Amarucan Eagle as Feathered Serpent, Hoover Dam and the Mayan Lord Pakal Ahau

As an adjunct to Part 49 of the Rango series, I must give the Hoover Dam some more ink because there's more for us to glean. Some items of note come from the two sites I had linked for recommended resources. First up, a comment left on the blog: Lord Pakal Ahau's Maya Diaries, a response from the site admin to a simple complement.

i200908 says: Wow, very nice. thank you!

The Pakalian Group of Mexico Says: You’re welcome! If you have the chance to visit Hoover Dam in 2012 do it…someone very dear to us will be transforming himself into a protogod at that place full of memories and imprints. Empower your tuning. Thanks for visiting our blog.
Pakalian Group of Mexico

2012: Oskar Hansen’s Precession Design of Mayan Star Map – Hoover Dam Part I

Empower your tuning? That's interesting. Remember, this is where the “winged figures of the Republic” that I've been calling tuning fork angels (acoustic antennas) are found.

Although it's a little ambiguous, a little research turns up that the one called Lord Pakal Ahau is the “someone very dear to us” who is believed to “be transforming himself into a protogod at that place full of memories and imprints,” which is the Hoover Dam. I was told by a journalist that nightly rituals are being held there, which may be related to the expectations of a forthcoming protogod transformation “at that place full of memories and imprints.” While that's rather ominous, of itself, there's more here that's of significant interest!

The following quote is found in the first paragraph of that blog post where the comments were found. “As we promised, this research paper has been long overdue since our Director, Lord Pakal Ahau, published his brief notes in Geoff Stray’s Dire Gnosis website and the 2012 Theories forum. It was April 7, 2001 when Lord Pakal Ahau visited Hoover Dam the first time for plain curiosity.”

I remember what I was doing that day, not because I've got a great capacity to recall every day of my life, but because that was a very special day! As I reported a couple days ago in A Watchman's Report - The Timeline, I was watching for the lawless one to be revealed in 2001, while “Lord” Pakal Ahau was visiting Hoover Dam! If you followed the url I offered to the archive site you would have seen a news entry for April 7. That was when the sign for the Bride was foreshadowed, an instance repeated exactly seven years later in a more amplified fashion. While I don't interpret this as a sign “Lord” Pakal Ahau will soon be revealed as the very lawless one, it's well worth noting this observation.

The Hoover Dam is a monument of gigantic scale and a devoted place of ritual worship of the ancient gods. “The most ancient of earth’s temples and monuments were built to bring about the resurrection of the destroyed world of the gods.” (Edfu temple texts, Egypt) I must add to that how that many modern constructions follow suit.

If you've been listening to what Tom Horn and Steve Quayle have been saying, and I recommend you do, you should find the content on this blog I'm referencing somewhat familiar.

From: Who is Lord Pakal Ahau of Palenque?

“He was born on August 22, 1952 (Maya Calendar 12.16.18.14.2 1 Ik 5 Yaxk’in) under the constellation of Leo (Regulus Star) at the same time French-born archaeologist Dr. Ruz L’huillier entered to the mysterious sarcophagus of King Hanab Pakal and moved the Reincarnation Lid to unveil King Pakal’s mummy, fulfilling the Ancient Mayan Prophecy of the Temple of the Inscriptions since its final construction in 683 CE, that the last Solar Child of Palenque would be born to seal the Gate of the Stone Time in 2012 in a world of believers and non-believers.”

“It is said in the 2012 Prophecy that he will enter to the Underworld Kingdom of Xibalba with the rest of mankind during the Cosmic Alignment of 2012. This prophecy has also been documented in the Popol Vuh, the Books of Chilam Balam and other Mayan Chronicles of 1800. (Mythology of Palenque, Temple XIV Tablet and West Panel Temple of Inscriptions).”

There is an important post in the queue, several actually, addressing time, time seals and gates. Lord willing, these will be forthcoming.

From this post on the site comes an ominous declaration. 2012: CDC Zombie Apocalypse – Emergency Preparedness Warning “NOTES FROM THE EDITOR: Here’s an interesting quote that Lord Pakal Ahau made on August 12, 2010 for this blog. He said, “I worship the divine light that comes from the shadows. When the demons arrive in 2012 those alive would be better off dead.” What does he know about this zombie apocalypse that we don’t know yet? I think his Mayan vision is scary!”

I recommend you actually visit the blog, where you'll find another post with a poster image modified by “Lord” Pakal Ahau that declares, “In 2012 No One Will Hear You Scream.” His latest declares boldly, “You Shall See Darkness. ”Hints like this are dropped all over the blog. What is intended is more than the transformation of a man into a protogod, it's something resembling a zombie apocalypse, and further suggested as possibly extraterrestrial in nature.

If there is something to that, at least the appropriate official agency of the government responsible for the Hoover Dam monument and temple (and AllSpark/Alcyoneus hypercube?) will be able to claim that we were sufficiently warned in advance. CDC Blog - Preparedness 101: Zombie Apocalypse

I'm not making light of this. This seems to be on some level what the Great Seal and other emblems of this nation have been concealing and revealing. Tom Horn has been writing and speaking about many of these things for years. Apollyon Rising 2012 and PETRUS ROMANUS (Pt 16) are recommended reads. The symbols and centers for occult ritual aren't only in Washington DC and the Vatican. Steve Quayle and others have been popularizing the notion of a zombie apocalypse, based upon the testimony of many diverse people over many years. I've observed validating evidence in many symbols embedded in our culture, the subjects of this blog for two years, going on three.

I'll explain more in future posts, Lord willing, but I doubt that a black awakening (Russ Dizdar) and a flood/counterflood event resembling a zombie apocalypse is coming before 2014. Then, however, yes indeed, I do expect an event bringing that kind of trouble. There's a lot here to consider and it takes some time and effort to collate, assess and publish what the Lord is bringing forth. If you think there's something here to be concerned about, seek the Lord and devote yourself to obedience with the focus of a runner who's not starting a marathon.



