Part 7 - Decoding The Penitent Man (2010) - Stargates Open at the Great Pyramid

Series Links: Decoding “The Penitent Man”

The scene set at the Pretty Parlor is loaded with stargate transit symbols! There's still more to be revealed, with more connections to The Wizard of Oz and to The Matrix.

In the moments surrounding this screenshot, several key visual alignments occur in the scene shot looking back from E Loretta Pl.

I already described one in Part 3, where Pyatt passes by the camera and lines up with the mailbox and Darnell. This one is very meaningful because the mailbox is a time bridge construct and the two men are older and younger editions of same person.

Consider the red roses visually aligning with the stop sign. Sometimes, of course, a sign is just a sign, but sometimes, it's a SIGN. The familiar sign is always an octagon, equivalent to the 8 rayed star of Venus-Inanna - a compass rose. Like with the roses in Pyatt's bouquet, the blood red is a goddess color (* the red flag - Our Lady of the Nations).

Another visual alignment in the scene was described earlier from the other direction, where the star on the magic wand lines up with the bouquet of roses. We can't see the wand-star clearly in this shot from E Loretta Pl but we know where it is and we can see the basket the wand is stuck into. In the screenshot, you can see the alignment is just about to happen again. From this angle, some supplementary stargate transit imagery appears in the alignment.

Bicycles represent heaven's transdimensional vehicles, the chariots of the gods. They compare with the baskets that contain the vintage garments. I'll present some pretty obvious examples soon, Lord willing. The hoop style bike rack is an arch that is the signal shape of a dimensional portal.

You can see the bike rack without any bicycles in the way in this “street view” of the actual shop.

The bike rack and bicycles are involved in another lineup in the scene shot from E Loretta Pl - with the arched doorway of the shop: Arched Doorway = Stargate. Add to this collection, the stargate transit signalling element described in Part 5, the vertically striped awning (mekasseh canopy) marked “Vintage Garments.”

In the previous post, I pointed out how the star + triangle is the hieroglyph for the dog star Sirius. That was signaled when the magic wand was visually lined up with the conical bouquet of roses. The screenshot at the top shows that alignment as it's just about to happen for the 2nd time. There's another triangle in the picture, and it's also going to align with the star! That triangle is formed by the sign that sits on the sidewalk, right by the entry. These alignments are enhanced by the bonus imagery of the bike rack stargate and bicycle vehicles!

We may identify the triangle sign as a pyramid. In The Wizard of Oz, pyramid imagery appears throughout the film, always in sneaky ways like this. See how the bike hoop cuts through it to present a distinct capstone. The pyramid is identified with Horus, and this symbol is complemented in the scene by the 2 versions of the sun god (Pyatt/Darnell) passing through, plus the twin versions appearing on the mailbox. In ancient Egypt, the rising of sopdet, the dog star, was the primary celestial event on the annual calendar. With the wand-star raised above the basket, it is in this context a sign of the rising of Sirius.

By placing that hoop-arch style bike rack in front of the pyramid, what is so brilliantly presented is the stargate opening that Steve Quayle has described on Blog Talk Radio. He claims that others have reported witnessing the acoustically triggered opening of stargates to provide access to chambers beneath the great pyramid in Giza. What he describes is like hoop-arch style bike racks. They appear only when the portal is opened. Given the Occult signaling I've seen with bicycles and bike racks, I believe that is a reliable testimony. In this scene at the Pretty Parlor, we see the hoop-arch so the portal is open. This is entirely consistent with everything else I've described in the context. It's evil genius! We even see the bicycle chariots of the gods, as accessing the portal!

Here's a sign. A big sign. The big arrow on the tall Vintage Clothing sign seems to be pointing to the stargate at the pyramid, telling us - HEY DON'T MISS THIS! The arrow provides the scene with a fitting motion dynamic. One could easily see the arrow as the phallic arrow, of Osiris, and the rainbow clothed sky goddess in the clouds / text bubbles as Isis, facilitating the bringing forth of Horus - and one certainly should! Clouds = heaven's vehicles. Again, vintage clothing is worn, the celestial garment, and this one is a special rainbow-like version. Hmmmm. From here, it looks like the goddess might be wearing Dorothy's ruby slippers. In the Wizard of Oz, Glinda's dimensional vehicle involved a rainbow bubble, and we see bubbles with the woman on the sign. Indie fashions. How vogue! Indie - independent - Free - Freedom, like the goddess. Indie Fashions speaks to Aaron of the immortal garments being sought without dependence upon God.

The hoop-arch construction of the Pretty Parlor's bike rack is a familiar style that is leveraged in Masonic lodges, tracing boards, cathedrals and “sacred” architectures of many kinds. The Royal Arch degree emblem of Freemasonry features what's called the triple tau cross. In this scene of The Penitent Man, Pyatt is almost home. When he enters his apartment building lobby, a treble arch is involved as he makes yet another visually striking stargate transit, which I may expand upon soon.

Here in Pittsburgh, PA, the land of Pan's Woods, Freemasons and SRA ritual, you'll find our local bike racks styled as the Three Rivers. It's a local theme because the city is built at the confluence of rivers, where the Allegheny and Monongahela merge into the Ohio. In my thinking, the Three Rivers symbolism was chosen for reasons that have less to do with the local map than they do with the circle of time, celestial rivers of time, stargates and triple helix DNA. Aaron and I see in this design the Adversary's own design, to merge rivers of time and redirect the flow, which will happen in the season of the Antichrist apocalypse in a quasi-successful effort to change his destiny. Placing these symbolic features around town for people to use as bike racks is a brilliant scheme. The Devil has big game, but he's still going to fail.

So, are we done yet? Have we made a full sweep of the stargate transit imagery at the Pretty Parlor yet? I may have missed some, but I'll mention one last symbol that is pictured in a key alignment before I expand on the bicycle and basket symbolism. See the payphone at the market across Summit Ave? Its vertically lined up with the bike rack and bicycles too. Its use involves ringing bells, a dimensional transit sound. Its sole purpose is to bridge time-space for communication.

The telephone and telephone booth are leveraged as a major plot device in The Matrix (1999). In that sci-fi classic, a cell phone can be used for communication but a landline phone is the dimensional bridging construct that facilitates travel between the Matrix and the “real world.”

To be continued, Lord willing!

Series Links: Decoding "The Penitent Man"

This is not the kind of film that attracts the masses but it is notable for the insight that can be gleaned. The way I see it, if you've been learning The Plot, what the opening revelation of Jesus Christ from biblical prophecy says is now unfolding, you'll read much of it in this esoteric film's dialog. Allusion is made to other related works. I connect the title to Saint Anselm, and an Indiana Jones film. Visually, reference is made to other films, like The Wizard of Oz, and The Lake House, to enhance the themes and the potency of the theurgic ritual. There's also layers of Illuminati mind-control programming. It's high level stuff, fit for the hour.

This "sticky" page presents links to all the posts in the series.

