Part 8 - Decoding The Penitent Man (2010) - Heaven's vehicles: Bicycles and Baskets ...Gondolas, Elevators

Series Links: Decoding “The Penitent Man”

Bicycle and basket symbolism is pretty well established in the media industry. Bicycles represent heaven's vehicles, UFO craft, and also the ritual sexual activity of trauma-based mind control programming. Those at the scene of the Pretty Parlor picture heaven's vehicles, which are used to traverse between dimensions. Baskets are related, representing transport containers, for both crew and cargo. You'll find a good foundation for understanding their role in these last days in this study, Heaven's Vehicles.

This movie poster features the iconic getaway scene from E.T. the Extra-Terrestrial (1982). The alien is inside the basket as the boy pedals the bicycle through the heavens. The audience understands that the E.T. inside the basket is providing the magic or mentally influencing the physics that enables the bicycle's flight. He's the acting psychopomp. The presence of the facilitating goddess appears as the symbolic identity of the moon. It's given plenty of emphasis, and her light bathes the scene.

The symbols in E.T. probably borrow from The Wizard of Oz, a film that is well referenced in this scene from The Penitent Man. The antagonist, Miss Gulch, rides a bicycle with a basket on it. In this sequence of screenshots we can see her outside the window of Dorothy's bedroom as she and Toto are whisked away to Oz. The house is inside a cyclone in a scene I decode here as the transiting of the celestial Silver Gate: Part 10 - Celestial Stargates - 11:11 Ritual.

Miss Gulch turns into the Wicked Witch of the West. Notice how the bicycle becomes the witch's broom. These are used to fly through the heavens. Combined with the whirlwind, this is potent imagery.

The basket on Miss Gulch's bicycle represents a dimensional container, a special compartment that is used for transport. Think Zechariah 5, where the woman was carried in an ephah-basket.

5 Then the angel who was speaking to me came forward and said to me, “Look up and see what is appearing.” 6 I asked, “What is it?” He replied, “It is a basket.” And he added, “This is the iniquity of the people throughout the land.” 7 Then the cover of lead was raised, and there in the basket sat a woman! 8 He said, “This is wickedness,” and he pushed her back into the basket and pushed its lead cover down on it. 9 Then I looked up—and there before me were two women, with the wind in their wings! They had wings like those of a stork, and they lifted up the basket between heaven and earth. 10 “Where are they taking the basket?” I asked the angel who was speaking to me. 11 He replied, “To the country of Babylonia to build a house for it. When the house is ready, the basket will be set there in its place.” ~ Zechariah 5:5-11 (NIV)

I referenced that passage earlier when I described the baskets of vintage clothing on the Pretty Parlor's patio table. The vintage clothing represents beings in other-dimensional bodies. They are contained within the baskets for transport. Dorothy's dog Toto was put inside Miss Gulch's basket. When she put the basket with Toto inside on her bicycle and rode away, a theurgic ritual manifested, one that was recreated for E.T.'s iconic scene. Toto, the E.T. alien Anubis, who facilitates the flying bicycle stargate transit. Note the hoop-arch dimensional portal form of the handle - and of the lid or door.

During the Wizard of Oz, Toto is seen to leap from three different baskets, and in each case, that action signals a stargate transit. The first instance is when he leaps out of the basket to the ground while Miss Gulch is riding her bicycle down the road. The exit is related to the leaping or falling off of a pedestal, where gravity acting over a distance appears to be the stargate imagery of significance. We next see Toto leap from a basket and off a pedestal when he escapes from the Witch's castle.

In the third instance, Toto is with Dorothy and the wizard in the basket of his hot air balloon. Toto isn't inside a picnic basket this time but he is inside the balloon's basket. He growls at a Siamese cat held nearby and leaps out of the basket and off the raised platform-pedestal, to signal another transit event. (Siamese - Twins - Gemini - Silver Gate) Dorothy follows, joining him in transit. The wizard then ascends in the basket of the balloon, making yet another dimensional transit because he's heading for home, and that's how he got to Oz in the first place.

