Decoding: Pearle Vision and EyeMed

Were you able to decode these brands to find examples of Code 666, XO MOB, Eye of Horus, Third Eye or even more symbolism? Did you perceive Code 33 in the ad copy?

When it comes to vision care, identifying your brand with pictures of the eye could hardly be more natural. However, neither Pearle Vision nor EyeMed chose to represent themselves with pictures of the eye in any obvious way - but only in the way of the Occult!

Perhaps the most obvious is how the EyeMed highlights 666. The wordmark comprises 6 letters. The reflection of each e is a 6, and the 3 of them are grouped together in the design around the Y. The reflection evokes the Hermetic Maxim, As Above, So Below.

Each letter e is elliptical, styled to suggest the Wedjat eye. The Eye of Horus.

Three eyes = the 3rd Eye. EyeMed ~ Med Eye like Middle Eye. The 3rd eye is usually called the all-seeing eye or Eye of Horus.

EyeMed is basically an insurance provider for vision services. They are all about helping you see better - vision enhancement - with the eye of Horus. eyeMED or medicine: Rx. Prescription.They usually deal with prescription lenses, and the symbol for prescription is the Rx, the eye of Horus associated with healing. When you extract the grouped central Y and e eyes what remains is the m and d. MD: Medical Doctor. The prescriber and vision enhancing practitioner.

So, EyeMed name implies the Rx Eye of Horus and their logo features the third eye with 3 subtle instances of the Wedjat.

The triple e that reflects to 666 also signals 666 through another kind of transformation. The form of each e is round, suggesting the circular letter O. O is the 15th letter, and 1+5=6, so OOO transforms to 666.

This OOO=666 transformation is also suggested in the way Pearle Vision adds the eyeglasses to their wordmark. Round lens 1 plus round lens 2 plus the O in vision. 666. But, more powerfully than that, as the potency of the esoteric imagery is considered, this style of eyeglasses features a subtle OOO=666 with the arc of the nose bridge connecting the eyepieces to form the 3rd O.

Now, the nose bridge is the arc suggesting a smaller eye located between the two flanking eyes. It's the third eye, the Eye of Horus - the Eye of Ra. The BRIDGE - between god and man, heaven and earth.

A lengthy series of posts on this blog offers examples of how the letter “i” is exploited as the homonym of “eye” to secretly indicate the Eye of Horus. The tell is that the dot is given special attention. Pearle Vision dots the I in VISION with the bridge eye, the third eye. To validate that observation (and magnify the supernaturalism of the pharmakeia), right above that we find the letters AR in PEARLE. This indicates the Eye of Ra. There is no practical difference between AR and RA to Occultsts who have been trained (by such as Aleister Crowley) to read and even speak backwards. To us, because we're not trained that way, the AR (or RE according tho the optional spelling RE) version is less suspect, perhaps. The AR version is more highly obfuscated and, for it's subtlety, is potentially more effectual in their scheme.

Here's a classic. The Green Pyramid. The most recognizable Illuminati symbol. As you see here, the sides are suggested by the lines through the A and V, the R and N. The horizontals are formed by underlining the words. AR is identified with the capstone - The Eye of RA! RA VISION - with the third eye of the eyeglasses enhancing it further! It's the beast construct, with the capstone being the head in the heights, the beast himself, and the truncated base is his corporate body in the earth.

The EyeMed logo presents a reflected or inverted pyramid with the inherent Eye of Horus.

The pyramid in 3D is a geometrical construct with 3-4-5 element counts. This fundamental of sacred geometry demonstrates the production of Horus in the earth through the union of Osiris and Isis. (47th Problem of Euclid with 3.4.5 Pythagorean triple)

Did you notice XO MOB imagery? The eyeglasses of Pearle Vision's logo present 3 crossing circles. Cross Circle = XO. In sequence, OXOXO. Technically, the T of EST generates another instance as a Tau cross in connection with the lens on our left. (T as Tau cross = X, thus, XOXOXO or XXX woven together with OOO, doubling the 666, because X as the 24th letter makes 2+4=6 and XXX ~ OOO ~ 666.)

The EyeMed logo conceals the XO because the Y is bent or a broken Tau. It's clearly a cross form with 3 arms or radial spokes. In connection with the round letters e, three XO combos are produced.

It seems likely to me that the eYe obfuscates OTO, the acronym of the Ordo Templi Orientis.

I suspect the Y and radial e triad is signaling triple helix DNA - their anticipated MOB Horus EyeMed to splice in their beast “all seeing eye” genes.

According to Kenneth Grant of the OTO, the union of the X and O establishes the celestial throne of the goddess. There's the presence of Isis. She is also present in the identity of the Wadjet eye.

Did you notice how the ad copy of both Pearle Vision and EyeMed contain expressions of Code 33? Eye Exam ~ EE ~ 33. Most Major ~ MM ~ 33. Without the layered symbolism in the context, I wouldn't suspect their intent, but with it, this is additional signaling and it most certainly does add to the sum.

Do you see the Pearle Vision logo as a place of worship?

Pearle Vision's logo has temples. In the anatomy of eyeglasses, the sides of the frame that extend over the ears are called temples. The logo's temples are very slightly obfuscated. These are obviously “temples” dedicated to the worship of Ra, or the gods of ancient Egypt, which are the gods of today's Luciferian Illumined.

The parent company of these brands is an Italian company headquartered in Milan, Luxottica. They are the world's largest eyewear company. On the stock exchange they are LUX. Light. Think: Lucifer. Illumination. Luxor, in Egypt, was known in the Egyptian language as, “the southern sanctuary.” The two cult temples located there are famous, Karnak and Luxor. Two Temples - like eyeglasses.

Not unrelated, in the word, VISION are the words, ON (aka Inu or Heliopolis, the Egyptian city where Ra resided and sun worship in the northern kingdom of Egypt was centralized), and SION, aka ZION, home of the Mount and Temple of the One True God. You may also take the IO of VISION as suggesting the Greek spelling of Helios, the sun god aka Apollo, Ra and Horus. It could easily be argued that there are multiple instances of IO encoded into the logo.

The parent company's name, Luxottica, seems to suggest the upscale sense of the Exotic, and also perhaps, Luxor Erotica. Certainly the sex magic of the obilisks featured in Luxor and the age-old illumination rituals celebrated there involve a kind of eroticism. The Illumined are obsessed with sexual reproduction of a certain kind, and reproduction of their illumination through the practice of ritual sodomy.

See both of the featured logos as anatomical diagrams. In the middle of the anal triangle is what Occultists call the Eye of Horus. In EyeMed's version it's the radial triangular Y and triple e. In Pearle Vision's, it's the triangle of the pyramid framing the central bridge third Eye of Horus.

EyeMed ~ Preparation H? Is the M-D a proctologist?

Symbol loving sodomites claim to recognize the letter i as a picture of sodomy. The dot is the anus and the ascender is the phallus. Pearle Vision sees that, apparently!

On that same line, as an ideogram, EyeMed's “Y” becomes the sodomizing “Top” of the “e” positioned underneath it, on the Bottom.

Is that too much of a stretch? Are we just getting carried away and reading into this one what's not really there? Here's another reflection of the EyeMed Logo. Seen in the mirror, the letter e becomes g. This is now a picture of the “g eye” or GI tract, the terminus of which is called the Horus Eye. After removing the G-EYE elements from the stylized wordmark, what's left? BM. That's the acronym code for, Bowel Movement, in medical terminology. To suggest that this might somehow be a coincidence is just not very satisfying.

Through the biological mechanism of sodomy, in connection with ritual magic, Occultists acquire illumination and establish control in their domains of authority.

Pearle Vision. 12 letters. Including the space, 13. The numerics of a coven of witches. The numbers signaling time (12) and the mastery of space and time (13).

The obsession with the anus, defecation and sodomy is common to the Horus Eye illumined mind-controlled and controlling Luciferian elite. They have an “over the rainbow” method of bringing a person in and out of deep trance during programming that features a pearl and seeing or envisioning it. This also has to do with accessing a slave's Horus Eye. The programmer hypnotically guides the slave through layers of clouds in the colors of the rainbow, red then orange, yellow, green, blue and violet. That's where they fix on a black pearl. The script goes like this. “Land very gently ... very softly ... in the center of a round, black pearl. See it glowing, softly, gently.” Pearle Vision? The logo's eyeglasses, between the layers of green as the rainbow cloud layer? (See DEEPER INSIGHTS into the Illuminati FORMULA for Undetectable Total Mind Control - pps 44-46)

“Signs and symbols rule the world, not words nor laws.” ~ Confucius

He knew stuff. The kind of stuff that explains why this was forbidden in the Bible as the 2nd commandment.

Are you catching on? Look around. See the world for what it is. Seek the Lord Y'shua, son of the living God for help. We all need it - need Him!

Stitchers on ABC - MK-ULTRA, and Edgar Cayce

In this season my attention has been nearly entirely and still very intensely focused on the “mission critical” subjects. I have been rather minimally responsive to email and contact through the blog and YouTube, and I apologize for any offense at this neglect. This season is very unlike those that came before, in certain respects. How long it will last, I cannot say I know. Yet. Some would insist that a quest for that answer is pointless, but seeking the Lord for an understanding of our times and seasons remains paramount. That is in parallel with the development of our relationships of love, faith and hope. He remains wonderfully attentive to us.

Aaron and I have been to see TomorrowLand twice, and the allegories Aaron and I perceived in that seem worthy of a lengthy series of posts. However, it's not likely to get more than a very brief treatment. Like with the film, “Live, Die, Repeat - Edge of Tomorrow,” what insight we gleaned about the important subjects has been processed and passed on through the benefit provided to us in validation, more confidence and clarity and refinement to our understanding. There's always been a benefit in the exercise of working through the details of the symbol language, and a wonderful benefit in sharing it, but there's just not enough bandwidth to work through the presentations and still give adequate attention to what's most important. As important as that work was in previous seasons, it largely represents a distraction. Unless, like with this post, the Lord does so prompt. We remain active with publishing on the MOB blog, but it's a strictly limited effort.

There's a new show on ABC called, Stitchers. Yesterday, while I was starting to wake up, after watching episode one the night before last, the Lord was opening to me a layer of allegory where it's all about Illuminati mind control programming, MK ULTRA/Monarch style programmers, handlers and slaves. It covers ground that's mostly been covered before, but this repackaging appears to be specially fit for this season, which becomes very apparent when you understand the relevance of the featured water-as-time metaphor.

Here's the official plot summary.

“Stitchers” follows Kirsten (Emma Ishta), a young woman recruited into a covert government agency to be ‘stitched’ into the minds of the recently deceased, using their memories to investigate murders and decipher mysteries that otherwise would have gone to the grave. Working alongside Kirsten is Cameron (Kyle Harris), a brilliant neuroscientist whose passion for the program is evident in his work. The secret program is headed by Maggie (Salli Richardson-Whitfield), a skilled veteran of covert operations, and includes Linus (Ritesh Rajan), a socially immature bioelectrical engineer and communications technician. Kirsten’s roommate, Camille (Allison Scagliotti), a gifted computer science grad student, is also recruited to use her skills to assist Kirsten in her new role as a ‘stitcher.’

