Part 24 - Signs of Horus Worship - Pi-RA-tes and Bucs!

Series Links: Signs of Horus Worship

When it comes to naval tradition, it's the pirates who have the reputation for being the terrors of the high seas. These colorful scoundrels that are so celebrated in pop culture today are not usually identified with a religion, beyond being a very superstitious lot, but they should be. Dead men tell no tales, but the history of piracy and symbols like the Jolly Roger reveal the matter.

The infamous Jolly Roger and those who flew it is linked to the Knights Templar. Web search pirates knights templar and search it out for yourself. The following picture of a class of Skull and Bones at Yale is one of that kind that is worth the proverbial thousand words. Their claim to the symbol is apparently legit.

I've decoded the skull and bones symbol to identify it as an image the beast of Revelation 13:1, the one John saw rising out of the sea - out of Davy Jones' locker, some might say. The crossed bones or swords present the sign of the sun god. You'll find some very interesting documentation in the following posts.

• Osiris - the occult man, skull, and man of bones
• The Skull and Crossbones - Avast! Be ye not a scurvy scallywag!
• Decoding the Olive Exposes the Illuminati UN, the US Great Seal, Etc.

In these title graphics for two of the films in the Pirates of the Caribbean franchise, the extended leg of the R in “PIRATES” is crossed to signal the Rx or Eye of Horus. Crossing that R with the leg of the A calls out the pair as Ra, the sun god, aka Horus. The same layered signal repeats in the word “STRANGER.” The word “ON” directly names that Egyptian city that was renowned for worshiping the sun god. The title presents Code 33 in the PC acronym (p=11 and c=3 so pc = 11*3=33). Even the little words add layers to the symbolism, which are presented differently from the other title script. (the: 20+8+5=33) (of: 12+21 [RAS])

When the sun god beast is presented in Occult symbolism it's often in tandem with mind-control programming. That's the case with “The Curse of the Black Pearl” film. Search this blog for “black pearl” and you'll discover how this object is central to what's called “go over the rainbow” programming. That's Monarch and Illuminati programming language. Their god Lucifer is behind the sun god, and their SRA DID slave army creation scheme is a major way Horus worship is expressed in practical terms.

The following collection of pirate branding features more examples of the same Rx Horus Eye and Ra signaling. Found on PirateJokes.net: Where do pirates work in the off season? Pharrrrmacies! Seems fitting, somehow. ;)

Yes, it's a trend, and it's more than just a random crossed sword thing. Celebrities that hide one eye to signal the Horus Eye are mimicking the popular image of the pirate, with a patch over one eye. Think about Popeye the sailor man. Pop-Eye. Horus worship is a naval tradition and those who promote Horus worship know this.


Evidence of the naval tradition of Horus worshipers is sometimes found in unexpected places. The clothing and accessories retailer, Old Navy, seems innocent enough in their simple branding. That is, until you grasp the meaning of their acronym and make the connection to the old naval tradition. ON. Think about it. Heliopolis. Squared circle.

The sun god on the high seas business predates the Knights Templar. Web search theopenscroll noah navy to find more about how words like “navy” and “navigation” are linked to the name “Noah.” There's also a link to the giant blue Na'vi of planet Pandora featured in James Cameron's film, Avatar. See here for more about that, which is VERY pertinent: The Avatar Stratagem.

The terrible plundering and abusive sun god worshipers ruling the high seas is an anti-Noah kind of expression. Web search theopenscroll counter-flood and visit the pages from The Open Scroll site and blog to see how what's planned for the near future is intended to avenge the literal purging of the sun god progeny from the face of the earth. A very real kind of role reversal is coming! Their flagship counter-ark will be flying the Jolly Roger, in a figure. Large bones like those crossed on that flag conceal marrow inside, and marrow makes blood, right? This grand conflict can be seen as a blood feud between two family trees. The skull and crossbones is a regeneration sign, signaling sun god regeneration! Osiris or Horus will be regenerated to have his season of vengeance.

But as the days of Noah were, so shall also the coming of the Son of man be. ~ Matthew 24:37

Last April, the Mail Online posted this headline: Her Majesty's saltiest sea dog: Royal Navy sailor completes 33 years of service with an incredible THIRTEEN years at sea. If you're wary about media ritual and you find the symbols I've been blogging about very familiar you might wonder if this could have been put up for an April Fools Day joke, but no, it's legit. Ritual.


More evidence of the naval tradition of Horus worshipers may be found lurking rather innocently in the candy aisle. I believe the name of the colorful Jolly Rancher brand makes allusion to the Jolly Roger. Opposite the RA in “RANCHER” is ER, a mirrored companion in the bracketing, RE, a variant spelling of RA. Jolly RA-ncher, honoring the sun god.

They advertise the slogan Untamed Fruit Flavor, and those lawless sea dogs who flew the Jolly Roger were as untamed as can be.

Like I explain in the image, the acronym of the slogan transforms to 666 because U is the 6th letter from the end of the alphabet and F is the 6th from the front. UFF ~ 666. To strengthen that symbol the design adds some flourish to tag each of those code letters with a numeral 6. This is an exalting and advancing of the agenda of the beast with his mark! The brand's purple oval with sun colored outline of the name is a Horus Eye symbol.

Here's a video of a popular commercial playing on cable TV. Jolly Rancher Untamed Fruit Flavor The flying colored objects are a mind control programming device that I believe is related to Illuminati “go over the rainbow” programming.


Caveat: If you're a victim of ritual abuse who is still being delivered or you're easily offended by mature subjects and descriptive language, you may want to consider moving on.