I want to comment on the secret identity of the national eagle featured at the Hoover Dam in the dedication area, a central figure of our Federal branding. The way of occult symbols is that, ultimately, most are interpreted simply at their basic level. I believe this eagle represents Satan himself and his incarnation in the Beast. He is the feathered serpent and sun god, known by many names. The many layers of interpretation assigned to eagles serves to confuse and obfuscate, to conceal the most valuable truth. Those truths really do need to be hidden because decent and common folk just wouldn't abide with plans of the symbol makers if what their symbols really meant was understood. So it is with the American Eagle. Some say it's really a phoenix. I'll accept that, but I believe there's yet another level that's closely related and it's not that hard to figure out.

An interesting report has recently come to my attention about the derivation of the name America. This identifies North, South (and Central) America as Amaruca, the land of the plumed or feathered serpent.

“These Children of the Sun adore the Plumèd Serpent, who is the messenger of the Sun. He was the God Quetzalcoatl in Mexico, Gucumatz in Quiché; and in Peru he was called Amaru. From the latter name comes our word America. Amaruca is, literally translated, ‘Land of the Plumèd Serpent.’ The priests of this God of Peace[that Plumèd Serpent or flying dragon], from their chief centre in the Cordilleras, once ruled both Americas. All the Red men who have remained true to the ancient religion are still under their sway. One of their strong centres was in Guatemala, and of their Order was the author of the book called Popol Vuh. In the Quiché tongue Gucumatz is the exact equivalent of Quetzalcoatl in the Nahuatl language; quetzal, the bird of Paradise; coatl, serpent--'the Serpent veiled in plumes of the paradise-bird'!" ”

Manly P Hall, The Secret Teachings of All Ages, 602.

The way I see it, the Amaruca Eagle is known as Q'uq'umatz and Tohil among the K'iche' Maya. It's the ancient feathered serpent, the biblical dragon and his incarnation.

If you would like to argue that neither we nor our founding fathers were children of the sun, anyone familiar with the sun cult at the Vatican and their Jesuit settlers (and the complicit daughters of Babylon), the obelisk and dome/womb in our national capital, the great seal, etc, etc, etc..... would present some pretty solid evidence that we are just such a nation that has long been dominated by the children of the sun. We simply haven't admitted it. The eagle is the bird associated with Zeus. Didn't our POTUS celebrate his nomination in a model of the Altar of Zeus? Doesn't he still brand himself with a sun wheel, that ancient and enduring emblem of the worshipers of the sun god? That would be, yes, and yes.

At the Hoover Dam, the star Alcyone is identified as central to whatever it is that's really going on there. Is the Alcyoneus identity another alias for the Amarucan Eagle pictured?

Let's give what the designer, Oskar Hansen, had to say about the design elements some further consideration.

“The building of Hoover Dam belongs to the sagas of the daring. The winged bronzes which guard the flag, therefore, wear the look of eagles. To them also was given the vital upward thrust of an aspirational gesture; to symbolize the readiness for defense of our institutions and keeping of our spiritual eagles ever ready to be on the wing.”

Hoover Dam History - Artwork

The upward thrust of an aspirational gesture. Is that, like, raising the dead or ascending through a portal? What kind of institutions need to be defended there? The tuning fork angels wear the look of eagles. There are spiritual eagles that are ready to be on the wing. There's a huge eagle with a shield and arrows right before them, apparently ready to be on the wing. Armed for battle, even. The Mayan “Lord” Pakal Ahau has a banner image on his blog that pictures a man wearing a metal helmet, displaying also his motto, “The Sun is my strength and my shield forever.” Interpreting what I see he's got people who already worship him, as even a warrior who expects to become a protogod in another 8 months, with a raising of the dead and reigning terror in something resembling a zombie apocalypse. Plus, he's basically in parallel with our federal government.

Ominous. Very ominous.

Part 49 - Rango - Hoover Dam, Alcyoneus and the Hypercube Tuning Fork Angels

In Black Canyon, spanning the border of Nevada and Arizona, sits the enigmatic Hoover Dam. I drove over it once, during a kind of surreal excursion back around 1998. It may be that there's a hypercube containment cell associated with the Dam. It's not Rango material in a most direct sense but it does fit closely enough in the thread for me to want to include it in the series.

If you want some pretty good reference links, I recommend reading these: Hoover Dam History - Artwork and 2012: Oskar Hansen’s Precession Design of Mayan Star Map – Hoover Dam Part I and Part II

As noted in the previous post, the dialogue from Transformers (2007) identifies the AllSpark cosmic cube as having been hidden inside the Dam in 1935. I asked if there might something special going on in the vicinity of Hoover Dam and Lake Mead that relates the Transformers cube and stated that some features of the Dam suggest there is. What I like to refer to as “tuning fork angels” in the Dam's dedication area, plus a few other intriguing elements are features that compare to ancient monuments and “sacred sites” elsewhere. These appear to bear witness to Nephilim that may be buried and bound nearby in a hyperdimensional containment system. Let's pick up that thread I started with the Transformers dialog.

“Tom Banachek: The First Seven came upon the Cube. We knew it was extraterrestrial because the symbols on its surface matched those on NBE-1. The Dam was built around it in 1935 to mask its signal. Four walls of concrete, as thick as four football fields, enable the Cube to avoid being detected by any humans, or any aliens from outside... ”

Transformers (2007) - IMDB

The AllSpark falling to earth alludes to Revelation 9 (which is referenced also in Rango, Part 22).

1 Then the fifth angel sounded, and I saw a star from heaven which had fallen to the earth; and the key of the bottomless pit was given to him. 2 He opened the bottomless pit, and smoke went up out of the pit, like the smoke of a great furnace; and the sun and the air were darkened by the smoke of the pit. 3 Then out of the smoke came locusts upon the earth, and power was given them, as the scorpions of the earth have power.

Revelation 9:1-3

I'm not saying the AllSpark refers to that very star from heaven (an angel) and that it's dimensionally bound inside the structure of that Dam. I'm not saying it's not, either, but let's keep our eyes open and attend to what the Lord may reveal. There's plenty more to consider. The place is Dammed and it may well be damned.

The Greek words for “bottomless pit” are abyssos phrear. Abyssos also means “unbounded.” A well, cistern or pit can only be bottomless or unbounded if you allow for a higher dimension into which a space opens. In the language of geometry, the most basic of such constructs is the hypercube. The place of the locusts is located beyond our familiar 3-space plus time.

