"Fringe" Way Over the Top! - Part 18: Piano Stargates in Media

This blog post is supplemental to a video where we feature 5 clips from the series, Fringe. Here, you'll find many of our observations about the content, links to watch the video, to the playlist for previous installments in the series, and to some recommended collateral studies.

To Watch: "Fringe" Way Over the Top! - Part 18: Piano Stargates in Media


(full HD version for streaming or download)

Please leave your comments here on this blog post or on the Bitchute video.

Find the "playlist" for this piano stargate series here.

KEY: Words with a dash and numbers show gematria values of interest that appear in the dialog and those associated with the objects seen onscreen.

---

Clip 1: Fringe S1-E17 "Bad Dreams"

The opening scene is the segue that begins a long Janus ritual sequence: "We need to talk to him NOW!" * Janus, god of time

"Where's the fire?" * Expression meaning, what's the rush? Emphasis on TIME

"I-54 ALWAYS LOVEd-22 that-13 expression-54-54" * Featuring significant gematria - Love Code 54 with a 22-13 power combo

"Lab Assistant (L.A. 12+1=13) was killed in-13 a fire" * Janus rules over death

We immediately see a piano (88keys, evoking Dimensional Transit Code 88, and Janus, god of keys) and a lamp-21-252 shade-222 -- with a pile of books on the table-13 * book book BB22 BBB222 BB88...

"Oh, that takes me back" * into the PAST - in time! Evoking time travel

CLOCK (Janus time) dresser-88 - lamp-21-252 - shade-222 - an open-13 book

"I remember" * reflecting on the PAST in time! * "Belly" is Dr-22-13 William Bell-13. A bell is a dimension transiting device, which is occasionally played up in Fringe episodes in very blatant ways!

"whipping up-222 a peyote-22 mash-22" * Peyote-22 mash-22 is a psychedelic drug-22. * evokes MK-ULTRA mind control use of drugs

Walter and Belly experimented on children, programming them toward the discovery and leveraging of their special psi powers as supersoldiers!

"Let-222 me guess" * Code 222 is a Antichrist number in Theomatics - resonates with Code 22

The piano evokes "dimensional transit" Code 88 because of the 88 key keyboard. Janus - god of keys, boundaries and passages. On the piano is an exercise-88 wheel (of TIME) in a glass-13 hamster cage. Nearby is a glass-13 window-88. Peter's sitting on the piano bench-22. There is sheet-21 music on the piano (signaling time because the notation features time signatures and 21 is a time number. The nearby curtains feature the vertical pleating that evokes the open stargate.

One of the white keys on the keyboard is depressed, calling attention to it. * Janus, god of keys. key-13 keys-21 "perception" -- Huxley-22 (Iconic Sci-fi novel: "Brave NEW-12-252(12x21) World") while showing lamp-21-252(12x21) dresser-22

"Perception is the key-13 to transformation" Janus, god of keys, god of transitions/transformations as the end of one state and the beginning of another.

This is actually magic! Walter and Dr. Bell are magicians, turning Olivia into a magician. And programmers who made her a mind-controlled slave.

"Reality is both subjective and malleable-54. If you can dream a better world you can make a better world." This is "magical thinking." It also evokes the practical reality of hypnotism and the exercise of certain Psi powers.

"Or-21-12 perhaps travel between them" * Walter is explicitly referring to a STARGATE transit as he responds to Peter, who is sitting at the piano!

And, it is at this very point that piano music begins softly in the soundtrack - magnifying the symbolic piano layer of this ritual!

Peter responds to Walter's unexpected and perhaps seemingly non sequitur response, "What did you just say?" He's still at the piano*88 sitting on the bench-22 next to the piles of books-BB-22-88. pile-21-252(12x21)

Nick-22 Lane-22
fridge-113

On top of the piano is a box-13 with the game, "Operation"-113, evoking medical procedures - and the "date of the revealing of the lawless one and time reset" Code 113.

Olivia has been paired or twinned with Nick-22 Lane-22, which is how it commonly is with Illuminati slaves. She has the special skill of jumping between universes, as Dr. Bell tells her explicitly.

---

Season 2 Episode 18: "The Man from the Other Side."

With his piano in the scene, Walter demonstrates how they sent Dr. Bell's car from "this universe to the other side." Janus ritual begins with a knock at the door and Peter opens it letting Olivia inside. Janus god of doors and passages. Doorway-88.

Walter apologizes for how early it is in the day * Janus, god of time. He stutters "I'm I'm. repeating the power combo: "I'm-22-13"
Olivia replies: "okay, okay * Code 666 transformation because of the associated symbolic hand sign.
Walter begins to explain, NOW - in TIME.

The toy car-22-13 (power combo) is on a box-13 (wood-21 cutting board-22) on the table-13 that is round * signaling the circle of time.

Walter pours a line of salt on a circular table to represent the boundary between dimensions. Witches typically include salt as an essential element in their magic. When they cast a magic circle, they will sometimes pour a line of salt on the floor or ground around the circumference to mark that dimensional boundary. Within that "bubble" of "sacred" space they conduct their ceremonial rituals, perform sacrifices, raise energy and cast spells.

Walter demonstrates using a toy car-22-13 that represents Dr-22-13 Bell's Monte-22 Carlo-22 while wearing a robe-22. This part requires 3 tuning forks (fork-22) Theomatic's antichrist number is signaled by the tines, (2 2 2 or Code 222) There's redundancy in the "return back and reset" Code 22 and mastery-of-time+rebel+lord+beast Code 13. This powerful signaling reveals what this ritual is about!

The featured toy car is a 1963 Alfa Romeo 2600 Touring Spider. A car from that make is called an Alfa-88. This resonates with the 88 key piano and magnifies the dimensional transit or stargate Code 88!

While the piano is most easily recognizable, we see both of Olivia's hands on the table, palms down. Her wristwatch is clearly visible, evoking TIME-Janus. Palm-21-252(12x21)

The car is sent down a ramp-21 - demonstrating gravity, which is caused by warping time.

The mirror on the set is a metaphor for this dimension and a "mirror" dimension. Also, framed objects represent dimensional frames. See our "Somewhere in Time" video series for more examples.

stained glass-13 window-88 -- lamp-21-252(12x21) shade-222

---

Season 2 Episode 21: "Over There."

This clip begins in the alt-verse. The Fringe Division is investigating a threat to their universe triggered by a crossing over from the other side. The main set involved features a grand piano!

McDonalds "golden arches" - Janus, god of arches. The element gold is Code 22 (AU is 1+21 is 22) frenchfries-666 resonates with the Fringe division logo. FF=66 and circle=O=15=6

The location of the dimensional breech is an opera house-22 that features a grand piano *88 with bench-22. Next to it is the only other instrument on stage, a cello-88. "FringeDivision-88 The investigative and containment team together with the two instruments and the opera house redundantly signal Dimension Transiting / Stargate Code 88 - and also the return back and reset Code 22!

Lincoln Lee (LL 12 12) places a silver dollar with a date (time) on it in a glass of water - and it floats. Time is money -- Water-as-time -- glass-13, mastery of time. It's a gravity test, and gravity is caused by warping time. In the zoomed-out shot appears the cello-88 and the conductor-113 stand-13. Beeps-88

"We can't have another Boston-22, captain." * That's a repeat - resonating return back and reset Code 22!

Countdown (Janus) begins, "Warning. one MINUTE to quarantine."
"massive-88 loss of life-22 will result." Janus, god of birth and death, and gates and passages.

A dead man is found upstairs with a picture id and money (TIME is money) from the other universe. He had crossed over, causing their "stage-three degradation event."

"Saw a blue-13 flash through the-12 window-88."

---

Season 4 Episode 7: "Wallflower"

This clip is set in the alt-verse, but the apartment is familiar. The piano is present as the conversation revolves around the transiting between the dimensions. The return back theme is dominant! Major Janus ritual!

"Sorry it took SO LONG (TIME) for Broyles to sign-22 off*Code 666 on this stuff." The notable "Intersection" Code Combo!

Peter Bishop welcomes Fringe Division agent Lincoln Lee in, through the doorway-88 Janus, god of doors and passages. We see the action unfold as a reflection in the mirror. Why? Because the scene is set in the alt-verse, the realm of the mirror's reflection. Lincoln is native to that universe. While Peter is from there, originally, he mostly grew up on other side, which he considers home. The entry's framed mirror is a kind known as a Janus mirror because those are intended for an entryway. Coat/hat rack - mirror for checking appearance on exiting and arrival.

The next wall mirror is framed (dimensional frames) and oval-22 with a shelf-22. In an entry area, this is where you would keep your keys-21 for your car-22-13 and house-22. Key-13

"for-21 all your help-13 the-12 other DAY-12, I'm-22-13 surprised he-13-13..."

"like-222 a human being-222. I haven't been getting that-13 a lot LATELY-21. (TIME) I appreciate it."

"get-13 you back home to where-22 you came-22-13 from?" - resonates "return back and reset" code 22 * spoken with the piano*88 in view.

"The-12 machine was powerful enough to snap-22 me out of-21-12 my TIMELINE. It stands to reason that-13 it's powerful enough to snap-22 me back in-13." implicit: to his TIMELINE. - resonates "return back and reset" code 22

"...getting back home-13." * resonates "return back and reset" code 22

"Alt-Universes, different TIMELINES. Olivia says that-13, EVENTUALLY all of-21-12 this will seem-21-252 run of-21-12 the-12 mill."