Here in Pittsburgh we've got Pirates, the Major League baseball franchise. Their branding begins to take us down the trail of a naval tradition that is an inherent element of Horus worship, perverse sex magick.

This picture of an iPhone case features the pirate skull and the iconic P logo as the other featured part of his anatomy. The P is for Pittsburgh and Pirates and Phallic and Package. Phallus worship. The book of Ezekiel (23:20) and the book of Enoch (86:4) describe such a scale as to be dragging in the dirt, as pictured here. I've seen versions of the iconic P logo during a recent game on TV where the glans penis is highlighted by coloring it differently. Even with that, folks still don't see what they're looking at because it's cloaked with a spell. See how RA (and RAT) is suggested to us as the sun god whose mark is made by the crossed bats. The hidden eye and the knot in the bandana are two signs of ritual sodomy. Here, the iPhone case presents a couple forms of the squared circle sodomite classic. It should be noted how the inner cut-out part of the stylized P logo is a squared circle and reclined Royal Arch.

We've got rappers who love the Pirates and do some fan promotions with music and clothing lines based on the related word, “buccaneer”: Buctown. PA is densely populated with Freemasons and Buctown's branding bears witness to that. As I document this I'm going to establish the connection between some of the pirate images and Freemasonry.

The eye patch on the skull hides an eye to signal the Eye of Horus, a symbol sometimes called the all seeing eye that is perhaps the most widely recognized Illuminati and Masonic image. The skull and crossbones is featured on the tracing boards of more than one Masonic degree, usually marking a coffin. That coffin of Hiram Abiff is a symbol of the resurrection of Osiris into Horus, which is in other words, the coming of the sun god beast.

This is what's being celebrated by Buctown's Masonic branding, which becomes rather obvious in the decoding of the elements. The pretext for the diamond shape is the ball diamond, baseball's infield as bounded by the baselines. See that as the “infield” of the Masonic square and compass. There's usually a letter G inside that diamond, the 7th letter, and there are 7 letters inside Buctown's diamond. Dot. Dot. Connect.

We might also connect their diamond to the coffin itself. Let's take a lesson from this pair of tracing boards of the Third Degree, the highest of the foundational blue degrees. By way of these instructional diagrams they connect the square and compass with the coffin and Osiris resurrection. A coffin can be a simple rectangular box but these are stylized as the diamond, truncated. Observe how the square and compass are separated. In the version on the left the compass is on the top of the coffin. Observe how the angled form of the top of the coffin is that of the compass. In that same version, the square is on the bottom, and we compare it to the angled form of the lower part of the coffin. The coffin and the area bound by the square and compass are one in symbol. In the version on the right side you'll notice how the square is on top and the compass is on the bottom, which says to us that's not what's important.

So, it looks like Buctown's ball diamond is the Masonic square and compass with the “7 letter” inside and the object marked with the skull and crossbones. The banner declaring the area code is a familiar style that conceals a mirrored pair of 3s at the extremities. This obfuscated 33 is a common Masonic identifier. The area code is presented in such a way as to present more cryptic signs of Horus worship with links to Illuminated Freemasonry!

It's obvious this area code is important because the site responsible for Buctown has the domain of 412music.com. The brand's imagery seen there features checkerboards on the bottom, and the imagery of the Masonic temple floor comes readily to mind. If you rotate this to read it you'll see the steps of Freemasonry and a truncated pyramid. The top in default alignment presents a squared circle abstraction of the Royal Arch, and one might see this as the usual anatomical symbol.

Whether the dividing of the area code appears as 4 and 12 or four and twelve, it's consistent, and it's code alright! There is in this brand the coded reference to the esoteric 47th Problem of Euclid and 3.4.5 Pythagorean triple. Yes, this is about Horus worship!

The 4 sided diamond has 7 letters superimposed on it as a primary feature to call out the number 47. Boiled down, this translates to the production of Horus through the union of Osiris and Isis, which should be very familiar by this point in the series.

Reading across the bottom at the banner we have the mirrored 3 implied at the left end. Inside it we read, “FOUR.” This banner segment has 5 sides and 5 angles. It's 3-Osiris union 4-Isis producing 5-Horus. On the other side we read TWELVE, which is the sum of 3+4+5.

That number 412 is the area code of Pittsburgh, PA, sure, and it's used here as a different kind of “area code.” The 47th problem of Euclid features the AREA of geometrical figures in proving the Pythagorean theorem. Think about it. Area code. It's really very clever.

Buctown's Occult brand is even more rich than that. The letter T is the middle letter of “Buctown” but it's obviously set off to the left. Do you see how they have separated the word into BUCT and OWN? This is far from the first time I've seen the word own being emphasized in Occult symbols. The way owning happens is through ritual sodomy because the sodomizer owns the victim, enslaving and stealing their power. If that doesn't make sense, check out the Sodomite Gateway Series on this blog. The buccaneer is a sodomizing pirate. When you are buc'ed or BUCT you are sodomized and OWNed. A “buck” is a male deer, antelope or rabbit, or a fop, a dandy (with feminine qualities) and slang for a stud, and this really applies in the very same way. BUCT-OWN!

