The plot device is a looping of time similar to what was made popular by Groundhog Day. It's more like, 12:01, where a high tech device is involved, or like, Edge of Tomorrow: Live, Die Repeat. ARQ stars two characters with strong casting resonance. Ren is played by Robbie Amell from The CW Network's, The Tomorrow People, and, Flash. Opposite him, Hannah, is played by Rachael Taylor from Marvel's Jessica Jones series, on Netflix. One thing makes this notable is how they feature a loop diagram. It's a basic one but very much like what I was inspired to draw when the Lord prompted a whiteboarding session on a very memorable day in April, 2015. (Watching Still, We Consider the Model, Masked)
Another notable element in the plot is how they come to see the ability to loop time as the only hope for the good guys to win the war for a free world that is otherwise hopelessly lost. There's the familiar flip and spin routine on a few points but it can selectively but easily be interpreted as an illustration of our present reality, how wisely leveraging the ability to loop back in time is the ultimate weapon and also the only hope for surviving free. Another element worth noting, or, combination of elements, more correctly, is that they call the device an ARQ (Arcing Recursive Quine) so that it is an ark, a time ark or space time ark. The ARQ was found to have a well marked boundary that was seen as a circle on the ground, so the time looping effect was limited to what was within the sphere - inside the “time ark.”
You can do a Blog search for stark tower or space time ark to find what we've written on the subject. This ARQ alludes to two arks of note. One was used for the salvation of Noah, his family and the animals, through the flood. The other is the ark of the covenant, which I've presented as a mobile center of time that also serves as a weapon and a means of salvation. This is very familiar to me because of my experience decoding the profoundly significant film, The Lake House. (Video series)
One indication that this movie was made according to a high level of Occult expertise has to do with the leveraging of time numbers, including their embedding of time codes in the media.
Each loop begins with Ren and Hannah sleeping in bed, and the holographic clock shows 6:16 when they jolt awake. 6+1+6=13 * Thirteen signals the mastery of time.
The Netflix player makes tracking the time counter difficult because they display a countdown to 0 instead of an elapsed time. With a little effort, you can discover that, as minute 12 begins, Ren says, “Incredible! I think, I think the ARQ is causing time to loop!” The number 12 signals time, cycling time, and in this minute he continues describing the looping of time to Hannah.
That kind of synchronization takes planning and the effort it takes to execute it demonstrates how important this ritual is to them. When the 13th minute begins so does the theme of the mastery of time. The first dialog heard is Hannah asking Ren, “Well, How come you remember and I don't.” If you are aware of the ritual, you can read between the lines to see how he has the mastery of time and she doesn't, at least not yet. A few seconds later, Hannah asks, “What about those idiots with the code names, they don't remember either?” Ren replies, “Just me.” And we know why, because at this point, he's the only one with mastery over time. Here's something about when time is reset in our future, back into the past. Most won't know. It will be for them as if nothing of this present season ever happened. But, a few will remember, as traveling back inside the time ark, taking the long way around. Here's another interesting observation from the movie. A video made in the final loop was able to be viewed before Ren and Hannah remember experiencing it, which they obviously didn't, since they were not then making the video in that final loop.
The fact of the embedding of time codes in the media is the smoking gun, the circumstantial evidence that reveals how ritual magic is in operation. There's some other confirming evidence of the practice of witchcraft.
These tie in with the symbols of the goddess of magic. The name, hANNAh, is alluding to the goddess of magic known as inANNA, who is also a time and stargate goddess. She's a goddess of love and she's got Ren and Grimm under her spell.
She is one of the characters who has a code name. She is, mother, and she's in charge of their family coded op. The triple goddess worshiped by many witches is known as the maiden, MOTHER and crone. Hannah is presented as the goddess in this screen capture where it was being illustrated how the time loop always began at 6:11 am. Her face is circled. Inside, it says, ma. We know this is seen from the backside of the panel so it says the time is, am. Yet, it says, ma, which is slang for, mother, so it appears in the scene like an identifying caption. We see an X drawn on the edge of the circle, emphasizing the potent form of cross circle imagery where the X is positioned on the circumference. The union of the X and O establishes the celestial throne of the goddess, as we're openly informed by Kenneth Anger of the influential O.T.O. You may see a 9:11 signal in this, but on the goddess theme, the numbering of both the 11 and the 6 add support. The 6th day of the week is Friday, Freya Day - Mother Goddess day. The numeral 11 is an ideogram of a column, pillars, a stargate and goddess icon. 