Hot air balloons that are used as unpowered airships have baskets called gondolas. Powered airships like blimps and zeppelins also convey their crew and cargo inside gondolas. These constructs are sometimes featured in media where they represent transdimensional vehicles. In the TV series, Fringe, airships with gondolas fill the skies of the alternate universe. That imagery was used to alert the viewer that the scene has changed from taking place in our universe to the alternate. A zeppelin is featured in the film, Sky Captain and the World of Tomorrow (2004). This CosmicCatacombs reviewer called the style of the film, retrofuturism. Retrofuturism is a bridging of time-space that joins the past and future together in the present. In the “real world,” this gondola symbolism is leveraged by the Hermes-Mercury-Anubis branded Goodyear blimp, which is a very familiar sight to most of us. The reason for that is the ritual magick that involves the eye-mazing wand, the caduceus. Other gondolas, including the Venetian rowing boats themselves, are also used to represent the crew and cargo containers of transdimensional vehicles. The London Eye, like all Ferris wheels, has gondolas, and note well that the iconic ride is set upon the bank of the Thames-Isis.

Elevators are like gondolas that ascend and descend. The one in The Penitent Man's lobby at the Biltmore signaled another stargate transit, and the elevator is used in many films and TV shows in the same way. Are you familiar with Willy Wonka & the Chocolate Factory? Willy Wonka said, “An elevator can only go up and down, but a Wonkavator goes sideways and slantways and longways and backways and frontways and squareways and any other ways that you can think of...” A similar dimensional compartment transport is leveraged in this Heineken commercial, The City. The, “Eve,” closing scene with the star-red star goddess transition is priceless.

Trains, cable cars, buses, bicycles, baskets, gondolas, whirlwinds, elevators, phone booths, terrariums... Sometimes, the industry presents the “alien” vehicles openly in the form of flying saucers and such, but the role of their own vehicles is far too important to neglect using secret symbols to advance their Occult scheme.

What is it about the bicycle in particular that makes it such a fit symbol? Many have bells on them, which, like those on the fringe of the High Priest of Israel's garment, are for entering into the presence of the divine. Their spoked wheels present us with the ancient rayed symbol of the sun and sun god, and the medicine wheel and calendar wheel, a circle of time. The spoked wheel may be used to complement other layers of symbolsim by signaling pi or the Star of Ishtar or the sodomite gateway (like tires of every kind). Because of how transiting vehicles are often pictured as vogue, being rowing, sailed or paddled, the fact that pedaling provides the motive power probably factors in. Perhaps the main reason why bicycles are such a fit symbol for heaven's vehicles is because they have 2 wheels. The vehicle throne of God that is described in Ezekiel features 4 “bicycles,” after a fashion.

15 Now as I looked at the living beings, behold, there was one wheel on the earth beside the living beings, for each of the four of them. 16 The appearance of the wheels and their workmanship was like sparkling beryl, and all four of them had the same form, their appearance and workmanship being as if one wheel were within another. 17 Whenever they moved, they moved in any of their four directions without turning as they moved. ~ Ezekiel 1:15-17

A wheel within a wheel is a 2 wheeled construct, technically, a bicycle, even though the wheels of the throne vehicle aren't configured in the familiar way. The cover art for “The Time Machine” edition of Classics Illustrated (1956) obviously grasped the concept. The folks who designed the vehicles you see in the poster for MIB3 illustrate another version.

The time travel that took place during the MIB3 film wasn't done using these vehicles, but in another scene they demonstrate their understanding of the wheel-within-a-wheel celestial chariot concept to us as the MIB ride around a special globe at night. The globe features rings representing the paths of orbiting celestial bodies.

