Aktion T4 in Amerika - Vermont Becomes 4th State to Sponsor Euthanasia

“if there is no more power to fight for the own health, the right to live comes to an end.” (Adolf Hitler - Mein Kampf, p.282)

Vermont governor signs 'death with dignity' measure: “With the strokes from three gubernatorial pens, Vermont on Monday became the fourth state in the country to allow doctors to prescribe lethal medication to terminally ill patients.”






Aktion T4?

• Death Camps Euthanasia
• Nazi Euthanasia

If you see the horrible pattern repeating from the 1930s, accept it as a sign. This evil is not really a political problem, and there is no political solution. The problem is sin, and judgment is already being meted out to deal with that problem. If this engages you emotionally, seek the Lord to be drawn to Him ever more closely, in whom refuge is.

2013 Billboard Music Awards - Celebrating the Illuminati Slave-Handler

While Sweden was hosting the Eurovision Song Contest, another Illuminati sponsored mind-control celebration was happening on this side of the pond, at the MGM Grand in Las Vegas, Nevada. The 2013 Billboard Music Awards. According to the MailOnline, “It's a toast to the top artists on the charts with a wild show of song and dance.” If you review the article and the many pictures from the event it should be obvious to those who follow this blog why I titled this post like I did.

In the MailOnline article's lengthy title we're let in on one of the highlights, “Justin Bieber emerges from an alien orb.” This alien orb was modeled on a chariot of the Egyptian sun god, associated with Horus Behdeti. (Search this blog for Horus Behdeti and also for winged disk) Bieber's arrival from out of the winged orb modeled the return of the sun god, the arrival of the Beast.

The special effects fog inside the orb has him literally arriving in a cloud to picture the messianic event counterfeiting what was prophesied in Acts.

9 And after He had said these things, He was lifted up while they were looking on, and a cloud received Him out of their sight. 10 And as they were gazing intently into the sky while He was going, behold, two men in white clothing stood beside them. 11 They also said, “Men of Galilee, why do you stand looking into the sky? This Jesus, who has been taken up from you into heaven, will come in just the same way as you have watched Him go into heaven.” ~ Acts 1:9-11

What do they mean by the faceted glass door? It's the shape of the coffin pictured on Freemason tracing boards, a feature that identifies the emerging Bieber-sun-god as the resurrecting Osiris!

The pictures you see here are those of the Third Degree, and in Royal Arch Degree tracing boards the coffin is often pictured resting under the checkerboard floor. The raising of Osiris is eagerly anticipated by Illuminists and represents far more than just a casual theme for entertainments.

“During research for the book (which hit #1 the day of its release), Dr. Horn traveled to Washington DC, where he met with Masons at the House of the Temple, the headquarters of the Supreme Council of the Scottish Rite. Horn says these men were very cordial and mostly responsive to his questions, even confirming his understanding of the influence of Freemasonry in American history. Only when he pressed one of them about a ritual called the Raising Ceremony (the raising of Osiris from the dead—a.k.a. Hiram Abiff), which is conducted in the Temple Room on the third floor of the building, did these Masons become evasive and visibly uncomfortable.”

“The reason for this, according to Horn, is that in addition to the Raising Ceremony being conducted when members reach the 33rd Degree of Scottish Rite Freemasonry, this strange ceremonial is performed without public knowledge in the Temple Room at the inauguration of every U.S. president. Why? Because deep esoteric meaning behind Egyptian and Rosicrucian magic that was incorporated in the rites and rituals of Freemasonry holds that the spirit of Osiris can be raised from the underworld and "installed" (for want of a better term) in the reigning king or president. According to Horn, this is why the U.S. Capitol Dome is laid out so as to face the Obelisk known as the Washington Monument, as well as other puzzling architecture in Government Center.”
READ IT BEFORE IT'S BANNED BY THE US GOVERNMENT - PART 32 Domes, Obelisks, and Magic Squares, O My! How the Most Powerful Nation on Earth Beckons the Evil One

Justin's girlfriend, Selena Gomez was featured in the role of Isis, the sister and wife of Osiris whose magick raises him to bring forth Horus. Her set featured the golden light body and third eye bindi, magickal binding collars and cuffs and attending priestesses with magical enchanting hand motions.

Plenty of other activity made it a big dance party to celebrate the arrival of Horus. Prince, kind of channeling Jimi Hendrix, wore a big ring that was an eye of Horus.

Taylor Swift, who took home 8 more awards to add to this 23 year old's extensive collection, performed a set wearing a unicorn with a rainbow tail on her blouse. A message appeared in what might be the unicorn's thought bubble, a rainbow cloud, “Haters Gonna Hate.” Her special dancers wore the colors of the rainbow, which, along with the unicorn and its message must surely speak to her fans who appreciate her well known LGBT anti-discrimination efforts. It's all a stab at “homophobes” who discriminate against LGBT, of course. And, the Creator, and those who love Him.

Beyond the superficial LGBT activism bit and more importantly, the rainbow and magickal unicorn support the Osiris, Isis and Horus theme, working to facilitate that. If you've been following this blog closely you may recognize the wet raincoat with hat costumes as symbols of ritual sodomy as they dance in the implied fertilizing rain of Horus. The masks and gloves announce to us how these are Illuminati slaves with alter identities. One dancer in a crowd of "regular people" on stage with her wore an orange dress with feline print jacket, signaling the orange sodomy and sex kitten or Beta programming.

The rainbow cloud on Taylor's blouse and the colored rainsuited dancers pictured for us the “go over the rainbow” programming, setting up for some Monarch mind-control script. (See Yoplait Umbrella Commercial and the Flash Mob Black Awakening or search the blog for “go over the rainbow.”) “She also had a colorful performance of her hit "22" — starting backstage and working her way to the main stage on the back of a bike with help from a dozen background dancers and a flurry of red balloons.” (Taylor Swift shines at Billboard Music Awards, Justin Bieber booed) So, red balloons. Rainbow cloud. Uh, this is not exactly well hidden. So where's the black pearl where the memory is placed? Could this be it, on the Billboard sign? The ritual sodomy of the programming event is certainly present, with the stage featuring bright orange and the black circle being squared for the ubiquitous alchemical signal squaring of the circle. It's a sign, right, a Billboard?

2013 Billboard Music Awards - Celebrating the Illuminati Slave-Handler. Of course. The returning Beast is being celebrated by those who facilitate his arrival. That time is near. Public ritual like this example in a constant succession of awards ceremonies is mass programming that builds momentum towards that end.

Decoding the Eurovision Song Contest Logo

As I write, the 58th annual Eurovision Song Contest finals are underway in Malmo, Sweden. (Thanks Ivan) Since 2004, the logos for this contest have featured the heart symbol, using it as the letter “v” in a stylized wordmark. This year's version follows the trend of insetting the imagery of the host country's national flag inside the heart, adding a butterfly and the slogan, “we are one.” There's nothing new or unusual here but the extent of the layering of the symbols and degree of promotion is notable. The collection speaks of Illuminati global dominance through mind-control programming, the rise of a Monarch slave army, illumination through ritual sodomy, an exaltation of the Beast of Revelation 13 and the promotion of his mark.



The stylized Eurovision wordmark has 666 cleverly embedded inside. Each 6 is slightly obfuscated, but they appear together in sequence. The first letter 0 is drawn like a 6. The second 6 follows it, a Roman numeral, VI. The third 6 is next in line and is spelled out, six. When you break it down, its undeniable. Why hide it? It's not just to keep from offending Christians, we can be assured. The subliminal impact is enabled through subtilty and magnified, an influence that might better be identified as the supernaturalism of a magickal spell because witches project such through a symbol. Make no mistake, there is witchcraft at work, the craft of the Illumined.

The way that's done calls out the word Sion, Zion. The ending “sion” balances the beginning “Euro,” equating them. Even the connecting emblem is significant, a VI, Roman numeral 6, the number of man associated with Revelation 13. The 6 or 666 is the agency of the Illumined Zionist and antichrist elite. Note, there are two kinds of Zionists, one being a genuine, good. The other describes the Luciferian NWO agenda, where the kings of the world give their power to the one empowered by the Dragon.

This embedding of “sion” or “Zion” in Eurovision's wordmark logo is the same trick being consistently executed by the esoteric Zeus worshiping IOC in branding the Olympics.