Time-Binding:

- @ 21:52 - 21 appearing on counter means 22nd minute - Peter comes through doorway - doorway - Janus - there is a mirror showing Peter's reflection in the same shot.
- @ 21:53 ET - 22nd minute - Lincoln - time language - "sorry it took so LONG-21 to sign-22 off on this stuff"
- @ 21:56 ET - 22nd minute - Peter - more time language - "I was STARTING to get worried."
- @ 21:58 ET - Lincoln - more time language - "...the other DAY-12..."
- @ 22:12 ET - Peter - time language - "...getting that a lot LATELY"
- @ 22:13 ET camera shot changes - we see the piano in the background
- @ 22:14 Lincoln says, "So, you really think it'll get you BACK to where you came from?" - referencing the other TIME-line that Peter views as his home.
- @ 22:17 ET Peter responds - "The machine was powerful enough to snap me out of my timeline." - Piano is still visible (blurry) in the background behind Peter.
- @ 22:21 Peter is finishing his sentence about the machine being powerful enough to get him back into his timeline "...to snap me back in."
- @ 22:25 - Peter -"...It's my best chance of getting BACK home-13"
- @ 22:26 - Lincoln - "Alt-universes, different timelines."
- @ 22:30 - Lincoln - more time language - "...EVENTUALLY, all of this is...."

---

Season 4 Episode 8: "Back To Where You've Never Been."

The title of this episode evokes the reset of time that we're eagerly anticipating! We've already experienced 2012, of course, but not the version we'll find ourselves in!

This final clip features the really blatant piano stargate transit we previewed earlier. The setting is the same opera house featured in the other clip where a tense near-quarantine situation raised a lot of energy for the occult ritual.

Lincoln Lee (L-12 L-12) stammers, "if-12 if-12" * Redundantly signaling the time number.

"It'll cut you in half." resonates the number 2, division, and 22 as the cutting of the flesh-22(11)

"crossing through" - the portal between dimensions.

"I killed (Janus) a guy like-222 that-13 ONCE-222 ... He-13-13 was a bad guy."

Olivia: "Good-13 luck." winks * signaling the eye of Horus - Lady Luck goddess - goddess of stargate transits - and the sodomite gateway.

Agent Lee is seen crossing over through the portal, right in front of the piano*88 in the opera house-22.

"You Okay"? *Code 666

As they descend to the lower plane on their way to the exit, they remain right in front of the piano.

Time-Binding:

- @ 13:13 they are on the stage of the opera house-22 getting ready to fire up the dimensional portal/transiting equipment
- @ 13:51 Peter and Lincoln have finished coming through the portal and it powers off - showing the piano on the stage in the background.

---

For collateral study:

Fringe and the Dandelion Sign of the Pending Time Reset
Janus Ritual - Real, Effectual - and Common! * Also, here's two articles (wikiwand and romanpagan.wordpress websites) that will help you learn about Janus and Janus worship, so you can be better able to recognize when Janus rituals are being performed in media productions.
Time Number Codes and the Plus-Ones

Curious about the pending reset of time? Learn more here: The Pending Reset of Time

Find most of our video and audio here:
Video & Audio Catalog
Video "Playlist" Catalog

Our Channels

→ Bitchute: The Open Scroll
→ Brighteon: The Open Scroll
→ Rumble: The Open Scroll Mirror
→ YouTube: When Cometh That Thief in the Night
→ YouTube: The Open-ish Scroll
→ YouTube: These Patterns are Amazing
→ YouTube: Stormy's Reverse Speech

Mass Ritual from 2015: Hoover Dam was the site of a major event as Freightliner unveiled their Inspiration Truck

It was back in the spring of 2015 that Aaron and I experienced some major transition, in preparation for what's still to come. We had just come to learn that time was going to be reset back into the past to replay what should have happened but didn't, and about the timing of that matter, we still knew very little. There were no updates to the blog from April 30 until May 11 when I reported that there had not been much to report beyond that the Lord was working with us. It recently came to our attention that on May 5 there was an event involving an AI at the Hoover Dam, the dramatic introduction of an autonomous (self-driving) truck that was ushering in a new age. We see this corporate event sponsored by Daimler in context as one magic ritual among many, the sum of which has driven our timeline into the ditch, as it were.

Here's a short clip featuring the opening segment that was projected on the dam. Keep the water-as-time metaphor in mind as you watch. The dam is where the potential energy is exploited.

Hoover Dam Projection - Freightliner Show (May 5, 2015)
"The Hoover Dam, one of the top 10 engineering marvels of the world was the chosen location for Freightliner to launch their new groundbreaking autonomous truck, the Freightliner Infinite Inspiration. Presented in front of a live audience perched high above on the Dam's observation deck, the event was also streamed to millions around the globe."

The opening segment pictures a time-lapsed journey that seems to begin with a time reset restoring the dam from broken bits. We see a transitioning through several ages with some dramatic celestial/terrestrial stargate modeling. The unlocking of the material dam that exposes the clockworks-like machinery is more than a little interesting. So is the projection of the map and the nearby Las Vegas sign, which is known as Sin City. This dam features a special memorial visitor area that has a compass rose zodiac and a celestial map that locates the place and time in a way observers from somewhere off-planet would be able to interpret. While some may say, "Dude, it's just art-deco," the design of the star map's visitor area reveals to those who can recognize such things that it's an Occult energetic ritual location, featuring "tuning fork-angels" and a flagpole antennae and even a grand scale of "Temple of Zeus/Satan" modeling in the facility located at the base of the outlet side of the dam.

A long version of the Freightliner event is on YouTube. The projection show begins about 3 minutes in, but this link takes you directly to one of the other interesting scenes, a tunneling effect. Unveiling Freightliner Inspiration Truck From Hoover Dam







In Rutledge Wood's commentary - "Tonight we're gonna blow your minds. We'll SPELLBIND you with memorable and moving program with this awe inspiring backdrop that is the Hoover Dam." In the 13th minute (mastery of time) a man whose face is projected over truncated pyramid forms is talking about the FUTURE - and what is from their "perspective kind of a holy grail."

Mayans had been meeting at that location during 2011-2012 for regular midnight-3 PM rituals. The plot of the Transformers film featured the Hoover Dam as the place where the All-Spark cube had been hidden, the source of the alien life that animated the transforming (shape-shifting fallen angel) vehicles. The Freightliner Inspiration Truck resembled the leader of the transforming Optimus Prime. That was a Western Star 5700 Phantom Custom, and Western Star is part of the Freightliner Trucks division. In the movie, Fools Rush In (1997), the dam is the setting for a birth of Horus ritual as Salma Hayek's character, Isabel Fuentes, went into labor and gave birth at the film's climax (as ISIS and Our Lady of Guadalupe - The name "Fuentes" means, "fountains, spring, well").

In a very key season we had much to write about these things, which have continued to resonate with us, and especially so in this season as the reset of time draws near.

Amarucan Eagle as Feathered Serpent, Hoover Dam and the Mayan Lord Pakal Ahau (April 10, 2012)

Part 49 - Rango - Hoover Dam, Alcyoneus and the Hypercube Tuning Fork Angels (March 31, 2012)

Fringe and the Dandelion Sign of the Pending Time Reset

A few days ago I noticed this definition for Clock: #6 "The downy flower head of a dandelion that has gone to seed."

The TV series Fringe featured the dandelion clock in a very significant way in an episode that first aired on September 28, 2012 in an extremely notable season. Fringe: 5.01: Transilience Thought Unifier Model -11 aka Dandelion Wine (The Simple Joys of Yesterday)

"Oh, and it's neat that the episode begins and ends with a dandelion — at the start, Young Etta is picking dandelions and blowing their spores away, and at the end, a despondent Walter is staring at a dandelion in the wreckage."
IO9 ("We Come from THE FUTURE")

"The first and last shots of the final season premiere of Fringe focus on a dandelion. In the first, a dandelion has gone to seed, its time done. In the last, a newly matured dandelion stands straight and defiant in the middle of scorched earth. Soil proclaimed dead by the Observer, Windmark. Episode 5.01 closes inside the detritus of an abandoned taxi as a depleted Walter Bishop, a devout disciple of science, led by the prism light of a windchime CD tree; looks for inspiration after being battered by the torturous mind probings of Windmark. Not through science. But music."
Fringe Episode 5.01 Review – Dandelion Wine

At the end of the episode, Walter Bishop is in the year 2036 and the earth is very barren. He sits in an abandoned cab and spies a lone dandelion, flowering, which brings a tear to his eyes - a sign of hope!

Henrietta Bishop
Fringe Wiki - Transilience Thought Unifier Model-11
Wikipedia: Transilience Thought Unifier Model-11

Fringe, was famous for doing very clever things with symbols. The title has to do with what things are considered fringe science, which more and more being considered as cutting edge. The plot of the show featured an alternate dimension and interaction between the dimensions. It also featured a class of beings called Observers. Think Watchers, as in the class of angels who fell from heaven to earth, as per Genesis 6 and Enoch 7 and 8. Certain characters in Fringe not only passed from one dimension into the other in the same relative time, they sometimes teleported into the past or into the future. In connection with these events, Fringe showed the knowing exploitation of symbols like the bell and tuning fork and entheogens and the metaphor of water as time. These are the kinds of tells that reveal the knowing and purposeful presence of Luciferian Occultism behind the production. My point in saying that is this, that the dandelion as clock is being used with knowledge to convey something secretly. We'll explain more, but we believe it can be taken as a sign of the pending reset of time. Another flower, a white tulip, was used symbolically on the show, which should speak to those of you who watched it closely. The White Tulip was received by Walter as a sign from God (that was actually revealed to have been given by a friendly Observer("Watcher") named September, yes, same as the month.)