With the water of the fountain, allusion is made to the waters that are above and below the expanse called heaven (Genesis 1:6-10). The wheel-within-a-wheel “bicycle” is used to navigate the heavens. It's a space ship, a flying saucer, one of heaven's vehicles akin to the throne of god, a chariot of the gods.

That style of bicycle has been used for mass ceremonial entertainments, like during the opening and closing of recent Olympic Games. Here's a picture of one from Beijing, 2008. The vehicle was used to represent an egg in a massive scale fertility ritual. Eight eggs were fertilized in a conception scene, set within a celestial-supernatural context that centered on the baptism and anointing of the lawless one. That scene was very personally significant because the Lord used it to lead me down this path of interpreting symbolism on a greatly expanded scale.

During Beijing's London Ceremony, three ordinary bicycles were ridden alongside a different kind of vehicle, a red bus, which had a key symbolic role as a heavenly throne. The ordinary bicycles traveled with the celestial throne vehicle so they were obviously passing through the heavens in the same manner. London's iconic double-decker bus was used to convey the gods and goddesses who were involved with the revealing of the lawless one, and very specific sequences were presented to model their ascent and descent. When the bus stopped at the bus stop, the bicyclists rode through without stopping.

The bus was labeled, London 2012, and we saw it arrive in Beijing in 2008. It ritually traversed time-space, arriving as from the future, then returning home after its mission had been accomplished. “To London - 2012,” the bus stop sign reads. A place. And, a time. The bus stop sign features a simple image of the classic flying saucer. The three bicycles that attended its arrival were following a star, according to the very subtle clues provided during that incredibly richly layered Occult ritual. (Olympic Ceremony Symbolism - Part Three)

Before moving on to more bicycle imagery I should make a few more observations from the scene of the transits at the Pretty Parlor. (No, I really wasn't done yet. ;)) I should mention some other shows like The Matrix that use the phone booth for dimensional travel or transformation: Dr Who (the Time Lord), Bill & Ted's Excellent Adventure (1989) and Superman.

The red octagonal “goddess” stop sign is used for traffic control. In the context, its for regulating interdimensional traffic, of course. There's another kind of vehicle in the stargate alignments that I neglected to mention, a car that travels the streets where vehicular traffic is symbolically controlled by the goddess.

At the Pretty Parlor, there are three bicycles, just like how there were three in Beijing's London Ceremony. In this screenshot, all three overlap. There's a vesica piscis included in the stargate transit alignments described in the previous post, which adds another notable layer of Osiris+Isis=Horus imagery. All three bicycles actually overlap inside that vesica piscis, creating an asymmetrical triquetra from the wheels involved. Triple goddess, maiden, mother crone? Triple helix DNA? Probably, yes, and yes.

See the curbing at the edge of the street? Like a hedgerow to a hedgewitch, the curb represents a dimensional barrier in the context of being traversed. Both Pyatt and Darnell hop the curb and cross the street in this sequence.

Remember Coldplay's video of Strawberry Swing? The curbing at the Pretty Parlor compares to the curbing at the bottom of the pavement layer of that stage set. In this screenshot, Chris Martin, the superhero, passes a bicycle as he models a dimensional transit. He makes crawling poses that look like he's racing a bicycle when he makes his exit through the underworld pipe. It looks like he's riding at night with the headlight on. He had already passed by two other objects, a skull and then another skull with Mickey Mouse ears. These three objects are actually related to each other as mind-control imagery, which I'll be addressing shortly.

Beyond that of the bicycle are other symbols shared between Strawberry Swing and the whirlwind transit scene of the Wizard of Oz. In the heavenly abode of the sky-god-squirrel, Chris sneaks past a rocking chair. Auntie Em flies by in the twister in her rocking chair. How vogue! Vogue, also means, “to sail or row -- to go, transport in a vehicle -- to sway, rock -- water in motion -- a rowing, a course.”

