Part 3 - The Avengers - STARK Tower as Space-Time Ark - Tower of Babel, Chrysler Building, Grand Central and Times Square

This is not intended to be an exhaustive study but there are a few more items to be shared that support the identification of the symbolic Stark Tower as a space-time ark and also shed on the Occult nature of some non-fictional neighboring locations.

First, here's a couple relevant news item published during the 3 days when our Internet connection was down.

Portal & Alien Cube UFO Over Texas? (Event witnessed on June 29, 2015)

FBI investigating 11 attacks on San Francisco-area Internet lines (Published July 1, 2015) Trending, cables cut. Note the numbering of 11 attacks.

At an hour and forty four minutes into The Avengers, after the Tesseract is used to open the portal, Thor battles Loki on the Stark Tower, right near the sign. These demigods knock the letter K off the sign and we see it tumble to the ground. The letter K is the alphabet's 11th, and this numbering is important. The numeral 11 as a pair of ones pictures two columns or the sides of a column, which is also a tower, a construction often identified as a stargate. When the K has been knocked off the sign, what's left? STARK - K = STAR, and star is a metaphor for angel. The STARK Tower is a STAR - K tower, a STAR 11 tower. The Stark Tower is a STAR-K stargate and a ST-ARK or space-time ark.



The numeral 11 signaled by the K is an ancient symbol linked to Isis. Isis is the pillar. Compare to the supports spanning heaven and earth in the zodiac from the temple in Dendera, Egypt, on the ceiling of the portico. The K falls during a minute of the movie (1:44) marked with 44. That also signals the goddess because the numbering of 4*4 is the Isis portion of the Pythagorean formula of the esoteric 47th Problem of Euclid. The 11 is specifically identified as the number of the Queen of Heaven in, The Book of the Law, Aleister Crowley's Thelema standard. The book's cover image has the title flanked by two pillars, which might be intereped as, 11. Crowley's O.T.O. had a mysterious eleventh degree that is known to involve anal sex magic. (XI° – Rocket to Uranus - Anal Intercourse and the O.T.O.)

The way The Avengers scene plays, the letter K is broken off when the two male demigods from Asgard cross their weapons, which doesn't mean nothing. I'll develop that esoteric layer because it is not unimportant or unrelated to the space-time hijacking and ark effort.

Thor lands on the tower and issued an order to his brother. “Loki. Turn off the Tesseract or I'll destroy it.” The XO platform where Loki had materialized and ascended the steps to reach is the same one where Iron Man lands and is basically transformed intoTony Stark.The copper ring flips up and he walks through it to be clothed and unclothed. It's the place of a symbolic dimensional transit, a stargate. You ascend there to become a god.

Loki had just been standing there enjoying the moment, holding his staff in his hand. Did you examine the above screenshot closely? That frame passes by in a moment, but there it is. He had been shown dramatically materializing on the Stark Tower and stepping on a platform with an XO design as the camera dramatically spirals around. The spiral is a goddess symbol, and very much connected with magic. Magic is Loki's specialty.

The XO symbol invokes the goddess as the union of the X and O establishes the throne of Isis, according to Kenneth Grant of the OTO. Validating that level of symbolism, a discharge of energy like a flash of lightning comes from Loki's staff as he battles Thor, god of thunder. The XO image plays as a hermaphroditic and sex magic emblem because its composed of the male cross and female circle. Between Loki and Thor, a sexual relationship is being implied. The form of this portal on the Stark Tower presents a figure known as the black sun, which is an anatomical reference like the Eye of Horus. Loki is a shape-shifting demigod and he's manifesting here in his horny helmet head form. Phallic. When he replies defiantly to Thor's demand to turn off the Tesseract, he thrusts his phallic staff out toward Thor and declares, “You can't. There is no stopping it.” Because of his accent, it sounds like he's calling him a, well, you get the picture. He says, “There is only - war,” and that could also be heard as, “There is only - whore.”This isn't all done just to be sly and crude, it's theurgy, and mass programming. It's how those gods are worshiped.

Leading up to when Loki materializes on the Tower, it was emphasized to me how there's a building up of subtle cross circle imagery in a brief sequence, to strengthen the impact of the platform's XO. The design of the ornate railing on a bridge presents an array of obfuscated versions, followed by a collection of umbrella tables in a dining plaza, and then the one in this screenshot that is cleverly composited in a Code 33 named restaurant window. The light arc implies the circle while the letters intersected by the same reflection imply the cross. TAU - a tau cross. I note that the sign of TAUR-US is also being suggested, which supports the abundant celestial Silver Gate imagery. The window sign lettering provides us with three instances of the naming of Ra, or Re.

It's a good exercise to remain mindful of these varied symbols that have been the subjects of so many posts to this blog. It should also be remembered that the cross circle is the heart of the sigil of Nodens, the god of the abyss. The letters X O transform to the number of the abyss (X=24~2+4=6 and O=15~1+5=6 XO ~ 66), and the name on the Stark Tower's sign also transforms to 66.

The Stark Tower's spiraling ziggarut design and its function as a platform for the opening of a dimensional portal in the heavens invites comparison with the ancient Tower of Babel. The account of that appears in the Bible in Genesis 11, the K numbered chapter. Biblical scholar E. W. Bullinger made the following observation in Appendix 12 of the Companion Bible. “We see evidence of it as early as Genesis 11:4, where we read of the Tower of Babel having "his top with the heavens". There is nothing about the wrongly supplied italics "may reach unto". The words, doubtless, refer to the signs of the Zodiac, pictured at the top of the Tower, like the Zodiacs in the Temples of Denderah, and Esneh in Egypt.” (See Part 25 - Celestial Stargates - The Tower of Babel having "his top with the heavens")

Compare the Stark Tower to the version of the Tower of Babel on the poster that states, “Europe: Many Tongues, One Voice.” Spiraling construction. Similar tops. Surrounded by water (the island of Manhattan). Presence of a crane. The poster version's crane is like a tau cross and it's placed in connection with the circle shape, providing an XO feature - like the stargate platform on the Stark Tower. A portal is opened in the heavens above the Tower through which stars fall to earth. Note the alignment of the EU stars in the array. The upside down star alignment means, Spirit into Matter. There are 11 visible “falling” stars in the array, the number given attention by the STAR-K sign's falling K. The design implies that there is a hidden star, which makes 12 total: Zodiac, and time. The poster suggests that the hidden star of the EU tower seems to reign from the penthouse, like Iron Man in Stark Tower, because Pepper (with 12% of the credit) lighted it up from there.

Genesis 11 (K) informs us about a city that was built in connection with the tower of Babel. When most folks think about the account, the city is usually minimized in comparison to the tower. I recommend reading the chapter to see that it is given attention distinctly. City and Tower. Manhattan and Stark Tower. What was recorded about the Tower of Babel suggests that it was all about opening a portal between the earth and heavenly domains. When the stargate is opened at the manifestation of the Antichrist, we believe a version of the heavenly Zion is going to manifest in this realm.


Here's another item I observed in the film that demands comparison. The art deco icon known as the Chrysler Building appears in many scenes. It was the platform from which Will Smith's character dramatically leaped in, MIB3 - Back In Time, in order to be sent back in time to 1969. MIB3 and The Avengers were both released into theaters in May of 2012. Alike, in timing. And, there's a Marvel connection because the Men in Black francise is based on the Marvel Comic series. There's a lot of crossover - call it allusion or whatever - because there's an import of meaning both ways between MIB3 and The Avengers that plays on the exoteric and on the esoteric levels I've been exposing.

The main character's name is Agent K. Or, simply, K. Why did Agent J, Smith's character, have to travel back in time? Because K was going to be killed - like the letter K getting knocked off the sign that subsequently fell to its destruction. K ~ 11. A rocket plays a significant role in the film: Apollo 11. Yeah. 11. And, there's the rocket's direct identification of Apollo, aka Apollyon, Abaddon, Thor, Amaru, Horus...

Here's an excerpt from Wikipedia's synopsis.

“In 2012, an alien criminal, Boris "the Animal", a Boglodite, escapes from a maximum-security prison on the moon and arrives on Earth, bent on taking revenge on Agent K, who shot off his left arm and captured him in 1969. He confronts K, who is with his partner Agent J, telling him he is "already dead". J then discovers that K was responsible not only for capturing Boris, but for deploying the "ArcNet", a shield that prevented the Boglodites from conquering Earth and led to their extinction. Boris travels back in time to kill the young Agent K. With history altered so that K is long-dead, J finds that only his memory has been unaffected, and no one from the Agency understands his obsession with K until Agent O, the new Chief, deduces that there has been a fracture in the space-time continuum. With K out of the picture, the ArcNet was never deployed, and there is nothing to protect the present-day Earth from the Boglodite invasion, so J must travel back in time to stop Boris and save K.”