When I think of Fringe and what esoteric meaning they might be misdirecting us away from by pointing us to the fringe science, it speaks to me now of the literal fringe of this passage of scripture, which describes the sound made by the bells and how this was necessary for the Aaronite High Priest's annual appointment with the Most High God in the Most Holy place.

4 And these are the garments which they shall make: the breast-plate, and the shoulder-piece, and the full-length robe, and the tunic with a fringe, and the tire, and the girdle; and they shall make holy garments for Aaron and his sons to minister to me as priests.
33 And thou shalt make the full-length tunic all of blue. 34 And the opening of it shall be in the middle having a fringe round about the opening, the work of the weaver, woven together in the joining of the same piece that it might not be rent. 35 And under the fringe of the robe below thou shalt make as it were pomegranates of a flowering pomegranate tree, of blue, and purple, and spun scarlet, and fine linen spun, under the fringe of the robe round about: golden pomegranates of the same shape, and bells round about between these. 36 A bell by the side of a golden pomegranate, and flower-work on the fringe of the robe round about. 37 And the sound of Aaron shall be audible when he ministers, as he goes into the sanctuary before the Lord, and as he goes out, that he die not. ~ Exodus 28:4, 33-37 (Brenton Septuagint Translation)

Early in the episode we see the clock that is the downy flower head of a dandelion that has gone to seed blown away by young Etta. As time itself is scattered to the wind, in a figure. At the end, the flowering dandelion in its splendor is seen in a place where hope is clung to with desperation. Walter's attention was drawn to the setting by the sunlight that reflected into his bedroom off the collection of CDs hanging over a large metal tub. They were apparently placed there to act as a scarecrow, to keep birds away from the tub that must have been used as a planter. It may be said that farming demands faith and hope, with the effort made in the hopeful expectation of an eventual harvest.

The way of a dandelion is that the seeds produce more dandelions, so the order of the appearance of the two images in that sequence makes perfect sense. HOWEVER - if you've ever watched the show, Fringe is seldom about simple things and their natural order. There may be a hint of where the esoteric meaning lies in the alternate title of the episode, "Dandelion Wine (The Simple Joys of Yesterday)."

This episode speaks to us of the turning back of the clock (dandelion). We see this in a figure as the same dandelion, from having gone to seed to being back in its former glory, back in the past - with the clock or time reset into the past.

Here's an image I found. Someone else made this, and it does speak to us of hope, specifically, THE HOPE and our hope that now depends upon the reset of time. Although precious few will realize what has happened, we'll find ourselves returned into the past. The recent years of time we've just experienced will be repeated. The biblical schedule that has been prophesied will unfold - and this second time around - right on schedule!

One thing that makes this fresh insight into a show that aired over five years ago compelling is because this was the insight I had almost immediately upon learning that the dandelion head was called a clock.

Another thing that makes this compelling is the dates involved. The show first aired in 2012 just a few weeks after the London Olympics and Paralympics concluded. (The time suggestive Paralympics motto being: "Inspire a Generation") We remain convinced that that was a crucial season with regard to when time itself was skewed. Etta was blowing on the dandelion just before she disappeared, and was not found. That was set in 2015, and it was in the Spring of 2015 that we became thoroughly convinced by supernatural signs and revelation insight that time had indeed been skewed.

What makes this more compelling yet is what's been happening since I decided to work on this post and began to write it! Yesterday I was working on another project, the time portal opening ritual in PyongChang South Korea that was presented during the Opening Ceremony of the Winter Olympics. Unless the Lord directs otherwise, I typically continue work on whatever project is current. The Lord directed otherwise, obviously. This morning, I reviewed the latest news and published a post about Hollywood's witch casting out demons by Beelzebel (also, Beelzebub). I then began working on this post about the dandelions framing the Fringe episode. Then, I was interrupted with a plumbing issue.

The toilet in the rental where I live has an occasional problem where it fails to flush properly, even when nothing unusual is asked of it. Usually, a plunger and a minute or so of effort returns it to its usual function. Not this time. That's a first. It's still not flushing properly. The landlord will be tending to this soon, I expect. Because of the water as time metaphor, I'm always attentive to water related events. I don't want to make something of nothing, but when there is a sign, I don't want to miss it. If we weren't just put on alert a few days ago for the same thing I'd perhaps not see the interruption in this writing of a time reset sign post with a plumbing water event as a sign. But we were!

Early yesterday morning (Tuesday, the 20th), Aaron had to deal with the same thing, a toilet that wouldn't flush, and this was the very first time it actually overflowed a little. During the brief span that it overflowed and he mopped it up, he observed that the 12:21 time had passed. He wasn't led to see it when the clock read that time, but still, there's that. There's more to this. He put a rug and towels in the washing machine. A little later he heard a loud banging. The washing machine had walked itself about 4 feet out of place. That's a water drainage issue too, because the washing machine had started a spin cycle and whatever load balance issue was not resolving itself caused a failure of the water to drain. Now, aside from that, we had been talking together about the flooding outside. He lives on the river directly across from a dam. For the first time since he lived there, the water had begun to flood over the roads nearby and at least had come right up to the very top of the dam. The high water and flooding happens because the water isn't draining fast enough, right? So, after he told me about all these things we prayed together and talked about whether or not these were to be considered as time signs. We agreed that we had no insight about it, but that it should just be recorded and we would stay on alert, being confident that if this was meant as a sequence of time signs that the Lord would make it plain. At this point, it's plain enough. Yes. In connection with the toilet flushing issue here in Greensburg and with the writing of this post. The water signs are linked to this post about the time reset. With the extended span of time involved, I believe it is more broadly inclusive of the Olympic Ceremony's opening of the time portal that was the subject of the video project I worked on yesterday, as well as the video we published just before that, the final one of the Transformers trio where the cryptic presentation of the Great Pyramid as a time weapon was the subject.

Aaron and I reviewed and discussed this post before publishing it and a few other items seem relevant. This is the 12 month, on the Lord's calendar, and today is the 21st day, on the Pagan Gregorian calendar. Different calendars but still those are the pertinent time numbers. Not long ago, Aaron had a time stopping sign when the water pipe in his upstairs bathroom froze during a cold snap earlier this Winter. We're still experiencing a significant funding deficit and, on the money as time metaphor, we have to see this in context as consistent with the water flow stoppage signs. What the Autobot named Hot Rod said in the climactic scene of Transformers, The Last Knight, echoes in my ears. "I save you. I stop the time."

These are strange times. This season will not last. Yesterday is coming. While few will perceive what happened, what is being done in this season matters. The Lord keeps perfect records. Let us encourage you to make the most of what you've got.

Part 3 - The Avengers - STARK Tower as Space-Time Ark - Tower of Babel, Chrysler Building, Grand Central and Times Square

This is not intended to be an exhaustive study but there are a few more items to be shared that support the identification of the symbolic Stark Tower as a space-time ark and also shed on the Occult nature of some non-fictional neighboring locations.

First, here's a couple relevant news item published during the 3 days when our Internet connection was down.

Portal & Alien Cube UFO Over Texas? (Event witnessed on June 29, 2015)

FBI investigating 11 attacks on San Francisco-area Internet lines (Published July 1, 2015) Trending, cables cut. Note the numbering of 11 attacks.

At an hour and forty four minutes into The Avengers, after the Tesseract is used to open the portal, Thor battles Loki on the Stark Tower, right near the sign. These demigods knock the letter K off the sign and we see it tumble to the ground. The letter K is the alphabet's 11th, and this numbering is important. The numeral 11 as a pair of ones pictures two columns or the sides of a column, which is also a tower, a construction often identified as a stargate. When the K has been knocked off the sign, what's left? STARK - K = STAR, and star is a metaphor for angel. The STARK Tower is a STAR - K tower, a STAR 11 tower. The Stark Tower is a STAR-K stargate and a ST-ARK or space-time ark.



The numeral 11 signaled by the K is an ancient symbol linked to Isis. Isis is the pillar. Compare to the supports spanning heaven and earth in the zodiac from the temple in Dendera, Egypt, on the ceiling of the portico. The K falls during a minute of the movie (1:44) marked with 44. That also signals the goddess because the numbering of 4*4 is the Isis portion of the Pythagorean formula of the esoteric 47th Problem of Euclid. The 11 is specifically identified as the number of the Queen of Heaven in, The Book of the Law, Aleister Crowley's Thelema standard. The book's cover image has the title flanked by two pillars, which might be intereped as, 11. Crowley's O.T.O. had a mysterious eleventh degree that is known to involve anal sex magic. (XI° – Rocket to Uranus - Anal Intercourse and the O.T.O.)

The way The Avengers scene plays, the letter K is broken off when the two male demigods from Asgard cross their weapons, which doesn't mean nothing. I'll develop that esoteric layer because it is not unimportant or unrelated to the space-time hijacking and ark effort.

Thor lands on the tower and issued an order to his brother. “Loki. Turn off the Tesseract or I'll destroy it.” The XO platform where Loki had materialized and ascended the steps to reach is the same one where Iron Man lands and is basically transformed intoTony Stark.The copper ring flips up and he walks through it to be clothed and unclothed. It's the place of a symbolic dimensional transit, a stargate. You ascend there to become a god.

Loki had just been standing there enjoying the moment, holding his staff in his hand. Did you examine the above screenshot closely? That frame passes by in a moment, but there it is. He had been shown dramatically materializing on the Stark Tower and stepping on a platform with an XO design as the camera dramatically spirals around. The spiral is a goddess symbol, and very much connected with magic. Magic is Loki's specialty.