If you've never considered the sodomite tradition of the seafaring salty dogs, this book title alone should be informative.Sodomy and the Pirate Tradition: English Sea Rovers in the Seventeenth-Century Caribbean - By B. R. Burg


Like baseball's franchise in Pittsburgh, the NFL has football teams like the Tampa Bay Buccaneers and Oakland Raiders that brand with the pirate identity. The Oakland RA-iders honor the sun god according to the same tradition with their Horus Eye patch and “skull” with crossed swords forming the X mark. The version on the right is telling, which is a comedic interpretation offered by those who see what they're looking at in the home of the English Sea Rovers, These 'British' Versions Of NFL Logos Are Genius. The Buggery Bandits. Buggery = Sodomy.

The following excerpt from thisdayinquotes.com suggests to those of us outside that culture why it's probably more common knowledge to the public.

“In his great book about Churchill quotations and misquotes, Churchill by Himself: The Definitive Collection of Quotations, Langworth says that Montague-Browne personally told him that he had asked Churchill about the quote. According to Montague-Browne, Churchill responded: “I never said it. I wish I had.” Langworth notes that “rum, sodomy and the lash” is similar to “rum, bum and bacca” — a catchphrase from an old saying about the, er, pastimes of British sailors, dating back to the 1800s: “Ashore it’s wine, women and song; aboard it’s rum, bum and concertina.” (Bum = a man’s rear end; bacca = tobacco.)” -- (The origins of “Rum, sodomy and the lash” – Churchill’s alleged quip about British naval tradition…)

And, that brings us to this post's final example of the naval tradition of Horus worship, found in the realm of motorsports. Rum Bum Racing. Unless you're mindful of the old saying about the pastimes of British sailors the reference made by the team name is lost. “Ashore it’s wine, women and song; aboard it’s rum, bum and concertina.” From this picture in the middle you can see that the team has a bevy of girls supporting the team's, eh, morale. They are ashore, after all, and these events are for racing their landlubber vehicles.

The “bum” is British slang for the butt, and in the old saying it's a metaphor for sodomy. Over here in America, we tend to think “Rum Bum” is just making reference to the sort of folk who tend to be overly fond of alcoholic drink and casually lying about, the more fun version of a drunken vagrant. I might be content to think that too, but for the attending imagery.

The number 13, that's not always a sign, but it often is, and here, I have to think it is. It's signaling the rebel lord beast, the sun god whose rays are so prominent in the Rum Bum racing imagery. Setting the 13 inside the sun-anus is not an arbitrary thing but rather a powerful identifying symbol. That three (or 4? faced) creepy and ominous figure who appears to be scanning the worlds with super sun vision; that's the one who sponsors the rum & bum thing, of course.

Decoding the Olive Exposes the Illuminati UN, the US Great Seal, Etc.

I've been writing about Monarch programming and the antichrist plot in an episode of the sci-fi show Fringe, the episode. One of the connections I made depends upon the olive as a symbol, which really deserves its own post. So, here it is!

Caveat: If you're a victim of ritual abuse who is still being delivered or you're easily offended by mature subjects and descriptive language, you may want to pass on this one. Also, no offense is intended for anyone named Olive or related to someone named Olive, or who works in the olive business.

Biblically, I understand the Mount of Olives as a symbol of division, which the Lord revealed to me many years ago and about which I have written at some length. The Occult symbol of the olive has another focus. For a clue to what that is, consider what the Marquis de Sade had to say as he provides the link. (Yes, the man “sadism” is named after.)

“No habit is more easily acquired than mard-savoring; eat one, delicious, eat another, no two taste exactly alike, but all are subtle and the effect is somewhat that of an olive.” Marquis de Sade

Mard (also merd) is dung, excrement. The consumption of feces is called coprophagy or coprophagia. Some animals do this by nature, like the dung beetle, and this is a behavior that is also practiced in the SRA community. The Marquis compared mard to an olive. I've noticed that the olive appears in a wide variety of ways in the context of ritual abuse and mind-control. The olive signals coprophagy and coprophilia, which is, “An abnormal, often obsessive interest in excrement, especially the use of feces for sexual excitement,” and ritual sodomy.

The olive signal may appear as an olive branch, the use of the drab olive color or in some character's name.

In Fringe, the lead female character's name is Olivia Dunham, and some just called her Olive. She was romantically paired with one of the lead males, Peter Bishop. Both his names are slang for a phallus. Hers equates to mard. Can you put that symbolic relationship together? The folks responsible for Fringe fill it with Illuminati SRA themes and symbols. The naming is not just random. There's more to their symbolic relationship than carnal acts of coprophilia, coprophagy and anal sex. She was a Monarch slave, a child subject in a special facility. She was able to cross into the alternate universe and was able to assist Peter with his dimensional boundary crossing. Olivia was abused by her step-father when she was young, and that trauma is what first caused her to jump to the other universe, which I recognize as allegorical. Her jump pictures dissociating, a switching to another alter, and also suggests astral travel and remote viewing, and even time travel. That's obfuscating the slave's psi power and alter switching. She is Olive, “mard,” the ritually sodomized and programmed slave.


A popular show on The CW network is Arrow. It's a comic book derived character like Batman that features a wealthy regular guy who is severely traumatized and trained to have an alter identity where he is an enhanced supersoldier kind of vigilante. His name? Oliver Queen. A male queen is a homosexual. The ad you see here pictures him with one eye inside a truncated pyramid - Illuminati, sure, and the triangle eye is a signal anus. The green = olive. The arrow is a phallic symbol. Do the math. Sodomy symbolism. The pyramid as a triangle is the Greek letter delta. Delta programming is the Monarch assassin programming. The Arrow character uses the bow and arrow as his weaponry. In legend, Apollo is known as the archer, alias Horus. Horus Eye enlightenment. “A Hero Will Rise.” Hero = antichrist. In Acts 12, Herod, which means, “Hero,” is an Antichrist type. Here's another Monarch slave supersoldier character with antichrist symbolism wrapped around it.

