Part 27 - The Sodomite Gateway - MIB3

If you watch MIB3 (which is still playing in theaters) you'll notice this movie signals sodomy heavily throughout. This should be no surprise because it's connected with the Dunkin' Donuts sodomite promotion. DD uses black instead of brown as the scatological reference (Black Cocoa products) which serves to clue us in to the subtle sodomite signaling in the name of the franchise Men in Black. Think Black Sun, Black Hole Sun... There's more going on that deserves some exposure here! Spoiler Alert, heads up.

Warning: If you are a trauma-based SRA mind-control victim and still have to be mindful of triggers, you may want to skip this post and move on without going any further. If you're disturbed in any way by descriptions of sexual imagery, please give a similar consideration. This is material fit for the healthy and mature.

Will Smith plays Agent J, partner to Tommy Lee Jones and Josh Brolin as Agent K, older and younger versions. Many of Agent J's lines are fit for a woman and his emotional relationship with K featured through much of the movie is just not that of a "straight" male with another.

A scene from MIB3: [after Z's eulogy J and K are driving around in the city]
Agent J: Can you promise me, if I go first, you'll do better than that at my funeral? You know, something like uh...'J was a friend, now there's a big part of me that's gone. Oh, J, all the things that I should have said, except I was too old and craggy and surly, and just tight. Cause I was too tight. Now I'm gonna just miss your caramel, brown skin.'
Agent K: I'll wing something.

Another scene from MIB3: [K and J are in a Chinese restaurant with aliens. J had been sharing about his issues due to his childhood with an absent father.]
Agent K: Yeah. I'll take the Choloropod, you take the Taranovi and the Hydronian over there. I'll take whoever's in the kitchen and meet you on the street.
Agent J: This is a very confusing time in my life.

Gay. The partner relationship played is clearly homosexual. In one scene, time traveling J meets a man in the office elevator who is effeminate. We learn that he is J's partner in a future where Agent K had long been dead.

[J gets in the elevator at MIB headquarters and is joined by another man.]
Agent AA: J, everything you told me yesterday, you were right as rain. Thank God for that ten hour stakeout.
Agent J: Uh...who are you?
Agent AA: Exactly. I feel like a whole new man today, like this great weight has been lifted. I mean, I've got these anger issues my entire life, but now I can see I was just mad at myself, and my step mom.
Agent J: Sir, I'm gonna need you to stop talking.
Agent AA: It's like I've closed this emotional window. But yesterday I threw a brick right through that window, and I just wanna thank you for handing me that brick, J.
Agent J: Okay, who ever you are, I need you to give me five feet, or I'm gonna pluck you in your throat.
Agent AA: Okay, well I'm gonna go to the little mens in black room and then we'll go find those morons from Poxlythera. Lunch is on me.
[As he walks off he slaps J playfully on his butt. Then J stops an agent walking by.]
Agent J: Who was that?
MIB Agent: Double A, your partner.

See Part 25 of this series for the brick's Masonic connection to sodomy, and Aaron's comment about Pink Floyd's classic Rock song, Another Brick in The Wall.

Double A is a battery size, and batteries are usually paired, as partners. In the movie franchise, The Matrix, humans were plugged into a bio-electrical network and used as power generating slaves for their sentient machine-collective masters. Those freed from the matrix who understood their former purpose referred to those still plugged in as “coppertops,” which is a familiar cultural reference to Duracell brand batteries. What's being signaled by J's sodomite partner's name is, "Powered by Sodomy," the sex magick energy source that feeds the parasitic demonic entities. Trauma-based mind-control programmers also consider the mind to have an energy source like a battery, which is the brain's essence, what is called the Core.

The relationship between J and his partners is mixed, racially, but the focus is far more on the brown skinned J as the passive "bottom" partner in the sodomite relationship because neither of the characters playing Agent K are effeminate.

There's some plausible deniability for the sodomite theme built in, of course, offsetting it by playing Agent K's relationship with the female Agent O as a minor plot. Yet, even in that, sodomy is signaled because K's fond memory with Agent O is one of a night spent playing darts until dawn, alluding to a slang reference - butt darts.

If you watch for them, you'll see signs of MK-ULTRA programming. Near the end of the movie there's a scene that suggests K is actually J's handler, “recruiting” him when he was just a little boy.

The Neuralizer device used by the franchise is actually referencing the SRA handler's stun gun.

“An owner of a slave will ordinarily carry a stun gun. This is perhaps a 120,000 DC volt stun gun to erase & compartmentalize memories, but some of the stun guns go up to 200,000 volts DC to erase the memory of his slave. They will apply their stun guns to the base of the skull. After giving programming instructions they will usually give a high voltage shock to the base of the skull to imbed the instructions deep in the subconscious. They often use hypnotic cues along with the shock. For instance, they will tell the slave they are “now going over the rainbow”, and that when the sun goes down they will forget everything, before they shock the body. The shock destroys and scrambles the memory which is still stored in the short term memory section of the brain. They must shock the person within 24 hours, to insure that the short term memory doesn’t get into long term memory as a coherent memory.” ... [ another description of a device for shocking a slave] ... “Finally, the person will be brought out of their hypnotic trance, instructed not to remember anything, to feel happy and sent on their way.” The Illuminati Formula Used to Create an Undetectable Total Mind Controlled Slave by Fritz Springmeier and Cisco Wheeler.

A scene from MIB3: [addressing crowd of people who have witnessed a flying saucer crash]
Agent K: Good afternoon. Please give your attention to my associate, Agent J. He's going to demonstrate an Electro-Biomechanical-Neuro-Transmitting-Zero-Synapses-Repositioner, we call it the Neuralizer.
Agent K to J: Better keep it simple.
[J turns to the crowd]
Agent J: Thank you, Agent K. Uh...ladies and gentlemen, if you will, look right here.
[J holds up the Neuralizer and flashes the crowd]
Agent J: Okay. You know how you're on an airplane and the flight attendant asks you to turn your cell phone off, and you're like; I ain't turnin' my cell phone off, ...

The Neuralizer device looks phallic, and the effects of the Neuralizer actually suggests the use of the phallic wand in ritual sodomy, presenting the Rothschild Sodomy aka the Key of David. The phallic device provides a flash of white light and, like the sodomy, wipes the traumatic event from memory while enabling the programming of another.