The XO symbol invokes the goddess as the union of the X and O establishes the throne of Isis, according to Kenneth Grant of the OTO. Validating that level of symbolism, a discharge of energy like a flash of lightning comes from Loki's staff as he battles Thor, god of thunder. The XO image plays as a hermaphroditic and sex magic emblem because its composed of the male cross and female circle. Between Loki and Thor, a sexual relationship is being implied. The form of this portal on the Stark Tower presents a figure known as the black sun, which is an anatomical reference like the Eye of Horus. Loki is a shape-shifting demigod and he's manifesting here in his horny helmet head form. Phallic. When he replies defiantly to Thor's demand to turn off the Tesseract, he thrusts his phallic staff out toward Thor and declares, “You can't. There is no stopping it.” Because of his accent, it sounds like he's calling him a, well, you get the picture. He says, “There is only - war,” and that could also be heard as, “There is only - whore.”This isn't all done just to be sly and crude, it's theurgy, and mass programming. It's how those gods are worshiped.

Leading up to when Loki materializes on the Tower, it was emphasized to me how there's a building up of subtle cross circle imagery in a brief sequence, to strengthen the impact of the platform's XO. The design of the ornate railing on a bridge presents an array of obfuscated versions, followed by a collection of umbrella tables in a dining plaza, and then the one in this screenshot that is cleverly composited in a Code 33 named restaurant window. The light arc implies the circle while the letters intersected by the same reflection imply the cross. TAU - a tau cross. I note that the sign of TAUR-US is also being suggested, which supports the abundant celestial Silver Gate imagery. The window sign lettering provides us with three instances of the naming of Ra, or Re.

It's a good exercise to remain mindful of these varied symbols that have been the subjects of so many posts to this blog. It should also be remembered that the cross circle is the heart of the sigil of Nodens, the god of the abyss. The letters X O transform to the number of the abyss (X=24~2+4=6 and O=15~1+5=6 XO ~ 66), and the name on the Stark Tower's sign also transforms to 66.

The Stark Tower's spiraling ziggarut design and its function as a platform for the opening of a dimensional portal in the heavens invites comparison with the ancient Tower of Babel. The account of that appears in the Bible in Genesis 11, the K numbered chapter. Biblical scholar E. W. Bullinger made the following observation in Appendix 12 of the Companion Bible. “We see evidence of it as early as Genesis 11:4, where we read of the Tower of Babel having "his top with the heavens". There is nothing about the wrongly supplied italics "may reach unto". The words, doubtless, refer to the signs of the Zodiac, pictured at the top of the Tower, like the Zodiacs in the Temples of Denderah, and Esneh in Egypt.” (See Part 25 - Celestial Stargates - The Tower of Babel having "his top with the heavens")

Compare the Stark Tower to the version of the Tower of Babel on the poster that states, “Europe: Many Tongues, One Voice.” Spiraling construction. Similar tops. Surrounded by water (the island of Manhattan). Presence of a crane. The poster version's crane is like a tau cross and it's placed in connection with the circle shape, providing an XO feature - like the stargate platform on the Stark Tower. A portal is opened in the heavens above the Tower through which stars fall to earth. Note the alignment of the EU stars in the array. The upside down star alignment means, Spirit into Matter. There are 11 visible “falling” stars in the array, the number given attention by the STAR-K sign's falling K. The design implies that there is a hidden star, which makes 12 total: Zodiac, and time. The poster suggests that the hidden star of the EU tower seems to reign from the penthouse, like Iron Man in Stark Tower, because Pepper (with 12% of the credit) lighted it up from there.

Genesis 11 (K) informs us about a city that was built in connection with the tower of Babel. When most folks think about the account, the city is usually minimized in comparison to the tower. I recommend reading the chapter to see that it is given attention distinctly. City and Tower. Manhattan and Stark Tower. What was recorded about the Tower of Babel suggests that it was all about opening a portal between the earth and heavenly domains. When the stargate is opened at the manifestation of the Antichrist, we believe a version of the heavenly Zion is going to manifest in this realm.


Here's another item I observed in the film that demands comparison. The art deco icon known as the Chrysler Building appears in many scenes. It was the platform from which Will Smith's character dramatically leaped in, MIB3 - Back In Time, in order to be sent back in time to 1969. MIB3 and The Avengers were both released into theaters in May of 2012. Alike, in timing. And, there's a Marvel connection because the Men in Black francise is based on the Marvel Comic series. There's a lot of crossover - call it allusion or whatever - because there's an import of meaning both ways between MIB3 and The Avengers that plays on the exoteric and on the esoteric levels I've been exposing.

The main character's name is Agent K. Or, simply, K. Why did Agent J, Smith's character, have to travel back in time? Because K was going to be killed - like the letter K getting knocked off the sign that subsequently fell to its destruction. K ~ 11. A rocket plays a significant role in the film: Apollo 11. Yeah. 11. And, there's the rocket's direct identification of Apollo, aka Apollyon, Abaddon, Thor, Amaru, Horus...

Here's an excerpt from Wikipedia's synopsis.

“In 2012, an alien criminal, Boris "the Animal", a Boglodite, escapes from a maximum-security prison on the moon and arrives on Earth, bent on taking revenge on Agent K, who shot off his left arm and captured him in 1969. He confronts K, who is with his partner Agent J, telling him he is "already dead". J then discovers that K was responsible not only for capturing Boris, but for deploying the "ArcNet", a shield that prevented the Boglodites from conquering Earth and led to their extinction. Boris travels back in time to kill the young Agent K. With history altered so that K is long-dead, J finds that only his memory has been unaffected, and no one from the Agency understands his obsession with K until Agent O, the new Chief, deduces that there has been a fracture in the space-time continuum. With K out of the picture, the ArcNet was never deployed, and there is nothing to protect the present-day Earth from the Boglodite invasion, so J must travel back in time to stop Boris and save K.”

A lengthy series could certainly be written about the film at this point. (Search the blog for MIB3 to find what I've already written.)

As presented by Columbia (goddess) Films, the future of man is literally riding on the phallus of Osiris, the Apollo 11 rocket.

Agents J and K are riding special cycles in this scene, set in Queens, NYC, featuring a fountain built for the 1964-65 Worlds Fair.

Bicycles are often props used to represent space-time transiting vehicles. See the wire-frame globe as 3D space and the ring of water as time. Intersecting rings are crossed circles, another space-time emblem. Fountains of the deep make allusion to creation and the flood of Noah.

In MIB3, like The Avengers, what's at stake is the destruction or the salvation of mankind. Familiar, right, for those of you tracking this blog? “Alien threat,” breaching our time-space domain resulting in destruction. (Genesis 6. An intended flip: Revelation 19:19)

21 For then there will be a great tribulation, such as has not occurred since the beginning of the world until now, nor ever will. 22 Unless those days had been cut short, no life would have been saved; but [for the sake of ~ thanks to] the elect those days will be cut short. ~ Matthew 24:21-22

Agent J's time mission was required because the enemy (Boris “the animal” ~ Horus the falcon) “fractured” the space-time continuum. Again, familiar, right? Aaron and I think this is why “the model is masked” in the present season, and why time needs to be reset. ArcNet. Allusion to the rainbow - shielding from alien threat. It's a good descriptive of the bow set in the clouds after the flood, the sign of a covenant made by the Creator with man and the earth assuring that what happened won't happen again. Rainbow - evidence of different physics in the atmosphere, a heavenly realm. Accountability for the destruction wrought in the great deluge was attributed to those angels who fell to earth, in an “alien” incursion. They and those of that kind are behind the current threat, as it was in the days of Noah. The dimensional access is sought by hacking the rainbow, from one perspective.

So, a key to success in MIB3's plot is evident in how Agent J remembered. Aaron and I expect that model when time itself has been reset in reality, because of the mission and how that only makes sense if some will have an awareness, some beneficial kind of retention from this season's experience, and probably retained through association with a space-time ark.


Here's another comparison that offers insight in the transfer between similar things. In this screenshot, set against the backdrop of the Stark Tower we see Mercury / Hermes the psychopomp. He's the special agent who is assigned the task of escorting to and from the underworld. That's the abyss. You may recognize this as the iconic clock on Grand Central Terminal's 42nd Street entrance, a significant timepiece at perhaps the world's most famous transportation hub. The Terminal features prominently in several scenes, and the film invites comparison between the Stark Tower and neighboring Grand Central Terminal. The Lord had me drill in a bit to discover why. Like with the Tower of Babel connection I noted, similarity in features points to similarity in purpose. Grand Central Terminal like Stark tower like EU poster like Tower of Babel.

First, the centerpiece of the Hercules, Minerva and Mercury statuary in the screenshot is a clock. Right. The central object of the massive idol is a TIMEpiece. Isn't this display intended to show how the ancient gods rule over time itself? The clock is 13 feet tall, which combines both the meaningful number 13 with 12 (inches per foot - and hour divisions on the face). Wikipedia offers: “ At its unveiling in 1914, the 48-foot (14.6 m)- high trio was considered the largest sculptural group in the world.” It's a significant idol. Also from Wikipedia: “The main information booth is in the center of the concourse. This is a perennial meeting place, and the four-faced clock on top of the information booth is perhaps the most recognizable icon of Grand Central.” The centrality of time. This famous space is a transportation hub, and the reason for the focus on time is obvious. Trains run on tight schedules and passenger activity conforms to the Terminal's referential system. These observations speak on one level to the present reality that man's activity conforms to the referential system of time that is ruled over by the ancient gods. Consider the familiar names of the months and days of the week. You can't argue against the statement made, but that situation won't endure.