This should be familiar by now. No joke, this is not all just random chatter on the symbolic level, and the story line of the messaging is not fiction. I pray this testimony is becoming very real to you.


For a “real life” example we have the obverse of the ubiquitous Great Seal of the USA. The eagle holds an olive branch in one talon and arrows in the other. The official explanation declares that, “The Olive branch and arrows denote the power of peace & war which is exclusively vested in Congress.” It has been demonstrated beyond dispute by Tom Horn (Apollyon Rising 2012) and in this blog that the symbolic seal is essentially an Illuminati manifesto heralding the return of Apollo. The eagle is a phoenix as attested to by Manly P. Hall, but beyond that it is Amaru, the feathered or plumed serpent, alias Apollo. There's some truth in what was said about the symbolism of the olive branch and the arrow. Such public explanations always have to seem plausible, of course. What's really signified on a deeper level is sodomy, which you should now perceive in the mard-anal olive and phallic arrow pairing!

The talons are used by the eagle to seize and rend their prey. Think about it. Thirteen arrows, leaves and olives: Illuminati SRA programming's three dimensional matrix of 13x13x13!

The language of heraldry is read to say that what's seen in the dexter (right side, which is on the viewer's left) is more significant than the sinister (left side). Are the illuminated tares obsessed with mard? It is the mortar of the Freemasons that binds them together. The olive emblem signals great secret of ancient sodomite sex magick that hearkens the coming of the lawless one.

Another case-in-point; the UN logo. The olive branch is a messianic emblem, and I believe the leaf may be taken as a sign of readiness for repopulation.

But if some of the branches were broken off, and you, being a wild olive, were grafted in among them and became partaker with them of the rich root of the olive tree, ~ Romans 11:17

10 So he waited yet another seven days; and again he sent out the dove from the ark. 11 The dove came to him toward evening, and behold, in her beak was a freshly picked olive leaf. So Noah knew that the water was abated from the earth. ~ Genesis 8:10-11

The UN logo is a global map and grid wrapped in olive branches. The sun god sodomite layering is rich! Now being able to interpret the olive branches, you should perceive the redundancy of the message in the radial target as a sun wheel and anus, surrounded by the olive branches as a pair of sphinx, the sphincter. Count the areas enclosed by the grid. There are 4x8 plus one in the center, 33 total. Is that familiar yet? When they identify themselves as the “United” Nations, you should recall the binding element, the mard-mortar of ritual sodomy. This is the agency on the physical level that creates a binding of heaven and earth in an Illuminated individual, their body of Christ that is the truncated pyramid and the mind-controlled collective that will soon manifest through the mark of the Beast.

Giant mural in the UN Security Council Chamber

If you count the olive leaves, I believe what is depicted is a declaration of the duplication of the 13 bloodlines of the Illuminati. Those elements of the branches forming the X at the bottom are separate, the messianic root, Lucifer's heritage and hero. This is their messianic plan, with the X as in Xmas, Christ, and the sign of the sun god. The Lucis Trust is plenty of evidence establishing the Luciferian connection. (Search this blog for Lucis Trust) The picture conceals and reveals how they intend to cross breed and hybridize the population of the globe, which is signified by the five concentric zones of the radial grid (like the 5 Olympic rings of that logo). This is the serpent seed replication of the counter flood, the sodomite messianic antichrist tree of knowledge of good and evil rooted in the earth. That picture is probably intended to represent a genetic crossing with the Adam-kind that is the Creator's genealogical tree and a tree of life.


The IOC shares their global agenda as the body responsible for the modern Olympics. The olive branch and wreath is an important symbol to these worshipers of the ancient sodomite gods. In ancient times as at present, the olive is a symbol of Athena, to whose worship the Parthenon was dedicated.

As Pallas Athena, she was the patron and muse of Francis Bacon, the spear-shaker. Historians have convincingly associated Bacon with the work of the playwright Shakespeare - spear-shaker. Bacon, like John Dee, would have understood about the olive. The central character in Shakespeare's Twelfth Night was named Olivia. This play was referenced in Rango's opening scene in the chameleon's terrarium stage, as you may recall from my lengthy series. The name Malvolio used by Rango identifies that production as Twelfth Night, and by association, the headless one armed doll torso as Olivia, which is probably the point. Olivia. Mard. Abused SRA slave. OK. Back to the Olympics.

Olive wreaths were awarded to the winners at the Olympic games, who performed their feats in the nude and gave honor to the gods with all their efforts. In the modern, era, some clothing is worn, but honor is still given to the gods. At the ceremonial lighting of the torch on Mt Olympus, an olive branch is cut off a tree and given to the high priestess by a young boy. (Vancouver Olympics - Part Two - The Light of Zeus) If you've done your homework on ancient Greece, the meaningful olive as mard metaphor is far more plausible explanation than the usual story about the olive branch meaning peace.