You may recall how the presence of buried Nephilim was signaled in other scenes in Rango, in connection with adobe cliff dwellings during zombie apocalypse scenes (Parts 28, 29). Back in Part 44, I wrote: “The technological bridging construct through which the ancient gods are reintroduced into our domain seems to have two primary facets. One is the means of reentry for those bound in the earth at the time of the flood of Noah's day, who received a sentence for a set season, seventy generations, and whose containment involves an implicit time lock.”

11) And the Lord said to Michael: “Go, inform Semyaza, and the others with him, who have associated with the women to corrupt themselves with them in all their uncleanness.
12) When all their sons kill each other, and when they see the destruction of their loved ones, bind them for seventy generations, under the hills of the earth, until the day of their judgment and of their consummation, until the judgment, which is for all eternity, is accomplished.

1 Enoch 10:11-12

I see evidence that suggests a global network of hypercubes that are containment cells, within or by means of which the agents held responsible for the flood of Noah's day are bound. The time lock mechanism was set for release after the passing of 70 generations. Although it's not the only witness to this, allusion does appear to be made by the movie Cube 2: Hypercube, with its imprisoning cube's duration set for 6:06:59.

Aaron Hermann and I see pretty convincing evidence that the Adversary is bent upon springing the time lock on this containment grid for an early release, and we believe he's going to be granted success. At this development, the sovereign Lord will neither be surprised nor unprepared. The means of jailbreak will come via a combination of magick ritual (sex, blood, torture, animal and human sacrifice, chimeric merging of species) and the exploitation of physics, most particularly involving phased and tuned non-EM and EMR wave energy. I believe what's being sought through CERN's LHC project is to the end of engaging this army according to Revelation 19:19.

In light of that potential, the government branding appended to the monument is rather ominous. Department of the Interior - Bureau of Reclamation. Are they all about reclaiming something from the interior? The occult pyramid/inverted pyramid Hermetic Maxim logo suggests they are. The Venetian blinds effect signals the requisite obfuscation of intent, as the controlled filtering of light. There's a concealed letter "M" signaling the Beast number 13 and the pyramid inside the elliptical eye of Horus, inverting the familiar Federal eye inside the pyramid cap.

The Lord has been granting insight into these things I'm expressing recently and I'm not the only one learning and bearing witness. I've just started reading The Cosmic Chess Match by L. A. Marzulli. In it, I'm finding what you may consider as another witness to what the Lord has been showing me. He writes in “Chapter 5: Nimrod & the Tower of Babel” about the builders (page 37): “I believe that these people were engaged in occult activities in order to open the portals so that the fallen ones could come back on the earth.” What I've been writing in the last few posts suggests this may have been among their ways and means.



The feature of the Dam that first grabbed my attention was the winged guardians. These link the Dam to the many ancient “sacred sites,” temples and monuments where giant and sometimes chimeric guardians are found. I'll share how the the Lord directed my attention to these angelic figures, which is relevant, but first I want to present some excerpts from Tom Horn's studies. Note how doorways were guarded with figures that were the subject of magick ritual, even winged figures. Note how a box called the kiste was used in connection with binding magick, which is perhaps an emblem of the hypercube.

“To close the doorway to evil spirits in Babylon and Assyria, colossal enchanted creatures built under elaborate ceremonies and blessed by names of good omens flanked the palace entries and towering gates of cities while extra precaution was provided through winged figures holding magic devices cleverly concealed beneath the entryway floors. It was also important in ancient times to defend ones personal property and private residence against fiendish undesirables, therefore apotropaic (an adjective meaning "to ward off evil") devices were placed in home doorways, windows, fireplaces and chimneys, while charms, bracelets, and talismans were worn upon the body to protect the individual themselves.”

“The Hebrew prophet Ezekiel made an interesting statement about such "magic bracelets" (kesatot), which were worn upon the body and somehow bound spirits. We read, "Wherefore thus saith the Lord God; Behold I am against your pillows [kesatot, "magic bands"] wherewith ye there hunt the souls to make them fly, and I will tear them from your arms and will let the souls go, even the souls that ye hunt to make them fly" (Ezekiel 13:20). The kesatot was a magic arm band used in connection with a container called the kiste. Wherever the kiste is inscribed on sarcophagi, it is depicted as a vessel with a snake peering through an open lid. How the magic worked and in what way a spirit was bound or loosed is a mystery, but a noteworthy verification of the magical properties represented by these utilities is discussed in the scholarly work Scripture and Other Artifacts by Phillip King and Michael David:”

“In the closing verses of Ezekiel 13 the prophet turns his attention to magic practices whose details remain obscure. Two key terms are kesatot and mispabot…The kesatot are "sewn" on the arms, while the mispabot are made "on the head of every height" (?), which has been understood to mean "on the heads of persons of every height"…”

FORBIDDEN GATES - PART 4

In the following, Tom had been following the above very closely, and he elaborates.

“The text in Ezekiel is believed to specifically refer to Dionysian or Bacchanalian magic, which is important in the context of this blog series when combined with a related two-part "binding" and "loosing" question from God in Job 38:31: "Canst thou bind the sweet influences of Pleiades, or loose the bands of Orion?" The first part of God’s challenge to Job here involves the star cluster Pleiades, which in mythology represented the Seven Sisters or teachers of the infant Dionysus, the very priestesses of whom used the kesatot and kiste to magically "bind" those souls that Ezekiel said God would "loose." The second part of God’s proposition to Job is equally meaningful, "Can you… loose the bands of Orion?" Studies in recent years have made intriguing findings that suggest the Giza Plateau—which according to Zahi Hawass (current Secretary General of Egypt’s Supreme Council of Antiquities), was known to ancient Egyptians as the "House of Osiris, Lord of the Underground Tunnels"—was designed to reflect the constellation Orion. The three pyramids of Giza do appear to be laid out in a pattern reflecting the three stars of Orion, which is none other than the heavenly representation of Osiris.”

READ IT BEFORE IT'S BANNED BY THE US GOVERNMENT - PART 19

While many assign belief in magical guardians and supernatural bindings to the merely superstitious, a reading of Ezekiel 13:17-23 confronts Bible believers with convincing testimony that magical binding of spirit is real and that it involves rituals and physical elements in our 3-space plus time. Hoover Dam compares to ancient sites, with winged guardians and even reference to the Pleiades in a detailed star map!