The Terminal is a train station. Trains traveling on tracks is a very familiar metaphor. Search this blog for Joel 2 train and you'll see how trains and train tracks represent beings and vehicles transiting stargates with some notable examples. A couple of notable train + water imagery films that come to mind are Snowpiercer and Polar Express. Passing through Grand Central Terminal, major sets of train tracks run right under the MetLife building, and the fictional Stark Tower stands in its place. Signaling the control of space-time (Parts 1 and 2 of this series) and controlling interdimensional traffic (via the Tesseract), that's what the Stark Tower is for in The Avengers, right? It's kind of an adjunct to the Grand Central Terminal that operates in a perpendicular plane.

The Terminal's 13 foot tall statuary clock faces 42nd Street. 42 = 21 + 21. Double Time Street. Another iconic place in Manhattan is Times Square. It's also bounded on one side by that same 42nd Street. Times Square ~ 21 squared or 21*21 ~ 42nd Street. Time geometrically is symbolized as a circle. Times Square ~ Circles Square. Time-Space. That place is known as The Crossroads of the World. Compare to Grand Central Terminal's function as a mega transportation hub, and that of the Stark Tower as the gateway for the invading Chitauri army's entry. Each year, the transition of the popular calendar is marked as the world watches the ball drop in Times Square and together chants the famous countdown. This mega ritual revelry derives from the historical practice at the Greenwich Observatory in London, where the world's standard for time has been established. Ships would set the clocks they depended upon to navigate the globe by synchronizing them with the dropping ball, which was carefully watched for from their mooring on the Thames-Isis River. Daily. At 13:00 hours. 13. 12. Again, like the 13 foot tall idol clock. Seen The Smurfs (2011), where water as time and Times Square are played up BIG?

The Grand Central Terminal (and Stark Tower) sits between Times Square and the Chrysler Building. All are connected by 42nd Street (21+21). Of interest, the Chrysler East property address is: 666 Third Avenue.

Now, recall how the power change from AC to DC was cryptically signaled in The Avengers, from Part 2 of this series. Here's a couple more quotes from Wikipedia. “A "secret" sub-basement known as M42 lies under the Terminal, containing the AC to DC converters used to supply DC traction current to the Terminal. During World War II, this facility was closely guarded because its sabotage would have impaired troop movement on the Eastern Seaboard. It is said that any unauthorized person entering the facility during the war risked being shot on sight; the rotary converters could have easily been crippled by a bucket of sand.” Shot on sight. That's serious. Why M42? M is the 13 letter, and there's the 21+21 numbering again, matching 42nd Street. Spilling sand. Hmmmmmm. Sand is a time symbol, the sands of time, like in the gym's Everlast heavy-bags. Troop movements on the Eastern Seaboard. Sea water as time. Troop movements. A hub for the transiting armed forces. Familiar stuff.

So, AC to DC conversion. Why bother cryptically signaling that to us in the framing of the Stark Tower launch and recruiting sequence? When we become aware of how Grand Central Terminal is given such a high level of attention and how the features compare, and see the similarity in function on the esoteric level, it makes sense. The Avengers is actually revealing Occult secrets of the Grand Central Terminal. Theurgy is at work, and the details are according to what is learned from the gods. The AC to DC bit has to do with establishing a key allegorical connection, which represents the legitimate supernatural connection. You know about energy vampirism, right? There is in this theurgic ritual we've been studying a drawing from and adding to a kind of cistern or reservoir of collected demonic spiritual energy. It's like when a witch raises energy inside a magic circle before sending it out into the world in the casting of a spell. A massive amount of human energy has been collected at Grand Central over the years, and harnessed through the design and no doubt supported by many Occult rituals. Grand Central was built and owned by the Vanderbilt (Illuminati) family.

We know that we are of God, and that the whole world lies in the power of the evil one. 20 And we know that the Son of God has come, and has given us understanding so that we may know Him who is true; and we are in Him who is true, in His Son Jesus Christ. This is the true God and eternal life. ~ 1 John 5:19-20

With eyes that see, we examine the symbolism and glean what meaning there is in the beans spilled learn what the Lord would have us to know about what things really mean in this world. The trains of the Grand Central Terminal's transport system depend on the power conversion like what was illustrated with the Stark Tower, and the space-time ark depends on a power source off the grid - power drawn from another dimension as from the Tesseract and Stark arc reactor.

Tesseract. Anagram: A ST (space-time) SECRET. Add that alongside, ACT RESETS.

Have you been giving attention to the CERN LHC, and the D-Wave adiabatic quantum computer and not unrelated AI advances?

Plenty to chew on in this Anthony Patch clip, and this one too: Deadly Shots And Third Strand DNA/Interview from N68's The Great Work.

The latest from D-Wave Systems is the D-Wave Two, which has an approximately rated 512-qubit CPU. The increase over the approximately 128 qubit chips of the D-Wave One was accomplished by tiling the qubit pattern of the D-Wave One, a pattern named chimera by D-Wave Systems. Do you know what a chimera is, biologically? Think, beast, post human. Mark of the Beast. Image of the Beast.

Here's a few more connections of note to tie into this spider's web of time-space manipulation imagery.

The Main Concourse of Grand Central Terminal has an elaborately decorated astronomical ceiling, but there is an anomaly. Wikipedia offers, “ For example, Orion is correctly and beautifully rendered, but the adjacent constellations Taurus and Gemini are reversed both internally and in their relation to Orion, with Taurus near Orion's raised arm where Gemini should be. One possible explanation is that the overall ceiling design might have been based on the medieval custom of depicting the sky as it would appear to God looking in at the celestial sphere from outside, but that would have reversed Orion as well. A more likely explanation is partially mistaken transcription of the sketch supplied by Columbia Astronomy professor Harold Jacoby.” Here's a suggestion. It calls out that precise location to give attention to the Silver Gate, doorway to the underworld-duat.

Attention is given to that very place in the representation of the heavens on another famous ceiling, on the ancient temple's portico in Dendera, Egypt.The marker on the circular Dendera zodiac I mentioned is described in this quote, and the one opposite at the Golden Gate is also mentioned. “Then, beyond these "heaven-holders", on two sides of the work are rectangles patterned with rows of chevrons, symbol of water, which must represent the Milky Way Galaxy, the stream of the heavenly waters. This is apparent because when we look at the night sky we see the heavenly stream of the Milky Way cross the zodiac at Gemini/Taurus, and also at the opposite side of the sky at Sagittarius/Scorpio. The Dendera Zodiac precisely shows the chevron rectangles below Gemini/Taurus on one side, and below Sagittarius/Scorpio on the other side.” (The Circular Stone Zodiac of Dendera, Egypt -The most dynamic image of the heavens ever created ) The rows of chevrons described are extended wave glyphs. Think, Genesis 1 and the waters of the expanse. The Golden and Silver Gates are water gates, water-as-time gates. The celestial Silver Gate is what was opened up in The Avengers above Stark Tower. What do you think the Marvel Comics Silver Surfer character is spilling the beans on?

Bullinger believed the biblical text of Genesis 11:4 indicated how the tower of Babel probably featured the zodiac. I think he was right. Here's something. The Hoover Dam, a star map of the Pleiades in Taurus that was made to document the exact location in space and time of an event, and angelic guardians I call tuning fork angels. Water, falling, falling and falling generating massive amounts of energy, with a model of the throne of Zeus-Satan.

For a season in 1957, under that Grand Central Terminal's ritual zodiac ceiling sat a very significant rocket, the PGM-11 Redstone. MIB3 featured the rocket that launched ArcNet, Apollo 11. There's that 11 again. The Avengers featured Iron Man's occasional blasting off from the tower and blazing into the sky like a rocket man, and he went right up through the dimensional portal with a nuclear tipped missile to save the day, falling back through the portal to earth as it's savior.

Here's a collection of observations from Wikipedia: “The PGM-11 Redstone was the first large American ballistic missile. A short-range surface-to-surface rocket, it was in active service with the United States Army in West Germany from June 1958 to June 1964 as part of NATO's Cold War defense of Western Europe. It was the first missile to carry a live nuclear warhead. A direct descendant of the German V-2 rocket, the missile was the foundation for the Redstone rocket family, It was developed by a team of predominantly German rocket engineers relocated to the United States after World War II as part of Operation Paperclip. Redstone's prime contractor was the Chrysler Corporation.”

Connect the dots. Nazi science. The vendor was the same Chrysler Corporation that was headquartered in the Chrysler building seen in The Avengers and featured in MIB3. Nuclear tipped missile, like the one Iron Man sent through the stargate. Redstone. Red - Adam. Stone - crystal DNA. Ascending man into the heavens.

Wow. Potent. That's a lot of ritual energy!

Part 39 - Celestial Stargates - Light Rods, Tinsel and Pleats

Series Links: Celestial Stargates

This series was interrupted when I turned my attention to the Winter Olympics. While there's probably more blogging about those symbolic ceremonies to be done (which are rich with celestial stargate imagery), I'm returning back to this series to give special attention to the stargate imagery featured in the Fisht Olympic Stadium throughout the closing ceremony of the regular Olympics. A collection of large cylindrical rods hung from the ceiling that were painted with light. These dynamically lit rods were used to signify and ritually model the opened stargate as opened lines of transmission between the realms of the seen and unseen. The vertical lines of the light rods is a visual cue common to many settings where stargate transits are featured. They also illustrate the kind of radiation beaming from the stars that influences men on the earth.