Part 1 - Decoding The Penitent Man (2010)
Part 2 - "A man in the world, beneath the world"
Part 3 - The Money Mojo and the Mailbox
Part 4 - The Wizard, the Quest and the Monk
Part 5 - Jupiter's Temple and the Clothing Rack Stargate
Part 6 - Celestial Stargate Magick
Part 7 - Stargates Open at the Great Pyramid
Part 8 - Heaven's vehicles: Bicycles and Baskets ...Gondolas, Elevators
Part 9 - Standing Waves of Time-Space
Part 10 - Decanting Spirit into a Host Vessel * RIGHT ON SCHEDULE
Part 11 - Darnell's Vintage Watch and the Epic Irony

Watch video: "Urgent - Insight into CERN's Time Machine - "Symmetry" & The Penitent Man" (3/28/15)

(Leave your comments here)

(full HD version for streaming or download)

Pitched to Pope: “What we need is an organization of United Religions..."

In the report of this timely event, notice that provisions for such are already extant. The petitioning by Peres is an evident working of the unifying goddess of peace.

Peres proposes ‘UN for religions’ to pope at Vatican

VATICAN CITY – Former president Shimon Peres emerged from a Vatican City audience with Pope Francis Thursday after proposing a kind of United Nations for religions.

... But the main topic of conversation was Peres’s idea to create a UN-like organization he called “the United Religions.” Peres said the Argentina-born pontiff was the only world figure respected enough to bring an end to the wars raging in the Middle East and elsewhere in the world. “In the past, most of the wars in the world were motivated by the idea of nationhood,” Peres said. “But today, wars are incited using religion as an excuse.”

Vatican spokesman Fr. Federico Lombardi confirmed to reporters that Peres had pitched his idea for “the United Religions” but said Francis did not commit to it. “The pope listened, showing his interest, attention, and encouragement,” Lombardi said, adding that the pope pointed to the Pontifical Councils for Interreligious Dialogue and for Justice and Peace as existing agencies “suitable” for supporting interfaith peace initiatives.

...In an interview with the Catholic Magazine Famiglia Cristiana, Peres called on Francis to leverage his respect to create an interfaith organization to curb religious violence. “What we need is an organization of United Religions... as the best way to combat terrorists who kill in the name of faith,” Peres said. “What we need is an unquestionable moral authority who says out loud, ‘No, God does not want this and does not allow it.’”

After meeting with Peres, Francis held a 30-minute closed door meeting with Jordanian Prince El-Hassan bin Talal, who sponsors the Royal Institute for Interfaith Studies to promote religious dialogue. Lombardi said that meeting dovetailed into the day’s topic of interfaith cooperation and peace.

Part 6 - Decoding The Penitent Man (2010) - Celestial Stargate Magick

Series Links: Decoding “The Penitent Man”

The scene should be familiar, yet there's more nuggets to be mined. As Jason Pyatt walks past the Pretty Parlor, he's shadowed by his older self. As these characters that represent composites of Osiris and Horus pass by the common but well chosen objects in this setting, imagery modeling the stargate transit appears on several levels that is correctly imbued with the presence of the attending goddess. It's a complex layering of imagery that illustrates the supernatural dynamic of the upcoming Antichrist apocalypse. Some of the objects in the alignments I described in the previous post have even more secrets to divulge.

I'm going to begin by exploring an allusion made to another scene from The Wizard of Oz, which builds off and expands the link documented in Part 4. I had compared the scene at the Pretty Parlor to where Glinda, the Good Witch of the North, helped Dorothy return home and it was easy to see the match. The Lord highlighted that comparison to me before I even noticed the figures in the window near Blooms on Broadway, which Aaron pointed out to me and which came as a point of confirmation. The Lord also highlighted to me how Dorothy's dog was an important element in the setting. Yes, Toto too. ;) Toto = Anubis, the psychopomp. The dog attended Dorothy on the way to Oz in the twister, and returned back with her to Kansas. I knew there had to be a dog somewhere in Gyeney's version but I couldn't find it until I recognized in it the pattern of another stargate transit scene from the Wizard of Oz. The baskets on the table compare to the basket on the pedestal that Toto jumped from to escape from the witch's castle. There are several points of comparison between the scenes!

The patio table is roughly the same size, color and height of the cement pedestal. Both feature a steel ring in the middle. The one in the patio table constrains it into an hourglass shape, matching to the witch's hourglass.

Extending the hourglass motif, observe how the mailbox appears to join the baskets on the table. The mailbox is like an hourglass. An hourglass functions as a timer. It measures off an interval of time. It can be cycled, reset to mark off consecutive intervals just like how the hourglass was used by ancient mariners as they navigated the high seas. There's always a schedule printed on mailboxes to declare the regular intervals when they are emptied of their contents. The mailbox can be used as a timer by watching when the mail-sand is emptied out, like an hourglass. Recall how this particular mailbox is a time-bridging construct (Part 3), and note how it appears “on the pedestal” - just like the hourglass in the Witch's ritual room.

Another shared feature is evident in how the mailbox is adorned with images of the iconic Federal eagle. The Witch's hourglass is adorned with images of the dragon. These are different forms of the same being.

So, where's the dog? Dorothy's dog Toto is on the pedestal, inside the basket. Then, he jumps out of the basket and off the pedestal in a modeling of Anubis transiting the Silver Gate. In the Penitent Man, Anubis is also on the pedestal, inside the basket. He's a vintage garment, wearing his angel-star body. We see him as he jumps out of the basket, now as the star - the dog star, Sirius! Anubis. Aligned with the star are the roses, in a bouquet that the florist packaged in the form of a cone. This signals the Egyptian star+triangle hieroglyph of sopdet, the dog star Sirius, which is known to the Greeks as Sothis. There's the dog at Pretty Parlor's stargate transit scene!

The dog star symbol represents Anubis and yet also Isis, aka the queen of heaven. Plutarch declared that the soul of Isis is called Dog by the Greeks.

“The hieroglyph for Sothis features a star and a triangle. Sothis was identified with the great goddess Isis, who formed a part of a triad with her husband Osiris and their son Horus, while the 70-day period symbolized the passing of Isis and Osiris through the duat (Egyptian underworld).” ... “Just as the appearance of Sirius in the morning sky marked summer in Greece, so it marked the chilly onset of winter for the Maori, whose name Takurua described both the star and the season. Its culmination at the winter solstice was marked by celebration in Hawaii, where it was known as Ka'ulua, "Queen of Heaven".” (Wikipedia)

The dog star Sirius and the morning star (and evening star) Venus are not the only celestial objects represented in the esoteric stargate scene set at the Pretty Parlor. It really compares closely to the scene set in the Witch's ritual chamber, which adds to the Toto-dog star symbol an armillary sphere and a ring of the Zodiac (which Dorothy stands upon during the transit sequence), with a sun at the center.

The Witch is trying to coerce Dorothy into giving the ruby slippers. She uses her love for Toto for leverage.