11 Then I saw another beast coming up out of the earth; and he had two horns like a lamb and he spoke as a dragon. 12 He exercises all the authority of the first beast in his presence. And he makes the earth and those who dwell in it to worship the first beast, whose fatal wound was healed. 13 He performs great signs, so that he even makes fire come down out of heaven to the earth in the presence of men. 14 And he [false prophet beast] deceives those who dwell on the earth because of the signs which it was given him to perform in the presence of the beast, telling those who dwell on the earth to make an image to the beast who *had the wound of the sword and has come to life. 15 And it was given to him to give breath to the image of the beast, so that the image of the beast would even speak and cause as many as do not worship the image of the beast to be killed. 16 And he causes all, the small and the great, and the rich and the poor, and the free men and the slaves, to be given a mark on their right hand or on their forehead, 17 and he provides that no one will be able to buy or to sell, except the one who has the mark, either the name of the beast or the number of his name. 18 Here is wisdom. Let him who has understanding calculate the number of the beast, for the number is that of a man; and his number is six hundred and sixty-six. ~ Revelation 13:11-18

Confucius observed that, “Signs and symbols rule the world, not words nor laws.” Have you caught on to what he meant? Have you grasped how the second commandment (forbidding symbolic imagery) was given for our protection? Has your religious instruction removed it entirely?

4 “You shall not make for yourself an idol, or any likeness of what is in heaven above or on the earth beneath or in the water under the earth. 5 You shall not worship them or serve them; for I, the Lord your God, am a jealous God, visiting the iniquity of the fathers on the children, on the third and the fourth generations of those who hate Me, 6 but showing lovingkindness to thousands, to those who love Me and keep My commandments. ~ Exodus 20:4-6

If you've followed The Sodomite Gateway Series you'll find the symbolic elements of these recent logos are very familiar. The popular heart symbol mimics the form of the buttocks, which is used to signal ritual sodomy, sodomite love in action.

The Athens 2006 features a signal anus in the mandala. Blue and red combine to purple sodomy. The circles are squared, the alchemical squaring of the circle that signals ritual sodomy enlightenment. Feel the rhythm? In that context? NO THANKS!

The fire star flower of Baku 2012 is a puckered anus of the sun god, orange sodomy, and another 666 can be found in the three swirls. Light your fire? In that context? Again, NO THANKS!

Some of the branding for the Eurovision Song Contest of 2011 featured a starry vortex, a stargate, centered on the heart. Yellow = star light = fallen angel illumination. Orange sodomy.

Such a vortex is actually cryptically embedded in the stylized Eurovision wordmark, especially in those that feature the Islamic celestial emblems! I believe the symbol of the Anja chakra is intended, which is an energy vortex associated with the pineal gland and the opening of the third eye. What is really meant by Eurovision is the opening of the third eye! I see the stylized letter R as a very familiar Eye of Horus.

According to definition #5 of the American Heritage Dictionary, “VISION” is, “The mystical experience of seeing as if with the eyes the supernatural or a supernatural being.” EuroVISION! Europe is an ancient goddess. If you can link Anja symbol's triangle in circle to the arcane philosopher's stone and mystical squared circle and make the essential connection to ritual sodomy you know exactly how that eye is being opened! Sodomite sex magick works today as it has from the beginning.

Aaron noticed how the peculiar letter “s” was like a kneeling figure, with the dot of the “i” as his hairy head. With the letter combo “io” spelling the IO of Helios, the sun god, the scene is one of sodomizing the sun god. When a letter “i” is called out with a peculiar dot in a layered esoteric symbol, it represents the “i” of Horus, the eye of Horus. Horus, aka Helios. Ritual sodomy opens the eye of Horus.

I have to think the Eurovision wordmark balances the “Eu” for European Union at the front end with “On” on the back end. On, the city of the sun, Heliopolis. The EU: the new On.

The EU certainly has the stargate in mind, identifying itself with the ancient Tower of Babel. Eurovision Song Contest apparently supports that ancient agenda towards a goal of storming heaven and scoring the ultimate coup.

When Aaron and I were taking another look at this famous EU poster, it became apparent how the stars form a square in the sky, and that they appear above the round spiraling ziggarut tower. Seen from overhead, the two present the alchemical squared circle! The crane forms a letter “T” or “Tau.” It is the signal three point “T” for the “anal triangle.” In the context, it is also a Tau cross of Taurus, home of the Pleiades. Some of us believe ritual sex of the sodomite kind factored into the building of the stargate long ago. Whoever channeled that symbolic poster seems to have expressed it redundantly. The T crane is used for building. It was built with bricks bonded with slime, and the people are pictured correctly as the bricks, cemented together with fecal slime.

When the cross and heart appear together, like in 2013's logo for Sweden and the one for Athens 2006, the same redundant imagery leveraged by religious mystics for many centuries appears, which should be familiar to Europeans most particularly. The Rosicrucians and Martin Luther favored the butt graphics you see here. Holy tihS, right? The freshened up Eurovision versions are among the signs and symbols that rule the world of today!




You've probably already identified the butterfly of the contest's 2013 branding as a signal of Monarch programming. It is that, to be sure! Those events are mass ritual, programming the masses with NLP and imagery that captivates and controls hypnotically and supports the programming of an army of multiples that includes the Illuminati chosen ones.

Here's how this year's branding is interpreted, which offers us a little more insight as the official explanations typically drop hints.

“On 17 January 2013, at the semi-final allocation draw, the EBU revealed the graphic design, created by Gothenburg-based branding agency Happy F&B for the 2013 contest, featuring a butterfly and slogan "We Are One". The butterfly features an array of colours and textures, it also represents something small which can start powerful and big movements, a phenomenon known as the butterfly effect, indicating that a flap from one butterfly can start a hurricane.” (Wikipedia)

The Butterfly effect is a scientific term used in chaos theory. This has also been popularized in entertainment media. “The butterfly effect is a common trope in fiction when presenting scenarios involving time travel and with hypotheses where one storyline diverges at the moment of a seemingly minor event resulting in two significantly different outcomes.” The time travel trope isn't merely science fiction because there's a legitimate reality! To suggest the butterfly image is a symbol of the Butterfly effect is very meaningful in the context of the Eurovision branding, where the hurricane is a whirlwind, a vortex that is biblically associated with a stargate, a construct that redundantly supports the imagery of the opened third eye chakra! Through that, the dimensional portal is accessed and space-time distortions are managed.

One must make the connection of the kundalini vortex of ritual sodomy illumination, of course. One must also acknowledge how the oblique reference to chaos theory forms a secondary link through the butterfly, the emblem of Monarch mind-control programming as the means of introducing the chaos into the world that will transform this age order into the next. The Monarch army will bring the whirlwind of chaos in what they call the Black Awakening!

Here's how the slogan factors in. “We are one.” “Europe: Many Tongues One Voice.” The Eurovision Song Contest slogan is a match to indicate their parallel goals. Unity. Represented in one butterfly they are a hive, a Borg collective with a hive mind. They are transformed from the caterpillar, able to ascend as into godhood. The Monarch slave army, bound together, through the tie that binds, ritual sodomy. They are programmed universally with Illuminati Delta alters that will be mass triggered to bring chaos in the Black Awakening. Their action, as the warrior Bride of Antichrist, is appointed to transition this order into the next, where the Beast will rule the world for a season.

You may not have given any notice to the meanings of the flag symbols. We are One ~ Eu (you) R 666 Eu R the beast collective. We are one. Mind-control programmed. Watch and see if it isn't so. Coming soon, to a theater (of war) near you!

Many of those featured by the Eurovision Song Contest brand are those that bear the imagery of the Abrahamic faiths. These are invariably symbols of the union of the sons of god with the dauthers of men. This is the reproductive scheme that represents the arena or warfare from Garden of Eden forward. This is what the Illuminati is all about, with their 13 bloodlines and global mind-control programming. The ancient gods, Horus aka Thor, Apollo, etc., they are coming through the stargate, literally, and their coming is facilitated by those who promote such as the Eurovision Song Contest. The ritual magick is working.

The form of the butterfly speaks to me of the deep knowledge of our time, the pattern of three things and then a fourth. If you still don't know that means, you have not been paying attention to a crucial element.

Decoding Disney's Wreck-It-Ralph

Aaron and I watched Disney's recent DVD release of the award winning Wreck-It-Ralph and talked about the excessive symbolism for days afterwards. “The film tells the story of the titular arcade game villain who rebels against his role and dreams of becoming a hero. He travels between games in the arcade, and ultimately must eliminate a dire threat that could affect the entire arcade, and one that Ralph himself inadvertently started.” (Wikipedia) Several days after we watched it, Joseph Herrin gave it some coverage on his Parables Blog, mostly interpreting the allegorical Satan vs Christ themes. There's some good observations and some good comments made on the post.

My decoding effort could slot nicely into the sodomite gateway series because there's so much of that symbolism throughout, but it stands well on its own. (What? Sodomy symbolism in a Disney film? That's not really surprising, is it?) If we camped on it long enough there's probably plenty enough material for a dedicated blog, but I'm not going there, not even to do a series (Lord willing). I had not planned to blog about this animated feature at all but the Lord was bringing it to my attention a couple mornings ago. The theme of the warrior bride of antichrist is played up, which was the subject touched upon a couple posts back regarding Lady Gaga's “Marry the Night.” This is a big deal now more than ever. If you're right now finding yourself in the midst of some intense spiritual warfare, the bride of antichrist is probably involved, on the attack.