This number is linked to birth and the mother goddess in the verse for the recent show, Zero Hour. The series (on Hulu) has thirteen episodes and the Occult knowledge about time and its mastery is on exhibit. Here's the verses of prose that were recited at the beginning of the last 3 episodes. Episode 11 - Eleven is the number of birth. The fruit of the mother's womb, but the child that comes forth shall bring impending doom.
Episode 12 - Twelve is a magic number. Twelve is divine. Twelve is both the beginning and the end of time.
Episode 13 - Zero is the number of mystery. An hour with no friend. Sometimes, it's the beginning. Sometimes, it's the end.
Zero Hour - the 13th. Who decides whether it's the beginning or the end? Its master, of course. The boundary of the ARQ is marked by a black line on the ground. It's a circle. You can consider it a magic circle, the kind that is regularly cast by witches. While its a circle on the ground that's just the intersection of that plane with a sphere, as the intersection of this dimension with the supernatural. The boundary of a sphere separates the dimensions and facilitates the raising of energy that is then cast out into the universe at the opportune time to do the spell work. The spherical boundary is also a shield for their protection while they perform the ceremonial. This kind of magic evokes the guardians and gods.
When Ren and Hannah are exploring and discussing the ARC boundary Ren touches it and we see a couple things being signaled. He hand signs the W, evoking and honoring the goddess. By touching within the edge of the circle, he's crossing it, and crossing a circle signals the union of the X and O. We keep watching as we await the appointed limit of this season, reporting what we see until the time ark of the sovereign Lord's special op goes into play, returning us to the past for another pass through. As I understand it, there's not going to be a repeating looping like we see in many sci-fi shows. The Lord is getting everything ready in this season in preparation for a final pass, when the biblical schedule will unfold as prophesied.
The Hallmark brand is known for greeting cards and a family oriented cable channel. Their brand identity symbolizes the authority of royalty, riches and purity, overtly, but the Occult symbolism speaks rather of extreme impurity, in a spiritual sense, and the authority of demonic authorities. It has to do with the mastery of space time, the exaltation of the antichrist beast and the mark of the beast. 
Goddess symbols are hidden in plain sight. Why should we care if goddesses are being named or their symbols are used openly or in secretive ways? 
Jim Tetlow's book sums it up nicely in his book's title and subtitle, “Queen of Rome, Queen of Islam, Queen of All - The Marian apparitions’ plan to unite all religions under the Roman Catholic Church.” 
It's not Blade Runner, where Deckard gets away in the end with Rachel, the special replicant (AI android) he came to love. 
Those who direct the programmers and the programming are behind all the control mechanisms of the world, driving AI, CERN, search engine and other control tech, global banking, government, the medical industry, organized religion, etc. 
Mary's being introduced to color makes strong connections with another mind-control children's classic, the Wizard of Oz film, because the colorization dramatically went from black and white to color when Dorothy and Toto “went over the rainbow” to Oz.
Nathan is working out. Specifically, he's punching a heavy bag. Are you thinking about The Avengers and Steve Rogers working out in the boxing gym? When I saw this, I sure was! The heavy-bag (probably an Everlast) is filled with sand, the sands of time. Here's a screenshot where we see the swinging sand bag superimposed over the river. Hello! Stacking the metaphors - just like in The Avengers with the water fountain and heating radiator!
Nathan stands at the sink and says, “Time flies.” He turns on the faucet and water flows into the kettle. “Man, but what a thing we've shared, huh? Something to tell the grandchildren, right?” This scene is “soaked” with time references, and the action is all about the water. Nathan actually says, “Time flies” (Tempus fugit, right?), demonstrating just that as he fills the kettle with water from the tap! From previous scenes, we know that, from where he's standing, Nathan has a spectacular view of the river flowing by the house. The mention of grandchildren gives the theme even more emphasis because that wouldn't happen until after much time has passed, since it appears that neither have any children. 