WWW: “What a nice little dog.” (She snarls and stuffs Toto in the basket.) “And you my dear, what an UNEXPECTED pleasure. It's so kind of you to visit me in my LONELINESS.”
Dorothy: “What are you going to do with my dog? Give him back to me.”
WWW: “All in good TIME, my little pretty. All in good TIME.”
Dorothy: “Oh please give me back my dog.”
WWW: “Certainly, Certainly. WHEN you give me those slippers.”
Dorothy: “But the Good Witch of the North told me not to.”
WWW: “Very well.” (to the Flying Monkey) “Throw that basket in the river and drown him!”
Dorothy: “No - no - no! Here. You can have your OLD slippers, but give me back Toto.”
WWW: “That's a good little girl. I KNEW you'd see reason.”

Plenty of time words are used because that's the key to the stargate transit. That's also what her ruby slippers are used for. It makes sense that the reference to the basket is in the same context, as the river is suggested to be the river of time. I believe the river is also a reference to the river of souls, the underworld Duat that is represented in the celestial heavens as the Milky Way. The Silver and Golden Gates are located where the ecliptic intersects the Milky Way. Dorothy appears to be standing on a representation of the Golden Gate while Toto is in the basket on the pedestal that represents the Silver Gate.

Some insight into the Wizard of Oz stargate transits can be found in these posts.

• Part 10 - Celestial Stargates - 11:11 Ritual
• Part 13 - Celestial Stargates - Run Toto, Run!
• Part 15 - Celestial Stargates - Operative Black Magick
• Part 23 - Celestial Stargates - "I can't wait forever to get those shoes!"
• Part 24 - Celestial Stargates - Ring-a-round the Rosie

The evident stacking of the celestial symbolism in this casual looking little set of The Penitent Man continues. The patio furniture pictures Orion, the famous hourglass constellation with three stars in his belt. I already compared the table to the hourglass, but see it now as embellished with the 3 chair seats as the stars in Orion's belt. The 2 matching baskets above are the Twins, Gemini. It's the Silver Gate! In the screenshot below you can see a lamp in the stargate line right next to the basket and star on the patio table. Consider it's placement. The floodlight presents a redundant picture of Sirius, beaming starlight up toward the open sign.

Consider what's being illustrated when Jason arcs around the patio table. He arcs through this celestial set with the roses held down at his side along the ecliptic, as the Sun and Venus. The sun god and the goddess transit the Silver Gate! Let's not forget that this imagery is an exact repetition of what's pictured as Jason Pyatt carries the roses past the clothing rack. I see the vintage garments in the baskets on the table top as symbols of those who transit the Silver Gate, akin to the garments hanging on the chrome rack.

The basket motif here speaks to me of a very relevant passage in the book of Zechariah. The word, ephah, is translated, basket, in many versions of the Bible. Note the occurrence of the word, pedestal.

9 Then I lifted up my eyes and looked, and there two women were coming out with the wind in their wings; and they had wings like the wings of a stork, and they lifted up the ephah between the earth and the heavens. 10 I said to the angel who was speaking with me, "Where are they taking the ephah?" 11 Then he said to me, "To build a temple for her in the land of Shinar; and when it is prepared, she will be set there on her own pedestal." ~ Zechariah 5:9-11

The celestial symbolism of the scene was introduced earlier, while the bouquet was being purchased, just like how the Wizard of Oz connection was made on the way to the florist. In this screenshot, the sunflower under Jason Pyatt's hands is the sun, and the roses picture the rosette traced around it by the planet Venus. Between the Earth and Sun are the planets Mercury and Venus. Mercury is Anubis, aka Hermes. The florist is holding the cone-wrapped bouquet, Sirius, which one might link to Mercury, and Venus and the Sun.

The florist is wearing the t-shirt with the wings image, which reads, The Falling. He's the falling star. The sunflower indicates that Dr. Pyatt is the sun god.

On the layer of symbolism that conceals and reveals Illuminati programming, if you remember what I wrote about Jason and Ovid and the signs of a homosexual relationship (Part 3 - mailbox as male box), one can hardly avoid identifying the sunflower as the brown eye-Horus Eye-black hole sun-anus. In the setting of vivid sodomite orange, and positioned as it is relative to Dr. Pyatt, it seems pretty obvious what kind of statement is being made. It appears as though the money he's forking over in this transaction is a tribute for the gods / payment for the temple prostitute on Capitol Hill, Jupiter's Temple. Just like in old times.

Adding these layers of symbolism together, we should see the image as a composite picture. It's angel butt sex. In the words of Marion Knox - Interviewing Deprogrammers: In the House of the Strong Man Sodomy is the Key:

“We have more sodomy now out in the open than we’ve ever had. Lot was in Sodom -- that’s where the word sodomy comes from. It meant anal sex, or as they’re calling it now anal intercourse. What other kind of sex do you think they could produce on those angels that they tried to break the door down to get to? They wanted to get their supernatural power. The belief in the occult world is if you could sodomize God, you’d get God’s power. You become as gods through sodomy; that’s the way the Greek gods became gods.”

Those unrelenting men of Sodom went after the angels who visited Lot's house. The activity illustrated is what the goddess sponsors and what facilitates the coming apocalypse of the Antichrist.

These themes weave together in the ritual of theurgy, through the crafting of the seirai that connect the Orders of Being. “Theurgy describes the practice of rituals, sometimes seen as magical in nature, performed with the intention of invoking the action or evoking the presence of one or more gods, especially with the goal of uniting with the divine, achieving henosis, and perfecting oneself.” (Wikipedia) As brother David Flynn wrote on the subject, “The practice of theurgy would only convey influence from the gods if the symbols and rituals used were taught by the gods.” What we're witnessing is not the fruit of natural intellect and motivation.

So, from the scene of the transaction at Blooms on Broadway, and from the lead up to it, the director of The Penitent Man has introduced the essential celestial imagery and established a connection with the Wizard of Oz film. This is built upon during the sequence that follows it, at the Pretty Parlor at Summit on Capitol Hill.

A list of Films and TV Shows of Interest

A small number of you may benefit from this. Here's a list of some films and TV shows that Aaron and I put together that stand out for what beans are spilled on aspects of the Adversary's plot. It's focused mostly on those with plot devices that involve time-space travel or or multidimensional elements.

It's not comprehensive, and not all the content represented is fit for all or even any viewers, especially those with SRA DID background.