My commentary will make more sense if you can watch the series premiere after reading this all the way through, then return to read this a second time. It will help if you're familiar with what I've already written about trauma-based mind control programming, and with Fritz Springmeier and Cisco Wheeler's writings about Illuminati slaves and the testimonies of such as Arizona Wilder, Svali, Bryce Taylor and Cathy O'Brien.

It's very common to find media presentations where the mind control programming theme is woven tightly together with the beast/antichrist theme. What I see in this production is mind control programming and the time-space dimensional merging aspect of the antichrist plot. Let's start with the focus on time.

The pilot or premiere episode is titled, A Stitch in Time. There's the subject, right up front. All the promotional imagery features water, which is a metaphor for time. The stitching process involves water, which Kirsten is mostly submerged in. Kirsten was recruited for her special condition, which they call Temporal Dysplasia.

The condition is fictional. It's claimed to mean that Kirsten can't judge the passing of time like normal people, and this is claimed to make her suitable for stitching. In the real world there is a condition called cortical dysplasia, which is a brain function disorder, and there is a part of the brain called the temporal lobe, but Kirsten's condition is fabricated to support the allegorical layering.

Dysplasia, means, the enlargement of an organ or tissue by the proliferation of cells of an abnormal type, as a developmental disorder or an early stage in the development of cancer.

The word, temporal, means: 1. relating to worldly as opposed to spiritual affairs; secular. 2. Of or relating to time.

The tagline of the show is, Memories never die. Memory is a three part process involving encoding or registration, storage and retrieval, and this of course has everything to do with time. The premise of the show is that the brains of the recently deceased retain the stored memories and that stitching allows them to be retrieved. This speaks to me on a few levels. When time is reset into the past, memory of this season will not exist because it will be as though it never happened. Except that things are happening, and it will be such that special provision will be made for some to remember. Certainly, the Lord of Lords is keeping accounts. The premise that memories never die speaks to when the ancient memory stored in our DNA will be activated, as some would see it, and a great hoax is perpetrated. The world will “remember” who and what they are shown in ways that, on a very local scale, are illustrated and modeled by Stitchers.

Temporal dysplasia sounds like temporal displeasure, which speaks to the characteristic attitude of the enemies of the sovereign God about time not being under their control, and, too, that this state and the attending displeasure is seen as only temporary.

Temporal dysplasia also sounds like temporal displacement, and this identification plays on multiple levels. Time displacement. This is Kirsten's condition. She's the special agent who can access the memories, traveling through the stitched brain back in time, through immersion in the water tank, to roam around in the person's past. She is therefore a time traveler, and stitching is all about temporal displacement.

The name of the pilot episode isn't explained, but the old adage referenced provides an apt description of the show's plot. A Stitch in Time - saves nine. The meaning has to do with mending fabric with a needle and thread. If fabric is torn and you delay mending it the fabric will tear more and more stitches will be required to mend it. Stitch it sooner to avoid more stitches later. One stitch now prevents nine in the future. Kirsten is sent on missions to experience the past and bring reports of her findings, with the objective of using that knowledge plus impressions and feelings to change the future. All the episodes so far have to do with using the dead person to save more people from being killed. A Stitch in Time - saves nine.

The Adversary's plot isn't about saving people, despite all the delusional transhumanist chatter being heard today. It's about displacing the Creator, and people are a means to that end, who only have value with respect to their usefulness. I perceive a stitch in time as pertaining to the fabric of space-time, which is already tearing. There are clues that suggest to me that the numbering of the implied “saves nine” is relevant, with regard to the 9th gate, the celestial Silver Gate. That's the time-space portal that is being targeted for opening by those who operate the super-colliders and perform the Occult rituals. The symbolism evident in Stitchers makes it very obvious that the show is Theurgic ritual that works toward that objective. You have seen the CERN opera-dance SYMMETRY film trailers, right?

Episode 2 is titled, Friends in Low Places. Think - underworld.

Let's consider how Stitchers plays around with Spiritualism and presents Kirsten as a medium. There's a definite paranormal angle to the show. The word, temporal, means: 1. relating to worldly as opposed to spiritual affairs; secular. Flip that. Episode 3 is titled, Connections. We see Kirsten “channeling” the dead person, basically adopting their identity. She establishes a kind of bond in the stitching, a soul connection, and there's a transference. The way it works in reality is with masquerading demons and possession. Stitching as demonic possession, making a medium.

The character's name is telling.

Kirsten Clark.
K. C.
Pronounce Cayce
Edgar Cayce

“Every year, tens of thousands of people from all over the world become interested in the life work of one ordinary man. He was an average individual in most respects: a loving husband, a father of two children, a skilled photographer, a devoted Sunday School teacher, and an eager gardener. Yet, throughout his life, he also displayed one of the most remarkable psychic talents of all time. His name was Edgar Cayce.”

“For forty-three years of his adult life, Edgar Cayce demonstrated the uncanny ability to put himself into some kind of self-induced sleep state by lying down on a couch, closing his eyes, and folding his hands over his stomach. This state of relaxation and meditation enabled him to place his mind in contact with all time and space. From this state he could respond to questions as diverse as, "What are the secrets of the universe?" to "How can I remove a wart?" His responses to these questions came to be called "readings" and contain insights so valuable that even to this day individuals have found practical help for everything from maintaining a well-balanced diet and improving human relationships to overcoming life-threatening illnesses and experiencing a closer walk with God.”

The Sleeping Prophet - Who was Edgar Cayce and what are Edgar Cayce Readings?

This is biased, of course, with the above sourced from Cayce's own Association for Research and Enlightenment. If you read that page and watch Stitchers the intended connection should be obvious. The stitching requires that Kirsten is reclining and then the modeling is that she is ritually put into a trance state and then brought back out. K.C. goes forth with questions and reports back with the answers, just like Cayce. At some point, the Akashic Record has to be named in all this.

The Bible is pretty clear about avoiding such activity, and that's for our benefit because there are blessings for obedience and curses for disobedience. Spiritualism is all about demonic deception. Those who promote it are deceived and deceiving.

The secret medium K. C. has a meaningful name even beyond her signal initials. Kirsten. Say, cursed in. Think about it. The name, Kirsten, means, Christian. The name, Clark, means cleric, scribe. Kristen Clark. She's kind of a priestess. Edgar Cayce was a “devoted Sunday School teacher” and his function as a medium was in a priestly kind of ministry as a prophet-priest. Not in service to my God though, to be sure.

Kirsten Clark. KC is Code 33 - a notable observation. K=11 and C=3. KC~11*3=33. One of the associations of that number has to do with the death and resurrection of Christ, at age 33. A person becomes a Christian being identified with Christ through His death and resurrection. Kirsten - Christian - KC 33. In the Stitching, she is stitched to a dead person, identified with someone who died but is not “really” dead.

Who is the authorized agent in the position of responsible for the Stitchers operation? Maggie Baptiste. Think John the Baptist. See the baptism of Christ every time Kirsten gets immersed in the water and is subsequently stitched to the dead person, making a distinct identification, who then emerges alive from the water with the dead person's memories and mind and heart. Okay. Now, flip it. Think antichrist. That's what is being dramatized in not really very subtle allegorical fashion. Think about Revelation 13:1 and the beast seen rising from the sea. Think about the watery abyss and the fallen star who is given the key to the abyss.

Now, let's consider how the beans are spilled on MK-Ultra and similar programs. This is what the Lord was opening to me.

The hacking into the dead brain is a mind-control metaphor. Kristen is a multiple, a chosen one, an Illuminati slave. The programmers are, well, programmers, and her handlers. The Stitchers top secret agency's government umbrella - CIA? When they go through the stitching routine, it's the slave being put into the trance state for programming. Dissociation. Over the rainbow - through the looking glass and down the rabbit hole. Lewis Carroll's rabbit with the pocket watch was obsessed with time. He was in and out of the rabbit hole, as the psychopomp Hermes, and Anubis. Temporal Dysplasia / displacement.

People are put into the trance for programming or missions. When you watch Kirsten stitching and exploring the life lived by the person she's stitched to, think about remote viewing and astral projection. She searches the Akashic Records, traveling the astral plane in an etheric body, to use some common terminology. Temporal dysplasia suggests temporal displacement or time travel as unbound to this realm. These kinds of abilities are the reason for why the slaves go on these kinds of missions, and the handlers and programmers benefit. Surveillance in the present as well as gaining whatever insight may be gleaned about the past and future is coveted information.

Slaves are sometimes put into the trance state for the use of their brains as biological hard drives, memory storage units. They are sometimes used as secure couriers, and the data or memories can only be accessed with the right codes. Stitchers dramatizes this very obviously. To come “out of trance” Kirsten has to code in her name and pin on the virtual keypad.

Her pin is “I Heart Linus,” Linus being the name of the programmer who assigned her that pin. Word associations - Linus Torvalds, famous programmer known for the Linux operating system. Linus: “Lion us” - messianic identification. “Lyin' us” - deceivers. The pin code is a ritual sodomy signal. Heart shape = buttocks. Heart is taken to mean, love, and the ritual sodomy and ritual abuse is equated with love in the perverse relationship with the abusive traumatizing handler / programmer. Stitching is going into trance, dissociating, which is also known as going down the rabbit hole. The rabbit hole is a metaphor for the rectum, and traversing it with ritual sodomy, which has been the standard means of Illuminati programming for thousands of years. This didn't start with the CIA and MK-ULTRA or Monarch, or with the Nazi SS. Ritual sodomy is used like a mason uses mortar with bricks to effectually bind the slave to the handler and to the handler's organization. Stitching, like how a stich sews two together.

Kirsten is made to wear a special black body suit when she stitches. They call it a Catwoman suit, minus the cat ears and spike heels. Beta alters are identified with sex kitten programming. Cat woman. High heels, raised in the rear shoes that raise the wearer's rear, are a ritual sodomy symbol.

When Kirsten describes her condition she tells us how she lacks any natural ability to measure the passing of time. We would say that she has no internal clock. She lists her alternate methods for calculating intervals, substitutes, and this gives us a view into the standard Illuminati alter system that has many timers and internal clocks built in that regulate the complex workings.

Some of the promotional imagery pictures water coming off her face in a way that resembles a mask. Masks represent front alters behind which an internal alter is isolated. Kirsten tells us that she didn't have normal emotional connections and had to learn to model facial responses. The person's core identity is detached and isolated inside behind the front alters who interface with the outside world.

One of the things done to slaves to traumatize them and induce the dissociative state involves ritually drowning and revival. There's the water tank baptismal. There's also sensory deprivation and electro-shock trauma - which is also demonstrated.