“Sodomy puts them into a trance where you can program in directly to the subconscious memory file without any interference of the conscious mind. Sodomy is what puts the person into that state where you can do it. They might even get them so highly programmed that they can just say the word or repeat the code.” “Those who have been programmed have a locked-in three-year-old mindset which is the core of the programming. Say they’re eighteen or twenty years old and somebody comes up and knows the signal or says the code word to call out the three-year-old core. The person then goes into the three-year-old state to be sodomized, then the sodomites program into their minds what they want to program in, and when that person wakes up they probably don’t even remember that anything happened. Basically, a person reverts back to the three year old to be a total victim to the sodomy.” Deprogrammer Interview with Marion Knox: In the House of the Strongman, Sodomy is the Key - by Elana Freeland

A scene from MIB3: [J is strapped in and carried towards an earlier model of a neuralizer that looks like a MRI chamber]
Agent J: That's not an eye exam, K! That's a big-a**ed neuralizer!
Young Agent K: You sure know a lot of information for a fellow who doesn't know anything.
Agent J: I...I see what you're saying.
[as the MIB Techs turn J to enter him into the neuralizer chamber]
Agent J: Whoah! Hey, you know what, K? We need to hold up a second. K?
MIB Tech #1: Let's just get this bite guard in here.
Agent J: Hey, back up! Back up!

So, a “big-a**ed neuralizer” ... “back up! Back up!” ... reference to an eye exam, and knowing a lot of information, then not knowing anything ... ALL alluding to illuminating the third eye and acquiring gnosis through ritual sodomy while including the memory accessing, deleting and rewriting functionality! Evil genius. Wicked, depraved and unbelievably abusive.

This third movie in the popular series features time travel, a theme that, in the context of ritual sodomy and the psi-powers associated with this sex magick, no longer appears to me as entirely fictional. Whatever we're on the threshold of with CERN's LHC science, misc. fringe tech, the looming mega-ritual of the London Olympics, substantially increased alien/UFO activity and evidence of a phased activation of an army of psi-powered super-soldiers, what was nearly approached with the city and the Tower of Babel so many years ago seems like it may be just barely out of reach, if even. Trans-dimensional travel - i.e. crossing the time barrier, seems at hand. Tom Horn has been talking about the descriptive names of some of DARPA's black ops that were brought to light before being quickly made dark again. At least one dealt with the manipulation of time. As I understand it, remote viewing and access of the Akashic record has never been limited to the present, nor to the past.

When J traveled through time, he leapt off a stylized gargoyle, which is to say that a high ranking demon gave him flight and access through a dimensional portal, requiring the use of gravity, leveraging the law of gravity. He was helped after traveling back in time by a character named Griffin, a fifth dimensional being. A griffin in "mythology" has the wings (transdimensional faculties) of an eagle and the body of a lion, a chimeric aka Nephilim.

I must mention a few important instances of 9-11 signaling. One takes place at a rocket launch, a key scene at the movie's climax. Apollo 11 is on the pad at Cape Canaveral. Key action takes place on a crane with a boom numbered 9, associated with the Apollo 11 rocket. 9-11. Another took place after J arrived in 1969. He was at the base of the Chrysler Building in NYC, the one he had jumped off to travel from the future. The main entrance showed the street number of the Chrysler Building's address, located at 405 Lexington Ave. The entry was flanked by 2 pillars, forming an 11. 4+0+5=9. 9-11.

As that scene ended, J steals a Caddy that was left for the valet. On his way to the car he passed in front of one of the pillars. The song that began to play was from a Rolling Stones album titled His Satanic Majesty's Request. The song? 2ooo Light Years From Home. As J passed in front of the pillar, the scene with the marble pillar seemed to resemble the album cover art. This seemed to me to link the 9-11 with the time event, and the serving of his Satanic majesty, of course.

I've been noting signal instances of the time 9:12 and there's one in this movie. Inside the 1969 version of the Chrysler Building we were briefly shown an ornate clock, showing, yes, 9:12: the minute after 9:11, calling out the season a 9-11 event is intended to introduce.

In closing, I wanted to identify some of the symbolism in the promotional image shown here. Back in Black, with Black as a scatological reference signaling sodomy. The Men are pictured In Black, each framed within black anal portals. A phallic package is illustrated with the two phallus signaling guns as one single phallus, erect between two eggs or testicles. The guns form a subtle letter H, for Horus. Horus, the sodomizer, back in black. The M III B at the bottom calls out the M and the B as Man-Boy, as in man-boy love or pederasty. That can be connected with the scene suggestive of “K recruiting J.”

It only makes sense that the Dunkin' Donuts promotion of MIB3 signaled the sodomite gateway. After all, that IS the theme.

Part 3 - The Avengers - STARK Tower as Space-Time Ark - Tower of Babel, Chrysler Building, Grand Central and Times Square

This is not intended to be an exhaustive study but there are a few more items to be shared that support the identification of the symbolic Stark Tower as a space-time ark and also shed on the Occult nature of some non-fictional neighboring locations.

First, here's a couple relevant news item published during the 3 days when our Internet connection was down.

Portal & Alien Cube UFO Over Texas? (Event witnessed on June 29, 2015)

FBI investigating 11 attacks on San Francisco-area Internet lines (Published July 1, 2015) Trending, cables cut. Note the numbering of 11 attacks.

At an hour and forty four minutes into The Avengers, after the Tesseract is used to open the portal, Thor battles Loki on the Stark Tower, right near the sign. These demigods knock the letter K off the sign and we see it tumble to the ground. The letter K is the alphabet's 11th, and this numbering is important. The numeral 11 as a pair of ones pictures two columns or the sides of a column, which is also a tower, a construction often identified as a stargate. When the K has been knocked off the sign, what's left? STARK - K = STAR, and star is a metaphor for angel. The STARK Tower is a STAR - K tower, a STAR 11 tower. The Stark Tower is a STAR-K stargate and a ST-ARK or space-time ark.



The numeral 11 signaled by the K is an ancient symbol linked to Isis. Isis is the pillar. Compare to the supports spanning heaven and earth in the zodiac from the temple in Dendera, Egypt, on the ceiling of the portico. The K falls during a minute of the movie (1:44) marked with 44. That also signals the goddess because the numbering of 4*4 is the Isis portion of the Pythagorean formula of the esoteric 47th Problem of Euclid. The 11 is specifically identified as the number of the Queen of Heaven in, The Book of the Law, Aleister Crowley's Thelema standard. The book's cover image has the title flanked by two pillars, which might be intereped as, 11. Crowley's O.T.O. had a mysterious eleventh degree that is known to involve anal sex magic. (XI° – Rocket to Uranus - Anal Intercourse and the O.T.O.)

The way The Avengers scene plays, the letter K is broken off when the two male demigods from Asgard cross their weapons, which doesn't mean nothing. I'll develop that esoteric layer because it is not unimportant or unrelated to the space-time hijacking and ark effort.