Films:

9 (animated film 2009)
95ers: Time Runners (2013)
12:01
12 Monkeys
About Time
Adjustment Bureau
Austin Powers: The Spy Who Shagged Me (1999)
Avatar
Back to the Future 1-3
Batman Begins
Batman: The Dark Knight
Batman: The Dark Knight Rises
Blade Runner (1982)
Captain America: The Winter Soldier (2014)
Contact (1997)
Contagion
Deja Vu (2006)
Dr. Who The End of Time
Dune (1984)
Elysium
Enders Game
Frequency
Ghostbusters
Ghostbusters 2
Groundhog Day
Hanna
Happy Accidents
Hugo
I Am Legend
Inspector Gadget 2 (2003)
In Time
Inception
Iron Man 1-3
John Carter
Looper
Masters of the Universe
MIB3 - Men in Black: Back to the Past
Outbreak
Oz the Great and Powerful
Pacific Rim
Pan's Labyrinth
Pi
Plan 9 from Outer Space (1959)
Polar Express
Primer
Puss 'N' Boots (2011)
Radio Free Albemuth
Rango
Resident Evil 1-5
R.I.P.D.
Somewhere in Time
Stardust
Starman
Star Trek IV: The Voyage Home
Star Trek Next Generation: First Contact
The Andromeda Strain (original and 2008 remmake)
The Arrival
The Dark Crystal
The Fifth Element (1997)
The Fountain
The Hunger Games Franchise
The Iron Giant
The Last Mimzie
The Man of Steel
The Matrix Trilogy
The Ninth Gate
The Penitent Man
The Signal
The Sound of My Voice
The Smurfs (movie 2011)
The Speed of Thought
The Stand (Stephen King mini-series 1994)
The Time Travelers Wife
The X-Files: Fight the Future
The X-Files: I Want to Believe
They Live (1988)
Time Changer
Transcendence
Tron
Tron Legacy
V For Vendetta
Wizard of Oz
Winters Tale
Wreck-it Ralph
Xanadu
X-Men Days of Future Past
Youth Without Youth

---

Television:

Fringe
Threshold
V (remake that aired on ABC network)
Witches of East End
Star Trek (many episodes from each version)
Continuum
S.H.I.E.L.D.
The 4400
The Tomorrow People
Salem
Falling Skies
Invasion
Arrow
The Lost Room

Some X-Files episodes, and Stargate SG episodes and films are worth mention.

Here's some other lists that might be worth exploring, as the Lord leads.

http://en.wikipedia.org/wiki/List_of_films_featuring_time_loops
http://www.aetherco.com/timelinks/

Part 5 - Decoding The Penitent Man (2010) - Jupiter's Temple and the Clothing Rack Stargate

Series Links: Decoding “The Penitent Man”

Sometimes, a rack of clothes is just a rack of clothes. But, then again, sometimes it's not. There's still more stargate transit imagery to be decoded at the set of the Pretty Parlor. I'm informing you about the art and craft of the messaging, but more than that, I want to impress upon you just how profound this casual appearing low budget film really is, so that, as I also interpret some of the dialog, you assign to it the same level of significance that is evident in the expertly layered media vehicle.

I decoded the vintage clothes on the rack and in the baskets set out in front of the Pretty Parlor as picturing different kinds of bodies. The clothes on the rack picture the angels in garment-bodies of angelic flesh as they transit the celestial Silver Gate. The rack is chrome, silver. In this screenshot, the end of the rack lines up to touch the word, open. That's the jump off place for the celestial garment-bodies as they transit the stargate into this realm.

All the garments are suspended in the air in a mechanism that rests upon the earth. The garments appear one after the other in a line, sequenced in an orderly array. The stargate construct is sometimes presented as a train because of the way the individual cars travel in such a fashion along a track. A description of what the clothing rack represents is given in the 2nd chapter of Joel.

They do not crowd each other, they march everyone in his path; When they burst through the defenses, they do not break ranks. ~ Joel 2:8

The phrase, “in his path,” is the Hebrew word, mecillah, the bridging viaduct or way of ascent and descent between the realms. See, The Kingdom Viaduct, for more explanation.

No one shall press upon his brother: they shall walk every one in his path: yea, and they shall fall through the windows, and shall take no harm. ~ Joel 2:8 (Douay-Rheims Bible)

The clothes rack is a very clever symbol. It appears in this scene right in front of a window. There's nothing really very unusual or unexpected about any of these props in the scene, but that certainly doesn't mean they aren't significant.

What appears above the rack of clothes is supplemental. Just as Jason reaches the store, he raises his eyes and looks up. Recall the rainbow tutu and starry pink wings that are the special attire of the goddess of magick who attends the transit. Wings always indicate the ability to traverse the dimensional barrier. The rainbow coloring suggests a bridging of heaven and earth and heavenly vehicle (Ezekiel 1:28).

See Jason Pyatt, passing by the garments on the rack as if his body is among them, traversing the stargate, and at the same time, passsing by the fluffy rainbow tutu - with his head superimposed over that rainbow cloud!

I saw another strong angel coming down out of heaven, clothed with a cloud; and the rainbow was upon his head, and his face was like the sun, and his feet like pillars of fire;
~ Revelation 10:1

In that same screenshot, as a reminder, we're seeing the magic wand of the goddess stuck in the basket of vintage garments, right under the neon command, open.

9 He bowed the heavens also, and came down With thick darkness under His feet. 10 He rode upon a cherub and flew; And He sped upon the wings of the wind. 11 He made darkness His hiding place, His canopy around Him, Darkness of waters, thick clouds of the skies. 12 From the brightness before Him passed His thick clouds, Hailstones and coals of fire. ~ Psalm 18:9-12

“His canopy [sukkah] around Him”... Appearing above all these symbolic garments at the Pretty Parlor is an awning. An awning is such a canopy.

A Hebrew word that may be translated, awning, is, mekasseh. It is used in this very relevant passage from Isaiah, translated, “are your covering” in verse 11.

9 “Sheol from beneath is excited over you to meet you when you come;
It arouses for you the spirits of the dead, all the leaders of the earth;
It raises all the kings of the nations from their thrones.
10 “They will all respond and say to you,
‘Even you have been made weak as we,
You have become like us.
11 ‘Your pomp and the music of your harps
Have been brought down to Sheol;
Maggots are spread out as your bed beneath you
And worms are your covering.’
12 “How you have fallen from heaven,
O star of the morning, son of the dawn!
You have been cut down to the earth,
You who have weakened the nations!
13 “But you said in your heart,
‘I will ascend to heaven;
I will raise my throne above the stars of God,
And I will sit on the mount of assembly
In the recesses of the north.
14 ‘I will ascend above the heights of the clouds;
I will make myself like the Most High.’
15 “Nevertheless you will be thrust down to Sheol,
To the recesses of the pit. ~ Isaiah 14:9-14

The context is about the descending and ascending through dimensions. Read verse 11 again. Think, wormhole. Did you pay close attention to verse 9? This passage is a subtext of the featured scene at the Pretty Parlor. In the NASB, Strongs #4374 - mekasseh: a covering is translated as attire (1), awning (1), covering (2). Attire, that's what's on the rack, in the baskets, under the awning, and what appears on both ends of the awning reads, “Vintage Garments.” It's all covering, like a canopy-sukkah. Take another look at the picture of the awning. See the vertical stripes? I've decoded other scenes where vertical stripes and pleated draperies and scalloped columns and such picture the stargates. The celestial stargate transit imagery abounds!

For some bonus insight, see how mekasseh appears in Isaiah 23:18 and Ezekiel 27:7, in very relevant contexts! (Could Ezekiel's account be another reason why Gyeney wears the “vogue” fashion #27, as he descends and emerges from the elevator?)

Where are we again, in the setting of this scene? On Seattle's Capitol Hill. Capitol - look it up.

[Middle English Capitol, Jupiter's temple in Rome, from Old French capitole, from Latin Capitolium, after Capitolinus, Capitoline, the hill on which Jupiter's temple stood; perhaps akin to caput, capit-, head.] (The American Heritage® Dictionary of the English Language)

We're on Capitol Hill - Jupiter's temple - on Summit Ave! How high is that summit? Again...