Caveat: If you're a victim of ritual abuse who is still being delivered or you're easily offended by mature subjects and descriptive language, you may want to pass on this one.

This picture features Wreck-it Ralph and Vanellope Von Schweetz, the two main characters. Although there's no point in the plot where the big man and little girl literally become lovers, the love relationship that develops is a promotion of the kind that facilitates pedophilia. Young viewers are softened up to make easy targets for predators, standard fare for Disney productions. This is also an example of the gentle giant trope, where the appearance is intimidating so the manner compensates for it to warm us up to the character.

Familiar symbols mark the clothing that identifies Ralph as a homosexual. The orange of his shirt and the purple accent lines are signature elements of ritual sodomy. The button the purple line passes through is just a simple button, but given how a purple line bisects it, it's a sun wheel squared circle. The overalls are unbuttoned to expose his left side, which speaks of the left hand path. Exposing the left breast is a practice that is historically associated with the rites of initiation into the orders of the illumined. At some step in their ascension through the ranks of an order, the initiates are ritually sodomized to bind them to the group and illuminate them.

The outfit worn by Vanellope features a crisply pleated miniskirt, another ritual sodomy symbol. Forming a pleated ring around her waist, this is akin to the pleated bottom symbols of the sphincter-ringed anus that are the familiar peanut butter cups, marshmallow cups and cupcakes. I see this validated in the film by the obvious use of the cupcake symbol, when Ralph has one land on him in the Sugar Rush game that's kind of like the classic board game, Candy Land and like the new Candy Crush Saga. He is encased in the cupcake so he wears it like a suit.

(Hey, it seems doug successfully embedded an easter egg in the chandelier.)

Just in case we happen to miss that symbol they decorate it with hearts all around the pleated bottom. Ralph spins around with it a few times at one point to demonstrate the vortex of the chakra and stargate. When he falls over and becomes a helpless victim, two more characters confirm the symbolism even further. The lurking Wynnchel and Duncan rush over. “Now we got em!”

With a comedic play on the cops and donuts link, these donuts are a sodomite couple. These cops are into S&M, always using their nightsticks on Ralph. The names derive from donut franchises. Winchell's Donut House was big in California. “Donut” is a metaphor for “anus” in prison culture. Do an image search for Village People and you'll see the cop and biker model. Search this blog for Dunkin' Donuts and Krispy Kreme. We see these donuts in the scene below, standing behind the cupcake Ralph who has “assumed the position.”

They appear in the court of King Candy. The name presents the sodomite Masonic number 33 with the K=11 and C=3. KC=11*3=33. The 33rd is the top level of the public face of Freemasonry, and attaining it makes you something of a king. The KC is effeminate, light on his feet. Ralph calls his court's color pink and the King corrects him by calling it salmon. Gay. He's wearing purple tails. Purple. Tails. Right.

Ralph in the cupcake had been all green and you see him there with this green coating still on his hands. Osiris green. Identity: Osiris.

Ralph, the “lovable” abusive pedophile sodomite lives in a dump (defecation) and covers himself with bricks (dung). He puts his head on a stump, signaling oral sex. He's always falling in a mud hole (rectum) and in the Sugar Rush game it's always chocolate, another scatological metaphor. Word play on “duty” as fecal “doody” is an obvious plot feature as Vanellope engages Ralph at some length in juvenile potty banter. The arcade game called Hero's Duty (like Call of Duty) is where Ralph went to try to win a medal. There's more name calling and trading of insults heard in the movie but the scatological theme is pretty evident.

At one point, Ralph steals two cherries and smuggles them through customs. Because moving fruit across the border between games is illegal, these are forbidden fruit, making popular reference to the sin in the Garden of Eden. The cherry is slang for a virgin, and with Ralph as Satan this models the serpent stealing Adam's and Eve's cherries, their virginity, sodomizing them both. (See Who is Cain's Father?) You see, the Devil knows this - he was there! He boasts about it plenty, yet church folk remain almost entirely oblivious and in denial.

The name Vanellope sounds like “Vanilla Pee,” which compares to the frequent references in the film to chocolate poop. The flavor associations speak of how slaves are forced to consume bodily excretions of every kind as part of the litany of trauma inducing abuses that encourage dissociation. Vanellope is in the role of Ralph's child slave. “Ralph” means “Wolf Counsel.” He's a SRA programmer-handler, which is in keeping with his role as Satan.

The other Sugar Rush game characters nicknamed Vanellope, Glitch. That interprets to Switch, the alter switch. From the perspective of the multiple, switching alters disrupts the continuity of a perception of the timeline, so that glitching presents a window of insight into that experience. Her glitching allowed her to jump through space-time. Switching between alters provides access to resident psi powers, and this is the key to the success of multiples. Can some actually glitch like that? Well, yeah. Pretty much like that. It's sometimes called astral projection. In conjunction with Ralph's heroic sacrifice (as he fell to earth) Vanellope's glitching is what ultimately saved the games of the entire video arcade. The antichrist SRA and slave saviors, right?

It turns out at the end of the movie that she is actually a princess, royalty, and therefore a chosen one, which is a multiple that is of a royal Illuminati bloodline. Monarch programming.

Vanellope's glitching began when King Candy hacked the game code and reprogrammed her. Here's the obvious metaphor of game character programming as mind-control programming. Vanellope's programming was changed, her code was rewritten. The code of other characters was rewritten at the same time. Their memories were locked away in this programming, so they forgot Vanellope was princess and henceforth identified the programmer as the King, their master. For Monarch slaves, locking memories away happens every time there's a programming event, and some of the programming imprints new ones. The game code is the Illuminati programming script.

King Candy plays an important role, who is himself a programmed alter identity. Typical slave-handler-programmer. At the end we discover he's actually Turbo, from the defunct game Turbotime. He's actually a legendary rogue character from out of the past, considered long gone. We learn that “Going Turbo” means game jumping with intent to hijack the game. If the fallen angels as ancient gods come to mind, you're on the right track. Turbotime was his game, and we see in this a picture of the Antichrist, returned as an ancient god from out of the distant past. Here's yet another example of Monarch programming and Antichrist Beast symbolism appearing together, with one wrapped around the other.

The game jumpers represent dimension jumpers, the sodomite gods. This is evident from the turbo that references an energetic vortex, the stargate and emblem of ritual sodomy and Eye of Horus enlightenment. When King Candy (33) glitches/switches to his Turbo alter, we see him wearing a white helmet with a big red T on it. The T: Anal triangle. The helmet: Glans penis. Sodomite. He assumed the role of King in Sugar Rush. He's the Antichrist, substituting himself on the throne of authority. He later takes another form, as the image of the Beast. He merges with a psy-bug (dragon) and transforms into a flying hybrid. Beelzebub, Lord of the flies, or, of them that fly. Prince of the power of the air. He is then destroyed by the light, as not by “human” hands. That light was associated with a mixing of “Diet Soda Hot Springs” and mentos, a symbolic lake of fire. Fitting image. You're familiar with Revelation 17 and following, right?

The titular arcade game is all about Wreck-it Ralph and Fix-it Felix. They are together as Shiva, destroyer (Wreck-it) and creator (Fix-it) of worlds. That's the Illuminati programmed game play. Ralph is like Apollyon or Abaddon, the destroyer. Felix has a magic hammer, given to him by his father. He is a type of Thor. There are scenes where Felix-Thor appears with his magic hammer on a rainbow bridge (Bifröst), which features heavily in the Sugar Rush action. Thor is also an Antichrist identity. Fix-it Felix equates to 666 as FIF. With F=6 and I-9 FIF is 696, and since 9 flips to 6, 666.

Felix gets married at the end of the movie. This antichrist bridegroom takes a bride, the Bride of Antichrist. Here's a picture of the wedding, with the wedding party at the altar of the sun.

The stained glass window backdrop is a sun god image and a squared circle anal portal, sodomite orange, of course. The lights you see on it are the laser sight beams of Calhoun's soldiers, the Bride of Antichrist army, who are sighting and illuminating their potential targets. Think about that.

Sergeant Calhoun is the star of Hero's Duty. Hero = Antichrist Beast. Hero's “Doody.” She's a sodomite SRA slave. Her name is Calhoun, and her name means “Warrior.” She is a sodomy programmed supersoldier, a Delta, an assault leading specialist. She's usually wielding a gun, a phallic symbol. She's got a sexy feminine figure. She's a Beta programmed sex kitten who seduces Felix with her looks. She's an abusive woman who demeans men like a marine drill sergeant, and brings them under subjection, even slapping them around. Butch. Jezebel.