Thor lands on the tower and issued an order to his brother. “Loki. Turn off the Tesseract or I'll destroy it.” The XO platform where Loki had materialized and ascended the steps to reach is the same one where Iron Man lands and is basically transformed intoTony Stark.The copper ring flips up and he walks through it to be clothed and unclothed. It's the place of a symbolic dimensional transit, a stargate. You ascend there to become a god.

Loki had just been standing there enjoying the moment, holding his staff in his hand. Did you examine the above screenshot closely? That frame passes by in a moment, but there it is. He had been shown dramatically materializing on the Stark Tower and stepping on a platform with an XO design as the camera dramatically spirals around. The spiral is a goddess symbol, and very much connected with magic. Magic is Loki's specialty.

The XO symbol invokes the goddess as the union of the X and O establishes the throne of Isis, according to Kenneth Grant of the OTO. Validating that level of symbolism, a discharge of energy like a flash of lightning comes from Loki's staff as he battles Thor, god of thunder. The XO image plays as a hermaphroditic and sex magic emblem because its composed of the male cross and female circle. Between Loki and Thor, a sexual relationship is being implied. The form of this portal on the Stark Tower presents a figure known as the black sun, which is an anatomical reference like the Eye of Horus. Loki is a shape-shifting demigod and he's manifesting here in his horny helmet head form. Phallic. When he replies defiantly to Thor's demand to turn off the Tesseract, he thrusts his phallic staff out toward Thor and declares, “You can't. There is no stopping it.” Because of his accent, it sounds like he's calling him a, well, you get the picture. He says, “There is only - war,” and that could also be heard as, “There is only - whore.”This isn't all done just to be sly and crude, it's theurgy, and mass programming. It's how those gods are worshiped.

Leading up to when Loki materializes on the Tower, it was emphasized to me how there's a building up of subtle cross circle imagery in a brief sequence, to strengthen the impact of the platform's XO. The design of the ornate railing on a bridge presents an array of obfuscated versions, followed by a collection of umbrella tables in a dining plaza, and then the one in this screenshot that is cleverly composited in a Code 33 named restaurant window. The light arc implies the circle while the letters intersected by the same reflection imply the cross. TAU - a tau cross. I note that the sign of TAUR-US is also being suggested, which supports the abundant celestial Silver Gate imagery. The window sign lettering provides us with three instances of the naming of Ra, or Re.

It's a good exercise to remain mindful of these varied symbols that have been the subjects of so many posts to this blog. It should also be remembered that the cross circle is the heart of the sigil of Nodens, the god of the abyss. The letters X O transform to the number of the abyss (X=24~2+4=6 and O=15~1+5=6 XO ~ 66), and the name on the Stark Tower's sign also transforms to 66.

The Stark Tower's spiraling ziggarut design and its function as a platform for the opening of a dimensional portal in the heavens invites comparison with the ancient Tower of Babel. The account of that appears in the Bible in Genesis 11, the K numbered chapter. Biblical scholar E. W. Bullinger made the following observation in Appendix 12 of the Companion Bible. “We see evidence of it as early as Genesis 11:4, where we read of the Tower of Babel having "his top with the heavens". There is nothing about the wrongly supplied italics "may reach unto". The words, doubtless, refer to the signs of the Zodiac, pictured at the top of the Tower, like the Zodiacs in the Temples of Denderah, and Esneh in Egypt.” (See Part 25 - Celestial Stargates - The Tower of Babel having "his top with the heavens")

Compare the Stark Tower to the version of the Tower of Babel on the poster that states, “Europe: Many Tongues, One Voice.” Spiraling construction. Similar tops. Surrounded by water (the island of Manhattan). Presence of a crane. The poster version's crane is like a tau cross and it's placed in connection with the circle shape, providing an XO feature - like the stargate platform on the Stark Tower. A portal is opened in the heavens above the Tower through which stars fall to earth. Note the alignment of the EU stars in the array. The upside down star alignment means, Spirit into Matter. There are 11 visible “falling” stars in the array, the number given attention by the STAR-K sign's falling K. The design implies that there is a hidden star, which makes 12 total: Zodiac, and time. The poster suggests that the hidden star of the EU tower seems to reign from the penthouse, like Iron Man in Stark Tower, because Pepper (with 12% of the credit) lighted it up from there.

Genesis 11 (K) informs us about a city that was built in connection with the tower of Babel. When most folks think about the account, the city is usually minimized in comparison to the tower. I recommend reading the chapter to see that it is given attention distinctly. City and Tower. Manhattan and Stark Tower. What was recorded about the Tower of Babel suggests that it was all about opening a portal between the earth and heavenly domains. When the stargate is opened at the manifestation of the Antichrist, we believe a version of the heavenly Zion is going to manifest in this realm.


Here's another item I observed in the film that demands comparison. The art deco icon known as the Chrysler Building appears in many scenes. It was the platform from which Will Smith's character dramatically leaped in, MIB3 - Back In Time, in order to be sent back in time to 1969. MIB3 and The Avengers were both released into theaters in May of 2012. Alike, in timing. And, there's a Marvel connection because the Men in Black francise is based on the Marvel Comic series. There's a lot of crossover - call it allusion or whatever - because there's an import of meaning both ways between MIB3 and The Avengers that plays on the exoteric and on the esoteric levels I've been exposing.

The main character's name is Agent K. Or, simply, K. Why did Agent J, Smith's character, have to travel back in time? Because K was going to be killed - like the letter K getting knocked off the sign that subsequently fell to its destruction. K ~ 11. A rocket plays a significant role in the film: Apollo 11. Yeah. 11. And, there's the rocket's direct identification of Apollo, aka Apollyon, Abaddon, Thor, Amaru, Horus...

Here's an excerpt from Wikipedia's synopsis.

“In 2012, an alien criminal, Boris "the Animal", a Boglodite, escapes from a maximum-security prison on the moon and arrives on Earth, bent on taking revenge on Agent K, who shot off his left arm and captured him in 1969. He confronts K, who is with his partner Agent J, telling him he is "already dead". J then discovers that K was responsible not only for capturing Boris, but for deploying the "ArcNet", a shield that prevented the Boglodites from conquering Earth and led to their extinction. Boris travels back in time to kill the young Agent K. With history altered so that K is long-dead, J finds that only his memory has been unaffected, and no one from the Agency understands his obsession with K until Agent O, the new Chief, deduces that there has been a fracture in the space-time continuum. With K out of the picture, the ArcNet was never deployed, and there is nothing to protect the present-day Earth from the Boglodite invasion, so J must travel back in time to stop Boris and save K.”

A lengthy series could certainly be written about the film at this point. (Search the blog for MIB3 to find what I've already written.)

As presented by Columbia (goddess) Films, the future of man is literally riding on the phallus of Osiris, the Apollo 11 rocket.