13 “But you said in your heart,
‘I will ascend to heaven;
I will raise my throne above the stars of God,
And I will sit on the mount of assembly
In the recesses of the north.
14 ‘I will ascend above the heights of the clouds;
I will make myself like the Most High.’ ~ Isaiah 14:9-14

Are you getting this?

As a reminder, the shop is at the corner of Loretta, a name that means, Victory, the Roman goddess who is equivalent to the Greek Nike. In Italian, again, the name is linked to Loreta, where the holy house of the Virgin Mary is found. Minerva is worshiped on the Capitoline in Rome. And on the model on the summit of Capitol Hill in Washington DC as Freedom.

For some interesting features, I've noted, the address of the Pretty Parlor is 119 Summit Ave E. 119 ~ 911. Emergency Alert - raised to the heights. Vintage Clothing ~ VC. V=22 and C=3, so VC transforms to CV and 322 - Skull and Bones. In addition to the Masonic apron worn by the Florist and the filming done in the landmark Masonic home, there's brownstone buildings and masonry seen everywhere. Sure, sometimes masonry is just masonry - but not always.

Taking another look at this now familiar screenshot, I want you to see the mailbox and reflect upon how it is being used as a time-space bridging construct, just like in The Lake House (2006). See it now as it's lined up with the patio table and the baskets. Follow the line to see how it's also lined up with a white pedestal, then the clothing rack. Continuing on the other side of the rack (out of view in this shot but you can see it in the screenshot above), there's another white pedestal. Just like with the star-rose line seen in this view, all these elements align for the ritual stargate theurgy, which is enhanced by the aural tension created by the tock-ticking soundtrack. It's not “like magic” - it is magick!

As described above, the rack of clothes is the Silver Gate transit. It's flanked by 2 white pedestals lending redundancy - white-argent-silver - Gemini, the Twins, the Silver Gate. The patio chairs model the trace of the planet Venus and suggest the twisted reed gate posts that flank the way of the goddess Inanna. The baskets and table and the dimension bridging mailbox are in line, and in our direct sightline. The 2 baskets on the table are another Gemini and Silver Gate set, for even more redundancy!

To be continued, Lord willing.

Part 4 - Decoding The Penitent Man (2010) - The Wizard, the Quest and the Monk

Series Links: Decoding “The Penitent Man”

As demonstrated in Part 3, The Penitent Man (2010) draws upon The Lake House (2006) for the support of some key symbolism. The scene I've been decoding features many references to another film, The Wizard of Oz (1939), which engages us more deeply on the themes of a quest, sun god cult and goddess worship, stargate operation and Illuminati mind-control programming. To find what I've already written about The Wizard of Oz, search this blog.

When Dr. Pyatt is walking to Blooms on Broadway to get roses for his wife, we see a man casually reading a paper. He's leaning against the wall of a building, in front of some store windows. This is very subtle, but as Jason approaches, his reflection can be detected as it passes by the window. If you look closely at the window you'll see that it's a store with some dolls on display. Behind the man's head there are some that look familiar, the tin man, Dorothy and the cowardly lion from the Wizard of Oz. On the right, it's Glinda, the “good” witch of the North wearing her starry crown. You can't perceive it in a screenshot, but Pyatt's reflected image sweeps through the scene.

We may assume that he continues walking up the sidewalk and passes right by those figures in the window, but our seeing that actually happen would not be as potent as what we are shown. With the motion of his reflected image passing across the window, it draws our attention to it, and the figures seen inside play an important role. Perhaps more importantly, we see Pyatt's image appear with that scene in a way that identifies him with it, linking his presence. The way the scene was shot kind of projects him into The Wizard of Oz, onto that stage in 1939. The Hermetic Maxim, As Above, So Below. Through time-space.

It doesn't really seem significant, until he gets to the Pretty Parlor!

The MGM classic seems to be the director's inspiration for the magic wand because this how the dimensional portal is opened for Dorothy's return to Kansas. In that scene, Glinda, the Witch of the North, coaches Dorothy on the magical ritual. While Dorothy wears the ruby slippers, she clicks her heels together 3 times (resurrection number) and softly chants the pass phrase, “There's no place like home.” As she does this, Glinda stands by, waving her star-on-a-stick behind Dorothy's head. The portal opens and Dorothy is transported back home to Kansas.

Compare the scene where Dorothy is ready to go with The Penitent Man's version.

• Goddess wearing a celestial crown? Check. (Starbucks)
• Basket? Check.
• Vintage clothing? Check.
• Star-on-a-stick magic wand? Check.
• “Stars aligned,” where the star on a stick is visually aligned with the star of the show, who is heading for home? Check.

Here's a video: The Wizard of Oz - "There's No Place Like Home" Magic Spell

Nicholas “genie” Gyeney knows how to borrow, adapt and leverage in making his movie magick. The redundancy in following up the earlier scene where Pyatt's reflection passed across the window display adds significantly to the impact. Gyeney has also learned the value of supporting the visuals in the soundtrack.

During Dorothy's stargate transit, one of the sounds we hear is a glockenspiel (or xylophone), played as a mallet slides across the bars. The industry has long associated that sound with a transitioning into and from a dream state, like that of the harp. The striking of the tuned bars of this keyboard-percussion instrument makes them ring like a bell. In the study, Bells - Supernatural Enchantment and a Biblical Perspective, I document how bells are used for transiting between the dimensions, and that's not just fiction. The word, clock, comes from the word for bell. I've been presenting many examples of stargate transits where clocks and timing devices are linked to the stargate transit. During this scene where Darnell shadows Pyatt, the repetitive soundtrack is reminiscent of a ticking clock. It's a wee bit obfuscated, but that's what it is.

This esoteric scene in the Wizard of Oz pictures more than just a simple transit. Other elements suggest to us that a resurrection-transformation is in view.

Dorothy appears in Kansas, lying in her bed in a coma that was induced by head trauma. Her beloved Auntie Em is caring for her, placing a cooling compress on her forehead. The wet compress Auntie Em just applied is a baptism symbol. “Wake up honey,” she says. Honey? Cue the bee goddess, because the honey bee is a resurrection symbol! And with that, she awakens, having returned from Oz, “the land down under,” which is to say, from the underworld realm of the dead through the Silver Gate. On awakening, Dorothy passionately gives a report on her valuable lessons learned. Jason Pyatt, likewise.

When Jason first awakens from the coma, he's frantic. He becomes lucid as we see Eve in the bathroom at the sink, splashing water on her face. That's the baptism symbol. The goddess agency is the Papal High Priest, who baptizes the man and the anointing comes upon him from the underworld.

Compare these images.

• In coma caused by head trauma
• Lying in bed with head on pillow, with something applied to promote healing
• Hand resting on midsection
• Caring loved one seated at their left, holding hand, pleading for the victim to wake up
• Window between them

In the Wizard of Oz, when we see Dorothy back in Kansas, the film format has changed from full color to black and white, which suggests that she has acquired the knowledge of good (white) and evil (black).Jason Pyatt was enlightened with the great secret and yet had the wisdom to choose not to use it. He just didn't have the sense to guard it properly.