Two farm hands can be seen sailing along in the whirlwind, rowing a boat across the sky. Chris Martin paddles a cloud up to the sky castle. Same difference. Some goddess symbols appear separately: A complete tree with roots included; the rooster with the henhouse pyramid (herald of the dawn of the sun god - a showy keeper of time); a dairy cow. Broken pieces of fencing are see flying by because the dimensional boundary is being breached.

Another film that presents the bicycle in a conspicuous way is all about breaching time-space. The plot device in the film, Supercollider (2013), involves the opening of a time portal with a supercollider that is obviously based on the CERN LHC. The opening scene is set at a stepped temple kind of area where the rider of a purple rimmed bicycle leaps into the air.

Signs of dimensional transits appear scattered throughout the film, howbeit not very expertly. A picture of Kiev is featured with a bridge that speaks to me of the kingdom viaduct, the mecillah and stargate. Inside the supercollider's control room, we see the sign, Zero Point, which makes reference to the energy that the collider research is intending to produce. Zero point energy is connected with propulsion systems that derive their energy as from another dimension. Near the sign we see a stuffed dog, signaling Anubis, the dog star, and nearby there is a flower in a vase shown to signal the requisite presence of the goddess. The youth gathered at the “step-temple” where the stunt bike riding is done seem to be doing what unsupervised youth do when they congregate, with hints of substance abuse / entheogenic activity.

With that, I close here with the intent to present examples in another post of the bicycle as a symbol of how the dimensional barrier is breached by other means.

LoveLoveLo VeloVeloVe

Bicycles. We love bicycles. These vehicles are widely celebrated for being fun and for their recreational utility, for their mobility, for fitness, economy and even their aesthetic. But sometimes, the imagery of the ubiquitous bicycle is leveraged as an occult symbol. We've already done a few posts on the symbolism of the bicycle, but here's another insight that should demystify a lot of what you've seen.

These 3 are from September, 2014.
The Bicycle as an Occult Symbol
Part 8 - Decoding The Penitent Man (2010) - Heaven's vehicles: Bicycles and Baskets ...Gondolas, Elevators
Our Lady of the Bicycle, Playing Cards, Time-Space and the Euchre Miracle

We've had this in the queue for a while, and nearly ready for posting. Finally, here it is - at least in part.

Velo, is the French word for, bicycle. This word is a fairly obvious anagram of, love, (thus, this post's odd title) and this connection is actually very familiar to some folks who love their bicycles.

When you see a bicycle in an ad, logo, TV show or movie, it's probably being exploited (by intent or perhaps even incidentally, due to the practical reality of the 2nd commandment) as a symbol of love, transforming through the anagram, velo. So what's wrong with that? While normal people see love as a good thing, and see no reason why anyone would want to hide a reference to it, the reality is such that the Occultist's version is an evil and perverse counterfeit. They conceal or obfuscate it to exploit the image in their practice of symbol magick and ritual.

BICYCLE = VELO = LOVE

Aleister Crowley, the infamous warlock, produced a widely practiced system called, Thelema. It's an Illuminati religion. The foundation has to do with the words, Thelema and Agape, which are translated, will and love, respectively. This has to do with, “The Law.” In short, “The Law,” is expressed in this way: "Do what thou wilt shall be the whole of the Law. Love is the law. Love under Will." They use familiar words but their meanings are vastly different. The Illuminated Occultist's kind of love is a Luciferian and sodomite perversion, associated with the god and goddess of love who are false gods, fallen angels. I note that, by substitution, “Love is the law,” becomes,“VELO is the Law.” Velo love or bicycle love can be seen as a reference to, the Law.

When we consider VELO as code for LOVE we should consider some related codes.

Code 54 is a love code that regular readers and viewers of our videos are already familiar with. Being an anagram of LOVE, VELO has the same letters and therefore the same gematria value. LOVE Code 54 is VELO or Bicycle code 54.