Agents J and K are riding special cycles in this scene, set in Queens, NYC, featuring a fountain built for the 1964-65 Worlds Fair.

Bicycles are often props used to represent space-time transiting vehicles. See the wire-frame globe as 3D space and the ring of water as time. Intersecting rings are crossed circles, another space-time emblem. Fountains of the deep make allusion to creation and the flood of Noah.

In MIB3, like The Avengers, what's at stake is the destruction or the salvation of mankind. Familiar, right, for those of you tracking this blog? “Alien threat,” breaching our time-space domain resulting in destruction. (Genesis 6. An intended flip: Revelation 19:19)

21 For then there will be a great tribulation, such as has not occurred since the beginning of the world until now, nor ever will. 22 Unless those days had been cut short, no life would have been saved; but [for the sake of ~ thanks to] the elect those days will be cut short. ~ Matthew 24:21-22

Agent J's time mission was required because the enemy (Boris “the animal” ~ Horus the falcon) “fractured” the space-time continuum. Again, familiar, right? Aaron and I think this is why “the model is masked” in the present season, and why time needs to be reset. ArcNet. Allusion to the rainbow - shielding from alien threat. It's a good descriptive of the bow set in the clouds after the flood, the sign of a covenant made by the Creator with man and the earth assuring that what happened won't happen again. Rainbow - evidence of different physics in the atmosphere, a heavenly realm. Accountability for the destruction wrought in the great deluge was attributed to those angels who fell to earth, in an “alien” incursion. They and those of that kind are behind the current threat, as it was in the days of Noah. The dimensional access is sought by hacking the rainbow, from one perspective.

So, a key to success in MIB3's plot is evident in how Agent J remembered. Aaron and I expect that model when time itself has been reset in reality, because of the mission and how that only makes sense if some will have an awareness, some beneficial kind of retention from this season's experience, and probably retained through association with a space-time ark.


Here's another comparison that offers insight in the transfer between similar things. In this screenshot, set against the backdrop of the Stark Tower we see Mercury / Hermes the psychopomp. He's the special agent who is assigned the task of escorting to and from the underworld. That's the abyss. You may recognize this as the iconic clock on Grand Central Terminal's 42nd Street entrance, a significant timepiece at perhaps the world's most famous transportation hub. The Terminal features prominently in several scenes, and the film invites comparison between the Stark Tower and neighboring Grand Central Terminal. The Lord had me drill in a bit to discover why. Like with the Tower of Babel connection I noted, similarity in features points to similarity in purpose. Grand Central Terminal like Stark tower like EU poster like Tower of Babel.

First, the centerpiece of the Hercules, Minerva and Mercury statuary in the screenshot is a clock. Right. The central object of the massive idol is a TIMEpiece. Isn't this display intended to show how the ancient gods rule over time itself? The clock is 13 feet tall, which combines both the meaningful number 13 with 12 (inches per foot - and hour divisions on the face). Wikipedia offers: “ At its unveiling in 1914, the 48-foot (14.6 m)- high trio was considered the largest sculptural group in the world.” It's a significant idol. Also from Wikipedia: “The main information booth is in the center of the concourse. This is a perennial meeting place, and the four-faced clock on top of the information booth is perhaps the most recognizable icon of Grand Central.” The centrality of time. This famous space is a transportation hub, and the reason for the focus on time is obvious. Trains run on tight schedules and passenger activity conforms to the Terminal's referential system. These observations speak on one level to the present reality that man's activity conforms to the referential system of time that is ruled over by the ancient gods. Consider the familiar names of the months and days of the week. You can't argue against the statement made, but that situation won't endure.

The Terminal is a train station. Trains traveling on tracks is a very familiar metaphor. Search this blog for Joel 2 train and you'll see how trains and train tracks represent beings and vehicles transiting stargates with some notable examples. A couple of notable train + water imagery films that come to mind are Snowpiercer and Polar Express. Passing through Grand Central Terminal, major sets of train tracks run right under the MetLife building, and the fictional Stark Tower stands in its place. Signaling the control of space-time (Parts 1 and 2 of this series) and controlling interdimensional traffic (via the Tesseract), that's what the Stark Tower is for in The Avengers, right? It's kind of an adjunct to the Grand Central Terminal that operates in a perpendicular plane.

The Terminal's 13 foot tall statuary clock faces 42nd Street. 42 = 21 + 21. Double Time Street. Another iconic place in Manhattan is Times Square. It's also bounded on one side by that same 42nd Street. Times Square ~ 21 squared or 21*21 ~ 42nd Street. Time geometrically is symbolized as a circle. Times Square ~ Circles Square. Time-Space. That place is known as The Crossroads of the World. Compare to Grand Central Terminal's function as a mega transportation hub, and that of the Stark Tower as the gateway for the invading Chitauri army's entry. Each year, the transition of the popular calendar is marked as the world watches the ball drop in Times Square and together chants the famous countdown. This mega ritual revelry derives from the historical practice at the Greenwich Observatory in London, where the world's standard for time has been established. Ships would set the clocks they depended upon to navigate the globe by synchronizing them with the dropping ball, which was carefully watched for from their mooring on the Thames-Isis River. Daily. At 13:00 hours. 13. 12. Again, like the 13 foot tall idol clock. Seen The Smurfs (2011), where water as time and Times Square are played up BIG?

The Grand Central Terminal (and Stark Tower) sits between Times Square and the Chrysler Building. All are connected by 42nd Street (21+21). Of interest, the Chrysler East property address is: 666 Third Avenue.

Now, recall how the power change from AC to DC was cryptically signaled in The Avengers, from Part 2 of this series. Here's a couple more quotes from Wikipedia. “A "secret" sub-basement known as M42 lies under the Terminal, containing the AC to DC converters used to supply DC traction current to the Terminal. During World War II, this facility was closely guarded because its sabotage would have impaired troop movement on the Eastern Seaboard. It is said that any unauthorized person entering the facility during the war risked being shot on sight; the rotary converters could have easily been crippled by a bucket of sand.” Shot on sight. That's serious. Why M42? M is the 13 letter, and there's the 21+21 numbering again, matching 42nd Street. Spilling sand. Hmmmmmm. Sand is a time symbol, the sands of time, like in the gym's Everlast heavy-bags. Troop movements on the Eastern Seaboard. Sea water as time. Troop movements. A hub for the transiting armed forces. Familiar stuff.