Here's something that speaks so loudly to me. Given how the film's title is derived from an ancient theatrical device, the film's use of title screens really demands that we give them special attention because it's the employment of another theatrical device. It's uncommon now but long ago, in the silent film era, it was used extensively. The one in this screenshot pictures the last one in the series: “AVA: SESSION 7.” These sessions correspond roughly to the supposed Turing test and involve the interaction Caleb has with Ava. 
Soon, what is inevitable will manifest, like when dominoes fall. What he doesn't know is that this has been planned from the beginning to accomplish the sovereign Lord God's own purposes. He's going to snatch victory from the jaws of defeat, as it were. He's got an ace up His sleeve. The Adversary is a master at concealing and revealing, but he and his abilities cannot compare to the One who Created even him, Who truly knows the end from the beginning. His secret plans will be fulfilled.
At an hour and forty four minutes into The Avengers, after the Tesseract is used to open the portal, Thor battles Loki on the Stark Tower, right near the sign. These demigods knock the letter K off the sign and we see it tumble to the ground. The letter K is the alphabet's 11th, and this numbering is important. The numeral 11 as a pair of ones pictures two columns or the sides of a column, which is also a tower, a construction often identified as a stargate. When the K has been knocked off the sign, what's left? STARK - K = STAR, and star is a metaphor for angel. The STARK Tower is a STAR - K tower, a STAR 11 tower. The Stark Tower is a STAR-K stargate and a ST-ARK or space-time ark. 
The XO platform where Loki had materialized and ascended the steps to reach is the same one where Iron Man lands and is basically transformed intoTony Stark.The copper ring flips up and he walks through it to be clothed and unclothed. It's the place of a symbolic dimensional transit, a stargate. You ascend there to become a god. 
The design of the ornate railing on a bridge presents an array of obfuscated versions, followed by a collection of umbrella tables in a dining plaza, and then the one in this screenshot that is cleverly composited in a Code 33 named restaurant window. The light arc implies the circle while the letters intersected by the same reflection imply the cross. TAU - a tau cross. I note that the sign of TAUR-US is also being suggested, which supports the abundant celestial Silver Gate imagery. The window sign lettering provides us with three instances of the naming of Ra, or Re. 
Compare the Stark Tower to the version of the Tower of Babel on the poster that states, “Europe: Many Tongues, One Voice.” Spiraling construction. Similar tops. Surrounded by water (the island of Manhattan). Presence of a crane. The poster version's crane is like a tau cross and it's placed in connection with the circle shape, providing an XO feature - like the stargate platform on the Stark Tower. A portal is opened in the heavens above the Tower through which stars fall to earth. Note the alignment of the EU stars in the array. The upside down star alignment means, Spirit into Matter. There are 11 visible “falling” stars in the array, the number given attention by the STAR-K sign's falling K. The design implies that there is a hidden star, which makes 12 total: Zodiac, and time. The poster suggests that the hidden star of the EU tower seems to reign from the penthouse, like Iron Man in Stark Tower, because Pepper (with 12% of the credit) lighted it up from there. 
When the stargate is opened at the manifestation of the Antichrist, we believe a version of the heavenly Zion is going to manifest in this realm. 
In this screenshot, set against the backdrop of the Stark Tower we see Mercury / Hermes the psychopomp. He's the special agent who is assigned the task of escorting to and from the underworld. That's the abyss. You may recognize this as the iconic clock on Grand Central Terminal's 42nd Street entrance, a significant timepiece at perhaps the world's most famous transportation hub. The Terminal features prominently in several scenes, and the film invites comparison between the Stark Tower and neighboring Grand Central Terminal. The Lord had me drill in a bit to discover why. Like with the Tower of Babel connection I noted, similarity in features points to similarity in purpose. Grand Central Terminal like Stark tower like EU poster like Tower of Babel. 
Plenty to chew on in this Anthony Patch clip
Here's a suggestion. It calls out that precise location to give attention to the Silver Gate, doorway to the underworld-duat.