The value of the Thelema words for will (Thelema) and love (Agape) are both 93, according to Crowley's accounting. According to Thelemapedia, “Using the Greek technique of isopsephy, which applies a numerical value to letters, the letters of both of these words when added together equal 93.” The simple Occult gematria for love produces 54, and the isopsephy gematria for the “love” word, Agape, produces 93. Thelemites use the number 93 to secretly refer to “the Law,” using it as a shorthand salutation. It may be that the “love” code 54 compares to 93 as another shorthand salutation. As noted earlier, “Love is the law,” becomes,“VELO is the Law.” Code 54 or Velo love or bicycle love can perhaps be seen as a reference to, the Law.

In addition to LOVE and VELO being anagrams, there's another connection through the Atbash language. Atbash is a simple code that's even used in the Bible. Instead of the letter A, substitute the letter Z, and instead of B, substitute, Y, and so on. It's kind of a mirror or inversion code. In Atbash, LOVE, becomes, VELO. (See the image above, from the Occult Code (Gematria) Calculator App) Being both anagrams and Atbash pairs, the relationship between LOVE and VELO must be very potent in the realm of magick.

That probably explains this.

And this, RIDE54 | Fresno's Premier Indoor Cycling & Strength Training Studio.

And this, Studio 54 Cycling.

Ride 54 is a studio, and so is Studio 54 Cycling. There was the famous Studio 54 in NYC, of course, and the disco that extends its legacy at the MGM Grand in Sin City. Why Studio 54? It's the love code, and that's what the night clubs are about. Of note here is that MGM is Code 33! MGM = 13+7+13 = 33. Also of note, STUDIO, the word, breaks out to, STUD IO. IO is Greek for, Helio, the sun, of the sun god Helios, aka Apollo, and Horus. The Stud Helios ~ STUDIO. The sun god is the stud, the legendary lover - of Studio 54.

The velo-bicycle Code 54 explains the name of the band called 54 Bicycles. Suitably esoteric artwork is associated with their events. (https://www.facebook.com/54Bicycles/)

We've gave the Bicycle brand of playing cards some attention in 2014. The VELO-LOVE code is evident in their bicycle riding Cupid, aka Eros, who appears on their iconic Rider Back and Cupid Back decks.


The playing card decks are occult. The calendar of 52 weeks divided into quarters of 13 each are represented in the 52 card decks. The Bicycle brand adds 2 Jokers, which brings the playing card total up to - you got it - 54! Now, why do you suppose that might be? Yeah. You may wonder why the spade is specially adorned and not the heart. As above, so below. Flip it. It is a heart, but obfuscated. (sodomy!)

The subtle connection between love and the velo-bicycle is well established in our culture. When I was in grade school, we used to sing this traditional song called, Daisy Bell, about a bicycle built for two - and a marriage proposal!

Daisy Bell (A Bicycle Built For Two)

Chorus:
Daisy, Daisy,
Give me your answer do!
I'm half crazy,
All for the love of you!
It won't be a stylish marriage,
I can't afford a carriage
But you'll look sweet upon the seat
Of a bicycle built for two.

This song was a hit from when it was first heard, being written in 1892. What I find remarkable is how this song has been persistently featured in so many milestones of advancing technology. (See Wikipedia) This speaks to me as a sign of the VELO/LOVE resonance and also of the kinds of people responsible for the technological milestones.
Have you heard the song by Queen, called, Bicycle Race? The lyrics express a passion or infatuation with riding the bicycle, and this example really deserves some extra attention.

'Cause all I want to do is
Bicycle bicycle bicycle
I want to ride my bicycle, bicycle (c'mon), bicycle
I want to ride my bicycle
I want to ride my bike
I want to ride my bicycle
I want to ride it where I like

Without naming it directly, this song is about VELO LOVE. He wants to ride it where he likes. This is an expression of Thelema's law. "Do what thou wilt shall be the whole of the Law. Love is the law. Love under Will." The song's controversial music video makes it more evident, and some of the other facts betray the nature of its appeal.