Another “real life” example appears when Pope Emeritus Benedict is identified as the 111th Pope listed in St Malachy's controversial Prophecy of the Popes. The descriptive used is, “Gloria olivae,” which translates to the glory of the olive. Is the olive as mard metaphor evident in connection with this Pope? Yes! For the long version, see “Part 13 - The Sodomite Gateway - The Sodomite High Priest of the Romish Sun Cult,” where I decode his Coat of Arms. As usual, the public explanations avoid reference to what remains a guarded secret. “Proponents of the prophecies generally try to draw a connection between Benedict and the Olivetan order to explain this motto: Benedict's choice of papal name is after Saint Benedict of Nursia, founder of the Benedictine Order, of which the Olivetans are one branch.” (Wikipedia) They can't really put it together, but when you take his heraldry as a clue, that picture of a man's backside, adorned with other sodomite symbols paints a vivid picture. Is it a stretch to interpret “Gloria olivae” as a metaphorical reference to some characteristic behavior associated with mard? Give due consideration to his position as the high priest of the Romish church during the era of highly publisized sexual abuse, where he made one apology after another and the church paid out many settlements. Malachy's descriptive fits.


In Charles Dickens' classic, Oliver Twist, the character named Fagin is a fence who recruits homeless boys and trains them as pickpockets. “Orphans,” as M (Judi Dench) told 007 (Daniel Craig) in the latest Bond movie, “make the best recruits.” They are already traumatized and have separation anxiety, are quick to dissociate and eager to bond. Like James “Bond” who usually introduces himself by emphasizing the sodomite Delta agent bonding: “Bond. James Bond.” The orphan, Oliver “Mard” has the last name of Twist, which describes the vortex associated with the chakra and kundalini, the anal activation of the pineal gland. This Twist was graphically illustrated for us by the pipe bowl in 1940's Pinocchio, as you see here. The orphan's handler, Fagin was a fence, like what was pictured in Singin' in the Rain, dealing in child trafficking. He trained the boys to be pickpockets, like Monarch slave Kitty Softpaws in Puss in Boots. The name Fagin, breaks down as Fag (homosexual) plus “in,” as the pedophile sodomite pitcher to the child catcher, handler to slave.


An American Tail: Fievel Goes West is a Steven Spielberg animated feature from 1991. I watched this recently, my interest drawn by the title's sodomy signaling. “Going West” is an allegory for turning to homosexuality and pursuing the left hand path. Amarucan tail ~ sodomized by Amaru. Fievel~Evil. There is a sequence during the film where the dialogue is densely NLP laden. I didn't record the script while I had the DVD and couldn't find it online, but one of the phrases in that script involved the olive pit or pitted olive, and that would have made little sense outside of the mard metaphor.


“Hemlock Grove,” the new series on Netflix has a creepy supernatural female lead named Olivia Godfrey, played by Famke Janssen. Her son has psi power "push" abilities. The inheritability of learned behavioral traits is a characteristic of the Monarch butterfly, which is why that is an emblem of Monarch programming. Slaves pass on programmed abilities/traits to their children, which I understand on one level as demonic curses passing down through the generations.

Hemlock (conium) is famous for use as a deadly poison and by witches, especially in hedge witchery. The hemlock is one ingredient in the flying ointment commonly applied with a broom handle. It's the pharmakeia facilitating dimensional travel seen so frequently in episodes of Fringe, which of course often related to Olivia Dunham. Also from the title, groves are where demon deities are worshiped by witches of the Freemason variety and otherwise with song, dance, ritual sex and sacrifice.

“Hemlock Grove premiered April 19, 2013, with all 13 episodes made available for online viewing.” April 19 marks the Bloody Sacrifice to the Beast on the Satanic calendar, celebrated with human sacrifice and fire. The number 13 is of course the Illuminati and rebel lord Beast signal number. There's not much mystery left in the basics of that antichrist scheme, is there? The fictional town is set in Pennsylvania, Pan's Woods. Fitting! Pan was honored by Jack Parsons before every rocket launch. He was the student of Aleister Crowley whose work is given honor by Delta programmed multiples who await the black awakening. They refer to themselves as BWBs, Babalon Working Babies, making reference to Jack's sex magick ritual working performed with the Scarlet Woman Marjorie Cameron in 1946, the Babalon Working.

The series is produced by Gaumont International Television, often represented as the acronym GIT. Read: Gastro-Intestinal Tract. See the logo as a bloody sun anus and G-Eye Tract Eye of Horus!


In yet another example of the olive as mard symbol there's Olive Oyl, the love interest of Popeye the Sailor Man. She has a figure that is far more boyish than voluptuous, which is fitting for pedophile coprophiliac sodomites. Since the rectum provides no natural lubricant, sodomizers often supplement with whatever might be at hand. Olive oil has long been abundant in the Mediterranean region and therefore readily available as a natural lubricant. Olive Oyl, Popeye's love. Olive oil is a standard lamp fuel and also is a popular ingredient in food. Olive Oyl, coprophagia.

As a sailor man, Popeye would have a reputation as a sodomite. Winston Churchill is claimed by some to have remarked about the British Navy: “Don’t talk to me about naval tradition. It’s nothing but rum, sodomy and the lash.” Apparently that was a misattribution, but yet one that serves even better to make the historical link.