The one who presides over the ritual baptism activity is named Maggie Baptiste, and Maggie or Margaret means, pearl. During Illuminati over the rainbow trance programming, there's a black pearl involved, which deals with memory storage. Again, Memories never die, goes the tagline. Here's what I wrote about a dramatization that took place during the London 2012 Paralympics.

“One of the features of this programming is a black pearl. That big black “umbrella” in the middle of the stadium represents the Monarch black pearl! Here's the role it has as the programmer hypnotically guides the slave into the deep trance, descending down on clouds that are the colors of the rainbow. “Land very gently ... very softly ... in the center of a round, black pearl. See it glowing, softly, gently.” When the slave is about to be brought out of trance, it's referenced again. “In the pearl, prepare to awaken.” As the programming session finishes and the slave is going to be sent back into a front alter, the memory of the program will remain "in the black pearl" while the slave is isolated from it for security. 'Leaving the memory in the black pearl and closing and sealing the black pearl. You will remember only those details that I tell you to remember.'”

When she dissociates as traveling over the rainbow to another dimension, Kirsten experiences trauma. In one instance, she's standing on top of a high pillar or pedestal, and freezing cold. The point is made about her feet being for grounding, and this emphasizes the dimensional and time transit.

A column is used to symbolize the goddess of magick with the ankh key to resurrection. The actress who plays Kirsten is Emma Ishta. Think, Ishtar. Goddess. “Imma Goddess.” There are other goddess symbols seen in the show.

Multiples have identity issues, with multiple identities or dissociated alters. Her primary handler, Cameron Goodkin calls her by a wide array of odd names, handles, it must be said, for multiple alters. He's Good Kin because the handler is often a trusted member of the family. Kirsten is special and a lot is being made of her father's identity and role. It suggests that she's a chosen one, which is a multiple who is of Illuminati family bloodline. Her GoodKin handler is named Cameron because it's an anagram, for, romance. There's a reference to the perverse sodomite and abusive handler-slave love connection, and the show superficially plays around with the Cameron and Kirsten relationship dynamic.

The casting of the show is obviously important. They are leveraging the history of networked shows in the SyFy channel network.

Stitchers blurb: “Kirsten’s roommate, Camille Engelson, a gifted computer science grad student, is also recruited to use her skills to assist Kirsten in her new role as a ‘stitcher.’ ”

Played by Allison Scagliotti (skal-yotti), of Warehouse 13 (2009-2014), where she was also gifted with computer skills.

“Warehouse 13 is part of Syfy's developing shared fictional universe, with several characters crossing over between series:”

“Global Dynamics researcher Douglas Fargo (played by Neil Grayston) from Eureka traveled to South Dakota to update Warehouse 13's computer system in the Warehouse 13 episode "13.1". Warehouse 13 computer wizard Claudia Donovan (played by Allison Scagliotti) subsequently traveled to the town of Eureka, Oregon to check out the technological marvels at Global Dynamics in the Eureka episode "Crossing Over". Fargo again appeared in the Warehouse 13 episode "Don't Hate the Player" when Claudia, Lattimer, and Bering traveled to Palo Alto, California to find Douglas beta testing a virtual reality simulator with the aid of a dangerous artifact.”

Stitchers blurb: “The secret program is headed by Maggie Baptiste, a skilled veteran of covert operations.”

She's played by Salli Richardson-Whitfield, who played Dr. Allison Blake in the series, Eureka. (2006-2012)

Talk about crossing over from one universe to another. Hmmm. Warehouse 13 and Eureka are defunct. Nothing but memories. Yet, there they are, in Stitchers. Temporal displacement indeed. Temporal Dysplasia. Temporal Displays, yeah?

It's good to see what we're looking at, and what others are being programmed with. It still matters.

The Sign of Yom Teruah - Stopped Clock - Russ Dizdar, Agent of Light and Shadow

Yom Teruah was a big day. I don't often write about what goes on behind the scenes here at home but a notable sign in a season of signs that marked the day has to be shared. A week earlier, the Lord had led me to ask for a sign that was for Aaron and I, and within a day's time He brought it, and what was intended by it was quickly accomplished. Within a few days, I was led to expect another sign, something more along the lines of generally confirming some things that we needed to have increasing confidence about. A sign was witnessed on Yom Teruah when a clock in our kitchen fell to the floor. Sure, falling clocks aren't unheard of, but this one's mounting system doesn't permit such a fall by any natural means whatsoever, and no structural failure was involved. The meaning of the details and the context speaks to both Aaron and myself on several levels. The first that I'm going to share has to do with Russ Dizdar and the theme music featured on his popular podcast. Perhaps other reports about the sign's meaning will follow, on subjects like the approaching time mission and Satan's fall.

The level of effort being given to this reporting on the Yom Teruah sign may well be more of a derailing of the series on The Penitent Man than a side-tracking - we'll see. The time remaining is so very short for such things.

Aaron and I don't make it a habit to celebrate every holiday, except as the Lord does occasionally lead. We had an anticipation, a sense of expectation, leading up to this recent Yom Teruah. It needed to be celebrated with attention given to an open agenda. We're not “messianic” in the sense of how the customs of Judaism are adopted by some in the church. (I am not unfamiliar with the community, with various levels of involvement in past seasons of the Lord's preparation.) We had received the Karaite report of the sighting of the moon (sunset 9/26/14) and welcomed the arrival of Yom Teruah by celebrating with some casual food and a season of fellowship. We had lots to celebrate, taking the opportunity to reflect on the amazing expression of the Lord's favor through the many cycles of trial and blessing. We rejoiced and praised the Lord for His goodness. While we were recalling the transitional events of the past week, with a focus that was mainly on our personal lives, Aaron suddenly began to tell me about the theme music Russ Dizdar (ShatterTheDarkness.net) uses for his podcasts. The Ragged Edge Radio ....with Russ Dizdar (preemptionbroadcast.podomatic.com). He had Shazammed it a while back. The Lord brought our attention to it so we began exploring to discover why. Russ Dizdar's selection for his show's branding has something important to tell us, and you may find the insight disturbing, or perhaps just confirming.

The song Russ features at the start and finish of his show is Uli Jon Roth's song titled, Light and Shadows, from the 2008 album, Under A Dark Sky (Sky of Avalon). Aaron looked up the lyrics on his tablet and we were struck by what we found. What happened while Aaron and I were in the midst of assessing what the Lord was revealing to us through Russ' theme music provided validation later in the day, after the clock had fallen, when we were reviewing the complexities of the situation and seeking the Lord's intended meanings.

When you listen to Russ' opening segment you usually hear the softly sung line repeated, “Hallowed be thy name.” It's a line from what is widely known as the Lord's Prayer, from Matthew 6 and Luke 11. Hearing that praise music during the show, you can be assured that many a saint prays along, offering their own praise during this softly hypnotic prelude. Here's the problem. The god being praised in the song is a false god.

Uli Jon Roth websites:
www.ulijonroth.com (Dedicated to the Spirit of Peace)
www.edenwaith.com/uliroth (Eden, as in the biblical paradise. “Waith,” is an alternate spelling of “waeth,” which is a mutated form of gwaeth (“worse”) “Waith,” is also a mutated form of the Welsh word, “gwaith,” meaning: time - with cardinal numbers, 'how many times', etc.)

“Under A Dark Sky is a progressive rock album by Uli Jon Roth, featuring Mark Boals and Liz Vandall on vocals. It marks the first official release in the long-awaited series of Symphonic Legends, which is a cycle of music written for Roth's all-encompassing Sky of Avalon project. ...Andy DiGelsomina, composer of the heavy metal opera Lyraka, calls it "the most relevant rock guitar album of the 21st century...it takes as its base the pioneering progressive rock of the 70s, and with the lead guitar in (Roth)'s hands, ups the expressive content of the compositions to a heretofore unrealized degree. Roth's guitar becomes like a separate voice, a prime protagonist in an apocalyptic opera.".” (Wikipedia)

I invite you to explore Uli Jon Roth's acclaimed Sky Academy website for yourself, especially his Philosophy page. You'll find the following: “Sphere Five is about getting in tune with the Alpha and the Omega.” Hey, Revelation 1:8 and 11 right? Well, no, not that one but a pretender. You'll only confuse his with the genuine if you remove it from context, like Russ does with the “Light and Shadows” clip on his Ragged Edge Radio broadcast theme.

From the Sky Academy's Philosophy page: “Sphere I: The Principles of Music -- In the context of Sky Academy teaching, the first sphere of knowledge is that of MUSIC herself. This pertains to the very fabric of music, as well as to its metaphysics. Music is seen as a mirror image of the principles of creation.”

From Sphere II: Man and Music - The Principles of Man -- “The second sphere of knowledge is concerned with man, especially regarding the human experience of interacting with music. In Sky Academy teaching, man is an instrument. We are designed according to the same principles as is music – in many respects we are music. Music uses man as an instrument – and man uses instruments to create music – this seeming dichotomy can serve as a powerful mirror and a touchstone for our personal development. It is U.J.R.'s conviction that the spirit of music can teach us a lot more about ourselves and our identity than was hitherto realized. Music does hold vital and as yet unfamiliar keys to the spiritual evolution of the human race. It is the aim of Sky Academy to play a vital role in unlocking and utilizing some of this enormous potential.”

From Sphere III: The Way of the Guitar - The Instrument as a Bridge -- “In the third sphere of Sky Academy teaching, music is working through man, who uses an instrument. The third key stage is dedicated to the instrument of our choice – in our case usually the guitar, which is supremely suitable for this task at hand. In the context of Sky Academy teachings, we are essentially treating the guitar as our direct bridge to the heart of music, as well as to that of the listener. For Sky Academy purposes, the guitar is almost like a magic wand of some sort; but virtually any mature instrument - be it bowed or percussive - can be used for teaching these principles.”

On the Sky Academy Teaching page, he writes, “I aim to take gifted players to the level where the magic starts – the inspiration zone – and to show them how to stay there. With some people it is enough to point them through the right gateway and then it suddenly opens for them as if by magic – that’s the moment when everything falls into place…” Magic. It's not merely figurative. The Sky Academy is a vehicle for Occult initiation.

Uli Jon Roth and Jimmy Page have a lot in common, who is Led Zeppelin's lead guitarist and renowned practitioner of black magick. Roth has a direct kind of connection with another legendary guitar hero, Jimi Hendrix, perhaps a transference, supernaturally. Roth's long time girlfriend and muse, Monika Dannemann, was the last to see Jimi Hendrix alive. She was Jimi's girlfriend and he died in her apartment in London. She discovered his body the morning after he died. She kept Jimi's favorite famous guitar, Black Beauty, and it is rumored that Uli has it in his possession. Have you heard of Jimi Hendrix's experiment/concert on the slope of Haleakala in Maui, Hawaii? Watch the clip in the tribute film Jimi Hendrix - Feedback, around 37-39 minutes in. It's not entirely non-fiction but the Rainbow Bridge - really - it's no joke.