I was led to discover the winged figures at the Dam during some directed research into the role of acoustics in dimensional boundary manipulation. When I first laid eyes on these figures I immediately identified them as “tuning fork angels.” These 30 foot high “Winged Figures of the Republic” were each cast in bronze in a continuous molten stream, not unlike how bells are cast. The 142-foot flagpole between them resembles an antenna, relative to the tuning fork angels. It calls to mind a Theremin (Thanks David C), a musical instrument with an antenna that works on electomagnetic wave principles, varying frequency and amplitude using proximity sensors that detect the player's hands. I'll expand on the role of these elements shortly. These three elements may be considered as antennas for broadcasting or receiving.

The ongoing TV series Fringe plays heavily on the use of technology to bridge dimensions. The image you see here shows a demonstration that was set up to illustrate the principle being used to open the portals through which objects and beings were passing into our universe. Three tuning forks were used to resonate a region containing the migrating object. I see the Winged Figures of the Republic as tuning forks.

The tuning fork angels are seated upon black stones that exhibit the style of cubism. These cubes are angel thrones of black stone. The Dam itself is in Black Canyon. A canyon is defined as a narrow chasm with steep cliff walls, cut into the earth by running water. The walls are stone. Black Canyon; a Black Stone Chasm through which water flows in a control gated mechanism. There can be no dispute that there is an enormous amount of energy represented at that location, which must be considered a power node. File this away, as I still intend to feature the meaning of the rising black stones in the scene where Rango falls to earth, Lord willing!

The Dam's dedication area features a star map, which you can read about here, 2012: Oskar Hansen’s Precession Design of Mayan Star Map – Hoover Dam Part II. Like many ancient sites, and those not so ancient magickal sites as may be found scattered across the globe, there's a reason why the Dam is where it is and why the terrestrially anchored elements are aligned, linked and thus bound to the celestial lights. The terrestrial and celestial grids are bound together in time. It's in the record of Genesis, the subject of the 4th day of creation. Biblical astronomy derives from this reality and the occult arts of astrology have exploited and continue to exploit and will further exploit the reality of this grid to grid link.

You see in this image of a star map at the Dam, the prominent name, Alcyone. Alcyone is the name of a star in the Pleiades, referenced above in Job 38 in the context of binding. The star is a metaphor for an angel, and there is a legendary giant named Alcyoneus, a star child, hybrid angel human, Nephilim. Legend has it he was created to destroy the gods. Is Alcyone, the named star of the star map at the Dam, indicating that Alcyoneus is the subject of magickal binding at the facility?

At Theoi.com, it is suggested that Alcyoneus “may be the same as Eurymedon, the king of the Gigantes mentioned in the Odyssey.” Earlier in this post I wrote that the AllSpark falling to earth in Transformers alludes to Revelation 9, where we learn a star that fell to earth was given the key to the bottomless pit. This star was later in that chapter identified as Apollyon or Abaddon.

They have as king over them, the angel of the abyss; his name in Hebrew is Abaddon, and in the Greek he has the name Apollyon.

Revelation 9:11

Perhaps Alcyone is that star and Alcyoneus is that angel, alias Apollo and Horus.

If the name Alcyoneus seems familiar it may be through the popular work of fiction titled Longwalkers by Steve Quayle and Duncan Long. Steve says many of the elements of the book are factual, based upon what he's learned from research over many years. They present this Nephilim giant in the same way Revelation 9:11 speaks of the angel of the abyss, as the king over the Nephilim. In the book, Alcyoneus was found and released from binding in what is now Turkey inside Nemrut Dagi, Mount Nimrod, the Throne of the Gods. That place is considered by many to be the burial place of Antiochus Epiphanes, desecrator of Jerusalem's Temple, who forced worship of Zeus and remains to this day one of the most widely recognized types of Antichrist.

The Grand Canyon, located not that far from Hoover Dam is another area identified in Longwalkers as a holding facility for Nephilim.

Whether there is a Nephilim king named Alcyoneus and whether he might be inside either Hoover Dam or Mount Nimrod, we shall see.

While there's plenty I don't know, the following items highlight the Black Canyon gateway work as a place of notable interest.

The design of Hoover Dam resembles that of the Altar of Zeus, which is famously referenced in Revelation 2:13 as “Satan's seat” and “where Satan dwelleth.” The Dam compares to other models like the Zeppelintribüne, built for Nazi rallies in Nuremberg, the stage set for Obama's 2008 presidential nomination in Denver, CO and Cecil Rhodes' Memorial on Devil's Peak, Cape Town, SA. The Dam is very thick at the base, so that volume compares to the quad inside the Altar of Zeus.

From observers at the Dam, the new bypass “rainbow bridge” forms a bow in the clouds, like the contents of Rango's umbrella drink as he “traveled the Bifröst,” falling to earth.

The eagle spread before the acoustic array features a cloud bow, through which portal the starry heavens appear. The identity of the eagle may be Alcyoneus and company, suggested perhaps by Oskar Hansen's explanation of the winged figures.

“The building of Hoover Dam belongs to the sagas of the daring. The winged bronzes which guard the flag, therefore, wear the look of eagles. To them also was given the vital upward thrust of an aspirational gesture; to symbolize the readiness for defense of our institutions and keeping of our spiritual eagles ever ready to be on the wing.”

Hoover Dam History - Artwork

“There were 112 deaths associated with the construction of the dam. Included in that total was J. G. Tierney, a surveyor who drowned on December 20, 1922, while looking for an ideal spot for the dam. He is generally counted as the first man to die in the construction of Hoover Dam. His son, Patrick W. Tierney, was the last man to die working on the dam's construction, 13 years to the day later.”

Hoover Dam - Wikipedia - Construction Deaths

Who is sovereign over such things as life and death? My God is. The first and last men claimed to die in the project were father and son, sharing the most basic DNA connection and linked in life and death. The time span of exactly 13 years to the day stamps the Black Canyon work with the number 13, which is the number most strongly identified with the Beast and related times of revealing. See The Number Thirteen (The Sign for the Bride - Part 3) where I provide documentation of this feature, where the extent to which this point can be made is almost stunning.