A lengthy series could certainly be written about the film at this point. (Search the blog for MIB3 to find what I've already written.)

As presented by Columbia (goddess) Films, the future of man is literally riding on the phallus of Osiris, the Apollo 11 rocket.

Agents J and K are riding special cycles in this scene, set in Queens, NYC, featuring a fountain built for the 1964-65 Worlds Fair.

Bicycles are often props used to represent space-time transiting vehicles. See the wire-frame globe as 3D space and the ring of water as time. Intersecting rings are crossed circles, another space-time emblem. Fountains of the deep make allusion to creation and the flood of Noah.

In MIB3, like The Avengers, what's at stake is the destruction or the salvation of mankind. Familiar, right, for those of you tracking this blog? “Alien threat,” breaching our time-space domain resulting in destruction. (Genesis 6. An intended flip: Revelation 19:19)

21 For then there will be a great tribulation, such as has not occurred since the beginning of the world until now, nor ever will. 22 Unless those days had been cut short, no life would have been saved; but [for the sake of ~ thanks to] the elect those days will be cut short. ~ Matthew 24:21-22

Agent J's time mission was required because the enemy (Boris “the animal” ~ Horus the falcon) “fractured” the space-time continuum. Again, familiar, right? Aaron and I think this is why “the model is masked” in the present season, and why time needs to be reset. ArcNet. Allusion to the rainbow - shielding from alien threat. It's a good descriptive of the bow set in the clouds after the flood, the sign of a covenant made by the Creator with man and the earth assuring that what happened won't happen again. Rainbow - evidence of different physics in the atmosphere, a heavenly realm. Accountability for the destruction wrought in the great deluge was attributed to those angels who fell to earth, in an “alien” incursion. They and those of that kind are behind the current threat, as it was in the days of Noah. The dimensional access is sought by hacking the rainbow, from one perspective.

So, a key to success in MIB3's plot is evident in how Agent J remembered. Aaron and I expect that model when time itself has been reset in reality, because of the mission and how that only makes sense if some will have an awareness, some beneficial kind of retention from this season's experience, and probably retained through association with a space-time ark.


Here's another comparison that offers insight in the transfer between similar things. In this screenshot, set against the backdrop of the Stark Tower we see Mercury / Hermes the psychopomp. He's the special agent who is assigned the task of escorting to and from the underworld. That's the abyss. You may recognize this as the iconic clock on Grand Central Terminal's 42nd Street entrance, a significant timepiece at perhaps the world's most famous transportation hub. The Terminal features prominently in several scenes, and the film invites comparison between the Stark Tower and neighboring Grand Central Terminal. The Lord had me drill in a bit to discover why. Like with the Tower of Babel connection I noted, similarity in features points to similarity in purpose. Grand Central Terminal like Stark tower like EU poster like Tower of Babel.

First, the centerpiece of the Hercules, Minerva and Mercury statuary in the screenshot is a clock. Right. The central object of the massive idol is a TIMEpiece. Isn't this display intended to show how the ancient gods rule over time itself? The clock is 13 feet tall, which combines both the meaningful number 13 with 12 (inches per foot - and hour divisions on the face). Wikipedia offers: “ At its unveiling in 1914, the 48-foot (14.6 m)- high trio was considered the largest sculptural group in the world.” It's a significant idol. Also from Wikipedia: “The main information booth is in the center of the concourse. This is a perennial meeting place, and the four-faced clock on top of the information booth is perhaps the most recognizable icon of Grand Central.” The centrality of time. This famous space is a transportation hub, and the reason for the focus on time is obvious. Trains run on tight schedules and passenger activity conforms to the Terminal's referential system. These observations speak on one level to the present reality that man's activity conforms to the referential system of time that is ruled over by the ancient gods. Consider the familiar names of the months and days of the week. You can't argue against the statement made, but that situation won't endure.

The Terminal is a train station. Trains traveling on tracks is a very familiar metaphor. Search this blog for Joel 2 train and you'll see how trains and train tracks represent beings and vehicles transiting stargates with some notable examples. A couple of notable train + water imagery films that come to mind are Snowpiercer and Polar Express. Passing through Grand Central Terminal, major sets of train tracks run right under the MetLife building, and the fictional Stark Tower stands in its place. Signaling the control of space-time (Parts 1 and 2 of this series) and controlling interdimensional traffic (via the Tesseract), that's what the Stark Tower is for in The Avengers, right? It's kind of an adjunct to the Grand Central Terminal that operates in a perpendicular plane.

The Terminal's 13 foot tall statuary clock faces 42nd Street. 42 = 21 + 21. Double Time Street. Another iconic place in Manhattan is Times Square. It's also bounded on one side by that same 42nd Street. Times Square ~ 21 squared or 21*21 ~ 42nd Street. Time geometrically is symbolized as a circle. Times Square ~ Circles Square. Time-Space. That place is known as The Crossroads of the World. Compare to Grand Central Terminal's function as a mega transportation hub, and that of the Stark Tower as the gateway for the invading Chitauri army's entry. Each year, the transition of the popular calendar is marked as the world watches the ball drop in Times Square and together chants the famous countdown. This mega ritual revelry derives from the historical practice at the Greenwich Observatory in London, where the world's standard for time has been established. Ships would set the clocks they depended upon to navigate the globe by synchronizing them with the dropping ball, which was carefully watched for from their mooring on the Thames-Isis River. Daily. At 13:00 hours. 13. 12. Again, like the 13 foot tall idol clock. Seen The Smurfs (2011), where water as time and Times Square are played up BIG?

The Grand Central Terminal (and Stark Tower) sits between Times Square and the Chrysler Building. All are connected by 42nd Street (21+21). Of interest, the Chrysler East property address is: 666 Third Avenue.

Now, recall how the power change from AC to DC was cryptically signaled in The Avengers, from Part 2 of this series. Here's a couple more quotes from Wikipedia. “A "secret" sub-basement known as M42 lies under the Terminal, containing the AC to DC converters used to supply DC traction current to the Terminal. During World War II, this facility was closely guarded because its sabotage would have impaired troop movement on the Eastern Seaboard. It is said that any unauthorized person entering the facility during the war risked being shot on sight; the rotary converters could have easily been crippled by a bucket of sand.” Shot on sight. That's serious. Why M42? M is the 13 letter, and there's the 21+21 numbering again, matching 42nd Street. Spilling sand. Hmmmmmm. Sand is a time symbol, the sands of time, like in the gym's Everlast heavy-bags. Troop movements on the Eastern Seaboard. Sea water as time. Troop movements. A hub for the transiting armed forces. Familiar stuff.

So, AC to DC conversion. Why bother cryptically signaling that to us in the framing of the Stark Tower launch and recruiting sequence? When we become aware of how Grand Central Terminal is given such a high level of attention and how the features compare, and see the similarity in function on the esoteric level, it makes sense. The Avengers is actually revealing Occult secrets of the Grand Central Terminal. Theurgy is at work, and the details are according to what is learned from the gods. The AC to DC bit has to do with establishing a key allegorical connection, which represents the legitimate supernatural connection. You know about energy vampirism, right? There is in this theurgic ritual we've been studying a drawing from and adding to a kind of cistern or reservoir of collected demonic spiritual energy. It's like when a witch raises energy inside a magic circle before sending it out into the world in the casting of a spell. A massive amount of human energy has been collected at Grand Central over the years, and harnessed through the design and no doubt supported by many Occult rituals. Grand Central was built and owned by the Vanderbilt (Illuminati) family.

We know that we are of God, and that the whole world lies in the power of the evil one. 20 And we know that the Son of God has come, and has given us understanding so that we may know Him who is true; and we are in Him who is true, in His Son Jesus Christ. This is the true God and eternal life. ~ 1 John 5:19-20

With eyes that see, we examine the symbolism and glean what meaning there is in the beans spilled learn what the Lord would have us to know about what things really mean in this world. The trains of the Grand Central Terminal's transport system depend on the power conversion like what was illustrated with the Stark Tower, and the space-time ark depends on a power source off the grid - power drawn from another dimension as from the Tesseract and Stark arc reactor.

Tesseract. Anagram: A ST (space-time) SECRET. Add that alongside, ACT RESETS.

Have you been giving attention to the CERN LHC, and the D-Wave adiabatic quantum computer and not unrelated AI advances?