“Bicycle Race" is a single by the British rock band Queen. It was released on their 1978 album Jazz and written by Queen's frontman Freddie Mercury. It was released as a double A-side single together with the song "Fat Bottomed Girls". The song is notable for its video featuring a bicycle race with nude women at Wimbledon Stadium, which was edited or even banned in several countries. The song was written by Mercury and was inspired by watching the 18th stage of the 1978 Tour de France passing Montreux where the band were recording Jazz in the Mountain Studios.”
(Wikipedia)

What sense did it make to sex up the video with beautiful women models riding naked? Plenty, if you're catching on to the VELO LOVE. In a sense, Freddie Mercury was riffing off the designs of the Bicycle brand of playing cards and their iconic bike riding Cupid/Eros. The Bicycle brand very overtly exalts the goddess on most of their designs, and the Bicycle Race video definitely exalted the love goddess, Our Lady of the Bicycle. Freddie's band is, Queen, right? It's secretly a tribute to and exaltation of the Queen of Heaven! Skeptical?

If you check the release date for the song, it's October 13. Many events known as Marian Apparitions have marked that day in history, which we've documented. The number of naked bicycle riding women (love goddesses) in the controversial Queen video is given as 65. Why 65? The song was released on the 65th anniversary of the appearance of Our Lady of Fatima. The song by Queen, with the video that followed, appears to have been released as a special tribute marking the 65th anniversary! Beyond that, I note that, 6+5=11, which signals the fertile womb of the goddess. Queen, of Heaven. Our Lady of the Bicycle.

Why choose Wimbledon as the venue for the Bicycle Race video? A race in a stadium points back to the classical stadium of Athens, Greece, where the Olympians performed naked. The victors were awarded wreaths by the goddess Nike, a tradition that continues to be associated with the modern Olympics as memorialized on every medal.

The image of Nike pictures the winged goddess traveling from the stadium of ancient Athens into the modern era's Olympic venue. (This is a dimensional transiting, so compare her to the winged Cupid on the Bicycle cards.)

Wimbledon Stadium was an important venue for racing in the London area. Nearby, the Wembley Stadium was another, which was actually the primary one used for the 1948 Summer Olympics. (Venues of the 1948 Summer Olympics) There's history there, and with the goddess! (Our Lady of the Olympics) I wonder if Wembley might have been the preferred location for filming Bicycle Race, but regardless, the space-time transiting goddess is certainly invoked in the sports stadium that Queen used for the video, as well as in the featured action. Ritual magick is in view, inspired by and in service to the goddess.

With all that said, there's still more going on with this VELO/LOVE song that should really be brought into the light. There's another number involved in the account of Freddie Mercury's inspiration. “The song was written by Mercury and was inspired by watching the 18th stage of the 1978 Tour de France passing Montreux where the band were recording Jazz in the Mountain Studios.” (Wikipedia) In the gematria shared by LOVE and VELO, the number 54 is doubled, and so is the number 18, in the reduction versions. With the extent of the Occult connections here, the mention of the 18th stage of the most famous bicycle race probably has an role in the extension of the ritual.

If you accept that the bicycle is leveraged as a symbol of a dimension transiting vehicle and understand the implicit role of the psychopomp, you will see the name of Queen's frontman as a more than just ironic. Farrokh Bulsara, by birth, he took on the name of Freddie Mercury. Mercury, the god who transits dimensions.

Freddie was a flamboyant homosexual. Think - Hermaphrodite. Mercury. More than a little light in the loafers.

It seems that the VELO/LOVE bicycle resonated with Freddie Mercury, and the identification is strong.

It should be noted that the sodomite love aspect runs all through this VELO/LOVE Code 54 imagery. There's a reason why Queen's, Bicycle Race, is linked to, Fat Bottomed Girls.If you're familiar with the video series we did on the pairing of the subjects of time travel/dimension transiting and sodomy, you'll see this as another witness to the pairing. Review the collection of images in this post and see the supporting role played by the hearts, which are butts in symbol. See the spoked sun wheels as the familar sun-anus symbol.