The number also means, “rebellion,” and “Lord.” The sign derives the time signal of 13 from two men named Tierney. The meaning of 'Tierney' is “Lord, Master.” That's the meaning of Ba'al. On one hand, this sign testifies to me that the sovereign Lord God oversees this work and every aspect of it. On another hand, it speaks of the times of revealing (Marian/Isis apparitions) and the Beast, and Ba'al - and Alcyoneus? The worship of a Ba'al is to the demon god of a locale, a region, a principality. At the Dam, would this be Alcyoneus?

Compare AllSpark ~ Alcyoneus

Is the Hoover Dam built around the “AllSpark” Alcyoneus?

According to the line from Transformers: “The Dam was built around it in 1935 to mask its signal.”

1935: 1+9+3+5 = 18 = 6+6+6

Is this reference to the building of the Dam around the cube in 1935 an instance of signaling the cube number 6*6*6, comparing to what I've presented about the movies Pi and Cube 2? I think so! Those reference a cubic name key, possibly to abyssos phrear, the bottomless pit of Revelation 9, which may be for the release of those bound in the earth adjacent to our time and space.

It was in 1935 that J. Edgar Hoover started the FBI. Although the controversial naming of Hoover Dam officially involves the 31st president, Herbert Hoover, I'm not the only one to think rather that this was a tribute to the esoteric and famous Freemason and homosexual J. Edgar Hoover. The Dam was a Masonic work of massive scale. It was in 1935 that the Great Seal was incorporated into the design of the Federal Reserve's one dollar bill under Freemasons FDR and Henry Wallace (with associate Nicholas Roerich), an act that has had an enormous impact upon the world.

I was just told by a journalist that there are Satanic rituals performed there nightly, at 3:30 am, and that the place is called the Womb.

The man responsible to design and build something fitting for the dedication area obviously knew things. He had been changed by a near-death experience. He was commissioned by the Masonic government for the monumental work.

Oskar J. W. Hansen was a very unique and special man. Besides his military service in the US where he rose from a Private to Major of the US Army, he was esoteric, almost dealing with the occult, but very spiritual and his ‘near-death experience’ changed his philosophy of life.

From one of his speeches in 1928 that reminds me of the Maya language development, he expressed, “Man has always sought to express and preserve the magnitude of his exploits in symbols. The written words are symbols arranged so as to preserve in objectified form the thought of man and to record his variant states, both mental and physical. All other arts are similar as to their symbolic significance. They take their place among the category of human endeavor simply as the interpreter of life to itself. They serve as an outer object typifying the inner process. They form the connecting link between the spiritual and the material world. They are the shadows cast by the realities of the soul.”

2012: Oskar Hansen’s Precession Design of Mayan Star Map – Hoover Dam Part II

If you read the links I posted for reference at the beginning of this post, which I strongly recommend, you'll have a better sense of the esoteric language Oskar employed to describe this work.

There has been lots of documented seismic activity at the site and substantial controversy over the integrity of the public record. The page here Are Earthquake Swarms At Hoover Dam Being Covered Up? Startling Evidence! was copied from the apparent original article here, http://pprnnews.com/2011/10/14/why-lake-mead-earthquakes-should-give-you-nightmares/, which had pictures but is no longer available. Note, at the bottom of this one, the reason for deleting some of the seismic events is given as being that those were attributed to magma movement instead of earthquakes. What truth there is to any of that, I have no clue. What is actually happening inside the earth at this location will be known, as all things hidden will be known at some point in the future, according to the Lord's faithful promise.

Some claim the new $50 bill pictures water spilling over the Hoover Dam when folded a certain way, an ominous portent when considering the Twin Towers and Pentagon events of 9/11 pictured on the folded $20.

From the Lake Mead side of the Dam you not only see the rainbow bridge, you also see an 11 / 11 presented in the towers, numbers that testify of division, the cutting of the flesh and judgment.

In closing this lengthy post I want to present some excerpts from an interview I feel should be taken seriously, with the Lord's own “insight filter.”

“This self-proclaimed illuminati Insider appeared on the "Above Top Secret" forum in October 2008, giving away information about the Illuminati Agenda and their goals. The reason for this, he says, is because time is right for us to know some of what is going on behind the scenes. And when he explains WHY he needs to reveal it now, it's very convincing. In this article I will post the dialogue between the "Above Top Secret Forum" members and "Hidden Hand" in its entirety.”

...

“The Maya use an astrological cycle called the "Precession of the Equinoxes". This is a 26,000 year cycle in which Earth transits through each of the 12 signs of the zodiac for about 2,152 years each. Each of these astrological ages represents one month of the grand Cosmic Year. This "Mayan" cycle also corresponds to a 26,000 year relationship of the Sun (Solar Logos) orbiting Alcyone, the central star of our Seven Sisters Pleiades constellation.”

“The End of this Cycle, heralds literally, a New World Age, and a New Creation. "A new Heaven, and a new Earth", and is the time of the Great Harvest.”

...

“ATS: You mention Alcyone ... it's interesting there's a celestial map of it at Hoover Dam. There's also a compass, framed by signs of the zodiac.”

“HH: Indeed. Just like in Hollywood productions. We hide the Truth right out in the wide open. What humanity is offered as "Science Fiction", more often than not, is actually Science Fact.”

“ATS: What do the winged statues, commissioned by the U.S govt, guarding the entrance at the dam really represent? Is any of this collection of celestial symbolism found there connected to your luciferian/alien/equinox/transformation agenda?”

HH: That is actually very simple. You'll note that the feet point directly downward to the earth, and the hands and wingtips point directly up to the sky. The Life-Force Energy flows into the human mind/body/soul complex from the earth up through the feet. The Intelligent Energy from the Infinite Creator flows down from above and in through the crown chakra. The wings represent our (Lucifer's) inherent Divinity. You'll also note that the figure is seated. "The seat of our (Lucifer's) Power connects Heaven and Earth, and all things must pass through us".”

Dialogue Between Above Top Secret[ATS] and "HIDDEN HAND," Self-proclaimed Illuminati Insider

Rango's ice cube in the umbrella drink. Hoover Dam. Hmmmmmm. Lots to think about.

Series Links: Rango

From July 2011

Like The Iron Giant, this animated feature presents us with a stunning array of imagery that significantly advances the kingdom of antichrist. This movie that is widely acknowledged as “not really for children” weaves themes like triple helix DNA transformation and Nephilim resurrection artfully throughout it's comical and highly entertaining engagement. Entertaining, unless you happen to be a typical child, which in that case will be more than mildly traumatic.