Plenty to chew on in this Anthony Patch clip, and this one too: Deadly Shots And Third Strand DNA/Interview from N68's The Great Work.

The latest from D-Wave Systems is the D-Wave Two, which has an approximately rated 512-qubit CPU. The increase over the approximately 128 qubit chips of the D-Wave One was accomplished by tiling the qubit pattern of the D-Wave One, a pattern named chimera by D-Wave Systems. Do you know what a chimera is, biologically? Think, beast, post human. Mark of the Beast. Image of the Beast.

Here's a few more connections of note to tie into this spider's web of time-space manipulation imagery.

The Main Concourse of Grand Central Terminal has an elaborately decorated astronomical ceiling, but there is an anomaly. Wikipedia offers, “ For example, Orion is correctly and beautifully rendered, but the adjacent constellations Taurus and Gemini are reversed both internally and in their relation to Orion, with Taurus near Orion's raised arm where Gemini should be. One possible explanation is that the overall ceiling design might have been based on the medieval custom of depicting the sky as it would appear to God looking in at the celestial sphere from outside, but that would have reversed Orion as well. A more likely explanation is partially mistaken transcription of the sketch supplied by Columbia Astronomy professor Harold Jacoby.” Here's a suggestion. It calls out that precise location to give attention to the Silver Gate, doorway to the underworld-duat.

Attention is given to that very place in the representation of the heavens on another famous ceiling, on the ancient temple's portico in Dendera, Egypt.The marker on the circular Dendera zodiac I mentioned is described in this quote, and the one opposite at the Golden Gate is also mentioned. “Then, beyond these "heaven-holders", on two sides of the work are rectangles patterned with rows of chevrons, symbol of water, which must represent the Milky Way Galaxy, the stream of the heavenly waters. This is apparent because when we look at the night sky we see the heavenly stream of the Milky Way cross the zodiac at Gemini/Taurus, and also at the opposite side of the sky at Sagittarius/Scorpio. The Dendera Zodiac precisely shows the chevron rectangles below Gemini/Taurus on one side, and below Sagittarius/Scorpio on the other side.” (The Circular Stone Zodiac of Dendera, Egypt -The most dynamic image of the heavens ever created ) The rows of chevrons described are extended wave glyphs. Think, Genesis 1 and the waters of the expanse. The Golden and Silver Gates are water gates, water-as-time gates. The celestial Silver Gate is what was opened up in The Avengers above Stark Tower. What do you think the Marvel Comics Silver Surfer character is spilling the beans on?

Bullinger believed the biblical text of Genesis 11:4 indicated how the tower of Babel probably featured the zodiac. I think he was right. Here's something. The Hoover Dam, a star map of the Pleiades in Taurus that was made to document the exact location in space and time of an event, and angelic guardians I call tuning fork angels. Water, falling, falling and falling generating massive amounts of energy, with a model of the throne of Zeus-Satan.

For a season in 1957, under that Grand Central Terminal's ritual zodiac ceiling sat a very significant rocket, the PGM-11 Redstone. MIB3 featured the rocket that launched ArcNet, Apollo 11. There's that 11 again. The Avengers featured Iron Man's occasional blasting off from the tower and blazing into the sky like a rocket man, and he went right up through the dimensional portal with a nuclear tipped missile to save the day, falling back through the portal to earth as it's savior.

Here's a collection of observations from Wikipedia: “The PGM-11 Redstone was the first large American ballistic missile. A short-range surface-to-surface rocket, it was in active service with the United States Army in West Germany from June 1958 to June 1964 as part of NATO's Cold War defense of Western Europe. It was the first missile to carry a live nuclear warhead. A direct descendant of the German V-2 rocket, the missile was the foundation for the Redstone rocket family, It was developed by a team of predominantly German rocket engineers relocated to the United States after World War II as part of Operation Paperclip. Redstone's prime contractor was the Chrysler Corporation.”

Connect the dots. Nazi science. The vendor was the same Chrysler Corporation that was headquartered in the Chrysler building seen in The Avengers and featured in MIB3. Nuclear tipped missile, like the one Iron Man sent through the stargate. Redstone. Red - Adam. Stone - crystal DNA. Ascending man into the heavens.

Wow. Potent. That's a lot of ritual energy!

Part 4 - Pope Francis - The Keys to Death and Hades

In this series of posts exploring the meaning of the latest Pope's branding we turn our attention to his unique contribution to the Papal Coat of Arms, the shield and motto. The short version of the official explanation of the motto is that, “miserando atque eligendo” means: "by having mercy, by choosing him," which some reduce down a little more to, “lowly but chosen.” It's considered an expression of humility. The brief on the shield is that the symbols honor Jesus Mary and Joseph. While that satisfies the curiosity of most, it barely hints at what's really represented.

I've already addressed how the shield redundantly signals ritual sodomy, and that should really be kept in mind to keep all this in perspective. Sex magick and the signaling of the same is standard fare for tares. Celestial imagery is obviously present in the sun and star, and this is also standard fare for tares, who have leveraged the ancient knowledge of astronomy, astrology and alchemy in building projects and arts of every kind for millennia. The expression of the Hermetic Maxim is implicit in Bergoglio's personalized charges, where the elements invoke the power behind the symbols - “As Above, So Below.” While these elements may look pretty generic as presented, we can be assured that they are not. A comparison of the Pope's heraldry and a Masonic tracing board suggests that what is signified by the star and grapes may be the Pleiades, the cluster associated with the constellation Taurus. Other kinds of clues allow the symbolism to be developed further. I'm aware that the official explanation is that the cluster of grapes isn't what it looks like. While I believe there's a hint of truth in their claim that it's nard, or spikenard, its mostly a misdirection because there's far more to it than just that.

Tom Horn and Cris Putnam have been publicizing the Vatican's interests in astronomy as they promote their new book, Exo-Vaticana. With the newly installed Pope's personal brand bearing celestial symbolism, we have to ask whether this is just coincidental or whether there might be some connection.

The Vatican owns and operates an observatory on Mount Graham in Arizona. This expresses more than a casual interest. Their primary instrument is the Vatican Advanced Technology Telescope or VATT, but there is a large binocular telescope named the L.U.C.I.F.E.R. Project nearby their facility. By name, Lucifer is the name of the god acknowledged by many of the elite as the “true god” they serve. Oops. What's the Vatican's interest? Apparently, it relates to their coming savior. They appear to be monitoring the heavens for signs of his approach.


As you read the following excerpts make note of how Tom identifies the priests involved as Jesuit, yes, like Pope Francis.

“Such technical language aside, the “Observers” who are approved to operate VATT and what they are using it for these days is what would take us through the looking glass. This was confirmed minutes later by the Jesuit Father on duty that day (whom we got on film) who told us that among the most important research occurring with the site’s Vatican astronomers is the quest to pinpoint certain extrasolar planets and advanced alien intelligence.”

“Captivating comments from Jesuit priests like Guy Consolmagno—a leading astronomer who often turns up in media as a spokesman for the Vatican who has worked at NASA and taught at Harvard and MIT and who currently splits his time between the Vatican Observatory and laboratory (Specola Vaticana) headquartered at the summer residence of the Pope in Castel Gandolfo, Italy, and Mt. Graham in Arizona. Over the last few years, he has focused so much of his time and effort in an attempt to reconcile science and religion in public forums specifically as it relates to the subject of extraterrestrial life and its potential impact on the future of faith that we decided to contact him. He agreed to be interviewed from Rome, and over the numerous exchanges that followed he told us some things that seemed beyond the scope. He even sent us a copy of a private pdf, a literal goldmine of what he and the Vatican are considering regarding the ramifications of astrobiology and specifically the discovery of advanced extraterrestrials... in which he admits how contemporary societies will soon “look to The Aliens to be the Saviours of humankind.””
(Exo-Vaticana - Pt 1)

Their watch post is an observatory and, based upon what Tom and Cris have already described online, that their savior is expected to come from space is no longer in doubt. Something long anticipated is approaching. I find it intriguing that Bergoglio was just “inaugurated” as Pope, and that “auguring” is the divining by observing birds. “The augur was particularly watchful of birds of prey, such as the eagle and interpreted the turning movements of a flock of birds as an omen.” (The role of the augur in Ancient Rome) I have demonstrated how an eagle is hidden in the Pope's heraldry and showed how it represents his god, the feathered serpent. Worshipers of this god across the globe and spanning the ages claim the promise he made to return from the heavens will soon be fulfilled. Quite literally, the Jesuits on Mount Graham are as the augurs of ancient Rome.