Here's a screenshot from a comedic romantic scene. The purple heart. Sodomy. Both of them are inside, and she wields and fires the phallic gun. Slaves are commonly sodomized with guns and knives. See the helical windings? This is a genetic signal of reproductive sex magick. Ritual sodomy, reproductive sex magick, Antichrist and Bride of Antichrist. Below them is Nesquick sand, quicksand, chocolate poop, into which they had fallen. Their exit involved Felix ordering Calhoun to do her duty. That would be a #2, if you're tracking the doody theme. Her duty was to punch Felix hard in the face over and over, to roughly abuse him, in the Nesquick sand pit. SRA sodomy abuse, trauma leading to dissociation, their way of escape. They found themselves in a surreal scene of singing laffy taffy. Somewhere over the rainbow.

There's many, many more sodomy signals in the movie, and I'll illustrate just a few more.

This image is of a medal Vanellope made and gave to Ralph. On one side, it says he is her hero. On the other, “To Stinkbrain.” It's a heart-bottom. There's a purple band coming out of it. It's brown inside. The “o” in “to,” that's, well, you get the picture. He is her hero stinkbrain, her handler, enlightened with gnosis through ritual sodomy.

When Ralph is helping Vanellope learn how to drive her new racer, the scene is set to a Rihanna song, “Shut up and Drive.” The lyrics are racy, to use an appropriate figure. The sexual innuendo is obvious as she herself is the vehicle to be driven.

I've been looking for a driver who is qualified
So if you think that you're the one step into my ride
I'm a fine-tuned supersonic speed machine
Got a sunroof top and a gangster lead

So if you feel it, let me know, know, know
Come on now, what you waiting for, for, for?
My engine's ready to explode, explode, explode
So start me up and watch me go, go, go, go

Get you where you wanna go, if you know what I mean
Got a ride that's smoother than a limousine
Can you handle the curves? Can you run all the lights?
If you can, baby boy, then we can go all night

'Cause it's 0 to 60 in 3.5
Baby, you got the keys
Now shut up and drive, drive, drive
Shut up and drive, drive, drive

I got class like a '57 Cadillac
And overdrive with a whole lot of boom in the back
You look like you can handle what's under my hood
You keep saying that you will, boy, I wish you would.

Ralph is the handler and Vanellope his slave. Can you run all the lights? Can you illuminate her? The sodomizing handler has the keys, the slaves access codes. Class rhymes with something anatomical. and “a whole lot of boom in the back” suggests A-wHOLE lot of boom in the back. If you can “handle the curves” or “handle what's under my hood” - you're her handler. What's under her hood is the hidden or secret programming. “You keep saying that you will, boy, I wish you would.” It's all about his will because he's the slave's master. The official music video makes it plain enough through Rihanna's gestures that this innuendo is all leaning towards anal sex. The song length: Length 3:33.

“Swizzle Malarkey is a character within the game Sugar Rush. His theme is Unicorn Pops and various other lollipops, and his signature kart is the Tongue Twister. On the online adaptation of Sugar Rush, both he and Gloyd Orangeboar are unlocked by completing the second track, Cakeway.” What a sodomy NLP laden description! Malarky = BS. The swizzle stick is a phallus, and using a swizzle stick to stir a drink creates a vortex. Unicorn Pops, another sodomy reference. To pop is to have sex with. The unicorn with the spiral horn is a third eye power cone magical god beast linked to homosexuals. The Tongue Twister. Gross. Gloyd Orangeboar. Orange is a signal sodomy color. Orange-boar = orange bore. Gloyd presents the unusual GL combo that speaks of girl love, pedophilia.

Even the closing credits of the movie are signaling ritual sodomy. The following image appears with Sonic the Hedgehog making a cameo appearance, appearing during a song precisely while the word being sung is "bonding."

Bonding is a notable feature of sodomy. Sonic circled the square, signaling the alchemical symbol for ritual sodomy.

I've more than scratched the surface of what's there in this Illuminati programming vehicle but there's plenty more there. The slick production is just so sly. This animated feature carries on the Disney tradition, programming another generation of children as the Bride of the sodomite Antichrist.

Devolution and Devil-ution in the News

As the end of this age approaches the news gets more and more strange. I don't comment on news very often although I do pay attention and post occasional items of interest in the side bar, as Notable Stuff.

Armies of cannibals
Syrian rebel commander Abu Sakkar cuts out government soldier's heart and eats it
“In the clip, Sakkar cuts into the chest of the dead soldier before ripping out his heart and liver and declaring: “I swear to God we will eat your hearts and your livers, you soldiers of Bashar the dog”. To off-screen cheers and chants of “Allahu akbar [God is Great]”, the man then bites into the heart.”

This represents what one sect of Islam does to another while encouraging more of the same practice. It's just the nature of the beast, not just of those who declare, “Allahu akbar,” but of all who serve that god.

The Champs Elysee is a battlefield
The decline of civilization is evident around the globe. Paris has been presented as a city at the height of civilization, but the behavior of Parisiennes demonstrates once more how mankind devolves into beasts, figuratively, and soon, literally.

Promotion of Energy Vampirism

From one report, Angelina Jolie says that she has had a preventive double mastectomy after learning she carried a gene that made it extremely likely she would get breast cancer. Jolie said that after genetic testing she learned she carries the “faulty” BRCA1 gene and had an 87 percent chance of getting the disease herself. “Once I knew that this was my reality, I decided to be proactive and to minimize the risk as much I could,” she writes. “I made a decision to have a preventive double mastectomy.” While some will surely see that as noble and courageous, it must be said that this foolishness is a pathetic trend. You may have heard of Allyn Rose, Miss District of Columbia in this year's Miss America competition. This 24-year-old is planning to have both of her breasts removed in the near future for the same reason.

Here's an article from a while back. Shock study: Mammograms a medical hoax, over one million American women maimed by unnecessary 'treatment' for cancer they never had

This trend of breast removal is defeminizing trend, but there's more to it than that. While most folks remain brainwashed and in denial about the actual state of affairs, a primary mission of the medical/pharmaceutical/insurance/university-support industries is to promote and capitalize on the fear of death. Did you get that? For many, it's Job 1 to promote and capitalize on the fear of death. What's your nearest city's economy actually driven by?

This is far more than a money making venture, it's Satanic ritual, where the Devil worshiping agents responsible for it maximize suffering for energy vampirism. It's what's pictured in the Matrix film as the human battery farm. That's right, Coppertop. All those tubes and wires represent ritual energy vampirism, and this is not fictional but rather a legitimate supernaturalism. Gwen Olsen, a fifteen-year veteran of the pharmaceutical industry presents first hand witness testimony, exposing the real interests of the pharmaceutical and greater medical communities as she sees them: “the pharmaceutical companies are not in the business of health and healing but instead the business of disease maintenance and symptom management.” (Pharmakeia)

Organ harvesting is done on victims chosen for convenience, furnishing the elite with whatever they need right when they need it. The industry supplies cannibals and blood drinkers and necrophiliacs with an endless supply of resources. I must add how that bioforming and gender-merging is the agenda of all these endeavors towards the end of the mark of the beast transformation. Soulless avatars driven by demons, this is the state of what's coming, with souls sacrificed instead of merely breasts.

Are you familiar with this post from 12/1/12? ARE YOU READY TO MAKE HARD DECISIONS?

UFO sighting becoming common

'Something passed underneath us, quite close': Airbus A320 has close encounter with UFO Yet one more recent documented appearance of what will soon become a MFO, a misidentified flying object. Official disclosure and direct communication will be outright lies accompanied by lying signs and wonders.


Surveillance state

We do live in a surveillance state. We have for some time. Under sweeping subpoenas, Justice Department obtained AP phone records in leak investigation “In a sweeping and unusual move, the Justice Department secretly obtained two months’ worth of telephone records of journalists working for the Associated Press as part of a year-long investigation into the disclosure of classified information about a failed al-Qaeda plot last year.” Unusual? Really? Well, I don't see any evidence of that. The Justice Department. What a name. Who comes up with these names, the Ministry of Propaganda and Newspeak?

Justice will be done, but the Lord Y'shua is going to be responsible for that. The systems of government today will soon take the form described in the Bible as the next to last global system. Right on time, the last one will arrive! Justice is part of our hope, the hope of the righteous, and it will be fulfilled!