Uli Jon Roth is not a brother in Christ, and he doesn't claim to be. There's no reason to think that he's crying out to be saved by the God of Abraham, Isaac and Jacob or to give Him honor. Quite the opposite appears to be the case. His music is accursed rather than blessed. Some research with a modicum of discernment will make this abundantly clear. Those who worship the Adversary commonly wear crosses and doves, name the archangels, quote from the Bible, and offer praise and worship in devoted service to their gods. Compare the Pope and the practice of the Romish church. When the Roman Catholic church takes an idol of Isis or Venus and rebrands it as the Virgin Mary, it changes nothing but the label. The same goddess is honored. It's still an idol. By the same principle, when Russ adopts Uli Jon Roth's song for his podcast's theme music, the god being honored does not change.

When you apply yourself to understanding what's wrong with Russ' featuring of Uli Jon Roth's “Light and Shadows” as his theme music, you really have to take stock of the reality and influence of the “charged” music, to use the fitting terminology that Russ himself uses to describe the condition of demonic attachment. The language Uli John Roth uses on his Philosophy page isn't without substance, supernaturally. “Music herself,” he writes, which clearly is a personifying and deifying expression, introducing the meaning that is extended when he later writes such things like, “music” creates man. She is a creative power, the goddess, who unites. The music is transcendental. That music doesn't ascend you into the presence of the true God but rather works to descend you into the presence of the gods where the light is a dark light, into the shadow realm. According to Russ' testimony, that's where he came from before my Lord delivered him.

While Aaron and I were discussing the lyrical content of Dizdar's selection in the evening beginning Yom Teruah, I looked at title #2 on the same album, called “Tempus Fugit.” Given a major trending theme of the season, I exclaimed about the first line of the lyrics, “The first 3 words: Stop that clock!” If you've been following the blog for a while, the subject of stargate transits and of time-space manipulation should be very familiar. I knew “Tempus” meant time but neither one of us gave the title more attention. I was really excited about seeing, “Stop that clock!” I repeated it several times. It spoke to us immediately of the stopping of time for a stargate transit, and we readily connected the rest of the line and verse to the revealing of the lawless one. Yet, it seemed like even that didn't warrant the level of stirring I felt about the song.

It was getting late, and I went upstairs to get some rest. A few minutes later, I heard a clattering downstairs. The clock had fallen to the floor. Aaron was a few feet away, brushing his teeth in the powder room. He noted the time and other pertinent details. He was pretty excited about what he observed, and when we reconvened in the morning for more fellowship on the special Shabbat, more news and insight was forthcoming.

We were led back into the lyrics of Under A Dark Sky (Sky of Avalon). When we followed up on the meaning of the Latin title, Tempus Fugit, the connections were obvious. Time Flies. The clock had fallen off the wall onto the floor, which, again, could not have simply fallen off because of the secure mounting. In a figure, time flies when a clock falls. When it hit the kitchen floor, the battery was ejected. The first 3 words of Tempus Fugit: Stop the clock! Time flew and the clock was stopped. When Aaron picked it up off the floor, the time showing on the analog clock was 12:09. He immediately perceived the familiar time code. 12+9=21. The number 21 means time, the fullness of time.

The words, Tempus Fugit, are sometimes found on clocks and sundials. Not unlike memento mori or carpe diem, it's sometimes viewed as a simple reminder of how this life is fleeting. As believers, the spirit of the Lord leads us to walk in light of the wisdom of Ephesians 5:15-16, making the most of our time because the days are evil. The falling clock may be taken as a reminder of just how fleeting our time truly is, and therefore how precious. That's important, but the sign is much more than that. On one level, the falling clock was a connecting point between the discussion of Russ' theme song that took place just before it fell and another song from the same album that described the sign. Insight fit for the season was being brought forth.

Here's the lyrics of Tempus Fugit, again, by Uli Jon Roth, title #2 from Under The Dark Sky.

Stop that clock! Spawning shock and awe...
Servants, we are servants of Big Brother
Who is our father!

Tempus fugit - Stop the New World Order!
Semper fugit - Save our sons and daughters!

Servants, they are servants of Big Brother
They don't know the father...

Vade retro, vade retro!
Christus est venturus!
Vade retro, vade retro!
Judex mundi est venturus!
Vade mecum - Salva nobis!

Babylon! Old battle ground inside the human soul...
The Lord has spoken thus: Stop killing!

The Latin verse translates:

Go back, go back!
Christ is coming!
Go back, go back!
Judge of the world is coming!
Go with me - Save us!

The scene is Revelation 19. Read the chapter. Think about it. The slaughter is for the enemies of Christ in the campaign of Armageddon. The killing will stop when my Lord, the rider on the white horse of Revelation 19:11 is satisfied that judgment has been fulfilled. When you read, “We are” servants of Big Brother, the singer's boss is Antichrist. When “They are,” Big Brother he is referencing my own brother and Lord Y'shua, the genuine savior and Messiah. When, “They don't know the father...” is sung, the father is the singer's, Lucifer. The New World Order that the singer wants stopped is not the one where their Big Brother Antichrist rules, but Daniel 2's stone kingdom! What they want instead is the one George Bush famously spoke about on 9/11/90, 1 year to the day before the celestial sign marking Y'shua's return in judgment, which 11 years to the day before the WTC false flag that changed the world. This past Yom Teruah, when the clock fell and “time” stopped, it marked the 23rd anniversary of that day of the sign in 1991, and on that accounting, the beginning of the 24th year of a most significant count.

When the song begins, “Stop that clock! Spawning shock and awe...” the time-space manipulation at the opening of a stargate is the subject. Horus transits at the Antichrist apocalypse. It's about spawning, because the beast will reproduce through his mark when the DNA is replicated. There's more to this!

“Shock and awe (technically known as rapid dominance) is a military doctrine based on the use of overwhelming power, dominant battlefield awareness and maneuvers, and spectacular displays of force to paralyze the enemy's perception of the battlefield and destroy its will to fight. The doctrine was written by Harlan K. Ullman and James P. Wade in 1996 and is a product of the National Defense University of the United States.” (Wikipedia) Because the great tribulation (megas thlipsis) begins when that Feast ends 8 days later, the “rapid dominance” of the “Shock and Awe” will manifest as described in 2 Thessalonians 2, Revelation 12 and 13, among other scriptures. That this really is to be interpreted on the subject of the apocalypse of the Antichrist beast is supported by the balance of the first verse: “Servants, we are servants of Big Brother Who is our father!”

The line that follows the first verse declares the nature of the weaponry they intend to deploy in the campaign of Armageddon (Rev. 19:19) “Tempus fugit - Stop the New World Order!” It's temporal, a time-space thing.

I've been many days in the writing of this post as Aaron and I get a sense of what's going on in this season. The stopping of the clock is a signal subject of this Hagmann & Hagmann Report from last night. Their title: Greg Evensen & Steve Quayle with an urgent update -Globalist clock stops. Evensen reports that a 1 star general called him at 4:30am and then again a bit later in the morning and he told Greg, "The clock has stopped!" Greg wondered what he was referring to and the general said, "All we've trained for, all we've prepared for, all we have written...the endless scenarios about...and the constant in service support and what we can cover with our troops and what you can cover with your troops has come to the final moment. We have planned and trained in the last three years for these very kinds of scenarios, and now I'm afraid we are going to have to put them actually to use." Steve ended their segment by quoting Greg's source and then his own, saying, "the clock has stopped and the gate is open."

The chaos that will attend the transition into the day of the Antichrist apocalypse continues to grow.

Now, Tempus Fugit's opening line has another angle. “Stop that clock! Spawning shock and awe...” shock-n-awe = shekinah * Shekinah - “In a manner, she is also the Supernal Mother herself--that is to say, she is the bright reflection. It is in this sense of reflection that her truest and highest name in bolism is Shekinah--the co-habiting glory.” - (The High Priestess card: Waite, Pictorial Key to the Tarot )

On Yom Teruah, Bill and Hillary Clinton became grandparents. It has to be taken into account that Bill Clinton has long been used by the Lord to model to me the false messiah Antichrist, at the appointed times. Stop the clock! Spawning shekinah. Charlotte Clinton Mezvinsky. Chelsea Clinton/Mezvinsky tweeted the birth announcement less than half an hour after our kitchen clock had fallen to the floor. Charlotte was reported to have been born shortly before sunset in Manhattan, which is well into the holiday on the Lord's clock, Israel time. Yom Teruah is the holiday that marked the birth of the Lord Y'shua, in 2 BC. The day of trumpets or day of shouting heralded the Messiah's birth - and His return in judgment in 1991. This year, the triple Shabbat (turn of civil/regnal year + head of lunar month + weekly Shabbat) marked a key transition. More about this in an upcoming post, Lord willing.

Back to Russ Dizdar's theme song, Light and Shadows. The album it's on, “Under A Dark Sky,” is a kind of a opera that follows a classical tradition. The songs combine to tell one story. If there's still a question in your mind about the whether the song is fit for leading the contrasting army of saints in praise, read on. In context, the song, Light and Shadows, isn't ambiguous about that. Here's the lyrics with a few of my comments added.

CAVEAT: Before reading, check with the Lord for His green light invitation to procede.

9) Light and Shadows

Hallowed be thy name [I hear the reverse speech: “he in the people are” - suggesting that the chanting heard in the segue was an incantation, perhaps in twilight language]
Hallowed be thy name

We are waiting for you in darkness
Waving the wands of night [Witches wave wands. In the night, darkness is worn like a cloak.]
We are trembling like leaves in the last days
But there's no light [I hear the reverse speech: “say hallowed Satan”]
There's no light...

We are crying for you from the shadows
Trying to crawl to the light [Lucifer's dark light]
We are searching for you in the meadows [Lucifer]
Yonder circle hawks and kite [the gods, Horus, Isis -- also the anchoring tranced Illuminati slaves]
Yonder hawks and kite...

We are serving the sons of perdition [A plain declaration. antichrist = son of perdition. Note, they are not repentant.]
Who as princes rule the world [Ephesians 6:13...]
Whom their father has given permission [Satan, the ancient dragon, Lucifer]
To worship the black pearl
Worship the black pearl... [The black pearl is a the central construct used when an Illuminati slave is put into a trance state during “go over the rainbow” programming, after the ritual circling described in the previous verse.]

We are seeding with poison our skies
Azrael sings on his Haarp [fallen angel is named]
We are bleeding and dying like flies
In the cold light of F-sharp [See Sky Academy philosophy - this is thinning the dimensional veil]
The cold light of F-sharp...

The millions of people in bondage
To the dark side of the moon
Tortured creatures, survivors of clone age
On this island we're marooned
'Tis the planet of the doomed...

I hear echoes of stone age increasing
From a future far too tall
I see hordes of Neanderthals policing
Pride does come before the fall
Pride comes before the fall... [This is not about “the stone age” era, so-called. With the next lines, this is a reference to the age of stone, i.e. a very long time. A coming full circle to when angels and Nephilim [literally, the fallen) rule again in the earth.]

Save us now!
Lord have mercy on our souls
Save us through your grace!