“In his great book about Churchill quotations and misquotes, Churchill by Himself: The Definitive Collection of Quotations, Langworth says that Montague-Browne personally told him that he had asked Churchill about the quote. According to Montague-Browne, Churchill responded: “I never said it. I wish I had.” Langworth notes that “rum, sodomy and the lash” is similar to “rum, bum and bacca” — a catchphrase from an old saying about the, er, pastimes of British sailors, dating back to the 1800s: “Ashore it’s wine, women and song; aboard it’s rum, bum and concertina.” (Bum = a man’s rear end; bacca = tobacco.)” -- (The origins of “Rum, sodomy and the lash” – Churchill’s alleged quip about British naval tradition…)

The history of the sodomite sailors traces back through pirates and the Knights Templar, which I've researched before. One interesting piece of literature you'll find on this is, Sodomy and the Pirate Tradition: English Sea Rovers in the Seventeenth-Century Caribbean - By B. R. Burg

Supporting the esoteric layering evidenced in the mard metaphor of Popeye's love interest we should note how Popeye is himself a one eye, hidden eye, Horus eye Illuminated individual. Further support is provided by the character Swee' Pea. This crawling boy is Popeye's ward in the comic strips, and Olive Oyl's in the cartoon versions. Swee'Pea. Think “sweet pee,” which compares to the coprophagia of Olive Oyl. Other characters associated with Popeye bear poop names. Poopdeck Pappy is his 99 year old father, who is also a sailor. Popeye's lookalike nephews are named Peepeye, Pupeye, Pipeye and Poopeye.

Popeye sports tattoos on his forearms that look like anchors, but they also look like Occult symbols, even resembling John Dee's monas heiroglyphica!

Ripping off excerpts from Wikipedia, Popeye first appeared in the daily King Features comic strip Thimble Theatre on January 17, 1929; Popeye became the strip's title in later years. In 1933, Max and Dave Fleischer's Fleischer Studios adapted the Thimble Theatre characters into a series of Popeye the Sailor theatrical cartoon shorts for Paramount Pictures. These cartoons proved to be among the most popular of the 1930s, and the Fleischers (1933–1942, 108 cartoons)—- and later Paramount's own Famous Studios —- continued production through 1957. You may remember Fleischer Studios as producers of Betty Boop and Bimbo's Initiation, a blatant exhibit of abusive Illuminati fraternal order initiation rites of trauma and sodomy.

Other characters named Olive are:

• Olive Hoover, character in movie "Little Miss Sunshine"
• Olive Snook, character in ABC's "Pushing Daisies"
• Olive Rudge, character in the British TV series "On the Buses"
• Olive Penderghast, protagonist in "Easy A"
• Olive Doyle, character in The A.N.T Farm show on Disney

In Little Miss Sunshine, 7 year old Olive performs Super Freak by Rick James in a burlesque routine at a beauty pageant. "Freak" is a slang term for, as described in the song's lyrics, "...a very kinky girl / The kind you don't take home to mother". (Wikipedia) Another pair of lines she sings speaks to the Olive as mard metaphor: “I really love to taste her - Every time we meet”

Olive Doyl is near to Olive Oyl. It's Disney, so I suspect the metaphor is probably leveraged in that.

Mention should be made of the character Sweet Pea in SuckerPunch, a Monarch programming extravaganza. At the film's end, we're tipped off to the fact that the movie was really not about Baby Doll, as we were led to believe. It's really about Sweet Pea, about whom no other conclusion can be drawn: she and others are SRA DID alters with Beta and Delta programming.

In closing, when considering what signaling might be present with regard to the name, Olive, these many variants are equivalent.

Olivia/Olevia/Olivea/Oliveea/Olyvia/Olivya/Olivija/Oliveia/Alivia/Alyvia, Olivet, Olivetta, Olivi, Olivianne, Olivine, Oliver, Ollie/Olie/Olly/Oly, Ol(l), Olia, Oliff/Oliffe, Olivet/Olivette, Liv, Liva, Livia, Livie/Livvie/Livvy/Livy/Liwie/Liwy, Livrie

Part 4 - Decoding Coldplay's Strawberry Swing - Star War Assaults on God

The enemies of the Creator spill the beans on their planned star wars, where celestial stargates are leveraged to wage war in the heavens. While some success is granted, the version presented in Strawberry Swing falsely represents the final outcome.

Here's the official video, Coldplay - Strawberry Swing.



The 19th chapter of Revelation presents a fairly graphic picture. The beast and the Marian Papal false prophet have the primary responsibility for the rebel alliance that will engage in the campaign of Armageddon, in a non-fiction version of star-angel wars. The kings of the earth and their armies will be brought to a confrontation with my Lord, the King of Kings and Lord of Lords, in the final offensive of this age. They won't be thinking to use clubs, knives, arrows, guns, missiles, lasers or other directed energy weapons of a physical nature so much as the supernaturally charged weapons of their “beyond high tech” arsenal.

19 And I saw the beast and the kings of the earth and their armies assembled to make war against Him who sat on the horse and against His army. 20 And the beast was seized, and with him the false prophet who performed the signs in his presence, by which he deceived those who had received the mark of the beast and those who worshiped his image; these two were thrown alive into the lake of fire which burns with brimstone. 21 And the rest were killed with the sword which came from the mouth of Him who sat on the horse, and all the birds were filled with their flesh. ~ Revelation 19:19-21

The revolution that leads up to that day is being sponsored by the goddess Mary (“their rebellion”). Coldplay's goddess actively promotes the revolution through the magickal exploitation of ritual symbolism. That same rose goddess Liberty-Marianne of Delacroix's painting is recruiting and training and uniting her warriors. She is appointed to prepare the world for the ultimate coup d'etat where the intent is to overthrow divine order on the highest level, displacing even the Creator Himself. Their enemy is sovereign and that assault will result in an epic failure. Yet, here's how it goes down, from the music video's perspective.