In the days of those kings the God of heaven will set up a kingdom which will never be destroyed, and that kingdom will not be left for another people; it will crush and put an end to all these kingdoms, but it will itself endure forever. ~ Daniel 2:44

39 ‘See now that I, I am He, And there is no god besides Me; It is I who put to death and give life. I have wounded and it is I who heal, And there is no one who can deliver from My hand. 40 ‘Indeed, I lift up My hand to heaven, And say, as I live forever, 41 If I sharpen My flashing sword, And My hand takes hold on justice, I will render vengeance on My adversaries, And I will repay those who hate Me. 42 ‘I will make My arrows drunk with blood, And My sword will devour flesh, With the blood of the slain and the captives, From the long-haired leaders of the enemy.’ 43 “Rejoice, O nations, with His people; For He will avenge the blood of His servants, And will render vengeance on His adversaries, And will atone for His land and His people.” ~ Deuteronomy 32:39-43

Part 107 - The Sodomite Gateway - Lady Gaga as Illuminati Rosetta Stone

Lady Gaga is like a canvas painted upon with artful symbols of Illuminati control and sodomite mind-control programming. She typically appears as a kind of Rosetta Stone, layering symbol upon symbol for redundancy in the simple messages. She is far from the only industry sponsored entertainer this can be said about but she remains a notable one. In this post I'll decode three of her sets, one as she's out and about, one from a photo shoot and another from a musical performance. What these represent is going to be familiar to many of you but the exercise of decoding the symbols is a very useful one, and it is a reminder of the spiritual war in which we are engaged.

Caveat: If you're a victim of ritual abuse who is still being delivered or you're easily offended by mature subjects and descriptive language, please move on. If you're new to this series, welcome! You may want to start at the beginning to get the foundation for what's here. Series Links: The Sodomite Gateway

Lady Gaga is wearing an ensemble that features sodomite orange in her frock, lipstick and shades. The lighting of the scene suggests it is evening, so why the shades and parasol?

Her gradient shades are like Crowley's blinds, filtering the light, symbols of obfuscation. They complement her white hair to signal illumination. The parasol is a signal anus, like the umbrella. The palm tree is a symbol of victory over death, a very popular Occult element that represents their hope of transformation when joined with the sun god. It's fitting for a parasol, very fitting. See the lizard in the palm tree spewing fire like the lightning bolt weapon of Zeus. The lizard is a dragon, alias Zeus. The handle features a mermaid, a hybrid creature with powers of enchantment, a psi power that is able to be wielded by some alters as a sorcery of Jezebel. She holds her head up at arms length to send a clear message about dissociation. Her earrings present the obfuscated Masonic square and compass with the gold chains as the compass. For plausible deniability, only one of the stones is actually a square. Both, however, feature a circular cutout to emphasize that it is indeed signaling the equivalent alchemical classic squaring of the circle.

What do we make of the greige nail polish on her talons? This color describes the “muddy, claylike shades on the spectrum between gray and beige.” To me, it speaks of iron mixed with clay, with her 10 fingers suggesting the ten toes of the image of Daniel 2.

42 As the toes of the feet were partly of iron and partly of pottery, so some of the kingdom will be strong and part of it will be brittle. 43 And in that you saw the iron mixed with common clay, they will combine with one another in the seed of men; but they will not adhere to one another, even as iron does not combine with pottery. ~ Daniel 2:42-43

This represents the genetic hybridization of the sons of god with the daughters of men, one of her big themes, like in Born This Way.

The black stones of the earrings are a familiar symbol that I believe represent the spawn of the Dragon, not my Rock but an accursed counterfeit.

30 How could one chase a thousand, and two put ten thousand to flight, unless their Rock had sold them, and the LORD had given them up? 31 “Indeed their rock is not like our Rock, even our enemies themselves judge this. ~ Deuteronomy 32:30-31

When suspended from the ears, the black stones float as she walks. Here's what I wrote in the Rango series about floating black stones.

“The black stones are disobedient to the word, even appointed to stumble in disobedience. They aren't God's but the possession of another rock, and who will not receive mercy. As a collective, they form the temple represented in the stones of the ubiquitous pyramid, pictured with the hovering capstone with the eye illuminating with the dark light. (Luke 11:33-36) The hovering stones represent those who rise to a state between heaven and earth as demi-gods, hybrid god-men. The black stones are the dark star children, even including those who will take the mark of the Beast. Like the hovering illumined capstone head, so is the body, the collective members, living stones but with a zombie resurrection kind of life.”

If this photo shoot were to be subtitled, most would probably label it, Doggy Style, noting Lady Gaga's posture and the dog. The details reveal that it's not really a heterosexual scene. There is bestiality (A behavioral specialist for Harford County Public Schools has been indicted for sexual intercourse with a dog - May 7, 2013) and cross-species intercourse suggested because of what may be identified as a cat suit (cat-human chimera), and the dog is with her on the bed. A dog in Occult symbolism is typically representing the dog-star, Sirius, ultimately the incarnation of Lucifer. “Dog” is “God” spelled backwards. Her red hair is a common feature of the hybrid giants, nephilim.

What's also pictured is ritual sodomy. A dog is slang for a male prostitute and sodomite. Lady Gaga's posture is obviously presenting her for rear entry. The high heels are a “raised in the back” shoe that's a common sodomy symbol. The pillows present a mandala that is a signal anus, and the circle on a square is the alchemical squared circle. The gold color represents the gold sun light body, matched to the silvery moon of the window portal covers. The feline print of the cat suit conceals and reveals how this slave is programmed for sex, with a sex kitten or Beta programmed alter.

Lady Gaga performed “Marry the Night” at the Europe Music Awards (EMA) in Belfast, Ireland (11/6/11). She appeared in a bizarre slutty costume on top of the moon. The symbolism is pretty obvious if you understand the lunar sphere is being used to moon the audience. In her costume, she is not a flower but a purple rayed anus because we are being mooned. The opening scene shows glittering celestial lights in the anus to picture the stargate portal of fallen angel enlightenment. She is chained to the moon to signal us that the anus is one with or a part of this moon, and that sodomy is the tie that binds. In that opening scene, her microphone is a phallus to indicate ritual sodomy. Showing us her crooked arm presents us with a triangle that may be taken as inside the anal eye. There is a kind of banded arch over the set that is a royal arch portal that also forms the outline of an eye with the moon as its pupil. It's the third eye, the Eye of Horus.

She demonstrates what this is all about at the end of the performance with a petty obvious gesture. She removed the "floral" (sexual imagery) parts of her costume in a ritual deflowering and danced on the stage in front of the moon. After a set of pelvic thrusts with arm actions that illustrate the sodomizer in action (with a bright light at her head), she turned her backside to the audience to strut right up to the moon and lift her miniskirt, exposing her backside, mooning the audience. The illumination was being illustrated during the routine by flashing bright lights, a phenomenon Illuminati slaves experience when they are being illuminated during ritual sodomy.

I believe the chaining to the moon also signals the bondage of a SRA slave who is not free. The blue donut looking headgear has eye holes so it is a mask, which signals a slave's alter identity. The lobe is between the eyes as a third eye, which makes the entire piece appear as an amplifier horn and bell for psi power enhancement. I believe that ritual magick was in play and that there very likely was an actual magnification of psi power, projecting, enchanting. When she stands up and frees herself from the chain and defiantly declares that she is going to marry the night, the chain represents her connection to the day, the true light, Yahweh, her genetic connection with Adam-kind. To marry the night is to become the bride of antichrist, the prince of darkness. This demonstration is that of a counterfeit moon bride or Bride of Christ.

“I'm gonna marry the night
I won't give up on my life
I'm a warrior queen
Live passionately tonight”

This is a war. The SRA army of warrior queens know why they are here. The genuine Bride of Christ is not mind-controlled through Satanic Ritual Abuse, torture and sodomy and she does not marry the night. She is appointed the ultimate victory in this contest, which is assured by her Bridegroom!

Sacrifice and Reward

I've been attending to family matters, which is the reason for the relative lack of activity on the blog. What is so very obvious in this season is how judgment is upon the church and the world and that those under judgement remain oblivious to it.

Hold fast to the promises the Lord has made because they are sure. Do not let your faith be shaken by what is now or what you know is shortly coming.

For those of you who are in this season finding yourselves cleaving to the Lord and thereby experiencing the continued loss of what had formerly been held dear, take comfort in the Lord's faithful promise.

27 Then Peter said to Him, “Behold, we have left everything and followed You; what then will there be for us?” 28 And Jesus said to them, “Truly I say to you, that you who have followed Me, in the regeneration when the Son of Man will sit on His glorious throne, you also shall sit upon twelve thrones, judging the twelve tribes of Israel. 29 And everyone who has left houses or brothers or sisters or father or mother or children or farms for My name’s sake, will receive many times as much, and will inherit eternal life. 30 But many who are first will be last; and the last, first. ~ Matthew 19:27-30

What has been and is being sacrificed for following the Lord's direction represents a huge trade up. We've been so undersold on the reward that's due. Those of you who have had a revelation of this know what I'm referring to. What is being sacrificed does have legitimate value, and the perceived loss is real and not typically subject to being discounted, so I don't mean to minimize that, but it simply doesn't compare to what is purchased through those acts of willing sacrifice. When the Lord asks for a thing, trust Him for it. He's good! Treasure is laid up, for when we enter into our reward in another body and also there are purchased benefits of provision and offers of opting in to privileged missions. Unto whom much is given, much is demanded, and there is also much favor exhibited when the Lord is provided with a good return on His investments!