And replenish our deserted fountains
And remember our famished race
And keep calling our names from your mountain
Remember your soldiers of grace
The soldiers of your grace...

Save us now!

Who is being called upon for salvation? Their lord Baal, Beelzebub, Lucifer the liar who promises salvation but will deliver something else altogether. There has been no change of heart (#3 Land of Dawn) of those who serve the sons of perdition. The soldiers of his grace are a barren race. Enoch was entreated long ago to petition the Creator on behalf of the fallen, for the seeking of a remittance of the penalty due for their rebellion. The request was denied, and my Lord, whose mercy truly endures forever, had His reasons.

The track is #9 on the album, and I'm thinking, the 9th gate and the single digit number for the transformation of the beast and his mark. The song is 6:13 long. That's not random. I've written about 6:13. Some of it I've published, some not, mostly because of the time involved to present the deep threads of insight involved. I had a very distinct sign about the numbering 6 and 13 to emphasize it, on a Friday the 13th earlier this year. I received a traffic citation. I was northbound on Rt 66, just south of Kane. The jurisdiction of authority was Marienville. I was at that time deeply involved in Marian study, about the goddess. Everything about the situation was marked. The fine cost me $130, another 13. Failure to sign my proof of insurance certificate. I was guilty of more, and received mercy. The sign was well noted. It spoke to me on several levels, and continues to speak.

Saints, what I keep telling you about the signs of the season has more depth than I can express. We are in a season of mercy as we rush along on our way. It is the bonus season I claim it to be. Do not neglect what is most important. Let go of everything else.

So, what does it mean that Russ features Light and Shadows. I'm told that he may sometimes be heard whispering along with the song like he's praying, or perhaps softly speaking in tongues. Certainly, that encourages others to follow suit. Are you grasping what this means? Again, when Russ adopts Uli Jon Roth's song for his podcast's theme music, the god honored does not change. A whitewashed sepulchre still has a corpse in the grave.

The assemblies of the saints don't use Black Sabbath, Led Zeppelin, Rush or Nine Inch Nails music for worship because that would just be wrong. This is pretty low hanging fruit, easy pickings for discernment, right? But Uli Jon Roth, really? Branding yourself with the kind of sacred music that praises demon gods, well, no good comes of that.

What defense can be offered on Russ' behalf for the grievous offence of the deployment of Ragged Edge Radio's musical stealth weapon? Could he plead ignorance with a claim that the musical selection was an innocent mistake, an oversight perhaps? Can it be dismissed as a minor error in judgment? No. Russ is always preaching and teaching about discernment and the dark side. He's the expert. That's his wheelhouse. He sets the example in this category, in many people's minds.

As you may know, I mention Russ's work favorably on occasion. Like Tom Horn, Cris Putnam, Steve Quayle, John Seitzinger (formerly identifying himself as “John the Baptist” but more recently rebranding as “Johnny Baptist”), Joseph Herrin and others, these men contribute something of value in their appointed labors. So does the Pope and Billy Graham, Pat Robertson, Rick Warren and Joel Osteen... I offer no blanket endorsements when I refer to someone's work. A company of compromised agents ministers with genuine gifts but they effectively cast out nets upon nets to ensnare the saints who make their way along the narrowing path. It's the way of Mystery Babylon, which is mind boggling as you get your mind wrapped around the reality of it. What is intended as the Lord prepares us through many trials is that we escape every snare and find our way to the narrowest of gates, and find ourselves entering into the Lord's Bride company sheepfold. He is helping, and He will have a Bride! We must be overcomers, and the overcoming of deception is required.

Let this speak to you about Matthew 24:43 and the hidden motivation of the appointed oikodespotes. Oikodespotes - the appointed heads of the house, those who are recognized as church authorities. Including the “Bike Lane Collective.”

Have you ever wondered why Russ doesn't ever talk about ritual sodomy, even though it's a fundamental of SRA DID programming? That question is like the proverbial elephant in the room. Steve Quayle gave Russ his big break, kingmaker that he is. Steve talks about the subject, howbeit in cryptic terms. He's still going on about his box of chocolates. He declares how he went down the rabbit hole and insists that he knows what that means. Do you know what that means?

Russ continues to lead the unsuspecting saints in idolatry, praising together with someone who serves the dark side. This is beyond irony. Wrapping the broadcast and mp3 files in this stealthy idol speaks to me of the provision of cover. It's a cloaking device. Surprised? Dismayed? Stunned? Disturbing, isn't it? Was Ezekiel disturbed when the Lord showed him what's recorded in Ezekiel 8? Should I approach Russ like a brother and confront him with his error, seeking to restore him? Of course, Aaron and I have given that consideration. I'm convinced it's just not applicable here. I've written about Doug Riggs already, and it is my firm conviction that he's a handler posing as a deliverance minister. I spent several days with him in 2011. Is Russ compromised, and if so how and to what degree or in what way? Is he a chosen one, a handler and programmer? Is his relationship with the authorities in various agencies according to the network of the secret brotherhood Russ actually teaches about? I can't say I have evidence one way or the other, but what I do see plainly warns me of the probability.

I've met Russ. Aaron too. Sue Bradley extended an invitation to me to come to her house, several months before she died. She had contacted me through comments on the blog, which I couldn't post, of course. Russ was coming to visit and do some ministering work in Pennsylvania's ritual sites, I gathered, and her idea was for me to visit and join him. It was apparent to Aaron and I that the Lord had something better in mind for us.

I'm not going to tell you to boycott such and such a minister or ministry. I will tell you that following where they lead will surely disqualify you, with neglect of the matters of gender propriety (touching directly on the Lord's authority) and with a failure to learn when the Lord is coming and promote what that truly represents. As we get what the Lord has for us, be wary, be vigilant, exercise discernment in all matters. Allow yourself to be disarmed by nothing in your interactions, with ministers, friends and family, except where, when and how the spirit of the Lord may make it very, very plain.

5 This is the message we have heard from Him and announce to you, that God is Light, and in Him there is no darkness at all. 6 If we say that we have fellowship with Him and yet walk in the darkness, we lie and do not practice the truth; 7 but if we walk in the Light as He Himself is in the Light, we have fellowship with one another, and the blood of Jesus His Son cleanses us from all sin. ~ 1 John 1:5-7

11 Do not participate in the unfruitful deeds of darkness, but instead even expose them; 12 for it is disgraceful even to speak of the things which are done by them in secret. ~ Ephesians 5:11-12

14 Do not be bound together with unbelievers; for what partnership have righteousness and lawlessness, or what fellowship has light with darkness? 15 Or what harmony has Christ with Belial, or what has a believer in common with an unbeliever? ~ 2 Corinthians 6:14-15

Part 24 - Signs of Horus Worship - Pi-RA-tes and Bucs!

Series Links: Signs of Horus Worship

When it comes to naval tradition, it's the pirates who have the reputation for being the terrors of the high seas. These colorful scoundrels that are so celebrated in pop culture today are not usually identified with a religion, beyond being a very superstitious lot, but they should be. Dead men tell no tales, but the history of piracy and symbols like the Jolly Roger reveal the matter.

The infamous Jolly Roger and those who flew it is linked to the Knights Templar. Web search pirates knights templar and search it out for yourself. The following picture of a class of Skull and Bones at Yale is one of that kind that is worth the proverbial thousand words. Their claim to the symbol is apparently legit.

I've decoded the skull and bones symbol to identify it as an image the beast of Revelation 13:1, the one John saw rising out of the sea - out of Davy Jones' locker, some might say. The crossed bones or swords present the sign of the sun god. You'll find some very interesting documentation in the following posts.

• Osiris - the occult man, skull, and man of bones
• The Skull and Crossbones - Avast! Be ye not a scurvy scallywag!
• Decoding the Olive Exposes the Illuminati UN, the US Great Seal, Etc.

In these title graphics for two of the films in the Pirates of the Caribbean franchise, the extended leg of the R in “PIRATES” is crossed to signal the Rx or Eye of Horus. Crossing that R with the leg of the A calls out the pair as Ra, the sun god, aka Horus. The same layered signal repeats in the word “STRANGER.” The word “ON” directly names that Egyptian city that was renowned for worshiping the sun god. The title presents Code 33 in the PC acronym (p=11 and c=3 so pc = 11*3=33). Even the little words add layers to the symbolism, which are presented differently from the other title script. (the: 20+8+5=33) (of: 12+21 [RAS])

When the sun god beast is presented in Occult symbolism it's often in tandem with mind-control programming. That's the case with “The Curse of the Black Pearl” film. Search this blog for “black pearl” and you'll discover how this object is central to what's called “go over the rainbow” programming. That's Monarch and Illuminati programming language. Their god Lucifer is behind the sun god, and their SRA DID slave army creation scheme is a major way Horus worship is expressed in practical terms.

The following collection of pirate branding features more examples of the same Rx Horus Eye and Ra signaling. Found on PirateJokes.net: Where do pirates work in the off season? Pharrrrmacies! Seems fitting, somehow. ;)

Yes, it's a trend, and it's more than just a random crossed sword thing. Celebrities that hide one eye to signal the Horus Eye are mimicking the popular image of the pirate, with a patch over one eye. Think about Popeye the sailor man. Pop-Eye. Horus worship is a naval tradition and those who promote Horus worship know this.


Evidence of the naval tradition of Horus worshipers is sometimes found in unexpected places. The clothing and accessories retailer, Old Navy, seems innocent enough in their simple branding. That is, until you grasp the meaning of their acronym and make the connection to the old naval tradition. ON. Think about it. Heliopolis. Squared circle.

The sun god on the high seas business predates the Knights Templar. Web search theopenscroll noah navy to find more about how words like “navy” and “navigation” are linked to the name “Noah.” There's also a link to the giant blue Na'vi of planet Pandora featured in James Cameron's film, Avatar. See here for more about that, which is VERY pertinent: The Avatar Stratagem.

The terrible plundering and abusive sun god worshipers ruling the high seas is an anti-Noah kind of expression. Web search theopenscroll counter-flood and visit the pages from The Open Scroll site and blog to see how what's planned for the near future is intended to avenge the literal purging of the sun god progeny from the face of the earth. A very real kind of role reversal is coming! Their flagship counter-ark will be flying the Jolly Roger, in a figure. Large bones like those crossed on that flag conceal marrow inside, and marrow makes blood, right? This grand conflict can be seen as a blood feud between two family trees. The skull and crossbones is a regeneration sign, signaling sun god regeneration! Osiris or Horus will be regenerated to have his season of vengeance.

But as the days of Noah were, so shall also the coming of the Son of man be. ~ Matthew 24:37

Last April, the Mail Online posted this headline: Her Majesty's saltiest sea dog: Royal Navy sailor completes 33 years of service with an incredible THIRTEEN years at sea. If you're wary about media ritual and you find the symbols I've been blogging about very familiar you might wonder if this could have been put up for an April Fools Day joke, but no, it's legit. Ritual.