The sovereign Yahweh is pictured as the mean giant squirrel that holds the Queen captive in his sky castle. I'll present some of the details that support this allegorical interpretation shortly. The antichrist superhero overcomes the castle guard and gains access. His attempt to rescue the queen by stealth fails, so the clever hero devises another plan. He uses magical powers of synthesis to craft an acorn-bomb and uses it to distract the witless rodent-god while he rescues the queen. As he escapes with the queen, he lights the fuse, and as they fly away to safety the acorn-bomb blows up the evil squirrel-god and his off-world home. (Superhero with acorn: Thor, the antichrist seed of the “oak” tree)

The superhero and the rescued queen see a sunrise as they approach their destination. In the midst of the butterfly remnants of the old heavens, the antichrist superhero celebrates Victory, Liberty and Freedom with his rescued queen as in the new heavens.

That's the Adversary's plan, as sold. I don't doubt that this version compares very closely to one of the sequences that will be broadcast during the hoax that will be projected as pictured during the video's scene of the transit of Venus. By the way, that hoax is coming within 8 months time.

Here's some biblical descriptions of what's been twisted up in the video.

1 Then I saw a new heaven and a new earth; for the first heaven and the first earth passed away, and there is no longer any sea. 2 And I saw the holy city, new Jerusalem, coming down out of heaven from God, made ready as a bride adorned for her husband. ~ Revelation 21:1-2

7 But by His word the present heavens and earth are being reserved for fire, kept for the day of judgment and destruction of ungodly men. 8 But do not let this one fact escape your notice, beloved, that with the Lord one day is like a thousand years, and a thousand years like one day. 9 The Lord is not slow about His promise, as some count slowness, but is patient toward you, not wishing for any to perish but for all to come to repentance. 10 But the day of the Lord will come like a thief, in which the heavens will pass away with a roar and the elements will be destroyed with intense heat, and the earth and its works will be burned up. 11 Since all these things are to be destroyed in this way, what sort of people ought you to be in holy conduct and godliness, 12 looking for and hastening the coming of the day of God, because of which the heavens will be destroyed by burning, and the elements will melt with intense heat! 13 But according to His promise we are looking for new heavens and a new earth, in which righteousness dwells. ~ 2 Peter 3:7-13

The ungodly will not have the victory.

The superhero Antichrist leaves his Anti-bride on the moon, as her inheritance. The rescued queen represents the collection of people who are promised a merging with Horus, and Zion, and also the goddess who sponsors that delusion by inspiring their false faith, hope and love.

The first battle takes place when the superhero encounters the giant squirrel high above the city. The arrows fired by the squirrel appear to be an effort to keep him from rescuing the captive queen. As taking place over the city, the aerial battle is really being waged in the heavens. When the squirrel clips the cape-wings, the masked superhero falls to the earth, splashing down in the sea. It's a snapshot of the baptism,the first one in a series that concludes when Chris(t) emerges to set upon the top hat.

7 And there was war in heaven, Michael and his angels waging war with the dragon. The dragon and his angels waged war, 8 and they were not strong enough, and there was no longer a place found for them in heaven. 9 And the great dragon was thrown down, the serpent of old who is called the devil and Satan, who deceives the whole world; he was thrown down to the earth, and his angels were thrown down with him. ~ Revelation 12:7-9

The time this pictures is April of 2015, the season of the revealing of the lawless one, and sealing of the 144k sons of Israel that is concurrent with the Bride Theft. There is some validity in this modeling from Strawberry Swing. During this battle we hear the words sung, “Everybody was for fighting.”

Chris is the bee-wings-clipped star seen falling from heaven, and when he ascends up on a cloud of pipe smoke, because he just came out of a pipe, he seems to model a locust coming out of the smoke of the pit.

1 Then the fifth angel sounded, and I saw a star from heaven which had fallen to the earth; and the key of the bottomless pit was given to him. 2 He opened the bottomless pit, and smoke went up out of the pit, like the smoke of a great furnace; and the sun and the air were darkened by the smoke of the pit. 3 Then out of the smoke came locusts upon the earth, and power was given them, as the scorpions of the earth have power. 4 They were told not to hurt the grass of the earth, nor any green thing, nor any tree, but only the men who do not have the seal of God on their foreheads. ~ Revelation 9:1-4

1 After this I saw four angels standing at the four corners of the earth, holding back the four winds of the earth, so that no wind would blow on the earth or on the sea or on any tree. 2 And I saw another angel ascending from the rising of the sun, having the seal of the living God; and he cried out with a loud voice to the four angels to whom it was granted to harm the earth and the sea, 3 saying, “Do not harm the earth or the sea or the trees until we have sealed the bond-servants of our God on their foreheads.” ~ Revelation 7:1-3

There are other relevant passages of scripture that speak to me about the scope of this battle. The squirrel's arrows represent what I believe are angels and also the saints as the sovereign God's seed, his offspring deployed in spiritual warfare. In these passages we see varying degrees of our engagement.

1 Unless the Lord builds the house, They labor in vain who build it; Unless the Lord guards the city, The watchman keeps awake in vain. 2 It is vain for you to rise up early, To retire late, To eat the bread of painful labors; For He gives to His beloved even in his sleep. 3 Behold, children are a gift of the Lord, The fruit of the womb is a reward. 4 Like arrows in the hand of a warrior, So are the children of one’s youth. 5 How blessed is the man whose quiver is full of them; They will not be ashamed When they speak with their enemies in the gate. ~ Psalm 127

Like I wrote in the previous post in series, the arrows fired by the squirrel won't be the only arrows fired in the battle. St. Louis de Montfort uses this language to describe the Marian agents in, True Devotion to Mary. “They shall be "like sharp arrows in the hand of the powerful" Mary, to pierce Her enemies.”