So, AC to DC conversion. Why bother cryptically signaling that to us in the framing of the Stark Tower launch and recruiting sequence? When we become aware of how Grand Central Terminal is given such a high level of attention and how the features compare, and see the similarity in function on the esoteric level, it makes sense. The Avengers is actually revealing Occult secrets of the Grand Central Terminal. Theurgy is at work, and the details are according to what is learned from the gods. The AC to DC bit has to do with establishing a key allegorical connection, which represents the legitimate supernatural connection. You know about energy vampirism, right? There is in this theurgic ritual we've been studying a drawing from and adding to a kind of cistern or reservoir of collected demonic spiritual energy. It's like when a witch raises energy inside a magic circle before sending it out into the world in the casting of a spell. A massive amount of human energy has been collected at Grand Central over the years, and harnessed through the design and no doubt supported by many Occult rituals. Grand Central was built and owned by the Vanderbilt (Illuminati) family.

We know that we are of God, and that the whole world lies in the power of the evil one. 20 And we know that the Son of God has come, and has given us understanding so that we may know Him who is true; and we are in Him who is true, in His Son Jesus Christ. This is the true God and eternal life. ~ 1 John 5:19-20

With eyes that see, we examine the symbolism and glean what meaning there is in the beans spilled learn what the Lord would have us to know about what things really mean in this world. The trains of the Grand Central Terminal's transport system depend on the power conversion like what was illustrated with the Stark Tower, and the space-time ark depends on a power source off the grid - power drawn from another dimension as from the Tesseract and Stark arc reactor.

Tesseract. Anagram: A ST (space-time) SECRET. Add that alongside, ACT RESETS.

Have you been giving attention to the CERN LHC, and the D-Wave adiabatic quantum computer and not unrelated AI advances?

Plenty to chew on in this Anthony Patch clip, and this one too: Deadly Shots And Third Strand DNA/Interview from N68's The Great Work.

The latest from D-Wave Systems is the D-Wave Two, which has an approximately rated 512-qubit CPU. The increase over the approximately 128 qubit chips of the D-Wave One was accomplished by tiling the qubit pattern of the D-Wave One, a pattern named chimera by D-Wave Systems. Do you know what a chimera is, biologically? Think, beast, post human. Mark of the Beast. Image of the Beast.

Here's a few more connections of note to tie into this spider's web of time-space manipulation imagery.

The Main Concourse of Grand Central Terminal has an elaborately decorated astronomical ceiling, but there is an anomaly. Wikipedia offers, “ For example, Orion is correctly and beautifully rendered, but the adjacent constellations Taurus and Gemini are reversed both internally and in their relation to Orion, with Taurus near Orion's raised arm where Gemini should be. One possible explanation is that the overall ceiling design might have been based on the medieval custom of depicting the sky as it would appear to God looking in at the celestial sphere from outside, but that would have reversed Orion as well. A more likely explanation is partially mistaken transcription of the sketch supplied by Columbia Astronomy professor Harold Jacoby.” Here's a suggestion. It calls out that precise location to give attention to the Silver Gate, doorway to the underworld-duat.

Attention is given to that very place in the representation of the heavens on another famous ceiling, on the ancient temple's portico in Dendera, Egypt.The marker on the circular Dendera zodiac I mentioned is described in this quote, and the one opposite at the Golden Gate is also mentioned. “Then, beyond these "heaven-holders", on two sides of the work are rectangles patterned with rows of chevrons, symbol of water, which must represent the Milky Way Galaxy, the stream of the heavenly waters. This is apparent because when we look at the night sky we see the heavenly stream of the Milky Way cross the zodiac at Gemini/Taurus, and also at the opposite side of the sky at Sagittarius/Scorpio. The Dendera Zodiac precisely shows the chevron rectangles below Gemini/Taurus on one side, and below Sagittarius/Scorpio on the other side.” (The Circular Stone Zodiac of Dendera, Egypt -The most dynamic image of the heavens ever created ) The rows of chevrons described are extended wave glyphs. Think, Genesis 1 and the waters of the expanse. The Golden and Silver Gates are water gates, water-as-time gates. The celestial Silver Gate is what was opened up in The Avengers above Stark Tower. What do you think the Marvel Comics Silver Surfer character is spilling the beans on?

Bullinger believed the biblical text of Genesis 11:4 indicated how the tower of Babel probably featured the zodiac. I think he was right. Here's something. The Hoover Dam, a star map of the Pleiades in Taurus that was made to document the exact location in space and time of an event, and angelic guardians I call tuning fork angels. Water, falling, falling and falling generating massive amounts of energy, with a model of the throne of Zeus-Satan.

For a season in 1957, under that Grand Central Terminal's ritual zodiac ceiling sat a very significant rocket, the PGM-11 Redstone. MIB3 featured the rocket that launched ArcNet, Apollo 11. There's that 11 again. The Avengers featured Iron Man's occasional blasting off from the tower and blazing into the sky like a rocket man, and he went right up through the dimensional portal with a nuclear tipped missile to save the day, falling back through the portal to earth as it's savior.

Here's a collection of observations from Wikipedia: “The PGM-11 Redstone was the first large American ballistic missile. A short-range surface-to-surface rocket, it was in active service with the United States Army in West Germany from June 1958 to June 1964 as part of NATO's Cold War defense of Western Europe. It was the first missile to carry a live nuclear warhead. A direct descendant of the German V-2 rocket, the missile was the foundation for the Redstone rocket family, It was developed by a team of predominantly German rocket engineers relocated to the United States after World War II as part of Operation Paperclip. Redstone's prime contractor was the Chrysler Corporation.”

Connect the dots. Nazi science. The vendor was the same Chrysler Corporation that was headquartered in the Chrysler building seen in The Avengers and featured in MIB3. Nuclear tipped missile, like the one Iron Man sent through the stargate. Redstone. Red - Adam. Stone - crystal DNA. Ascending man into the heavens.

Wow. Potent. That's a lot of ritual energy!

Analysis: The Bugarach Hoax, Tower of Babel, Puss in Boots

As the 21st of December approaches there are plenty of interesting reports circulating about how people are preparing and what expectations are held. Perhaps the most interesting is Russ Dizdar's report contradicting the major media story on the level of activity in Bugarach, France.

Russ just returned from visiting, witnessing first hand that the actual numbers of people are small in contrast to what the media led us to believe. He says the Upside Down Mountain reporting is a hoax. I don't think he's offering any analysis about why that might be, but I personally see it as evidence of what is actually a supernatural plot.

I suspect the official lies about massive numbers showing up in response to some compelling spiritual attraction are actually fostering just that, functioning as a mind-control NLP hypnotic suggestion. It speaks to me of a spell of sorcery that will manifest in something akin to what caused Americans to go to the polls and cast a vote for Obama last month. Folks tuned in to that supernaturalism are being compelled to go on a pilgrimage to the power nodes, the ancient monuments, to gather for mass ritual for the raising and channeling of demonic “energy.” This perspective accounts for what many worshipers of the ancient gods have been saying will happen for a long time. I see this as the repeating of what we watched unfold this past summer as the media and artists beat their summoning drums, and folks gave heed to attend the occult Olympics in London where rituals were performed and magickal energy was raised and channeled. The masses are being manipulated and managed by Illumined agents on every tier with the engagement of every lever appointed to the task.