More evidence of the naval tradition of Horus worshipers may be found lurking rather innocently in the candy aisle. I believe the name of the colorful Jolly Rancher brand makes allusion to the Jolly Roger. Opposite the RA in “RANCHER” is ER, a mirrored companion in the bracketing, RE, a variant spelling of RA. Jolly RA-ncher, honoring the sun god.

They advertise the slogan Untamed Fruit Flavor, and those lawless sea dogs who flew the Jolly Roger were as untamed as can be.

Like I explain in the image, the acronym of the slogan transforms to 666 because U is the 6th letter from the end of the alphabet and F is the 6th from the front. UFF ~ 666. To strengthen that symbol the design adds some flourish to tag each of those code letters with a numeral 6. This is an exalting and advancing of the agenda of the beast with his mark! The brand's purple oval with sun colored outline of the name is a Horus Eye symbol.

Here's a video of a popular commercial playing on cable TV. Jolly Rancher Untamed Fruit Flavor The flying colored objects are a mind control programming device that I believe is related to Illuminati “go over the rainbow” programming.


Caveat: If you're a victim of ritual abuse who is still being delivered or you're easily offended by mature subjects and descriptive language, you may want to consider moving on.

Here in Pittsburgh we've got Pirates, the Major League baseball franchise. Their branding begins to take us down the trail of a naval tradition that is an inherent element of Horus worship, perverse sex magick.

This picture of an iPhone case features the pirate skull and the iconic P logo as the other featured part of his anatomy. The P is for Pittsburgh and Pirates and Phallic and Package. Phallus worship. The book of Ezekiel (23:20) and the book of Enoch (86:4) describe such a scale as to be dragging in the dirt, as pictured here. I've seen versions of the iconic P logo during a recent game on TV where the glans penis is highlighted by coloring it differently. Even with that, folks still don't see what they're looking at because it's cloaked with a spell. See how RA (and RAT) is suggested to us as the sun god whose mark is made by the crossed bats. The hidden eye and the knot in the bandana are two signs of ritual sodomy. Here, the iPhone case presents a couple forms of the squared circle sodomite classic. It should be noted how the inner cut-out part of the stylized P logo is a squared circle and reclined Royal Arch.

We've got rappers who love the Pirates and do some fan promotions with music and clothing lines based on the related word, “buccaneer”: Buctown. PA is densely populated with Freemasons and Buctown's branding bears witness to that. As I document this I'm going to establish the connection between some of the pirate images and Freemasonry.

The eye patch on the skull hides an eye to signal the Eye of Horus, a symbol sometimes called the all seeing eye that is perhaps the most widely recognized Illuminati and Masonic image. The skull and crossbones is featured on the tracing boards of more than one Masonic degree, usually marking a coffin. That coffin of Hiram Abiff is a symbol of the resurrection of Osiris into Horus, which is in other words, the coming of the sun god beast.

This is what's being celebrated by Buctown's Masonic branding, which becomes rather obvious in the decoding of the elements. The pretext for the diamond shape is the ball diamond, baseball's infield as bounded by the baselines. See that as the “infield” of the Masonic square and compass. There's usually a letter G inside that diamond, the 7th letter, and there are 7 letters inside Buctown's diamond. Dot. Dot. Connect.

We might also connect their diamond to the coffin itself. Let's take a lesson from this pair of tracing boards of the Third Degree, the highest of the foundational blue degrees. By way of these instructional diagrams they connect the square and compass with the coffin and Osiris resurrection. A coffin can be a simple rectangular box but these are stylized as the diamond, truncated. Observe how the square and compass are separated. In the version on the left the compass is on the top of the coffin. Observe how the angled form of the top of the coffin is that of the compass. In that same version, the square is on the bottom, and we compare it to the angled form of the lower part of the coffin. The coffin and the area bound by the square and compass are one in symbol. In the version on the right side you'll notice how the square is on top and the compass is on the bottom, which says to us that's not what's important.

So, it looks like Buctown's ball diamond is the Masonic square and compass with the “7 letter” inside and the object marked with the skull and crossbones. The banner declaring the area code is a familiar style that conceals a mirrored pair of 3s at the extremities. This obfuscated 33 is a common Masonic identifier. The area code is presented in such a way as to present more cryptic signs of Horus worship with links to Illuminated Freemasonry!

It's obvious this area code is important because the site responsible for Buctown has the domain of 412music.com. The brand's imagery seen there features checkerboards on the bottom, and the imagery of the Masonic temple floor comes readily to mind. If you rotate this to read it you'll see the steps of Freemasonry and a truncated pyramid. The top in default alignment presents a squared circle abstraction of the Royal Arch, and one might see this as the usual anatomical symbol.

Whether the dividing of the area code appears as 4 and 12 or four and twelve, it's consistent, and it's code alright! There is in this brand the coded reference to the esoteric 47th Problem of Euclid and 3.4.5 Pythagorean triple. Yes, this is about Horus worship!

The 4 sided diamond has 7 letters superimposed on it as a primary feature to call out the number 47. Boiled down, this translates to the production of Horus through the union of Osiris and Isis, which should be very familiar by this point in the series.

Reading across the bottom at the banner we have the mirrored 3 implied at the left end. Inside it we read, “FOUR.” This banner segment has 5 sides and 5 angles. It's 3-Osiris union 4-Isis producing 5-Horus. On the other side we read TWELVE, which is the sum of 3+4+5.

That number 412 is the area code of Pittsburgh, PA, sure, and it's used here as a different kind of “area code.” The 47th problem of Euclid features the AREA of geometrical figures in proving the Pythagorean theorem. Think about it. Area code. It's really very clever.

Buctown's Occult brand is even more rich than that. The letter T is the middle letter of “Buctown” but it's obviously set off to the left. Do you see how they have separated the word into BUCT and OWN? This is far from the first time I've seen the word own being emphasized in Occult symbols. The way owning happens is through ritual sodomy because the sodomizer owns the victim, enslaving and stealing their power. If that doesn't make sense, check out the Sodomite Gateway Series on this blog. The buccaneer is a sodomizing pirate. When you are buc'ed or BUCT you are sodomized and OWNed. A “buck” is a male deer, antelope or rabbit, or a fop, a dandy (with feminine qualities) and slang for a stud, and this really applies in the very same way. BUCT-OWN!

If you've never considered the sodomite tradition of the seafaring salty dogs, this book title alone should be informative.Sodomy and the Pirate Tradition: English Sea Rovers in the Seventeenth-Century Caribbean - By B. R. Burg


Like baseball's franchise in Pittsburgh, the NFL has football teams like the Tampa Bay Buccaneers and Oakland Raiders that brand with the pirate identity. The Oakland RA-iders honor the sun god according to the same tradition with their Horus Eye patch and “skull” with crossed swords forming the X mark. The version on the right is telling, which is a comedic interpretation offered by those who see what they're looking at in the home of the English Sea Rovers, These 'British' Versions Of NFL Logos Are Genius. The Buggery Bandits. Buggery = Sodomy.

The following excerpt from thisdayinquotes.com suggests to those of us outside that culture why it's probably more common knowledge to the public.

“In his great book about Churchill quotations and misquotes, Churchill by Himself: The Definitive Collection of Quotations, Langworth says that Montague-Browne personally told him that he had asked Churchill about the quote. According to Montague-Browne, Churchill responded: “I never said it. I wish I had.” Langworth notes that “rum, sodomy and the lash” is similar to “rum, bum and bacca” — a catchphrase from an old saying about the, er, pastimes of British sailors, dating back to the 1800s: “Ashore it’s wine, women and song; aboard it’s rum, bum and concertina.” (Bum = a man’s rear end; bacca = tobacco.)” -- (The origins of “Rum, sodomy and the lash” – Churchill’s alleged quip about British naval tradition…)

And, that brings us to this post's final example of the naval tradition of Horus worship, found in the realm of motorsports. Rum Bum Racing. Unless you're mindful of the old saying about the pastimes of British sailors the reference made by the team name is lost. “Ashore it’s wine, women and song; aboard it’s rum, bum and concertina.” From this picture in the middle you can see that the team has a bevy of girls supporting the team's, eh, morale. They are ashore, after all, and these events are for racing their landlubber vehicles.

The “bum” is British slang for the butt, and in the old saying it's a metaphor for sodomy. Over here in America, we tend to think “Rum Bum” is just making reference to the sort of folk who tend to be overly fond of alcoholic drink and casually lying about, the more fun version of a drunken vagrant. I might be content to think that too, but for the attending imagery.

The number 13, that's not always a sign, but it often is, and here, I have to think it is. It's signaling the rebel lord beast, the sun god whose rays are so prominent in the Rum Bum racing imagery. Setting the 13 inside the sun-anus is not an arbitrary thing but rather a powerful identifying symbol. That three (or 4? faced) creepy and ominous figure who appears to be scanning the worlds with super sun vision; that's the one who sponsors the rum & bum thing, of course.

Part 4 - Code 33 - The Smashing Pumpkins

Sometimes, the number 33 is presented like any other number might be in our world with no obfuscation whatsoever. These instances may be assessed with a sense of what the mystical number means to expose where it's being leveraged as a sorcerer's mechanism by Illuminated predators.

“Thirty-Three” is the title of a song by the American alternative rock band, The Smashing Pumpkins. I'm going to give that some attention because it exemplifies several key aspects of Code 33.

Smashing pumpkins is what juvenile pranksters do on Halloween night, so straight away a violent act of vandalism is brought to mind. What is also brought vividly to mind is that very important day on the Pagan's ceremonial calendar that is also called Samhain. The pumpkin is a metaphor for the head, and the violent smashing of heads is something that may be witnessed or experienced during Satanic Ritual Abuse and Pagan sacrifice. The most compelling interpretation of the band's name invokes the SRA programmers and handlers who fracture the minds of the slaves. When a victim is traumatized and they experience dissociation, the multiple alter identities generated are the result of their smashed pumpkins. The lyrics and the imagery of the official music video for “Thirty-Three” really only make sense in that context. The Smashing Pumpkins further speaks of the black awakening, when the programmed agents of chaos will vent their demonic fury.

Caveat: If you're a victim of ritual abuse who is still being delivered or you're easily offended by mature subjects and descriptive language, please consider moving on.

To set some context for the song, “Thirty-Three,” was the last single released off the “Mellon Collie and the Infinite Sadness” album (released on 11/11 1996, yes, eleven eleven). The first single released off that album was titled, “Bullet With Butterfly Wings,” a song that was their first Top 40 US hit and which garnered their only Grammy award. That single's cover art speaks volumes!

What is a bullet with butterfly wings but a Monarch programmed Delta assassin, produced by the pumpkin smashing Illuminati programmers and handlers. The adult man on the artwork is as a paper veneer, a masking front alter, and inside that torn open “smashed pumpkin” facade we see his core persona revealed. That child identity represents the mind-controlled slave at the age when he was initiated, where without deliverance he will remain enslaved, forever young. The rayed celestial illumination appears as from his backside because ritual sodomy is the fundamental key to that enlightened state. The tearing opened a pentagram star portal.