10 My shield is with God, Who saves the upright in heart. 11 God is a righteous judge, And a God who has indignation every day. 12 If a man does not repent, He will sharpen His sword; He has bent His bow and made it ready. 13 He has also prepared for Himself deadly weapons; He makes His arrows fiery shafts. ~ Psalm 7:10-13

15 Now when the attendant of the man of God had risen early and gone out, behold, an army with horses and chariots was circling the city. And his servant said to him, “Alas, my master! What shall we do?” 16 So he answered, “Do not fear, for those who are with us are more than those who are with them.” 17 Then Elisha prayed and said, “O Lord, I pray, open his eyes that he may see.” And the Lord opened the servant’s eyes and he saw; and behold, the mountain was full of horses and chariots of fire all around Elisha. ~ 1 Kings 6:15-17

10 Finally, be strong in the Lord and in the strength of His might. 11 Put on the full armor of God, so that you will be able to stand firm against the schemes of the devil. 12 For our struggle is not against flesh and blood, but against the rulers, against the powers, against the world forces of this darkness, against the spiritual forces of wickedness in the heavenly places. 13 Therefore, take up the full armor of God, so that you will be able to resist in the evil day, and having done everything, to stand firm. 14 Stand firm therefore, having girded your loins with truth, and having put on the breastplate of righteousness, 15 and having shod your feet with the preparation of the gospel of peace; 16 in addition to all, taking up the shield of faith with which you will be able to extinguish all the flaming arrows of the evil one. 17 And take the helmet of salvation, and the sword of the Spirit, which is the word of God. ~ Ephesian 6:10-17

A relevant picture of the warfare on the stargates (Hebrew: mecilah - their courses) appears in Judges 5.

20 “The stars fought from heaven, From their courses they fought against Sisera. 21 “The torrent of Kishon swept them away, The ancient torrent, the torrent Kishon. O my soul, march on with strength. ~ Judges 5:20-21

After the warfare that precedes the baptism and anointing stargate transit, another battle sequence takes place as the superhero lays siege to the heavenly fortress. The way he defeats the guard is revealing. The props drawn into the setting of the squirrel's sky lair are also very revealing.

As the superhero ascends on the cloud of smoke he acquires a red paddle, which he uses to paddle his way up to the sky castle. Consider how the superhero grabs the paddle with his left hand and paddles only to his left to advance to his left on the way up. He's on the left-hand path. He then uses it in some sword play with the castle guard. Red is the color of blood, which is spilled in sword fighting. Using the red paddle to ascend speaks to me of blood ritual that raises energy, granting the agents responsible increased authority. Massive amounts of blood have been spilled already for this reason, on ritual days (touching on the SRA Illuminati trauma-based layer of symbolism) and in wars, and much more is about to be spilled (Black Awakening...). The sum of it is required to ascend the warriors to a place of readiness to engage in the battles of Armageddon, setting the scene for the concluding face-off.

The superhero takes off the head of a guard (face off) and uses the skull to bowl the pins (British, slang for legs) down. When thunder is heard, it is the gods in heaven, bowling, as I was told so many years ago. The thunderbolt or lightning bolt is the weapon of Zeus. Zeus, aka Satan, is bringing the conflict as in the days of old, with the tower of Babel gambit.

Chris ascended into the heavens and the battle took place outside the gates of the castle-fortress-temple-abode. I compare the leg-guards to the Egyptian hieroglyph for walking, where the columns or pillars represent the stargates.

Inside the castle we find some symbolism employed that you might find very familiar. When I mentioned in Part 3 how the grandfather clock's pendulum was still, I presented it in the context of identifying Alice in Wonderland through the cessation of time that resulted in the Mad Hatter's continual tea party. The abode of the Creator exists outside the realm of space-time so there is no time in that part of His domain. In a very real sense it's always now, and then, or like time has stopped. The scene is very personal to me because, about 15 years ago, I found myself in what I call the timeless place, near to the throne of the Most High God. (Release of the Apostolic Anointing in 1988, Henry Gruver, Translation and “Because of the Elect”) The still pendulum supports the identification of the squirrel as the Most High God and the sky castle as His abode.

When the producers of the music video present the one true God as a furry rodent it's an assault on His character. He is vicious and not very sporting when he cranks out arrows at the poor superhero, who has only an umbrella for defense. When the rodent-god reaches around with his giant scissors, he's a sneaky cheater. He holds the queen captive and tortures her by flooding her chamber. Bad squirrel god, who gets his jollies by making others suffer. (The sovereign God is keeping the spirits in chains, agents bound since the flood, and the Devil's got revenge in his heart.) The squirrel-god's castle is guarded by sodomite angel pirates (high heels, starlight yellow stockings) Thieving pirates live for rum, bum and the lash, so he's obviously a hypocrite because he condemns that very behavior. The accusations leveled against the squirrel-god continue as the superhero sneaks past the furnishings toward the big meany. All the items are old fashioned, from the antique phonograph to the Grandfather clock. It suggests that he's out of touch with the times. The Mona Lisa belongs in The Louvre, suggesting he's a thief. The large rocking horse suggests that he's juvenile in behavior. The leaning clock suggests that he's lazy and careless about maintaining things because it only needs to be stood upright to restore it to order. Do any of these accusations seem familiar? Such as that is heard outside the professing church, and also inside. The Lord will vindicate Himself, in due time.

There's much more to be written about the symbolism of the furnishings. It's the stargate transit imagery in this video set that I find so very compelling as a sign!

More to follow, Lord willing!