Dorothy had completed her quest, acquiring the broom of the Wicked Witch of the West, and valuable wisdom. Jason Darnell-Pyatt had completed his quest, as his namesake Jason the Argonaut also did, who acquired the golden fleece. I have to think that the title of The Penitent Man was inspired, not as we're led to think, by a painting in The Louvre, but by another film, Indiana Jones and the Last Crusade (1989). That plot involves the great quest for the holy grail. Following where that trail of insight leads provides more insight about the purpose of the film.

The holy grail is believed to involve immortality, which is, in effect, cheating time. According to the plot of the 3rd film in the Indiana Jones franchise, those who seek the grail must pass a series of 3 tests in order to gain access to the temple complex containing the holy grail. The first test has to do with the “Breath of God” (breath = life & His eternal spirit life). A riddle must be solved. “Only the penitent man will pass.” To fail is to incur the penalty of death.

The Penitent Man. Darnell-Pyatt and/or the director-writer himself have a go at initiation. I note that “Indie fashions” appears on the corner of the Pretty Parlor building. Indy - that's the nickname for Indiana Jones.

We have to keep following the clues on our own quest. The riddles recorded in Professor Henry Jones's diary were claimed to be copied from the source, the Chronicles of St. Anselm. Are they real? Well, basically, yes. Research, Saint Anselm of Canterbury.

“He entered the Benedictine order at the Abbey of Bec at the age of 27, where he became abbot in 1079. He became Archbishop of Canterbury under William II of England. He was exiled from England from 1097 to 1100, and again from 1105 to 1107 (under Henry I of England), as a result of the investiture controversy, the most significant conflict between Church and state in Medieval Europe. Anselm was proclaimed a Doctor of the Church in 1720 by a Papal Bull of Pope Clement XI. His feast day is April 21.” (Wikipedia)

Could that be a reason why Nicholas Gyeney wore the gray hoodie with 27 printed on it when he did his cameo in the lobby of the Biltmore, to identify himself with the brilliant goddess worshiping Benedictine monk who caused such a stir?

“Saint Anselm (1033-1109) was a Benedictine monk, Christian philosopher, and scholar who is recognized for many intellectual accomplishments, including his application of reason in exploring the mysteries of faith and for his definition of theology as "faith seeking understanding."
...
The brilliance of Saint Anselm's thinking and writing about the nature of faith and of God has intrigued and influenced scholars since the Middle Ages. His highly respected work, Monologium, rationalizes proof of God's existence.”
(Saint Anselm College - Who was Saint Anselm)

Think about what St. Anselm is known for. Nicholas Gyeney played upon “his definition of theology as 'faith seeking understanding'” in what Darnell conveyed to his younger self. But a darnel is a tare, and instead of rationalizing proof of God's existence, with the claim of having the wisdom gained from eye-witness experience, something quite contrary is expressed, making the film a subtle anti-Monologium.

Dr. Pyatt: Now you mentioned being able to see the creation of man. I mean, you could see humans assemble, develop their gods, and destroy each other. I mean, Jesus Christ!
Mr. Darnell: He was just a man. Imagine the devastation from a revelation like that. 95% of the world's population believed in a god in some form. The scientists, the politicians, and eventually the public were able to go back and see the Christian Son of God as a mortal man. It shook the foundations. Even atheists began to lose hope for the future. Southern evangelists began lashing out violently at anybody who supported the new discovery. The world was more divided than ever. The road to hell had been paved with good intentions, and it was just the beginning.

The Osiris-Horus modeling of Gyeney's characters are functionally, Anti-Saint Anselms. The Penitent Man, indeed. Gyeney knows stuff.

I'll repeat here the closing paragraph from Part 1. I don't doubt that the conspiracy being given a further bump by Gyeney's clever script will be validated in the coming hour of crisis with false evidence, ported through time itself as a epic hoax. The evidence offered in support of the lie will be quite real. It just won't be true.

Part 3 - Decoding The Penitent Man (2010) - The Money Mojo and the Mailbox

Series Links: Decoding “The Penitent Man”

When the lawless one is about to be revealed, some outrageous claims will be made that will be substantiated by some very persuasive evidence. Even though it's a hoax, the vast majority of people in the world will buy in. In The Penitent Man (2010), the evidence that supports Mr. Darnell's claim of having come from the future involves a wad of cash that he leaves as apparent compensation for Dr. Pyatt's time. The currency isn't really current. At least one of the bills is marked, SERIES 2065, which indicates the year. Pyatt perceived it as an artifact from the future that validated Darnell's testimony. He believed! When he showed it to his wife, she believed.

If you've been paying attention to The Open Scroll for a few months you have noted how the Virgin Mary goddess is involved in the work of preparing the world for the Antichrist apocalypse (revealing). She has a key role, just as Isis raises Osiris into Horus. She weaves the spells that enchant the masses. She is a facilitator of the opening of the portal through which her “son” will manifest. She is a herald, and in that role she will apparently be involved in the presentation of the evidence that supports her claims. This can be seen through the lens of The Penitent Man.

Assuming Parts 1 and 2 are already fresh in mind, I'm going to summarize a little more of the film's climax.

After their session and Darnell has left the office, Jason Pyatt takes his money and heads for home. Darnell shadows him, apparently to see if his plan to warn his younger self is working. On the way, Pyatt visits a florist to buy flowers as a penitent gesture for his neglected and pregnant wife. Pyatt chooses a bouquet of red roses. After paying for them, he notices the date printed on one of his remaining bills, 2065. He considers the implication as he heads for home. His wife greets him at the door and he gives her the roses while remaining in the hall. A few doors down, a scuffle begins, and they stand there, watching. Future-Ovid has come to assassinate his friend and save the world but Darnell tries to stop him. That's when Pyatt receives the head wound and both men from the future die.

The sequence is rife with goddess symbolism. The scene of the shooting is modeling the first part of the death-resurrection baptism, and what precedes the shooting models the setup for it. The presence and work of the goddess is generally subtle but deeply layered. What I referred to already as “the money shot” involves the visual alignment of the bouquet of roses and a 5 point star. It's a stacking of primary Venus symbols. Several more goddess symbols appear in the scene. Some are visible but others are implicit in the location.

We see in this screenshot, Pyatt, carrying the roses home, while Darnell shadows him.

Behind his head we see a Starbucks sign reflected in the window. The famous logo appears in several frames as the camera follows the characters through the set. The Starbucks sign pictures the sea goddess, aka Stella Maris, Venus. They are in Seattle, Washington, the brand's home turf. The patio chairs feature a scrolling design that presents the heart shape with opposing flourishes, which extends the rosette trace of Venus imagery (star+rose) with a heart and adds Inanna's knot. (Compare the Luther Rose)

Pyatt and Darnell pass by a vintage clothing shop just before going around the corner. Biblically, different kinds of garments represent different kinds of bodies (Acts 12 - John 21 - Genesis 45). We are wearing our earth suits of temporal and corruptible flesh. What is implied by vintage clothing is a vintage body. With Darnell being an older version of Pyatt, and, from an alternate perspective, Pyatt being an older version of Darnell, we could say that vintage clothing is being worn.