The previous album was titled, “Siamese Dreams,” suggestive of the Illuminati twinning process that is done while the programmer has the slave in the trance state.

Here's the official video for The Smashing Pumpkins - Thirty-Three.



The music video was directed by writer and frontman Billy Corgan and his then-girlfriend. The lyrics he wrote and the visual imagery he associates with it are his own, suggesting that, officially at least, there's no industry sponsored intervention in the artistic interpretation.

While most assume these lyrics are best described as poetic expression there's a better explanation. It's a coded message that I'll explain in commentary, as I understand it. I'm no programmer, but I have learned a few things about how their craft operates, as the Lord graciously opens it to me.

Lyrics: The Smashing Pumpkins - Thirty-Three

Speak to me in a language I can hear
Humor me before I have to go
Deep in thought I forgive everyone
As the cluttered streets greet me once again

[This describes a ceremonial occasion such as Samhain, when the long night's ceremonial has run on into the next day. When it's over, the heinous acts committed among them are put behind them, and as folks are ready to integrate back into the external world they exit the isolated and private setting. Video imagery: Hookers at a whore house, one is a Marilyn Monroe look-alike, an MK-ULTRA covergirl. The setting reveals how the ceremonial resembled a sex party and featured mind-control programming.

Is there a language spoken that you can't hear? No natural language, but there supernatural communications exist, psi powers of telepathy. There are those who can push or project their thoughts into the minds of others and those who can perceive the thoughts of others, transmitters and receivers, if you will. If you haven't experienced these things personally you are going to be very skeptical, but if you can accept the testimony of others who are quite sane, this communication is real. ]

I know I can't be late
Supper's waiting on the table
Tomorrow's just an excuse away
So I pull my collar up
And face the cold, on my own

[Returning to the obligations of their cover lives is apparently a challenge, and excuses must be made for their degraded appearance and performance after being up all night. Video imagery: Alice in Wonderland, programming classic with Alice and the white rabbit, and the table set is by extension alluding to the surreal Mad Hatter's tea party. The man who walks through the park alone is the programmer who is also a slave, who leaves with a balloon on a string. The balloon is a symbol of “go over the rainbow programming” and the trance state, and in this scene as he carries it on a string it speaks to me of his condition of being in a front alter.]

The earth laughs beneath my heavy feet
At the blasphemy in my old jangly walk
Steeple guide me to my heart and home
The sun is out and up and down again

[Levitation is not an uncommon experience in these rituals, and when witches are pictured flying on broomsticks and umbrellas there's more to that than just fanciful figures. When the party's over it's back to the heavy feet, anchored in this plane to the earthy and earth. I believe this also makes reference to the use of swings and other means of suspending trauma victims, including even the immersion in tanks of water.

(Webster's Revised Unabridged Dictionary) - jangly: “like the discordant ringing of nonmusical metallic objects striking together; sounding with a jangle; as, a custodian with a jangly set of keys.”
Who's got the jangly walk but the one with keys on a ring, the programmer, who logs and keeps the codes that permit access to the slave's program structures and alters. There's much blasphemy in those codes where Bible references are imprinted over with Luciferian perversions. Programming is Satanic ritual and the invocation and participation of demons is inherent to the process. Video imagery: The rosy cheeked boys who are dressed like toy soldiers and march together as one marionette unit controlled by a single puppeteer is a telling image. They are the Illuminati mind-controlled slave army. Rosy cheeks signal ritual sodomy abuse.

The steeple is a phallic object (and religious element akin to an obelisk). The heart is a reference to the shape of the butt. This guiding to the home thereby makes reference to the role of ritual sodomy during programming. The sun god is out, present through ritual invocation, and sodomizing by proxy, up and down again. ]

I know I'll make it, love can last forever
Graceful swans of never topple to the earth

[The endurance of what they call love is a sick expression of the sadistic abuse that defines the relationships between handlers and slaves. Graceful swans of never are the sons of god who fell, a figure I'll expand upon shortly. They are behind the ritual sodomy and programming, in every sense.]

And you can make it last, forever you
You can make it last, forever you
You can make it last

[Video imagery: A rider on a white horse. Revelation 6:2 - counterfeiting Revelation 19:11-14. The boat hull with oars floating on the water present the Masonic square and compass, and the sex magick of a vesica piscis with Marian goddess inside, imagery that carries over from the Lady Godiva and goddess allusion of the previous set. ]

And for a moment I lose myself
Wrapped up in the pleasures of the world
I've journeyed here and there and back again
But in the same old haunts, I still find my friends
Mysteries not ready to reveal, sympathies I'm ready to return

[To lose oneself for a moment is the experience of a mind control slave who has another alter triggered. The former alter identity is then lost, dissociated, displaced. When the round trip on this journey is complete, they are returned, found as in the very next moment with no memory of what had transpired. “Haunts” is a very appropriate descriptive, given the demonic nature of the hosting. During such trance programming procedures as the “go over the rainbow” programming, program scripts and all memories are placed in the secret vault called the black pearl as mysteries not ready to reveal. ]

I'll make the effort, love can last forever
Graceful swans of never topple to the earth
Tomorrow's just an excuse, tomorrow's just an excuse
And you can make it last, forever you
You can make it last, forever you
You can make it last, forever you, forever you

[Video imagery: Uh, did Horus just make a cameo? Those sallow empty looking women with dolls are such a familiar image of the Monarch slave.]

Well, there it is, one more veiled presentation of how it is in the secret world of the agents of the Illuminati. Another song, another stealth weapon, unleashed into the world to work the spell of pharmakeia.

Many fans think this song is a reference to Christ, as you can read in this collection of comments on SongFacts. This impression illustrates how this song lyric is one more example like many others presented on this blog of how antichrist beast symbolism is wrapped in mind-control programming symbolism. It's evil genius. Wicked clever.

The “graceful swans of never” can be taken as an acronym, with swans of never signaling s.o.n or son. Graceful adds a religious overtone, grace, and who was it in a religious context that had a “grace-ful” - grace-fall or fall from grace? Who subsequently toppled to the earth, as it were? g.s.o.n. = sons of god = fallen angels.

1 Now it came about, when men began to multiply on the face of the land, and daughters were born to them, 2 that the sons of God saw that the daughters of men were beautiful; and they took wives for themselves, whomever they chose. ~ Genesis 6:1-2

I'll pick this up again in another post, Lord willing.

Part 8 - To Number Our Days Aright - The Coming "Flood"

For a thousand years in your sight are like a day that has just gone by, or like a watch in the night. ~ Psalms 90:4

In this post I offer the basis for my expectations for the big events mapped to 2014 and introduce one of the collateral data sets, a time code resource that complements the historical accounts.

In mapping events from one template to another, the most coarse outline suggests that the seventh day will be set apart from the other 6 in character. Two other stand out divisions are the flood of Noah's day and my Lord's resurrection. I suspect the mapping of many other transitional events will be well worth the exercise, but these two events seem to really stand out. I've already proposed when it is that the corresponding events might be expected. The flood of Noah's day occurred 1656-1657 FA, projecting into the midst of the second day of this Shemittah, May of 2014. My Lord's resurrection occurred very early in the fifth millennial day, projecting into 2016 during the Days of Awe, in September or October. What will those seasons bring, the Black Awakening and the mark of the beast? For our benefit, we have templates to review, and additional resources to complement them.

Before I launch into that, let's acknowledge how this is a very different approach from what so many are accustomed to. The conventional approach to mapping end time events involves the application of natural reasoning to fit the prophetic scriptures together like pieces of a jigsaw puzzle. Since the Lord took me to His feet as a student, I don't put much stock in that approach. The problem isn't that there aren't really smart people putting lots of effort into it. The problem is that the Lord hid it, and nobody has an intellectual crowbar big enough to pry one pearl out of the Lord's treasure box. He grants it to whom He wills when He wills.

About the jigsaw puzzle allegory, the conventional approach of assembling the puzzle seeks to discover the time. What I've discovered is that the Lord usually gives me a time element and fills in what it means from there. If you are experienced and methodical with jigsaw puzzles, the first thing you want to do is find all the straight edged pieces and connect them to form the border. That defines the boundary and structures the context, framing the whole. With the unfolding of prophecy, the metaphorical straight edged pieces used to construct the frame relate to time. Events have context, as any sane perspective of the past reveals. There is continuity between the events, and this context gives them meaning. What sense can be made of the past without the sense of a timeline and a firm grasp of locality and interactions between peoples and regions over time? None! What sense can be made of the future without the same? None! Without the Lord's help identifying and assembling the puzzle frame, we're lost. With it, we've got just what we need!

A good many students of prophecy have as something akin to a fuzzy picture on the cover of the jigsaw puzzle box this week of years described in Daniel 9. The logical thing to do when you work the puzzle and read verse 27 is to read, “middle,” then divide 7 by 2 and get 3.5.

27 And he will make a firm covenant with the many for one week, but in the middle of the week he will put a stop to sacrifice and grain offering; and on the wing of abominations will come one who makes desolate, even until a complete destruction, one that is decreed, is poured out on the one who makes desolate.” ~ Daniel 9:27

The reasoning student surveys the collection of puzzle pieces and grabs those 3.5 year-ish looking pieces, making them fit together as best one can. That works, until it doesn't, and it doesn't work when you pay heed to the pattern of history as the basis for comparison. The Hebrew word for “middle” in verse 27 does not demand interpretation as the midpoint. The pattern weeks of Psalm 90:4 provide no evidence of a midpoint divider marking off 3500 years from Adam. Other events that can still be considered in the midst of the week qualify, however.

About those spans relating to the reign of the beast and great tribulation, these begin in the middle of the third year when the lawless one is revealed and a genocidal purge of the saints becomes the order of the day. That's Spring of 2015 if you're following along with a sense of the schedule. The terminus of that season will arrive as the week transitions into the Shabbat, the Day of the Lord, of retribution and recompense. 2.5+3.5=6

The world of the day of the lawless one's revealing will differ from the world of today. Within the next two years those of us who survive that long will see it change dramatically. The pattern of rav sheva or the great sevens of Psalm 90:4 suggests it will be a projection of the flood of Noah's day, as 1656-1657 FA maps into May of 2014. What will that look like as it manifests in this compressed prophetic second watch of the night? Let's start by leveraging the biblical templates as we seek insight into what appears to be appointed for a mere 11 months out.

First, we're going to find what is common to the Creation week and millennial week templates then assess what it suggests about our Shemittah. Here's the account of the second "day that has just gone by."

6 Then God said, “Let there be an expanse in the midst of the waters, and let it separate the waters from the waters.” 7 God made the expanse, and separated the waters which were below the expanse from the waters which were above the expanse; and it was so. 8 God called the expanse heaven. And there was evening and there was morning, a second day. ~ Genesis 1:6-8

Here's the passage that describes the flood of Noah's day.