The anus is known in Occult circles as the Eye of Horus. An ancient symbol of the Horus Eye is, Rx. This is commonly recognized as a symbol of prescription medicine, but it derives from ancient times when the healing potions were sought from the gods. Here's a connection of note. Rx is 93 like how IC is 93, but when Z is 1 instead of when A is 1.

93: RX ~ IC
IC with the RX.
EYE SEE with the EYE of HORUS.
Code 93 ~ Code 54.

VELO/LOVE imagery is typically so innocent looking, but with all that has been brought into the light, there's dark and powerful magick in play.

Trending: Code SS - More Hidden Evidence of Nazi Influence

In addition to what was put on exhibit yesterday, here's more examples of the Nazi and Neo-Nazi symbolism embedded in the media.

Aaron has been watching, The Colony, a new series on the USA Network. From this plot summary on Wikipedia you can quickly see how it's a take on 1920s and 1930s Germany as the Nazi Party rose to power, but with the alien angle played up. I believe the fallen angels were responsible for the rise and dominance of Hitler and the Nazi Party, and the show is set in the City of Angels, Los Angeles. (LA = 12+1 * mastery of time). Aaron noted that the “Red Hats” seem to model the Brownshirts, and that at one point during a scene when they are raiding a house a person says, “you didn't need to bring them in like storm troopers.” The Nazi Brownshirts were the SA, short for Sturmabteilung, which literally means Storm Detachment.

Here's a telling screenshot. There's an obvious allusion to the iconic banner displays of the Nazi swastika flag.

Decoding the logo, which appears to have been divined according to theurgic magickal practice, if you take the zoomed out big picture view, it looks like an eye, a kind of serpent eye. The bird is an eagle, Amaru, the feathered serpent, and the falcon and sky god Horus. It's a Horus Eye and all-seeing eye. One layer of symbolism suggests the surveillance state. There's a 666 (Revelation 18:13) evident in the six arc segments formed by the bird, together with the two sixes of the inner and outer circles. (The value of the letter O as the 15th letter. * 1+5=6) The logo also hints at the Black Sun, which is at the heart of the Nazi Occult religion of the SS.

Here's a telling image that's not at all obvious - and this kind of embedding betrays the supernaturalism and dark agenda behind the show!

Starfish Sushi. Acronym: SS. Schutzstaffel. It's a sign, literally a physical store sign and a sign to us that signals something important. The SS is also a rough equivalent to HH, Neo-Nazi code for Heil Hitler, because the H and S are both the 8th letters, one from the front and the other from the back. H, S, 8 - any one substitutes for any other in their versatile substitution cipher. How do we know this is intended as a signal? There's redundancy and there's some other Occult symbols in the scene. The arcing line drawn from the star (as ANGEL, in the City of Angels, a falling star-angel) reaches over to touch the second S in Sushi. That Star+S connection supports the acronym of the two words. The SS is also a signal 88, and this combines with a numbering of 14 to signal the Neo-Nazi code 14-88. Count the letters and include the space. Fourteen character places. When you sum up the letter values of the name you produce a doubled 88. STARFISHSUSHI = 176 = 2 * 88

Two instances of SS are produced in the name plus graphic elements and two 88s in the gematria of the name. That's evil genius. Evidence of theurgy.

You'll note how the row of lights features a cross circle and Mark of the Beast design, being hemispherical with crossing bands. Another symbol in play is the collection of bicycles. I've identified how bicycles picture dimensionally transiting vehicles in other media, and this definitely plays on the alien as falling angel layer. Note the two palm trees in the screenshot. The palm tree signals victory over death. Seig Heil: Hail Victory. As twin pillars they signal a stargate, as for the transdimensional bicycles, and the pair signals time travel programming in Illuminati mind control contexts.