The signal star appears on a stick that has been stuck into a basket of clothes on a patio table. A star on a stick is a magic wand, like you see in Disney films. In this screenshot you can see the magic wand in the basket and a rainbow tutu and pink starry wings above Pyatt and the clothes rack. It's the goddess of magic's costume that she accessorizes with the star wand.

The clothes in the basket are vintage garments, of course, and the magical act being implied is the working of a bodily transformation through the opening of a dimensional portal. We even see the word, open, spelled out for us - in neon - right above the magic wand! * Open the portal. * The imagery picturing this magickal working of the goddess appears in several shots in this sequence, like when the Venus-Horus star of the magic wand aligns with Pyatt's bouquet of roses, and as the image of the goddess tracks behind Darnell's head.

The vintage clothing store is, Pretty Parlor. The initials PP are code for 11:11 when Z=1. That's a Gemini and Silver Gate number, which may be understood to signal Isis, raising Osiris into Horus.

Have you done the math on the future-dated money Darnell left behind as a sign? 2065 ~ 2+0+6+5=13. Code 13! Thirteen, signals, rebel-lord-beast AND the goddess AND their union. Venus makes 13 circuits in 8 years to form the 5 point rosette. Isis found and assembled 13 pieces of her dead husband-brother Osiris in order to magickally bring forth Horus. That's a fundamental of Code 13. If you're not already aware of it, most currency is already covered with goddess symbols. The $100 bill of Series 2065 has the same small seal today's notes have, with the eagle of the Great Seal that is both the false god and goddess.

Jason Pyatt bought the bouquet of blood red roses (rose goddess) with the intent of making up with his wife (Eve-Melissa goddess), according to his conversation with the florist. The act was meant to bring them closer together, which is the work of the goddess. The flowers were purchased with this very special Code 13 money. The bouquet is a sign of Jason's penitence. It's also used as a signal device when its aligned with the magic wand star. The money that purchases the flowers is a sign that brings conviction because of the future date. There's something about the connection here that's hard to express, but the power of the money symbolically transfers into what it purchases - the roses. The influence of the goddess is all over the money and the bouquet, with her enchantments of unifying and conviction, which empowers the signs.

It makes me wonder if the sign of the $100 Code 13 date might be intended to hint at the sign of the 13th day of the 1st month, coming 50 years earlier (2065-50=2015) because the money is always shown folded in half. It's pretty cryptic, but seeing all the beans spilled here, well...

Before rounding the corner, Pyatt lingers to drop a piece of mail in the mailbox. When he reaches the corner, Darnell also pauses, making momentary contact with the mail box to identify himself with it as Pyatt had before him. It's an opportunity to make another identification, with the phoenix. The mail box features images of the USPS eagle/phoenix. That federal icon pictures one of the familiar bodily forms of Horus, and a similar image appears on the Federal Reserve Notes that must be in the minds of the characters as they go. The phoenix is the legendary firebird that rises from its own ashes. The phoenix Pyatt raised into Darnell (and vice versa) is modeling Osiris raised into Horus. To really tie this identification together, just before Darnell reaches the mail box there's another alignment. You can't see behind Pyatt as he crosses closely by because he blocks the shot, but he lines up with the mail box and Darnell as he passes. Linked! Here's a screenshot taken just before the alignment.

The iconic bird of prey whose image appears on the mailbox is also a form of the goddess, and she is the sponsor of the regenerative magick, again, as Isis raises Osiris into Horus.

As Darnell rounds the corner we get a very brief glimpse of two words on a sign behind his head, reading, “any time.” There's a lot more meaning to the mailbox scene. Have you ever seen The Lake House (2006), starring Keanu Reeves and Sandra Bullock? Reference is being made to the film's plot device. The mailbox at the lake house was a mystical time bridging object. Two people used it to correspond, across time, a span which remained fixed through most of the movie at 2 years to the day. The Penitent Man's mailbox features as a similar time bridging construct, binding Pyatt and Darnell together through time, even as the phoenix. When Darnell passes by the mailbox, the gesture he makes must be a token repositioning of the imaginary red flag, mimicking what was done in The Lake House as a signal.

The Lake House features a mystery dog that kind of comes with the lake house and its stargate mailbox. The dog star Sirius - Anubis the psychopomp. The breed is apparently a Berger Picard, which is also known as a Picardy Shepherd. Think Star Trek, The Next Generation, and Captain Jean-Luc Picard, who commands the star ship Enterprise and shepherds it and the crew “where no man has gone before,” sometimes even through space-time wormholes. The dog resembles a terrier, like Dorothy's Toto in the Wizard of Oz, but let's not get ahead of ourselves. ;) The dog is named Jack. Jack is a common nickname for John. Think John the baptist. At the lake house, a fit setting for a baptism.

The director of The Penitent Man has woven in elements that some would consider as tributes to other films, and, Lord willing, I'm going to be pointing out others that are very notable. These sly references (like in Rango (2011)) aren't made just to show off what clever filmmakers they are. The principles of theurgy are evident in the ritual modeling that taps into and extends the magickal working.

When Jason Pyatt reaches his apartment building's lobby, he picks up his mail from the array of mailboxes in the lobby. He's so absorbed in looking through it that he fails to notice the people who are exiting the elevator, because he starts to go in as soon as the doors begin to open. The writer-director appears in the scene with more than just a cameo, so we know it's important. He's wearing the number 27. He has just descended in the elevator, and Jason is about to ascend.

27=9+9+9 and 999 ~ 666
2+7=9, the single digit number of the mark of the beast transformation.

We have to wonder, with all that just happened to Dr. Pyatt, how he could possibly be taking an interest in something so mundane as the mail. He's got flowers that were purchased with money that technically doesn't exist yet, and carrying a wad of it in his pocket. He's been singled out by a man who must now be accepted as the most important man in the history of the world, and he's been cautioned about something that must be weighing very heavily on his mind. And yet, he's fussing over mailing out a utility payment and is completely absorbed in his junk mail and bills? What's going on here? This entire sequence really is an extensive modeling that loops through the events surrounding the revealing of the lawless one. The mailbox is a time bridging construct, remember?

1 Now we request you, brethren, with regard to the coming of our Lord Jesus Christ and our gathering together to Him, 2 that you not be quickly shaken from your composure or be disturbed either by a spirit or a message OR A LETTER AS IF FROM US, to the effect that the day of the Lord has come. 3 Let no one in any way deceive you, for it will not come unless the apostasy comes first, and the man of lawlessness is revealed, the son of destruction, ~ 2 Thessalonians 2:1-3

Makes sense to me. Like how the future money is documenting evidence, documents come through the mail as transmitted through time. Money is marked with a date. Mail passed through the postal system is also date stamped. When Pyatt gets upstairs to his apartment, he gets shot in the head by future-Ovid in the scuffle with Darnell. When he's hit, the mail gets tossed up in the air to fall to the floor with him. It's part of the baptism sequence that is a porting through the time-space portal. Keep this in mind because I'll be returning to offer more insight into the symbolism of the mail and the mailbox.