Ancient Egyptians used the pictograph you see here to represent the energy beaming from the stars and the operative stargate. Parallel lines are drawn to connect the objects involved in the transmission, suggesting coherent rays of energy.

These images are gleaned from Magickal Egypt, a documentary by John Anthony West.

This is not the stuff of imagination, superstition or illusion. Energy from the stars, since the stars are associated with angels, represents the supernaturalism of Ephesians 6:12, as it is written, “our struggle is not against flesh and blood, but against the rulers, against the powers, against the world forces of this darkness, against the spiritual forces of wickedness in the heavenly places.”

19 And beware not to lift up your eyes to heaven and see the sun and the moon and the stars, all the host of heaven, and be drawn away and worship them and serve them, those which the LORD your God has allotted to all the peoples under the whole heaven. 20 But the LORD has taken you and brought you out of the iron furnace, from Egypt, to be a people for His own possession, as today. ~ Deuteronomy 4:19-20

What powerful influence would draw them away to serve all the host of heaven but that supernaturalism of the false gods represented in those celestial lights as they actively sought to be worshiped? In the version of the text above (NASB), the language used for the motivation is a little soft. The Hebrew word used is more forcible and doubled, nadach nadach: to thrust, to impel.

Prior to the Exodus, a contest ensued when Moses was sent to the Pharaoh to encourage the release of the enslaved Israelites.

10 So Moses and Aaron came to Pharaoh, and thus they did just as the Lord had commanded; and Aaron threw his staff down before Pharaoh and his servants, and it became a serpent. 11 Then Pharaoh also called for the wise men and the sorcerers, and they also, the magicians of Egypt, did the same with their secret arts. 12 For each one threw down his staff and they turned into serpents. But Aaron’s staff swallowed up their staffs. ~ Exodus 7:10-12

6 So Aaron stretched out his hand over the waters of Egypt, and the frogs came up and covered the land of Egypt. 7 The magicians did the same with their secret arts, making frogs come up on the land of Egypt. ~ Exodus 8:6-7

The magicians of Egypt were not putting on a show with cheap tricks. Today, the public is told by the generally recognized and respected authorities that magic is just pretend and that the Devil is not real, and by their enchantments most folks simply accept those lies. For the first 22 years of my life, I was oblivious. Now, not so much.

The column or pillar is a popular representative form of the bridging mechanism. A simple cylinder is the simple geometric form of a squared circle, which is relevant as a symbol of illumination through ritual sodomy. The light rods employed in Sochi are, of course, cylinders.

During the closing ceremony of the regular Winter Olympics, South Korea, host country of the next planned Winter Games, presented their own ritual performance on the grand stage underneath the light rods. Their official logo was projected on the floor, for PyeongChang 2018. I see their logo as a glyph for Gemini, a Silver Gate symbol, and a star of the exact form used in ancient Egypt. Familiar, yes?

In this picture you see a technical illustration used by NASA, where a wormhole is pictured with colored rods of light surrounding it. When you watch films or TV shows that picture a star ship going into warp drive or traveling near or above the speed of light or other kinds of wormhole transits through space-time you will usually see special effects extending points of light into light rods. This is the addition of an extra dimension to a point to create a line. It's akin to the motion blur. Its a visual dynamic that suggests time-space is being spanned. This is the effect created by the light dynamic of the rods in Fisht Olympic Stadium.

The cylinders hanging from the ceiling of the Fisht Olympic Stadium were painted with light and used as animated decor throughout the ceremonies.

In some of the segments, these were supporting the theme of stargate transit. In others, they were illustrating the effects of star energy beaming into the stadium. I believe those stage props are magickal instruments that were employed in ritual for energetic transmissions beaming in and out of the Stadium. The objects in that collection was reported to number 204, which cannot be simply random.

• 204 balls may be stacked in a pyramid whose base is an 8 by 8 square, and which has 8 courses or levels. The pyramid and all its forms is believed to be very potent, energetically, and is associated with ancient Egypt and the worship of the sun god. It is associated with the Illuminati. The three 8s produced suggests 888, a number linked to the name Jesus in biblical gematria.
• 204 is a truncated triangular pyramid number. The truncated pyramid has special signification in connection with the Great Pyramid at Giza and as the representative form of the body or kingdom of the beast of Revelation 13:1, the head or capstone of that base.
• 204 is the number of squares of all sizes on a chessboard, an object often used to signify the presence of the knowledge of good and evil.

Those rods hanging from the ceiling were apparently also called a forest, so they must individually be trees, as trees in the Garden of Eden which are not of the natural kind that populate the forests on earth. The collection was also what seemed to be referred to at one point as the soul of Russia, which links to the Milky Way as a celestial river of souls.

In Sochi, when the flame was about to be extinguished at the climax of the Games, a scene transition combined two shots in the fade to overlay some key symbols.

The light rods representing the opened stargate were superimposed over the mirrors that represented dimensional portals. It was momentary - and brilliant. They were raised to reveal the mascots, illustrating the revealing of the lawless one who will come as Horus incarnates through the celestial Silver Gate. Evil genius.

What is represented by these rods on this grand scale is more simply and commonly modeled by draperies with vertical pleats or by vertical blinds at windows or by pillars with vertical lines ringing the shaft.
In Ke$ha's official Crazy Kids music video, cheap tinsel icicles hanging in doorways and wreaths were stargate props, with silver tinsel representing the Silver Gate and the gold, the Golden Gate.

This scene where Ke$ha sits between two bull dogs is brilliant. The Gold and Silver Gates are positioned in the Zodiac opposite each other, marking where the ring of the galactic plane intersects the ring of the Milky Way. There is an alignment of the two, and this is what we see with the Silver Gate pictured directly in front of the Golden Gate. The Golden Gate is represented in the golden tinsel hanging down, and the golden sunrise arc at the top of the golden backed couch. The Silver Gate is pictured as Ke$ha wears the vertical banded blue and white blouse. Her legs are crossed because she is crossing over the dimensional barrier. She's flanked by two bull dogs. Bulls signify Taurus and the two of them picture Gemini, The Twins. The celestial Silver Gate is flanked by Gemini and Taurus. The utility chains worn by the dogs are constructed of twinned torus links. Anubis, the escort to and from the underworld is the dog headed god, and in the celestial heavens he is represented by the Dog Star Sirius.

The producers of the official music video for We Can't Stop, by Miley Cyrus, modeled the stargate transit at the revealing of the lawless one by her dragging a stuffed bobcat across the floor. The backdrop is a simple white drapery, which is the color equivalent to silver in heraldry, and represented by the same Egyptian hieroglyph. The vertical pleats present the coherent beaming starlight structure of the stargate transited.

The same visual was employed in the official music video for Insane, by the South Korean “K-Pop” band A-Jax. The structure of the spinning chair's 5 ray wheeled base presents us with the stargate vortex image. As a backdrop we see the same subtle prop used in Miley's set.

The transdimensional construct was used to great effect in the industry changing film, The Matrix. Streaming columns of characters were used to represent the construct of the matrix, a virtual world created by the machines that held humanity captive in an artificial world of digitally generated illusion. It's really quite an impressive allegory. In their representation of another dimension interfacing with real world biology and physics, the filmmakers employed the dynamic light rod kind of effect in a variety of notable ways.

That film's illustration of the columns of streaming light as the interface between the realms was augmented with another kind using sound. The bell, which I've written plenty about (Bells - Supernatural Enchantment and a Biblical Perspective - also search this blog for tuning fork), is an ancient means of initiating travel between the dimensions. When Neo and the others who have been freed from the Matrix reinsert themselves into that realm, their only way back is by way of finding a phone.

To get an exit they have to wait for the phone to ring. When the hard-wired land line phone rings, which is an old school AT&T “Ma Bell” type bell phone, we're not told this but you should note that it triggers the ringing of a bell, which opens the stargate and facilitates the transit.

Stargate transit imagery is important to those who craft mass rituals. This is how they access the ancient entities represented in the celestial heavens, transmitting, broadcasting and receiving from the heavenlies. When their champion is incarnated in his host body after transiting the Silver Gate, most folks will be oblivious to what's going on. I'm hoping you will seize the opportunity while it remains to seek the Most High God and Father of His only begotten son, the Lord Y'shua while He may be found - with all your heart!

Part 4 - Pope Francis - The Keys to Death and Hades

In this series of posts exploring the meaning of the latest Pope's branding we turn our attention to his unique contribution to the Papal Coat of Arms, the shield and motto. The short version of the official explanation of the motto is that, “miserando atque eligendo” means: "by having mercy, by choosing him," which some reduce down a little more to, “lowly but chosen.” It's considered an expression of humility. The brief on the shield is that the symbols honor Jesus Mary and Joseph. While that satisfies the curiosity of most, it barely hints at what's really represented.

I've already addressed how the shield redundantly signals ritual sodomy, and that should really be kept in mind to keep all this in perspective. Sex magick and the signaling of the same is standard fare for tares. Celestial imagery is obviously present in the sun and star, and this is also standard fare for tares, who have leveraged the ancient knowledge of astronomy, astrology and alchemy in building projects and arts of every kind for millennia. The expression of the Hermetic Maxim is implicit in Bergoglio's personalized charges, where the elements invoke the power behind the symbols - “As Above, So Below.” While these elements may look pretty generic as presented, we can be assured that they are not. A comparison of the Pope's heraldry and a Masonic tracing board suggests that what is signified by the star and grapes may be the Pleiades, the cluster associated with the constellation Taurus. Other kinds of clues allow the symbolism to be developed further. I'm aware that the official explanation is that the cluster of grapes isn't what it looks like. While I believe there's a hint of truth in their claim that it's nard, or spikenard, its mostly a misdirection because there's far more to it than just that.