Just such a Papal engagement with an ET messiah has been modeled by others in significant ways. For one example, when I was led to study the London Ceremony of the Beijing Olympics (2008) I recognized the bus as a heavenly transport and the crossing guard as the Pope in scenes of welcoming a savior and facilitating a reproductive scheme intended to avenge the purge effected in the great flood of Noah's day. As I watch according to the Lord's command in Mark 13:37, I see detail filling in what is declared in prophetic sketches in the scriptures. Have you considered how the true Messiah departed and how it is He will be seen returning?

9 And after He had said these things, He was lifted up while they were looking on, and a cloud received Him out of their sight. 10 And as they were gazing intently into the sky while He was going, behold, two men in white clothing stood beside them. 11 They also said, “Men of Galilee, why do you stand looking into the sky? This Jesus, who has been taken up from you into heaven, will come in just the same way as you have watched Him go into heaven.” ~ Acts 1:9-11

Those who scripted and sponsored the Olympic Ceremony in that stadium in Beijing know what's coming, like the Jesuits and the Vatican elite. Olympism is a religion, research it for yourself. They openly worship Zeus and lead the world in doing the same. They look to welcome Apollo, his son. Others who are complicit in the scheme claim to honor Lucifer, and others worship Amaru, the feathered serpent under the false pretense of honoring my God.

If you don't think we worship that god in America, maybe you need to get out more. In my neighborhood, one of the busier stores around features his idol, an image of the plumed serpent, disguised as produce. I believe the reference being made by “Whole Foods” is to us. We are the “whole foods,” our flesh and the life in our blood are what literally feeds the gods. Their store brand label (365) accurately pictures the four pagan seasons and elements of the witch's magick circle. This is the real world.

If you don't have any of those nearby, perhaps you're beginning to feel the impact of ObamaCare. Here's the official imagery that was used by the Feds to promote that agenda. Give that some thought. The wand of Hermes that is also known as the caduceus has been widely implemented as a medical symbol, popularly replacing the rod of Asclepius. Watch for it. The medical community is well stocked with “whole foods” style eaters, feeding off blood and suffering. Hermes received that magickal implement from Apollo. Yes, Apollo, that very Amaru, the plumed serpent, the Amarucan eagle. The caduceus is made in his image! Note the three stars overhead in the bubble over America.

For some time now I've been considering the two gods known as Horus and Hermes and their relationship, and how they factor in to Bible prophecy. These appear to be identified with the two beasts of Revelation 13. I see Hermes-Mercury bearing the caduceus as a picture of the beast with two horns, like a lamb, and the image of the first beast, the feathered serpent Horus-Apollo.

11 And I saw another beast coming up out of the land, and it had two horns, like a lamb, and it was speaking as a dragon, 12 and all the authority of the first beast doth it do before it, and it maketh the land and those dwelling in it that they shall bow before the first beast, whose deadly stroke was healed, 13 and it doth great signs, that fire also it may make to come down from the heaven to the earth before men, 14 and it leadeth astray those dwelling on the land, because of the signs that were given it to do before the beast, saying to those dwelling upon the land to make an image to the beast that hath the stroke of the sword and did live, 15 and there was given to it to give a spirit to the image of the beast, that also the image of the beast may speak, and [that] it may cause as many as shall not bow before the image of the beast, that they may be killed. ~ Revelation 13:11-15 (YLT)

(Peculiar reference is made to the land and those dwelling in it. Where else would they dwell? Hmmm.)

This Pope Francis or some other will fulfill the role that seems likely to be associated with the ancient demon god still worshiped as Hermes. Who is the shepherd of flocks of sheep? Hermes is the god whose wand has now associated with healing deadly wounds. He is the psychopomp who controls access to the netherworld, and the Pope with his priesthood are called upon to administer last rites to those near death, the final so-called sacrament of which is the “administration of the Eucharist, known as "Viaticum," which is Latin for "provision for the journey."” (Wikipedia) The wand of Hermes mazes the eyes, casting a spell of delusion and control, and the great city Babylon, which is Mystery Babylon, deceives the world through pharmakeia, sorcery. Hermes is the god of fertility and of commerce. Have you read Revelation 18 lately?

It is appropriate to note at this point that Hermes or Mercury is a celestial body, a planet. Horus or Apollo is closely identified with our sun, but these are not the only links between these celestial entities and the lights in the heavens.

So, the Pleiades, along with Orion and Sirius, are often named in connection with that plumed serpent and others of the Devil's alias identities. I believe these celestial lights and the angels associated with them are represented by the charges on the Jesuit Pope's shield. I've already linked the star and the bunch of grapes to the Pleiades through the pair as a "star cluster" as the Coat of Arms matches to the Masonic tracing board, but more connections are about to be explored.

Here's where this is taking us. I'm stating it plainly right up front. The shield symbols, as part of the whole, appear to involve a binding magick, engaging seven spirits that wield legitimate authority over man. This may sound like an absurd supposition, but what these agents of darkness are doing is working! Magick works through symbols, and this is how I read this very important symbol that represents a legitimate magickal working. It should be obvious from Revelation 13 that there is genuine supernatural authority being exercised. Is there no sign of it, no physical evidence at hand? The working of the demonic authorities in the earth has ever been expressed through physical substance, concrete objects and the expression of forms. Let's see what lies opening before us.

There are several levels of interpretation of the celestial symbols and I'm going explore a few. I'd like to present this is a more linear fashion, but the material does not lend itself thus. I'm going to proceed with what amounts to an intersection of themes I've covered before relative to the Hoover Dam, which I developed in the context of Rango, the animated feature film.

What we find at the Dam links the Amarucan eagle to the Pleiades while including the element of binding or controlling supernatural authorities. This is a strong intersection, and I highly recommend taking the time to read the following post. Part 49 - Rango - Hoover Dam, Alcyoneus and the Hypercube Tuning Fork Angels

At the Dam, a special visitors area has a large Amarucan eagle represented near to a star map of the Pleiades. Again, these are two features represented in the official heraldry of Pope Francis. The place is sacred to Lord Pakal Ahau, Mayan priest. I've been told pagans perform sacred rituals at the Dam, at 3 AM. The hydroelectric facility is modeled on the Altar of Zeus referenced as “where Satan dwells” in Revelation 2:13.

The 142 foot flagpole at the Dam is flanked by 30 foot high bronze “Winged Figures of the Republic,” which may be intended as a signal receiver, perhaps specially tuned for “listening.” Could this be related somehow to what's being watched for from Mount Graham in Arizona, less than 500 miles to the southeast?

Here's what I wrote in the post I referenced.

“You see in this image of a star map at the Dam, the prominent name, Alcyone. Alcyone is the name of a star in the Pleiades, referenced above in Job 38 in the context of binding. The star is a metaphor for an angel, and there is a legendary giant named Alcyoneus, a star child, hybrid angel human, Nephilim. Legend has it he was created to destroy the gods. Is Alcyone, the named star of the star map at the Dam, indicating that Alcyoneus is the subject of magickal binding at the facility?”

In the Rango post I explore the matter of binding. Read it carefully with a view to see just how important the symbolism of binding heaven and earth was to the designer.

31 “Can you bind the chains of the Pleiades, Or loose the cords of Orion? 32 “Can you lead forth a constellation in its season, And guide the Bear with her satellites? 33 “Do you know the ordinances of the heavens, Or fix their rule over the earth? ~ Job 38:31-33

31 Dost thou bind sweet influences of Kimah? Or the attractions of Kesil dost thou open? 32 Dost thou bring out Mazzaroth in its season? And Aysh for her sons dost thou comfort? 33 Hast thou known the statutes of heaven? Or dost thou appoint Its dominion in the earth? ~ Job 38:31-33 (YLT)

If you're the kind of Bible reader who glosses over details as being unimportant you're in the wrong place. When celestial imagery is identified in the context of binding and loosing there's some profound truth being expressed. The Devil is not stupid. When the 200 Watchers fell, they taught men the secrets of heaven. When builders who follow mystery traditions align their projects with the dog star Sirius and Orion and the Pleiades, it's not done for no reason or to no effect. They are led by their god as I am led by mine. As Jorge Bergoglio developed his heraldry, his hand was guided by an unseen force. When the VATT and LUCIFER were built upon Mount Graham, which is said to be sacred to all the native Amarucans, that same spirit was being honored with obedience.