In my previous post, I declared that pagan worshipers and Satanists around the world will be doing their part to open the dimensional portals that will welcome the ancient gods back into this realm. This has been going on for a very long time, but there are appointed times where success will be granted. It seems likely to me that the ritual activity targeted for 12/21/12 will bring yet another significant deposit in the antichrist account as capital is raised towards the opening of the portal described in 2 Thessalonians. (7b) ...he who now restrains will do so until he is taken out of the way. 8a) Then that lawless one will be revealed... See this display for more profound insight into this passage. ) I believe a dimensional breech is appointed for that event and that there will be staged breeches leading up to it and following after as the events prophesied in the book of Revelation and many other books roll out in sequence.

Continuing the thread of the previous post, the connection between the Mayan prophecy about December 21 and particle physics hoaxed by the bloggers at Categorists.com has actually been made and is still being promoted by one who claims to be a Mayan. See Ac Tah 2012 site and this video in particular: Ac Tah 2012 - December 21st 2012 (Santa Monica, CA - Oct. 2012)

“Ac Tah, of the Mayan people, gave a talk in Santa Monica last month. In this exert he speaks about what is happening around December 21st 2012 and it's significance to the world. His heritage is authentic. Check out his website for lots more information and to see the work Ac Tah and a lot of other dedicated people are doing.... www.actah2012.com - He explains why the pyramids were built and how they function. How, by using the encoded Maya technology each one of us can activate their DNA and rise to a higher frequency, to that of an awakened being.”

For more perspective, you may find what I've written about the Mayan Lord Pakal Ahau and the Hoover Dam helpful, as well as some informative research done by Tom Horn.

Part 49 - Rango - Hoover Dam, Alcyoneus and the Hypercube Tuning Fork Angels
Amarucan Eagle as Feathered Serpent, Hoover Dam and the Mayan Lord Pakal Ahau
PETRUS ROMANUS (Pt 16) (Tom Horn - Raiders News Update) - From Seventy-Two Demons to Feathered Serpents: What You Do—and Do Not—Learn in School about American History

It seems likely to me that a mass raising of consciousness and awakening is coming. It should be noted that what is being sold to us in such terms is demonic possession, associated with the dynamic described in the following passage.

8 Then that lawless one will be revealed whom the Lord will slay with the breath of His mouth and bring to an end by the appearance of His coming; 9 that is, the one whose coming is in accord with the activity of Satan, with all power and signs and false wonders, 10 and with all the deception of wickedness for those who perish, because they did not receive the love of the truth so as to be saved. 11 For this reason God will send upon them a deluding influence so that they will believe what is false, 12 in order that they all may be judged who did not believe the truth, but took pleasure in wickedness. ~ 2 Thessalonians 2:8-12

This is the pharmakeia of “that great city Babylon,” - Revelation 18.

23 and the light of a lamp will not shine in you any longer; and the voice of the bridegroom and bride will not be heard in you any longer; for your merchants were the great men of the earth, because all the nations were deceived by your sorcery. 24 And in her was found the blood of prophets and of saints and of all who have been slain on the earth. ~ Revelation 18:23-24

The world is under judgement and is being setup for further judgment. If you are a saint, you are targeted by the Adversary. Draw near to the Lord, who humbles the exalted and exalts the humble.

12 Blessed is a man who perseveres under trial; for once he has been approved, he will receive the crown of life which the Lord has promised to those who love Him. ~ James 1:12

I was going to wrap this post up but the Lord brought up one more item that is necessary.

I enjoyed an exchange of insights in a couple emails with brother Marshall about the Tower of Babel, a very relevant historical subject. What is hoped for later this month is what the builders of the Tower of Babel hoped for. (If you search this blog for tower of babel you'll get plenty of results.) That project is something I'm seeing more and more clearly as a mass ritual towards the end of building a stargate and plundering heaven. The effort that depended upon raising demonic power through unity was frustrated by a divide and conquer strategy that effectively took the mass out of mass ritual. Whatever was their "Great Invocation" (Lucis Trust - Triangles) of the day, it was over. Whatever inventions and supernatural interventions of a full spectrum collection of technological, biological, sex magickal, human sacrificial, alchemical, acoustical and rainbow bridge/“arcnet” (MIB3) kinds suffered a setback of such a degree that only now is success being granted, which I believe is as appointed, right on time according to the master schedule.

The Tower of Babel plot that is now being replayed was just validated to me once again, and by means of the animated feature, Puss in Boots. Anyone unfamiliar with how the Devil's schemes are broadcasted through animated features will think I'm nuts, but like Rango, this 2011 spin-off prequel to the Shrek franchise is worthy of an extended series deconstructing the symbolism. I doubt there's time left for anything of the kind, but here's a brief.

The DreamWorks plot revolved around something of a replay of the fairy tale Jack and the Beanstalk, with a castle in the clouds and a goose who laid golden eggs. The action of the plot involved raiding heaven to acquire what was identified as “the golden pooper.” There was plenty of supporting imagery and language to connect it to the Tower of Babel, with sodomite gateway signals throughout. The idea of sodomizing a god to get the god's power, it's no joke. That's the means and an end, but not the whole of the means or end. The ancient tower of Genesis 11 was made with bricks and mortar, which may be seen as a counterfeit of the living stones in the genuine Temple of the sovereign Creator. Freemasonry uses this construction as a metaphor with trowel symbols to signal the fecal mortar troweled through ritual sodomy to bind two people to each other and to their god.

I'm not going to go into much detail, but it needs to be told here how Puss in Boots stormed heaven with his illuminated partners, three in number, a Triangle. The psi powered (pushing - mental projection thoughts to control minds) supersoldier cat, and the egg (with the power of flight/air) and the masked feline “Kitty Soft Paws” (Alpha and Delta MK-ULTRA programmed like Puss, with the power of deception while stealing) ascended into the heavens to seize the golden pooper and return to earth. They ascended and descended as facilitated by a blue whirlwind, an energy vortex, and in relation to the beanstalk. The beanstalk was a vine grown in a secret mapped location, from three magickal beans (triple helix DNA merging heaven and earth). That beanstalk began as a magickal sprout that featured a single spiral concealing the number 6, the number of a man. Signal; Beast genetics, a DNA strand.