Tom Horn and Cris Putnam have been publicizing the Vatican's interests in astronomy as they promote their new book, Exo-Vaticana. With the newly installed Pope's personal brand bearing celestial symbolism, we have to ask whether this is just coincidental or whether there might be some connection.

The Vatican owns and operates an observatory on Mount Graham in Arizona. This expresses more than a casual interest. Their primary instrument is the Vatican Advanced Technology Telescope or VATT, but there is a large binocular telescope named the L.U.C.I.F.E.R. Project nearby their facility. By name, Lucifer is the name of the god acknowledged by many of the elite as the “true god” they serve. Oops. What's the Vatican's interest? Apparently, it relates to their coming savior. They appear to be monitoring the heavens for signs of his approach.


As you read the following excerpts make note of how Tom identifies the priests involved as Jesuit, yes, like Pope Francis.

“Such technical language aside, the “Observers” who are approved to operate VATT and what they are using it for these days is what would take us through the looking glass. This was confirmed minutes later by the Jesuit Father on duty that day (whom we got on film) who told us that among the most important research occurring with the site’s Vatican astronomers is the quest to pinpoint certain extrasolar planets and advanced alien intelligence.”

“Captivating comments from Jesuit priests like Guy Consolmagno—a leading astronomer who often turns up in media as a spokesman for the Vatican who has worked at NASA and taught at Harvard and MIT and who currently splits his time between the Vatican Observatory and laboratory (Specola Vaticana) headquartered at the summer residence of the Pope in Castel Gandolfo, Italy, and Mt. Graham in Arizona. Over the last few years, he has focused so much of his time and effort in an attempt to reconcile science and religion in public forums specifically as it relates to the subject of extraterrestrial life and its potential impact on the future of faith that we decided to contact him. He agreed to be interviewed from Rome, and over the numerous exchanges that followed he told us some things that seemed beyond the scope. He even sent us a copy of a private pdf, a literal goldmine of what he and the Vatican are considering regarding the ramifications of astrobiology and specifically the discovery of advanced extraterrestrials... in which he admits how contemporary societies will soon “look to The Aliens to be the Saviours of humankind.””
(Exo-Vaticana - Pt 1)

Their watch post is an observatory and, based upon what Tom and Cris have already described online, that their savior is expected to come from space is no longer in doubt. Something long anticipated is approaching. I find it intriguing that Bergoglio was just “inaugurated” as Pope, and that “auguring” is the divining by observing birds. “The augur was particularly watchful of birds of prey, such as the eagle and interpreted the turning movements of a flock of birds as an omen.” (The role of the augur in Ancient Rome) I have demonstrated how an eagle is hidden in the Pope's heraldry and showed how it represents his god, the feathered serpent. Worshipers of this god across the globe and spanning the ages claim the promise he made to return from the heavens will soon be fulfilled. Quite literally, the Jesuits on Mount Graham are as the augurs of ancient Rome.

Just such a Papal engagement with an ET messiah has been modeled by others in significant ways. For one example, when I was led to study the London Ceremony of the Beijing Olympics (2008) I recognized the bus as a heavenly transport and the crossing guard as the Pope in scenes of welcoming a savior and facilitating a reproductive scheme intended to avenge the purge effected in the great flood of Noah's day. As I watch according to the Lord's command in Mark 13:37, I see detail filling in what is declared in prophetic sketches in the scriptures. Have you considered how the true Messiah departed and how it is He will be seen returning?

9 And after He had said these things, He was lifted up while they were looking on, and a cloud received Him out of their sight. 10 And as they were gazing intently into the sky while He was going, behold, two men in white clothing stood beside them. 11 They also said, “Men of Galilee, why do you stand looking into the sky? This Jesus, who has been taken up from you into heaven, will come in just the same way as you have watched Him go into heaven.” ~ Acts 1:9-11

Those who scripted and sponsored the Olympic Ceremony in that stadium in Beijing know what's coming, like the Jesuits and the Vatican elite. Olympism is a religion, research it for yourself. They openly worship Zeus and lead the world in doing the same. They look to welcome Apollo, his son. Others who are complicit in the scheme claim to honor Lucifer, and others worship Amaru, the feathered serpent under the false pretense of honoring my God.

If you don't think we worship that god in America, maybe you need to get out more. In my neighborhood, one of the busier stores around features his idol, an image of the plumed serpent, disguised as produce. I believe the reference being made by “Whole Foods” is to us. We are the “whole foods,” our flesh and the life in our blood are what literally feeds the gods. Their store brand label (365) accurately pictures the four pagan seasons and elements of the witch's magick circle. This is the real world.

If you don't have any of those nearby, perhaps you're beginning to feel the impact of ObamaCare. Here's the official imagery that was used by the Feds to promote that agenda. Give that some thought. The wand of Hermes that is also known as the caduceus has been widely implemented as a medical symbol, popularly replacing the rod of Asclepius. Watch for it. The medical community is well stocked with “whole foods” style eaters, feeding off blood and suffering. Hermes received that magickal implement from Apollo. Yes, Apollo, that very Amaru, the plumed serpent, the Amarucan eagle. The caduceus is made in his image! Note the three stars overhead in the bubble over America.

For some time now I've been considering the two gods known as Horus and Hermes and their relationship, and how they factor in to Bible prophecy. These appear to be identified with the two beasts of Revelation 13. I see Hermes-Mercury bearing the caduceus as a picture of the beast with two horns, like a lamb, and the image of the first beast, the feathered serpent Horus-Apollo.

11 And I saw another beast coming up out of the land, and it had two horns, like a lamb, and it was speaking as a dragon, 12 and all the authority of the first beast doth it do before it, and it maketh the land and those dwelling in it that they shall bow before the first beast, whose deadly stroke was healed, 13 and it doth great signs, that fire also it may make to come down from the heaven to the earth before men, 14 and it leadeth astray those dwelling on the land, because of the signs that were given it to do before the beast, saying to those dwelling upon the land to make an image to the beast that hath the stroke of the sword and did live, 15 and there was given to it to give a spirit to the image of the beast, that also the image of the beast may speak, and [that] it may cause as many as shall not bow before the image of the beast, that they may be killed. ~ Revelation 13:11-15 (YLT)

(Peculiar reference is made to the land and those dwelling in it. Where else would they dwell? Hmmm.)

This Pope Francis or some other will fulfill the role that seems likely to be associated with the ancient demon god still worshiped as Hermes. Who is the shepherd of flocks of sheep? Hermes is the god whose wand has now associated with healing deadly wounds. He is the psychopomp who controls access to the netherworld, and the Pope with his priesthood are called upon to administer last rites to those near death, the final so-called sacrament of which is the “administration of the Eucharist, known as "Viaticum," which is Latin for "provision for the journey."” (Wikipedia) The wand of Hermes mazes the eyes, casting a spell of delusion and control, and the great city Babylon, which is Mystery Babylon, deceives the world through pharmakeia, sorcery. Hermes is the god of fertility and of commerce. Have you read Revelation 18 lately?

It is appropriate to note at this point that Hermes or Mercury is a celestial body, a planet. Horus or Apollo is closely identified with our sun, but these are not the only links between these celestial entities and the lights in the heavens.

So, the Pleiades, along with Orion and Sirius, are often named in connection with that plumed serpent and others of the Devil's alias identities. I believe these celestial lights and the angels associated with them are represented by the charges on the Jesuit Pope's shield. I've already linked the star and the bunch of grapes to the Pleiades through the pair as a "star cluster" as the Coat of Arms matches to the Masonic tracing board, but more connections are about to be explored.

Here's where this is taking us. I'm stating it plainly right up front. The shield symbols, as part of the whole, appear to involve a binding magick, engaging seven spirits that wield legitimate authority over man. This may sound like an absurd supposition, but what these agents of darkness are doing is working! Magick works through symbols, and this is how I read this very important symbol that represents a legitimate magickal working. It should be obvious from Revelation 13 that there is genuine supernatural authority being exercised. Is there no sign of it, no physical evidence at hand? The working of the demonic authorities in the earth has ever been expressed through physical substance, concrete objects and the expression of forms. Let's see what lies opening before us.

There are several levels of interpretation of the celestial symbols and I'm going explore a few. I'd like to present this is a more linear fashion, but the material does not lend itself thus. I'm going to proceed with what amounts to an intersection of themes I've covered before relative to the Hoover Dam, which I developed in the context of Rango, the animated feature film.

What we find at the Dam links the Amarucan eagle to the Pleiades while including the element of binding or controlling supernatural authorities. This is a strong intersection, and I highly recommend taking the time to read the following post. Part 49 - Rango - Hoover Dam, Alcyoneus and the Hypercube Tuning Fork Angels

At the Dam, a special visitors area has a large Amarucan eagle represented near to a star map of the Pleiades. Again, these are two features represented in the official heraldry of Pope Francis. The place is sacred to Lord Pakal Ahau, Mayan priest. I've been told pagans perform sacred rituals at the Dam, at 3 AM. The hydroelectric facility is modeled on the Altar of Zeus referenced as “where Satan dwells” in Revelation 2:13.

The 142 foot flagpole at the Dam is flanked by 30 foot high bronze “Winged Figures of the Republic,” which may be intended as a signal receiver, perhaps specially tuned for “listening.” Could this be related somehow to what's being watched for from Mount Graham in Arizona, less than 500 miles to the southeast?

Here's what I wrote in the post I referenced.