Therefore if you have been raised up with Christ, keep seeking the things above, where Christ is, seated at the right hand of God. 2 Set your mind on the things above, not on the things that are on earth. 3 For you have died and your life is hidden with Christ in God. 4 When Christ, who is our life, is revealed, then you also will be revealed with Him in glory. ~ Colossians 3:1-4

Secrets of the Coming Great Deception on Exhibit in Fringe - "The Boy Must Live"

In working my through the esoteric symbolism of the sci-fi series, Fringe, I've reached the place where the timing of things can be addressed. I had written in Part 4 - Monarch Programming in Fringe - "The Boy Must Live" - The Olive Anointing, “The subtle presence of the olive symbols and their separation in the scene of the anointing of the lawless one speaks to me loudly about what is coming, now less than 2 years away. This timing is also hard-coded into the esoteric scene, which I'll address in another post, Lord willing!” This is that post! There is a focus on the year 2015 that has some parallel with what I have learned from biblical study and revelation insight.

The Fringe folks are masters at concealing and revealing in the way of the Occult. Whoever supplies the scripts, however they are derived, draw deeply from the well of knowledge that is the domain of fallen angels. The only way I can know what I do about these things is because I have inside knowledge, not the kind that comes from direct involvement of any kind in their wicked activities but by means of the window of insight provided by my Lord Y'shua. He's in charge of who sees what, how and when, because He's sovereign. The Adversary only knows what is given him to know, and can only do as he's given to do. What the Adversary is able to dole out is subject to those constraints. Those who serve him operate with a disconnect, a fatal one, trusting the father of lies. How foolish. Pride and selfish ambition lead only to destruction. Those of you assigned to monitor here and those who do so by compulsion, note well that truth! When the conviction comes, and it surely will, no excuse will stand for not repenting of your sin.

With that said, here's what I find of interest in the featured Fringe episode. These snippets of dialogue are from the scene at September/Donald's apartment.

[Walter knocks on the door of apartment 211. Donald comes to the door.]
DONALD: Walter Bishop. You're alive!
WALTER: We were trapped in amber! For twenty-one years we were frozen in time.
DONALD: I never thought I'd see you again.

[Later, in the apartment.]
DONALD: How did you find me?
PETER: We've been relying on the tapes that Walter made in 2015, trying to piece things together.

The year is 2036. Walter and the Fringe team had just recently been freed from the amber that had preserved them in a state of suspended animation since 2015, 21 years earlier.

(Amber was a patch material that had been developed to patch the dimensional rifts for an emergency fix akin to the proverbial finger in the dam. All life encased in the amber (like the bugs we've seen in amber in grade school science books) is preserved, as frozen in time. Technology for revival was developed and used to free the Fringe team.)

The year 2015 is the pivotal year. Even though it is now 2036, no time has passed for the Fringe team because, as Walter said, they were frozen in time. In a frame of reference that is their linear accounting of the passage of time, it's still 2015 to them, right? I've presented how this scene's in-hall and in-apartment vignettes redundantly model the revealing of the lawless one. The revealing of the lawless one - in 2015. This signal event is actually scheduled for 2015, and it seems pretty obvious that I'm not the only one who knows it.

Fringe, like many, many other esoteric shows and movies, cryptically embeds truth with wrapping in all manner of lies. The stories that must be told are concealed by a twisting and flipping such that the legitimate messages can only be decrypted and understood by those who already know the plot. I'm convinced of some important elements of the plot, and I perceive a witness to it in their cryptic presentation of 2015 as the appointed year of the baptism and anointing! Their privileged knowledge is on exhibit, heavily obfuscated but yet still perceptible.

The Devil knows just what he needs to know to carry out his assignments. Those who serve him, likewise. My lord Y'shua is the concealer and revealer, ultimately. I know just what I need to know to carry out my assignments. Some of you need to know what's put here for you. I put it here in plain sight, and the Lord provides cover as appropriate. As it must be.

Alongside the revealing in 2015, other features appearing in this Fringe plot speak to me of the way the chronology of the end times has been revealed to me. By setting the scene in 2036, they are able to reference a 21 year period of stasis. When the Lord revealed to me how the target Shemittah was related to the celestial sign by a specified count of three Shemittah, I understood the significance of the 21 year span that would pass by. The number encompasses the meanings of time and timelessness and the fullness of time. Like the 21 days or 3 weeks of Daniel 10. One might ask, why didn't the angel just show up when Daniel prayed? Didn't God see that coming? Was he unable to get the messenger there on time? Nothing is too hard for the Lord, so there was another agenda in play. We should ask why the Lord appointed the celestial sign of the Lord's return in judgment in 1991 when He wasn't going to begin the key Shemittah until 2012? He has other agendas in play, as I understand it, and one observation about how His plan is unfolding is that a 21 year span appeared that can be viewed as a kind of stasis. It was marked by three denials of Peter, allegorically, and the period was essential for the preparation of the Lord's people, and these 21 years simply had to pass before the Shemittah would begin wherein the fulfillment of that judgment would really manifest according to prophesied patterns.

I usually present this 21 year period as the three of four Shemittah in a simple pattern that appears in the Bible and in many other symbolic contexts. See the following for many examples from the biblical text.

• Part 1 - To Number Our Days Aright - 3 Things and Then a 4th
• Part 2 - To Number Our Days Aright - More Examples of 3 Things and Then a 4th
• Part 3 - To Number Our Days Aright - Still More Examples of 3 Things and Then a 4th
• Part 4 - To Number Our Days Aright - And Even More Examples of 3 Things and Then a 4th

I suspect Fringe embedded this code in Donald's apartment number, 211. This is one of a very small set of numbers where a three digit number sums to four, a version of the key pattern. (Omitting the zero leaves 211, 112 and 121) Fringe does not seem given to random elements and I doubt they would neglect a proper signal in such an important scene.

The door is important, as a door is the means of controlling access through a doorway, typically a dimensional portal. (I don't know if you noticed, but when Walter remote viewed the apartment from the tank, the first object called to our attention was an antique record player with a large horn for an amplifier. Fringe leverages the bell in so many scenes where the dimensional boundaries are breeched, and the large horn is, of course, a bell! Here it is in a screenshot, superimposed on a window as a portal.) Notably, it's through this opened doorway that the first communication between Walter and Donald occurs!

DONALD: Walter Bishop. You're alive!
WALTER: We were trapped in amber! For twenty-one years we were frozen in time.
DONALD: I never thought I'd see you again.

Here is a scene where the Apostle John beheld an open door. He heard a voice like the sound of a trumpet (like in 1 Thessalonians 4), and, well, read what happened.

1 After these things I looked, and behold, a door standing open in heaven, and the first voice which I had heard, like the sound of a trumpet speaking with me, said, “Come up here, and I will show you what must take place after these things.” 2 Immediately I was in the Spirit; and behold, a throne was standing in heaven, and One sitting on the throne. ~ Revelation 4:1-2

I believe the scene in Fringe pictures the “as above, so below” with the action taking place in heaven as events unfold in the earth.

I see this as a symbolic resurrection. “Walter Bishop. You're alive!” The 21 years are 3 sets of seven, comparing to three days and three nights - in the belly of the great fish and heart of the earth. I see Walter here as the Beast type.

3 I saw one of his heads as if it had been slain, and his fatal wound was healed. And the whole earth was amazed and followed after the beast; 4 they worshiped the dragon because he gave his authority to the beast; and they worshiped the beast, saying, “Who is like the beast, and who is able to wage war with him?” ~ Revelation 13:3-4

The healing of a fatal wound is akin to a resurrection. Baptism itself is a resurrection symbol. (Baptism - The Prophecy) How exactly this will play out in 2015, I can't say I know, but here is a version gleaned from eavesdropping on the Enemy's secret communications, as it were, presented with Walter being rescued from the amber and reviving, and officially witnessed by Donald who is probably in the role of the Papal false prophet.

When we read in verse 4, “Who is like the beast, and who is able to wage war with him?” I have to conclude the character's names were planned for just such scenarios as this. The name “Walter” means, “ruler of the army.” Who is able to wage war against the ruler of the army? The beast as an antichrist will be like Christ and instead of Christ. The answer to the rhetorical question that will be asked really is that my Lord is like the beast (as the genuine being counterfeited and substituted for) and He is able to wage war with him, and will! This is pictured in the following verse, where John sees into heaven as through an open door.