“The Cherokee Indian calendar ends in the year 2012 and their flying rattlesnake god returns. The “Cherokee Rattlesnake Prophecies,” also known as the “Chickamaugan Prophecy” or the “Cherokee Star Constellation Prophecies,” are part of a series of apocalyptic prophecies made by members of the Cherokee tribe during 1811–1812. Like the Maya, the Cherokee calendar ends mysteriously in the year 2012 when astronomical phenomena related to Jupiter, Venus, Orion, and Pleiades cause the “powers” of the star systems to “awaken.”” (Pt 13: Petrus Romanus)

The bunch of grapes on the Papal shield is a symbol used to represent the star cluster Pleiades. “Not nearly as many peoples associate the Pleiades with a cluster of grapes, but there are some... ”(The Bible and the Pleiades by Gerardus D. Bouw, Ph.D.) For another example: “The appearance of Pleiades resembled a bunch of grapes, and was appropriately given that title, not only because its stars were clustered together, but also because, in myth, those stars were the nymphs who nursed baby Dionysus after his mother passed away.” (Dionysus and the Origin of Wine) The symbolism of the grape cluster set alongside the five pointed star and under the stylized sun references the Pleiades in a particular celestial context.

There is a supernaturalism in this, and if there were not, the second commandment would not have been given, which explicitly connects the crafting of a symbol to the worship of idols. I'm not just some ignorant nut going on about mere superstition or hollow tradition. When the Pope's brand was updated, his star and grapes were changed from white to yellow, the color of star light or angel illumination and power. I believe this reflects what the flying rattlesnake god worshiping Cherokee prophesied about, the “astronomical phenomena related to Jupiter, Venus, Orion, and Pleiades,” and that the “powers” of the star systems were indeed “awakened” in some fashion. An active demonic supernaturalism is manifest in our world, the dark power of antichrist delusion. Whether this Pope or some other will fulfill the role of the biblical false prophet, that appointed season where he anoints the beast is now exactly 2 years hence, as I write.

Here is what I believe to be an essential set of scriptures describing this Pope's heraldry.

13 and in the middle of the lampstands I saw one like a son of man, clothed in a robe reaching to the feet, and girded across His chest with a golden sash. ...16 In His right hand He held seven stars, and out of His mouth came a sharp two-edged sword; and His face was like the sun shining in its strength. 17 When I saw Him, I fell at His feet like a dead man. And He placed His right hand on me, saying, “Do not be afraid; I am the first and the last, 18 and the living One; and I was dead, and behold, I am alive forevermore, and I have the keys of death and of Hades. 19 Therefore write the things which you have seen, and the things which are, and the things which will take place after these things. 20 As for the mystery of the seven stars which you saw in My right hand, and the seven golden lampstands: the seven stars are the angels of the seven churches, and the seven lampstands are the seven churches. ~ Revelation 1:13, 16-22

The Pleiades are referenced historically as seven stars, and these are often linked to the seven stars seen in his right hand, which are the angels of the seven churches. Pay particular attention to verses 17 and 18 and the context of what he says and what he does with his right hand, in which are held seven stars. Death and resurrection are in view, and the claim of possessing “the keys of death and of Hades.” There are those who perceive in this the agency of the psychopomp Hermes, the magick of Isis and of the phoenix, Amaru. Here we have the Pleiades and the power of binding wielded by the god identified with the sun. Those who present themselves as angels of light acquire the form of it for their darkened and darkening purposes.

When the Vatican tells us that the two keys on the Papal heraldry represent the keys to the kingdom that were presented to Peter, there's a truth in that where a binding and loosing authority is expressed, but what should be evident from this latest iteration is how the two keys are those of death and of Hades referenced in Revelation 1:18! Recall from Revelation 13:11-15 how this kind of authority is seen in the context as what the beast with two horns like a lamb will do is described.

Here's a very relevant excerpt from an email exchange between Tom Horn and Chris Pinto. Chris writes:

“It is further worth considering the writings of Manly P. Hall on these things, since the Roerichs knew Hall personally, and Helena wanted her sons discipled by him. On the symbolism of the number seven, he wrote: “By the Pythagoreans the heptad-seven—was called ‘worthy of veneration.’ It was held to be the number of religion, because man is controlled by seven celestial spirits.… It was called the number of life.… Keywords of the heptad are fortune…control, government, judgment…that which leads all things to their end” (Hall, Secret Teachings of All Ages, p. 72).

In his writings, Hall claimed that the apocalypse of St. John the Divine (book of Revelation) was a symbol for the entire pantheon of the pagan mysteries. He described the Christ figure thus: “In the opening chapter of the Apocalypse, St. John describes the Alpha and Omega…this Sublime One thus epitomizes…the entire sweep of humanity’s evolutionary growth—past, present, and future.” He continued, “The seven stars carried by this immense Being in his right hand are the Governors of the world” (Hall, The Secret Teachings of All Ages, pp 185–186).” (Apollyon Rising 2012 Redux: Part Eight -- Secrets of the Great Seal )

In that same article, Tom wrote about the subject, that: “As we will show later, there is a fascinating third possibility—that the “seven stars under the sign of the three stars” is a reference to the star systems Pleiades and Orion.”

Get firmly in mind what Hall declared about that heptad, which is distinctly associated with the Pleiades, and that these stars are considered to be the Governors of the world. Obviously, anyone who controls the world, like an antichrist beast and false prophet, for example, must have the seven stars in their right hand.

31 “Can you bind the chains of the Pleiades, Or loose the cords of Orion? 32 “Can you lead forth a constellation in its season, And guide the Bear with her satellites? 33 “Do you know the ordinances of the heavens, Or fix their rule over the earth? ~ Job 38:31-33

The Hebrew word for rule is found only here, “mishtar:” “rule or authority.” The word for earth is “erets,” the land. Recall from Revelation 13:11-15, the focus on the expression of authority and the expressions of control over those who dwell in the land.

11 And I saw another beast coming up out of the land, and it had two horns, like a lamb, and it was speaking as a dragon, 12 and all the authority of the first beast doth it do before it, and it maketh the land and those dwelling in it that they shall bow before the first beast, whose deadly stroke was healed, 13 and it doth great signs, that fire also it may make to come down from the heaven to the earth before men, 14 and it leadeth astray those dwelling on the land, because of the signs that were given it to do before the beast, saying to those dwelling upon the land to make an image to the beast that hath the stroke of the sword and did live, 15 and there was given to it to give a spirit to the image of the beast, that also the image of the beast may speak, and [that] it may cause as many as shall not bow before the image of the beast, that they may be killed. ~ Revelation 13:11-15 (YLT)

I believe the “As Above So Below” Hermetic Maxim will manifest accordingly, and that this Coat of Arms of Pope Francis presents us with an exhibit of the Papal authority as it will soon manifest. The three nails in the Jesuit icon represent the hardware used to bind heaven to earth as the man from heaven was nailed to the earthly tree. The Papal imagery of the star cluster adds to the regal mitre and keys, giving redundant expressions of the reality of this supernaturalism.

The first definition Strong's Concordance offers for the word “hades” used in Revelation 1:18 is, “name Hades or Pluto, the god of the lower regions.” Witchcraft operates through the binding of demons. Having the keys to death and Pluto (also, a celestial body) or Hades is a big deal.

It should be known that what the Bible declares is, simply is. Authority will be granted to a pair of men who will substitute for Jesus and John the Baptist, who was the High Priest ordained to baptize and anoint the lamb of God. The world will have what it demands. Right on time. Nearly all will be deceived in this action, and the delusion grows yet more and more strong to deceive all but a small number. What must be known to be included in that small number is more than what you see now among those who hold up this Pope and his church as false, of that I am absolutely convinced. Today, the evident supernatural delusion is impressive, but when the time comes that matters most, what will be brought forth will make what we now see pale in comparison.

More to follow, Lord willing!

Part 21 - Rango - Time Travel, a Transdimensional Vehicle and DNA Portal

Continuing from the previous post and continuing to focus on the scene where the chameleon has his first interaction with Beans, there's a fascinating and essential element of the Beast revelation scenario featured in the scene; the UFO craft. I write about this regularly so I'm not going to explain much here. See Heaven's Vehicles and
Olympic Ceremony Symbolism - Part Three (about half-way down) for some of what I've written.

At the scene of the counterfeit baptism, transdimensional travel will play a role and a fit vehicle will be present. It seems likely that the lawless one, after being publicly anointed with authority, will enter into a throne vehicle to make his departure. This was modeled during the Beijing Olympics in the London Ceremony in 2008 and it is modeled again in Rango.