That trauma may be seen as an intended feature because one of the themes featured is SRA, Satanic Ritual Abuse, aka Monarch programming or MK-ULTRA. Chosen ones and their handlers and relationships are presented in many vignettes, even woven in as layered upon biblical events from the past, present and even future. It's evil genius at work on a very high level!

Praise the Lord for exposing this incredible stealth weapon forged in secret against us, so we may not remain ignorant of Satan's devices!

• Part 1 - Rango - The Ancient Quest for Eye of Horus Enlightenment - and Blind Wink
• Part 2 - Rango - The Grail Quest and Horus Eye Illumination
• Part 3 - Rango - Mayor John as Satan in his Sanctuary
• Part 4 - Rango - In the Beginning was ... Rango?
• Part 5 - Rango - A Choreographed DNA Transformation!
• Part 6 - Rango - Triple Helix DNA Transformation!
• Part 7 - Rango - The Return of Quetzalcoatl and the Cherry Pop(ping) Plan
• Part 8 - Rango - Severing the Umbilical Cord
• Part 9 - Rango - What Hell Raised Up, Blending Species and Cannibalism
• Part 10 - Rango - MK-ULTRA / Monarch Mind Control, SRA/DID Multiples and Trauma-based Programming
• Part 11 - Rango - Trauma-based Mind Control, Remote Viewing and Psychoactive Drugs
• Part 12 - Rango - Mind-Control supports the Horus Scheme
• Part 13 - Rango - Rattlesnake Jake as Dr. Josef Mengele
• Part 14 - Rango - Beans as a SRA/DID multiple
• Part 15 - Rango - Activation of the Mind-Controlled Army in a Black Awakening
• Part 16 - Rango - More Evidence of Trauma-based Mind Control Programming
• Part 17 - Rango - RDF, Psychic Control, Warrior Monks and Weaponized Super-Soldiers
• Part 18 - Rango - Beans as Israel
• Part 19 - Rango - Beans-Israel meets Rango-Beast
• Part 20 - Rango - NLP, and Modeling Scenes From Zechariah 11 and Revelation 12
• Part 21 - Rango - Time Travel, a Transdimensional Vehicle and DNA Portal
• Part 22 - Rango - The Surreal Dream Sequence and Bible Prophecy
• Part 23 - Rango - Cacti Transformed into Buried Serpents? More Surreal Dream Sequence and Bible Prophecy
• Part 24 - Rango - Gone From Among!
• Part 25 - Rango - Wednesday Noon is a Coded Signal
• Part 26 - Rango - The Ash Wednesday Mass
• Part 27 - Rango - Lent Begins with Ash Wednesday
• Part 28 - Rango - Zombie Resurrection and Apocalypse - The Black Awakening and Beyond
• Part 29 - Rango - Zombie-Vampire Apocalypse
• Part 30 - Rango - Odds and Ends
• Part 31 - Rango - Apollo-Horus-Beast Imagery In Your Face
• Part 32 - Rango - Two Striking Biblical References in One Scene!
• Part 33 - Rango - The Chalice
• Part 34 - Rango - Jailers of Virtue? A Bitter Vengeance Resurrection Plot
• Part 35 - Rango - Osiris on the Renaissance Stage and... The Bride Theft
• Part 36 - Rango - The Bride is the Hope of Salvation
• Part 37 - Rango - The Prospecting Permit
• Part 38 - Rango - The Bank Teller, a Soiled Dove
• Part 39 - Rango - Tonic Cureal and the Blood of the Lamb
• Part 40 - Rango - The Source of the Societal Discontentment
• Part 41 - Rango - Form a Possum!
• Part 42 - Rango - Hail Mary!
• Part 43 - Rango - Crystal Cubes and Rainbows
• Part 44 - Rango - A Transdimensional Technology Primer
• Part 45 - Rango - Hacking Crystal Hypercubes and Superman's Fortress of Solitude
• Part 46 - Rango - Hyper-Kaaba, The Immortals and the Marvel Universe Cosmic Cube
• Part 47 - Rango - The Cubic Name Key to a Multi-dimensional Code
• Part 48 - Rango - The Ice Cube as the AllSpark of Transformers PLUS
• Part 49 - Rango - Hoover Dam, Alcyoneus and the Hypercube Tuning Fork Angels
• Part 50 - Rango - Now Streaming on Netflix - with Cubes
• Part 51 - Rango - Black Stones Rising
• Part 52 - Rango - Rango as The Black Stone
• Part 53 - Rango - The Blackstone Influence
• Part 54 - Rango - Unobtanuim, the Black Stone Body
• Part 55 - Rango - The Fringe Version of Petrus Romanus, a “Black Stone”
• Part 56 - Rango - Water-As-Time!

Part 21 - Rango - Time Travel, a Transdimensional Vehicle and DNA Portal

Continuing from the previous post and continuing to focus on the scene where the chameleon has his first interaction with Beans, there's a fascinating and essential element of the Beast revelation scenario featured in the scene; the UFO craft. I write about this regularly so I'm not going to explain much here. See Heaven's Vehicles and
Olympic Ceremony Symbolism - Part Three (about half-way down) for some of what I've written.

At the scene of the counterfeit baptism, transdimensional travel will play a role and a fit vehicle will be present. It seems likely that the lawless one, after being publicly anointed with authority, will enter into a throne vehicle to make his departure. This was modeled during the Beijing Olympics in the London Ceremony in 2008 and it is modeled again in Rango.

The Lawless One will have convincing evidence backing his claim of being "alien," of having entered our time-space domain by extension from another. This explains why Beans tells Rango: "You ain't from around here, are you?" It explains why she says, "Now, it's a puzzle of undeterminable size and dimension." Undeterminable dimension? Right. Would that be a fourth, or higher, perhaps? More NLP. Note the allusion to space and time with "size" and "now." Puzzle solved?

Give some thought to why it is that, when the episode of tonic immobility passes, Beans blurts out, "And until the people of Andromeda Five return him safe and sound, I will not sell my ranch!" Now, the only way to interpret that is as a reference to alien abduction! This directly imports into the mind the imagery of aliens coming and going, taking people away in UFO craft. This is what we are shown when Rango is taken away in the wagon, which illustrates just such a craft!