11 And I saw heaven opened, and behold, a white horse, and He who sat on it is called Faithful and True, and in righteousness He judges and wages war. 12 His eyes are a flame of fire, and on His head are many diadems; and He has a name written on Him which no one knows except Himself. 13 He is clothed with a robe dipped in blood, and His name is called The Word of God. 14 And the armies which are in heaven, clothed in fine linen, white and clean, were following Him on white horses. ~ Revelation 19:11-14

And, here's where we see a copycat on a white horse, a “Walter,” a “ruler of the army.”

1 Then I saw when the Lamb broke one of the seven seals, and I heard one of the four living creatures saying as with a voice of thunder, “Come.” 2 I looked, and behold, a white horse, and he who sat on it had a bow; and a crown was given to him, and he went out conquering and to conquer. ~ Revelation 6:1-2

I suspect the choice of numbering Donald's apartment as #211 may be an allusion to Revelation 2:11.

He who has an ear, let him hear what the Spirit says to the churches. He who overcomes will not be hurt by the second death.’ ~ Revelation 2:11

That's what the plot is about, right? A major part of the plan Fringe flirts with involves cheating the second death, skirting the lake of fire and the judgment it represents.

Now, some today talk about a coming great deception and describe it as an antichrist fraud where demons masquerade as space aliens with UFO's. In this, they are correct but there's more to it. Just to know that aliens are actually lying demons is not going to be enough. Just to see the evidence that the Pope is the false prophet is not enough. Lots of folks know that, but only a very small number will not be deceived. Those who are deemed trustworthy by the Lord and made privy to His schedule of appointments will have the essential insight, and this is biblical! I make this point fairly regularly, but most just can't perceive the truth of it. What is coming in the days ahead will be so convincing. The weight of evidence brought forward in this delusion will be overwhelming. Whatever Tom Horn and other oikodespotes will bring to light about the Petrus Romanus or the Zenith 2016 will fail to accomplish what is suggested, not because I have to be right and everyone else wrong but because it is not given to the oikodespotes to lead the Bride to be ready for her Bridegroom. (Matthew 24:43) It's not enough just to be able to parrot a date, even if it's factually correct, because it's the relationship of trust and condition of worthiness that's developed and the understanding and knowledge and wisdom that comes via having the Lord's own mind and heart that is the real deal here. There's no cheating your way into the elite company of the Bride. I write all that to preface this insight about another line from Fringe, which I believe previews their play of the ace stashed up their sleeve. It's still a bluff, but most of the players will see it and fold. What could possibly be so convincing? I believe an array of evidence will be presented relative to the lawless one's presentation as the Messiah.

Now we request you, brethren, with regard to the coming of our Lord Jesus Christ and our gathering together to Him, 2 that you not be quickly shaken from your composure or be disturbed either by a spirit or a message or a letter as if from us, to the effect that the day of the Lord has come. 3 Let no one in any way deceive you, for it will not come unless the apostasy comes first, and the man of lawlessness is revealed, the son of destruction, ~ 2 Thessalonians 2:1-3

This was not written for generations and seasons so much as for one generation and one season, which has not yet even arrived. The ace up the Deceiver's sleeve is reserved for play in that hand that will matter most. It's intended to be the game winning hand, and so it will appear. What kind of spirit, message or letter as if from Paul and the Apostles will be produced that will so shake the composure of the saints? I believe it will be a potent combination of these. If the Vatican were to produce archaeological evidence with such a message documented as having an authoritative source, would that shake your faith and destroy your hope? It would for many. If such evidence is attended by the kind of conviction demonic influence can bring, how many of you think you could resist it? OK. Suppose a record of the past was shown to you as a proof, a “verifiable” three dimensional holographic kind of "live document" beamed out of heaven itself as through time, a window into the past? Would that be convincing? Impossible, you say? Don't bet on it. As Aaron and I have been watching intently, the Lord has been bringing some fascinating pieces of the puzzle in place about what's to come. As we watch according to the Lord's command, we see these things in the Bible and we see them vividly modeled in the media of myths and legends, movies, novels, news reports, comics, etc.

Here's a hint of such a streaming live document in Fringe.

DONALD: How did you find me?
PETER: We've been relying on the tapes that Walter made in 2015, trying to piece things together.

In 2015, Walter made tapes that were essential to defeat the invading Observers and save humanity. They were video documents, records of the all important plan. The recording medium used was Betamax, a long defunct technology that famously lost market share to the VHS format and faded away way back in the mid-80s. It would be easy to dismiss this matter as one of no consequence, but the Fringe crew really wasn't just in the business to entertain, and does not seem to have squandered opportunities to leverage symbols to send profound messages. I believe their choice of Betamax makes reference to much older technology, relics used by the ancient gods who had brought the secrets of heaven with them when they fell to earth.

With today's technology, we think nothing of accessing digital content by “streaming from the Cloud.” I believe there will come a streaming of content as from the clouds of Jude 1 that will represent the evidentiary proofs of 2 Thessalonians 2:2. I believe there is a legitimate reality behind what's referred to as the Akashic Record, and it seems likely to me that what it represents will be tapped to produce what Walter's Betamax tapes suggest. I believe this great deception will involve a masquerading of the devils as angels of light, actors in roles that will utterly convince all but the very elect. I believe the portals being opened through ritual magick and scientific breakthroughs will be linked with ancient artifacts to bring forth a mighty witness. How convincing would it be to perceive streaming live events from the past, present and future, perhaps producing interactive holographic reproductions of the Apostles, maybe even in conjunction with tangible biological evidence?

Will it consist of the projection of a video record stored in ancient crystal skulls? Perhaps, I can't say I know. Will it result in the belief that aliens have seeded our planet and sponsored our development? Probably (The Enemy has sown tares in the Lord's harvest field and has intervened from Eden forward), but I don't believe that's all there is to what's coming. The Adversary's dramatic show will bring the focus of attention on a messianic pretender, one who is familiar but who is transformed when anointed, and who will be accepted.

Here's a collection of images from this same episode of Fringe, where a snow globe of NYC is examined and holographic images are projected. The snow globe alludes to a crystal ball for scrying. The projections, well, think about it. Working like NLP, this visual imagery supports the theme I described. Think hard about it and seek the Lord about what it means until you get confirmation.

I strongly suspect what's going to be brought forth will afford the witnesses an immersive experience, with evidence that may even be tangible. I believe it will be less individual than shared. When diviners are scrying, what is seen is a very local phenomenon. When diviners channel, this too is a personal experience, very localized. Astral projection is relatively localized as a personal experience and so is remote viewing, which is also done in teams of three. These are all typically practiced in relatively private and protected environments. What's coming will be more universal and global. Think V (the sci-fi series) and Anna's bliss.

Consider how that the spirit attending such a demonstration would work according to a powerful spell of pharmakeia, creating susceptibility, hypnotically, reducing resistance and bringing conviction. A case will be presented that will be undeniable and irresistible, yet the Lord's provision for a very few will be sufficient for them to counter it. This provision is what will provoke 144,000 sons of Israel to envy. (Romans 11) The timing of all this will be key, and those who do not need to be written to about it in that day will stand. 1 Thessalonians 5.

More hints of the tangible nature of the evidence appear in this snippet of dialogue, which is followed by the commentary from the Fringepedia page.

"DONALD/SEPTEMBER: “The tulip was important. I took it from the other timeline, and kept it. When we devised the plan to stop The Invasion, you didn't think we could succeed. You doubted yourself. I knew the tulip would give you strength, as it had before. It was your symbol of hope and absolution. It gave you the courage to push on. At that time, I needed to give you back the hope that we could win.” - September (to Walter, imparting the memory of an heirloom Walter deemed pivotal in the battle, yet neither man knowing where it is or how it will turn alter the tide of battle)

“Imparting the memory of an heirloom.” That's a very insightful comment! The concept of a people having a collective memory is not unusual. This was a key element in the alien world of Pandora in Avatar (2009), where the native Na'vi had their ancestral memories in the sacred Tree of Souls. Porting memories from such a place would cause people to respond accordingly, even if said memories were manufactured lies. I believe this is a fair description of what's coming from the father of lies as his champion is about to be installed. As a witness to such a thing, consider the following snippet of dialogue from Act 1 of this episode.

WALTER: I can't explain it, but... when the boy touched me, he showed me more than just images. It was freeing, Peter. All at once, I understood that everything I’ve ever known - - or thought I knew, as a great man - - could fit into a thimble. And that's not all he gave me. I remember things, things I haven't experienced. I think, from the other timeline, before you were erased, before the timeline was reset.
...
PETER: What is this boy? How could he do this for you - - enable you to see a life you didn't live?
WALTER: I'm not sure, but I feel it.
PETER: Do you remember the plan?
WALTER: No. No idea.
PETER: But that doesn't make any sense. Why would he give you back all of those memories, but not give you the plan?
WALTER: I don't know. Peter, before I met him, I didn't think it was possible to love you more, but now, knowing what we've been through, and everything we've had.