The Lawless One will have convincing evidence backing his claim of being "alien," of having entered our time-space domain by extension from another. This explains why Beans tells Rango: "You ain't from around here, are you?" It explains why she says, "Now, it's a puzzle of undeterminable size and dimension." Undeterminable dimension? Right. Would that be a fourth, or higher, perhaps? More NLP. Note the allusion to space and time with "size" and "now." Puzzle solved?

Give some thought to why it is that, when the episode of tonic immobility passes, Beans blurts out, "And until the people of Andromeda Five return him safe and sound, I will not sell my ranch!" Now, the only way to interpret that is as a reference to alien abduction! This directly imports into the mind the imagery of aliens coming and going, taking people away in UFO craft. This is what we are shown when Rango is taken away in the wagon, which illustrates just such a craft!

It should become pretty obvious from the multitude of clues provided that the wagon Beans uses to chauffeur Rango signifies a heavenly chariot.

Do the 144k and the Beast ride off together in biblical type? If so, I haven't noted it, but I believe they do separately, in different ways to different places for different purposes. That the 144k do get heavenly transport is a subject I wrote about in one of the studies in Beyond the Veil. I'll excerpt that here to introduce the biblical Hebrew word "agalah."

"These Egyptian carts are awesome! They are what convinced Jacob of his son's testimony about Joseph! The word used here for 'carts' is Strongs # 5699. 'agalah, ag-aw-law'; from the same as H5696; something revolving, i.e. a wheeled vehicle:--cart, chariot, wagon. The Egyptian carts will transport the families of the 144k to heaven, so this is not a convoy of Hummers, hay wagons or U-Haul trailers. Have you ever read about Ezekiel's vision of the throne with the wheeled vehicle under it? That's apparently Joseph's Egyptian chariot!"
Joseph and Benjamin - Part II

The wagon Rango rides away in is just such an "agalah" transport, used for interdimensional travel.

Consider the image here of the wagon's departure. See how the shadows of the wheels appear centrally under the wagon, hinting at some vertical propulsion mechanism. The shadow wheels extend from the wheels that cast the shadows across to the other wheels - exactly, touching precisely, as intersecting!

This was the appearance and structure of the wheels: They sparkled like chrysolite, and all four looked alike. Each appeared to be made like a wheel intersecting a wheel.

Ezekiel 1:16

Rango's departure in the wagon is transport in a heavenly throne vehicle signifying his ascension to and in a heavenly throne. The genuine described in Ezekiel equates to the unearthly Temple's Most Holy Place wherein is found the ark of the covenant, with winged creatures on top. It's with respect to the Holy of Holies that we find what is to me perhaps the most intriguing symbolism in view! It involves the use of sound to facilitate dimensional travel.

The only person permitted access to the Most Holy Place was the High Priest of Israel, and that, only on one day of the year. Other requirements had to be met too, or even then he would die in the attempt. The requirement that relates most particularly to his accessing the Most Holy Place and thereby entering into the presence of Yahweh without dying is the tinkling sound made by the bells and pomegranates on the hem of his garment.

33) You shall make on its hem pomegranates of blue and purple and scarlet material, all around on its hem, and bells of gold between them all around:
34) a golden bell and a pomegranate, a golden bell and a pomegranate, all around on the hem of the robe.
35) It shall be on Aaron when he ministers; and its tinkling shall be heard when he enters and leaves the holy place before the LORD, so that he will not die.

Exodus 28:33-35

If you can watch this scene, listen to the noise the bottles make when the wagon moves. They tinkle like little bells! I have been pondering for some time what it means that this is a wagon filled with bottles, and now I know! There are two reasons that have been revealed to me. One is that the tinkling sound is required to facilitate transdimensional access to the heavenly realm and abode of the gods! This compares to the High Priest's access to the Most Holy Place and the golden bells and pomegranates he wore, when "its tinkling shall be heard ... so that he will not die."

This explains why Beans asks Rango the following "composite question" after climbing into the wagon. "So, are you gonna die out here or do you want a ride into town?"

The mariachi owls attest to this interpretation as they prophesy his certain demise in the narrative presented during the voyage. With evil genius, they reference the Sirens of ancient Greece. By this means they link this situation with what is more than mere fictional mythology when mortals died while interacting with the gods! Hint. HINT! These were the beings who lured passing mariners with their irresistible songs. The enchanted sailors drew near to hear them and subsequently drowned in the sea as their ships broke up on the rocks. Yeah, more embedded NLP. But Rango does not die. He is the right man at the right time, and the tinkling sound facilitates his journey so that, like the High Priest, he does not die!

Dimensional travel may involve movement from one point in space to another but it also involves time. Beans makes cryptic reference to time travel once Rango has climbed into the wagon, with bottles tinkling. "Today's Wednesday," she says. "And Wednesday's when we all get to it." "Today's Wednesday"? Time. "Get to it." Travel. So, time travel. Cryptic. NLP. Get it?

Even the superficial level of the plot supports the transdimensional travel theme because, with that declaration, Beans is referring to the weekly ritual water ceremony. If you remember from an earlier post in this series, that pictures the DNA transformation portal where one joins with the gods and becomes divine! The DNA transformation equates to regeneration that is akin to resurrection. The version in view is a counterfeit, temporary and corrupt, of course, but nonetheless real.

Now, the other reason why the agalah wagon is filled with bottles is to illustrate the resurrection principle. We can assume the empty bottles on the wagon were intended to be filled with water, like the many other empties we see throughout the movie. We know one of them (a Mason jar) contained ashes. Beans said they were her daddy's. Even though she appeared to correct our inference that they were what remained after cremation, it's obvious the correction was for misdirection. So, we have jars with a person's ashes and jars intended to be filled with water. These are the elements of a biblical purification ritual that is a resurrection type!

For the unclean person, put some ashes from the burned purification offering into a jar and pour fresh water over them.

Numbers 19:17

The ashes represent the dead body (actually messianic). The fresh water represents life. Adding water to the ashes in a jar is a reconstitution, symbolically transformative, a resurrection! This was presented in an appendix of Beyond the Veil titled Resurrection on the Third Day. This link will open the study about 3/4 the way down the page to a section titled, The Purification Ritual. As I've been saying, the key to being able to recognize dramatic modeling is familiarity with what's being modeled.

Some of you may have already been granted insight into how death and resurrection relates to time travel, which has to help grasping the whole "jars on the wagon" bit. This is deep stuff. If you've heard the euphemism "gone on ahead" used when saints die, well, it's really wonderfully expressive! I'm not going into detail here, but when the body is dead there is a spiritual perspective and a physical. With no burden of the body, physical mass is not involved with who and what you are. Without mass, you exit the time/gravity/3-space realm and constraints. "You" don't pass "Go", you don't collect $200 but you do arrive at your appointed and earned resurrection, which is back on the "linear" time line after your point of departure. If that doesn't make sense, please don't ask me to explain. Ask the Lord, OK? I don't know much, but I do know stuff.

So then, the Rango imagery mimics the biblical symbol that is the purification ritual, and you should understand that even the mimicry of a symbol is powerfully effectual in preparing for the targeted season. Folks are prepped in advance. They will buy in!

Is the devil familiar with this? Does he understand the details of the law given through Moses and officiated by the Levitical priesthood? Is he clever enough to embed layers of relevant symbolism in animated features? I think, yes. Are you able to perceive how Rango is a tool that prepares folks for when the events pictured happen? Those who watch movies and see ads and logos and hear music and speeches are programmed to respond in certain ways. When the Lawless one is revealed, few will be able to resist his will. Few indeed.

When we hear Beans say the word "sound" in her emotional alien abduction reference ("And until the people of Andromeda Five return him safe and sound..."), what is achieved through subliminal means (which is becoming more popularly referred to as "perception without awareness") is that "sound" and the activity involved in the alien abduction are linked in our minds. These are common elements in a theme that keeps repeating in my studies.

Time is a factor in sound. Sound travels at a particular speed through a medium, and speed is expressed as distance traveled over time, for example in miles per hour. Sound is also vibration with a property called frequency, which is related to pitch. Frequency may be expressed in a scale of measurement called hertz (Hz). The note referred to as middle C is 261.63 Hz. Brilliance, which is the sounds of bells and the ringing of cymbals is in the 10th octave range, spanning from 16384 to 32768 Hz. Sound effects things by transferring energy to them, most effectively when there is resonance involved. Think: tuning fork. This is in play when frequencies are in common between the physical or chemical structures acted upon and the sound imparting its energy.

I believe the wagon wheels themselves witness to the time element. They are 12 spoke wheels like the hours marked off on an analog clock face, or perhaps on a sun dial. As you may recall from earlier in the series, these wagon wheels are also sun wheel symbols, the sign of Horus.