It should become pretty obvious from the multitude of clues provided that the wagon Beans uses to chauffeur Rango signifies a heavenly chariot.

Do the 144k and the Beast ride off together in biblical type? If so, I haven't noted it, but I believe they do separately, in different ways to different places for different purposes. That the 144k do get heavenly transport is a subject I wrote about in one of the studies in Beyond the Veil. I'll excerpt that here to introduce the biblical Hebrew word "agalah."

"These Egyptian carts are awesome! They are what convinced Jacob of his son's testimony about Joseph! The word used here for 'carts' is Strongs # 5699. 'agalah, ag-aw-law'; from the same as H5696; something revolving, i.e. a wheeled vehicle:--cart, chariot, wagon. The Egyptian carts will transport the families of the 144k to heaven, so this is not a convoy of Hummers, hay wagons or U-Haul trailers. Have you ever read about Ezekiel's vision of the throne with the wheeled vehicle under it? That's apparently Joseph's Egyptian chariot!"
Joseph and Benjamin - Part II

The wagon Rango rides away in is just such an "agalah" transport, used for interdimensional travel.

Consider the image here of the wagon's departure. See how the shadows of the wheels appear centrally under the wagon, hinting at some vertical propulsion mechanism. The shadow wheels extend from the wheels that cast the shadows across to the other wheels - exactly, touching precisely, as intersecting!

This was the appearance and structure of the wheels: They sparkled like chrysolite, and all four looked alike. Each appeared to be made like a wheel intersecting a wheel.

Ezekiel 1:16

Rango's departure in the wagon is transport in a heavenly throne vehicle signifying his ascension to and in a heavenly throne. The genuine described in Ezekiel equates to the unearthly Temple's Most Holy Place wherein is found the ark of the covenant, with winged creatures on top. It's with respect to the Holy of Holies that we find what is to me perhaps the most intriguing symbolism in view! It involves the use of sound to facilitate dimensional travel.

The only person permitted access to the Most Holy Place was the High Priest of Israel, and that, only on one day of the year. Other requirements had to be met too, or even then he would die in the attempt. The requirement that relates most particularly to his accessing the Most Holy Place and thereby entering into the presence of Yahweh without dying is the tinkling sound made by the bells and pomegranates on the hem of his garment.

33) You shall make on its hem pomegranates of blue and purple and scarlet material, all around on its hem, and bells of gold between them all around:
34) a golden bell and a pomegranate, a golden bell and a pomegranate, all around on the hem of the robe.
35) It shall be on Aaron when he ministers; and its tinkling shall be heard when he enters and leaves the holy place before the LORD, so that he will not die.

Exodus 28:33-35

If you can watch this scene, listen to the noise the bottles make when the wagon moves. They tinkle like little bells! I have been pondering for some time what it means that this is a wagon filled with bottles, and now I know! There are two reasons that have been revealed to me. One is that the tinkling sound is required to facilitate transdimensional access to the heavenly realm and abode of the gods! This compares to the High Priest's access to the Most Holy Place and the golden bells and pomegranates he wore, when "its tinkling shall be heard ... so that he will not die."

This explains why Beans asks Rango the following "composite question" after climbing into the wagon. "So, are you gonna die out here or do you want a ride into town?"

The mariachi owls attest to this interpretation as they prophesy his certain demise in the narrative presented during the voyage. With evil genius, they reference the Sirens of ancient Greece. By this means they link this situation with what is more than mere fictional mythology when mortals died while interacting with the gods! Hint. HINT! These were the beings who lured passing mariners with their irresistible songs. The enchanted sailors drew near to hear them and subsequently drowned in the sea as their ships broke up on the rocks. Yeah, more embedded NLP. But Rango does not die. He is the right man at the right time, and the tinkling sound facilitates his journey so that, like the High Priest, he does not die!

Dimensional travel may involve movement from one point in space to another but it also involves time. Beans makes cryptic reference to time travel once Rango has climbed into the wagon, with bottles tinkling. "Today's Wednesday," she says. "And Wednesday's when we all get to it." "Today's Wednesday"? Time. "Get to it." Travel. So, time travel. Cryptic. NLP. Get it?

Even the superficial level of the plot supports the transdimensional travel theme because, with that declaration, Beans is referring to the weekly ritual water ceremony. If you remember from an earlier post in this series, that pictures the DNA transformation portal where one joins with the gods and becomes divine! The DNA transformation equates to regeneration that is akin to resurrection. The version in view is a counterfeit, temporary and corrupt, of course, but nonetheless real.

Now, the other reason why the agalah wagon is filled with bottles is to illustrate the resurrection principle. We can assume the empty bottles on the wagon were intended to be filled with water, like the many other empties we see throughout the movie. We know one of them (a Mason jar) contained ashes. Beans said they were her daddy's. Even though she appeared to correct our inference that they were what remained after cremation, it's obvious the correction was for misdirection. So, we have jars with a person's ashes and jars intended to be filled with water. These are the elements of a biblical purification ritual that is a resurrection type!

For the unclean person, put some ashes from the burned purification offering into a jar and pour fresh water over them.

Numbers 19:17

The ashes represent the dead body (actually messianic). The fresh water represents life. Adding water to the ashes in a jar is a reconstitution, symbolically transformative, a resurrection! This was presented in an appendix of Beyond the Veil titled Resurrection on the Third Day. This link will open the study about 3/4 the way down the page to a section titled, The Purification Ritual. As I've been saying, the key to being able to recognize dramatic modeling is familiarity with what's being modeled.

Some of you may have already been granted insight into how death and resurrection relates to time travel, which has to help grasping the whole "jars on the wagon" bit. This is deep stuff. If you've heard the euphemism "gone on ahead" used when saints die, well, it's really wonderfully expressive! I'm not going into detail here, but when the body is dead there is a spiritual perspective and a physical. With no burden of the body, physical mass is not involved with who and what you are. Without mass, you exit the time/gravity/3-space realm and constraints. "You" don't pass "Go", you don't collect $200 but you do arrive at your appointed and earned resurrection, which is back on the "linear" time line after your point of departure. If that doesn't make sense, please don't ask me to explain. Ask the Lord, OK? I don't know much, but I do know stuff.