6 Now Noah was six hundred years old when the flood of water came upon the earth. 7 Then Noah and his sons and his wife and his sons’ wives with him entered the ark because of the water of the flood. 8 Of clean animals and animals that are not clean and birds and everything that creeps on the ground, 9 there went into the ark to Noah by twos, male and female, as God had commanded Noah. 10 It came about after the seven days, that the water of the flood came upon the earth. 11 In the six hundredth year of Noah’s life, in the second month, on the seventeenth day of the month, on the same day all the fountains of the great deep burst open, and the floodgates of the sky were opened. 12 The rain fell upon the earth for forty days and forty nights. ~ Genesis 7:6-11

Because “a thousand years in your sight are like a day that has just gone by,” we see a correlation, matching “all the fountains of the great deep” to “the waters which were below the expanse” and “the floodgates of the sky” to “the waters which were above the expanse.” Surprised? Stunned? When I began to test the rav sheva theory I found this match pretty remarkable, wondering how we could have missed this amazing premise for so long. It is a witness to the Lord's ability to hide His treasure in plain sight!

How will this be like a watch in the night? Well, we can rule out a great flood of water because the sign of the covenant made with man and the earth itself still abides, the bow set in the clouds. I've already identified this event to you as what's called the black awakening, so let's turn our attention to what that means and how it fits the model.

If you've been following this blog for a while, you should be coming to an acute awareness that mind-control programming is a fact, that there is an elite body of trans-national programmers who rule the masses through ritual magick performed in both private and public contexts. It should be sinking in that there is a secret army of radically equipped soldier-slaves that have been prepared and strategically placed throughout the world, in every sector of power and influence. The system's security isn't perfect and beans have been spilled, but the damage control mechanism has been very effective. In recent years, through the Lord's bountiful favor, I've discovered that the Adversary, whose forces these are, likes to boast of his achievements, past, present and future, and that evidence of his plan is brilliantly embedded in the media imagery that saturates our cultures. The theme of a raging anti-Bride company bringing chaos appears as a strong thread. They are the agents appointed to aid in the overturning of this order and usher in the next. (ordo ab chaos, motto of the 33rd degree of Scottish Rite Freemasonry)

This is no fabrication of an overactive imagination born of conspiratorial paranoia. Ask Russ Dizdar about what the SRA DID chosen ones have testified as they hurl out their battle cries under duress. Granted, this is all rather difficult to accept in the face of all we've been taught and it goes against the flow of popular paradigm. The Bible says in the last days delusion and deception would dominate, and so it does. The truth is hard to accept, but the Black awakening is coming, and it will not take the Lord Y'shua by surprise. It's actually been on His radar for quite a while, and now, in due time, He makes it known to watchful servants according to His faithful promises.

I must mention how the matter of Daniel 8's prophecy about America's reset button getting punched is still pending. When it will come, I do not know. I only know the sign of imminent fulfillment will be when the powers of the Medes and Persians have both been broken and America exalts herself exceedingly, so Iran must shortly go the way of Iraq. Perhaps it's related to the flood projection.

So, how does the second day flood of water foreshadow the Black Awakening? The figurative language of the Bible represents people as water, and a flood can represent an angry mob or army.

1 Then one of the seven angels who had the seven bowls came and spoke with me, saying, “Come here, I will show you the judgment of the great harlot who sits on many waters,
...
15 And he said to me, 'The waters which you saw where the harlot sits, are peoples and multitudes and nations and tongues. ~ Revelation 17:1, 15

13 But I cry to you for help, Lord; in the morning my prayer comes before you. 14 Why, Lord, do you reject me and hide your face from me? 15 From my youth I have suffered and been close to death; I have borne your terrors and am in despair. 16 Your wrath has swept over me; your terrors have destroyed me. 17 All day long they surround me like a flood; they have completely engulfed me. 18 You have taken from me friend and neighbor— darkness is my closest friend. ~ Psalm 88:13-18 NIV

16 Over me hath Thy wrath passed, Thy terrors have cut me off, 17 They have surrounded me as waters all the day, They have gone round against me together, ~ Psalm 88:16-17 YLT

Wrath is fierce and anger is a flood, But who can stand before jealousy? ~ Proverbs 27:4

19 And they fear from the west the name of Jehovah, And from the rising of the sun -- His honour, When come in as a flood doth an adversary, The Spirit of Jehovah hath raised an ensign against him. 20 And come to Zion hath a redeemer, Even to captives of transgression in Jacob, An affirmation of Jehovah. ~ Isaiah 59:19 YLT

Are you finding any of that compelling? I am!

When the activation code sequence has been transmitted into the world by the programming elite, the demonically psi powered supersoldier alters will be triggered to carry out their appointed missions as agents of destruction. The opposition will be overwhelmed as by a flood. It's a brilliant plan and it will work. An extermination to extinction is beyond the limit set for this operation, but ordo ab chaos will manifest and out of the ashes of the phoenix will appear a vigorous feathered serpent of the form fit for this season of destiny fulfilled.

Prior to my awareness of these agents and their role in what was coming I had seen and written about a counter-flood in parts 6-8 of the Olympic Ceremony Symbolism series based on the 2008 games in Beijing. This counter-flood I perceived in the context of the enemy's plan to swap places with the Almighty God by conversion and elimination of his heritage people. The serpent's heritage was purged from the face of the earth during the flood of Noah's day and he intends a reversal of fortune. While the genetic conversion from man to beast through DNA replication will come largely through the transformative mark of the beast that's at the heart of that counter-flood plan, the Black Awakening flood has a critical role in the lead up to it, making way for the beast's entrance.

I've blogged about these matters some, in posts like Part 28 - Rango - Zombie Resurrection and Apocalypse - The Black Awakening and Beyond. What I've proposed here would have seemed rather unlikely to most folks not long ago, but given the state of the world today it's hardly a stretch of the imagination to picture our world order being overturned within the year.

Finally, I'd like to add a little more substance to what I've proposed for 2014 through a collateral data set, a key source of insight that complements the historical accounts.

What J. R. Church popularized about Hidden Prophecies in the Psalms has been very useful to me for purposes of confirmation. Put simply, it describes a sequential Bible time code where Psalm 1 is a cryptic description of the year 1901, Psalm 48 of 1948, 101 of 2001, 113 of 2013, etc. The many, many hours I invested during the mid 1990s in trying to discern the set representing Daniel's principle seven when I hadn't first had the explicit revelation that identified it to me led to nothing more than a close familiarity with the Psalms. As I attest in this documentation of the fruit of earlier efforts, The Year of His Coming: 1991 - Part II, the time code is useful for validation of what is already known.

Here's the passage that equated to 2014.

When Israel went forth from Egypt, the house of Jacob from a people of strange language, 2 Judah became His sanctuary, Israel, His dominion. 3 The sea looked and fled; the Jordan turned back. 4 The mountains skipped like rams, the hills, like lambs. 5 What ails you, O sea, that you flee? O Jordan, that you turn back? 6 O mountains, that you skip like rams? O hills, like lambs? 7 Tremble, O earth, before the Lord, before the God of Jacob, 8 Who turned the rock into a pool of water, the flint into a fountain of water. ~ Psalm 114

The sea, the Jordan river, a pool of water and a fountain of water; that's pretty wet for one short Psalm. A prophetic foreview? I would not recommend betting against it!

There is a reference here to the exodus, wilderness wandering and crossing into the promised land, which is all “middle of the third day” content, not second day, but it should be noted how the second is really for the preparation for what's coming in the third. Do mountains and little hills really skip, or is there some truth concealed and revealed through metaphorical language? There is a trembling of the earth before the Lord, the God of Jacob. Consider what deeds are attributed to Him as making reference to the miraculous provision for sustaining His people. In the Young's Literal Translation, verse 8 is rendered, “He is turning the rock to a pool of waters, The flint to a fountain of waters!” Present tense, right? Think about it. Such provision will be required, and I'm assured it will be provided right on time.

When I call out the flood of Noah's day as the singular transitional event of that season I surely neglect what must be seen as major related events of the season. Here's a mapping of some.

** Unit 2 - 2013-2014 **
~ 9/8/2013 - ? 9/27/14 (384 days)

1536 FA - God gives 120-year warning of Flood

4/1/14 * 9/18/12 + 560.6 [365*1.536] * from Yom Teruah 2012
3/22/14 * 9/8/13 + 195.6 [365*.536] * from Yom Teruah 2013 - solar
4/2/14 * 9/8/13 + 205.8 [384*.536] * from Yom Teruah 2013

1656-1657 FA - Noah's Flood (year long duration) * The Black Awakening?

5/15-16/14 * 9/18/2012 + 604.44 to 604.80 [365*1.656 and 7])
5/5-6/14 * 9/8/13 + 239.44 to 239.80 [365*.656 and 7]
5/18/14 * 9/8/13 + 252 to 252.3 [384*.656 and 7]

1757 FA - Peleg born * Earth divided in days of Peleg

6/21/14 * 9/18/2012 + 641.3 [365*1.757]
6/11/14 * 9/8/13 + 276.3 [365*.757]
6/26/14 * 9/8/13 + 290.7 [384*.757]

1908 FA Nimrod born to Cush

8/15/14 * 9/18/2012 + 696.4 [365*1.908]
8/5/14 * 9/8/13 + 331.4 [365*.908]
8/23/14 * 9/8/13 + 348.7 [384*.908]

1996 FA Peleg dies, Tower of Babel destroyed

9/17/14 * 9/18/2012 + 728.5 [365*1.996]
9/7/14 * 9/8/13 + 363.5 [365*.996]
9/26/14 * 9/8/13 + 382.5 [384*.996]

As I review the dramatic history of the second millennium it's a mind-bending exercise to consider the implications for 2014. How might the domination of the ancient serpent bloodline of the Nephilim and descendants of Cain manifest in the time compression leading up to the flood purge marker? How about their remarkable resurgence following the flood, as they were shortly led to conspire together to storm heaven through the Tower of Babel gambit? Will a coup via seizing control over a dimensional gateway be narrowly averted, or just how might such a pattern manifest as the calendar turns over the leaf into the third day of this long awaited Shemittah? Will the days of Peleg manifest in a division of the Earth that echoes the language of the second day of Creation? Does Jasher's record offer some vital clues?

Watch with me as answers to many questions never before even formulated find answers in the days ahead. We live in remarkable times!

1 Praise ye Jah! Praise, ye servants of Jehovah. Praise the name of Jehovah. 2 The name of Jehovah is blessed, From henceforth, and unto the age. 3 From the rising of the sun unto its going in, Praised [is] the name of Jehovah. 4 High above all nations [is] Jehovah, Above the heavens [is] his honour. 5 Who [is] as Jehovah our God, He is exalting [Himself] to sit? 6 He is humbling [Himself] to look On the heavens and on the earth. 7 He is raising up from the dust the poor, From a dunghill He exalteth the needy. 8 To cause to sit with princes, With the princes of His people. 9 Causing the barren one of the house to sit, A joyful mother of sons; praise ye Jah! ~ Psalm 113 YLT