around and let us just remind you.” 
For insight into what VIRGIN Mary has to do with remembering, 
Watch for the W goddess dancing bee moves. The set's blank signs on stands are like honeycomb cells. The background grid presents XX figures and 8 rayed stars of Inanna. There are also upside down 5 point stars formed in the bottom row. Horus. Venus. Spirit into matter. 
“You know that we won't be leaving you hangin'” - The “hanging goddess” is Ariadne, and Artemis. “You hangin'” - like a MARIONette.
CC = Code 33. At 2:40 the flight attendant does some dancing bee goddess moves while reminding of us of the VIRGIN's GI tract obsession: “Just in case we must evacuate.” That's followed by a line that emphasizes the killer bee militant Marian agenda - “We've got a plan of attack” - as well as making reference to the Beta-Delta programmed Illuminati army who will be led by the warrior goddess to do the Dance of Inanna - the bee dance where they swarm and sting their victims to death. See her toss the big dude in the leather and studs.
This promotional imagery for the London Marathon, sponsored by Virgin, features plenty of goddess sex magick. The V with dot head and red heart (
The popular