There's another set of time references that actually includes the location of a very relevant Bible verse! When Rango responds to Beans' questioning about his role and what he's involved in, he prefaces his literal song and dance routine with the following.

Rango: Oh! Well, I...I...I'm glad you asked. I've got two one acts, a mystery and a musical I've been gestating. I've got the words. I'm just kinda workin' on the melody right now. It's like a... [humming a tune] This is - I think it's gonna be a western.

Two one acts? How about we follow the NLP tip-off and take a look at the book of Acts? Two one Acts - chapter two verse one.

And when the day of Pentecost was fully come, they were all with one accord in one place.

Acts 2:1

This features an explicit time-space reference. Time references found: "when...fully come" and "day." Spatial reference found: "all...in one place." Do you see it? This verse is particularly relevant because the season of the lawless one's revealing and interaction with the Bride and 144k will come at Pesah, which is directly related to Pentecost by 50 days. The 50 day time span between them is the primary feature of that holy day of sparse description also known as Shavuot! It is the period of the Counting of the Omer, a daily countdown: Frequency, one count per day.

The Omer is actually a count of 49, which in the context I relate as a fractal to 490 and 4900. It relates to the Yobel, the Jubilee and legal provisions for debt and forgiveness. This ties in to the 70 generations (70x70=4900) prophesied by Enoch relative to a particular dimensional constraint, but I'll leave that to your study.

Do you see how the diabolically clever phrase "two one acts" taps the hidden theme of dimensions, time and space! But wait, there's more! One of the meanings of "two one" or the number 21 is, time. I know. Over the top!

Yesterday, I was going to include most of what you're reading here with yesterday's post, but I divided it up. As I posted Part 20 it occurred to me that I was now going to be publishing content featuring the subject of time in the 21st post. This happened before, just over a year ago. See Part 21 - Rochester, NY - The Clock of Nations and World Domination. That 21-time connection was so obviously directed by the Lord as it came in connection with #22 and the two signs involving the associated bell study. The Lord has been working with me on the subject of time and matters of timing for many years, and He's still at work! Praise the Lord! It's a big deal!

So, returning to the Acts 2:1 reference. Shavuot in Acts 2 is famously a holy day where there was a supernatural sign marking out a particular people. Few realize it, but this event took place at the Temple in Jerusalem, where folks had gathered for the Feast and congregated at that very hour. David Flynn has presented evidence that the Temple is a center of time in his book, Temple at the Center of Time.

This location will be the center of supernatural activity when the scene pictured in Rango happens!

4) who opposes and exalts himself above every so-called god or object of worship, so that he takes his seat in the temple of God, displaying himself as being God.
...
9) that is, the one whose coming is in accord with the activity of Satan, with all power and signs and false wonders

2 Thessalonians 2:4,9

After Rango says, "I've got two one acts," he continues the list. He adds, "a mystery," suggesting the scene is a mystery to be solved. He then adds, "a musical." A musical is a theatrical production that has an emphasis on music and singing, which are sounds, frequencies! Rango adds, "I'm just kinda workin' on the melody right now." A melody is a combination of pitch and rhythm, involving the actual musical portion of a "musical" production, with the time factor involved in both pitch and rhythm. He then hums a tune, providing a demonstration lacking a language component. The words, of course, are not the immediate subject of attention. He says, "...it's gonna be a western." With that, Rango gives yet one more time (it's gonna be) and space (Western) reference.

Beans uses the word "puzzle" and Rango, "mystery." If we haven't solved it yet, to borrow a phrase from Wheel of Fortune, it's time to buy a vowel. The revealing of the lawless one with come with an opened dimensional portal. A man familiar but now changed will appear on the scene in a baptism with supernatural power near where similar things happened earlier in history. He will present convincing evidence of an otherworldly origin and authority. He will depart this realm by ascending in a throne vehicle.

Rango's version left in a cloud of dust with the tinkling peccary (swine) powered wagon's wheels stirring up the desert floor. Y'shua ascended from the Mount of Olives and a cloud received him out of sight.

9) And after He had said these things, He was lifted up while they were looking on, and a cloud received Him out of their sight.
10) And as they were gazing intently into the sky while He was going, behold, two men in white clothing stood beside them.
11) They also said, “Men of Galilee, why do you stand looking into the sky? This Jesus, who has been taken up from you into heaven, will come in just the same way as you have watched Him go into heaven.”

Acts 1:9-11

That return is not far off! Hallelujah!

Next post up, Lord willing, I'll interpret the meaning of the dream sequence that marked Rango's night in the drain pipe.

"Fringe" Way Over the Top! - Part 18: Piano Stargates in Media

This blog post is supplemental to a video where we feature 5 clips from the series, Fringe. Here, you'll find many of our observations about the content, links to watch the video, to the playlist for previous installments in the series, and to some recommended collateral studies.

To Watch: "Fringe" Way Over the Top! - Part 18: Piano Stargates in Media


(full HD version for streaming or download)

Please leave your comments here on this blog post or on the Bitchute video.

Find the "playlist" for this piano stargate series here.

KEY: Words with a dash and numbers show gematria values of interest that appear in the dialog and those associated with the objects seen onscreen.

---

Clip 1: Fringe S1-E17 "Bad Dreams"

The opening scene is the segue that begins a long Janus ritual sequence: "We need to talk to him NOW!" * Janus, god of time

"Where's the fire?" * Expression meaning, what's the rush? Emphasis on TIME

"I-54 ALWAYS LOVEd-22 that-13 expression-54-54" * Featuring significant gematria - Love Code 54 with a 22-13 power combo

"Lab Assistant (L.A. 12+1=13) was killed in-13 a fire" * Janus rules over death

We immediately see a piano (88keys, evoking Dimensional Transit Code 88, and Janus, god of keys) and a lamp-21-252 shade-222 -- with a pile of books on the table-13 * book book BB22 BBB222 BB88...

"Oh, that takes me back" * into the PAST - in time! Evoking time travel

CLOCK (Janus time) dresser-88 - lamp-21-252 - shade-222 - an open-13 book

"I remember" * reflecting on the PAST in time! * "Belly" is Dr-22-13 William Bell-13. A bell is a dimension transiting device, which is occasionally played up in Fringe episodes in very blatant ways!

"whipping up-222 a peyote-22 mash-22" * Peyote-22 mash-22 is a psychedelic drug-22. * evokes MK-ULTRA mind control use of drugs

Walter and Belly experimented on children, programming them toward the discovery and leveraging of their special psi powers as supersoldiers!

"Let-222 me guess" * Code 222 is a Antichrist number in Theomatics - resonates with Code 22

The piano evokes "dimensional transit" Code 88 because of the 88 key keyboard. Janus - god of keys, boundaries and passages. On the piano is an exercise-88 wheel (of TIME) in a glass-13 hamster cage. Nearby is a glass-13 window-88. Peter's sitting on the piano bench-22. There is sheet-21 music on the piano (signaling time because the notation features time signatures and 21 is a time number. The nearby curtains feature the vertical pleating that evokes the open stargate.

One of the white keys on the keyboard is depressed, calling attention to it. * Janus, god of keys. key-13 keys-21 "perception" -- Huxley-22 (Iconic Sci-fi novel: "Brave NEW-12-252(12x21) World") while showing lamp-21-252(12x21) dresser-22

"Perception is the key-13 to transformation" Janus, god of keys, god of transitions/transformations as the end of one state and the beginning of another.

This is actually magic! Walter and Dr. Bell are magicians, turning Olivia into a magician. And programmers who made her a mind-controlled slave.

"Reality is both subjective and malleable-54. If you can dream a better world you can make a better world." This is "magical thinking." It also evokes the practical reality of hypnotism and the exercise of certain Psi powers.

"Or-21-12 perhaps travel between them" * Walter is explicitly referring to a STARGATE transit as he responds to Peter, who is sitting at the piano!

And, it is at this very point that piano music begins softly in the soundtrack - magnifying the symbolic piano layer of this ritual!

Peter responds to Walter's unexpected and perhaps seemingly non sequitur response, "What did you just say?" He's still at the piano*88 sitting on the bench-22 next to the piles of books-BB-22-88. pile-21-252(12x21)

Nick-22 Lane-22
fridge-113

On top of the piano is a box-13 with the game, "Operation"-113, evoking medical procedures - and the "date of the revealing of the lawless one and time reset" Code 113.

Olivia has been paired or twinned with Nick-22 Lane-22, which is how it commonly is with Illuminati slaves. She has the special skill of jumping between universes, as Dr. Bell tells her explicitly.