It's easy enough to discover where this sequence was filmed because the street signs appear in the scene. The Pretty Parlor is an actual shop, not a fictional prop, and it's located at the corner of E. Loretta Pl and Summit in the Capitol Hill neighborhood. The Pyatts live at the Biltmore Apartments on E Loretta Pl. The flowers were purchased about 7 blocks away at The Bloom on Broadway, which, as their Yelp page reveals, has closed since filming the movie. The location is Seattle, but what comes to most of our minds when we think of Washington and Capitol Hill is on the opposite side of the country.

What's at the Summit of Capitol Hill in Washington DC? The Capitol building. One location evokes the other, and imports all the symbolism. The famous dome is the womb of Isis opposite that giant phallus of Osiris that is the obelisk of the Washington Monument. H.O.R.U.S. meets within. On top stands the goddess Freedom-Minerva-Athena, presiding over her domain. Drawn around the building is a giant owl, the symbol of Minerva, and Inanna-Ishtar - a watcher. The apotheosis of George Washington is painted on the ceiling of the dome. With Washington as Osiris (as evidenced by the naming of the giant obelisk), and Darnell as Osiris, well, it just fits. The apotheosis happens under and over and inside the goddess.

The name of the street that appears on the sign on the Pretty Parlor corner is, Loretta. The name means, laurel tree or sweet bay tree, and it is symbolic of honor and victory. In the goddess context, Loretta is Nike or Victory. In Italian, the name Loretta also refers to the name of the town Loreto, which is where the “holy house of the Virgin Mary” was reputed to have been moved during the 13th century. That's the address of Dr. and Mrs. Jason and his pregnant wife Eve. Jesus, Mary and Joseph! The “holy house of the Virgin Mary” is also known as Santa Casa di Loreto. It's claimed to be one of the most revered Marian shrines in the world.

(The Miracle of the Holy House of Loreto)
“THE MOST TREASURED and venerated Shrine of our Lady throughout the world is that of the Holy House of Nazareth in the Basilica at Loreto, Italy. And rightly so, for according to tradition, to testimonies of Popes and Saints this is where the "recreation"-----our redemption-----began. Over the past several centuries, people from all parts of the world have traveled to this shrine to pray and seek Our Lady's help. Thousands of miracles attributed to Our Lady have been recorded at Loreto.”

E. Loretta Pl on Capitol Hill must have been associated with Santa Casa di Loreto for a season. “Due to its one-time large Roman Catholic population, Capitol Hill was frequently referred to as Catholic Hill up until the 1980s.” (Wikipedia) The religious life of the community centered around St. Joseph Church, a Jesuit institution. The parish actually has a community group called, Owls. No kidding! For more signs of the goddess being worshiped on Capitol Hill, there's this description. “It is one of the city's most prominent nightlife and entertainment districts, and the center of the city's gay and counterculture communities.” The goddess of “their rebellion” (the meaning of the name, Mary) is the patroness of the counterculture. The goddess of love can be seen as indiscriminate about gender, but really, there's a strong leaning toward homosexuality. The moon (menstrual) goddess rules the night. I've never been there but it's a fair bet that there are still Marian shrines dotting the neighborhood.

The film's climax, even it's location, is soaked in goddess worship. The revealing of the lawless one and what leads up to it is attended to by the goddess. Her work is essential; enchanting, drawing, uniting, leading, guiding...

Given the name and wares on display, the Pretty Parlor seems to cater primarily to women - and drag queens, being located in “the center of the city's gay and counterculture communities.” The mailbox on that corner should be recognized as a “male box” that provides distinctive sodomite gateway imagery, on the Illuminati SRA programming level. That's the way of illumination. The matter of time is, of course, central in this time travel movie and esoteric transit scene, but in this neighborhood, it suggests that he's a ready partner, “any time.” When Darnell pauses at the “male box” he momentarily rests his left hand on it. He's also turning left, signaling the left hand path. He's “gone west.” We see him framed in a shot that seems to have been filmed through a window at the Biltmore to appear right between the “male box” and the “No Parking Any Time” sign. Park, is, krap, backwards. Just prior to this scene (@ 1:05:50), Jason was having lunch with Ovid. Randomly, we hear him utter, “Sh*t, I have a gas bill to mail.” Hmmmmm. Sh*t - gas - male box at the Pretty Parlor - no krap-ing any time... Yeah. It's the sodomite gateway. This explains the weird and awkward conversation between Jason and Ovid during that meeting, and why the utility chain keeps appearing between them as if it is linking them together. Sodomy creates binding ties. (Series Links: The Sodomite Gateway)

With this in mind, more light is shed on the symbolism at the scene of the shooting in the hallway because it is sexual. The point is really not just to be crude but rather to support the Isis-Osiris-Horus scenario. The mail Jason Pyatt gives so much attention to has another role to play.

Let's consider the sexual symbolism. Mail ~ male. He has junk mail. Junk ~ male genitalia. Junk-Mail. Darnell and future-Ovid are wrestling in the hall over the gun, which is a phallus symbol. The prior conversation between present-Ovid and present-Darnell over lunch made it pretty clear that it's not the first time they have engaged in some “gun play.” When the gun goes off, a bullet-seed is fired, and Pyatt is struck. The mail goes flying. It's an ejaculation scene. It's a little complicated, but if you understand the two-fold way Horus is produced, the scene makes sense.

The rose goddess is standing by in the doorway. Isis. She's pregnant. She's going to have a baby, of course, who is out of sight and under the bouquet of roses, with baby's breath mixed in. The baby is sub-rosa. Shhhhhh. It's Harpocrates, little Horus. He's of the thorn family. Horus is produced as Isis magickally impregnates herself with her dead husband. The bouquet has all the mojo of the Code 13 future money that purchased it, right? Her husband has the wad of Code 13 bills in his pocket. It takes the 13 pieces of dead Osiris plus a substitute phallus for Isis to work the regenerative magick. The substitute phallus is the gun being wrangled by Darnell-Osiris and Ovid-Harmerty. The magickal seed that is expelled from the gun does the job. You have to juggle the symbols to see how the symbolism works. The bullet strikes Dr. Pyatt and blood splatters on the wall. When he falls, he tosses the mail right where the blood was splattered, which scatters as it falls to the floor. I see it as an identification with Osiris, who, as legend has it, was killed and chopped into 14 pieces by Seth. This shooting is the event that results in Jason having the epiphany about time manipulation that changes the world forever. It's the baptism and anointing of the lawless one.

When Jason Pyatt meets his wife at the door to give her the bouquet, the movie's time signature is 1:13:13. Hmmmm.

Take the implications seriously. This blog isn't a public service presentation, provided for your entertainment. The screenplay here is fictional, sure, it's just a movie - yet, the enchantment is real, and what's been interpreted to you here is non-fiction. It's an exhibit of what has been prophesied in the Bible.