Here's a picture of the brownshirts parading their bicycles past Adolf Hitler at a rally in Dortmund, 1933. Hmmmmm.

The SA, storm troopers or Brownshirts were effectively superseded by the SS in 1934.

Aaron has also just been led to watch Falling Skies, on TNT. It ended last year after 5 seasons and 52 episodes (a time number as weeks in a year). Aaron noted that the entire first episode was loaded with time references and symbolism. Immediately after he stopped a clip he made for me, the character Tom Mason was shown coming up out of the ocean and onto the sandy shore with rocks all over it. Aaron noted that the first words spoken were "It's time" - "so many options, so little time" - and a couple repeats of "It's about time." There's a hint of Revelation 13:1 in TMs coming out of the sea. Water and sand are both used as metaphors to signal time. The stones are also involved in that layer of symbolism, as a search of the blog will document. There's also the Mason/Freemason and Mason jar container-avatar-host angles in play. Aaron noted that there was a battle at a high school and that the sign outside of the school read, "The future is in the hands of our youth." Future. Youth. Time words. 'In the hands of" means Control. Aaron said that after that there's a scene with an empty swimming pool (emptied of water-as-time), and that it became rather evident that the battle scenes were signifying a time war. I note that the title, Falling Skies, is composed of 12 letters, and one space between the words makes a total of 13 character places. This composition speaks of time and the mastery of time. It suggests that Falling Skies bears witness to the time wars we've been writing about that are described in the Bible, where heavenly domains will be emptied as skies thrown down to earth, to a lower dimension!

Like, The Colony, Falling Skies was about a global invasion by extraterrestrials and their control over the Earth. Having just watched, Iron Sky, I can tell you that one Nazi connection that exists is through the roles played in both by the mining of helium-3 from the moon. Such a thing as that just isn't a common plot element.

The show featured an SS in the occasional use of a classic Chevy Camaro.

The branding of the Super Sport performance line has been on my radar for some time as signaling the Nazi SS. Here's some billboard imagery sponsored by GM.

Detroit, GM's headquarters. It's got a tough image. The SS is known as a muscle car. Muscle is sometimes a euphemism for the thugs who use force to intimidate and manhandle the people on their boss' turf. Like the Gestapo, and SA - and the SS - The Nazi Muscle.

What car had a bud vase? The VW Beetle. There's a Nazi connection in this car and brand's history. Here's some excerpts from Wikipedia. In June 1934, Ferdinand Porsche received a contract from Adolf Hitler to design a "people's car" (or Volkswagen). In 1937, Porsche joined the National Socialist German Workers' Party (becoming member no. 5,643,287) as well as Schutzstaffel (SS). By 1938, Porsche was using the SS as security members and drivers at his factory, and later set up a special unit called SS Sturmwerk Volkswagen. In 1942, Porsche reached the rank of SS-Oberführer. Mentioning the Bud vase in an ad for the SS? Okay. Noted.

While watching Flash on The CW network, Aaron noted these classic muscle cars featured in a street race. Here's another Chevy SS.

How do we know their intent in using this car? The licence plate is a tip-off. TXI-195. Sum up the numbers 195 with the letter values. They sum to 68, and 6+8 = 14. SS as 88, together with the value of 14 conceals the Neo-Nazi code, 14-88!

Here's the muscle car driven by Wally West, a new addition to the cast. Wally West. WW. Code 33.

Wally's classic Mopar muscle wears plate 6EG-488. There's an 88 in there. 88 is HH or “Heil Hitler” so maybe, Sexy G for 88 - the Masonic G-eye (tract), the target of lusty sodomites? Or, perhaps because a G resembles a 6, 6EG is like 6E6 or sixty-six. “66 for 88.” Their 88 HH champion of the abyss ~ Abyss for Herr Hitler - an antichrist.