---

Season 2 Episode 18: "The Man from the Other Side."

With his piano in the scene, Walter demonstrates how they sent Dr. Bell's car from "this universe to the other side." Janus ritual begins with a knock at the door and Peter opens it letting Olivia inside. Janus god of doors and passages. Doorway-88.

Walter apologizes for how early it is in the day * Janus, god of time. He stutters "I'm I'm. repeating the power combo: "I'm-22-13"
Olivia replies: "okay, okay * Code 666 transformation because of the associated symbolic hand sign.
Walter begins to explain, NOW - in TIME.

The toy car-22-13 (power combo) is on a box-13 (wood-21 cutting board-22) on the table-13 that is round * signaling the circle of time.

Walter pours a line of salt on a circular table to represent the boundary between dimensions. Witches typically include salt as an essential element in their magic. When they cast a magic circle, they will sometimes pour a line of salt on the floor or ground around the circumference to mark that dimensional boundary. Within that "bubble" of "sacred" space they conduct their ceremonial rituals, perform sacrifices, raise energy and cast spells.

Walter demonstrates using a toy car-22-13 that represents Dr-22-13 Bell's Monte-22 Carlo-22 while wearing a robe-22. This part requires 3 tuning forks (fork-22) Theomatic's antichrist number is signaled by the tines, (2 2 2 or Code 222) There's redundancy in the "return back and reset" Code 22 and mastery-of-time+rebel+lord+beast Code 13. This powerful signaling reveals what this ritual is about!

The featured toy car is a 1963 Alfa Romeo 2600 Touring Spider. A car from that make is called an Alfa-88. This resonates with the 88 key piano and magnifies the dimensional transit or stargate Code 88!

While the piano is most easily recognizable, we see both of Olivia's hands on the table, palms down. Her wristwatch is clearly visible, evoking TIME-Janus. Palm-21-252(12x21)

The car is sent down a ramp-21 - demonstrating gravity, which is caused by warping time.

The mirror on the set is a metaphor for this dimension and a "mirror" dimension. Also, framed objects represent dimensional frames. See our "Somewhere in Time" video series for more examples.

stained glass-13 window-88 -- lamp-21-252(12x21) shade-222

---

Season 2 Episode 21: "Over There."

This clip begins in the alt-verse. The Fringe Division is investigating a threat to their universe triggered by a crossing over from the other side. The main set involved features a grand piano!

McDonalds "golden arches" - Janus, god of arches. The element gold is Code 22 (AU is 1+21 is 22) frenchfries-666 resonates with the Fringe division logo. FF=66 and circle=O=15=6

The location of the dimensional breech is an opera house-22 that features a grand piano *88 with bench-22. Next to it is the only other instrument on stage, a cello-88. "FringeDivision-88 The investigative and containment team together with the two instruments and the opera house redundantly signal Dimension Transiting / Stargate Code 88 - and also the return back and reset Code 22!

Lincoln Lee (LL 12 12) places a silver dollar with a date (time) on it in a glass of water - and it floats. Time is money -- Water-as-time -- glass-13, mastery of time. It's a gravity test, and gravity is caused by warping time. In the zoomed-out shot appears the cello-88 and the conductor-113 stand-13. Beeps-88

"We can't have another Boston-22, captain." * That's a repeat - resonating return back and reset Code 22!

Countdown (Janus) begins, "Warning. one MINUTE to quarantine."
"massive-88 loss of life-22 will result." Janus, god of birth and death, and gates and passages.

A dead man is found upstairs with a picture id and money (TIME is money) from the other universe. He had crossed over, causing their "stage-three degradation event."

"Saw a blue-13 flash through the-12 window-88."

---

Season 4 Episode 7: "Wallflower"

This clip is set in the alt-verse, but the apartment is familiar. The piano is present as the conversation revolves around the transiting between the dimensions. The return back theme is dominant! Major Janus ritual!

"Sorry it took SO LONG (TIME) for Broyles to sign-22 off*Code 666 on this stuff." The notable "Intersection" Code Combo!

Peter Bishop welcomes Fringe Division agent Lincoln Lee in, through the doorway-88 Janus, god of doors and passages. We see the action unfold as a reflection in the mirror. Why? Because the scene is set in the alt-verse, the realm of the mirror's reflection. Lincoln is native to that universe. While Peter is from there, originally, he mostly grew up on other side, which he considers home. The entry's framed mirror is a kind known as a Janus mirror because those are intended for an entryway. Coat/hat rack - mirror for checking appearance on exiting and arrival.

The next wall mirror is framed (dimensional frames) and oval-22 with a shelf-22. In an entry area, this is where you would keep your keys-21 for your car-22-13 and house-22. Key-13

"for-21 all your help-13 the-12 other DAY-12, I'm-22-13 surprised he-13-13..."

"like-222 a human being-222. I haven't been getting that-13 a lot LATELY-21. (TIME) I appreciate it."

"get-13 you back home to where-22 you came-22-13 from?" - resonates "return back and reset" code 22 * spoken with the piano*88 in view.

"The-12 machine was powerful enough to snap-22 me out of-21-12 my TIMELINE. It stands to reason that-13 it's powerful enough to snap-22 me back in-13." implicit: to his TIMELINE. - resonates "return back and reset" code 22

"...getting back home-13." * resonates "return back and reset" code 22

"Alt-Universes, different TIMELINES. Olivia says that-13, EVENTUALLY all of-21-12 this will seem-21-252 run of-21-12 the-12 mill."

Time-Binding:

- @ 21:52 - 21 appearing on counter means 22nd minute - Peter comes through doorway - doorway - Janus - there is a mirror showing Peter's reflection in the same shot.
- @ 21:53 ET - 22nd minute - Lincoln - time language - "sorry it took so LONG-21 to sign-22 off on this stuff"
- @ 21:56 ET - 22nd minute - Peter - more time language - "I was STARTING to get worried."
- @ 21:58 ET - Lincoln - more time language - "...the other DAY-12..."
- @ 22:12 ET - Peter - time language - "...getting that a lot LATELY"
- @ 22:13 ET camera shot changes - we see the piano in the background
- @ 22:14 Lincoln says, "So, you really think it'll get you BACK to where you came from?" - referencing the other TIME-line that Peter views as his home.
- @ 22:17 ET Peter responds - "The machine was powerful enough to snap me out of my timeline." - Piano is still visible (blurry) in the background behind Peter.
- @ 22:21 Peter is finishing his sentence about the machine being powerful enough to get him back into his timeline "...to snap me back in."
- @ 22:25 - Peter -"...It's my best chance of getting BACK home-13"
- @ 22:26 - Lincoln - "Alt-universes, different timelines."
- @ 22:30 - Lincoln - more time language - "...EVENTUALLY, all of this is...."

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Season 4 Episode 8: "Back To Where You've Never Been."

The title of this episode evokes the reset of time that we're eagerly anticipating! We've already experienced 2012, of course, but not the version we'll find ourselves in!

This final clip features the really blatant piano stargate transit we previewed earlier. The setting is the same opera house featured in the other clip where a tense near-quarantine situation raised a lot of energy for the occult ritual.

Lincoln Lee (L-12 L-12) stammers, "if-12 if-12" * Redundantly signaling the time number.

"It'll cut you in half." resonates the number 2, division, and 22 as the cutting of the flesh-22(11)

"crossing through" - the portal between dimensions.

"I killed (Janus) a guy like-222 that-13 ONCE-222 ... He-13-13 was a bad guy."

Olivia: "Good-13 luck." winks * signaling the eye of Horus - Lady Luck goddess - goddess of stargate transits - and the sodomite gateway.

Agent Lee is seen crossing over through the portal, right in front of the piano*88 in the opera house-22.

"You Okay"? *Code 666

As they descend to the lower plane on their way to the exit, they remain right in front of the piano.

Time-Binding:

- @ 13:13 they are on the stage of the opera house-22 getting ready to fire up the dimensional portal/transiting equipment
- @ 13:51 Peter and Lincoln have finished coming through the portal and it powers off - showing the piano on the stage in the background.

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For collateral study:

Fringe and the Dandelion Sign of the Pending Time Reset
Janus Ritual - Real, Effectual - and Common! * Also, here's two articles (wikiwand and romanpagan.wordpress websites) that will help you learn about Janus and Janus worship, so you can be better able to recognize when Janus rituals are being performed in media productions.
Time Number Codes and the Plus-Ones

Curious about the pending reset of time? Learn more here: The Pending Reset of Time

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