The key player in the mission was Humpty Dumpty, a betrayer like Judas. In a mission-critical maneuver, Humpty Alexander (the great) Dumpty donned a gold covering to masquerade as a golden egg, modeling for us the prized gold light body, a priestly garment body that can ably traverse a dimensional barrier. Everyone on earth who benefitted from the golden pooper's booty kept their golden eggs to present the allegory of the reproductive transformation that joins them with the heavenly sponsors of sodomy. Avatar'ed, hijacked with Beast DNA.

That's a picture of the success denied the stormtroopers on the plain of Shinar, and what is still held in hope for the near future.

Part 8 - Decoding The Penitent Man (2010) - Heaven's vehicles: Bicycles and Baskets ...Gondolas, Elevators

Series Links: Decoding “The Penitent Man”

Bicycle and basket symbolism is pretty well established in the media industry. Bicycles represent heaven's vehicles, UFO craft, and also the ritual sexual activity of trauma-based mind control programming. Those at the scene of the Pretty Parlor picture heaven's vehicles, which are used to traverse between dimensions. Baskets are related, representing transport containers, for both crew and cargo. You'll find a good foundation for understanding their role in these last days in this study, Heaven's Vehicles.

This movie poster features the iconic getaway scene from E.T. the Extra-Terrestrial (1982). The alien is inside the basket as the boy pedals the bicycle through the heavens. The audience understands that the E.T. inside the basket is providing the magic or mentally influencing the physics that enables the bicycle's flight. He's the acting psychopomp. The presence of the facilitating goddess appears as the symbolic identity of the moon. It's given plenty of emphasis, and her light bathes the scene.

The symbols in E.T. probably borrow from The Wizard of Oz, a film that is well referenced in this scene from The Penitent Man. The antagonist, Miss Gulch, rides a bicycle with a basket on it. In this sequence of screenshots we can see her outside the window of Dorothy's bedroom as she and Toto are whisked away to Oz. The house is inside a cyclone in a scene I decode here as the transiting of the celestial Silver Gate: Part 10 - Celestial Stargates - 11:11 Ritual.

Miss Gulch turns into the Wicked Witch of the West. Notice how the bicycle becomes the witch's broom. These are used to fly through the heavens. Combined with the whirlwind, this is potent imagery.

The basket on Miss Gulch's bicycle represents a dimensional container, a special compartment that is used for transport. Think Zechariah 5, where the woman was carried in an ephah-basket.

5 Then the angel who was speaking to me came forward and said to me, “Look up and see what is appearing.” 6 I asked, “What is it?” He replied, “It is a basket.” And he added, “This is the iniquity of the people throughout the land.” 7 Then the cover of lead was raised, and there in the basket sat a woman! 8 He said, “This is wickedness,” and he pushed her back into the basket and pushed its lead cover down on it. 9 Then I looked up—and there before me were two women, with the wind in their wings! They had wings like those of a stork, and they lifted up the basket between heaven and earth. 10 “Where are they taking the basket?” I asked the angel who was speaking to me. 11 He replied, “To the country of Babylonia to build a house for it. When the house is ready, the basket will be set there in its place.” ~ Zechariah 5:5-11 (NIV)

I referenced that passage earlier when I described the baskets of vintage clothing on the Pretty Parlor's patio table. The vintage clothing represents beings in other-dimensional bodies. They are contained within the baskets for transport. Dorothy's dog Toto was put inside Miss Gulch's basket. When she put the basket with Toto inside on her bicycle and rode away, a theurgic ritual manifested, one that was recreated for E.T.'s iconic scene. Toto, the E.T. alien Anubis, who facilitates the flying bicycle stargate transit. Note the hoop-arch dimensional portal form of the handle - and of the lid or door.

During the Wizard of Oz, Toto is seen to leap from three different baskets, and in each case, that action signals a stargate transit. The first instance is when he leaps out of the basket to the ground while Miss Gulch is riding her bicycle down the road. The exit is related to the leaping or falling off of a pedestal, where gravity acting over a distance appears to be the stargate imagery of significance. We next see Toto leap from a basket and off a pedestal when he escapes from the Witch's castle.

In the third instance, Toto is with Dorothy and the wizard in the basket of his hot air balloon. Toto isn't inside a picnic basket this time but he is inside the balloon's basket. He growls at a Siamese cat held nearby and leaps out of the basket and off the raised platform-pedestal, to signal another transit event. (Siamese - Twins - Gemini - Silver Gate) Dorothy follows, joining him in transit. The wizard then ascends in the basket of the balloon, making yet another dimensional transit because he's heading for home, and that's how he got to Oz in the first place.

Hot air balloons that are used as unpowered airships have baskets called gondolas. Powered airships like blimps and zeppelins also convey their crew and cargo inside gondolas. These constructs are sometimes featured in media where they represent transdimensional vehicles. In the TV series, Fringe, airships with gondolas fill the skies of the alternate universe. That imagery was used to alert the viewer that the scene has changed from taking place in our universe to the alternate. A zeppelin is featured in the film, Sky Captain and the World of Tomorrow (2004). This CosmicCatacombs reviewer called the style of the film, retrofuturism. Retrofuturism is a bridging of time-space that joins the past and future together in the present. In the “real world,” this gondola symbolism is leveraged by the Hermes-Mercury-Anubis branded Goodyear blimp, which is a very familiar sight to most of us. The reason for that is the ritual magick that involves the eye-mazing wand, the caduceus. Other gondolas, including the Venetian rowing boats themselves, are also used to represent the crew and cargo containers of transdimensional vehicles. The London Eye, like all Ferris wheels, has gondolas, and note well that the iconic ride is set upon the bank of the Thames-Isis.

Elevators are like gondolas that ascend and descend. The one in The Penitent Man's lobby at the Biltmore signaled another stargate transit, and the elevator is used in many films and TV shows in the same way. Are you familiar with Willy Wonka & the Chocolate Factory? Willy Wonka said, “An elevator can only go up and down, but a Wonkavator goes sideways and slantways and longways and backways and frontways and squareways and any other ways that you can think of...” A similar dimensional compartment transport is leveraged in this Heineken commercial, The City. The, “Eve,” closing scene with the star-red star goddess transition is priceless.

Trains, cable cars, buses, bicycles, baskets, gondolas, whirlwinds, elevators, phone booths, terrariums... Sometimes, the industry presents the “alien” vehicles openly in the form of flying saucers and such, but the role of their own vehicles is far too important to neglect using secret symbols to advance their Occult scheme.