So then, the Rango imagery mimics the biblical symbol that is the purification ritual, and you should understand that even the mimicry of a symbol is powerfully effectual in preparing for the targeted season. Folks are prepped in advance. They will buy in!

Is the devil familiar with this? Does he understand the details of the law given through Moses and officiated by the Levitical priesthood? Is he clever enough to embed layers of relevant symbolism in animated features? I think, yes. Are you able to perceive how Rango is a tool that prepares folks for when the events pictured happen? Those who watch movies and see ads and logos and hear music and speeches are programmed to respond in certain ways. When the Lawless one is revealed, few will be able to resist his will. Few indeed.

When we hear Beans say the word "sound" in her emotional alien abduction reference ("And until the people of Andromeda Five return him safe and sound..."), what is achieved through subliminal means (which is becoming more popularly referred to as "perception without awareness") is that "sound" and the activity involved in the alien abduction are linked in our minds. These are common elements in a theme that keeps repeating in my studies.

Time is a factor in sound. Sound travels at a particular speed through a medium, and speed is expressed as distance traveled over time, for example in miles per hour. Sound is also vibration with a property called frequency, which is related to pitch. Frequency may be expressed in a scale of measurement called hertz (Hz). The note referred to as middle C is 261.63 Hz. Brilliance, which is the sounds of bells and the ringing of cymbals is in the 10th octave range, spanning from 16384 to 32768 Hz. Sound effects things by transferring energy to them, most effectively when there is resonance involved. Think: tuning fork. This is in play when frequencies are in common between the physical or chemical structures acted upon and the sound imparting its energy.

I believe the wagon wheels themselves witness to the time element. They are 12 spoke wheels like the hours marked off on an analog clock face, or perhaps on a sun dial. As you may recall from earlier in the series, these wagon wheels are also sun wheel symbols, the sign of Horus.

There's another set of time references that actually includes the location of a very relevant Bible verse! When Rango responds to Beans' questioning about his role and what he's involved in, he prefaces his literal song and dance routine with the following.

Rango: Oh! Well, I...I...I'm glad you asked. I've got two one acts, a mystery and a musical I've been gestating. I've got the words. I'm just kinda workin' on the melody right now. It's like a... [humming a tune] This is - I think it's gonna be a western.

Two one acts? How about we follow the NLP tip-off and take a look at the book of Acts? Two one Acts - chapter two verse one.

And when the day of Pentecost was fully come, they were all with one accord in one place.

Acts 2:1

This features an explicit time-space reference. Time references found: "when...fully come" and "day." Spatial reference found: "all...in one place." Do you see it? This verse is particularly relevant because the season of the lawless one's revealing and interaction with the Bride and 144k will come at Pesah, which is directly related to Pentecost by 50 days. The 50 day time span between them is the primary feature of that holy day of sparse description also known as Shavuot! It is the period of the Counting of the Omer, a daily countdown: Frequency, one count per day.

The Omer is actually a count of 49, which in the context I relate as a fractal to 490 and 4900. It relates to the Yobel, the Jubilee and legal provisions for debt and forgiveness. This ties in to the 70 generations (70x70=4900) prophesied by Enoch relative to a particular dimensional constraint, but I'll leave that to your study.

Do you see how the diabolically clever phrase "two one acts" taps the hidden theme of dimensions, time and space! But wait, there's more! One of the meanings of "two one" or the number 21 is, time. I know. Over the top!

Yesterday, I was going to include most of what you're reading here with yesterday's post, but I divided it up. As I posted Part 20 it occurred to me that I was now going to be publishing content featuring the subject of time in the 21st post. This happened before, just over a year ago. See Part 21 - Rochester, NY - The Clock of Nations and World Domination. That 21-time connection was so obviously directed by the Lord as it came in connection with #22 and the two signs involving the associated bell study. The Lord has been working with me on the subject of time and matters of timing for many years, and He's still at work! Praise the Lord! It's a big deal!

So, returning to the Acts 2:1 reference. Shavuot in Acts 2 is famously a holy day where there was a supernatural sign marking out a particular people. Few realize it, but this event took place at the Temple in Jerusalem, where folks had gathered for the Feast and congregated at that very hour. David Flynn has presented evidence that the Temple is a center of time in his book, Temple at the Center of Time.

This location will be the center of supernatural activity when the scene pictured in Rango happens!

4) who opposes and exalts himself above every so-called god or object of worship, so that he takes his seat in the temple of God, displaying himself as being God.
...
9) that is, the one whose coming is in accord with the activity of Satan, with all power and signs and false wonders

2 Thessalonians 2:4,9

After Rango says, "I've got two one acts," he continues the list. He adds, "a mystery," suggesting the scene is a mystery to be solved. He then adds, "a musical." A musical is a theatrical production that has an emphasis on music and singing, which are sounds, frequencies! Rango adds, "I'm just kinda workin' on the melody right now." A melody is a combination of pitch and rhythm, involving the actual musical portion of a "musical" production, with the time factor involved in both pitch and rhythm. He then hums a tune, providing a demonstration lacking a language component. The words, of course, are not the immediate subject of attention. He says, "...it's gonna be a western." With that, Rango gives yet one more time (it's gonna be) and space (Western) reference.

Beans uses the word "puzzle" and Rango, "mystery." If we haven't solved it yet, to borrow a phrase from Wheel of Fortune, it's time to buy a vowel. The revealing of the lawless one with come with an opened dimensional portal. A man familiar but now changed will appear on the scene in a baptism with supernatural power near where similar things happened earlier in history. He will present convincing evidence of an otherworldly origin and authority. He will depart this realm by ascending in a throne vehicle.

Rango's version left in a cloud of dust with the tinkling peccary (swine) powered wagon's wheels stirring up the desert floor. Y'shua ascended from the Mount of Olives and a cloud received him out of sight.

9) And after He had said these things, He was lifted up while they were looking on, and a cloud received Him out of their sight.
10) And as they were gazing intently into the sky while He was going, behold, two men in white clothing stood beside them.
11) They also said, “Men of Galilee, why do you stand looking into the sky? This Jesus, who has been taken up from you into heaven, will come in just the same way as you have watched Him go into heaven.”

Acts 1:9-11

That return is not far off! Hallelujah!

Next post up, Lord willing, I'll interpret the meaning of the dream sequence that marked Rango's night in the drain pipe.