The kind of epiphany Walter experienced when Michael as the Beast and empath touched him is what I strongly suspect is coming; gnosis and illumination, an implanting of memories, a perception of heightened love, tangible. And, this is all still preliminary to the implementation of the mark of the Beast! What will be missing in this revelation impartation is suggested in the script: The plan. There will be a huge disconnect for these folks who will be dazzled, mesmorized, oblivious to the real plan. The claimed messiah will be a poser. The 144,000 sons of Israel will put it together and make the essential identification, accepting their true Mashiach with an assist from the Bride, who alone will be aware of the truth and resist the great lie.

8 Then that lawless one will be revealed whom the Lord will slay with the breath of His mouth and bring to an end by the appearance of His coming; 9 that is, the one whose coming is in accord with the activity of Satan, with all power and signs and false wonders, 10 and with all the deception of wickedness for those who perish, because they did not receive the love of the truth so as to be saved. 11 For this reason God will send upon them a deluding influence so that they will believe what is false, 12 in order that they all may be judged who did not believe the truth, but took pleasure in wickedness. ~ 2 Thessalonians 2:8-12

For a little more Fringe bean spilling, here's some of what's written about the episode, Letters Of Transit.

“Letters Of Transit is the nineteenth episode of the fourth season of FRINGE. It first aired on 20 April, 2012. The saga leaps ahead to 2036, where rogue agents from a marginalized Fringe Division recover most of the original Science Team after two decades encased in Amber. The Observers have most of the native population subjugated, oppressed and repressed as an inferior culture... but there is new hope.”

Preamble
“They came from the future. At first, they only watched. Arriving at key moments in human history. We called them 'OBSERVERS' But in 2015 they stopped watching... and seized control. Citizen uprisings proved bloody and futile. Those who survived became known as 'Natives'. In an attempt to show their allegiance, some Native factions became 'Loyalists' and were marked by the OBSERVERS. The original FRINGE TEAM fought the invasion, but was quickly defeated. FRINGE DIVISION was allowed to continue at a reduced capacity, but only to police the Natives. The resistance was quickly overcome ...or so they thought.”

There are simple plot devices in Fringe that twist and flip truth into lies. The show has the protagonists as good guys, but really, all the characters and their relationships seem to me to be leveraged to illustrate the enemy's plans. The presentation of the Observers as Invaders who intend destruction is true enough as they represent the Watchers who fell, as according to the testimony of Enoch. This is made very plain from the NLP in the preamble. These fallen angels are not from the future but from heaven, and not as agents of good.

“But in 2015 they stopped watching... and seized control.” Did you get that? It's more than just sci-fi with a made-up date.

As genetically sourced from humans, this aspect of the Observers pictures the hybrid offspring of the Watchers, Nephilim, perhaps also describing what are biblically called tares, those sown by the Enemy. Those who oppose the Observers do not really represent the truly good guys. It's a good cop, bad cop dynamic used to manipulate the viewer because they are secretly in league together, as part of a grand conspiracy operating according to the spirit of antichrist and powered by the ancient dragon.

When a scenario plays out in 2015 that smacks of Observers from the future who assume control over the world's population, many will identify them as the ancient gods, returned. “Natives” or Adam-kind will be subjected, and genetically hijacked or exterminated. Fringe is far from the only witness to the unfolding of the book of Revelation. Even those who have never watched TV or movies have been embedded with the imagery of the lies, but the image of the Creator remains in us. I know something about how this will end. I've read the book and understand some of it, even by revelation insight.

There is more to be gleaned from this episode, but that's all for this post.

Part 106 - The Sodomite Gateway - Balls and Hearts, Da Vinci's Demons, Nike's MOJO and More

Caveat: If you're a victim of ritual abuse who is still being delivered or you're easily offended by mature subjects and descriptive language, please move on. If you're new to this series, welcome! You may want to start at the beginning to get the foundation for what's here. Series Links: The Sodomite Gateway

I was watching a new show called “da Vinci's Demons” on the STARZ (fallen angels) network the other day and this unusual scene caught my attention. Can you identify the sodomy signaling? I'll explain it at the end of this post.

This picture appeared in this BBC article titled The shifting politics of same-sex marriage in Australia. Obviously, the decorated bus is a celebration of homosexuality, and they do know and love their symbols. The rainbow flag is their most obvious symbol, and someone has not only placed a heart-butt on it, they've added the subtle feature at the bottom to create a 33. The rainbow is always more than just saying, “gay.” Search this blog for rainbow Bifröst gateway flood. The guy in the top hat know's that anal signal. Do you think he's a top or a bottom? Hey, what's that umbrella doing up there? Oh, yeah.

It's orange and features a giant phallic arrow filled with little hearts and such that points down as from out of the heavens. and an open heart. “Team Up. Pressure Down.” Matchmaking for sodomites? No, it's part of a promotion for a health drive. Million Hearts. The heart is an M, a Masonic butt? M=13, so they're looking for a million little target butts for the sodomizing Beast.

Sometimes I see these children's services logos and wonder how they can possibly get away with the blatant sexual imagery? It always reminds me how blind I was, not that long ago, and what a spell of cover there is over the sorcerer's symbols. The logo for Adoptions from the Heart is brilliant, so simple and innocent looking.

The purple flags it for potential as a sodomy signal straight away, and it's easily confirmed as such by the heart shape. The little boy is bent over, which the pedophile sodomites would enjoy, but not so much as seeing a head emerging from or perhaps entering the symbolic anus. Just in case we missed that symbol, the two girls are layering it for us by forming a Royal Arch. They wear bows in their hair, telling us that sodomy is the binding tie.

There's another perspective on this where the heart is the female genitalia, which is perhaps equally offensive. Often, folks choose to adopt because they are unable to bear their own offspring, so it seems cruel to rub it in with their logo when that's usually a very sensitive subject for their clients. The girls are forming the vaginal opening inside the heart vulva. Look, it's a baby boy, crowning, about to be born! Adoptions From the Heart. Yeah, we know where babies come from. Thanks for that.

I know this rude business was intended because the registered trademark is used as a proper Occult signal of the eye of Horus, forming the darkened left eye of Harmerty, Horus “who rules with two eyes.” The eye of Horus it matches to has the boy's head as a pupil. The girls' arch frames the top of the eye. When you identify that eye, you can see the girl's arms as suggesting the top of the triangle that is the triangle eye of Horus. I already pointed out how that was a signal anus, and there it is, confirmed as the anal triangle eye of Horus. I see Harmerty echoed in the girl's hair, with their heads as eyes the left one (on our right) is properly darkened.

Yet another Illuminati front organization, perhaps?

Then, there's this. Nike is just pushing buttons here, going way over the top obvious to mock the “conspiracy theorists.” There's no subtracting anything for making this one so in-your-face, except they do forfeit the greater power inherent in the subtle. Yet, there is also a subtle layering. This MOJO package labeling is more than shouting Illuminati, the obvious triangle eye shouts ritual sodomy enlightenment. This triangle is an equilateral, with inside angles of 60 degrees each. You can account that as an implicit signaling of 666. The orange color adds to that message, and the three white balls that say “third eye” take it even further. I do believe those are olive branches down under the serpentine banner, which curves around to encircle the triangle. Subtle, and powerful! All those orange stars, including the 4 in the corners signal homosexual fallen angels. Nike is a Greek goddess, of course, and a fallen angel, I believe. She is Victory, the charioteer of Zeus. The top golf ball sits inside the pyramid capstone to present a circle inside a triangle, an important set of the alchemical sodomy signal that is also referencing the Triangle of Solomon.

The Triangle of Solomon is used by some witches, who typically place the blood of a sacrifice on the corners. See the orange on the corners here? When invoked, the demons appear within it just as you see represented here by the logo-sigil of Nike!

Given the subtle layering and the correct appearance of the Triangle of Solomon, I believe the ritual magick and Occult signaling includes the number 24. It seems to be part of the sun rise suggested by the rays at the bottom, a symbol of the dawn of the sun god. He will dawn in the guise of the Beast in the 24th year from the celestial sign of 1991, with major MOJO, and to some, that's no secret! Just like X can substitute for 24, 24 can for X. That's the simple Christ and sun god mark. That's not my Lord but a counterfeit, the pretender honored by Christmas and Xmas.

Were you able to decode the screenshot from da Vinci's Demons? The drooping chains outline the buttocks of the sodomite “catcher.” The columns are the “pitcher's” phallus flanked by what are his balls, of course. Clever. Evil! Do you suppose all that masonry means anything? Yeah, me too.