What is it about the bicycle in particular that makes it such a fit symbol? Many have bells on them, which, like those on the fringe of the High Priest of Israel's garment, are for entering into the presence of the divine. Their spoked wheels present us with the ancient rayed symbol of the sun and sun god, and the medicine wheel and calendar wheel, a circle of time. The spoked wheel may be used to complement other layers of symbolsim by signaling pi or the Star of Ishtar or the sodomite gateway (like tires of every kind). Because of how transiting vehicles are often pictured as vogue, being rowing, sailed or paddled, the fact that pedaling provides the motive power probably factors in. Perhaps the main reason why bicycles are such a fit symbol for heaven's vehicles is because they have 2 wheels. The vehicle throne of God that is described in Ezekiel features 4 “bicycles,” after a fashion.

15 Now as I looked at the living beings, behold, there was one wheel on the earth beside the living beings, for each of the four of them. 16 The appearance of the wheels and their workmanship was like sparkling beryl, and all four of them had the same form, their appearance and workmanship being as if one wheel were within another. 17 Whenever they moved, they moved in any of their four directions without turning as they moved. ~ Ezekiel 1:15-17

A wheel within a wheel is a 2 wheeled construct, technically, a bicycle, even though the wheels of the throne vehicle aren't configured in the familiar way. The cover art for “The Time Machine” edition of Classics Illustrated (1956) obviously grasped the concept. The folks who designed the vehicles you see in the poster for MIB3 illustrate another version.

The time travel that took place during the MIB3 film wasn't done using these vehicles, but in another scene they demonstrate their understanding of the wheel-within-a-wheel celestial chariot concept to us as the MIB ride around a special globe at night. The globe features rings representing the paths of orbiting celestial bodies.

With the water of the fountain, allusion is made to the waters that are above and below the expanse called heaven (Genesis 1:6-10). The wheel-within-a-wheel “bicycle” is used to navigate the heavens. It's a space ship, a flying saucer, one of heaven's vehicles akin to the throne of god, a chariot of the gods.

That style of bicycle has been used for mass ceremonial entertainments, like during the opening and closing of recent Olympic Games. Here's a picture of one from Beijing, 2008. The vehicle was used to represent an egg in a massive scale fertility ritual. Eight eggs were fertilized in a conception scene, set within a celestial-supernatural context that centered on the baptism and anointing of the lawless one. That scene was very personally significant because the Lord used it to lead me down this path of interpreting symbolism on a greatly expanded scale.

During Beijing's London Ceremony, three ordinary bicycles were ridden alongside a different kind of vehicle, a red bus, which had a key symbolic role as a heavenly throne. The ordinary bicycles traveled with the celestial throne vehicle so they were obviously passing through the heavens in the same manner. London's iconic double-decker bus was used to convey the gods and goddesses who were involved with the revealing of the lawless one, and very specific sequences were presented to model their ascent and descent. When the bus stopped at the bus stop, the bicyclists rode through without stopping.

The bus was labeled, London 2012, and we saw it arrive in Beijing in 2008. It ritually traversed time-space, arriving as from the future, then returning home after its mission had been accomplished. “To London - 2012,” the bus stop sign reads. A place. And, a time. The bus stop sign features a simple image of the classic flying saucer. The three bicycles that attended its arrival were following a star, according to the very subtle clues provided during that incredibly richly layered Occult ritual. (Olympic Ceremony Symbolism - Part Three)

Before moving on to more bicycle imagery I should make a few more observations from the scene of the transits at the Pretty Parlor. (No, I really wasn't done yet. ;)) I should mention some other shows like The Matrix that use the phone booth for dimensional travel or transformation: Dr Who (the Time Lord), Bill & Ted's Excellent Adventure (1989) and Superman.

The red octagonal “goddess” stop sign is used for traffic control. In the context, its for regulating interdimensional traffic, of course. There's another kind of vehicle in the stargate alignments that I neglected to mention, a car that travels the streets where vehicular traffic is symbolically controlled by the goddess.

At the Pretty Parlor, there are three bicycles, just like how there were three in Beijing's London Ceremony. In this screenshot, all three overlap. There's a vesica piscis included in the stargate transit alignments described in the previous post, which adds another notable layer of Osiris+Isis=Horus imagery. All three bicycles actually overlap inside that vesica piscis, creating an asymmetrical triquetra from the wheels involved. Triple goddess, maiden, mother crone? Triple helix DNA? Probably, yes, and yes.

See the curbing at the edge of the street? Like a hedgerow to a hedgewitch, the curb represents a dimensional barrier in the context of being traversed. Both Pyatt and Darnell hop the curb and cross the street in this sequence.

Remember Coldplay's video of Strawberry Swing? The curbing at the Pretty Parlor compares to the curbing at the bottom of the pavement layer of that stage set. In this screenshot, Chris Martin, the superhero, passes a bicycle as he models a dimensional transit. He makes crawling poses that look like he's racing a bicycle when he makes his exit through the underworld pipe. It looks like he's riding at night with the headlight on. He had already passed by two other objects, a skull and then another skull with Mickey Mouse ears. These three objects are actually related to each other as mind-control imagery, which I'll be addressing shortly.

Beyond that of the bicycle are other symbols shared between Strawberry Swing and the whirlwind transit scene of the Wizard of Oz. In the heavenly abode of the sky-god-squirrel, Chris sneaks past a rocking chair. Auntie Em flies by in the twister in her rocking chair. How vogue! Vogue, also means, “to sail or row -- to go, transport in a vehicle -- to sway, rock -- water in motion -- a rowing, a course.”

Two farm hands can be seen sailing along in the whirlwind, rowing a boat across the sky. Chris Martin paddles a cloud up to the sky castle. Same difference. Some goddess symbols appear separately: A complete tree with roots included; the rooster with the henhouse pyramid (herald of the dawn of the sun god - a showy keeper of time); a dairy cow. Broken pieces of fencing are see flying by because the dimensional boundary is being breached.

Another film that presents the bicycle in a conspicuous way is all about breaching time-space. The plot device in the film, Supercollider (2013), involves the opening of a time portal with a supercollider that is obviously based on the CERN LHC. The opening scene is set at a stepped temple kind of area where the rider of a purple rimmed bicycle leaps into the air.

Signs of dimensional transits appear scattered throughout the film, howbeit not very expertly. A picture of Kiev is featured with a bridge that speaks to me of the kingdom viaduct, the mecillah and stargate. Inside the supercollider's control room, we see the sign, Zero Point, which makes reference to the energy that the collider research is intending to produce. Zero point energy is connected with propulsion systems that derive their energy as from another dimension. Near the sign we see a stuffed dog, signaling Anubis, the dog star, and nearby there is a flower in a vase shown to signal the requisite presence of the goddess. The youth gathered at the “step-temple” where the stunt bike riding is done seem to be doing what unsupervised youth do when they congregate, with hints of substance abuse / entheogenic activity.

With that, I close here with the intent to present examples in another post of the bicycle as a symbol of how the dimensional barrier is breached by other means.