“You see in this image of a star map at the Dam, the prominent name, Alcyone. Alcyone is the name of a star in the Pleiades, referenced above in Job 38 in the context of binding. The star is a metaphor for an angel, and there is a legendary giant named Alcyoneus, a star child, hybrid angel human, Nephilim. Legend has it he was created to destroy the gods. Is Alcyone, the named star of the star map at the Dam, indicating that Alcyoneus is the subject of magickal binding at the facility?”

In the Rango post I explore the matter of binding. Read it carefully with a view to see just how important the symbolism of binding heaven and earth was to the designer.

31 “Can you bind the chains of the Pleiades, Or loose the cords of Orion? 32 “Can you lead forth a constellation in its season, And guide the Bear with her satellites? 33 “Do you know the ordinances of the heavens, Or fix their rule over the earth? ~ Job 38:31-33

31 Dost thou bind sweet influences of Kimah? Or the attractions of Kesil dost thou open? 32 Dost thou bring out Mazzaroth in its season? And Aysh for her sons dost thou comfort? 33 Hast thou known the statutes of heaven? Or dost thou appoint Its dominion in the earth? ~ Job 38:31-33 (YLT)

If you're the kind of Bible reader who glosses over details as being unimportant you're in the wrong place. When celestial imagery is identified in the context of binding and loosing there's some profound truth being expressed. The Devil is not stupid. When the 200 Watchers fell, they taught men the secrets of heaven. When builders who follow mystery traditions align their projects with the dog star Sirius and Orion and the Pleiades, it's not done for no reason or to no effect. They are led by their god as I am led by mine. As Jorge Bergoglio developed his heraldry, his hand was guided by an unseen force. When the VATT and LUCIFER were built upon Mount Graham, which is said to be sacred to all the native Amarucans, that same spirit was being honored with obedience.

“The Cherokee Indian calendar ends in the year 2012 and their flying rattlesnake god returns. The “Cherokee Rattlesnake Prophecies,” also known as the “Chickamaugan Prophecy” or the “Cherokee Star Constellation Prophecies,” are part of a series of apocalyptic prophecies made by members of the Cherokee tribe during 1811–1812. Like the Maya, the Cherokee calendar ends mysteriously in the year 2012 when astronomical phenomena related to Jupiter, Venus, Orion, and Pleiades cause the “powers” of the star systems to “awaken.”” (Pt 13: Petrus Romanus)

The bunch of grapes on the Papal shield is a symbol used to represent the star cluster Pleiades. “Not nearly as many peoples associate the Pleiades with a cluster of grapes, but there are some... ”(The Bible and the Pleiades by Gerardus D. Bouw, Ph.D.) For another example: “The appearance of Pleiades resembled a bunch of grapes, and was appropriately given that title, not only because its stars were clustered together, but also because, in myth, those stars were the nymphs who nursed baby Dionysus after his mother passed away.” (Dionysus and the Origin of Wine) The symbolism of the grape cluster set alongside the five pointed star and under the stylized sun references the Pleiades in a particular celestial context.

There is a supernaturalism in this, and if there were not, the second commandment would not have been given, which explicitly connects the crafting of a symbol to the worship of idols. I'm not just some ignorant nut going on about mere superstition or hollow tradition. When the Pope's brand was updated, his star and grapes were changed from white to yellow, the color of star light or angel illumination and power. I believe this reflects what the flying rattlesnake god worshiping Cherokee prophesied about, the “astronomical phenomena related to Jupiter, Venus, Orion, and Pleiades,” and that the “powers” of the star systems were indeed “awakened” in some fashion. An active demonic supernaturalism is manifest in our world, the dark power of antichrist delusion. Whether this Pope or some other will fulfill the role of the biblical false prophet, that appointed season where he anoints the beast is now exactly 2 years hence, as I write.

Here is what I believe to be an essential set of scriptures describing this Pope's heraldry.

13 and in the middle of the lampstands I saw one like a son of man, clothed in a robe reaching to the feet, and girded across His chest with a golden sash. ...16 In His right hand He held seven stars, and out of His mouth came a sharp two-edged sword; and His face was like the sun shining in its strength. 17 When I saw Him, I fell at His feet like a dead man. And He placed His right hand on me, saying, “Do not be afraid; I am the first and the last, 18 and the living One; and I was dead, and behold, I am alive forevermore, and I have the keys of death and of Hades. 19 Therefore write the things which you have seen, and the things which are, and the things which will take place after these things. 20 As for the mystery of the seven stars which you saw in My right hand, and the seven golden lampstands: the seven stars are the angels of the seven churches, and the seven lampstands are the seven churches. ~ Revelation 1:13, 16-22

The Pleiades are referenced historically as seven stars, and these are often linked to the seven stars seen in his right hand, which are the angels of the seven churches. Pay particular attention to verses 17 and 18 and the context of what he says and what he does with his right hand, in which are held seven stars. Death and resurrection are in view, and the claim of possessing “the keys of death and of Hades.” There are those who perceive in this the agency of the psychopomp Hermes, the magick of Isis and of the phoenix, Amaru. Here we have the Pleiades and the power of binding wielded by the god identified with the sun. Those who present themselves as angels of light acquire the form of it for their darkened and darkening purposes.

When the Vatican tells us that the two keys on the Papal heraldry represent the keys to the kingdom that were presented to Peter, there's a truth in that where a binding and loosing authority is expressed, but what should be evident from this latest iteration is how the two keys are those of death and of Hades referenced in Revelation 1:18! Recall from Revelation 13:11-15 how this kind of authority is seen in the context as what the beast with two horns like a lamb will do is described.

Here's a very relevant excerpt from an email exchange between Tom Horn and Chris Pinto. Chris writes:

“It is further worth considering the writings of Manly P. Hall on these things, since the Roerichs knew Hall personally, and Helena wanted her sons discipled by him. On the symbolism of the number seven, he wrote: “By the Pythagoreans the heptad-seven—was called ‘worthy of veneration.’ It was held to be the number of religion, because man is controlled by seven celestial spirits.… It was called the number of life.… Keywords of the heptad are fortune…control, government, judgment…that which leads all things to their end” (Hall, Secret Teachings of All Ages, p. 72).

In his writings, Hall claimed that the apocalypse of St. John the Divine (book of Revelation) was a symbol for the entire pantheon of the pagan mysteries. He described the Christ figure thus: “In the opening chapter of the Apocalypse, St. John describes the Alpha and Omega…this Sublime One thus epitomizes…the entire sweep of humanity’s evolutionary growth—past, present, and future.” He continued, “The seven stars carried by this immense Being in his right hand are the Governors of the world” (Hall, The Secret Teachings of All Ages, pp 185–186).” (Apollyon Rising 2012 Redux: Part Eight -- Secrets of the Great Seal )

In that same article, Tom wrote about the subject, that: “As we will show later, there is a fascinating third possibility—that the “seven stars under the sign of the three stars” is a reference to the star systems Pleiades and Orion.”

Get firmly in mind what Hall declared about that heptad, which is distinctly associated with the Pleiades, and that these stars are considered to be the Governors of the world. Obviously, anyone who controls the world, like an antichrist beast and false prophet, for example, must have the seven stars in their right hand.

31 “Can you bind the chains of the Pleiades, Or loose the cords of Orion? 32 “Can you lead forth a constellation in its season, And guide the Bear with her satellites? 33 “Do you know the ordinances of the heavens, Or fix their rule over the earth? ~ Job 38:31-33

The Hebrew word for rule is found only here, “mishtar:” “rule or authority.” The word for earth is “erets,” the land. Recall from Revelation 13:11-15, the focus on the expression of authority and the expressions of control over those who dwell in the land.

11 And I saw another beast coming up out of the land, and it had two horns, like a lamb, and it was speaking as a dragon, 12 and all the authority of the first beast doth it do before it, and it maketh the land and those dwelling in it that they shall bow before the first beast, whose deadly stroke was healed, 13 and it doth great signs, that fire also it may make to come down from the heaven to the earth before men, 14 and it leadeth astray those dwelling on the land, because of the signs that were given it to do before the beast, saying to those dwelling upon the land to make an image to the beast that hath the stroke of the sword and did live, 15 and there was given to it to give a spirit to the image of the beast, that also the image of the beast may speak, and [that] it may cause as many as shall not bow before the image of the beast, that they may be killed. ~ Revelation 13:11-15 (YLT)

I believe the “As Above So Below” Hermetic Maxim will manifest accordingly, and that this Coat of Arms of Pope Francis presents us with an exhibit of the Papal authority as it will soon manifest. The three nails in the Jesuit icon represent the hardware used to bind heaven to earth as the man from heaven was nailed to the earthly tree. The Papal imagery of the star cluster adds to the regal mitre and keys, giving redundant expressions of the reality of this supernaturalism.

The first definition Strong's Concordance offers for the word “hades” used in Revelation 1:18 is, “name Hades or Pluto, the god of the lower regions.” Witchcraft operates through the binding of demons. Having the keys to death and Pluto (also, a celestial body) or Hades is a big deal.

It should be known that what the Bible declares is, simply is. Authority will be granted to a pair of men who will substitute for Jesus and John the Baptist, who was the High Priest ordained to baptize and anoint the lamb of God. The world will have what it demands. Right on time. Nearly all will be deceived in this action, and the delusion grows yet more and more strong to deceive all but a small number. What must be known to be included in that small number is more than what you see now among those who hold up this Pope and his church as false, of that I am absolutely convinced. Today, the evident supernatural delusion is impressive, but when the time comes that matters most, what will be brought forth will make what we now see pale in comparison.

More to follow, Lord willing!